Weaver Quotes

Love is a cunning weaver of fantasies and fables.

Pity me that the heart is slow to learn What the swift mind beholds at every turn.

I will come back to you, I swear I will; And you will know me still. I shall be only a little taller Than when I went.

A lie took two parties - the weaver of the tale and the sucker who so badly wanted to believe it.

The Weaver” “My life is but a weaving Between my God and me. I cannot choose the colors He weaveth steadily. Oft’ times He weaveth sorrow; And I in foolish pride Forget He sees the upper And I the underside. Not ’til the loom is silent And the shuttles cease to fly Will God unroll the canvas And reveal the reason why. The dark threads are as needful In the weaver’s skillful hand As the threads of gold and silver In the pattern He has planned He knows, He loves, He cares; Nothing this truth can dim. He gives the very best to those Who leave the choice to Him.

I didn’t gouge them out, Butcher. I plucked them. Delicately. Like a lady.

I would kill for you, and I have. I would do it again, every damn day. I’d turn myself inside out for you. I would die for you. I don’t just like you, Sloane, and you fucking know it.

I have come to believe that we do not walk alone in this life. There are others, fellow sojourners, whose journeys are interwoven with ours in seemingly random patterns, yet, in the end, have been carefully placed to reveal a remarkable tapestry. I believe God is the weaver at that loom.

The weaver went on, “I have to create, or it was all for nothing. I have to create, or I will crumple up with despair and never leave my bed. I have to create because I have no other way of voicing this.” Her hand rested on her heart, and my eyes burned. “It is hard,” the weaver said, her stare never leaving mine, “and it hurts, but if I were to stop, if I were to let this loom or the spindle go silent …” She broke my gaze at last to look to her tapestry. “Then there would be no Hope shining in the Void.

I didn’t. My mother gave it to me as a keepsake, then took it back when I reached maturity—and gave it to the Weaver for safekeeping.” “Why?” “So I wouldn’t waste it.

I spent all night weaving a poem for you to wear. You look so beautiful when you wear my light.

There's art in our scars. There's wonder in the way we can heal.

Maybe I was right. We’re not normal people. We are monsters. But if we’re monsters, we’ll thrive in the dark. Together.

Llonio said life was a net for luck; to Hevydd the Smith life was a forge; and to Dwyvach the Weaver-Woman a loom. They spoke truly, for it is all of these. But you,' Taran said, his eyes meeting the potter's, 'you have shown me life is one thing more. It is clay to be shaped, as raw clay on a potter's wheel.

Boobs plus murder don’t equal a relationship, Lark. That math ain’t mathin’.

You have never been unlovable. You were just waiting for someone who will love you for who you are, not for who they want you to be. I can do that, if you'll let me.

For those of you who read the trigger warnings and said “Accidental cannibalism?! Count me in!” This one’s for you.

I think, writing-wise, I am probably more of a quilter than a weaver because I just get a little scrap here and a little scrap there and sew them together.

You might be psycho,” I say with a grin as her eyes narrow, “but you’re my psycho, and I’m yours. Got it?

If he wasn't already holding my heart in the palm of his hand, I would have taken it out and given it to him right then.

There is no 'the truth','a truth' - truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface. When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet

Did you just propose on a napkin with a ring you stuffed in a guy’s eye hole?

Being a serial killer who kills serial killers is a great hobby… Until you find yourself locked in a cage.

You can either let it wreck you, let it get you killed like it nearly did with the Weaver, or you can learn to live with it.

I inherited her. I preyed on her. I owned her life and had the piece of paper to prove it. Nila Weaver. Mine. And my task….. …. …. devour her.

Bravery has nothing to do with not feeling fear, and everything to do with facing it.

It's okay to love your darkness and still love yourself. It doesn't make you a bad person. It makes you a whole one.

I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos.

Who is She? She is your power, your Feminine source. Big Mama. The Goddess. The Great Mystery. The web-weaver. The life force. The first time, the twentieth time you may not recognize her. Or pretend not to hear. As she fills your body with ripples of terror and delight. But when she calls you will know you’ve been called. Then it is up to you to decide if you will answer.

Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act--to Weave--was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.

He’s Rowan,” Sloane says, gesturing at me again. Rose narrows her eyes as though this is insufficient information. “He’s my f-fr…boy. Guy. A man-guy. I’m…with. Here.”  I snort a laugh as Rose’s face scrunches. “Man-guy,” I echo. “Real smooth, Blackbird.

Without balance, a life is no longer worth the effort.

I just want to be tossed around a bit. Manhandled, you know? Call me a dirty little slut and I’m all for it.

As the Weaver, so is the Thread

I’m more like a multiple deleter.

Geallaim duit a bheith i mo fhear céile dílis duit, fad a mhairimid le chéile,

I think we’re officially best friends now,” she says.  “Oh yeah? Do you want to go do karate in the garage?

You know what they say, Blackbird. ‘It’s all fun and games until someone loses an eye,’” I whisper. “And that’s when the real fun begins.

A Writer in Love. I was just a word weaver What did I know of love? Only that Some days when the words weren’t enough, I knew I was in love.

You’ll love me one day,

Funny, gorgeous, and a genius. What a package." He backed out of the parking space, smiling as he drove away. I loved that he left crazy off the list. I loved it even more that he would never think to add it.

