Abandoned Mother Quotes

We've searched our database for all the quotes and captions related to Abandoned Mother. Here they are! All 100 of them:

Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.
bell hooks
And Harry saw very clearly as he sat there under the hot sun how people who cared about him had stood in front of him one by one, his mother, his father, his godfather, and finally Dumbledore, all determined to protect him; but now that was over. He could not let anybody else stand between him and Voldemort; he must abandon forever the illusion he ought to have lost at the age of one, that the shelter of a parent’s arms meant that nothing could hurt him. There was no waking from this nightmare, no comforting whisper in the dark that he was safe really, that it was all in his imagination; the last and greatest of his protectors had died, and he was more alone than he had ever been.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels.
Francisco de Goya
I was alone. I had no one. No mother, no father, no brothers, no sisters, no grandmas, no grandpas, no uncles, no aunties, no cousins, and no tribe. I’d seen the children at the orphanage laugh or cry when they received news about a family member. I would never receive such news and no family would laugh or cry for me. That day I understood with sharp clarity that I didn’t have a mother who wanted me.
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
Did you see him? I know the photo was grainy, but he looks like one of those death metal goth heads, or whatever they’re called. All dressed in black with long hair I took umbrage at my mother describing my boyfriend this way. John was the Lord of the Underworld. How else was he supposed to dress?
Meg Cabot (Underworld (Abandon, #2))
She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?
Eowyn Ivey (The Snow Child)
The wind sounded of Mother Earth's forsaken and abandoned cries.
Cormac McCarthy (The Road)
One of the major problems encountered in time travel is not that of becoming your own father or mother. There is no problem in becoming your own father or mother that a broad-minded and well-adjusted family can't cope with. There is no problem with changing the course of history—the course of history does not change because it all fits together like a jigsaw. All the important changes have happened before the things they were supposed to change and it all sorts itself out in the end. The major problem is simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner's Time Traveler's Handbook of 1001 Tense Formations. It will tell you, for instance, how to describe something that was about to happen to you in the past before you avoided it by time-jumping forward two days in order to avoid it. The event will be descibed differently according to whether you are talking about it from the standpoint of your own natural time, from a time in the further future, or a time in the further past and is futher complicated by the possibility of conducting conversations while you are actually traveling from one time to another with the intention of becoming your own mother or father. Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later aditions of the book all pages beyond this point have been left blank to save on printing costs. The Hitchhiker's Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term "Future Perfect" has been abandoned since it was discovered not to be.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
When our father does the things he needs to do in the world, we understand it is his due. If our mother does the things she needs to do in the world, we feel she has abandoned us. It is a miracle she survives our mixed messages, written in society's most poisoned ink. It is enough to drive her mad.
Deborah Levy (The Cost of Living: A Working Autobiography)
Then there is the matter of my mother's abandonment of me. Again, this is the common experience. They walk ahead of us, and walk too fast, and forget us, they are so lost in thoughts of their own, and soon or late they disappear. The only mystery is that we expect it to be otherwise.
Marilynne Robinson (Housekeeping)
She danced in the storms, sang with the chaos and more of all she wasn't the prey for her demons, she was the mother to them.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
I abandoned her. It's the one capital crime of fatherhood. Mothers can fail a thousand different ways. A father's only job is: do not abandon this child.
Catherynne M. Valente (Radiance)
And Harry remembered his first nightmarish trip into the forest, the first time he had ever encountered the thing that was then Voldemort, and how he had faced him, and how he and Dumbledore had discussed fighting a losing battle not long thereafter. It was important, Dumbledore said, to fight, and fight again, and keep fighting, for only then could evil be kept at bay, though never quite eradicated. . . . And Harry saw very clearly as he sat there under the hot sun how people who cared about him had stood in front of him one by one, his mother, his father, his godfather, and finally Dumbledore, all determined to protect him; but now that was over. He could not let anybody else stand between him and Voldemort; he must abandon forever the illusion he ought to have lost at the age of one, that the shelter of a parent’s arms meant that nothing could hurt him. There was no waking from his nightmare, no comforting whisper in the dark that he was safe really, that it was all in his imagination; the last and greatest of his protectors had died, and he was more alone than he had ever been before.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
He told me this while ripping through his duffel bag, throwing clothes into drawers with reckless abandon. Chip did not believe in having a sock drawer or a T-shirt drawer. He believed that all drawers were created equal and filled each with whatever fit. My mother would have died.
John Green (Looking for Alaska)
And Raphael will be joining us,” Andrea said. “So you get twice the backup. Nobody will be killing you on our watch.” So that was what this was all about. I got a cookie after all. “Aww. I had no idea you cared. I’m touched.” “You should be.” Andrea bit another bacon slice. “I’m willing to abandon the tender embrace of my future mother-in-law for your sake.” “About that,” Aunt B said. “I’m coming, too.” Dear God, the cookie was poisoned." 12% in 'Magic Rises' by Ilona Andrews
Ilona Andrews (Magic Rises (Kate Daniels, #6))
I had not said anything about what had happened the day before—about being scared down to my very bones when I thought they had left me. I don't know what came over me. Ever since my mother left us that April day, I suspected that everyone was going to leave, one by one.
Sharon Creech (Walk Two Moons)
I'll tell you what you can do," he said, stopping abruptly. Now he did reach out to grip both my shoulders. But still not to kiss me. Only so he could wheel me around to glare at me some more. "You can leave me alone." Tears sprang once more into my eyes. That's what he wanted from me? For me to stay away from him? This had turned into a greater disaster than when I'd died. And I was still breathing, so that was say something. "I'd like to," I said. All I could hear besides the deep, disapproving timbre of his voice was the drum of my heartbeat in my ears. Stupid girl. Stupid girl. Stupid girl, my heart seemed to be saying. "Except every time I try, you show back up, and act such a... such a..." "Such a what?" he demanded. He seemed to be practically daring me to say. Don't, the voice of my mother warned inside my head. Don't say it. "Jerk.
Meg Cabot (Abandon (Abandon, #1))
Love is a constant negotiation, a constant conversation; to love someone is to lay yourself open to rejection and abandonment; love is something you can earn but not extort. It is an arena in which you are not in control, because someone else also has rights and decisions; it is a collaborative process; making love is at its best a process in which those negotiations become joy and play.
Rebecca Solnit (The Mother of All Questions)
And you realize that if God were to welcome everyone into heaven, your mother would abandon Christianity immediately
Deesha Philyaw (The Secret Lives of Church Ladies)
My mother had to abandon her quest, but managed to extract from the restriction itself a further delicate thought, like good poets whom the tyranny of rhyme forces into the discovery of their finest lines.
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
No offense, but if you want to be with my niece, you should think about getting a haircut. My mother is very conservative.” “No offense taken,” John said mildly.
Meg Cabot (Underworld (Abandon, #2))
Cold men destroy women,” my mother wrote me years later. “They woo them with something personable that they bring out for show, something annexed to their souls like a fake greenhouse, lead you in, and you think you see life and vitality and sun and greenness, and then when you love them, they lead you out into their real soul, a drafty, cavernous, empty ballroom, inexorably arched and vaulted and mocking you with its echoes—you hear all you have sacrificed, all you have given, landing with a loud clunk. They lock the greenhouse and you are as tiny as a figure in an architect’s drawing, a faceless splotch, a blur of stick limbs abandoned in some voluminous desert of stone.
