Abigail Threatening Quotes

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He‟d told Ty that he loved him, no ifs, ands, or buts. There was no going back now, and Zane wouldn‟t if he had the chance. But damn, they had to call some kind of moratorium on important declarations during life-threatening situations.
Abigail Roux (Divide & Conquer (Cut & Run, #4))
The truth is, it's not the act that I'm scared of, but giving myself so entirely to someone. As long as there are lines to draw and boundaries to cling to, I can pretend that I'm safe from the wanting that threatens to consume me. I'm separate, still all my own. But after... What then? What comes after, when he has that much of me, to do with as he chooses? When I have him. Will it ever be enough?
Abigail Haas (Dangerous Girls)
Oh Jesus, Digger on a horse,” Kelly said. “He kept threatening to make his horse into stew.” “He named his horse Stu,” Nick added.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Did you just do what I think you did?” he exclaimed. “Depends on what you think I did,” Jake shot back with a signature grin as he thumped down the front steps and strolled forward to retrieve his flip flop. “That’s what we do. You think and I throw things,” he explained. “So I’ll make you a deal. You stop thinking,” he drawled, bending to pick up the shoe and wave it around threateningly, “and I’ll stop throwing things.
Abigail Roux (Caught Running)
Don’t you touch her,’ threatened Esther, ‘or I’ll claw your face off.’ Steven turned away from Abigail and eyed Esther instead. ‘I’d like to see you try.’ ‘I bet you would,’ snapped Esther, ‘ you've got such an ugly mug it’d probably make for an improvement.
Jack Croxall (Tethers (The Tethers Trilogy #1))
Yes, things catch fire," Shawn ground out as he switched the safety off and cocked the gun threateningly, letting it dig even further into Brandt's cheek. "But hotel rooms do not just catch fire! Automobiles do not just catch fire! And my favorite pair of sweatpants do not just catch fire!
Abigail Roux (The Archer)
In psychological terms, he was neurotic and she was uncommonly sane. His inevitable eruptions would not threaten the marriage, because she was the center who would always hold.
Joseph J. Ellis (First Family: Abigail and John Adams)
Either way, he had to loosen Thiago up, and fast. If you couldn’t smile while in the middle of the wilderness as you listened to two rather large, frightening men threaten one another with sticking various bits of shrubbery up one another’s orifices, then you hadn’t been in this business long enough.
Abigail Roux (The Archer)
Divorce is always experienced as a failure. It threatens a person’s self-image of being good, being loved, being valued.” But, he adds, it is out of failure that a person often finds the inner strength to grow and attain major achievements in life. “A lot of people make a big contribution to society out of their own suffering,” he says. “A crisis forces change.
Abigail Trafford (Crazy Time: Surviving Divorce and Building a New Life, Revised Edition)
Women were responsible for raising next generation of citizens, they themselves needed to be well educated in order to teach their children. She never believed as many men of her time, women were innately inferior to men, she conceded they had different traits and talents, which fitted them for a social role different from men's. ...Marriage and family were among the basic props of social order, anything that undermined them threatened the social order, she believed. Rich or poor, male or female, every person had his place in society and must fulfill his roles and duties, or chaos would result. ...However brilliant a woman's talents may be, she ought never to shine at the expense of her husband. ...women should confine themselves to domestic government...
Lynne Withey (Dearest Friend: A Life of Abigail Adams)
Divorce is always experienced as a failure. It threatens a person’s self-image of being good, being loved, being valued.
