A Little Bit Shy Quotes

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Oh,” Jace said carelessly, as if he hadn’t been waiting out here for the express purpose of seeing Simon off. He looked up, golden gaze casual, then looked away. “You.” Being too cool for school was Jace’s thing. Simon supposed he must have understood and been fond of it, once. “Hey, I figured I wasn’t going to get the chance to ask this again. You and me,” Simon said. “We’re pretty tight, aren’t we?” Jace looked at him for a moment, face very still, and then bounded to his feet and said: “Absolutely. We’re like this.” He crossed two of his fingers together. “Actually, we’re more like this.” He tried to cross them again. “We had a little bit of initial tension, as you may later recall, but that was all cleared up when you came to me and confessed that you were struggling with your feelings of intense jealousy over my—these were your words—stunning good looks and irresistible charm.” “Did I,” said Simon. Jace clapped him on the shoulder. “Yeah, buddy. I remember it clearly.” “Okay, whatever. The thing is … Alec’s always really quiet around me,” Simon said. “Is he just shy, or did I tick him off and I don’t remember it? I wouldn’t like to go away without trying to make things right.” Jace’s expression took on that peculiar stillness again. “I’m glad you asked me that,” he said finally. “There is something more going on. The girls didn’t want me to tell you, but the truth is—
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
He’s just going to see a gorgeous woman, because she’s exactly the type he goes for. Curvy, smart, sweet, a little bit shy—I hate to tell you, but if you had asked
Tonya Burrows (Broken Honor (HORNET, #3))
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
Oh, it's you," Sebastian said in a tone of mild surprise, seeming to ponder how he had ended up kneeling on a bathroom rug with his wife in his arms. "I was prepared to debauch a resisting servant girl, but you're a more difficult case." "You can debauch me," Evie offered cheerfully. Her husband smiled, his glowing gaze moving gently over her face. He smoothed back a few escaping curls that had lightened from ruby to soft apricot. "My love, I've tried for thirty years. But despite my dedicated efforts..." A sweetly erotic kiss grazed her lips. "...you still have the innocent eyes of that shy wallflower I eloped with. Can't you try to look at least a little bit jaded? Disillusioned?" He laughed quietly at her efforts and kissed her again, this time with a teasing, sensuous pressure that caused her pulse to quicken.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
MOMENTS I saw you first You looked exactly The same as before Tall and awkward and shy I walked towards you My hands clammy I felt cold inside My insides were shaking Cant run This is it. U saw me Your face brightened A smile painted on your face I missed it Your smile It brought back the past You walked I walked Nearer It feels like in the Movies Two people A boy and a girl Meeting halfway Hoping for a happy Ever after I stopped Right before I reached you I realized This isn't like the movies I turned I told myself Don’t smile You reached me Close So close I felt the urge To touch you Hug you And maybe Kiss you There weren't Hellos Only silent prayers Smiling You reached for my hand Giving me something You knew I love It was awkward You standing there Me standing there So close Too close Yet so far I looked up to you I tried to ask myself Are you for real? You smiled wider Shy but happy You left as fast As you came back It was for a second I hated time I wished it was A little bit longer With that, I knew I still want you.
Marianne Escobar
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Pushing Elsie back, I said, “I’m not the most special guy in the world. I’m no one’s perfect dream. I’m not sure I’ll ever do anything extraordinary with my life. I’ll always be that little bit awkward, and that little bit too shy. I’ll always blush and dip my head, but if you’ll let me, I’ll be the one that’s there for you. I’ll be happy knowing I’ve got you and you’ve got me. That’s enough for me, to be the one that you can lean on, to be the one to tell you you’re beautiful every day. And talk to. I’ll adore every sound that comes out of your mouth. I’ll be the one to love you like nothing you’ve ever seen, bella mia.” I blushed with embarrassment, but managed to rasp, “If you’ll just let me… If you want me.” Elsie sobbed out a cry, tears tumbling down her rosy cheeks. “Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush—because I do too.” She wiped at her cheeks. “I love that you’re shy, and,” her breathing hitched, “I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I’m tired of trying to please others.” She dipped her eyes and almost flattened me when she said, “You’re my kind of extraordinary. Levi Carillo, you’re the sweetest of souls.
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
“Was one of those college boys with you your boyfriend?” A slight bit of heat creeps onto my cheeks. Not from panic this time, but from...from... “No, I don’t have a boyfriend.” And the answer makes me shy, and the shyness gives me the power to look away. To think he called me brave. I wish I was brave. I wish that every person I’d meet would think of me that way. Not as the coward I really am. “Good. Those guys were losers. Stay clear of them.” “You’re sort of bossy.” I’m teasing. Isaiah’s way too serious to find time to be bossy. But the main point is that he’s totally unlike my brothers, who demand everything from me by plain bullying. “I’m not bossy,” he says and I get a little thrill that he’s playing along. This isn’t me. In my day-to-day life, I could never find the courage to talk to guys, much less tease them, yet here I am. “No, I have four older brothers. Technically three older brothers and a twin, but Ethan claims he’s older by a minute. The point is I know what bossy is—and you’re it.” “Think of it as strongly encouraged tips for survival.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
The whiff of whatever I’d gotten in the ladies’ room had definitely taken a big chunk out of any embarrassment I may have had left. Tonight had been my first time in a big-city club of any kind, let alone a strip or sex club. I had questions, was intensely curious, and between the clover weed and my partner’s hands all over me less than a half hour before, I wasn’t the least bit shy anymore about asking those questions. The little voice in my head was frantically waving for me to stop. I kicked the door shut on my little voice. Party pooper. I half turned on my tuffet toward Ian, my right leg crossing over my left, also toward Ian. My little voice was banging on the door and screaming at me. “Are people listening with our table anymore?” I whispered. Ian glanced at the glowing surface. “No.” “Good. So, what is it with men and titty bars?
