“
It's the friends you can call up at 4 a.m. that matter.
”
”
Marlene Dietrich
“
One of the Silent Brothers is here to see you. Hodge sent me to wake you up. Actually he offered to wake you himself, but since it's 5 a.m., I figured you'd be less cranky if you had something nice to look at."
"Meaning you?"
"What else?
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
It was true that I didn’t have much ambition, but there ought to be a place for people without ambition, I mean a better place than the one usually reserved. How in the hell could a man enjoy being awakened at 6:30 a.m. by an alarm clock, leap out of bed, dress, force-feed, shit, piss, brush teeth and hair, and fight traffic to get to a place where essentially you made lots of money for somebody else and were asked to be grateful for the opportunity to do so?
”
”
Charles Bukowski (Factotum)
“
Two a.m.' He swallowed, then said, "You know. The person you can call at two a.m. and, no matter what, you can count on them. Even if they're asleep or it's cold or you need to be bailed out of jail...they'll come for you. It's like, the highest level of friendship.
”
”
Sarah Dessen (What Happened to Goodbye)
“
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
How in the hell could a man enjoy being awakened at 8:30 a.m. by an alarm clock, leap out of bed, dress, force-feed, shit, piss, brush teeth and hair, and fight traffic to get to a place where essentially you made lots of money for somebody else and were asked to be grateful for the opportunity to do so?
”
”
Charles Bukowski (Factotum)
“
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
But I miss screamin' and fightin' and kissin' in the rain and it's 2 a.m. and I'm cursin' your name. You're so in love the you act insane, and that's the way I loved you.
”
”
Taylor Swift
“
I knew this feeling, the 2 a.m. loneliness that I'd practically invented.
”
”
Sarah Dessen (This Lullaby)
“
I believe in whatever gets you throught the night. [...] Night is the hardest time to be alive. For me, anyway. It lasts so long, and four A.M.knows all my secrets.
”
”
Poppy Z. Brite
“
I am not a graceful person. I am not a Sunday morning or a Friday sunset. I am a Tuesday 2 a.m., gunshots muffled by a few city blocks, I am a broken window during February. My bones crack on a nightly basis. I fall from elegance with a dull thud, and I apologize for my awkward sadness. I sometimes believe that I don’t belong around people, that I belong to all the leap days that didn’t happen. The way light and darkness mix under my skin has become a storm. You don’t see the lightning, but you hear the echoes.
”
”
Anna Peters
“
...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Promises from Lo are like bars at 2 a.m.--empty.
”
”
Krista Ritchie (Addicted to You (Addicted, #1))
“
Want to have a short phone call with someone? Call them at 11:55 a.m., right before lunch. They'll talk fast. You may think you are interesting, but you are not more interesting than lunch.
”
”
Randy Pausch (The Last Lecture)
“
There were no windows in my bedroom, so I had to sit up and read my clock to figure out how angry I should be at my visitor. Eight A.M. I hated whoever woke me up. Had they come an hour earlier, I would have also hated their families and any household pets.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
The fear of death is why we build cathedrals, have children, declare war, and watch cat videos online at three a.m.
”
”
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
“
Before going to breakfast, you are in your
room experiencing the gongs of a classic religious
bell, a unique and cuddly invitation to the morning meditation session. In ten minutes it will be 7:00 a.m.—dawn’s brisk reminder that life will never be easy. Mornings are a bit cruel.
”
”
Tom Hillman (Digging for God)
“
OH, THERE HAS TO BE SOMETHING IN THE STOCKING THAT MAKES A NOISE, said Death. OTHERWISE, WHAT IS 4:30 A.M. FOR?
”
”
Terry Pratchett (Hogfather (Discworld #20))
“
Life seemed nearest to acceptable at four A.M.
”
”
Wally Lamb (She’s Come Undone)
“
It was like a church in there as only the truly lost sit in bars on Tuesday mornings at 8:00 a.m.
”
”
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Sometimes what I wouldn't give to have us sitting in a bar again at 9:00 a.m. telling lies to one another, far from God.
