β
Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring.
β
β
Marilyn Monroe
β
There is no pretending," Jace said with absolute clarity. "I love you, and I will love you until I die, and if there is life after that, I'll love you then.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
To douchebags!" he said, gesturing to Brad. "And to girls that break your heart," he bowed his head to me. His eyes lost focus. "And to the absolute fucking horror of losing your best friend because you were stupid enough to fall in love with her.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.
β
β
Albert Camus
β
If we wait for the moment when everything, absolutely everything is ready, we shall never begin.
β
β
Ivan Turgenev
β
I may not have been sure about what really did interest me, but I was absolutely sure about what didn't.
β
β
Albert Camus (The Stranger)
β
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
β
β
Kurt Vonnegut Jr. (A Man Without a Country)
β
I had absolutely no interest in being somebody else's muse.
I am not a muse.
I am the somebody.
End of fucking story.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
I'm sick of not having the courage to be an absolute nobody.
β
β
J.D. Salinger (Franny and Zooey)
β
I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.
β
β
Edgar Allan Poe
β
We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.
β
β
AnaΓ―s Nin
β
Iβm under absolutely no obligation to make sense to you.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
There are only two kinds of people who are really fascinating: people who know absolutely everything, and people who know absolutely nothing.
β
β
Oscar Wilde
β
About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didnβt know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
A cat has absolute emotional honesty: human beings, for one reason or another, may hide their feelings, but a cat does not.
β
β
Ernest Hemingway
β
It is an absolute human certainty that no one can know his own beauty or perceive a sense of his own worth until it has been reflected back to him in the mirror of another loving, caring human being.
β
β
John Joseph Powell (The Secret of Staying in Love)
β
I started my life with a single absolute: that the world was mine to shape in the image of my highest values and never to be given up to a lesser standard, no matter how long or hard the struggle.
β
β
Ayn Rand (Atlas Shrugged)
β
It turns out I'm absolutely terrible at staying away from you. It's a very serious problem.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
If you let people into your life a little bit, they can be pretty damn amazing.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
No live organism can continue for long to exist sanely under conditions of absolute reality.
β
β
Shirley Jackson (The Haunting of Hill House)
β
You are okay?" he asked. "Not eaten by monsters?"
"Not even a little bit." I showed him that I still had both arms and both legs, and Tyson clapped happily.
"Yay!" he said. "Now we can eat peanut butter sandwiches and ride fish ponies! We can fight monsters and see Annabeth and make things go BOOM!"
I hoped he didn't mean all at the same time, but I told him absolutely, we'd have a lot of fun this summer.
β
β
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
β
For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them.
β
β
John Milton (Areopagitica)
β
Itβs absolutely unfair for women to say that guys only want one thing: sex. We also want food.
β
β
Jarod Kintz ($3.33 (the title is the price))
β
No human relation gives one possession in anotherβevery two souls are absolutely different. In friendship or in love, the two side by side raise hands together to find what one cannot reach alone.
β
β
Kahlil Gibran
β
Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.
β
β
Haruki Murakami (Kafka on the Shore)
β
No man should judge unless he asks himself in absolute honesty whether in a similar situation he might not have done the same.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
The only thing that you absolutely have to know, is the location of the library.
β
β
Albert Einstein
β
Start a huge, foolish project, like Noahβ¦it makes absolutely no difference what people think of you.
β
β
Rumi
β
I'm fine. Well, I'm not fine - I'm here."
"Is there something wrong with that?"
"Absolutely.
β
β
Ned Vizzini (It's Kind of a Funny Story)
β
There is no pretending",Jace said with absolute clarity."I love you,and I will love you until I die,and if there's a life after that,I'll love you then."
She caught her breath.He had said it-the words there was no going back from.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I AM IGNORANT of absolute truth. But I am humble before my ignorance and therein lies my honor and my reward.
β
β
Kahlil Gibran
β
Absolute power does not corrupt absolutely, absolute power attracts the corruptible.
β
β
Frank Herbert
β
A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.
β
β
Oscar Wilde (The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything (Green Integer))
β
My life was narrated for me by others. Their voices were forceful, emphatic, absolute. It had never occurred to me that my voice might be as strong as theirs.
β
β
Tara Westover (Educated)
β
A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it
β
β
Roald Dahl
β
Say what you will about the sweet miracle of unquestioning faith, I consider a capacity for it terrifying and absolutely vile.
β
β
Kurt Vonnegut Jr. (Mother Night)
β
You are", he says, "the absolute worst idea I've ever had.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Each relationship between two persons is absolutely unique. That is why you cannot love two people the same. It simply is not possible. You love each person differently because of who they are and the uniqueness that they draw out of you.
β
β
William Paul Young (The Shack)
β
Harry!" said Fred, elbowing Percy out of the way and bowing deeply. "Simply splendid to see you, old boy-"
"Marvelous," said George, pushing Fred aside and seizing Harry's hand in turn. "Absolutely spiffing."
Percy scowled.
"That's enough, now," said Mrs. Weasley.
"Mum!" said Fred as though he'd only just spotted her and seizing her hand too. "How really corking to see you-
β
β
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
β
It's probably a bad indicator of your lifestyle when you miss your ex-boyfriend because he's absolutely lethal.
β
β
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
β
Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn't feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That's my favorite part. It drives me, feeds me, and makes one hell of a story.
β
β
Jennifer Salaiz
β
It's Will," she said. "He's being absolutely ridiculous in the dining room."
Charlotte looked puzzled. "How is this different from him being totally ridiculous in the library or the weapons room or any of the other places he's usually ridiculous?
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
What was love, really? Flowers, chocolate, and poetry? Or was it something else? Was it being able to finish someone's jokes? Was it having absolute faith that someone was there at your back? Was it knowing someone so well that they instantly understood why you did the things you didβand shared those same beliefs?
β
β
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
β
You're an absolutely stunning, murderous little creature.
β
β
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
β
if you wanted to do something absolutely honest, something true, it always turned out to be a thing that had to be done alone.