Lisa Shearin (Night Shift (World of Kate Daniels, #8.5; SPI Files, #0.5; Psy-Changeling, #12.5; Barbarian, #1))
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
You should have seen him as a young man-" she cried suddenly to Paul, drawing herself up to imitate her husband's once handsome bearing. Morel watched her shyly. He saw again the passion she had had for him. It blazed upon her for a moment. He was shy, rather scared, and humble. Yet again he felt his old glow. And then, immediately, he felt the ruin he had made during these years. He wanted to bustle about, to run away from it. "Gi'e my back a bit of a wesh," he asked her. His wife brought a well-soaped flannel and clapped it on his shoulders. He gave a jump. "Eh tha mucky little 'ussy!" he cried. "Cowd as death!"... "The next world won't be half hot enough for you," she added. "No," he said, "tha'lt see as it's draughty for me.
D.H. Lawrence (Sons and Lovers)
He makes a face and tosses the flower at me. It lands on my cheek, and I pick it up and twirl it between my fingers. I could lie out here all day, not moving an inch, feeling the sun above and the grass below. With a contented sigh, I stretch my arms wide, raking the grass with my fingers—and find myself brushing Aladdin’s hand with my own. I pull it away quickly, my cheeks warming. He laughs a little. “Sometimes,” he says, “I forget you’re supposed to be four thousand years old. You act as shy as a girl of sixteen.” “I do not!” I sit up and glare at him. He grins and shrugs, sliding his hands under his head. There are bits of grass stuck in his hair, and after a moment’s hesitation, I reach over and flick them away. Aladdin watches me silently, his throat bobbing as he swallows. I drop my gaze.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
He could have laughed. His shy Stella making a scene! Although maybe he shouldn’t have been surprised. A woman protecting her home came from a place more primal than politics. Besides, in all the time he’d known her, she’d never spoken kindly of a Negro. It embarrassed him a little, to tell the truth. He respected the natural order of things but you didn’t have to be cruel about it. As a boy, he’d had a colored nanny named Wilma who was practically family. He still sent her a Christmas card each year. But Stella wouldn’t even hire colored help for the house—she claimed Mexicans worked harder. He never understood why she averted her gaze when an old Negro woman shuffled past on the sidewalk, why she was always so curt with the elevator operators. She was jumpy around Negroes, like a child who’d been bit by a dog
Brit Bennett (The Vanishing Half)
Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
All that’s as it may be. But I don’t know what the author’ll say. He’s a conceited little ape and it’s not a bit the scene he wrote.' 'Oh, leave him to me. I’ll fix him.' There was a knock at the door and it was the author himself who came in. With a cry of delight, Julia went up to him, threw her arms round his neck and kissed him on both cheeks. 'Are you pleased?' 'It looks like a success,' he answered, but a trifle coldly. 'My dear, it’ll run for a year.' She placed her hands on his shoulders and looked him full in the face. 'But you’re a wicked, wicked man.' 'You almost ruined my performance. When I came to that bit in the second act and suddenly saw what it meant I nearly broke down. You knew what was in that scene, you’re the author; why did you let us rehearse it all the time as if there was no more in it than appeared on the surface? We’re only actors, how can you expect us to — to fathom your subtlety? It’s the best scene in your play and I almost bungled it. No one in the world could have written it but you. Your play’s brilliant, but in that scene there’s more than brilliance, there’s genius.' The author flushed. Julia looked at him with veneration. He felt shy and happy and proud. ('In twenty-four hours the mug’ll think he really meant the scene to go like that.') .
W. Somerset Maugham (Theatre)
It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.
Bear Grylls (Mud, Sweat and Tears)
And slamming the door in Meg's face, Aunt March drove off in high dudgeon. She seemed to take all the girl's courage with her, for when left alone, Meg stood for a moment, undecided whether to laugh or cry. Before she could make up her mind, she was taken possession of by Mr. Brooke, who said all in one breath, "I couldn't help hearing, Meg. Thank you for defending me, and Aunt March for proving that you do care for me a little bit." "I didn't know how much till she abused you," began Meg. "And I needn't go away, but my stay and be happy, may I, dear?" Here was another fine chance to make the crushing speech and the stately exit, but Meg never thought of doing either, and disgraced herself forever in Jo's eyes by meekly whispering, "Yes, John," and hiding her face on Mr. Brooke's waistcoat. Fifteen minutes after Aunt March's departure, Jo came softly downstairs, paused an instant at the parlor door, and hearing no sound within, nodded and smiled with a satisfied expression, saying to herself, "She has seen him away as we planned, and that affair is settled. I'll go and hear the fun, and have a good laugh over it." But poor Jo never got her laugh, for she was transfixed upon the threshold by a spectacle which held her there, staring with her mouth nearly as wide open as her eyes. Going in to exult over a fallen enemy and to praise a strong-minded sister for the banishment of an objectionable lover, it certainly was a shock to behold the aforesaid enemy serenely sitting on the sofa, with the strong-minded sister enthroned upon his knee and wearing an expression of the most abject submission. Jo gave a sort of gasp, as if a cold shower bath had suddenly fallen upon her, for such an unexpected turning of the tables actually took her breath away. At the odd sound the lovers turned and saw her. Meg jumped up, looking both proud and shy, but `that man', as Jo called him, actually laughed and said coolly, as he kissed the astonished newcomer, "Sister Jo, congratulate us!" That was adding insult to injury, it was altogether too much, and making some wild demonstration with her hands, Jo vanished without a word. Rushing upstairs, she startled the invalids by exclaiming tragically as she burst into the room, "Oh, do somebody go down quick! John Brooke is acting dreadfully, and Meg likes it!