No matter what your reality looks like, you're the girl I'm in love with today, and the same girl I'll be in love with tomorrow and all the days after that. Not just because of who you are, but because of who you were. It's all part of your story, Em. And I want to be a part of your story, too.

APD is primarily defined as a lack of empathy,' I said. I'd looked it up too, a few months ago. Empathy is what allows people to interpret emotion, the same way ears interpret sounds; without it you become emotionally deaf. 'It means I don't connect emotionally with other people. I wondered if he was going to pick that one.' 'How do you even know that?' she said. 'You're fifteen years old, for goodness' sake. You should be ... I don't know, chasing girls or playing video games.' 'You're telling a sociopath to chase girls?

Aren't I supposed to be brave, fearless? Isn't that what the world expects?" "Screw what the world expects. Think about all the things you've faced. You cracked, but you didn't break. You're still standing. I'd call that fearless. You've already conquered so much.

My feckin’ catastrophe,” he says as his thumb coasts across my cheek. “You fucking destroyed me. And now I can’t imagine being anything but the man that I am with you.

We’re fucked, Nila Weaver. Well and truly fucked.

Getting a full-body buzz with a guy I'd just met was as weird as seeing dead people. But much more enjoyable.

The scientists have given [modern man] the impression that there is nothing he cannot know, and false propagandists have told him that there is nothing he cannot have.

Bitterness is like drinking poison and waiting for the other person to die.

A snow globe,” I say slowly, waiting for her to look up, which she doesn’t do. “You made a severed finger into a feckin’ snow globe.” “It was almost Christmas,” she says with a shrug. “It felt … festive.

I wanted to be alone with him. Really alone. "Maybe we should take this back to my place." He lifted his head to look at me, a strange expression on his face. I let out a nervous giggle. "That sounded better in my head." "It sounded pretty damn good out of it.

The world clamors, "Do more! Be all that you can be!" But our Father whispers, "Be still and know that I am God.

Sometimes, you need to carve the things you’ve lost right into your skin so you remember what you left behind.

A spider conducts operations that resemble those of a weaver, and a bee puts to shame many an architect in the construction of her cells. But what distinguishes the worst architect from the best of bees is this, that the architect raises his structure in imagination before he erects it in reality.

The Weaver is a really godlike power. It's not even a blind idiot god, a sort of Lovecraft thing, it's just a purely capricious god. It's an intelligence you can't understand, so you can't trust it." -Amazon.com interview

Live for me. Breathe for me. Come back to life for me.

... but the rain Is full of ghosts tonight

I am a teller of stories...a weaver of dreams. I can dance, sing, and in the right weather stand on my head. I know seven words of Latin. I have a little magic and a trick or two. I know the proper way to meet a dragon, can fight dirty but not fair, and once swallowed thirty oysters in a minute. I am not domestic. I am a luxury, and in that sense, necessary.

No wonder I have been so slow, I thought. All this while, I have been a weaver without wool, a ship without the sea. Yet now look where I sail.

Hysterical optimism will prevail until the world again admits the existence of tragedy, and it cannot admit the existence of tragedy until it again distinguishes between good and evil. . . Hysterical optimism as a sin against knowledge.

In keeping with his cryptic nature, all your Story Weaver said was 'The horses know where to go.' It's certainly not a military strategy I would use, but I've learned that the south uses its own strategy. And, strangely enough, it works.

God the Grand Weaver seeks those with tender hearts so that he can put his imprint on them. Your hurts and your disappointments are part of that design, to shape your heart and the way you feel about reality. The hurts you live through will always shape you. There is no other way.

It wasn’t really by choice. But I’d take a raccoon to the face for you any day, Rose Evans.

They're similar to the human idea of the sandman. They used to help people sleep. Now they're more prone to creating nightmares that end in death." Lucky's description of the dream weavers.

The issue ultimately involved is whether there is a source of truth higher than, and independent of, man; and the answer to the question is decisive for one’s view of the nature and destiny of man.

If daughters couldn't soften a man, then nothing would.

The hero can never be a relativist.

Secure your eyeballs. Repeat. Secure your eyeballs.

Oh dear! A drunken infidel weaver! said Mr. Hale to himself.

The Weaver My life is but a weaving between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the underside. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned.

No boys allowed unless they have scales and a breeding kink.

I stared at Irys. My Story Weaver had to be laughing his blue ass off right now. My future appeared to be a long twisted road fraught with knots, tangles and traps. Just the way I liked it.

Tuxedo Guy looked even better the closer he got to us- tall wide shoulders, smooth skin, those lips.

Sometimes karma needs a backup bitch,

Pick a safe word. Do it now.” I swallow. Hard. “Chainsaw.” He huffs a laugh, a burst of warmth against my core. “How fitting, love. Now be a good girl and find something to grab on to…” he says, then passes one long, slow lick over my center. “...Because I’m about to destroy you.

For those of you who read B&B and L&L and said, “Hell, I’ve already endured the ice cream and pizza, I might as well keep going” … you truly are my people. This one’s for you!

