“
To dream" means to focus and zoom the photos of destiny called visions for clearer view, manipulation and exploitation.
”
”
Israelmore Ayivor
“
Chivalry—Kuroda, you know when women put vegetables on a spoon and zoom it round so their kids think it's a magic butterfly or something? Chivalry is just what your mum called being a decent human being so you'd feel like a really good boy when you were nice to people. Don't say it to grown-ups.
”
”
Natasha Pulley (The Lost Future of Pepperharrow (The Watchmaker of Filigree Street, #2))
“
(That was a cinematic trick adapted for print. Death wasn’t talking to the princess. He was actually in his study, talking to Mort. But it was quite effective, wasn’t it? It’s probably called a fast dissolve, or a crosscut/zoom. Or something. An industry where a senior technician is called a Best Boy might call it anything.)
”
”
Terry Pratchett (Mort (Discworld, #4))
“
Yet ‘people mourn differently’ is easy for the intellect to absorb, but for the heart it is much harder. I come to dread the Zoom calls, shrouded in shadow. The family shape is changed forever, and nothing makes it more poignant than to slide on my phone screen and no longer see the square with the word ‘Dad'.
”
”
Chimamanda Ngozi Adichie (Notes on Grief)
“
When you travel you become invisible if you want. I do want. I like to be the observer. What makes these people who they are Could I feel at home here No one expects you to have the stack of papers back by Tuesday or to check messages or to fertilize the geraniums or to sit full of dread in the waiting room at the protologist’s office. When travelling you have the delectable possibility of not understanding a word of what is said to you. Language becomes simply a musical background for watching bicycles zoom along a canal calling for nothing from you. Even better if you speak the language you catch nuances and make more contact with people.
Travel releases spontaneity. You become a godlike creature full of choice free to visit the stately pleasure domes make love in the morning sketch a bell tower read a history of Byzantium stare for one hour at the face of Leonardo da Vinci’s Madonna dei fusi. You open as in childhood and – for a time – receive this world. There’s the visceral aspect too – the huntress who is free. Free to go Free to return home bringing memories to lay on the hearth.
”
”
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
“
I haven't been on a first date over five years.
Five. Years.
Which means, I haven't been on one since 2006.
Let me take you back to that time: 2006.
Tom Cruise and Kathie Holmes celebrated the birth of their little "TomKitten."
The Wii came out - and YouTube was flooded with videos of people throwing those little white remotes into their TVs.
Britney and Kevin call it quits, shocking America to its very core.
Facebook was still just a college campus thing - if you wanted to stalk someone, you had to buy a zoom lens and some night vision goggles.
It was a simpler time.
”
”
Elodia Strain (My Girlfriend's Boyfriend)
“
Often the reason you can’t see the solution is because you’re too close to the problem. Zoom out a little, zoom out a LOT and look at the big picture. This is a phenomenon similar to what psychologists call “cognitive restructuring”—shifting the way in which your problems are presenting themselves in your life.
”
”
Gary John Bishop (Unfu*k Yourself: Get Out of Your Head and into Your Life (Unfu*k Yourself series))
“
His smile was so bright as he stood in my doorstep that I zoomed in for a closeup on his pupils. I couldn't take my eyes off him. I think I heard a spirit call my name.
”
”
Banana Yoshimoto (Kitchen)
“
Moreover, some of the images covered by the definition go far beyond what can reasonably be considered pornographic. For example, "women's body parts . . . are exhibited such that women are reduced to those parts." This description would include everything from blue jean commercials which zoom in on women's asses to cream ads which show perfectly manicured hands applying the lotion-the sort of advertisements that have appeared in Ms. magazine. Although it is commonplace to criticize such ads for using sex to sell products, it is a real stretch to call them pornographic.
”
”
Wendy McElroy (XXX: A Woman's Right to Pornography)
“
Men are destroyed, and destroy each other, over basic things – money or hatred. On the other hand a really complicated riddle never pushed anyone to violence; either you found the answer or gave up looking. Clouds were riddles too, but dangerously simple ones. If you zoomed in on one part of a cloud and took a photograph, then enlarged the image, you would find that a cloud’s edges seemed like another cloud, and those edges yet another, and so on. Every part of a cloud, in other words, reiterates the whole. Therefore each cloud might be called infinite, because its very surface is composed of other clouds, and those clouds of still other clouds, and so forth. Some learn to lean over the abyss of these brainteasers; others lose their balance and tumble into its eternal blackness.
”
”
Stéphane Audeguy (La teoría de las nubes)
“
Should we type, text, call, email, swipe, pin, tweet, Skype, FaceTime, Zoom, Message, or yell at our digital assistant to get it done, whatever it is? And in what order should all of that happen? (Oh, and before we can get started, we’ll have to upgrade, update, reboot, log in, authenticate, reset our password, clear cookies, empty our cache, and sacrifice our firstborn before we can get where we’re going . . . where was that again?)