”
”
Denis Johnson (Jesus' Son)
“
He thought about this for a second. "True. But if you never really make friends, you probably don't have anyone to be your 2 a.m. Which would kind of suck.
I just looked at him as he stirred his soup, carrots spinning in the liquid. "Your what?"
"Two a.m." He swallowed, then said, "You know. The person you can call at two a.m. and, no matter what, you can count on them. Even if they're asleep or it's cold or you need to be bailed out of jail...they'll come for you. It's, like, the highest level of friendship.
”
”
Sarah Dessen (What Happened to Goodbye)
“
It is two A.M., and you are tired. You miss the love of your life. You want to go home. You would rather be with her, in bed, hearing the light buzz of her snoring, watching her sleep, than be here.
[...]
You imagine a world where the two of you can go out to dinner together on a Saturday night and no one thinks twice about it. It makes you want to cry, the simplicity of it, the smallness of it. You have worked so hard for a life so grand. And now all you want are the smallest freedoms. The daily peace of loving plainly.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Can I request another peer guide, One who isn't so happy to be at school at 7:30 a.m.?
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Hodge sent me to wake you up. Actually, he offered to wake you up himself, but since its five a.m., I figured you'd be less cranky if you had something nice to look at.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
We raced around, drinking and shouting out the windows into the night, finding parties to sneak into or bars that never closed. We wandered the night without fear, went skinny dipping in Central Park Lake at 3 a.m., and found dark clubs playing deafening EDM to dance to until we collapsed.
”
”
Alan Bradley (The Sixth Borough)
“
Five a.m. was a largely theoretical concept to me. I knew it existed, but I rarely observed it.
”
”
Andy Weir (Artemis)
“
It was almost 3 a.m. before Connie got into bed. Sipping cocoa in the cold daylight and listening to the silence, only punctuated by the distant barking of dogs, she began to wonder what she had done. What if she had made a disastrous mistake?
”
”
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
“
There are worse things than having behaved foolishly in public.
There are worse things than these miniature betrayals,
committed or endured or suspected; there are worse things
than not being able to sleep for thinking about them.
It is 5 a.m. All the worse things come stalking in
and stand icily about the bed looking worse and worse and worse.
”
”
Fleur Adcock
“
Pick a flower on Earth and you move the farthest star.
”
”
Paul A.M. Dirac
“
As I lay in bed, I experienced continual, yet gentle, throbbing throughout my face, but most pronounced directly under my eyes. At one point, around 1 a.m., I felt a build-up of pressure in my left eye, then a release. It was followed by quite a bit of crusty discharge. Suddenly, my eyes feel living—rooted.
”
”
Traci Medford-Rosow (Unblinded: One Man's Courageous Journey Through Darkness to Sight)
“
My alarm went off at five a.m., like always. But instead of rising from the bed to go to the office where I’m a star, I threw the clock across the room, smashing it to kingdom come.
It was annoying anyway. Stupid clock. Stupid beep-beep-beeping
”
”
Emma Chase (Tangled (Tangled, #1))
“
One thing I've learned is it's better to be addicted to things than people. You get hooked on a thing and if someone takes it from you, you can find another source. Only people can really hurt you. Only people can push you out into the cold permanently.
”
”
A.M. Riley (Immortality is the Suck (Adam & Peter, #1))
“
A wine, please.” “Ma’am, this is McDonald’s.” “Okay, a McWine, please.” —MCDONALD’S DRIVE-THROUGH, 2 A.M.
”
”
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
“
It's not quite love and it's not quite community; it's just this feeling that there are people, an abundance of people, who are in this together. Who are on your team. When the check is paid and you stay at the table. When it's four A.M. and no one goes to bed. That night with the guitar. That night we can't remember. That time we did, we went , we saw, we laughed, we felt. The hats.
”
”
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
“
Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Meanwhile the 3 a.m. drunks of the world would lay in their beds, trying in vain to sleep, and deserving that rest, if they could find it.