The Land of Dreams, that mystical realm, where the oddest of visions appear, come wander through scenes of joyful peace, or stampeded through nightmares of fear. Dare we open those secret doors, down dusty paths of mind, in long-forgotten corners, what memories we'll find. Who rules o'er the Kingdom of Night, where all is not what it seems? 'Tis I, the Weaver of Tales, for I am the Dreamer of Dreams!

How first you knew me in a book I wrote, How first you loved me for a written line

I need to know," we tell ourselves. "No," God answers softly, "You need to trust.

And sometimes the best things come out of the fire.

The chase was the best part, Hunting was intoxicating. And knowing I had the power to snuff out Nila Weaver’s life the moment I caught her gave me a certain…thrill.

Family is there to hold you together in the places you're weak. To let you know you belong somewhere in a world that might want to chew you up and spit you out.

Because I ‘like you’...?” Rowan cackles an incredulous laugh. “Like. You. Seriously…? Christ, Sloane. You are fucking brilliant but also the most willfully oblivious person I have ever met. Do you really think I just like you when I framed a drawing you left for me on a scrap of paper you tore from a notebook? The one I hung it in the kitchen so I can look at it every day and think of you? Do you think I just like you when I tattoo it on my skin? I play this fucking game every year and tear my heart out watching you walk away, only to do it all over again, and I like you? You think I just like you when I fuck you like this?

He bent down burying his face in my neck. I reached back to grab onto the iron bars behind me to hold myself up. My jacket slipped off my shoulders. I was pretty sure I was on fire and at that moment I would have sworn that bursting into flame was a glorious way to go.

He was my darkness & I was his light.We couldn't exist without each other.

I need a hug. Even dumpster goblins need love.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

Did I get the raven you left on the table tattooed on my back?” His smile is teasing, but there’s a hint of shyness in it as he finishes my thought. “Yeah. Appears to be the case.

Just like nature, the prettiest things are often the most poisonous.

It took a while to learn that being in love is not enough. Choosing love is what it takes.

I'm so conflicted. I want to fuck you so badly but I also fear for my life. It's like wet dream nightmare fuel.

Come on, Blackbird. I need some dragonman DP.

Something caught your eye, pretty boy?” I whisper.  “Yes,” he says, his voice pained. “God, yes, Sloane. All of you.

So eager, Ms. Weaver. If I didn’t know any better, I’d say you like the taste of me.

Lobotomy,’ I mouth at him, trying to make it look like I’m scratching my forehead when I tap it and nod toward David. Rowan’s head tilts and I roll my eyes, gritting my teeth. ‘Lo-bo-to-my.’ Rowan’s head tilts in the other direction, his brow still furrowed but a hint of a grin playing at his lips. He subtly points at me, and then at himself. ‘You love me?’ he mouths.  I smack my head.

Our dream of happiness is waiting for another universe to collide with our own, and change what we ourselves cannot.

I’m not taking the most beautiful girl of the night to the social event of the year in a fucking Honda Accord.

Piety is a discipline of the will through respect. It admits the right to exist of things larger than the ego, of things different from the ego.

I thought I told you once not to let your prettiness get to your head,” she says.   “Just had to check that you still think I’m pretty.

According to Thomas, the city [of Bath] had once been a veritable hotbed of manifestations, with every sorcerer, bunyip, golem, goblin, pict, pixie, demon, thylacine, gorgon, moron, cult, scum, mummy, rummy, groke, sphinx, minx, muse, flagellant, diva, reaver, weaver, reaper, scabbarder, scabmettler, dwarf, midget, little person, leprechaun, marshwiggle, totem, soothsayer, truthsayer, hatter, hattifattener, imp, panwere, mothman, shaman, flukeman, warlock, morlock, poltergeist, zeitgeist, elemental, banshee, manshee, lycanthrope, lichenthrope, sprite, wight, aufwader, harpy, silkie, kelpie, klepto, specter, mutant, cyborg, balrog, troll, ogre, cat in shoes, dog in a hat, psychic and psychotic seemingly having decided that this was the hot spot to visit.

You exist by the Weavers' grace. Only as long as you are what they expect of you. Do not understand how fragile that is? But if you replace your other, you might be safe. You might make your familiars happy, and then they will always keep you. So if only for my sake, child, hope that happens." "I don't wish for her to die!" "Then I will wish it," she replies ruthlessly.

It will be found that every attack upon religion, or upon characteristic ideas inherited from religion, when its assumptions are laid bare, turns out to be an attack upon mind.

The modern state does not comprehend how anyone can be guided by something other than itself. In its eyes pluralism is treason.

Man is constantly being assured today that he has more power than ever before in history, but his daily experience is one of powerlessness.

I need you to know that I adore you. I worship you. I don’t just love you, Nila Weaver. I treasure you. I’ve never had anything so goddamn precious as you.

And still the Weaver plies his loom, whose warp and woof is wretched Man Weaving th' unpattern'd dark design, so dark we doubt it owns a plan

And the strangest thing about the nightmare street was that none of the millions of things for sale were made there. They were only sold there. Where were the workshops, the factories, where were the farmers, the craftsmen, the miners, the weavers, the chemists, the carvers, the dyers, the designers, the machinists, where were the hands, the people who made? Out of sight, somewhere else. Behind walls. All the people in all the shops were either buyers or sellers. They had no relation to the things but that of possession.