Louisa May Alcott (Little Women)
The tofu pocket is soaked with butter, every bite of it drenching the lips... ... sending rich waves gushing through the mouth. Just one taste is enough to seep both tongue and mind in a thick flood of butter! "The tofu pocket is so juicy it's nearly dripping, yet it hasn't drowned the filling at all. The rice is delectably fluffy and delicate, done in true pilaf style, with the grains separate, tender and not remotely sticky. Simmered in fragrant chicken broth, the prawns give it a delightful crunch, while ample salt and pepper boost both its flavor and aroma!" "The whole dish is strongly flavored, but it isn't the least bit heavy or sticky. The deliciousness of every ingredient, wrapped in a cloak of rich butter, wells up with each bite like a gushing, savory spring! How on earth did you manage to create this powerful a flavor?!" "Well, first I sautéed the rice for the pilaf without washing it- one of the major rules of pilafs! If you wash all the starch off the rice, the grains get crumbly and the whole thing can wind up tasting tacky instead of tender. Then I thoroughly rinsed the tofu pockets with hot water to wash off the extra oil so they'd soak up the seasonings better. But the biggest secret to the whole thing... ... was my specially made Mochi White Sauce! Normal white sauce is made with lots of milk, butter and flour, making it really thick and heavy. But I made mine using only soy milk and mochi, so it's still rich and creamy without the slightest hint of greasiness. In addition, I sprinkled a blend of several cheeses on top of everything when I put it in the oven to toast. They added some nice hints of mellow saltiness to the dish without making it too heavy! Basically, I shoved all the tasty things I could think of into my dish... ... pushing the rich, savory flavor as hard as I could until it was just shy of too much... and this is the result!" Some ingredients meld with the butter's richness into mellow deliciousness... ... while others, sautéed in butter, have become beautifully savory and aromatic. Into each of these little inari sushi pockets has gone an immense amount of work across uncountable steps and stages. Undaunted by Mr. Saito's brilliant dish, gleaming with the fierce goodness of seafood... each individual ingredient is loudly and proudly declaring its own unique deliciousness!
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
He could have broken the man's neck with little difficulty, and it had taken a portion of his legendary self-control to keep from giving in to the impulse. Particularly when the cold, killing rage that had sustained him for ten long years had suddenly burned white-hot at the sight of his enemy mauling Emma. Perhaps that was what was troubling him. He'd ruthlessly stripped himself of all weakness, all emotion, anticipating little from this life except a passably entertaining evening and the bloody death of Jasper Darnley. And yet, suddenly, desires were churning inside him, stronger than he'd felt in years. He didn't like it. Emma didn't like it either, he thought absently. He had felt her animosity, hot, intense, almost sexual, radiating out at him during the ride home. It had been very... arousing. That, and the memory of her face at the opera, eyes shining with delight. He'd wanted to reach for her, put his hands on her, and pull her against him, to touch her and wipe out the touch of Darnley's fat-fingered hands. She'd have fought him, of course, and he had yet to find the struggles of an unwilling woman to be the slightest bit entertaining. But the interest lay in how long it would take him to make her cease struggling. What kind of sounds would she make when he pulled the black silk down to her waist and freed her breasts from the soft chemise he'd bought her? What kind of sounds would she make when he pushed her down on the bed upstairs and drove into her? Would she be easy to pleasure? Or would she be shy, wary, making him seduce her oh, so carefully?
Anne Stuart (To Love a Dark Lord)
30. Storms Make You Stronger A lot of the advice in this book is about how to cope when things don’t go well. You see, life is unpredictable, and as sure as eggs is eggs, it won’t always swing your way. But when those storms come I have a clear and simple mantra: The time to shine is when it is darkest. In other words: when it is all going wrong, step up to the plate, give it your all, heave hardest on that rope, and show that you are bigger than the obstacle. Nature has a way of rewarding that sort of attitude. Sometimes life tests us a little. Things we had banked on coming in just don’t work out. People let you down, one disaster follows another. You know the phrase: it never rains but it pours. When those times come we have a choice: do we cower and get beaten or do we stand tall and face it? I liken it to the school bully. When you stand up to them, they often stand down. They are testing you to see what you are made of. Man or mouse? So use those tough times as an opportunity to show the world and yourself what you are made of. Regardless of how you feel, how you see yourself, I have learnt one key lesson from mountains and the wild: that underneath it all, we humans are made strong. We all behave and act a little differently, depending on how we have been brought up and what has been thrown at us in our lives - but the underlying truth is that the real core of each of us is strong. I have seen incredible heroics from unlikely people on mountains. But it took exceptional circumstances for that bravery to emerge. You see, we are all a bit like grapes: when you squeeze us, you see what we are made of. And I believe that most people are far stronger than they ever imagine. It is refined within us from thousands of years of having to survive as a species. It might be dusty and hidden away, but it is there somewhere inside you: the heart of a survivor. Courage. Tenacity. Strength. So don’t shy away from hard times, they are your chance to shine. Write this on your bathroom mirror: Struggle develops strength and storms make you stronger.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
But ... there's military law, isn't there?" "Well, yes ... but when it's pissing with rain and when you're up to your tonk– your waist in dead horses and someone gives you an order, that ain't the time to look up the book of rules, miss. Anyway, of it's about when you're allowed to get shot, sir." "Oh, I'm sure there's more to it than that, sergeant." "Oh, prob'ly, sir," Colon conceded diplomatically. "I'm sure there's lots of stuff about not killing enemy soldiers who've surrendered, for instance." "Oh, yerss, there's that, captain. Doesn't say you can't duff 'em up a bit, of course. Give 'em a little something to remember you by." "Not torture?" said Angua. "Oh, no, miss. But ... " Memory Lane for Colon had turned into a bad road through a dark valley "... well, when your best mate's got an arrow in his eye an' there's blokes and horses screamin' all around you and you're scared shi– you're really scared, an' you come across one of the enemy ... well, for some reason or other you've got this kinda urge to give him a bit of a ... nudge, sort of thing. Just ... you know ... like, maybe in twenty years' time his leg'll twinge a bit on frosty days and he'll remember what he done, that's all.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
The pair glanced up in unison to see a group of veteran agents standing a bit apart from the rest. The ones with too much pride to grab and shout like the others. The ones who’d been around long enough to have fought at the sugar factory, who’d graduated in the same class. It’s a little Guilder reunion. There was Maria and Alicia, standing together with matching cups of coffee. The telepath usually shied away from field work, and the doctor kept to the hospital, but they’d received an official summons just like everyone else. Riley, an over-energized cheetah, was standing just a few steps behind—folding his arms deliberately over his broad chest to show off his latest tattoo. There was a space behind them. A space where Rob and Andy would have usually stood. The eagle had been sent a message like everyone else, but had failed to arrive. But perhaps the biggest surprise was the man who’d called out to them. Nicholas MacGyver was standing in the center of the group—looking strangely out of place, beyond the comfort of his lab—but even more fiercely determined.