”
”
Charles Bukowski
“
July 24, 6:03 A.M.
The laundry was warm and the rafters were firm, and Michael Holzapfel jumped from the chair as if it were a cliff...
Michael Holzapfel knew what he was doing.
He killed himself for wanting to live.
”
”
Markus Zusak (The Book Thief)
“
You wonder why I don’t
answer your 3 a.m. phone calls.
When you say “I miss you”,
I begin to undress myself out of habit.
”
”
Sierra DeMulder
“
The baby, a girl, is born at 6:24 a.m.
She weighs six pounds, ten ounces.
The mother takes the baby in her arms and asks her, "Who are you, my little one?"
And in response, this baby, who is Liz and not Liz at the same time, laughs.
”
”
Gabrielle Zevin (Elsewhere)
“
Nothing good happens after two a.m. Unless you happen to be a fan of watching people play flip cup for hours on end. Not me. No, I’d much prefer to be in my flannel pajamas with a cup of Night-Night tea and a book, thank you very much.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I'd known enough people for every minute of the day, and yet still didn't have anyone as my two a.m.
”
”
Sarah Dessen (What Happened to Goodbye)
“
Six a.m.!" Xander cried. "I know that's a number on my clock, but I've never actually been awake to personally witness it!
”
”
Alice Henderson (Buffy the Vampire Slayer, Vol. 1 (BTVS Collection, #1))
“
If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow.
Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
We'd better get. But y'all have a nice night,' I say. Apparently, fear turns me Texan. A startling personality insight that I'll jot down later if I'm not dead in a ditch.
”
”
A.M. Robinson (Vampire Crush)
“
Books tell you more about their owners than the owners do.
”
”
A.M. Homes
“
Soon he was online every night until one or two a.m. Often he would wake up at three of four a.m. and go back online. He would shut down the computer screen when I walked in. In the past, he used to take the laptop to bed with him and we would both be on our laptops, hips touching. He stopped doing that, slipping off to his office instead and closing the door even when A was asleep. He started closing doors behind him. I was steeped in denial, but my body knew.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
Nanny Ogg usually went to bed early. After all, she was an old lady. Sometimes she went to bed as early as 6 a.m.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
“
Rain is passion. It’s a scream. It’s my hair sticking to my face as I wrap my arms around him. It’s spontaneous, and it’s loud.
Snowfall is like a secret. It’s whispers and firelight and searching for his warmth between the sheets at two a.m. when the rest of the house is asleep.
”
”
Penelope Douglas (Credence)
“
I remember saying things, but I have no idea what was said. It was generally a friendly conversation.” —Associated Press reporter Jack Sullivan, attempting to recount a 3 A.M. exchange we had at a dinner party and inadvertently describing the past ten years of my life.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
If you don’t write the book you have to write, everything breaks.
”
”
A.M. Homes
“
Here she is, Tru who wants to pick a fight with Jake. I was wondering when she'd show up. Apparently, at 6 a.m. in a hotel restaurant.
”
”
Samantha Towle (The Mighty Storm (The Storm, #1))
“
I don’t know why we take our worst moods so much more seriously than our best, crediting depression with more clarity than euphoria. We dismiss peak moments and passionate love affairs as an ephemeral chemical buzz, just endorphins or hormones, but accept those 3 A.M. bouts of despair as unsentimental insights into the truth about our lives.
”
”
Tim Kreider (We Learn Nothing)
“
1. Write like you’ll live forever — fear is a bad editor.
2. Write like you’ll croak today — death is the best editor.
3. Fooling others is fun. Fooling yourself is a lethal mistake.
4. Pick one — fame or delight.
5. The archer knows the target. The poet knows the wastebasket.
6. Cunning and excess are your friends.
7. TV and liquor are your enemies.
8. Everything eternal happens in a spare room at 3 a.m.
9. You’re done when the crows sing.
”
”
Ron Dakron
“
Any messages for me?" Usually I got one or two, but mostly people who wanted my help preferred to talk in person.