If God did not exist it would be necessary to invent Him. But all nature cries aloud that He does exist." (Voltaire)

For those of you who came here after the B&B ice cream and just read the L&L triggers and thought, “She’s not really serious about the pizza … right …?” This one’s for you.

What are you doing?” I hiss. Rowan rests the handle of the ax against his shoulder and huffs before giving me a wink. “Getting revenge for hurting my girl, of course.

But finding someone who could understand me for all the shattered pieces beneath the mask? I needed that. Before you came along, something was missing. You, Rowan. You were missing. You made it safe to feel seen. Safe to play on our terms. Safe to have fun, even though our fun might not be everyone’s idea of a good time.

He domesticated and developed the native wild flowers. He had one hill-side solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.

Tomorrow we go back to normal?" "Sure," Mab said. "It'll be like none of this happened. Except I'll still be pregnant, and you'll still be making dragons, and Glenda will still be pretending that Dreamland is Cancun, and Weaver will still own the only green velvet demon in captivity. Other than that, perfectly normal." "I just meant no demons trying to kill us," Cindy said. "My baseline for normal is a lot lower than yours.

There is no correlation between the degree of comfort enjoyed and the achievement of a civilization. On the contrary, absorption in ease is one of the most reliable signs of present or impending decay.

Emerson, you just shared your deepest secret with me. I value that. Don't make light of it." If he wasn't already holding my heart in the palm of his hand, I would have taken it out and given it to him.

The room behind me was dark. 'Thief,' intoned a lovely voice in the blackness... 'You have seen my twin,' the Weaver hissed softly-- with a hint of wonder. 'I smell him on you.'... Somewhere deep in the room, I FELT her move. Felt her stand. And take a step toward me. 'What are you,' the Weaver breathed.

how much more grand is the work of our Heavenly Father as he pulls together all the varied strands of life to reveal his grand design?

No society is healthy which tells its members to take no thought of the morrow because the state underwrites their future.

Sloane is probably holed up in her house with a smutty book and her demonic cat.

I finally realize I don’t care about the illusion of light anymore. My Rose blooms in the dark. And all I want is to grow there with her.

I'm on the edge, Neblin, I'm off the edge - I'm over the edge and falling into hell on the other side.' 'Calm down, John,' he said. 'We can work through this. Just tell me where you are.' 'I'm down in the cracks of the sidewalks,' I said, 'in the dirt and in the blood, and the ants are looking up and we're damning you all, Neblin. I'm down in the cracks and I can't get out.

A great weight had been lifted off of my shoulders. Ben wasn’t what I wanted or needed. I wanted someone who knew me, the real me. I needed the person who knew all my secrets and fears. I wanted a person who lived and fought passionately. I wanted my best friend.

But the greatest dream of all is to know God and to know what he has intended for your life.

Connection starves suspicion.

I should’ve saved you the first time I saw you.” “You did save me.” “How?” “You fell in love with me.

She was mine as much as I was hers. Now and for always. Alive or dead. We were one.

You’re all the best things to me, Sloane. No matter how many bruises are in your heart or on your skin.

You fucking tell me, so that you know when I ruin you for all other men, it’s what you asked for.

as jolaha ka maram na jana, jinh jag ani pasarinhh tana; dharti akas dou gad khandaya, chand surya dou nari banaya; sahastra tar le purani puri, ajahu bine kathin hai duri; kahai kabir karm se jori, sut kusut bine bhal kori; No one could understand the secret of this weaver who, coming into existence, spread the warp as the world; He fixed the earth and the sky as the pillars, and he used the sun and the moon as two shuttles; He took thousands of stars and perfected the cloth; but even today he weaves, and the end is difficult to fathom. Kabir says that the weaver, getting good or bad yarn and connecting karmas with it, weaves beautifully.

We only trust people we know,' says Martha Tennison...'If you're struggling to trust God, it may be because you don't really know God.

All over the world, people go to unimaginable lengths to find God--which is sad when you consider the unimaginable lengths God has already gone to find us

The typical modern has the look of the hunted.

Fuck you and your skinbook and your murder dimples and your stupidly beautiful eyes. I won't be swayed by a hot psychopath.

The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

Whether we deserve this or not, whether these turn out to be the darkest days of our lives or the brightest happiness, we've been guided by love. How can we go wrong when we're guided by love, Olivia.

In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.

So where does one begin? With self-crucifixion. In effect, we go to our own funeral and bury the self-will so that God’s will can reign supremely in our hearts. Our will has no power to do God’s will until it first dies to its own desires and the Holy Spirit brings a fresh power within.

When the weaver bird flies, nobody talks; when the busy bee flies, no one will make comments... But when a human being begins to fly, you begin to hear talks in the town such as "abomination!... where did he get the wings from?". Never mind! Your dreams are your wings, so decide to fly!

We Pashtuns love shoes but don't love the cobbler; we love our scarves and blankets but do not respect the weaver. Manual workers made a great contribution to our society but received no recognition, and this is the reason so many of them joined the Taliban—to finally achieve status and power.

There was a time when the elder generation was cherished because it represented the past; now it is avoided and thrust out of sight for the same reason.

You know what they say about the circus.” “What, that the show must go on?” “No,” she says. “That the show can’t begin until you jump.