Lorrie Moore
Exactly what are you wanting to teach your children? -How to love and care for themselves, or how to neglect and abandon themselves? Self-sarifice is NOT setting a good example.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
James dropped Cordelia’s hands. They were no longer dancing. James turned away from Cordelia without a word and strode across the room toward the newcomers. She stood, frozen in confusion, as James bent to kiss the hand of the stunningly beautiful girl who had just walked into the room. Titters rose on the dance floor. Lucie had stepped back from Matthew, her eyes wide. Alastair and Thomas both turned to look at Cordelia with expressions of surprise. At any moment, Cordelia knew, her mother would notice that she was drifting in the middle of the dance floor like an abandoned tugboat and charge toward her, and then Cordelia would die. She would die of the humiliation. Cordelia was scanning the room for the nearest exit, ready to flee, when a hand grasped her arm. She was spun around and into an expert grip: a moment later she was dancing again, her feet automatically following her partner’s. “That’s right.” It was Matthew Fairchild. Fair hair, spicy cologne, a blur of a smile. His hands were gentle as he swept her back into the waltz. “Just—try to smile, and no one will notice anything happened. James and I are practically interchangeable in the public consciousness anyway.” “James—left,” Cordelia said, in shock. “I know,” said Matthew. “Very bad form. One should not leave a lady on the dance floor unless something is actually on fire. I’ll have a word.” “A word,” Cordelia echoed. She was beginning to feel less stunned and more angry. “A word?” “Several words, if it will make you feel better?
Cassandra Clare (Chain of Gold (The Last Hours, #1))
I've spoken of the patient Peter who was obsessively forced to make conquests with women, to seduce and then to abandon them, until he was at last able to experience how he himself had repeatedly been abandoned by his mother.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Sky Mother chose me. Used me. Took me away from everything I loved. She can't abandon me like this. She can't throw me away with nothing but scars.
Tomi Adeyemi (Children of Blood and Bone (Legacy of Orïsha, #1))
In nature—out yonder where the crawdads sing—these ruthless-seeming behaviors actually increase the mother’s number of young over her lifetime, and thus her genes for abandoning offspring in times of stress are passed on to the next generation. And on and on. It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in whatever swamp he was in at the time. Without them, we wouldn’t be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive—way back yonder.
Delia Owens (Where the Crawdads Sing)
Emotional intensity, impulsivity, unpredictability, and fear of abandonment are symptoms observable primarily by those who have an intimate relationship with the borderline.
Christine Ann Lawson (Understanding the Borderline Mother: Helping Her Children Transcend the Intense, Unpredictable, and Volatile Relationship)
Perhaps, sir, for our purposes, sir, you shouldn’t think of it as your mother abandoned you. Instead, perhaps think of it as she gave you up for adoption slightly later than usual.
Nathan Hill (The Nix)
My mother was already an abandoned soul, a misguided young woman who would subconsciously put herself into situations that starved her soul. The worst feeling in the world is to love someone who cannot love you back, to care about someone who can only care about themselves.
LaTasha “Tacha B.” Braxton
But Claire had long ago realized, even after those constant dreams of her mother leaving faded away, that when you are abandoned as a child, you are never able to forget that people are capable of leaving, even if they never do.
Sarah Addison Allen (First Frost (Waverley Family, #2))
A mother never abandons her child, even when he seems to want it
Elizabeth Hoyt (Lord of Darkness (Maiden Lane, #5))
Formerly, many men dominated women within marriage. Now, despite a much wider acceptance of women as workers, men dominate women anonymously outside the marriage. Patriarchy has not disappeared; it has changed form. In the old form, women were forced to obey an overbearing husband in the privacy of an unjust marriage. In the new form, the working single mother is economically abandoned by her former husband and ignored by a patriarchal society at large.
Arlie Russell Hochschild (The Second Shift: Working Families and the Revolution at Home)
Self-mothering is a resolute refusal to indulge in self-hatred and self-abandonment. It proceeds from the realization that self-punishment is counterproductive. It is enhanced by the understanding that patience and self-encouragement are more effective than self-judgment and self-rejection in achieving recovery.
Pete Walker (Complex PTSD: From Surviving to Thriving)
I spent quite sometime just watching enthralled, the gnarled hands of Mother Teresa in a portrait because those hands are associated with bringing comfort to the aged and abandoned in Kolkata’s streets. So they are beautiful.
Sri Aurobindo (Inspiration from Savitri: Beauty)
How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.
Kathryn Hurn (HELL HEAVEN & IN-BETWEEN: One Woman's Journey to Finding Love)
I've learned to tell the difference between something quiet and something abandoned. This goes deeper than just a stillness. It's like the moments before the world goes to sleep... but we're the only ones left awake to notice it.
Grey Mother
You told me mornings were the best time to break your own heart. So here I am, smoking your brand of cigarettes for the scent. I wonder if you still sing Beatles songs as you make coffee. You said your mother used to sing them to you when you couldn’t sleep, nineteen years before we met, twenty before you moved your clothes out of our closet while I was at work. By the way, I hate you for leaving all the photographs on the fridge. Taking them down felt like peeling off new scabs, like slapping a sunburn. I spent so many nights carving your body into pillows, I can promise you nothing feels like sleeping with your arm around me and your breath in my ear. Still, it’s comforting to know we sleep under the same moon, even if she’s so much older when she gets to me. I like to imagine she’s seen you sleeping and wants me to know you’re doing well.
Clementine von Radics (Mouthful of Forevers)
The children's lives would never be the same after today. Their opinions of everything would change, but especially their opinions of themselves, of the durability of love and the truth of their family. They would know forever that their father hadn't loved their mother--or them--enough to stay with them through hard times.
Kristin Hannah (The Four Winds)
You could argue that Liesel Meminger has it easy. She did have it easy compared to Max Vandenburg. Certainly, her brother practically died in her arms. Her mother abandoned her. But anything was better than being a Jew.
Markus Zusak (The Book Thief)
Happiness There's just no accounting for happiness, or the way it turns up like a prodigal who comes back to the dust at your feet having squandered a fortune far away. And how can you not forgive? You make a feast in honor of what was lost, and take from its place the finest garment, which you saved for an occasion you could not imagine, and you weep night and day to know that you were not abandoned, that happiness saved its most extreme form for you alone. No, happiness is the uncle you never knew about, who flies a single-engine plane onto the grassy landing strip, hitchhikes into town, and inquires at every door until he finds you asleep midafternoon as you so often are during the unmerciful hours of your despair. It comes to the monk in his cell. It comes to the woman sweeping the street with a birch broom, to the child whose mother has passed out from drink. It comes to the lover, to the dog chewing a sock, to the pusher, to the basket maker, and to the clerk stacking cans of carrots in the night. It even comes to the boulder in the perpetual shade of pine barrens, to rain falling on the open sea, to the wineglass, weary of holding wine.
Jane Kenyon
When our father does the things he needs to do in the world, we understand it is his due. If our mother does the things she needs to do in the world, we feel she had abandoned us. It is a miracle she survives our mixed messages, written in society's most poisoned ink. It is enough to drive her mad.