W. J. May (Devon Seeking Guidance (Kerrigan Presidents Series Book 3))
He was breathing a little faster himself, his heart pounding as he leaned in a tiny bit more. He hovered just shy of her lips before braving the final space between them and pressing his mouth to hers. He knew immediately from the first taste of her that one tiny kiss wasn't going to be enough.
Cat Johnson (Midnight Wrangler (Midnight Cowboys, #2))
I'm a little bit shy, a bit strange and a little bit manic.
Blink-182
Her relationship with Paul went back much further, of course. It wasn’t as though they became friends because of Matt’s death. In fact, that night long ago when she met Matt, it had been Paul across the room who’d first caught her eye. He was so tall, his legs so long and hands so big, it was hard for him not to stand out in a crowd. There was that willful, sandy hair that had to be kept short because it would defy any kind of styling. Not that Paul was the kind of man to fuss with his hair—it was obvious even from a distance that he stuck to basics. It was his masculinity she noticed; he looked like a lumberjack who’d cleaned up to go into town. He had an engaging smile; one tooth in front was just a little crooked and he had a dimple on the left cheek. Heavy brown brows, deep chocolate eyes—details she discovered a bit later, of course. She hadn’t even noticed Matt… But it was Matt who put the rush on her, swept her off her feet, made her laugh, made her blush. While Paul hung back, shy and silent, Matt charmed her to her very bones. And shortly after the charm, he made her desire him madly, love him deeply. He was hardly a consolation prize—he was one of the best men in the world. And a devoted husband, so in love with her. She loved Paul before Matt’s death, grew to love him more deeply afterward. When little Mattie was born, she said to Paul, “I will never love anyone but Matt.” But as the weeks passed she realized that she didn’t have to stop loving Matt any more than Paul should. Matt would be with them both forever. And it was like the natural order of things that Paul should step in now.
Robyn Carr (Second Chance Pass)
He found her in the bathroom, wearing one of his huge T-shirts, and he caught her softly crying. It had been a very long time since he’d seen her tears, and it knocked the wind out of him. He couldn’t bear it. “Here, here,” he said, pulling her into his strong embrace. “You’re crying.” She wiped the tears off her cheeks and looked up at him. “It’s nothing,” she said. “I got my period again. I didn’t want it to come. I wanted to be pregnant.” “You weren’t even late,” he said, for he knew everything about her, about her body. You could set a watch by her. “Not even an hour late,” she said, and a big tear spilled over. “Is it a hard one?” he asked tenderly. “No, it’s nothing at all. Except, I thought maybe finally…” “Okay, it’s time,” he said, wiping away the tear. “You should talk to Mel. Maybe to John Stone. See if we should check something out.” “I get the impression that could be expensive.” “Don’t you worry about that,” he said. “Never mind money—this is about us being happy. We want a baby. We should do what we have to do. Right?” “John, I’m sorry—” “Why are you sorry? You’re not in this alone. Everything is both of us. Right?” “Month after month…” “Well, now we’re going to face it and ask for advice. We’ll get some help. No more crying.” But she dropped her head against his chest and wept anyway, and it tore his heart out. He couldn’t stand Paige to be in any kind of pain. He lived for her happiness; she was his world. His life. “Are you crying because you’re PMS-y?” he asked. “No. I don’t think so.” “Cramps? Want me to rub your back?” “No,” she said. “I feel fine. Really.” He lifted her chin and kissed her deeply. Lovingly. Lustfully. “Want me to make you feel a little better? I know how.” “That’s okay, John. There’s no need.” “You don’t have to be shy with me. There’s no part of your life, your body, that puts me off. I love every bit of you.” She sighed deeply. “I should just take a shower and crawl into bed. I’m feeling sorry for myself.” He
Robyn Carr (Whispering Rock (Virgin River, #3))
Albert, friend to royalty,” Beatrix said later at the Rutledge Hotel, laughing as she sat on the floor of their suite and examined the new collar. “I hope you don’t get above yourself, and put on airs.” “Not around your family, he won’t,” Christopher said, stripping off his coat and waistcoat, and removing his cravat. He lowered himself to the settee, relishing the coolness of the room. Albert went to drink from his bowl of water, lapping noisily. Beatrix went to Christopher, stretched full length atop him, and braced her arms on his chest. “I was so proud of you today,” she said, smiling down at him. “And perhaps a tiny bit smug that with all the women swooning and sighing over you, I’m the one you went home with.” Arching a brow, Christopher asked, “Only a tiny bit smug?” “Oh, very well. Enormously smug.” She began to play with his hair. “Now that all this medal business is done with, I have something to discuss with you.” Closing his eyes, Christopher enjoyed the sensation of her fingers stroking his scalp. “What is it?” “What would you say to adding a new member to the family?” This was not an unusual question. Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix’s joining a board to form a new natural history museum, to provide a lady’s perspective on various aspects of the project. Keeping his eyes closed, Christopher smiled lazily. “Fur, feathers, or scales?” he asked in response to her earlier question. “None of those.” “God. Something exotic. Very well, where will this creature come from? Will we have to go to Australia to collect it? Iceland? Brazil?” A tremor of laughter went through her. “It’s already here, actually. But you won’t be able to view it for, say…eight more months.” Christopher’s eyes flew open. Beatrix was smiling down at him, looking shy and eager and more than a little pleased with herself. “Beatrix.” He turned carefully so that she was underneath him. His hand came to cradle the side of her face. “You’re sure?” She nodded. Overwhelmed, Christopher covered her mouth with his, kissing her fiercely. “My love…precious girl…” “It’s what you wanted, then?” she asked between kisses, already knowing the answer. Christopher looked down at her through a bright sheen of joy that made everything blurred and radiant. “More than I ever dreamed. And certainly more than I deserve.” Beatrix’s arms slid around his neck. “I’ll show you what you deserve,” she informed him, and pulled his head down to hers again.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Wyatt’s grip suddenly tightened and she looked up. He was smiling. Only it wasn’t a full smile. It was one of those ghosted little grins that masked a secret. And it gave her a glimpse of what he must have looked like as a little boy. Adorable . . . Her gaze inched upward to his eyes and all traces of boyhood vanished. A wave of desire, powerful and unexpected, swept through her. Her memory traced a path back to the way he held her in his arms earlier that day, and of his kiss. He hadn’t been the least bit shy then, and at the slightest bit of encouragement, had grown undeniably bolder. “McKenna.” Wyatt’s voice was soft. She blinked, and recognized the earnestness in his eyes. “Will you take me as your husband?” he whispered, indicating the judge with a tilt of his head. “He has a stage to catch.” She thought of Emma, and of Janie. And of all she’d done wrong with Robert in her life. Then she thought of what little she knew about this man before her. He already loved Emma, and Emma loved him. He was a man of honor, kind and— “Yes,” she whispered, forcing the words over the tick-tock of the imaginary clock. “I do.