”
”
Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
“
A walk with a two-year-old is very Zen; it is not about the end but the journey. He needs to pet the dog someone is walking; to roll down the slight incline to the church basement, and then roll again, and again, and again; to remind me of the place where the wasps (he calls them bees) live, then zoom past it.
”
”
Marc Aronson (Guys Write for Guys Read)
“
Tomorrow, and Tomorrow, and Tomorrow is a novel about work, and I would be remiss if I did not thank my colleagues, whose ideas, skills, questions, observations, provocations, encouragements, witticisms, letters, phone calls, Zooms, texts, PowerPoint presentations, and occasional course corrections have improved this book enormously.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
Some people find illeism annoying (although it doesn’t bother Daniel Pink). But its existence as a style of speech and narration exemplifies the final step in the regret-reckoning process. Talking about ourselves in the third person is one variety of what social psychologists call “self-distancing.” When we’re beset by negative emotions, including regret, one response is to immerse ourselves in them, to face the negativity by getting up close and personal. But immersion can catch us in an undertow of rumination. A better, more effective, and longer-lasting approach is to move in the opposite direction—not to plunge in, but to zoom out and gaze upon our situation as a detached observer, much as a movie director pulls back the camera. After self-disclosure relieves the burden of carrying a regret, and self-compassion reframes the regret as a human imperfection rather than an incapacitating flaw, self-distancing helps you analyze and strategize—to examine the regret dispassionately without shame or rancor and to extract from it a lesson that can guide your future behavior.
”
”
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
“
Suddenly Arthur began to feel his apparently nonexistent scalp begin to crawl as he found himself moving slowly but inexorably forward toward the console, but it was only a dramatic zoom on the part of whoever had made the recording, he assumed. “I speak of none but the computer that is to come after me,” intoned Deep Thought, his voice regaining its accustomed declamatory tones. “A computer whose merest operational parameters I am not worthy to calculate—and yet I will design it for you. A computer that can calculate the Question to the Ultimate Answer, a computer of such infinite and subtle complexity that organic life itself shall form part of its operational matrix. And you yourselves shall take on new forms and go down into the computer to navigate its ten-million-year program! Yes! I shall design this computer for you. And I shall name it also unto you. And it shall be called … the Earth.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
We’re not going to make it,” Baxian called as Lidia zoomed toward the guard station. “Lidia,” Athalar warned. “Get down!” Lidia barked, and Ruhn shut his eyes, sinking low as the grate lowered at an alarming rate. Metal screamed and exploded right above them, the car rocking, shuddering— Yet Lidia kept driving. She raced onto the open road beyond the city as the grate slammed shut behind them. “Cutting it a little close, don’t you think?” Hunt shouted to Lidia, and Ruhn opened his eyes to find that the gunner had been ripped clean off. Baxian was clinging for dear life to the back of the jeep, a manic grin on his face.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
This book is for any and every person who has ever felt lost in their lives. It’s for anyone whose world has been
flipped upside down. For anyone who has been broken down, but didn’t give up. You deserve to find your way
once more. You deserve to re-introduce your heart to your soul. You’re not broken because of a few missteps.
You are not a failure because of some mistakes. You are human. You are growing, learning, evolving, and that is
extraordinary. You. Are. Extraordinary. Thank you for reading. Thank you for zooming in on me. Thank you for
seeing my flaws, and somehow calling them beautiful. I love each and every one of you. Always and always.
”
”
Brittainy C. Cherry (Disgrace)
“
In-person meetings can produce ideas in ways that conference calls and Zoom meetings can’t. That had happened in Puerto Rico, and it did so again when the four researchers got together for the first time in Berkeley. There they were able to brainstorm a strategy for figuring out exactly what molecules were necessary for a CRISPR system to cut DNA. Physical meetings are especially useful when a project is in an early phase. “There’s nothing like sitting in a room with people and seeing their reactions to things and having a chance to bat around ideas face to face,” Doudna says. “That’s been a cornerstone to every collaboration that we’ve had, even those where we are conducting a lot of the work by electronic communication.
”
”
Walter Isaacson (The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race)
“
Pretty quickly, a pattern emerged surrounding what we started calling bids for connection. One person would make a bid, initiating a moment of connection—it could be physical or verbal, overt or subtle—and the researcher controlling the camera would zoom in close on their partner’s faces. Partners responded to bids for connection in one of three ways: 1. By turning toward: They gave a positive or affirmative response, acknowledging the other person and engaging with their attempt to connect. (Even a “hmm?” can count as turning toward.) 2. By turning away: They gave no response, either actively ignoring or just not noticing their partner’s attempt to connect. 3. By turning against: They responded irritably or angrily to actively shut down their partner’s attempt to connect.