Memories take hold in the silence. Pain dulls with time, but can still linger, waiting to be polished so it can shine once more.

Your badges represent just that: your choice, your conscious choice to place yourselves outside a predefined path; beyond the care of omniscient beings, and into your own capable hands. For a Weaver’s freewill is absolute; a Weaver is a master of their own life; a Weaver creates their own reality – but more importantly – a Weaver is responsible for reality.

A day may come when all hope is lost; when the oceans run red with our blood, and our darkest hour is upon us— and when it comes, that red day of reckoning, we turn, my dears, not to our rulers-in-good-times, but to our leaders-in-bad-times.

By weaving their thoughts and feelings into the substance of reality, the Weavers had ensured anyone writing about them would secure an instant bestseller – which wasn’t particularly difficult, considering the Weavers held the strings on the one holding the pen. Those who controlled the Pattern, controlled reality.

You’re out of excuses, Ms. Weaver. You were the one who started this. You’re the one who rode my fucking finger as if you’d never come before.” His voice dropped to a dark whisper. “So shut up, wrap those little fingers around my cock and stroke me, otherwise I swear to God I’ll throw you on your hands and knees and fuck your tight little cunt right here.

Please, God, please, don't let me be normal!

You’re wrong, though. It ain’t that I’m not brave. Being in love…Well, that’s the biggest kind of brave there is.

A wind with a wolf's head Howled about our door, And we burned up the chairs And sat upon the floor.

[I]f we feel that creation does not express purpose, it is impossible to find an authorization for purpose in our own lives.

So I will love you enough for the both of us.

That woman you were watching…?” My fingers tighten around his throat as he desperately nods. “She is mine.

I let him hold me. I let him shake and shudder. Time held no meaning as we existed in each other’s embrace and fed each other with love and togetherness. I would hold him for the rest of my life and ensure he never felt anything but acceptance, adoration, and unconditional love.

Listen to me, dear. When life hands you something, you take it, for in all likelihood, there’s a large crisis heading your way.

Ryder Delaney was the one imperfection in my life.He was the bad boy,black sheep,the one your mother always warned you about.He had only one hard-and-fast rule-Don't Fall In Love

Creating a happy marriage begins with choosing the right spouse.

I don’t know what trials I’m about to face. But I do know one thing as I feel the weight of this last secret lift from my soul. The show can’t start until you jump.

I had to dig human ass out of your mouth.

I have an eggplant face. That’s basically a dick face. A mushy dick face with a Carhartt logo.

Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces. Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web. It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept... ..I have danced with the spider. I have cut a caper with the dancing mad god.

Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, ‘Look at my beautiful home! Isn’t it fine?’ And not, ‘Look at the home so-and-so has built.’ Thus we shouldn’t cry, ‘Look what so-and-so has written. What a genius so-and-so is!’ But rather, ‘Look at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?

No. Christ. Now give me that dragon dick, Blackbird.”  “No way.” I manage to slip out of my chair with the e-reader before he can grab me, waving it toward him in a taunt as I back away toward our rooms. “Goodnight, weirdo. I’m going to bed. Early bird gets the worm, you know. Might plan myself a solo hiking trip to Davis Creek. No boys allowed unless they have scales and a breeding kink.”  “Of all the times to forget my dinosaur onesie at home.” Rowan sighs,

The worst suffering is not death. It is in living, day after day, knowing you’ve forever lost that which you most cherished. Most loved. Most desired. It’s being forced to continue existing in a world indifferent to your pain. To realize how powerless you are against the tide of God’s wrath.

Maybe I was right. We're not normal people. We are monsters. But if we're monsters, we'll thrive in the dark. Together.

Redemption precedes morality, and not the other way around.

God trained Moses in a palace to use him in a desert. He trained Joseph in a desert to use him in a palace.

Sometimes love brings us into the darkest corners of our lives," he told me. But we survive because love guides us through the fears and uncertainties. And other times, love brings us to the brightest sunshine, the most absolute happiness we have ever known.

Only if you are willing to pray sincerely for God’s will to be done and are willing to live the life apportioned to you will you see the breathtaking view of God that he wants you to have, through the windows he has placed in your life. You cannot always live on the mountaintop, but when you walk through the valley, the memory of the view from the mountain will sustain you and give you the strength to carry you through.

There's no denying that I loved him and still do, but there are lots of things to be happy about. The Ocean Teacher said that the purpose of life is to be happy. The Divine Weaver told me not to become disheartened when the pattern doesn't suit. She said I should wait and watch and be patient and devoted. The threads of my life are all tangled and jumbled up. I don't know if I'll ever get them straightened out. The fabric of my existence is pretty ugly right now. All I can do is hold onto my faith, believing that someday I'll see the light of that bright star again.

A Manhattan lawyer who describes himself as "America`s leading expert on the militia movement" writes that he hugged his three-year-old kid the night of the Oklahoma City bombing. He told junior that it happened "because they hated too much" For now, let`s accept the premise that one hundred sixty-eight humans died in Oklahoma City because people "hated too much" Now answer these questions if you would be so kind: did a federal sniper shoot Vicki Weaver in the face because he hated too much? Did our government conduct the Tuskegee with syphilis on black soldiers because it hated too much?