"Yes. Hold on." She pulled out a handful of pink tickets and recited from memory, without checking the paper. "Seven forty-two a.m., Mr. Gasparian: I curse you. I curse your arms so they wither and die and fall off your body. I curse your eyeballs to explode. I curse your feet to swell until blue. I curse your spine to crack. I curse you. I curse you. I curse you.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
When love dies, the heart's ashes do not leave on the wind—they rest on the mantelpiece of the soul, darkening the sunrise we once saw to be beautiful.
”
”
Angela M. Hudson
“
I’ll take you home whenever you want,” he says. “But if you want to stay, and you wake up screaming, it’s okay. I’ll make sure you’re okay. And if you want to stay, and then change your mind, I don’t mind driving you back at four a.m.”
I read once that not everyone thinks in words. I was shocked, imagining these other people who don’t use language to make sense of everyone and everything, who don’t automatically organize the world into chapters, pages, sentences.
Looking into Charlie’s face, I understand it. The way a crush of feeling and feathery impressions can move through your body, bypassing your mind. How a person can know there’s something worth saying but have no concept of what exactly that is. I’m not thinking in words.
”
”
Emily Henry (Book Lovers)
“
Productivity is a trap. Becoming more efficient just makes you more rushed, and trying to clear the decks simply makes them fill up again faster. Nobody in the history of humanity has ever achieved “work-life balance,” whatever that might be, and you certainly won’t get there by copying the “six things successful people do before 7:00 a.m.” The day will never arrive when you finally have everything under control—when the flood of emails has been contained; when your to-do lists have stopped getting longer; when you’re meeting all your obligations at work and in your home life; when nobody’s angry with you for missing a deadline or dropping the ball; and when the fully optimized person you’ve become can turn, at long last, to the things life is really supposed to be about. Let’s start by admitting defeat: none of this is ever going to happen. But you know what? That’s excellent news.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
The imagination says listen to me. I am your darkest voice. I am your 4 a.m. voice. I am the voice that wakes you up and says this is what I'm afraid of. Do not listen to me at your peril.... The imagination is not our escape. On the contrary, the imagination is the place we are all trying to get to.
”
”
John Guare (Six Degrees of Separation: A Play)
“
he who dictates and formulates the words and phrases we use, he who is master of the press and radio, is master of the mind.
”
”
Joost A.M. Meerloo (The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing)
“
At exactly 9:47 a.m., Pluto would pass directly behind Jupiter, in relation to the earth. This was a rare alignment that meant the combined gravitational force of those two planets would exert a stronger tidal pull, which would temporarily counteract gravity here on earth and make people weigh less. He called this the Jovian-Plutonian gravitational effect.'... ... But I bring it up to let you know that this is the way I feel right now. Like Pluto and Jupiter are aligned with the earth and I'm floating.
”
”
Jennifer Niven (All the Bright Places)
“
The original question, 'Can machines think?' I believe to be too meaningless to deserve discussion.
”
”
Alan M. Turing (Mechanical Intelligence: Collected Works of A.M. Turing)
“
The bragging was the worst. I hear this in schools all over the country, in cafés and restaurants, in bars, on the Internet, for Pete's sake, on buses, on sidewalks: Women yammering about how little they eat. Oh, I'm Starving, I haven't eaten all day, I think I'll have a great big piece of lettuce, I'm not hungry, I don't like to eat in the morning (in the afternoon, in the evening, on Tuesdays, when my nails aren't painted, when my shin hurts, when it's raining, when it's sunny, on national holidays, after or before 2 A.M.). I heard it in the hospital, that terrible ironic whine from the chapped lips of women starving to death, But I'm not hun-greeee. To hear women tell it, we're never hungry. We live on little Ms. Pac-Man power pellets. Food makes us queasy, food makes us itchy, food is too messy, all I really like to eat is celery. To hear women tell it we're ethereal beings who eat with the greatest distaste, scraping scraps of food between our teeth with our upper lips curled.