”
”
John M. Gottman (The Love Prescription: Seven Days to More Intimacy, Connection, and Joy (The Seven Days Series Book 1))
“
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.”
“Then why are you still here?”
“The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“
“Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?”
What she said made sense, but…
I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.”
Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.”
“I didn’t say I was jealous…”
“You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.”
“Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“
“Of course Ben said that.” Rayna shrugged. “He’s jealous.”
“Of what?”
“Ben’s crazy in love with you, Clea. I’ve been saying that forever!”
“And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.”
“Did you not see the pictures of you from Rio?”
I narrowed my eyes. “What are you talking about?”
Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.”
She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated.
“I hate this,” I muttered.
“Why? You look cute!”
“I hate that people are sneaking around taking pictures of me!”
“I know you do. Ignore that for the moment. Just scroll through.”
There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route.
The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but…
“Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.”
“What?”
“Messenger. Don’t kill the messenger.”
I looked back at the picture. Ben did look love-struck. Very love-struck.
“It could just be the picture,” I said. “They caught him at a weird moment.”
“Yeah, a weird moment when he thought no one was looking so he showed how he really felt.”
I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.”
“Hey, I read Flowers in the Attic. It was kind of hot.”
“Shut up!” I laughed.
“I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Don’t worry,” Teka said, likely noticing that the rest of us had gone silent. “We’re cloaked. We look like a patrol ship to them.”
At that very moment, a red light flashed on the nav panel. Yssa looked back at Teka with eyebrows raised. It was a call, probably from the patrol vessel.
“Patch them through,” Teka said, unbuckling herself and moving to stand at Yssa’s shoulder.
“This is patrol ship XA774. Please identify yourself.”
“Patrol ship XA993. What are you doing afloat, XA774?” Teka said, without faltering for even a moment. “I don’t see you listed on the updated schedule.”
She was pantomiming for Yssa, pointing out the spot where Ettrek’s people had told us to land, urging her to move fast.
“At what time was your schedule issued, 993?”
“1440,” Teka replied.
“You’re out of date. This one was issued at 1500 hours.”
“Ah,” Teka said. “Our mistake. We’ll make our way back to our docking station.”
She slapped a hand over the switch to turn off our communicator: Go!”
Yssa pressed hard on the accelerator with the heel of her hand, and we zoomed toward the landing spot. Teka was nearly knocked off her feet by the sudden movement, so she clung to the back of Yssa’s chair as we lost altitude. Yssa lowered the ship to the patch of empty rooftop on the outer rim of Voa that Ettrek’s contacts had indicated.
“Is there really a patrol ship XA993?” I asked.
Teka grinned. “No. They only go up to 950.
”
”
Veronica Roth (The Fates Divide (Carve the Mark, #2))
“
Peter Navarro never hid his antagonism toward me. He stopped me one day in the Eisenhower Executive Office Building, where we were tested routinely for COVID, and again blasted my failure to encourage people to take hydroxychloroquine, the lack of which he said was causing people to die. He would not let it go. Perhaps he just had a thing about me. To give him the benefit of the doubt, I arranged with Cliff Lane to have Navarro present via Zoom his case on hydroxychloroquine’s effectiveness to the entire NIH guidelines panel cochaired by Cliff in early August. This group was thirty-five of the top experts in infectious disease, public health, and epidemiology from all over the country. Navarro made his presentation, and uniformly they politely said, “Mr. Navarro, there’s nothing there. These are anecdotes, and all the evidence indicates hydroxychloroquine doesn’t work and can even cause harm.” Navarro’s answer was that he valued his reading of the existing medical literature on hydroxychloroquine as much as or more than theirs. “If I am wrong, no one is harmed. If you are wrong, thousands of people die.” The truth was the exact opposite. By that time, the FDA, which had given hydroxychloroquine emergency approval early in the pandemic, had revoked it on June 15, after it was found to cause heart problems and even death, not to mention proving ineffective against COVID. I had given Navarro one last chance, but he still could not accept reality.
”
”
Anthony Fauci (On Call: A Doctor's Journey in Public Service)
“
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling.
‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’
Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car.