Tamera Alexander (The Inheritance)
So they went to a place that only they knew-- the mixed-nut forest where the mixed-nut trees grew. As the cubs picked almonds and walnuts, pistachios, too, which Papa Bear claimed as his Thanksgiving due, the entire forest started to lurch. The cubs fell like stones from their top-lofty perch. But they landed not with a bone-jarring bump. They landed instead with a comfortable “whump.” For you see, the cubs had been caught in mid-air in the dumpster-sized paw of a monster-sized bear. It was Bigpaw, of course. The monster HAD come. Talk about scared! The normally talkative cubs were struck dumb. Suffice it to say, Something surprising Happened that day. With a bit of a smile and nary a sound, he gently placed them down on the ground. What a shock! What a surprise! For despite his manner and imposing size, Bigpaw was nice, gentle, and shy-- a friendly, helpful sort of a guy. Those cubs knew what they had to do-- tell that only part of the legend was true. Though he was powerful, fearsome, and tall, the monster called Bigpaw was no monster at all. It was important news, so off they hurried, leaving Bigpaw looking a little worried. “Little cubs! Little cubs! You forgot your mixed nuts!” This certainly was true, no ifs, ands, or buts.
Stan Berenstain (The Berenstain Bears' Thanksgiving)
Do you want to, um, sit? Up here?” The open bit of mattress next to him. Jonah smiling, now looking a little shy. His shyness makes her shy. “Okay,” she says. Jonah scoots over, wincing as he moves his right leg. When he’s settled, resting back against his pillows, Hallelujah takes hold of the bedrail and climbs up to sit next to him. Her legs are surprisingly shaky, and she’s happy to stretch them out next to Jonah’s.
Kathryn Holmes
Even in our defeats we have tried to do things most would shy away from, we have looked behind all three doors, faced whatever was there, known and unknown, and continued to try. As we tasted the bitterness of defeat that comes with trying, we got to know ourselves a little bit better. It may not seem like much of a reward at the time you sit down, not to get back up, but it is—and we will try again.
John Morelock (Run Gently Out There: Trials, trails, and tribulations of running ultramarathons)
Yes,” the professor says. “You.” “I didn't have my hand raised,” I say. “I know. That's why I picked you. You were the only one who didn't have their hand raised. That's interesting to me. Some of your peers were practically jumping out of their seats trying to get my attention. It's been my experience that, if a student doesn't raise their hand, it's not because they don't have something to contribute – it's because they're either shy or uninterested. I doubt it's the latter, otherwise you wouldn't be here. So, I'm going to assume that you're a bit shy – and there's nothing wrong with that. Shy students are often the brightest but need a little extra push to open up.
M.L. Sapphire (The Professor)
Anyway, to me he’s just Sunny. Come on up, Jacks, don’t be shy.” His eyes are wide, and he’s mouthing, “What the fuck?” At me while his friends shove him. “Sunny.” “What’s going on, Starlight?” His words are too quiet for the mic to pick up clearly. “You know I love you. I wouldn’t be here in this amazing city with this fantastic group of ladies if you hadn’t come crashing into my life. Literally.” His laugh has a nervous edge to it. “We might not seem like a perfect match from the outside, but somehow, we work. You make every single day a little lighter, a little more fun, and you drive me freaking insane sometimes.” He smirks. “But I love how you challenge me to be a better person. You make me whole. And so....” I scrabble in the waist pouch Jo passed to me after the bout. “Will you drive me crazy for the rest of our lives? Will you marry me, Jackson?” He leans into the mic. “Are you kidding me, Starlight? Way to steal my thunder.” “What?” I pull back. He reaches into the pocket of his jeans. “I was going to propose to you. I’ve been carrying this around for weeks. It was all planned out.” He pulls out a small grey velvet box. My chest shudders with laughter. “You always were too slow to keep up with me. Better get your skate coach to work on your speed.” “You like it when I take my time.” “Wait. So, is that a yes?” I shove at him to get a little distance. It’s entirely possible I could self combust if he doesn’t give me a bit of space. “No.” I gasp as he drops to one knee. “Starlight. You’re my world. That day I knocked you over at that shitty roller rink was the best day of my life. I say was, because every day I’ve gotten to have you in my life has been a little better, and the day I get to slide my ring on your finger to make it permanent. I can’t wait for that. So, Tasha Scar, will you marry me?” My smile spreads all the way up my face, his eyes falling to the dimple I’ve grown to appreciate. “Fine. But just remember. I asked first.
Nikki Jewell (The Red Line (Lakeview Lightning #2))
At thirty years old, I am finally accepting that I am simply nobody else but myself. I will always only be me. A little bit naïve, a lot idealistic. In the regard of many, understated to the point of forgettable, and easy prey, because my heart is so large a target. But those who deserve to be in my circle will like me just as I am, and will treat me the way I deserve to be treated.