β
β
Richard Yates (Revolutionary Road)
β
Am I tough? Am I strong? Am I hard-core? Absolutely.
Did I whimper with pathetic delight when I sank my teeth into my hot fried-chicken sandwich? You betcha.
β
β
James Patterson
β
Itβs better to be absolutely ridiculous than absolutely boring.
β
β
Marilyn Monroe
β
You don't get explanations in real life. You just get moments that are absolutely, utterly, inexplicably odd.
β
β
Neil Gaiman
β
Talent is helpful in writing, but guts are absolutely essential.
β
β
Jessamyn West
β
Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.
β
β
Frida Kahlo
β
Ah" said Dumbledore gently, "Yes I thought we might hit that little snag!"
"Snag?" said Fudge, his voice still vibrating with joy. "I see no snag, Dumbledore!"
"Well," said Dumbledore apologetically, "I'm afraid I do."
"Oh, really?"
"Well it's just that you seem to be labouring under the delusion that I am going to -- come quietly. I am afraid I am not going to come quietly at all, Cornelius. I have absolutely no intention of being sent to Azkaban. I could break out, of course -- but what a waste of time, and frankly, I can think of a whole host of things I would rather be doing.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Women think of all colors except the absence of color. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony.
β
β
Coco Chanel (Chanel)
β
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.
I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.
I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.
I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.
I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.
I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.
I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.
I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.
I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.
I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.
I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
β
β
Neil Gaiman (American Gods (American Gods, #1))
β
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream.
β
β
Shirley Jackson (The Haunting of Hill House)
β
There's a sunrise and a sunset every single day, and they're absolutely free. Don't miss so many of them.
β
β
Jo Walton
β
Protest beyond the law is not a departure from democracy; it is absolutely essential to it.
β
β
Howard Zinn
β
Who said anything about shame?" She gestured down to her naked body, even though it was covered by the blanket. "Honestly, I'm surprised you're not strutting about, boasting to everyone. I certainly would be if I'd tumbled me.
"Does your love for yourself know no bounds?"
"Absolutely none.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
You're incredibly, absolutely, extremely, supremely, unbelievably different.
β
β
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
β
so whatever you want to do, just do it...Making a damn fool of yourself is absolutely essential.
β
β
Gloria Steinem
β
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Sometimes there is absolutely no difference at all between salvation and damnation.
β
β
Stephen King (The Green Mile)
β
There are moments when you can't believe something wonderful is happening. And there are moments when your entire consciousness is filled with knowing absolutely that something wonderful is happening.
β
β
Rainbow Rowell (Attachments)
β
One summer morning at sunrise a long time ago
I met a little girl with a book under her arm.
I asked her why she was out so early and
she answered that there were too many books and
far too little time. And there she was absolutely right.
β
β
Tove Jansson
β
You cannot convince people to love you. This is an absolute rule. No one will ever give you love because you want him or her to give it. Real love moves freely in both directions. Donβt waste your time on anything else.
β
β
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
β
And it came to me then. That we were wonderful traveling companions but in the end no more than lonely lumps of metal in their own separate orbits. From far off they look like beautiful shooting stars, but in reality they're nothing more than prisons, where each of us is locked up alone, going nowhere. When the orbits of these two satellites of ours happened to cross paths, we could be together. Maybe even open our hearts to each other. But that was only for the briefest moment. In the next instant we'd be in absolute solitude. Until we burned up and became nothing.
β
β
Haruki Murakami (Sputnik Sweetheart)
β
It is absolutely okay with me if you need to keep some secrets. I've been thinking about this and I decided that a best friend is someone who, when they don't understand, they still understand.
β
β
Nancy Werlin (Impossible (Impossible, #1))
β
The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man's body.The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?
β
β
Milan Kundera (The Unbearable Lightness of Being)
β
Nothing is ever certain.
β
β
Alice Sebold (The Lovely Bones)
β
How happy is the little stone
That rambles in the road alone,
And doesn't care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity.
β
β
Emily Dickinson
β
Aim high, but do not aim so high that you totally miss the target. What really matters is that he will love you, that he will respect you, that he will honor you, that he will be absolutely true to you, that he will give you the freedom of expression and let you fly in the development of your own talents. He is not going to be perfect, but if he is kind and thoughtful, if he knows how to work and earn a living, if he is honest and full of faith, the chances are you will not go wrong, that you will be immensely happy.
β
β
Gordon B. Hinckley
β
And the sun and the moon sometimes argue over who will tuck me in at night. If you think I am having more fun than anyone on this planet, you are absolutely correct.
β
β
null
β
I don't imagine you will dispute the fact that at present the stupid people are in an absolutely overwhelming majority all the world over.
β
β
Henrik Ibsen
β
I think the saddest people always try their hardest to make people happy because they know what itβs like to feel absolutely worthless and they donβt want anyone else to feel like that.
β
β
Robin Williams
β
It is perfectly monstrous,' he said, at last, 'the way people go about nowadays saying things against one behind one's back that are absolutely and entirely true.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Learn, he says, that there will be hours, days
and months ahead of feeling absolutely terrible
and nothing can change that; neither new
girlfriends, health professionals, changes of diet, dope, humility, or
God.
β
β
Charles Bukowski
β
I've been absolutely terrified every moment of my life and I've never let it keep me from doing a single thing that I wanted to do.
β
β
Georgia O'Keeffe
β
Before I die, I want to be somebodyβs favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.
β
β
Andrea Gibson
β
Sharing a room with the person you want most is like sharing a room with an open fire.
He's constantly drawing you in. And you're constantly stepping too close. And you know it's not good--that there is no good--that there's absolutely nothing that can ever come of it.
But you do it anyway.
And then...
Well. Then you burn.
β
β
Rainbow Rowell (Carry On (Simon Snow, #1))
β
You were just worried about me."
An exhale, relieved that I had understood. "Yeah"
I turned. "Because you think I'm worth it"
He put his fingers under my chin. "I absolutely think your worth it."
"But you don't think you are."
His mouth opened. Shut.
"That's what this is about, Derek. You won't let us worry about you because you don't think you're worth it. But I do. I absolutely do.