Deborah Levy (The Cost of Living: A Working Autobiography)
At any moment, Cordelia knew, her mother would notice that she was drifting in the middle of the dance floor like an abandoned tugboat and charge toward her, and then Cordelia would die. She would die of the humiliation.
Cassandra Clare
Naruto… I now remember the words you once said to me. That when you're with me, you finally understand what it's like to have a brother… And when I think of it that way… That feeling… I finally get it now. I've been travelling around the world and I seem to recall these memories a lot. We were alone and starved of love. Kids that lived in a world full of hate. And from that point on, we went our separate ways… and fought. But time has passed and now I'm thinking… Could it be that… just like how the hope and and pain from my father, mother and my brother, Itachi flowed into me… I'd understand your pain and hopes too, Naruto? You never abandoned me, no matter what. And you never gave up on me, coming closer when I pulled away. It wouldn't have surprised me if you hated me, but you didn't… You kept insisting that we were friends. And even that, I nearly destroyed. You fought to stop me… to the point you lost an arm. All because you were my friend. You saved me. The us that quarrelled over the smallest things… are now able to share the pain in each other's hearts. On my journey around the world, I noticed… That all these feelings of mine aren't just about us, I'm sure it's the same for everything else. But… there aren't a lot of people like you. And things won't go as planned, look at us. It's especially true when it comes to bigger things. I think it's the same as praying. And until I can do it, I'll stay strong. The beings that have been entrusted with hope… that's us. That's what makes us shinobi.
Masashi Kishimoto
mothering is our first preverbal template for an existence in which we feel welcomed or rejected, loved or abandoned, many of us have fused our relationship with our mothers with our concepts of God.
Geneen Roth (Women Food and God: An Unexpected Path to Almost Everything)
It feels as though there is a gaping hole in the middle of everything. The decades of my mother's life here with Thalia, they are dark, vast spaces to me. I have been absent. Absent for all the meals Thalia and Mama have shared at this table, the laughs, the quarrels, the stretches of boredom, the illnesses, the long string of simple rituals that make up a lifetime. Entering my child-hood home is a little disorienting, like reading the end of a novel that I'd started, then abandoned, long ago.
Khaled Hosseini (And the Mountains Echoed)
He's a feral child. No mother, no father, no one to care for him or raise him or teach him how to be human. So he's existed much like an animal, without language. He thinks in images, not word." "How strange," Lanaya, sounding amazed. Ryter shakes his head sadly. "Not strange, I'm afaraid. His condition is all too common in the latches. And becoming more common every day.
Rodman Philbrick (The Last Book in the Universe)
I thought you were bringing me back. Forever.” He looked puzzled. “Why would I do that, when I waited almost two centuries to find you?” As he spoke, he reached out to take me by the waist and pull me against him, then lowered his mouth to mine and kissed me with a thoroughness that left no doubt in my mind that he had no intention of abandoning me anywhere. “John,” I said a little breathlessly, when he let me up for air. “Maybe it would be better if you waited for me out here.” “No,” he said simply, and took my hand and began walking me towards the French doors to my mother’s home.
Meg Cabot (Underworld (Abandon, #2))
What is wrong with you?” He glared at me. “I’m somewhat sure I’m suddenly gay,” I shrugged, “My father and mother are hypocritical abandoning homophobic assholes. The former defending my chief suspect in the biggest case of my life—something I’m sure you had a hand in. I’m obsessed with your freckles, your bunny slippers and your lips—which I should be getting points for not kissing while you’re incapacitated, by the way. I’m dating a whore while working on the vice squad—points to me again for not arresting your ass for that—and I’m ridiculously horny. Oh, and my fiancée won’t talk to me.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
When your parents die, Alessandro, you feel that you have betrayed them." "Why?" Luciana asked. "Because you come to love your children more. I lost my mother and father to images in photographs and handwriting on letters, and as I abandoned them for you, the saddest thing was that they made no protest. "Even now that I'm going back to them, I regret above all that I must leave you." "You're not going back to anybody," Alessandro told him. "We'll solve those problems later." "Alessandro," his father said, almost cheerfully. "You don't understand. This kind of problem is very special: it has no solution.
Mark Helprin (A Soldier of the Great War)
Newton was born on Christmas Day, 1642, so tiny that, as his mother told him years later, he would have fit into a quart mug. Sickly, feeling abandoned by his parents, quarrelsome, unsociable, a virgin to the day he died, Isaac Newton was perhaps the greatest scientific genius who ever lived.
Carl Sagan (Cosmos)
I cannot hate gay men, I cannot hate homosexuality. At the lowest points in my life, when all else abandoned me, my gay men friends were my sisters, aunts, mothers who lifted me up on their shoulders and reminded me that there is light at the end of the tunnel. If I were to hate gay men, or to condemn them just because they're gay, I would be a hypocrite. I simply cannot turn my back on arms that held me in my darkest hours.
C. JoyBell C.
I'd suffered many losses in recent years after my father mother uncle aunt and cousin had all passed away. In her final years my mother often lamented that there was no one alive who had known her as a girl and I was starting to understand how spooked she'd felt. I wasn't sure I could take any more abandonments. One succumbs so easily to mind spasms, worry spasms. [p. 95]
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
Government regulations required that an elevator be installed for the use of the disabled. Mother would not allow an elevator. The city offered to pay for the elevator. Its offer was refused. After all the negotiations and plans, the project for the poor was abandoned because an elevator for the handicapped was unacceptable.
Christopher Hitchens (The Missionary Position: Mother Teresa in Theory and Practice)
My mother wasn’t a psychotic criminal. (Kiara) No. I’m sure she was a wonderful lady who loved you dearly. That she held you when you cried, probably even baked you cookies and gave you hugs and kisses before she sent you off to bed at night, and it’s a damn shame a decent woman like her died so tragically. My mother, whore that she was, abandoned me and my sister to our father so that she could return to her cushy life and pretend we didn’t exist while she left us in that house with a man whose name, even though he’d been dead for decades, can still make an assassin wet his pants. And if you think his cruelty was reserved for strangers, think again. My sister and I were target practice for him. So don’t you dare talk to me about pain. My father wrote the book on it and he rammed it down my throat every day of my childhood until they killed him. And the real kicker is, my life under his demented fist was a lot better than Nykyrian’s. At least I was able to hide sometimes from the ones trying to kill me. You want me to call your daddy, baby? Go right ahead. I’ll be more than happy to take you to him. But know that Aksel will have his hands on you in a matter of hours. Then you’ll be able to talk to me about pain and you’ll finally have an idea of what we’ve endured. You won’t live long enough to apologize, but true clarity will be yours before you die. (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
in Gnosticism, the way of salvation lies in heightening consciousness and returning to the transcendent spirit, with loss of the unconscious side; whereas uroboric salvation through the Great Mother demands the abandonment of the conscious principle and a homecoming to the unconscious.