The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
”
”
J.G. Ballard (The Atrocity Exhibition)
“
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
”
Robert A. Heinlein
“
Our galaxy is surrounded by a cloud of about fifty nearby galaxies, known as our Local Group. Foremost among them is the Andromeda Galaxy, a beautiful spiral galaxy, and the only galaxy in our group larger than our own. Gravity is pulling the two toward each other, and in four billion years (before our Sun has died) they will collide and unite. With so much distance between the stars of each galaxy, this collision will do surprisingly little to upset the stars and their planets. Its main effect will be to disrupt the delicate spiral structures of the partners, probably merging into a more uniform elliptical galaxy about three times as large. Eventually (in hundreds of billions of years) all the other galaxies in our group will have merged in too, forming a single giant galaxy.28 Zooming further out, we see many more groups of galaxies, some with as many as a thousand members.29 Eventually these groups resolve into a larger structure: the cosmic web—long, thick threads of galaxies, called filaments. These filaments criss-cross space in a kind of three-dimensional network, as if someone took a random set of points in space and connected each to its nearest handful of neighbors. Where the filaments intersect, space is bright and rich with galaxies.30 Between such filaments are dark and empty expanses, known as cosmic voids. As far as we can tell, this cosmic web continues indefinitely. At the very least, it continues as far as we can see or go. It is these final limits on our knowledge and action that appear to set the ultimate scale in our universe. We have known for almost a century that our universe is expanding, pulling the groups of galaxies apart. And twenty years ago we discovered that this expansion is accelerating. Cosmologists believe this puts a hard limit on what we will ever be able to observe or affect.31 We can currently see a sphere around us extending out 46 billion light years in all directions, known as the observable universe. Light from galaxies beyond this sphere hasn’t yet had time to reach us.32 Next year we will see a little further. The observable universe will increase in radius by a single light year, and about 25 more galaxies will come into view. But on our leading cosmological theory, the rate at which new galaxies become visible will decline, and those currently more than 63 billion light years away will never become visible from the Earth. We could call the region within this distance the eventually observable universe.33 But much more importantly, accelerating expansion also puts a limit on what we can ever affect. If, today, you shine a ray of light out into space, it could reach any galaxy that is currently less than 16 billion light years away. But galaxies further than this are being pulled away so quickly that neither light, nor anything else we might send, could ever affect them.34
”
”
Toby Ord (The Precipice: Existential Risk and the Future of Humanity)
“
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court.
"It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them."
The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips.
"Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so.
"That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t.
"Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above.
On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer.
"Come on," the announcer called out, prodding us. "Just one kiss won't hurt."
He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer.
I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile.
Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything."
I was quiet for a moment before whispering, "Game on, buddy."
My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen.
Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough.
And already, I considered myself a goner.
Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth.
"Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now."
That was our cue to separate, and I slowly drew away from Sebastian.
He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips.
I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only.
If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch.
Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless.
Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
”
”
Patty Carothers and Amy Brewer (Texting Prince Charming)
“
A famous British writer is revealed to be the author of an obscure mystery novel. An immigrant is granted asylum when authorities verify he wrote anonymous articles critical of his home country. And a man is convicted of murder when he’s connected to messages painted at the crime scene. The common element in these seemingly disparate cases is “forensic linguistics”—an investigative technique that helps experts determine authorship by identifying quirks in a writer’s style. Advances in computer technology can now parse text with ever-finer accuracy. Consider the recent outing of Harry Potter author J.K. Rowling as the writer of The Cuckoo’s Calling , a crime novel she published under the pen name Robert Galbraith. England’s Sunday Times , responding to an anonymous tip that Rowling was the book’s real author, hired Duquesne University’s Patrick Juola to analyze the text of Cuckoo , using software that he had spent over a decade refining. One of Juola’s tests examined sequences of adjacent words, while another zoomed in on sequences of characters; a third test tallied the most common words, while a fourth examined the author’s preference for long or short words. Juola wound up with a linguistic fingerprint—hard data on the author’s stylistic quirks. He then ran the same tests on four other books: The Casual Vacancy , Rowling’s first post-Harry Potter novel, plus three stylistically similar crime novels by other female writers. Juola concluded that Rowling was the most likely author of The Cuckoo’s Calling , since she was the only one whose writing style showed up as the closest or second-closest match in each of the tests. After consulting an Oxford linguist and receiving a concurring opinion, the newspaper confronted Rowling, who confessed. Juola completed his analysis in about half an hour. By contrast, in the early 1960s, it had taken a team of two statisticians—using what was then a state-of-the-art, high-speed computer at MIT—three years to complete a project to reveal who wrote 12 unsigned Federalist Papers. Robert Leonard, who heads the forensic linguistics program at Hofstra University, has also made a career out of determining authorship. Certified to serve as an expert witness in 13 states, he has presented evidence in cases such as that of Christopher Coleman, who was arrested in 2009 for murdering his family in Waterloo, Illinois. Leonard testified that Coleman’s writing style matched threats spray-painted at his family’s home (photo, left). Coleman was convicted and is serving a life sentence. Since forensic linguists deal in probabilities, not certainties, it is all the more essential to further refine this field of study, experts say. “There have been cases where it was my impression that the evidence on which people were freed or convicted was iffy in one way or another,” says Edward Finegan, president of the International Association of Forensic Linguists. Vanderbilt law professor Edward Cheng, an expert on the reliability of forensic evidence, says that linguistic analysis is best used when only a handful of people could have written a given text. As forensic linguistics continues to make headlines, criminals may realize the importance of choosing their words carefully. And some worry that software also can be used to obscure distinctive written styles. “Anything that you can identify to analyze,” says Juola, “I can identify and try to hide.