β
β
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
β
Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn?" Marmeladovβs question came suddenly into his mind "for every man must have somewhere to turn...
β
β
Fyodor Dostoevsky (Crime and Punishment)
β
Keep in mind that the true measure of an individual is how he treats a person who can do him absolutely no good.
β
β
Ann Landers
β
You think because he doesn't love you that you are worthless. You think that because he doesn't want you anymore that he is right -- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, beacuse the clouds let him; they don't wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
β
β
Toni Morrison
β
There is only one way to fight, and that's dirty. Clean gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they're down, and maybe you'll be the one who walks away.
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
A mature person is one who does not think only in absolutes, who is able to be objective even when deeply stirred emotionally, who has learned that there is both good and bad in all people and in all things, and who walks humbly and deals charitably with the circumstances of life, knowing that in this world no one is all knowing and therefore all of us need both love and charity.
β
β
Eleanor Roosevelt (It Seems to Me: Selected Letters)
β
Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely?
β
β
Virginia Woolf (Mrs. Dalloway)
β
Representation of the world, like the world itself, is the work of men; they describe it from their own point of view, which they confuse with absolute truth.
β
β
Simone de Beauvoir (The Second Sex)
β
I'm not absolutely certain of the facts, but I rather fancy it's Shakespeare who says that it's always just when a fellow is feeling particularly braced with things in general that Fate sneaks up behind him with the bit of lead piping.
β
β
P.G. Wodehouse (Jeeves and the Unbidden Guest)
β
Are you hurt?"
"Absolutely," I said. "Especially in my everywhere.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
There are no eternal facts, as there are no absolute truths.
β
β
Friedrich Nietzsche
β
I see myself forever and ever as the ridiculous [person], the lonely soul, the wanderer, the restless frustrated artist, the [person] in love with love, always in search of the absolute, always seeking the unattainable.
β
β
Henry Miller (Stand Still Like the Hummingbird)
β
Dogs have given us their absolute all. We are the center of their universe. We are the focus of their love and faith and trust. They serve us in return for scraps. It is without a doubt the best deal man has ever made.
β
β
Roger A. Caras
β
Know from whence you came. If you know whence you came, there are absolutely no limitations to where you can go.
β
β
James Baldwin
β
I am opposing a social order in which it is possible for one man who does absolutely nothing that is useful to amass a fortune of hundreds of millions of dollars, while millions of men and women who work all the days of their lives secure barely enough for a wretched existence.
β
β
Eugene V. Debs
β
The real hopeless victims of mental illness are to be found among those who appear to be most normal. "Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does." They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their perfect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted.
β
β
Aldous Huxley (Brave New World Revisited)
β
For five years it had been his absolute truth. Jem and Will. Will and Jem. Will Herondale lives, therefore Jem Carstairs lives also.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
You're absolutely delicious when you're angry." "Too bad my taste is poisonous for your palate.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
What am I in the eyes of most people β a nonentity, an eccentric, or an unpleasant person β somebody who has no position in society and will never have; in short, the lowest of the low. All right, then β even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart. That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.
β
β
Vincent van Gogh
β
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Life is a constant struggle between being an individual and being a member of the community.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
Miracles are statistical improbabilities. And fate is an illusion humanity uses to comfort itself in the dark. There are no absolutes in life, save death.
β
β
Amie Kaufman (Illuminae (The Illuminae Files, #1))
β
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.
β
β
Kenneth Grahame (The Wind in the Willows)
β
It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
β
β
Donna Tartt (The Secret History)
β
Well, while you were in the bathroom, I sat down at this picnic table here in Bumblefug, Kentucky, and noticed that someone had carved that GOD HATES FAG, which, aside from being a grammatical nightmare, is absolutely ridiculous. So I'm changing it to 'God Hates Baguettes.' It's tough to disagree with that. Everybody hates baguettes.
β
β
John Green (An Abundance of Katherines)
β
I felt myself in a solitude so frightful that I contemplated suicide. What held me back was the idea that no one, absolutely no one, would be moved by my death, that I would be even more alone in death than in life.
β
β
Jean-Paul Sartre (Nausea)
β
Have you ever felt despair? Absolute hopelessness? Have you ever stood in the darkness and known, deep in your heart, in your spirit, that it was never, ever going to get better? That something had been lost, forever, and that it wasn't coming back?
β
β
Jim Butcher (Storm Front (The Dresden Files, #1))
β
I was always attracted not by some quantifiable, external beauty, but by something deep down, something absolute. Just as some people have a secret love for rainstorms, earthquakes, or blackouts, I liked that certain undefinable something directed my way by members of the opposite sex. For want of a better word, call it magnetism. Like it or not, itβs a kind of power that snares people and reels them in.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
Then I thought, boy, isn't that just typical? You wait and wait and wait for something, and then when it happens, you feel sad.
β
β
Sharon Creech (Absolutely Normal Chaos)
β
You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
β
β
Toni Morrison (Song of Solomon)
β
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
β
β
Vincent van Gogh
β
Chronic remorse, as all the moralists are agreed, is a most undesirable sentiment. If you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.
β
β
Aldous Huxley (Brave New World)
β
To draw an analogy: a man's suffering is similar to the behavior of a gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
The night we metβI'm not like that guy." His jaw was rigid.
"I know thaβ" He placed a finger over my lips, his expression softening.
"So I don't want you to feel pressured. Or overpowered. But I do, absolutely, want to kiss you right now. Badly.
β
β
Tammara Webber (Easy (Contours of the Heart, #1))
β
I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don't know anything about, such as whether it means anything to ask why we're here. I don't have to know an answer. I don't feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell.
β
β
Richard P. Feynman
β
There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
"That's some catch, that Catch-22," he observed.
"It's the best there is," Doc Daneeka agreed.
β
β
Joseph Heller (Catch-22)
β
I had a thing for you since the night of that first fight.β
βWhat?β I said with a dubious expression.
βItβs true. You in that cardigan with blood all over you?
You looked absolutely ridiculous,β he chuckled.