Sarah Hogle (Twice Shy)
That little voice—that’s the voice of someone once burnt and twice shy. So, you could say, very carefully, “Really. I might not do it very well, and I might not be great company, but I will do something nice for you. I promise.” A little careful kindness goes a long way, and judicious reward is a powerful motivator. Then you could take that small bit of yourself by the hand and do the damn dishes. And then you better not go clean the bathroom and forget about the coffee or the movie or the beer or it will be even harder to call those forgotten parts of yourself forth from the nooks and crannies of the underworld.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Let me put your bag in the house, and then we can leave for dinner,” Rhodes kept going, before angling his body toward me. They were going to a dinner I hadn’t been invited to. I could read a cue. “In that case, it was nice meeting you, Mr. Randall. I will—” Rhodes’s hand landed on my shoulder, the side of his pinky landing on my bare collarbone just a little bit. “Come with us.” I jerked my head up to meet his gray eyes. He had his serious face on, and I was pretty sure he’d used his Navy Voice, but I hadn’t been paying enough attention because I’d been distracted by his finger. “I’m sure you three want to spend some quality time together….” I trailed off, cautiously, not sure if he wanted me to go or… not? “Come with us, Ora.” It was Amos who piped up. But he wasn’t the one I was worried about. Rhodes’s big hand gave my shoulder a gentle squeeze, and I was fairly certain his gaze softened, because his voice definitely did. “Come with us.” “Are you asking me or telling me?” I whispered. “Because you’re whispering, but you’re still using your bossy voice.” His mouth twisted, and he lowered his voice to reply, “Both?” I grinned. I mean, okay. I wasn’t at a good part in my book yet, and I hadn’t eaten dinner either. “Okay then. Sure, if none of you care.” “Nope,” Am muttered. “Not at all,” Mr. Randall answered, still eyeballing me speculatively. “I’ll wait out here then while you put his things up,” I said. “I’ll come along. I’d like to wash my hands before we leave,” Randall said with a sniff. Rhodes gave me another squeeze before he stepped aside and headed toward the back of his father’s Mercedes. In no time at all, he had pulled a suitcase out of the back, and he and his dad were heading inside the house. Amos stayed outside with me, and the second that door closed, I said, “I’m so sorry, Am. I just heard him being so rude, and you guys were trying to be polite, and I could tell your dad was about to lose his shit, and I just wanted to help.” The kid stepped forward and wrapped his arms around me, hesitated for a second, then patted me on the back awkwardly. “Thanks, Ora.” He hugged me. He’d fucking hugged me. It felt like my birthday. I hugged him back real tight and tried not to let him see the tear in my eye so I wouldn’t ruin it. “Thanks for what? Your dad is going to kill me.” I felt him laugh against me before he dropped his arms and took a big step back, his cheeks a little flushed. But he was smiling that sweet, shy smile he rarely shared. “He’s not.” “I’m 50 percent sure it might happen,” I claimed. “He’s going to bury me somewhere no one will ever find me, and I know he could do it because I’m sure he has a bunch of spots picked out where, if it ever came down to it, he could pull it off. 
Mariana Zapata (All Rhodes Lead Here)
The bathroom door opened. He turned as Lisa stepped out. Leaving the light on, she pulled the door almost closed so a little light would illuminate the room for them. Taelon turned off the overhead light and crossed to the bed. Lisa faced him on the other side of it and fiddled with the edge of her towel. “My clothes are still wet.” “Mine are, too.” “I’m thinking there’s no way this towel is going to stay around me while I sleep.” “Do you wish to sleep without it?” he asked, willing his body not to respond to just the idea of it. “Um . . .” “I can sleep on the floor.” “Hell no. Not with those wounds. You’ll sleep in the bed with me. I’m just . . . not exactly an exhibitionist.” He hesitated. “I don’t think my translator is giving me an accurate definition of that word.” Her eyebrows rose. “You have a translator?” “Yes. All members of the Aldebarian Alliance do.” She studied him curiously. “Where is it?” He pointed to his head, just behind his ear. “Embedded in my brain.” “I’m surprised the doctors at the base didn’t remove it.” “Their scans failed to detect it because it isn’t metal and appears to be part of my skull when viewed with your more primitive scanning devices.” “That’s trippy.” “That word isn’t translating at all.” She tilted her head to one side. “What did it tell you an exhibitionist is?” “A street performer.” She laughed. “When I said I’m not an exhibitionist, I meant I’m not comfortable flaunting my naked body.” She glanced down and wrinkled her nose. “Especially when it looks like this.” “You’re shy?” “More self-conscious than shy,” she admitted. “I don’t know. I guess, despite my actions earlier, I just don’t want you to see me naked.” Surprise coursed through him. “You don’t want ME to see YOU naked?” Her brow furrowed. “Yeah.” Taelon shook his head. “Lisa, you’re beautiful.” When she started to speak, he held up a hand. “I’m not saying that to put you at ease. I think you’re lovely. So much so that I’ve honestly been having a hard time keeping myself from staring at you too long.” Her lips parted in surprise. “Really?” “Yes.” He motioned to the towel at his hips. “This doesn’t exactly hide my body’s response to you, so I’ve been trying to keep my focus from drifting lower than your pretty face. You’re beautiful, Lisa. If anyone should wish to hide his body, it’s me. I’m quite a bit thinner than I used to be.” Her eyes widened. “Seriously?” She motioned to his form. “You have all that muscle.” “I used to have more. And I’m covered with all these ghastly wounds and scars because I’m too weak to regenerate. I don’t know how you can stand to look at me or manage not to grimace when you touch me. So again, I will offer to sleep on the floor.” She stared at him, unspeaking. “I won’t be offended if you don’t wish to sleep with me,” he assured her. Assuming an exaggeratedly somber expression, he rested a hand over his heart and spoke in dejected tones. “I will just be deeply, deeply hurt.” Her lips twitched, then she laughed. “You are so freaking likable.” He smiled. “I feel the same about you.” “Okay then. We’re both adults. And neither one of us is physically up to engaging in anything amorous anyway, so—” “Well,” he said with a grin, “that isn’t precisely true.” Her cheeks pinkened. “Stop making me blush!” He laughed.