Erich Neumann (The Origins and History of Consciousness (Maresfield Library))
Here's the progression. Feminism won; you can have it all; of course you want children; mothers are better at raising children than fathers; of course your children come first; of course you come last; today's children need constant attention, cultivation, and adoration, or they'll become failures and hate you forever; you don't want to fail at that; it's easier for mothers to abandon their work and their dreams than for fathers; you don't want it all anymore (which is good because you can't have it all); who cares about equality, you're too tired; and whoops--here we are in 1954.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Rebecca Solnit (The Faraway Nearby)
One room in the hospital had not been cleaned up. No one, not even the nuns, had had the courage to enter the obstetric ward. When Joel Breman and the team went in, they found basins of foul water standing among discarded, bloodstained syringes. The room had been abandoned in the middle of childbirths, where dying mothers had aborted fetuses infected with Ebola. The team had discovered the red chamber of the virus queen at the end of the earth, where the life-form had amplified through mothers and their unborn children. (95)
Richard Preston (The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus)
No, Maximilien, I am not offended," answered she, "but do you not see what a poor, helpless being I am, almost a stranger and an outcast in my father's house, where even he is seldom seen; whose will has been thwarted, and spirits broken, from the age of ten years, beneath the iron rod so sternly held over me; oppressed, mortified, and persecuted, day by day, hour by hour, minute by minute, no person has cared for, even observed my sufferings, nor have I ever breathed one word on the subject save to yourself. Outwardly and in the eyes of the world, I am surrounded by kindness and affection; but the reverse is the case. The general remark is, `Oh, it cannot be expected that one of so stern a character as M. Villefort could lavish the tenderness some fathers do on their daughters. What though she has lost her own mother at a tender age, she has had the happiness to find a second mother in Madame de Villefort.' The world, however, is mistaken; my father abandons me from utter indifference, while my mother-in-law detests me with a hatred so much the more terrible because it is veiled beneath a continual smile.
Alexandre Dumas (The Count of Monte Cristo)
In our yearning to be perfect, we have mistaken perfection for wholeness. We think we cannot love ourselves until we and others meet some external standard. Depression, anxiety—in fact, most neuroses and compulsions—are ultimately a defense against loving ourselves without condition. We are afraid to look at the damp, dark, ugly yet exquisite roots of being that stretch deep into our survival chakra. We are fearful of finding that the spirit is not there, that our Home is empty, even as our outer home is empty. Yet it is in that place of survival, where the dark mother has been abandoned, that spirit longs to be embodied so that the whole body may become light. Ego wants to be the god of our own idealized projection; spirit wants to be incarnated in our humanity where it can grow in wisdom through experience.
Marion Woodman (Dancing in the Flames: The Dark Goddess in the Transformation of Consciousness)
I can hear myself whining again 'Why does God torture me?' - But anybody who's never had a delirium tremens even in their early stages may not understand that it's not so much a physical pain but a mental anguish indescribable to those ignorant people who don't drink and accuse drinkers of irresponsibility - The mental anguish is so intense that you feel you have betrayed your very birth, the efforts nay the birth pangs of your mother when she bore you and delivered you to the world, you've betrayed every effort your father ever made to feed you and raise you and make you strong and my God even 'educate' you for life, you feel a guilt so deep you identify yourself with the devil and God seems far away abandoning you to your sick silliness - You feel sick in the greatest sense of the world, breathing without believing it, sicksicksick, your soul groans, you look at your helpless hands as tho they were on fire and you can't move to help, you look at the world with dead eyes, there's on your face an expression of incalculable repining like a constipated angel on a cloud - In fact it's actually a cancerous look you throw on the world, through browngray wool fuds over your eyes - Your tongue is white and disgusting, your teeth are stained, your hair seems to have dried out overnight, there are huge mucks in the corners of your eyes, greases on your nose, froth at the sides of your moth: in short that very disgusting and well-known hideousness everybody knows who's walked past a city street drunk in the Boweries of the world
Jack Kerouac (Big Sur)
Once upon a time it was not safe to be born a girl. It is important to remember that time does not exist. Once upon a time, all of time, it was not safe to be a girl. Lecherous men would disguise themselves as kittens left for dead by their mothers so that little girls would pick them up and kiss their eyes into vision and then the kittens would grow and grow until they were bigger and fiercer than lions and they would eat the girls in one bite, bones and skin and hair and all. Once upon a time it was not safe to be born a girl because either you were the kitten abandoned in a dumpster or you were devoured by it. Once upon a time it was not safe to be a girl because girls have fires inside of them and men who are cold cling to their warmth until they leech it from the bones of women and then burn them to death with their own matches.
Erin Emily Ann Vance (Advice for Taxidermists and Amateur Beekeepers)
Some of these stories, it is understood, are not to be passed on to my father, because they would upset him. It is well known that women can deal with this sort of thing better than men can. Men are not to be told anything they might find too painful; the secret depths of human nature, the sordid physicalities, might overwhelm or damage them. For instance, men often faint at the sight of their own blood, to which they are not accustomed. For this reason you should never stand behind one in the line at the Red Cross donor clinic. Men, for some mysterious reason, find life more difficult than women do. (My mother believes this, despite the female bodies, trapped, diseased, disappearing, or abandoned, that litter her stories.) Men must be allowed to play in the sandbox of their choice, as happily as they can, without disturbance; otherwise they get cranky and won't eat their dinners. There are all kinds of things that men are simply not equipped to understand, so why expect it of them? Not everyone shares this believe about men; neverthetheless, it has its uses.
Margaret Atwood (Bluebeard's Egg)
Daniel stays with us till midnight. He’s a little afraid to leave, afraid, in fact, to hit those streets, and Fonny realizes this and walks him to the subway. Daniel, who cannot abandon his mother, yet longs to be free to confront his life; is terrified at the same time of what that life may bring, is terrified of freedom; and is struggling in a trap. And Fonny, who is younger, struggles now to be older, in order to help his friend toward his deliverance. Didn’t my Lord deliver Daniel? And why not every man? The song is old, the question unanswered.
James Baldwin (If Beale Street Could Talk)
Conquest occurred through violence, and over-expolitation and oppression necessitate continued violence, so the army is present. There would be no contradiction in that, if terror reigned everywhere in the world, but the colonizer enjoys, in the mother country, democratic rights that the colonialist system refuses to the colonized native. In fact, the colonialist system favors population growth to reduce the cost of labor, and it forbids assimilation of the natives, whose numerical superiority, if they had voting rights, would shatter the system. Colonialism denies human rights to human beings whom it has subdued by violence, and keeps them by force in a state of misery and ignorance that Marx would rightly call a subhuman condition. Racism is ingrained in actions, institutions, and in the nature of the colonialist methods of production and exchange. Political and social regulations reinforce one another. Since the native is subhuman, the Declaration of Human Rights does not apply to him; inversely, since he has no rights, he is abandoned without protection to inhuman forces - brought in with the colonialist praxis, engendered every moment by the colonialist apparatus, and sustained by relations of production that define two sorts of individuals - one for whom privilege and humanity are one, who becomes a human being through exercising his rights; and the other, for whom a denial of rights sanctions misery, chronic hunger, ignorance, or, in general, 'subhumanity.