βThanks.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure no one listens.
β
β
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
β
Sometimes it's not the optimist you need, but another pessimist to walk beside you and know, absolutely know, that the sound in the dark is a monster, and it really is as bad as you think.
Did that sound hopeless? It didn't feel hopeless. It felt reassuring. It felt - real.
β
β
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
β
I thought, this is the most incredible thing I have ever seen, and I had better keep it a safe distance away from me. I thought, if someone like that ever loved me, it would set me on fire.
And then I was a careless fool, and I fell in love with you anyway. When you rang me at truly shocking hours of the night, I loved you. When you kissed me in disgusting public toilets and pouted in hotel bars and made me happy in ways in which it had never even occurred to me that a mangled-up, locked-up person like me could be happy, I loved you.
And then, inexplicably, you had the absolute audacity to love me back. Can you believe it?
Sometimes, even now, I still can't.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
The Universe is very, very big.
It also loves a paradox. For example, it has some extremely strict rules.
Rule number one: Nothing lasts forever.
Not you or your family or your house or your planet or the sun. It is an absolute rule. Therefore when someone says that their love will never die, it means that their love is not real, for everything that is real dies.
Rule number two: Everything lasts forever.
β
β
Craig Ferguson (Between the Bridge and the River)
β
In love, as in life, one misheard word can be tremendously important. If you tell someone you love them, for instance, you must be absolutely certain that they have replied "I love you back" and not "I love your back" before you continue the conversation.
β
β
Lemony Snicket
β
It's partly true, too, but it isn't all true. People always think something's all true.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Hey," I said softly and cupped his cheek.
"Yeah?"
βWhat about your dream?β
His face went dimples. βIβm lookinβ at it, darlinβ.β
Oh. Crap. My heart felt near bursting. I was absolutely done for. This man owned me, body and soul, and everything in between.
β
β
Madeline Sheehan (Undeniable (Undeniable, #1))
β
If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.
β
β
Ray Bradbury (Fahrenheit 451)
β
You can know the name of a bird in all the languages of the world, but when you're finished, you'll know absolutely nothing whatever about the bird... So let's look at the bird and see what it's doing β that's what counts. I learned very early the difference between knowing the name of something and knowing something.
β
β
Richard P. Feynman ("What Do You Care What Other People Think?": Further Adventures of a Curious Character)
β
I think all of us are always five years old in the presence and absence of our parents.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
Do you think the ability to sleep in counts as a special skill?β I asked Dad, trying to sound torn over the decision.
βYes, list that. And donβt forget to write that you can eat an entire meal in under five minutes,β he replied. I laughed. It was true; I did tend to inhale my food.
βOh, the both of you! Why donβt you just write down that youβre an absolute heathen!β My mother went storming from the room.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
I love you present tense,β I whispered, and then put my hand on the middle of his chest and said, βItβs okay, Gus. Itβs okay. It is. Itβs okay, you hear me?β I hadβand haveβabsolutely no confidence that he could hear me. I leaned forward and kissed his cheek. βOkay,β I said. βOkay.
β
β
John Green (The Fault in Our Stars)
β
I grabbed my book and opened it up.
I wanted to smell it.
Heck, I wanted to kiss it.
Yes, kiss it.
That's right, I am a book kisser.
Maybe that's kind of perverted or maybe it's just romantic and highly intelligent.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
Hug and kiss whoever helped get you - financially, mentally, morally, emotionally - to this day. Parents, mentors, friends, teachers. If you're too uptight to do that, at least do the old handshake thing, but I recommend a hug and a kiss. Don't let the sun go down without saying thank you to someone, and without admitting to yourself that absolutely no one gets this far alone.
β
β
Stephen King
β
Thereβs no such thing as winning or losing. There is won and there is lost, there is victory and defeat. There are absolutes. Everything in between is still left to fight for. Serpine will have won only when there is no one left to stand against him. Until then, there is only the struggle, because tides do what tides doβthey turn.
β
β
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
β
It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, to absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
Behold the field in which I grow my fucks. Lay thine eyes upon it and see that it is barren.
β
β
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
β
Choking with dry tears and raging, raging, raging at the absolute indifference of nature and the world to the death of love, the death of hope and the death of beauty, I remember sitting on the end of my bed, collecting these pills and capsules together and wondering why, why when I felt I had so much to offer, so much love, such outpourings of love and energy to spend on the world, I was incapable of being offered love, giving it or summoning the energy with which I knew I could transform myself and everything around me.
β
β
Stephen Fry (Moab Is My Washpot (Memoir, #1))
β
If you're good at it, and you love it, and it helps you navigate the river of the world, then it can't be wrong.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.
β
β
Tim O'Brien (The Things They Carried)
β
Nothing else wounds so deeply and irreparably. Nothing else robs us of hope so much as being unloved by one we love
β
β
Clive Barker
β
I used to think the world was broken down by tribes,' I said. 'By Black and White. By Indian and White. But I know this isn't true. The world is only broken into two tribes: the people who are assholes and the people who are not.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
The moment a child is born, the mother is also born. She never existed before. The woman existed, but the mother, never. A mother is something absolutely new." and so in you the child your mother lives on and through your family continues to live... so at this time look after yourself and your family as you would your mother for through you all she will truly never die.
β
β
Osho
β
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backwardβreversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them.
In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.
β
β
Michael Crichton
β
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
There is no pretending,β Jace said with absolute clarity. βI love you, and I will love you until I die and if thereβs a life after that, Iβll love you then.β
βI love you, Jace WaylandβHerondaleβLightwoodβwhatever you want to call yourself. I donβt care. I love you and I will always love you, and pretending it could be any other way is just a waste of time.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
They were within twenty yards of each other, and so abrupt was his appearance, that it was impossible to avoid his sight. Their eyes instantly met, and the cheeks of each were overspread with the deepest blush. He absolutely started, and for a moment seemed immoveable from surprise; but shortly recovering himself, advanced towards the party, and spoke to Elizabeth, if not in terms of perfect composure, at least of perfect civility.