I love you, Rowan,” I blurt out. I take only a moment to register the shock in Rowan’s expression before I barrel into him, wrapping his solid body in my embrace. His heart hammers beneath my ear as I press my face to his chest.  His arms fold around me, one hand threading into my hair as he lays a kiss to the crown of my head. “I love you too, Sloane. So fucking much. But the restaurant was probably a giant clue.

Sometimes I feel as if there's an explanation to my life that continues to escape me; that I've missed something noble, something sublime; that in some way I have cheated myself...life is so strange, so harsh.

The night is quiet. Like a camp before battle. The city beset by a thing unknown and will it come from forest or sea? The murengers have walled the pale, the gates are shut, but lo the thing's inside and can you guess his shape? Where he's kept or what's the counter of his face? Is he a weaver, bloody shuttle shot through a time warp, a carder of souls from the world's nap? Or a hunter with hounds or do bone horses draw his dead cart through the streets and does he call his trade to each? Dear friend he is not to be dwelt upon for it is by just such wise that he's invited in

Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders "l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense.

I’m going to steal your e-reader. I want to read about the two-dick dragonman.”  “I’m sitting on it. Touch my ass and I’ll break your hand,” I say, failing to contain a laugh as he rhythmically prods my arm.  “I won’t. I’ll push you over and grab it, then cackle maniacally as I run to my room in triumph.

Just as when we step into a mosque and its high open dome leads our minds up, up, to greater things, so a great carpet seeks to do the same under the feet. Such a carpet directs us to the magnificence of the infinite, veiled, yet never near, closer than the pulse of jugular, the sunburst that explodes at the center of a carpet signals this boundless radiance. Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool, and in this tiniest of details, there it is: a call to the best within, summoning us to the joy of union. In carpets, I now saw not just intricacies of nature and color, not just mastery of space, but a sign of the infinite design. In each pattern lay the work of a weaver of the world, complete and whole; and in each knot of daily existence lay mine.

The Christian faith, simply stated, reminds us that our fundamental problem is not moral; rather, our fundamental problem is spiritual. It is not just that we are immoral, but that a moral life alone cannot bridge what separates us from God. Herein lies the cardinal difference between the moralizing religions and Jesus’ offer to us. Jesus does not offer to make bad people good but to make dead people alive.

There are things in this comedy of Pyramus and Thisby that will never please. First, Pyramus must draw a sword to kill himself; which the ladies cannot abide. How answer you that? SNOUT By'r lakin, a parlous fear. STARVELING I believe we must leave the killing out, when all is done. BOTTOM Not a whit: I have a device to make all well. Write me a prologue; and let the prologue seem to say, we will do no harm with our swords, and that Pyramus is not killed indeed; and, for the more better assurance, tell them that I, Pyramus, am not Pyramus, but Bottom the weaver: this will put them out of fear. QUINCE Well, we will have such a prologue; and it shall be written in eight and six. BOTTOM No, make it two more; let it be written in eight and eight.

What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.

God, I could live in this moment of anticipation forever. This moment when desire burns so bright that it could incinerate every rule & condition, if we just added a splash more gasoline to the fire. In this moment, there is no aftermath, no coming back to our senses. The only way out is to give in. Fuck the consequences.

Worship very plainly opens up the healing of all of mankind. The struggle of gender, the struggle of race, the struggle of history, the struggle to find political liberation, the struggle of our own contradictions — nothing can be mended until we understand the symbol of Jesus’ breaking of the bread and pouring of the wine.

My feckin’ catastrophe,” he says as his thumb coasts across my cheek. “You fucking destroyed me. And now I can’t imagine being anything but the man that I am with you.” “Lachlan Kane,” I whisper. “You’d better kiss me and prove it.” One last breath. One look. And then he presses his lips to mine.

I am seeking to rescue the poor stockinger, the Luddite cropper, the “obsolete” hand-loom weaver, the “utopian” artisan, and even the deluded follower of Joanna Southcott, from the enormous condescension of posterity. Their crafts and traditions may have been dying. Their hostility to the new industrialism may have been backward-looking. Their communitarian ideals may have been fantasies. Their insurrectionary conspiracies may have been foolhardy. But they lived through these times of acute social disturbance, and we did not. Their aspirations were valid in terms of their own experience…

He unpacks his bag of tales with fingers quick as a weaver's picking the weft threads threading the warp. Watch his fingers. Watch his lips speaking the old familiar words: "Once there was and there was not, oh, best beloved, when the world was filled with wishes the way the sea is filled with fishes..." All those threads pulling us back to another world, another time, when goosegirls married well and frogs could rhyme, when maids spoke syllables of pearl and stepmothers came to grief. .... (from The Storyteller poem)

I see the way you look at me. I feel the way you touch me. I hear the hidden messages in your voice. Unlike you, I’ve been blessed knowing the warmth that comes with love. The way a person’s eyes glow and body softens. You love me! And if you can stand there and deny it—when it’s so blatantly obvious—then there really is no hope for us. You might as well march me outside and complete the Final Debt, because I’d rather you kill me quickly than live through this endless death!”-Nila

How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that…we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.