Albert Memmi (The Colonizer and the Colonized)
They have learned not to expect their father to attend to them or to be expressive about much of anything. They have come to expect him to be psychologically unavailable. They have also learned that he is not accountable in his emotional absence, that Mother does not have the power either to engage him or to confront him. In other words, Father’s neglect and Mother’s ineffectiveness at countering it teach the boys that, in this family at least, men’s participation is not a responsibility but rather a voluntary and discretionary act. Third, they learn that Mother, and perhaps women in general, need not be taken too seriously. Finally, they learn that not just Mother but the values she manifests in the family—connection, expressivity—are to be devalued and ignored. The subtext message is, “engage in ‘feminine’ values and activities and risk a similar devaluation yourself.” The paradox for the boys is that the only way to connect with their father is to echo his disconnection. Conversely, being too much like Mother threatens further disengagement or perhaps, even active reprisal. In this moment, and thousands of other ordinary moments, these boys are learning to accept psychological neglect, to discount nurture, and to turn the vice of such abandonment into a manly virtue.
Terrence Real (I Don't Want to Talk About It: Overcoming the Secret Legacy of Male Depression)
Mourning with no end, and a sense that I had lost everything - my child, my mother's love and protection, my father's love and protection, the life I had once imagined for myself - hollowed me out. I floated every day alone and disconnected, and could not find comfort or release. I understood clearly that my history had harmed me, had cut me off from the normal connections between people. Every day for five years I had been afraid of this disconnection, feeling the possibility of perfect detachment within my reach, like a river running alongside, inviting me to step into its current.
Meredith Hall (Without a Map)
Alice Miller writes that the child who suppresses his own feelings in order to accomodate a parent has been, in a sense, abandoned. 'Later, when these feelings of being deserted begin to emerge in the analysis of the adult, they are accompanied by such intensity of pain and despair that it is quite clear that these people could not have survived so much pain. That would only have been possible in an empathic, attentive environment, and this they lacked. [as quoted by Alice Miller]' She also says that the mother who requires accommodation from her child is just trying to get what her own mother refused her.
Alison Bechdel (Are You My Mother? A Comic Drama)
She may hear this story, someday, and wonder what it has to do with her. A girl hiding her scared in her prettiness, an unwanted baby, a dead mother. These are not her heartbreaks. Every heart is fractured differently and she knows the pattern of her cracks, she traces them like lines across her palm. She has a living mother and besides, she was always wanted. Prayed for, even. Now she's grown, or at least she thinks she is. But she hasn't yet learned from the mathematics of grief. The weight of what has been lost is always heavier than what remains. She's heard her granddaddy preach about the good shepherd who leaves the ninety-nine behind in search of the one lost sheep. But what about the flock he abandons? she wonders. Aren't they lost now too?
Brit Bennett (The Mothers)
It's not that your mother didn't love you,' the boy named Crow says from behind me. 'She loved you very deeply. The first thing you have to do is believe that. That's your starting point.' 'But she abandoned me. She disappeared, leaving me alone where I shouldn't be. I'm finally beginning to understand how much that hurt. How could she do it if she really loved me?' 'That's the reality of it. It did happen,'the boy named Crow says. 'You were hurt badly, and those scars will be with you forever. I feel sorry for you, I really do. But think of it like this: It's not too late to recover. You're young, you're tough. You're adaptable. You can patch up your wounds, lift your head, and move on. But for her that's not an option. The only thing she'll ever be is lost. It doesn't matter whether somebody judges this as good or bad- that's not the point. You're the one who has the advantage. You ought to consider that.' I don't respond. 'It all really happened, you can't undo it,' Crow tells me. 'She shouldn't have abandoned you then, and you shouldn't have been abandoned. But things in the past are like a plate that's shattered to pieces. You can never put it back together like it was, right?' I nod. You can never put it back together like it was. He's hit the nail on the head. The boy named Crow continues. 'Your mother felt a gut-wrenching kind of fear and anger inside her, okay? Just like you do now. Which is why she had to abandon you.' 'Even though she loved me?' 'Even though she loved you, she had to abandon you. You need to understand how she felt then, and learn to accept it. Understand the overpowering fear and anger she experienced, and feel it as your own- so you won't inherit it and repeat it. The main thing is this: You have to forgive her. That's not going to be easy, I know, but you have to do it. That's the only way you can be saved. There's no other way!' - pg 398-99
Haruki Murakami (Kafka on the Shore)
But I must start at the beginning, if I can find it. Beginnings are elusive things. Just when you think you have hold of one, you look back and see another, earlier beginning, and an earlier one before that. Even if you start with "Chapter One: I am Born," you still have the problem of antecedents, of cause and effect. Why is young David fatherless? Because, Dickens tells us, his father died of a delicate constitution. Yes, but where did this mortal delicacy come from? Dickens doesn't say, so we're left to speculate. A congenital defect, perhaps, inherited from his mother, whose own mother had married beneath her to spite her cruel father, who'd been beaten as a child by a nursemaid who was forced into service when her faithless husband abandoned her for a woman he chanced to meet when his carriage wheel broke in front of the milliner's where she'd gone to have her hat trimmed. If we begin there, young David is fatherless because his great-great-grandfather's nursemaid's husband's future mistress's hat needed adornment.
Hillary Jordan (Mudbound)
They had pulled me from the hemorrhaging, dying body of my mother and turned me over to the care of the man who was not my father. He had taken me home to their tiny apartment above the old hardware store and done what little he knew to take care of me. It took less than six weeks for him to realize his mistake. Maybe even less than six hours, but he never abandoned me. He clung to me as though I was the last remnant of some great and powerful love. And that gave me hope that maybe my mother was really something else and not just some girl who got knocked up by a guy whose name she didn’t even know. She was something special, someone worthy of a man’s loyalty and devotion. --Rocky Evans
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
I used to cry to the stars in the sky and begged them to have mercy on me cause I longed for the moment when the amount of pain I felt would be unbearable and I would simply go numb. Numb. The very taste of that word was a sweet symphony to me. A relief. An alleviation in my unendurable existence. A cure. I ached because of more reasons than I could contain. My mother's cancer, my unrequited love, my worn body. The absence of my dignity and innocence. The utter feeling of abandonment. My yearning for love and family. My beloved father who left me. My freakiness and lack of belonging somewhere. My bisexuality and faith deprivation. My poverty, being insolvent most of my life, having no money to my name since forever. My shack of a house, cold and loathed from the very first days. My sorrow and grief caused by my weaknesses and deficiencies...
Magdalena Ganowska
All these women, Huila thought: Mothers of God. These skinny, these dirty and toothless, these pregnant and shoeless. These with an issue of blood, and these with unsuckled breasts and children cold in the grave. These old forgotten ones too weak to work. These fat ones who milked all day. These twisted ones tied to their pallets, these barren ones, these married ones, these abandoned ones, these whores, these hungry ones, these thieves, these drunks, these mestizas, these lovers of other women, these Indians, and these littlest ones who faced unknowable tomorrows. Mothers of God. If it was a sin to think so, she would face God and ask Him why. “The
Luis Alberto Urrea (The Hummingbird's Daughter)
As we get ready to leave, Georgina announces that she wants to keep the kitten. But of course she can't. We walk up and down looking for its mother, calling for its siblings. But the nearby kraals are deserted, of both people and animals. And eventually we have to leave it at the gate of an empty kraal, the closest one to where it found us, hoping that this might be its home. As we start to drive away, the kitten totters down the dirt road after us, a furry ball of khaki with irregular black spots, and Georgina bursts into tears. 'Over the kitten? Really?' I ask, gesturing around the ruins of the torture base and the mass graves. 'With all of this?' 'No,' she sniffs. 'It's not just the kitten. It's everyone here. They've all been abandoned. No one gives a **** about what happened to them. They're completely alone.