β
β
Jane Austen (Pride and Prejudice)
β
The capacity to be alone is the capacity to love. It may look paradoxical to you, but it's not. It is an existential truth: only those people who are capable of being alone are capable of love, of sharing, of going into the deepest core of another person--without possessing the other, without becoming dependent on the other, without reducing the other to a thing, and without becoming addicted to the other. They allow the other absolute freedom, because they know that if the other leaves, they will be as happy as they are now. Their happiness cannot be taken by the other, because it is not given by the other.
β
β
Osho
β
We should do away with the absolutely specious notion that everybody has to earn a living. It is a fact today that one in ten thousand of us can make a technological breakthrough capable of supporting all the rest. The youth of today are absolutely right in recognizing this nonsense of earning a living. We keep inventing jobs because of this false idea that everybody has to be employed at some kind of drudgery because, according to Malthusian Darwinian theory he must justify his right to exist. So we have inspectors of inspectors and people making instruments for inspectors to inspect inspectors. The true business of people should be to go back to school and think about whatever it was they were thinking about before somebody came along and told them they had to earn a living.
β
β
R. Buckminster Fuller
β
Poverty doesnβt give you strength or teach you lessons about perseverance. No, poverty only teaches you how to be poor.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
Bad is not an absolute, but a relative term. Ask the robber who used the cash he stole to feed his infant; the rapist who was sexually abused as a child; the kidnapper who truly believed he was saving a life. And just because you break the law doesn't mean you have intentionally crossed the line into evil. Sometimes the line creeps up on you, and before you know it, you're standing on the other side.
β
β
Jodi Picoult (Vanishing Acts)
β
There are all kinds of addicts, I guess. We all have pain. And we all look for ways to make the pain go away.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
One of the greatest myths in the world - & the phrase 'greatest myths' is just a fancy way of saying 'big fat lies' -- is that troublesome things get less & less troublesome if you do them more & more. People say this myth when they are teaching children to ride bicycles, for instance, as though falling off a bicycle & skinning your knee is less troublesome the fourteenth time you do it than it is the first time. The truth is that troublesome things tend to remain troublesome no matter how many times you do them, & that you should avoid doing them unless they are absolutely urgent.
β
β
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
β
I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that i was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, βItβs all in Platoβ β meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.
[The New York Times interview, 2000]
β
β
Philip Pullman
β
He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.
β
β
Jon Krakauer (Into the Wild)
β
When I think of you and me and what we shared, I know it would be easy for others to dismiss our time together as simply a by-product of the days and nights we spent by the sea, a "fling" that, in the long run, would mean absolutely nothing. Thats why I don't tell people about us. They wouldn't understand, and I don't feel the need to explain, simply becasue I know in my heart how real it was... how real this is. When I think of you I cant help smiling, knowing that you've completed me somehow. I love you, not just for now, but for always, and I dream of the day that you'll take me in your arms again
β
β
Nicholas Sparks (Dear John)
β
I?
I walk alone;
The midnight street
Spins itself from under my feet;
My eyes shut
These dreaming houses all snuff out;
Through a whim of mine
Over gables the moon's celestial onion
Hangs high.
I
Make houses shrink
And trees diminish
By going far; my look's leash
Dangles the puppet-people
Who, unaware how they dwindle,
Laugh, kiss, get drunk,
Nor guess that if I choose to blink
They die.
I
When in good humour,
Give grass its green
Blazon sky blue, and endow the sun
With gold;
Yet, in my wintriest moods, I hold
Absolute power
To boycott color and forbid any flower
To be.
I
Know you appear
Vivid at my side,
Denying you sprang out of my head,
Claiming you feel
Love fiery enough to prove flesh real,
Though it's quite clear
All your beauty, all your wit, is a gift, my dear,
From me.
"Soliloquy of the Solipsist", 1956
β
β
Sylvia Plath (The Collected Poems)
β
Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.
β
β
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
β
In his extreme youth Stoner had thought of love as an absolute state of being to which, if one were lucky, one might find access; in his maturity he had decided it was the heaven of a false religion, toward which one ought to gaze with an amused disbelief, a gently familiar contempt, and an embarrassed nostalgia. Now in his middle age he began to know that it was neither a state of grace nor an illusion; he saw it as a human act of becoming, a condition that was invented and modified moment by moment and day by day, by the will and the intelligence and the heart.
β
β
John Williams (Stoner)
β
Think of it this way: There are two kinds of failure. The first comes from never trying out your ideas because you are afraid, or because you are waiting for the perfect time. This kind of failure you can never learn from, and such timidity will destroy you. The second kind comes from a bold and venturesome spirit. If you fail in this way, the hit that you take to your reputation is greatly outweighed by what you learn. Repeated failure will toughen your spirit and show you with absolute clarity how things must be done.
β
β
Robert Greene (Mastery)
β
Youβve got a lot of responsibility now,β Jace said to Julian. βYouβll have to make sure Emma winds up with a guy who deserves her.β
Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if heβd been slapped.
βWhat about me?β Emma said, quickly. βDonβt I have to make sure Jules winds up with someone who deserves him?β
βAbsolutely. I did it for Alec, Alec did it for me β well, actually, he hated Clary at first, but he came around.β
βI BET you didnβt like Magnus much, either,β said Julian, still with the same odd, stiff look on his face.
βMaybe not,β said Jace, βbut I never would have said so.β
βBecause it would have hurt Alecβs feelings?β Emma asked.
βNo,β said Jace, βbecause Magnus would have turned me into a hat rack.
β
β
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
β
I've never regretted it. Questioned it? Sure. But never regretted."
"Is there a difference?" I ask.
"Absolutely. Regret is counterproductive. It's looking back on a past that you can't change. Questioning things as they occur can prevent regret in the future. I questioned a lot about my relationship with your father. People make spontaneous decisions based off of their hearts all the time. There's so much more to relationships than just love.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
No. Absolutely not.'
'Simon,' she said. 'Itβs a perfectly fine plan.'
'The plan where you follow Jace and Sebastian off to some unknown dimensional pocket and we use these rings to communicate so those of us over here in the regular dimension of Earth can track you down? That plan?'