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Anonymous
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Nothing gives your average bored Sunni bigot surfing the web more instant gratification than zooming in on sigeh to condemn the Shia as debauched heretics, but there could be few more vulnerable moral high grounds where he might pitch his flag of religious superiority than this particular spot in cyberspace. The Sunnis, after all, have their own versions of this arrangement, called in Saudi Arabia a misyar (or visitor’s marriage) and in Egypt an urfi (or customary marriage). It is true that both misyar and urfi differ from sigeh, primarily in that they are not supposed to last for a predetermined period of time (which in most cases they nevertheless do);35 and, again unlike sigeh, they are theoretically required to satisfy all four main conditions for marriage of the Sunni canon: mutual consent, two male witnesses (or two female and one male), some form of public announcement, and the payment of a dowry (although the latter can be symbolic and thus
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John R. Bradley (Behind the Veil of Vice: The Business and Culture of Sex in the Middle East)
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for such nuance, and he knew that being dissociated from schizophrenia merely by degree could be fatal for his credibility. There was nothing he could do, though, so he rose again from the couch, muted the TV, and elected to do the only productive thing he could think of. With a new-found determination, Dan fetched the folder from under his bed and lifted out the unreadable German letter. All of the talk about wartime activity led Dan to think that this letter might be from the 1940s. It would almost explain the stupid writing, he thought. With that in mind he ran each of the letter’s pages through his scanner and looked at the images on his computer, zoomed to a size that helped him identify some of the calligraphic touches as particular letters. The first complete word Dan found — aided initially by the umlaut — was, ominously, Führer. He then successfully identified a few more words from the first page, becoming quite good at spotting instances of “ein” and “eine”. Further progress was hard to come by, though, and Dan soon couldn’t help but feel like he was running through treacle; getting nowhere despite applying himself totally. Dan looked at the time in the top corner of his computer’s screen and did a double take when he saw that more than 90 minutes had passed since he turned it on. He saved his annotated progress and decided to call it a night. The computer chimed as it powered off, which struck Dan as odd, but he shrugged it off. As he walked to turn off the TV — now replaying Billy Kendrick’s tenacious interview from immediately after Richard’s press conference — Dan heard the chime again. Doorbell, he realised. Dan stayed still. In the unlikely event that Mr Byrd had come to check on him this late, he would say so. He usually called through the door. No voice came. After a long gap that left Dan thinking that the caller had gone, he heard three rushed knocks on the window. “Dan McCarthy,” the visitor shouted at the glass. The high-pitched voice sounded vaguely familiar but was heavily muffled by the window. Beginning to realise that the visitor wasn’t going away any time soon, Dan walked towards the door. When he got there he heard footsteps on the other side, and then someone lowering themselves to the ground. “Dan McCarthy!” a chirpy voice called through the gap at the bottom of his door. He recognised it now. After a few seconds, Dan opened the door and saw a smartly dressed young woman crouched to the ground with her head on his doormat. She jumped to her feet, smiling warmly. “Dan McCarthy,” she said, holding out her hand. “Emma Ford. From the phone, remember?
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Craig A. Falconer (Not Alone)
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In the last two months, Mike had seen her at her worst. They’d ‘Zoomed’ through her snot-dripping crying jags of hopeless angst, and post-paper-writing-all-nighters when she hadn't taken a shower in two days and was sure she smelled all the way to Florida.
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Susan Kraus (When We Lost Touch)
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Ruth is in a meeting about Virtual Learning Environments. It’s very dull and rather depressing. Steven, the head of technical support, is telling them that soon they will be able to communicate remotely with their students via something called Zoom. ‘You won’t have to see your students at all,’ he says with a cheery smile, ‘except on the computer screen.’ It sounds like a nightmare to Ruth. She frequently complains about her students—though not aloud now that she’s department head—but, in truth, interacting with them is one of the best things about the job. No intake is ever the same, which is why teaching stays so interesting. She gets a lot of satisfaction when a student, so shy in the first term that they can’t speak, suddenly becomes obsessed with Iron Age burials in the third and won’t stop talking about them. How will this manifest itself via this Zoom thingy? A song of the same name by Fat Larry’s Band comes into her head and, unfortunately, stays there.
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Elly Griffiths (The Night Hawks (Ruth Galloway, #13))
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The issue I have with the current discussions about the Metaverse is that the conventional wisdom narrows the focus on the Metaverse to the next increment to social media or the next step beyond a Zoom call. Where's the vision?