Through many a long day you'll be taught That what you once did without thinking, As easy as if it were eating or drinking, Must be done in order: one! two! three! But truly, this though factory of ours Is like some weaver's masterpiece: One treadle stirs a thousand threads, This way and that the shuttles whistle, Threads flow invisibly, one ... Read morestroke Ties a thousand knots .... The philosopher steps in And proves to you it had to be so; The first was so, the second was so, And therefore the third and fourth were so. If the first and second hadn't existed, The third and fourth would never have existed. And this is praised by every scholar, But never a one becomes a weaver. To know and describe a living thing You first get rid of all its spirit: Then the parts are all in the palm of your hand, And all that you lack is the spirit that binds them! Encheiresis naturae, chemists call it, And fool themselves and never know it

When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.

I am madly in love with you, Lachlan Kane,” she says, jabbing her finger in my direction as though punctuating each word. “And I am also just madly mad. Don’t you ever give me divorce papers again.” “I promise, duchess.” A burst of hope and relief and joy floods my chest. They are feelings I thought I’d never have, a life I never thought I’d live. Not until I made the choice to let Lark in. “I love you, Lark Kane.

Vivian’s first impression of Solidago was that she had travelled back in time, but not to a time where architecture had been invented. All houses were twisted out of shape, to say the least. Windows either too large to open or too small to make a difference peppered the city in places one would never dream of having one. The walls were mostly cast in brickwork by the kind of stonemason whose day job was financial advising. Skewed walls with more bricks than mortar, knotted chimneys keeping the smoke inside and cupping rooftops whose main purpose was to gather rainwater – Solidago had it all and more. As the oldest civilization of the cosmos, Alarians might have been excellent at healing, philosophizing and weaving into the fabric of reality, but they were very poor city builders.

As you progress with your sadhana you may find it necessary to change your occupation. Or you may find that it is only necessary to change the way in which you perform your current occupation in order to bring it into line with your new understanding of how it all is. The more conscious that a being becomes, the more he can use any occupation as a vehicle for spreading light. The next true being of Buddha-nature that you meet may appear as a bus driver, a doctor, a weaver, an insurance salesman, a musician, a chef, a teacher, or any of the thousands of roles that are required in a complex society—the many parts of Christ’s body. You will know him because the simple dance that may transpire between you—such as handing him change as you board the bus—will strengthen in you the faith in the divinity of man. It’s as simple as that.

The room behind me was dark. "Thief," intoned a lovely voice in the blackness. "You do know," Ianthe tittered from outside the cottage, her steps slowing into a walk, "that we'll have to kill whoever is inside there with you. Selfish of you, Feyre." I panted, holding the door open, making sure they couldn't see me on the other side. "You have seen my twin," the Weaver hissed softly- with a hint of wonder. "I smell him on you." Outside, Ianthe and the guard grew closer. Closer and closer. Somewhere deep in the room, I felt her move. Felt her stand. And take a step toward me. "What are you," the Weaver breathed. "Feyre, you can be quite tedious," Ianthe said. Right outside. I could barely make out her pale robes through the crack between the door and the threshold. "Do you think you can ambush us in there? I saw your shield. You're drained. And I do not think your glowing trick will help." The Weaver's dress rustled as she crept closer in the gloom. "Who did you bring, little wolf? Who did you bring to me?" Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it. "Dinner," I said to the Weaver, whirling around the door- to it's outside face. And let go of the handle. Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room. Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her. I was already hurtling for the trees when the guards and Ianthe began screaming.

To consume the best for yourself and give the crumbs to God is blasphemy. A heart that truly worships is a heart that gives its best to God in time and substance. A heart that truly worships God gives generously to the causes of God---causes that God cares deeply about. I have to wonder whether someday we may wake up to discover that all our incestous spending on ourselves and our frantic construction of excessively luxurious places of worship---even as we ignore, for the most part, the hurting and the deprived of the world---filled God's heart with pain.

Mr. Brundy, you are no doubt as well acquainted with my circumstances as I am with yours, so let us not beat about the bush. I have a fondness for the finer things in life, and I suppose I always will. As a result, I am frightfully expensive to maintain. I have already bankrupted my father, and have no doubt I should do the same to you, should you be so foolhardy as to persist in the desire for such a union. Furthermore, I have a shrewish disposition and a sharp tongue. My father, having despaired of seeing me wed to a gentleman of my own class, has ordered me to either accept your suit or seek employment. If I married you, it would be only for your wealth, and only because I find the prospect of marriage to you preferable –but only slightly!- to the life of a governess or a paid companion. If, knowing this, you still wish to marry me, why, you have only to name the day.” Having delivered herself of this speech, Lady Helen waited expectantly for Mr. Brundy’s stammering retraction. Her suitor pondered her words for a long moment, then made his response. “’ow about Thursday?

Most of the major ills of the world have been caused by well-meaning people who ignored the principle of individual freedom, except as applied to themselves, and who were obsessed with fanatical zeal to improve the lot of mankind-in-the-mass through some pet formula of their own. The harm done by ordinary criminals, murderers, gangsters, and thieves is negligible in comparison with the agony inflicted upon human beings by the professional do-gooders who attempt to set themselves up as gods on earth and who would ruthlessly force their views on all others with the abiding assurance that the end justifies the means.