'Yes.'
'No,' he said. 'No, it isnβt.'
Clary sat back. 'You donβt just get to say no.'
'This plan involves me! I get to say no! No.'
'Simonβ'
Simon patted the seat beside him as if someone were sitting there. 'Let me introduce you to my good friend No.
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Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
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Note, to-day, an instructive, curious spectacle and conflict. Science, (twin, in its fields, of Democracy in its)βScience, testing absolutely all thoughts, all works, has already burst well upon the worldβa sun, mounting, most illuminating, most gloriousβsurely never again to set. But against it, deeply entrench'd, holding possession, yet remains, (not only through the churches and schools, but by imaginative literature, and unregenerate poetry,) the fossil theology of the mythic-materialistic, superstitious, untaught and credulous, fable-loving, primitive ages of humanity.
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Walt Whitman (Complete Prose Works)
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I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete β that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
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J.D. Salinger (Franny and Zooey)
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What you and I might rate as an absolute disaster, God may rate as a pimple-level problem that will pass. He views your life the way you view a movie after you've read the book. When something bad happens, you feel the air sucked out of the theater. Everyone else gasps at the crisis on the screen. Not you. Why? You've read the book. You know how the good guy gets out of the tight spot. God views your life with the same confidence. He's not only read your story...he wrote it.
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Max Lucado (Grace for the Moment Daily Bible, New Century Version)
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I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size. You were a boy, and already it was certain you wouldn't be a mother and it was likely you wouldn't become a manicurist or a kindergarten teacher. Then you started to grow up and everything you did closed the tunnel in some more. You broke your arm climbing a tree and you ruled out being a baseball pitcher. You failed every math test you ever took and you canceled any hope of being a scientist. Like that. On and on through the years until you were stuck. You'd become a baker or a librarian or a bartender. Or an accountant. And there you were. I figured that on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
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Carol Rifka Brunt (Tell the Wolves I'm Home)
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To see and feel one's beloved naked for the first time is one of life's pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Feelings, whether of compassion or irritation, should be welcomed, recognized, and treated on an absolutely equal basis; because both are ourselves. The tangerine I am eating is me. The mustard greens I am planting are me. I plant with all my heart and mind. I clean this teapot with the kind of attention I would have were I giving the baby Buddha or Jesus a bath. Nothing should be treated more carefully than anything else. In mindfulness, compassion, irritation, mustard green plant, and teapot are all sacred.
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Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
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Here is a lesson in creative writing.
First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding.
For instance, join the National Guard or the Marines and teach democracy. I'm kidding.
We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding.
If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.
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Kurt Vonnegut Jr. (A Man Without a Country)
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The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equalityββDr. Li had once called it coy and twee, a fan dance of an axiomββbut he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.
But now he knows for certain how true the axiom is, because he himselfββhis very lifeββhas proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.
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Hanya Yanagihara (A Little Life)
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AnaΓ―s, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, AnaΓ―s. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, AnaΓ―s, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...]
I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.
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Henry Miller (A Literate Passion: Letters of AnaΓ―s Nin & Henry Miller, 1932-1953)
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Life is such unutterable hell, solely because it is sometimes beautiful. If we could only be miserable all the time, if there could be no such things as love or beauty or faith or hope, if I could be absolutely certain that my love would never be returned: how much more simple life would be. One could plod through the Siberian salt mines of existence without being bothered about happiness. Unfortunately the happiness is there. There is always the chance (about eight hundred and fifty to one) that another heart will come to mine. I can't help hoping, and keeping faith, and loving beauty. Quite frequently I am not so miserable as it would be wise to be.
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T.H. White (Ghostly, Grim and Gruesome)
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Today is a new day and it brings with it a new set of opportunities for me to act on.
I am attentive to the opportunities and I seize them as they arise.
I have full confidence in myself and my abilities.
I can do all things that I commit myself to.
No obstacle is too big or too difficult for me to handle because what lies inside me is greater than what lies ahead of me.
I am committed to improving myself and I am getting better daily.
I am not held back by regret or mistakes from the past.
I am moving forward daily.
Absolutely nothing is impossible for me.
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Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
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Do you understand how amazing it is to hear that from an adult? Do you know how amazing it is to hear that from anybody? It's one of the simplest sentences in the world, just four words, but they're the four hugest words in the world when they're put together.
You can do it.
I can do it.
Let's do it.
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Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
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How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. The effects are apparent in many countries. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property β either as a child, a wife, or a concubine β must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. Thousands become the brave and loyal soldiers of the faith: all know how to die but the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytizing faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science, the science against which it had vainly struggled, the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
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Winston S. Churchill (The River War)
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The man who refuses to judge, who neither agrees nor disagrees, who declares that there are no absolutes and believes that he escapes responsibility, is the man responsible for all the blood that is now spilled in the world. Reality is an absolute, existence is an absolute, a speck of dust is an absolute and so is a human life. Whether you live or die is an absolute. Whether you have a piece of bread or not, is an absolute. Whether you eat your bread or see it vanish into a looter's stomach, is an absolute.
There are two sides to every issue: one side is right and the other is wrong, but the middle is always evil. The man who is wrong still retains some respect for truth, if only by accepting the responsibility of choice. But the man in the middle is the knave who blanks out the truth in order to pretend that no choice or values exist, who is willing to sit out the course of any battle, willing to cash in on the blood of the innocent or to crawl on his belly to the guilty, who dispenses justice by condemning both the robber and the robbed to jail, who solves conflicts by ordering the thinker and the fool to meet each other halfway. In any compromise between food and poison, it is only death that can win. In any compromise between good and evil, it is only evil that can profit. In that transfusion of blood which drains the good to feed the evil, the compromise is the transmitting rubber tube.
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Ayn Rand (Atlas Shrugged)
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Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
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Henry Scott Holland (Death is Nothing at All)
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Clap her in chains," says Randalin.
Never have I so wished there was a way for me to show I was telling the truth. But there isn't. No oath of mine carries any weight.