Abigail Trafford (Crazy Time: Surviving Divorce and Building a New Life, Revised Edition)
He extended his hands, his brow smoothing and his lips curving into a smile when Abigail placed her hands in his. His hands were warm and comforting, his smile the one she had dreamt of so often. If dreams came true, soon he would say the words she longed to hear: I love you. Ethan’s smile faded slightly as he said, “I know you dislike the West and Army life, but there’s no way around it. I owe the Army another year. Will you wait for me?” Those weren’t the words she had expected. “Wait for what?” Abigail wouldn’t make the mistake of assuming she knew what Ethan meant. Though the look in his eyes, a look that mirrored her own, spoke of love, she needed the words. Why wouldn’t he say them? Ethan rolled his eyes. “There I go again, putting the cart before the horse. It’s your fault, you know. I was never this way before I met you.” He tightened his grip on her hands. “I love you, Abigail. I love your smile, your kind heart, your impulsive nature. I love everything about you.” Ethan paused, and she sensed that the man who had faced death without flinching was afraid of her reaction. “Is it possible that you love me?” Her dream had come true. Her heart overflowing with happiness, Abigail smiled at the man she loved so dearly. She had longed for three special words, and Ethan had given them to her. Not once but three times. And if that weren’t enough, the momentary fear she’d seen had shown her the depth of his love. Ethan loved her. He loved her, and now she could tell him of her own love. “Of course I love you.” Abigail infused her words with every ounce of sincerity she possessed. Ethan must never, ever doubt how much she loved him. “I think I’ve loved you from the first time I saw you, although I didn’t recognize it at the time. I thought God brought me to Wyoming to help Charlotte, but as the weeks passed, it seemed that he had more in store for me. Now I know what it was. He brought me to you.” “And used you to show me what love is.” Ethan rose, tugging Abigail to her feet. “Will you make my life complete? Will you marry me when my time with the Army is ended?” There was only one possible answer. “No.” As Ethan’s eyes widened, Abigail saw disbelief on his face. “You won’t? I don’t understand. If you love me, why won’t you marry me? Don’t you want to?” Again, there was only one answer. “I do want to marry you, Ethan. More than anything else.” His confusion was endearing, and Abigail knew they’d speak of this moment for years to come. “Then why did you refuse me?” “It wasn’t your proposal I refused; it was the timing. Why should we wait a year?” “Because you hate Army life. I don’t want to start our marriage knowing you’re miserable.” “Oh, you silly man.” Abigail smiled to take the sting from her words. “How could I be miserable if I’m with you? The only thing that would make me miserable is being apart. I love you, Ethan. I want to spend the rest of my life as your wife . . . starting now.” Ethan’s smile threatened to split his face. “That’s the Abigail I love: headstrong and impulsive, with a heart that’s bigger than all of Wyoming. I wouldn’t have you any other way.
Amanda Cabot (Summer of Promise (Westward Winds, #1))
He was raising his hand to knock when the door suddenly opened, revealing Mr. Kenton, Abigail’s elderly butler. Unfortunately, given that Mr. Kenton seemed to be holding some type of bat in his hands, a bat he was now raising at Everett rather threateningly, Everett got the immediate impression the man might not exactly be happy to see him. “Good evening, Mr. Kenton,” Everett finally said when the butler remained mute, something Everett was fairly sure went against every proper bone in the man’s body. “I was, ah, well, I was wondering if I might speak with Miss Longfellow.” “She doesn’t want to speak with you.” Before Everett could get another word past his lips, Mr. Kenton stepped back and shut the door in Everett’s face. Squaring his shoulders, Everett moved forward and knocked rather determinedly on that door. The sound of the lock clicking into place was the only response. He knocked again. A minute passed, the door remained stubbornly shut against him, so . . . he knocked once more. This, to his annoyance, became a trend. He’d knock, a minute would pass, and he’d knock again. Finally, when his knuckles began burning, he turned and stalked down the steps. Just as Millie had done at the Reading Room, he began to peek in all the windows, hoping to find one that might be unlocked. Unfortunately, Mr. Kenton had apparently already thought of the whole unlocked-window business, because Everett heard windows ahead of him being slammed shut. Pushing through the shrubbery he’d been forced to climb behind, he jumped when a flock of peacocks suddenly flew out at him, screeching in a manner he was far too familiar with, right as the sound of barking puppies could be heard from inside the house. Knowing full well those puppies would be with Millie, who couldn’t refuse cuteness if she tried, Everett followed the sound as the peacocks began trailing after him. Stopping at the back of the house, he pushed his way through yet another shrub, peered through the window, and smiled. Millie was standing by a roaring fire with a book in her hand, something he would never tire of seeing.
Jen Turano (In Good Company (A Class of Their Own Book #2))
Living in a rape culture means adjusting to being hyper-vigilant about male violence to the point where risk management becomes second nature. It means living with the continuum of male sexual violence on a daily basis, form creepy and threatening looks and comments in the street, home and workplace, to online rape threats, attempted assault and actual assault. It means inhabiting a paradoxical space where the rape and murder of women is prohibited but everywhere eroticised and the object of laughter.
Abigail Bray (Misogyny Re-Loaded)
Ageism is the intimate colonisation of embodied time by the vampiric forces of patriarchal capitalism that instils an ideological timebomb in the female mind that ticks with the incessant and cruel warning that the passing of time is something for which women must be punished. Women, far more than men, are judged by how old they are and how old they look. The threatening ticking of male domination reduces women’s social and economic worth to how “fresh” we appear.
Abigail Bray (Misogyny Re-Loaded)
It occurred to Bo that Texas songs were always about the sky because there simply wasn't anything else. No hill, no mound, not even a ripple of earth to break the dizzying sweep of the eye toward infinity. “Flat,” she decided, was a term insufficient to the terrain. It was more than that. It was actually a negative pull, an inverted gasp of ground beneath a firmament so boundless it might threaten the sanity of even those who weren't already pushing the edge.
Abigail Padgett (Child of Silence (Bo Bradley, #1))