For the liquor of Miss Amelia has a special quality of its own. It is clean and sharp on the tongue, but once down a man it glows inside him for a long time afterward. And that is not all. It is known that if a message is written with lemon juice on a clean sheet of paper there will be no sign of it. But if the paper is held for a moment to the fire then the letters turn brown and the meaning becomes clear. Imagine that the whisky is the fire and that the message is that which is known only in the soul of a man – then the worth of Miss Amelia's liquor can be understood. Things that have gone unnoticed, thoughts that have been harbored far back in the dark mind, are suddenly recognized and comprehended. A spinner who has thought only of the loom, the dinner pail, the bed, and then the loom again – this spinner might drink some on a Sunday and come across a marsh lily. And in his palm he might hold this flower, examining the golden dainty cup, and in him suddenly might come a sweetness keen as pain. A weaver might look up suddenly and see for the first time the cold, weird radiance of midnight January sky, and a deep fright at his own smallness stop his heart. Such things as these, then, happen when a man has drunk Miss Amelia's liquor. He may suffer, or he may be spent with joy – but the experience has shown the truth; he has warmed his soul and seen the message hidden there.

The scientist in me worries that my happiness is nothing more than a symptom of bipolar disease, hypergraphia from a postpartum disorder. The rest of me thinks that artificially splitting off the scientist in me from the writer in me is actually a kind of cultural bipolar disorder, one that too many of us have. The scientist asks how I can call my writing vocation and not addiction. I no longer see why I should have to make that distinction. I am addicted to breathing in the same way. I write because when I don’t, it is suffocating. I write because something much larger than myself comes into me that suffuses the page, the world, with meaning. Although I constantly fear that what I am writing teeters at the edge of being false, this force that drives me cannot be anything but real, or nothing will ever be real for me again.

I know better than to not trust God. But sometimes, I forget that. When we are in the midst of an experience, it is easy to forget that there is a Plan. Sometimes, all we can see is today. If we were to watch only two minutes of the middle of a television program, it would make little sense. It would be a disconnected event. If we were to watch a weaver sewing a tapestry for only a few moments, and focused on only a small piece of the work, it would not look beautiful. It would look like a few peculiar threads randomly placed. How often we use that same, limited perspective to look at our life—especially when we are going through a difficult time. We can learn to have perspective when we are going through those confusing, difficult learning times. When we are being pelleted by events that make us feel, think, and question, we are in the midst of learning something important. We can trust that something valuable is being worked out in us—even when things are difficult, even when we cannot get our bearings. Insight and clarity do not come until we have mastered our lesson. Faith is like a muscle. It must be exercised to grow strong. Repeated experiences of having to trust what we can’t see and repeated experiences of learning to trust that things will work out are what make our faith muscles grow strong. Today, I will trust that the events in my life are not random. My experiences are not a mistake. The Universe, my Higher Power, and life are not picking on me. I am going through what I need to go through to learn something valuable, something that will prepare me for the joy and love I am seeking.

Religion, with its metaphysical error of absolute guilt, dominated the broadest, the cosmic realm. From there, it infiltrated the subordinate realms of biological, social and moral existence with its errors of the absolute and inherited guilt. Humanity, split up into millions of factions, groups, nations and states, lacerated itself with mutual accusations. "The Greeks are to blame," the Romans said, and "The Romans are to blame," the Greeks said. So they warred against one another. "The ancient Jewish priests are to blame," the early Christians shouted. "The Christians have preached the wrong Messiah," the Jews shouted and crucified the harmless Jesus. "The Muslims and Turks and Huns are guilty," the crusaders screamed. "The witches and heretics are to blame," the later Christians howled for centuries, murdering, hanging, torturing and burning heretics. It remains to investigate the sources from which the Jesus legend derives its grandeur, emotional power and perseverance. Let us continue to stay outside this St. Vitus dance. The longer we look around, the crazier it seems. Hundreds of minor patriarchs, self-proclaimed kings and princes, accused one another of this or that sin and made war, scorched the land, brought famine and epidemics to the populations. Later, this became known as "history." And the historians did not doubt the rationality of this history. Gradually the common people appeared on the scene. "The Queen is to blame," the people's representatives shouted, and beheaded the Queen. Howling, the populace danced around the guillotine. From the ranks of the people arose Napoleon. "The Austrians, the Prussians, the Russians are to blame," it was now said. "Napoleon is to blame," came the reply. "The machines are to blame!" the weavers screamed, and "The lumpenproletariat is to blame," sounded back. "The Monarchy is to blame, long live the Constitution!" the burgers shouted. "The middle classes and the Constitution are to blame; wipe them out; long live the Dictatorship of the Proletariat," the proletarian dictators shout, and "The Russians are to blame," is hurled back. "Germany is to blame," the Japanese and the Italians shouted in 1915. "England is to blame," the fathers of the proletarians shouted in 1939. And "Germany is to blame," the self-same fathers shouted in 1942. "Italy, Germany and Japan are to blame," it was said in 1940. It is only by keeping strictly outside this inferno that one can be amazed that the human animal continues to shriek "Guilty!" without doubting its own sanity, without even once asking about the origin of this guilt. Such mass psychoses have an origin and a function. Only human beings who are forced to hide something catastrophic are capable of erring so consistently and punishing so relentlessly any attempt at clarifying such errors.

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.