Think beyond. When Boeing leverages a digital twin for airplane design/modelling, is that a form of the Metaverse? How about Da Vinci which is a robotic surgical system? Have you ever been on Flight of Passage at Disneyworld? Shouldn’t AI training (like for autonomous cars) be more like the Metaverse?
Conventional wisdom might say no, those are not Metaverse. I say, forget conventional wisdom and forget the social media/office use case for Metaverse. The use cases are there to extract value from the current state of Metaverse technology, but they are not within the scope of the current conversations.
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Tom Golway
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When you inhale, you create a single airstream that allows you to both smell and breathe. But when a dog sniffs, structures within its nose split that airstream in two. Most of the air heads down into the lungs, but a smaller tributary, which is for smell and smell alone, zooms to the back of the snout. There it enters a labyrinth of thin, bony walls that are plastered with a sticky sheet called the olfactory epithelium. This is where smells are first detected.
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Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
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Detective Superintendent Grey offered Adam her office to take the Zoom call with Asmin Khalil. He sat behind her desk and she sat over the other side of the office with Nell. Sitting in Grey’s chair felt like when he’d once gone on a trip to Kensington Palace with school and for a dare had sat on one of the roped-off thrones. He’d got a week’s worth of detentions and his mum had stopped his pocket money for a month
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K.L. Slater (The Girl She Wanted)
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the “I” notion is, fundamentally and in the end, a hallucination. Let’s let Episode III, my teleportation scenario with fresh copies on Venus and Mars and no copy left on Earth, apply to me instead of to Parfit. In that case, each of the new brains — the one on Mars and the one on Venus — is convinced that it is me. It feels just like it always felt to be me. The same old urge to say, “I am here and not there” zooms up in both brains as automatically as when someone taps my knee and my leg jerks upwards. But knee-jerk reflex or not, the truth of the matter is that there is no thing called “I” — no hard marble, no precious yolk protected by a Cartesian eggshell — there are just tendencies and inclinations and habits, including verbal ones. In the end, we have to believe both Douglas Hofstadters as they say, “This one here is me,” at least to the extent that we believe the Douglas Hofstadter who is right now sitting in his study typing these words and saying to you in print, “This one here is me.” Saying this and insisting on its truth is just a tendency, an inclination, a habit — in fact, a knee-jerk reflex — and it is no more than that, even though it seems to be a great deal more than that.
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Douglas R. Hofstadter (I Am a Strange Loop)
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Let’s zoom in on a particular form of synesthesia as an example. For most of us, February and Wednesday do not have any particular place in space. But some synesthetes experience precise locations in relation to their bodies for numbers, time units, and other concepts involving sequence or ordinality. They can point to the spot where the number 32 is, where December floats, or where the year 1966 lies.8 These objectified three-dimensional sequences are commonly called number forms, although more precisely the phenomenon is called spatial sequence synesthesia.9 The most common types of spatial sequence synesthesia involve days of the week, months of the year, the counting integers, or years grouped by decade. In addition to these common types, researchers have encountered spatial configurations for shoe and clothing sizes, baseball statistics, historical eras, salaries, TV channels, temperature, and more.
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David Eagleman (Incognito: The Secret Lives of the Brain)
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Brenda reappeared in Lycra Zoom shorts and what was commonly called a sports bra. She was limbs and shoulders and muscles and substance, and while the professional models glared at her size (not her height—most of them were six-footers too), Myron thought that she stood out like a bursting supernova next to, well, gaseous entities. The
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Harlan Coben (One False Move (Myron Bolitar, #5))
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Don’t worry, I didn’t forget I’m a loser, Loser,” I said as I zoomed down the hall. “DID YOU JUST CALL ME A LOSER?” Bear roared back.
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James Patterson (Middle School, The Worst Years of My Life - Free Preview: The First 20 Chapters)
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Theory and experiment both show us that light does not need a material medium for propagation. We would have no trouble understanding this if light were nothing but particles zooming along through empty space. But that is not the way it goes: Light is a vibration, an oscillation made up of elementary oscillations we call photons. But there is no substance that oscillates when light propagates; thus we cannot impede the propagation of light when we remove substances from some given space.
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Henning Genz (Nothingness: The Science Of Empty Space)
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Cosmetic Dentistry includes teeth whitening, composite holding, porcelain, composite polishes, dental inserts, tooth reshaping and contouring.Although we all know that cosmetic dentistry is not a known claim to fame under the dental calling, it requires the profound review and preparing to execute dental restorative methodology to meet the required standard.
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Charlotte Center for Cosmetic Dentistry
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Can you all hear me?” It was the universal greeting of a Zoom call.