Peter Godwin (The Fear: Robert Mugabe and the Martyrdom of Zimbabwe)
We dressed ourselves up as Gauguin pictures and careered round Crosby Hall. Mrs. Whitehead was scandalized. She said that Vanessa and I were practically naked. My mother's ghost was invoked once more...to deplore the fact that I had taken a house in Brunswick Square and had asked young men to share it...Stories began to circulate about parties at which we all undressed in public. Logan Pearsall Smith told Ethel Sands that he knew for a fact that Maynard had copulated with Vanessa on a sofa in the middle of the drawing room. It was a heartless, immoral, cynical society it was said; we were abandoned women and our friends were the most worthless of young men.
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
Suddenly I wanted to stay. For maybe the first time in my life, I didn't want to abandon an uncomfortable feeling. I wanted to give her motherly love in the way she had tried to give me motherly love. Hers had always been from a distance, but it was there. And I wanted to give her motherly love in the way that she couldn't give me motherly love: by staying, even when it was uncomfortable. Wasn't it time that I showed up for her? I also wanted to give her love in the sisterly way I had given Claire and Diana love. The group had taught me how to do that, imperfectly, but I knew what it was now. You just sat there with someone and listened. That was all you had to do.
Melissa Broder (The Pisces)
The strident emotional belief that children made you happy, even when all the data pointed to misery. The high-amplitude fear of sharks and dark-skinned snipers who would never kill you; indifference to all the toxins and pesticides that could. The mind was so rotten with misrepresentation that in some cases it literally had to be damaged before it could make a truly rational decision—and should some brain-lesioned mother abandon her baby in a burning house in order to save two strangers from the same fire, the rest of the world would be more likely to call her a monster than laud the rationality of her lifeboat ethics. Hell, rationality itself—the exalted Human ability to reason—hadn’t evolved in the pursuit of truth but simply to win arguments, to gain control: to bend others, by means logical or sophistic, to your will. Truth had never been a priority. If believing a lie kept the genes proliferating, the system would believe that lie with all its heart. Fossil feelings. Better off without them, once you’d outgrown the savanna and decided that Truth mattered after all. But Humanity wasn’t defined by arms and legs and upright posture. Humanity had evolved at the synapse as well as at the opposable thumb—and those misleading gut feelings were the very groundwork on which the whole damn clade had been built. Capuchins felt empathy. Chimps had an innate sense of fair play. You could look into the eyes of any cat or dog and see a connection there, a legacy of common subroutines and shared emotions.
Peter Watts (Firefall (Firefall #1-2))
Why did we come back this way instead of popping up somewhere less…cramped?” I asked, substituting the word cramped for creepy. I was trying not to feel weirded out that I was in my boyfriend’s crypt. It was only a building, after all. A very unpleasant one. “This is a portal,” he said, as if that explained everything. “A what?” “A portal,” John whispered. “A direct link from here to the Underworld. That’s why you don’t feel dizzy this time.” I hadn’t even noticed, but he was right. I didn’t feel sick, for once, though we’d just jumped between astral planes. “This is a doorway through which the souls of the departed enter the world of the dead after they pass,” John explained softly. “The doorway closes behind the dead once they enter. They can never leave again-“ “Unless they escape,” I interrupted. Because this was what had happened to me. He glanced down at me with a teasing smile. “Unless I choose to let them escape,” he said, “because they seem to want their mothers so badly.” “That was two years ago,” I reminded him. I shouldn’t have mentioned the thing that morning about being inexperienced with men, even if it was technically true. He was never going to let me help him if he always thought of me as someone he had to protect. “And do I have to remind you that you didn’t let me escape, I-“ “Shhh.” He held up a hand. “Someone’s coming.
Meg Cabot (Underworld (Abandon, #2))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
One by one our skies go black. Stars are extinguished, collapsing into distances too great to breach. Soon, not even the memory of light will survive. Long ago, our manifold universes discovered futures would only expand. No arms of limit could hold or draw them back. Short of a miracle, they would continue to stretch, untangle and vanish – abandoned at long last to an unwitnessed dissolution. That dissolution is now. Final winks slipping over the horizons share what needs no sharing: There are no miracles. You might say that just to survive to such an end is a miracle in itself. We would agree. But we are not everyone. Even if you could imagine yourself billions of years hence, you would not begin to comprehend who we became and what we achieved. Yet left as you are, you will no more tremble before us than a butterfly on a windless day trembles before colluding skies, still calculating beyond one of your pacific horizons. Once we could move skies. We could transform them. We could make them sing. And when we fell into dreams our dreams asked questions and our skies, still singing, answered back. You are all we once were but the vastness of our strangeness exceeds all the light-years between our times. The frailty of your senses can no more recognize our reach than your thoughts can entertain even the vaguest outline of our knowledge. In ratios of quantity, a pulse of what we comprehend renders meaningless your entire history of discovery. We are on either side of history: yours just beginning, ours approaching a trillion years of ends. Yet even so, we still share a dyad of commonality. Two questions endure. Both without solution. What haunts us now will allways hunt you. The first reveals how the promise of all our postponements, ever longer, ever more secure – what we eventually mistook for immortality – was from the start a broken promise. Entropy suffers no reversals. Even now, here, on the edge of time’s end, where so many continue to vanish, we still have not pierced that veil of sentience undone. The first of our common horrors: Death. Yet we believe and accept that there is grace and finally truth in standing accountable before such an invisible unknown. But we are not everyone. Death, it turns out, is the mother of all conflicts. There are some who reject such an outcome. There are some who still fight for an alternate future. No matter the cost. Here then is the second of our common horrors. What not even all of time will end. What plagues us now and what will always plague you. War.
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
Most of the church landscape in my lifetime has been heavily invested in trying to do something for Jerry or Sherri or some other icon of unchurchness. The problem is that they have been only about themselves from the moment they could wail for their mothers, and the decision to give them at church what they can find in any self-help book appears now as a choice to abandon the One in whose honor the church gathers. What they need is to be set free from themselves with finality and to be lost in the awesome wonder of the manifest presence of God. It was never God’s desire that He would sit on the sideline and watch us frantically devise impressive ways to reach people or simply hold the line on orthodoxy as though faithfulness can exist in a vacuum apart from fruitfulness. God is the Matter of first importance! Can you say that about your current weekly encounter with church?
James MacDonald (Vertical Church: What Every Heart Longs for. What Every Church Can Be.)