For your edification, it's bullshit.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
Books are the reality you get to choose; life is the reality you hide from inside a book.
”
”
Angela M. Hudson
“
People should fall in love more. Fall in love with the way your coffee swirls as soon as you pour the milk in. Fall in love with the look your dog gives you when you wake up. Fall in love with the rare moment when your cat doesn’t ignore you. Fall in love with the person who tells you to have a good day. Fall in love with the waiter who gives you extra chili fries. Fall in love with sweaters in winter and cold lemonade in summer. Fall in love with the moment your head hits the pillow. Fall in love with talking to someone until 4 a.m. Fall in love with the days you can hit the snooze button over and over again. Fall in love when a lover stares at you for five hours. Fall in love with the stars when they look at you. Fall in love with the sound of someone breathing. Fall in love with the bus if it’s on time or the train if it comes early. Fall in love with everything possible.
”
”
Courtney Peppernell (Pillow Thoughts)
“
Caffeine has an average half-life of five to seven hours. Let’s say that you have a cup of coffee after your evening dinner, around 7:30 p.m. This means that by 1:30 a.m., 50 percent of that caffeine may still be active and circulating throughout your brain tissue. In other words, by 1:30 a.m., you’re only halfway to completing the job of cleansing your brain of the caffeine you drank after dinner.
”
”
Matthew Walker (Why We Sleep: The New Science of Sleep and Dreams)
“
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
There should be a phone service that turns off your phone between midnight and six A.M. every night. And if you want to make a call, you have to pick up the phone and talk to an operator: Put me through to AAA. My car battery's dead. Yes, ma'am. Put me through to Pink Dot. I need vanilla Häagen-Dazs toute de suite! Yes, ma'am. Put me through to my ex-boyfriend... I'm sorry, ma'am, the operator would say. That would be a bad idea. Now you go to bed before you do anything stupid.
”
”
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
“
Simon had drawn three pictures. In the top left corner, like a salutation, was a ghost. The middle had a big sketch of Arnold Schwarzenegger as the Terminator. The third in place of a signature, was a lightning bolt surrounded by fog. Beside the drawing, someone had scrawled in inch-high letters 10 A.M.
Tori snatched it from me and turned it over. "So where's the message?"
"Right there." I pointed from picture to picture. "It says: Chloe, I'll be back, Simon.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be…
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Living is worthwhile if one can contribute in some small way to this endless chain of progress.
”
”
Paul A.M. Dirac
“
It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt.
”
”
Mary Oliver (Upstream: Selected Essays)
“
The aim of science is to make difficult things understandable in a simpler way; the aim of poetry is to state simple things in an incomprehensible way. The two are incompatible.
”
”
Paul A.M. Dirac
“
True strength does not come out of bravado. Until we are broken, our life will be self-centered, self-reliant; our strength will be our own. So long as you think you are really something in and of yourself, what will you need God for? I don’t trust a man who hasn’t suffered; I don’t let a man get close to me who hasn’t faced his wound. Think of the posers you know—are they the kind of man you would call at 2:00 A.M., when life is collapsing around you? Not me. I don’t want clichés; I want deep, soulful truth, and that only comes when a man has walked the road I’ve been talking about.
”
”
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
“
You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.
”
”
John Green (Paper Towns)
“
All the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
I count it as an absolute certainty that in paradise, everyone naps. A nap is a perfect pleasure and it's useful, too. It splits the day into two halves, making each half more manageable and enjoyable. How much easier it is to work in the morning if we know we have a nap to look forward to after lunch; and how much more pleasant the late afternoon and evening become after a little sleep. If you know there is a nap to come later in the day, then you can banish forever that terrible sense of doom one feels at 9 A.M. with eight hours of straight toil ahead. Not only that, but a nap can offer a glimpse into a twilight nether world where gods play and dreams happen.
”
”
Tom Hodgkinson (How to Be Idle)
“
If one is working from the point of view of getting beauty into one's equation, ... one is on a sure line of progress.
”
”
Paul A.M. Dirac
“
Sometimes you can do things for others that you can't do for yourself.