Dianne Duvall (The Lasaran (Aldebarian Alliance, #1))
Well, I like you in either form,” she said, giving me a shy smile. “In fact, sometimes I like your wolf form better. He’s more cuddly.” “Oh, too bad about that.” I shook my head. “I can change right now for you but I’m afraid it might ruin our plans for the evening.” “Plans?” She looked at me doubtfully. “We have plans?” “Uh-huh. How do you feel about salsa dancing?” She bit her lip. “Um… it sounds great but… you dance? Really?” I gave her my best mock offended look. “I’m not as much of a Neanderthal as you want to believe. Yeah, I dance. I’m pretty fucking good at it, if I say so myself.” “Well, I’m not any good at it but I’m willing to give it a try.” Her face fell. “Only I don’t have anything to wear.” “Yes, you do.” I went back out to the porch and picked up the package I’d left outside earlier. “Hope you like it,” I said as she ripped into it eagerly. “My sister picked it out. She owns a boutique in Tallahassee.” “Oh!” she exclaimed as the dress my big sister had picked came into view. It was a short, shimmery thing with a draped top and a low cut back. There were shoes to match too—strappy little heels that would make her long, lovely legs look like they went on forever. I couldn’t wait to see her in them. That is, if she would wear the clothes and shoes my sister had picked—I wasn’t so sure because suddenly Taylor had tears in her eyes. “You don’t like the outfit?” I asked anxiously. “I can send it back. I—” “No, no—I love it.” She sniffed and blotted her eyes with a paper towel from the holder. “It’s just… so sweet. And it’s the first time someone else has picked my clothes in years and got me something I really wanted to wear. Thank you, Victor.” She put the box with the clothes and shoes on the counter and stood on tiptoe to put her arms around my neck. “You’re so sweet to me,” she whispered in my ear. “So sweet and kind and generous.” “You deserve it,” I said gruffly, hugging her back.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
You bastard!” I yelled. I’ve never been much of a fighter before—okay, I’ve always been a big wimp, I admit it—but I jumped on the guy’s back and sank my fangs into his neck from behind. He let loose with a high-pitched wail and forgot all about Victor as he tried to dislodge me. “It bit me! It bit me!” he screamed, sounding more like a little girl than a big tough werewolf. He spun in circles until I was dizzy, trying to get me off him. I bit him again even though his blood tasted oily and disgusting on my tongue. I sank my fangs in deep and snarled in his ear. Honestly, I hardly knew myself. Where was Taylor, the shy little girl who never stood up to bullies? Where was the doormat Celeste had stepped on for so many years? She was gone. In her place was a wild woman—a woman who cared enough to fight for her man. I’m a vampire, I reminded myself as I clawed Brass Knuckles in the face, taking grim satisfaction at the feeling of my nails sinking into his flesh. I can take these bastards!
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
The children hadn't any Mamma. She had died when Phil was a baby, four years before my story began. Katy could remember her pretty well; to the rest she was but a sad, sweet name, spoken on Sunday, and at prayer-times, or when Papa was especially gentle and solemn. In place of this Mamma, whom they recollected so dimly, there was Aunt Izzie, Papa's sister, who came to take care of them when Mamma went away on that long journey, from which, for so many months, the little ones kept hoping she might return. Aunt Izzie was a small woman, sharp-faced and thin, rather old-looking, and very neat and particular about everything. She meant to be kind to the children, but they puzzled her much, because they were not a bit like herself when she was a child. Aunt Izzie had been a gentle, tidy little thing, who loved to sit as Curly Locks did, sewing long seams in the parlor, and to have her head patted by older people, and be told that she was a good girl; whereas Katy tore her dress every day, hated sewing, and didn't care a button about being called "good," while Clover and Elsie shied off like restless ponies when any one tried to pat their heads. It was very perplexing to Aunt Izzie, and she found it hard to quite forgive the children for being so "unaccountable," and so little like the good boys and girls in Sunday-school memoirs, who were the young people she liked best, and understood most about.
Susan Coolidge (What Katy Did)
I scooch my body over so I’m on the bed, and we’re head to toe. She’s lying next to me. “Sixty-nine,” I say with a smirk. “Oh. I’ve never done that.” “Hop on. Don’t be shy.” She doesn’t hesitate, and the next thing I know, my tongue is on her again and my cock is taken in by her magical mouth. I love the weight of her tits on my abs as she bobs up and down on me. I wrap my arms around her waist, and as much as I want to see what she’s doing that is making me feel so amazing, I love how I can make her wiggle in this position. Her body shudders again, and I wonder if she’s coming. I damn well hope so. I feel some combination of her hands, mouth, and tongue on me as she slides up and down, slick hands on my rock-hard erection. I gyrate up and down a little, rocking my hips into her. Our bodies press together in an explosion of sixty-nine heat and sweat and sex. For a moment, I pull her hands behind her back, forcing her to sit up and on my face. She’s hesitant at first, but I think my enthusiasm overrides any shyness she might have, and she’s twisting into me as she comes again. I know because she tells me, even though her words are barely a whimper at this point. She lifts her body up and off me, then kneels between my legs and pushes her hair behind her head. “D, tell me how you want me to finish you,” she says as she runs her hand up and down on my cock. I bite my lip. “I’d be lying if I said I didn’t want to fuck your tits.” “Well, I’m glad you’re not lying.” She looks down. “Fuck these things? And how would you do that?” I narrow my eyes. “You’ve never done that?” She shakes her head. “Never.” “So I get to take your boobs’ V card?” I exclaim. “Let’s not make a big deal out of it.” She lies down on her back and I position my legs on either side, straddling her upper body. I slide my cock between her breasts, and just enjoy the beautiful view for a moment. When I lean back with one arm for balance, I find myself fondling her clit again—instinct—but she grabs my arm. “Nah-ah. This is about you, now. This is about D.” Grabbing my cock, she pulls me toward her face and leans forward at the same time, then takes me to the back of her throat, leaving me nice and slick. She puts my cock between her tits and then presses them together. “You like that?” she asks, and I nod vigorously. “Very much,” I grit out. “Good. I like watching you do it.” Her eyes flicker with excitement and that turns me on even more. I press her boobs together myself and she grabs hold of my ass and slides her hands around my hips. It’s so damn hot and this is goddamn reckless abandon, and I feel like I can do anything sexually with this woman, like I’m free and she’s my toy and I’m hers, too. I pump my cock between her tits again and she lets out a moan that puts me over the edge. “Gonna come,” I growl. “Where should I come.” “My tits, baby,” she says throatily, and next thing I know I spurt ropes all over her breasts and neck. By some miracle, none gets on her face. When it’s all over, both of our hearts are racing. She looks down at her chest, and then up at me. “Wow.” “I would say sorry, but that would be a lie.” She touches a tiny bit of the liquid with her finger and taps her tongue. “You taste good, actually. I mean, I already tasted you before.” I laugh as I unstraddle her and go grab a towel. “I’ll let you taste me as much as you want, babe. By the way, let me just say you kind of look hot as hell right now.” “Thanks.” I wipe her off, wipe myself off, and then lean down to kiss her. I envisioned a peck, but it ends up being a long, lingering kiss that promises more. She takes my hand and I stand there for a minute, next to her.