Until we are willing to oppose all abortion--ALL ABORTION---then the Christian community will lack the true ethical high ground to oppose ANY ABORTIONS. The minute we concede that there is any ground--even in the so-called case of rape, incest or the health of the mother---to make a decision to self-consciously and deliberately kill a child based on our puny, finite understanding of the facts, and a a cost-benefit analysis based on our pragmatic post-modern vision of utlilitarian ethics, we have conceded everything. We have abandoned biblical law and granted to Planned Parenthood the legitimacy of the core argument they have advanced since Margaret Sanger founded the organization--namely, that some circumstances of pregnancy are sufficiently uncomfortable or troubling that man has the right to play God and declare his own authority to take the life of an innocent, unborn baby.
Douglas W. Phillips
Society gives the image of sexual violators as weird, ugly, anti-social, alcoholics. Society gives the impression that violators kidnap children are out of their homes and take them to some wooded area and abandon them after the violation. Society gives the impression that everyone hates people who violate children. If all of these myths were true, healing would not be as challenging as it is. Half of our healing is about the actual abuse. The other half is about how survivors fit into society in the face of the myths that people hold in order to make themselves feel safe. The truth is that 80% of childhood sexual abuse is perpetrated by family members. Yet we rarely hear the word “incest”. The word is too ugly and the truth is too scary. Think about what would happen if we ran a campaign to end incest instead of childhood sexual abuse. The number one place that children should know they are safe is in their homes. As it stands, as long as violators keep sexual abuse within the family, the chances of repercussion by anyone is pretty low. Wives won’t leave violating husbands, mothers won’t kick their violating children out of the home, and violating grandparents still get invited to holiday dinners. It is time to start cleaning house. If we stop incest first, then we will strengthen our cause against all sexual abuse.
Rosenna Bakari
Of course, we cannot deny the fact that many people live for a long time even though they idealize the parents who were once cruel to them. But we do not know how they contrived to come to terms with their own un-truth. Most of them passed it on unconsciously to the next generation. What we do know is that, at some point, the writers we have been discussing began to suspect their own truth. But isolated in a society that will always take the part of the parents, they were unable to find the courage to abandon their denial. Just how strong this social pressure can be is something that each and every one of us can experience for ourselves. Adults realizing that they were cruelly treated by their mothers in childhood and talking openly and frankly about that fact will invariably get the same response, from therapists as much as anyone else: “Yes, but she had a difficult time of it, and she did a lot for you. You shouldn’t condemn her; you shouldn’t see things in black and white and take a one-sided view of things. There’s no such thing as ideal parents, etc.” The impression we get is that the people who talk in this way are, in fact, defending their own mothers, though the person they are speaking to is not attacking them. This social pressure is much stronger than we tend to realize. So I hope very much that my discussion of these writers will not be understood as a criticism of their lack of courage. It is meant rather as a sympathetic portrayal of the tragedy of people unable in their isolation to admit their own personal truth, although they sensed it deep down in their own selves. I am writing this book in the hope of being able to reduce that isolation. In therapy, it is by no means unusual to encounter the loneliness of the small child that the adult once was. After all, therapy itself is usually conducted in a way that is also dictated by the Fourth Commandment.
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
Sippy had described them as England's premier warts, and it looked to me as if he might be about right. Professor Pringle was a thinnish, baldish, dyspeptic-lookingish cove with an eye like a haddock, while Mrs Pringle's aspect was that of one who had had bad news round about the year 1900 and never really got over it. And I was just staggering under the impact of these two when I was introduced to a couple of ancient females with shawls all over them. "No doubt you remember my mother?" said Professor Pringle mournfully, indicating Exhibit A. "Oh - ah!" I said, achieving a bit of a beam. "And my aunt," sighed the Prof, as if things were getting worse and worse. "Well, well, well!" I said shooting another beam in the direction of Exhibit B. "They were saying only this morning that they remembered you," groaned the Prof, abandoning all hope. There was a pause. The whole strength of the company gazed at me like a family group out of one of Edgar Allan Poe's less cheery yarns, and I felt my joie de vivre dying at the roots. "I remember Oliver," said Exhibit A. She heaved a sigh. "He was such a pretty child. What a pity! What a pity!" Tactful, of course, and calculated to put the guest completely at his ease.
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
Alexander Pushkin (Eugene Onegin)
On the conversion of the European tribes to Christianity the ancient pagan worship was by no means incontinently abandoned. So wholesale had been the conversion of many peoples, whose chiefs or rulers had accepted the new faith on their behalf in a summary manner, that it would be absurd to suppose that any, general acquiescence in the new gospel immediately took place. Indeed, the old beliefs lurked in many neighbourhoods, and even a renaissance of some of them occurred in more than one area. Little by little, however, the Church succeeded in rooting out the public worship of the old pagan deities, but it found it quite impossible to effect an entire reversion of pagan ways, and in the end compromised by exalting the ancient deities to the position of saints in its calendar, either officially, or by usage. In the popular mind, however, these remained as the fairies of woodland and stream, whose worship in a broken-down form still flourished at wayside wells and forest shrines. The Matres, or Mother gods, particularly those of Celtic France and Ireland, the former of which had come to be Romanized, became the bonnes dames of folklore, while the dusii and pilosi, or hairy house-sprites, were so commonly paid tribute that the Church introduced a special question concerning them into its catechism of persons suspected of pagan practice. Nevertheless, the Roman Church, at a somewhat later era, reversed its older and more catholic policy, and sternly set its face against the cultus of paganism in Europe, stigmatizing the several kinds of spirits and derelict gods who were the objects of its worship as demons and devils, whom mankind must eschew with the most pious care if it were to avoid damnation.
Lewis Spence (British Fairy Origins)
It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
Peter Watts (Blindsight (Firefall, #1))
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
And so, beginning with the small early frustrations and deprivations, the child is helped to govern himself. his ego develops by learning to regulate his own food intake and feces evacuation: he has to learn to adapt to a social schedule, to an external measure of time, in place of a biological schedule of internal urges. In all this he makes a bitter discovery: that he is no longer himself, just by seeking pleasure. There may be more excitement in the world but the fun keep getting interrupted. For some strange reason the mother doesn’t share his glee over a bowel movement on the sofa. The child finds that he has to “earn" the mother’s love by performing in a certain way. He comes to realize that he has to abandon the idea of “total excitement" and “uninterrupted fun," if he wants to keep a secure background of love from the mother. This is what Alfred Adler meant when he spoke of the child’s need for affection as the “lever" of his education. The child learns to accept frustrations so long as the total relationship is not endangered. This is what the psychoanalytic word “ambivalence" so nicely covers: the child may hesitate between giving up what has previously been an assured satisfaction, and proceeding to a new type of conduct which will be rewarded by a new kind of acceptance. Does he want to keep the breast instead of switching to the bottle? He finds that if he makes this switch he gets a special cooing of praise and a little extra attention. Ambivalence describes the process whereby the infant is propelled forward into increasing mastery by his developing ego, while at the same time he is lulled backward into a safe dependence by his need for approval and easy gratification; he is caught in the bind, as we all are, between new and uncertain rewards and tried and tested ones.