I feel a guard's hand close on my arm. Then Cardan's voice comes.
"Do not touch her."
A terrible silence follows. I wait for him to pronounce judgement on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back.
"Whatever can you mean?" Randalin says. "She's-"
"She is my wife," Cardan says, his voice carrying over the crowd.
"The rightful High Queen of Elfhame. And most definitely not in exile.
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Holly Black (The Queen of Nothing (The Folk of the Air, #3))
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Can I say something?'
'Go on'
'I'm a little drunk'
'Me too. That's okay.'
'Just....I missed you, you know.'
'I missed you too.'
'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-'
'same here.'
'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-'
'same here.'
'-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'-
-'You know what happens you have a family, your responsibilities change, you lose touch with people'
'It won't be like that, I promise.'
'Do you?'
'Absolutely'
'You swear? No more disappearing?'
'I won't if you won't.'
Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.
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David Nicholls (One Day)
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Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of "Don't Forget!"s and "Remember!"s over us. We don't have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents' meetings or out in the street, and realize with horror that everyone else seems to know exactly what they're doing. We're the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else's children can swim.
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Fredrik Backman (Anxious People)
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Love is a wonderful gift. It's a present so precious words can barely begin to describe it. Love is a feeling, the deepest and sweetest of all. It's incredibly strong and amazingly gentle at the very same time. It is a blessing that should be counted every day. It is nourishment for the soul. It is devotion, constantly letting each person know how supportive it's certainty can be. Love is a heart filled with affection for the most important person in your life. Love is looking at the special someone who makes your world go around and absolutely loving what you see. Love gives meaning to one's world and magic to a million hopes and dreams. It makes the morning shine more brightly and each season seem like it's the nicest one anyone ever had. Love is an invaluable bond that enriches every good thing in life. It gives each hug a tenderness, each heart a happiness, each spirit a steady lift. Love is an invisible connection that is exquisitely felt by those who know the joy, feel the warmth, share the sweetness, and celebrate the gift!
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Douglas Pagels
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I mean, I donβt know how the world broke. And I donβt know if thereβs a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - donβt you just feel weβre becoming more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. Youβd think weβd be getting better at it. But thereβs just more and more chaos. The pieces - theyβre everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because itβs right, but because it would mean that such a thing is still possible? I want to believe that.
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Rachel Cohn (Nick & Norah's Infinite Playlist)
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It was not the thought that I was so unloved that froze me. I had taught myself to do without love.
It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him.
What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity.
Now even that had flickered out.
How long I stood frozen there, I cannot say. If I was ever going to move again, someone else was going to have to furnish the reason for moving.
Somebody did.
A policeman watched me for a while, and then he came over to me, and he said, "You alright?"
Yes," I said.
You've been standing here a long time," he said.
I know," I said.
You waiting for somebody?" he said.
No," I said.
Better move on, don't you think?" he said.
Yes, sir," I said.
And I moved on.
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Kurt Vonnegut Jr. (Mother Night)
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The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case.
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Chuck Close
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Percy and Hedge lay on the deck, looking exhausted. Hedge was missing his shoes. He grinned at the sky, muttering, βAwesome. Awesome.β Percy was covered in nicks and scratches, like heβd jumped through a window. He didnβt say anything but he grasped Annabethβs hand weakly as if to say, Be right with you as soon as the world stops spinning.
Leo, Piper, and Jason, whoβd been eating in the mess hall, came rushing up the stairs.
βWhat? What?β Leo cried, holding a half-eaten grilled cheese sandwich. βCanβt a guy even take a lunch break? Whatβs wrong?β
βFollowed!β Frank yelled again.
βFollowed by what? Jason asked.
βI donβt know!β Frank panted. βWhales? Sea monsters? Maybe Kate and Porky!β
Annabeth wanted to strangle the guy, but she wasnβt sure her hands would fit around his thick neck. βThat makes absolutely no sense.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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You have a morbid aversion to dying. You probably resent the fact that you're at war and might get your head blown off any second."
"I more than resent it, sir. I'm absolutely incensed."
"You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs, or hypocrites. Subconsciously there are many people you hate."
"Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously."
"You're antagonistic to the idea of being robbed, exploited, degraded, humiliated, or deceived. Misery depresses you. Ignorance depresses you. Persecution depresses you. Violence depresses you. Corruption depresses you. You know, it wouldn't surprise me if you're a manic-depressive!"
"Yes, sir. Perhaps I am."
"Don't try to deny it."
"I'm not denying it, sir," said Yossarian, pleased with the miraculous rapport that finally existed between them. "I agree with all you've said.
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Joseph Heller (Catch-22)
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Iβve come to the conclusion that there are no set rules in life. You do what you have to do to survive. If that means running away from the love of your life to preserve your sanity, you do it. If it means breaking someoneβs heart so yours doesnβt break; do it. Life is complicated β too much so for there to be absolutes. We are all so broken. Pick up a person, shake them around and youβll hear the rattling of their broken pieces. Pieces our fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia has stopped rattling quite as much as she used to. Love is a God-given tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you donβt need anymore. I believe her. Our love has been fixing each other. I hope to only hear a tiny jingle when I shake her in a few years
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Tarryn Fisher (Thief (Love Me with Lies, #3))
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Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '.
Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice.
I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about.
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Stephen Fry
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I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest - blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
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Charlotte BrontΓ« (Jane Eyre)
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When my daughter was a toddler, I used to take her to a park not far from our apartment. One day as she was playing in a sandbox, an ice-cream salesman approached us. I purchased her a treat, and when I turned to give it to her, I saw her mouth was full of sand. Where I had intended to put a delicacy, she had put dirt.
Did I love her with dirt in her mouth? Absolutely. Was she any less of my daughter with dirt in her mouth? Of course not. Was I going to allow her to keep the dirt in her mouth? No way. I loved her right where she was, but I refused to leave her there. I carried her over to the water fountain and washed out her mouth. Why? Because I love her.