Mickey Miller (Hate Mates (Forever You, #1))
At the street level, Sugar Fair welcomed customers into a bright, child-like fantasy. The architecturally designed enchanted forest was awash in jewel tones, and gorgeous smells, and the waterfall of free-flowing chocolate. But it was the Dark Forest downstairs that had proved an unexpected money-spinner, an income stream that had helped keep them afloat through the precarious first year. Four nights a week, through a haze of purple smoke and bubbling cauldrons, Sylvie taught pre-booked groups how to make concoctions that would tease the senses, delight the mind... and knock people flat on their arse if they weren't careful. High percentage of alcohol. It was a mixology class with a lot of tricks and pyrotechnics. It had been Jay's idea to get a liquor license. "Pleasures of the mouth," he'd said at the time. "The holy trinity--- chocolate, coffee, and booze." With even her weekends completely blocked out, Sylvie had almost made a crack about forfeiting certain other pleasures of the mouth, but Jay had inherited a puritanical streak from his mother. Both their mouths looked like dried cranberries if someone made a sex joke. The sensuous, moody haven in the basement was a counterbalance to the carefully manufactured atmosphere upstairs. There were, after all, reasons to shy away from relentless cheer. Perhaps someone had just been through a breakup, or a family reunion. A really distressing haircut. Maybe they'd logged on to Twitter and realized half the population were a bunch of pricks. Or maybe the'd picked up the Metropolitan News and found Dominic De Vere indirectly thrashing their entire business aesthetic in a major London daily. Whatever the reason--- feeling a little stressed? A bit peeved? Annoyed as fuck? Welcome to the Dark Forest. Through the bakery, turn left, down the stairs.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Sorry, I didn’t know that you had a vagina, I’ll refrain from using vulgar words for now on. How about it smells like pee pee and poo poo, with a little bit of spew, is that better?” “You’re a real character, you know that?” “Thanks, I try,” she says. “Now, let’s get the shi-stuff and get out of here.” “Fine,” I say. “But for future reference, I like it better when you curse. It’s pretty funny to see a pissed off Tinkerbell.” I run from the baseball mitt being hurled at my head, laughing all the way .
Katelin LaMontagne (Surge (Wheezers #1))
Calvin let out a breathless laugh. “Fuck, man.” “Yeah,” Ethan replied, feeling a little giddy as well. He lay on his back staring at the ceiling with Calvin next to him doing the same. His skin cooled, and he rolled over with a groan. Calvin wasn’t going to be the only one sore in the morning. Ethan was disarmed by his partner’s beautiful smile. “I didn’t hurt you, did I?” Calvin’s cheeks went even redder, and Ethan sat up. “Cal?” Calvin sat up and bit down on his bottom lip. He looked embarrassed. “What’s wrong?” “I liked it. You being rough. In control. Demanding.” Ethan couldn’t help his dopey grin. “Yeah?” “Yeah.” Calvin lay down, and Ethan joined him, wrapping him up in his arms. “Is that okay?” “Of course it is. Whatever turns you on turns me on. And fuck, you turn me on.” Calvin looked up at him, his smile shy. “You think maybe we can research a few things? You don’t have to do anything that makes you uncomfortable. I want it to be good for the both of us.” Ethan thought about the way Calvin responded to him, the way Ethan had relished Calvin’s response. It had been easy for him, to be in control. He realized then that in here with Calvin, it was the only part of his life where he felt he had any control at all. “You want to give up control to me?” “Every day, the decisions I make on the job affect someone’s life. When I’m looking through the crosshairs of my scope, the whole world comes to a standstill, waiting. I have to be in complete control of everything. Of my emotions, my thoughts, my actions. I don’t want that in here with us. I don’t want to be the one who takes action, who decides. I want you to do that.” He looked up at him, hopeful. “Do you think you can do that?” Ethan put his hand to Calvin’s cheek. “Yes.
Charlie Cochet (Catch a Tiger by the Tail (THIRDS, #6))
circle my clit in time to Hook’s strokes, each touch sending my pleasure spiking higher. The fact that it feels absolutely forbidden to be doing this while he’s jacking his hand half a room away only makes it hotter. “Tatiana.” I jump and press hard against my clit. I have to fight back a moan, but my voice comes out breathy when I answer. “What?” “If I walk in there right now, am I going to find your hand in your panties?” I start circling again. His pleasure-roughened voice only pushes me closer to orgasm. “Yes.” His curse makes me smile, just a little bit. Hook is so much, all the time. It can be frustrating as hell, but he’s not one to play games and pretend disinterest. He wants to fuck me, and he’s not shy about letting me know. He turns and braces a hand against the glass, a perfect imprint of five fingers and his palm. With his other hand, he resumes stroking his cock. “Always the dirty girl. Always fucking teasing me.
Katee Robert (A Worthy Opponent (Wicked Villains, #3))