Ernest Becker
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
These men suffer. Their anguish and despair has no limits or boundaries. They suffer in a society that does not want men �� to change, that does not want men to reconstruct masculinity so that the basis for the social formation of male identity is not rooted in an ethic of dom- ination. Rather than acknowledge the intensity of their suffering, they dissim- ulate. They pretend. They act as though they have power and privilege when they feel powerless. Inability to acknowledge the depths of male pain makes it difficult for males to challenge and change patriarchal masculinity. Broken emotional bonds with mothers and fathers, the traumas of emo- tional neglect and abandonment that so many males have experienced and been unable to name, have damaged and wounded the spirits of men. Many men are unable to speak their suffering. Like women, those who suffer the most cling to the very agents of their suffering, refusing to resist sexism or sexist oppression. Their refusal is rooted in the fear that their weakness will be exposed. They fear acknowledging the depths of their pain. As their pain intensifies, so does their need to do violence, to coercively dominate and abuse others. Barbara Deming explains: “I think the reason that men are so very violent is that they know, deep in themselves, that they’re acting a lie, and so they’re furious. You can’t be happy living a lie, and so they’re furious at being caught in the lie. But they don’t know how to break out of it, so they just go further into it.” For many men the moment of violent connection may be the only intimacy, the only attainable closeness, the only space where the agony is released. When feminist women insist that all men are powerful op- pressors who victimize from the location of power, they obscure the reality that many victimize from the location of victimization. The violence they do to others is usually a mirroring of the violence enacted upon and within the self.
bell hooks (The Will to Change: Men, Masculinity, and Love)
Moral sense is almost completely ignored by modern society. We have, in fact, suppressed its manifestations. All are imbued with irresponsibility. Those who discern good and evil, who are industrious and provident, remain poor and are looked upon as morons. The woman who has several children, who devotes herself to their education, instead of to her own career, is considered weak-minded. If a man saves a little money for his wife and the education of his children, this money is stolen from him by enterprising financiers. Or taken by the government and distributed to those who have been reduced to want by their own improvidence and the shortsightedness of manufacturers, bankers, and economists. Artists and men of science supply the community with beauty, health, and wealth. They live and die in poverty. Robbers enjoy prosperity in peace. Gangsters are protected by politicians and respected by judges. They are the heroes whom children admire at the cinema and imitate in their games. A rich man has every right. He may discard his aging wife, abandon his old mother to penury, rob those who have entrusted their money to him, without losing the consideration of his friends. ...Ministers have rationalized religion. They have destroyed its mystical basis. But they do not succeed in attracting modern men. In their half-empty churches they vainly preach a weak morality. They are content with the part of policemen, helping in the interest of the wealthy to preserve the framework of present society. Or, like politicians, they flatter the appetites of the crowd.
Alexis Carrel (L'Homme, cet inconnu (French Edition))
Well,” I said, trying to keep my tone light as I walked over to put my arms around his neck, though I had to stand on my toes to do so. “That wasn’t so bad, was it? You told me something about yourself that I didn’t know before-that you didn’t, er, care for your family, except for your mother. But that didn’t make me hate you…it made me love you a bit more, because now I know we have even more in common.” He stared down at him, a wary look in his eyes. “If you knew the truth,” he said, “you wouldn’t be saying that. You’d be running.” “Where would I go?” I asked, with a laugh I hoped didn’t sound as nervous to him as it did to me. “You bolted all the doors, remember? Now, since you shared something I didn’t know about you, may I share something you don’t know about me?” Those dark eyebrows rose as he pulled me close. “I can’t even begin to imagine what this could be.” “It’s just,” I said, “that I’m a little worried about rushing into this consort thing…especially the cohabitation part.” “Cohabitation?” he echoed. He was clearly unfamiliar with the word. “Cohabitation means living together,” I explained, feeling my cheeks heat up. “Like married people.” “You said last night that these days no one your age thinks of getting married,” he said, holding me even closer and suddenly looking much more eager to stick around for the conversation, even though I heard the marina horn blow again. “And that your father would never approve it. But if you’ve changed your mind, I’m sure I could convince Mr. Smith to perform the ceremony-“ “No,” I said hastily. Of course Mr. Smith was somehow authorized to marry people in the state of Florida. Why not? I decided not to think about that right now, or how John had come across this piece of information. “That isn’t what I meant. My mom would kill me if I got married before I graduated from high school.” Not, of course, that my mom was going to know about any of this. Which was probably just as well, since her head would explode at the idea of my moving in with a guy before I’d even applied to college, let alone at the fact that I most likely wasn’t going to college. Not that there was any school that would have accepted me with my grades, not to mention my disciplinary record. “What I meant was that maybe we should take it more slowly,” I explained. “The past couple years, while all my friends were going out with boys, I was home, trying to figure out how this necklace you gave me worked. I wasn’t exactly dating.” “Pierce,” he said. He wore a slightly quizzical expression on his face. “Is this the thing you think I didn’t know about you? Because for one thing, I do know it, and for another, I don’t understand why you think I’d have a problem with it.” I’d forgotten he’d been born in the eighteen hundreds, when the only time proper ladies and gentlemen ever spent together before they were married was at heavily chaperoned balls…and that for most of the past two centuries, he’d been hanging out in a cemetery. Did he even know that these days, a lot of people hooked up on first dates, or that the average age at which girls-and boys as well-lost their virginity in the United States was seventeen…my age? Apparently not. “What I’m trying to say,” I said, my cheeks burning brighter, “is that I’m not very experienced with men. So this morning when I woke up and found you in bed beside me, while it was really, super nice-don’t get me wrong, I enjoyed it very much-it kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
Meg Cabot (Underworld (Abandon, #2))
Local Girl Missing, Feared Dead. Beneath it was a photo of me-my most recent school photo. “Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?” Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.” He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did. But what I wanted to do was burst into tears. “Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before. “Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?” My gaze flicked down the page. I wanted to throw up. “One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.” This was all so very, very bad. “One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?” “That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“ Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort. “You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
Meg Cabot (Underworld (Abandon, #2))
Consider again the mated pair with which we began the chapter. Both partners, as selfish machines, ‘want’ sons and daughters in equal numbers. To this extent they agree. Where they disagree is in who is going to bear the brunt of the cost of rearing each one of those children. Each individual wants as many surviving children as possible. The less he or she is obliged to invest in any one of those children, the more children he or she can have. The obvious way to achieve this desirable state of affairs is to induce your sexual partner to invest more than his or her fair share of resources in each child, leaving you free to have other children with other partners. This would be a desirable strategy for either sex, but it is more difficult for the female to achieve. Since she starts by investing more than the male, in the form of her large, food-rich egg, a mother is already at the moment of conception ‘committed’ to each child more deeply than the father is. She stands to lose more if the child dies than the father does. More to the point, she would have to invest more than the father in the future in order to bring a new substitute child up to the same level of development. If she tried the tactic of leaving the father holding the baby, while she went off with another male, the father might, at relatively small cost to himself, retaliate by abandoning the baby too. Therefore, at least in the early stages of child development, if any abandoning is going to be done, it is likely to be the father who abandons the mother rather than the other way around. Similarly, females can be expected to invest more in children than males, not only at the outset, but throughout development. So, in mammals for example, it is the female who incubates the foetus in her own body, the female who makes the milk to suckle it when it is born, the female who bears the brunt of the load of bringing it up and protecting it. The female sex is exploited, and the fundamental evolutionary basis for the exploitation is the fact that eggs are larger than sperms.
Richard Dawkins (The Selfish Gene)