”
”
A.M. Homes (This Book Will Save Your Life)
“
advertising symbolizes the art of making people dissatisfied with what they have.
”
”
Joost A.M. Meerloo (The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing)
“
Archbishop James Usher (1580-1656) published Annales Veteris et Novi Testaments in 1654, which suggested that the Heaven and the Earth were created in 4004 B.C. One of his aides took the calculation further, and was able to announce triumphantly that the Earth was created on Sunday the 21st of October, 4004 B.C., at exactly 9:00 A.M., because God liked to get work done early in the morning while he was feeling fresh.
This too was incorrect. By almost a quarter of an hour.
The whole business with the fossilized dinosaur skeletons was a joke the paleontologists haven't seen yet.
This proves two things:
Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, [ie., everybody.] to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
Secondly, the Earth's a Libra.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
For me, the last few years of the postmodern era have seemed a bit like the way you feel when you're in high school and your parents go on a trip, and you throw a party. You get all your friends over and throw this wild disgusting fabulous party. For a while it's great, free and freeing, parental authority gone and overthrown, a cat's-away-let's-play Dionysian revel. But then time passes and the party gets louder and louder, and you run out of drugs, and nobody's got any money for more drugs, and things get broken and spilled, and there's cigarette burn on the couch, and you're the host and it's your house too, and you gradually start wishing your parents would come back and restore some fucking order in your house. It's not a perfect analogy, but the sense I get of my generation of writers and intellectuals or whatever is that it's 3:00 A.M. and the couch has several burn-holes and somebody's thrown up in the umbrella stand and we're wishing the revel would end. The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back--I mean, what's wrong with us? Are we total pussies? Is there something about authority and limits we actually need? And then the uneasiest feeling of all, as we start gradually to realize that parents in fact aren't ever coming back--which means we're going to have to be the parents.
”
”
David Foster Wallace
“
Scientists at first were skeptical that a kitten-type being could exist in the rare Martian atmosphere. As a test, two Earth kittens were put in a chamber that simulated the Martian air. The diary of this experiment is fascinating:
6:00 A.M.: Kittens appear to sleep.
7:02 A.M.: Kitten wakes, darts from one end of cage to another for no apparent reason.
7:14 A.M.: Kitten runs up wall of cage, leaps onto other kitten for no apparent reason.
7:22 A.M.: Kitten lies on back and punches other kitten for no apparent reason.
7:30 A.M.: Kitten leaps, stops, darts left, abruptly stops, climbs wall, clings for two seconds, falls on head, darts right for no apparent reason.
7:51 A.M.: Kitten parses first sentence of daily newspaper that is at bottom of chamber.
With the exception of the parsing, all behavior is typical of Earth kitten behavior. The parsing activity, which was done with a small ball-point pen, was an anomaly.
”
”
Steve Martin (Pure Drivel)
“
It’s a widely known fact that most moms are ready to kill someone by eight thirty A.M. on any given morning. On the particular morning of Tuesday, October eighth, I was ready by seven forty-five. If you’ve never had to wrestle a two-year-old slathered in maple syrup into a diaper while your four-year-old decides to give herself a haircut in time for preschool, all while trying to track down the whereabouts of your missing nanny as you sop up coffee grounds from an overflowing pot because in your sleep-deprived fog you forgot to put in the filter, let me spell it out for you.
I was ready to kill someone. I didn’t really care who.
”
”
Elle Cosimano (Finlay Donovan Is Killing It (Finlay Donovan, #1))
“
Where thinking is isolated without free exchange with other minds and can no longer expand, delusion may follow. Whenever ideas are compartmentalized, behind and between curtains, the process of continual alert confrontation of facts and reality is hampered. The system freezes, becomes rigid, and dies of delusion.
”
”
Joost A.M. Meerloo (The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing)
“
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
”
”
Richard Powers (The Overstory)
“
You were happy last night. This morning is a different story."
"You think I have a hangover. I don't. Well a little headache, but not much. Just let this be a warning to you if you keep me from sleeping again tonight."