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Sally Hepworth (Darling Girls)
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It was in this place where we were on the verge of losing our bodies that bodies became the most important, it was in this place of the great melting that it became important whether you called it pop or soda growing up, or whether your mother cooked with garlic salt or the real chopped cloves, or whether you had actual art on your walls or posed pictures of your family sitting on logs in front of fake backdrops, or whether you had that one Tupperware stained completely orange. You were zoomed in on the grain, you were out in space, it was the brotherhood of man, and in some ways you had never been flung further from each other. You zoomed in and zoomed in on that warm grain until it looked like the coldness of the moon.
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Patricia Lockwood (No One Is Talking About This)
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The agent does not want to come right out and call you a fool. So she merely implies it—perhaps by telling you about the much bigger, nicer, newer house down the block that has sat unsold for six months. Here is the agent’s main weapon: the conversion of information into fear. Consider this true story, related by John Donohue, a law professor who in 2001 was teaching at Stanford University: “I was just about to buy a house on the Stanford campus,” he recalls, “and the seller’s agent kept telling me what a good deal I was getting because the market was about to zoom. As soon as I signed the purchase contract, he asked me if I would need an agent to sell my previous Stanford house. I told him that I would probably try to sell without an agent, and he replied, ‘John, that might work under normal conditions, but with the market tanking now, you really need the help of a broker.’ ”
Within five minutes, a zooming market had tanked. Such are the marvels that can be conjured by an agent in search of the next deal.
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Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
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A memo had just zoomed in through the open door and fluttered to rest on top of the hiccuping toaster. Mr. Weasley unfolded it and read aloud, “‘Third regurgitating public toilet reported in Bethnal Green, kindly investigate immediately.’ This is getting ridiculous . . .” “A regurgitating toilet?” “Anti-Muggle pranksters,” said Mr. Weasley, frowning. “We had two last week, one in Wimbledon, one in Elephant and Castle. Muggles are pulling the flush and instead of everything disappearing — well, you can imagine. The poor things keep calling in those — those pumbles, I think they’re called — you know, the ones who mend pipes and things —” “Plumbers?” “— exactly, yes, but of course they’re flummoxed. I only hope we can catch whoever’s doing it.
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
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The issue I have with most of what is written about the Metaverse is that the conventional wisdom narrows the focus on the Metaverse to the next increment to social media or a the next step beyond a Zoom call. Where's the vision?
Think beyond. When Boeing leverages a digital twin for airplane design/modeling, is that a form of the Metaverse? How about Da Vinci which is a robotic surgical system? Have you ever been on Flight of Passage at Disneyworld?
Conventional wisdom might say no, those are not Metaverse. I say, forget conventional wisdom and forget the social media use case for Metaverse. The use cases are there to extract value from the current state of Metaverse technology, but they are not within the scope of the current conversations.
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Tom Golway
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All dogs have what’s called an oppositional reflex. What this means is that their bodies will reflexively move away from any applied pressure. You have this reflex, too. If someone grabs you by the lapels and pulls you, you will instinctively pull away. Dogs, including puppies, most commonly exhibit this reflex when walking on a leash.
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Zoom Room Dog Training (Puppy Training in 7 Easy Steps: Everything You Need to Know to Raise the Perfect Dog)
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The period from eight to 16 weeks of age happens to also be the first fear phase in your puppy’s life. They may experience fear, perhaps at meeting strangers with facial hair. Although it’s scary today, it might not be scary in a couple of days or weeks as long as you don’t push it. A bad experience can truly last a lifetime. This is called imprinting.
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Zoom Room Dog Training (Puppy Training in 7 Easy Steps: Everything You Need to Know to Raise the Perfect Dog)
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your puppy’s been having a hard time getting a certain behavior, but finally succeeds, don’t just reward it, jackpot it. Jackpots are also perfect for ending a session; wait for them to nail the behavior and then reward with a jackpot and call it a wrap.
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Zoom Room Dog Training (Puppy Training in 7 Easy Steps: Everything You Need to Know to Raise the Perfect Dog)
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The moving camera creates a feeling of depth in the space. The zoom tends to flatten space and can call attention to the act of filming itself.
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Steven Ascher (The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age: Fifth Edition)
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As they got closer, Dave saw that the outside of the walls was surrounded by a huge moat. The train was heading towards a bridge leading across the moat, but as far as Dave could see, there was no hole for the train to pass through. “Is this train just going to crash into those walls?” said Carl, peering out of one of the broken windows. “Which idiot designed this thing?” They sped across the moat, and Dave had a brief glimpse of a deep pit with water at the bottom of it. They were rushing straight towards the quartz walls, and in a few seconds, they would smash into them. “Everyone, brace yourselves!” Dave shouted. They all held on tightly to the seats as the train sped forward, but the crash never happened. Instead, a pair of large quartz doors opened, allowing the train to pass through. The next thing they knew, they were inside the theme park, still speeding along the train track. Dave caught glimpses of rides and shops and buildings as they zoomed forward, going deeper and deeper into the park. “Robot idiot, why isn’t the train stopping?” Carl demanded. “We’re inside the theme park now.” “When you say ‘robot idiot’, are you referring to me?” the friendly voice on the speakers asked. “Yes,” said Carl. “You’re a robot, and you’re an idiot, so I’m calling you a robot idiot.