God does the same for us. He holds us over the fountain. "Spit out the dirt, honey," our Father urges. "I've got something better for you." And so he cleanses us of filth; immorality, dishonesty, prejudice, bitterness, greed. We don't enjoy the cleansing; sometimes we even opt for the dirt over the ice cream. "I can eat dirt if I want to!" we pout and proclaim. Which is trueβwe can. But if we do, the loss is ours. God has a better offer.
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Max Lucado (Just Like Jesus)
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Perfectly Imperfect
We have all heard that no two snowflakes are alike. Each snowflake takes the perfect form for the maximum efficiency and effectiveness for its journey. And while the universal force of gravity gives them a shared destination, the expansive space in the air gives each snowflake the opportunity to take their own path. They are on the same journey, but each takes a different path.
Along this gravity-driven journey, some snowflakes collide and damage each other, some collide and join together, some are influenced by wind... there are so many transitions and changes that take place along the journey of the snowflake. But, no matter what the transition, the snowflake always finds itself perfectly shaped for its journey.
I find parallels in nature to be a beautiful reflection of grand orchestration. One of these parallels is of snowflakes and us. We, too, are all headed in the same direction. We are being driven by a universal force to the same destination. We are all individuals taking different journeys and along our journey, we sometimes bump into each other, we cross paths, we become altered... we take different physical forms. But at all times we too are 100% perfectly imperfect. At every given moment we are absolutely perfect for what is required for our journey. Iβm not perfect for your journey and youβre not perfect for my journey, but Iβm perfect for my journey and youβre perfect for your journey. Weβre heading to the same place, weβre taking different routes, but weβre both exactly perfect the way we are.
Think of what understanding this great orchestration could mean for relationships. Imagine interacting with others knowing that they too each share this parallel with the snowflake. Like you, they are headed to the same place and no matter what they may appear like to you, they have taken the perfect form for their journey. How strong our relationships would be if we could see and respect that we are all perfectly imperfect for our journey.
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Steve Maraboli (Life, the Truth, and Being Free)
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Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Eraβthe kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of βhistoryβ it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the timeβand which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nightsβor very early morningsβwhen I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handleβthat sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didnβt need that. Our energy would simply prevail. There was no point in fightingβon our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water markβthat place where the wave finally broke and rolled back.
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Hunter S. Thompson (Fear and Loathing in Las Vegas)
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I appeal from your customs. I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be happier. If you cannot, I will still seek to deserve that you should. I must be myself. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly but humbly and truly. It is alike your interest, and mine, and all menβs, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and if we follow the truth it will bring us out safe at last.βBut so may you give these friends pain. Yes, but I cannot sell my liberty and my power, to save their sensibility. Besides, all persons have their moments of reason, when they look out into the region of absolute truth; then will they justify me and do the same thing.
The populace think that your rejection of popular standards is a rejection of all standard, and mere antinomianism; and the bold sensualist will use the name of philosophy to gild his crimes. But the law of consciousness abides.
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Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
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Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
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Peter Craig (Hot Plastic)
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We now know the basic rules governing the universe, together with the gravitational interrelationships of its gross components, as shown in the theory of relativity worked out between 1905 and 1916. We also know the basic rules governing the subatomic particles and their interrelationships, since these are very neatly described by the quantum theory worked out between 1900 and 1930. What's more, we have found that the galaxies and clusters of galaxies are the basic units of the physical universe, as discovered between 1920 and 1930.
...The young specialist in English Lit, having quoted me, went on to lecture me severely on the fact that in every century people have thought they understood the universe at last, and in every century they were proved to be wrong. It follows that the one thing we can say about our modern 'knowledge' is that it is wrong...
My answer to him was, when people thought the Earth was flat, they were wrong. When people thought the Earth was spherical they were wrong. But if you think that thinking the Earth is spherical is just as wrong as thinking the Earth is flat, then your view is wronger than both of them put together.
The basic trouble, you see, is that people think that 'right' and 'wrong' are absolute; that everything that isn't perfectly and completely right is totally and equally wrong.
However, I don't think that's so. It seems to me that right and wrong are fuzzy concepts, and I will devote this essay to an explanation of why I think so.
When my friend the English literature expert tells me that in every century scientists think they have worked out the universe and are always wrong, what I want to know is how wrong are they? Are they always wrong to the same degree?
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Isaac Asimov
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Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
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Billy Collins (Picnic, Lightning)
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That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion.
You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world.
You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue.
That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
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Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
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Cheap grace means grace sold on the market like cheapjacks' wares. The sacraments, the forgiveness of sin, and the consolations of religion are thrown away at cut prices. Grace is represented as the Church's inexhaustible treasury, from which she showers blessings with generous hands, without asking questions or fixing limits. Grace without price; grace without cost! The essence of grace, we suppose, is that the account has been paid in advance; and, because it has been paid, everything can be had for nothing. Since the cost was infinite, the possibilities of using and spending it are infinite. What would grace be if it were not cheap?...
Cheap grace is the preaching of forgiveness without requiring repentance, baptism without church discipline, Communion without confession, absolution without personal confession. Cheap grace is grace without discipleship, grace without the cross, grace without Jesus Christ, living and incarnate.
Costly grace is the treasure hidden in the field; for the sake of it a man will go and sell all that he has. It is the pearl of great price to buy which the merchant will sell all his goods. It is the kingly rule of Christ, for whose sake a man will pluck out the eye which causes him to stumble; it is the call of Jesus Christ at which the disciple leaves his nets and follows him.
Costly grace is the gospel which must be sought again and again, the gift which must be asked for, the door at which a man must knock.
Such grace is costly because it calls us to follow, and it is grace because it calls us to follow Jesus Christ. It is costly because it costs a man his life, and it is grace because it gives a man the only true life. It is costly because it condemns sin, and grace because it justifies the sinner. Above all, it is costly because it cost God the life of his Son: "ye were bought at a price," and what has cost God much cannot be cheap for us. Above all, it is grace because God did not reckon his Son too dear a price to pay for our life, but delivered him up for us. Costly grace is the Incarnation of God.
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Dietrich Bonhoeffer (The Cost of Discipleship)
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Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
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Cecelia Ahern (Love, Rosie)