"I kept you from sleeping? I kept you from sleeping?" he repeated incredulously. "You are the same woman who shook me out of a sound sleep at two a.m. yesterday morning, aren't you?"
"I didn't shake you. I kind of bounced on you, but I didn't shake you."
"Bounced," he repeated.
"You had a hard-on. I couldn't let it go to waste, could I?"
"You could have woke me up before you started not to let it go to waste."
"Look," she said exasperated, "If you don't want used, don't lie on your back with it sticking up like that. If that isn't an invitation, I don't know what is."
"I was asleep. It does that on its own." It was doing it on its own right know, as a matter of fact. It poked her in the stomach.
She looked down... and smiled. It was a smile that made his testicles draw up in fear.
With a sniff, she turned her back on him and ignored him as she finished showering.
"Hey!" he said, to get her attention. Alarm was in his tone. "You aren't going to let this one go to waste are you?
”
”
Linda Howard (Mr. Perfect)
“
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lambsquarter, cutgrass, saw brier, nutgrass, jimson-weed, wild mint, dandelion, foxtail, spinecabbage, goldenrod, creeping Charlie, butterprint, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads nodding in a soft morning breeze like a mother’s hand on your check. An arrow of starlings fired from the windbreak’s thatch. The glitter of dew that stays where it is and steams all day. A Sunflower, four more one bowed, and horses in the distance standing rigid as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.
”
”
David Foster Wallace
“
I think about how truly interesting and odd it is that when a woman marries, traditionally she loses her name, becoming absorbed by the husband's family name - she is in effect lost, evaporated from all records under her maiden name. I finally understand the anger behind feminism - the idea that as a woman you are property to be conveyed between your father and your husband, but never an individual who exists independently. And on the flip side, it is also one of the few ways one can legitimately get lost - no one questions it.
”
”
A.M. Homes (The Mistress's Daughter)
“
The working, concentrating artist is an adult who refuses interruption from himself, who remains absorbed and energized in and by the work — who is thus responsible to the work… Serious interruptions to work, therefore, are never the inopportune, cheerful, even loving interruptions which come to us from another.
[…]
It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all.
There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
”
”
Mary Oliver (Upstream: Selected Essays)
“
Yawn...
I believe that I love sleep
much more than anybody I’ve ever
met.
I have the ability to sleep for
2 or 3 days and
nights.
I will go to bed at any given
moment.
I often confused my girlfriends
this way—
say it would be about onethirty
in the afternoon:
“well, I’m going to bed now, I’m
going to sleep…”
most of them wouldn’t mind, they
would go to bed with me
thinking I was hinting for
sex
but I would just turn my back
and snore off.
this, of course, could explain
why so many of my girlfriends
left me.
as for doctors, they were never
any help:
“listen, I have this desire to
go to bed and sleep, almost all
the time.
what is wrong with
me?”
“do you get enough exercise?”
“yes…”
“are you getting enough
nourishment?”
“yes…”
they always handed me a
prescription
which I threw away
between the office and the
parking lot.
it’s a curious malady
because I can’t sleep between
6 p.m. and midnight.
it must occur after
midnight
and when I arise
it can never be
before noon.
and should the phone ring
say at 10:30 a.m.
I go into a mad rage
don’t even ask who the caller
is
scream into the
phone: “WHAT ARE YOU
CALLING ME FOR AT THIS
HOUR!”
hang
up…
every person, I suppose, has
their eccentricities
but in an effort to be
normal
in the world’s
eye
they overcome them
and therefore
destroy their
special calling.
I’ve kept mine
and do believe that
they have lent generously to
my existence.
I think it’s the main reason I
decided to become a
writer: I can type
anytime and
sleep
when I damn well
please.
”
”
Charles Bukowski
“
What bothers you more?' he asks, leaning forward. 'The fact that I'm a vampire or the fact that you have me here, sitting in your bedroom, after midnight? Because I actually think it's the second one.'
He flashes a toothy smile. In any other time, under any other circumstances, I would almost think that he was...
'Are you flirting with me?' I ask, stunned. 'Now?'
I think I see a flicker of disappointment was across his features, but it could just be a shadow. 'Please,' he says coolly. 'I was just curious. And besides, I thought the whole vampire thing was supposed to be sexy. I just wanted to make sure you weren't going to start giggling and twirling your hair.
”
”
A.M. Robinson (Vampire Crush)
“
(Golden Globe acceptance speech in the style of Jane Austen's letters):
"Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport.
P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature."
"With gratitude and apologies to Miss Austen, thank you.
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.
Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
”
”
David Foster Wallace (The Pale King)
“
Science works by experiments. It watches how things behave. Every scientific statement in the long run, however complicated it looks, really means something like, 'I pointed the telescope to such and such a part of the sky at 2:20 a.m. on January 15th and saw so-and-so,' or, 'I put some of this stuff in a pot and heated it to such-and-such a temperature and it did so-and-so.' Do not think I am saying anything against science: I am only saying what its job is.
And the more scientific a man is, the more (I believe) he would agree with me that this is the job of science--and a very useful and necessary job it is too. But why anything comes to be there at all, and whether there is anything behind the things science observes--something of a different kind--this is not a scientific question. If there is 'Something Behind,' then either it will have to remain altogether unknown to men or else make itself known in some different way. The statement that there is any such thing, and the statement that there is no such thing, are neither of them statements that science can make. And real scientists do not usually make them. It is usually the journalists and popular novelists who have picked up a few odds and ends of half-baked science from textbooks who go in for them. After all, it is really a matter of common sense. Supposing science ever became complete so that it knew every single thing in the whole universe. Is it not plain that the questions, 'Why is there a universe?' 'Why does it go on as it does?' 'Has it any meaning?' would remain just as they were?
”
”
C.S. Lewis (Mere Christianity)
“
I would definitely want the one with the bed,' I say and then realize how that sounds. I wonder if I will ever be able to flirt intentionally, as opposed to just accidently.
'Really?' he says, a little too innocently.
I can do this— I can say something flirtatious and mean to. 'Or maybe not. You were always horrible at sharing your things,' I tease, but then realize that was just an insult said with an eyebrow wiggle.
James leans in close enough that our arms touch and he smiles, slow and deliberate. 'I've gotten better.'
I think all of my internal organs just evaporated. 'Why do you have a bed if you don't sleep?' I blurt. 'It looks new.'
'Yeah, that's not where I thought this conversation was going at all,' he says before settling back against the wall.
”
”
A.M. Robinson (Vampire Crush)
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
I cannot understand why we idle discussing religion. If we are honest—and scientists have to be—we must admit that religion is a jumble of false assertions, with no basis in reality. The very idea of God is a product of the human imagination. It is quite understandable why primitive people, who were so much more exposed to the overpowering forces of nature than we are today, should have personified these forces in fear and trembling. But nowadays, when we understand so many natural processes, we have no need for such solutions. I can't for the life of me see how the postulate of an Almighty God helps us in any way. What I do see is that this assumption leads to such unproductive questions as why God allows so much misery and injustice, the exploitation of the poor by the rich and all the other horrors He might have prevented. If religion is still being taught, it is by no means because its ideas still convince us, but simply because some of us want to keep the lower classes quiet. Quiet people are much easier to govern than clamorous and dissatisfied ones. They are also much easier to exploit. Religion is a kind of opium that allows a nation to lull itself into wishful dreams and so forget the injustices that are being perpetrated against the people. Hence the close alliance between those two great political forces, the State and the Church. Both need the illusion that a kindly God rewards—in heaven if not on earth—all those who have not risen up against injustice, who have done their duty quietly and uncomplainingly. That is precisely why the honest assertion that God is a mere product of the human imagination is branded as the worst of all mortal sins.
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Paul A.M. Dirac
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There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
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Tim Dorsey (Florida Roadkill (Serge Storms, #1))