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Dave Villager (Dave the Villager 36: Unofficial Minecraft Books (The Legend of Dave the Villager))
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But, in reality, Raab would run the country by committee as part of a so-called quad of senior ministers that also included Hancock, Sunak and Gove. Each day they would hold daily meetings at 9.15 a.m., either on Zoom or in person. They had competing agendas and egos, and none had the true authority of a prime minister. At one point Sir Mark Sedwill, the cabinet secretary, is understood to have read them the riot act, insisting that they pull together for the good of the country.
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Jonathan Calvert (Failures of State: The Inside Story of Britain’s Battle with Coronavirus)
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In 2021, I gave a talk in Oklahoma, and afterward, during the Q&A period, a woman sent up a question on an index card: “What do you do when you no longer want to be alive?” I was haunted by the question, not least because I didn’t know how to answer her. I mentioned my embarrassment at a dinner the very next night, and one of the guests reported that her brother had committed suicide a few months before. I then recounted these events to a group of friends on a Zoom call, and nearly half the people on the call said they had had some brush with suicide in their family.
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David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
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But I'd be damned if I kept a misogynistic old fuck in charge. Especially one who talked to my tits for our entire Zoom call and insulted me with every second word. Nope. No way in hell.
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Tate James (Kate (Madison Kate, #4))
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desultory Zoom calls
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Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
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We need to engage in a comprehensive and collaborative effort on a global scale, driven by a shared commitment to preserve the delicate balance of our planet’s ecosystems. The cost of inaction is not merely the loss of biodiversity but the unravelling of the intricate web of life that sustains us all.
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Shivanshu K. Srivastava
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That's called breaking the sound barrier. But, dang. Zoom boom sounds a lot more fun.
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Nicoli Gonnella (Crown (Unbound #9))
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the last of his water bombs into the air, and zoomed off up the marble staircase, cackling insanely. ‘Well, move along, then!’ said Professor McGonagall sharply to the bedraggled crowd. ‘Into the Great Hall, come on!’ Harry, Ron and Hermione slipped and slid across the Entrance Hall and through the double doors on the right, Ron muttering furiously under his breath as he pushed his sopping hair off his face. The Great Hall looked its usual splendid self, decorated for the start-of-term feast. Golden plates and goblets gleamed by the light of hundreds and hundreds of candles, floating over the tables in mid-air. The four long house tables were packed with chattering students; at the top of the Hall, the staff sat along one side of a fifth table, facing their pupils. It was much warmer in here. Harry, Ron and Hermione walked past the Slytherins, the Ravenclaws and the Hufflepuffs, and sat down with the rest of the Gryffindors at the far side of the Hall, next to Nearly Headless Nick, the Gryffindor ghost. Pearly white and semi-transparent, Nick was dressed tonight in his usual doublet, with a particularly large ruff, which served the dual purpose of looking extra festive and ensuring that his head didn’t wobble too much on his partially severed neck. ‘Good evening,’ he said, beaming at them. ‘Says who?’ said Harry, taking off his trainers and emptying them of water. ‘Hope they hurry up with the Sorting, I’m starving.’ The Sorting of the new students into houses took place at the start of every school year, but by an unlucky combination of circumstances, Harry hadn’t been present at one since his own. He was quite looking forward to it. Just then, a highly excited, breathless voice called down the table, ‘Hiya, Harry!’ It was Colin Creevey, a third-year to whom Harry was something of a hero. ‘Hi, Colin,’ said Harry warily. ‘Harry, guess what? Guess what, Harry? My brother’s starting! My brother Dennis!’ ‘Er – good,’ said Harry. ‘He’s really excited!’ said Colin, practically bouncing up and down in his seat. ‘I just hope he’s in Gryffindor! Keep your fingers crossed, eh, Harry?’ ‘Er – yeah, all right,’ said Harry. He turned back to Hermione, Ron and Nearly Headless Nick. ‘Brothers and sisters usually go in the same houses, don’t they?’ he said. He was judging by the Weasleys, all seven of whom had been put into Gryffindor. ‘Oh, no, not necessarily,’ said Hermione. ‘Parvati Patil’s twin’s in Ravenclaw, and they’re identical, you’d think they’d be together, wouldn’t you?’ Harry looked up at the staff table. There seemed to be rather more empty seats there than usual. Hagrid, of course, was still fighting
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J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
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High ROCE is a lot like tameness in the Siberian silver foxes. Just as tameness brings with it a curly tail, piebald fur, and floppy ears, a high-ROCE business ushers in many attributes relevant for an owner like us at Nalanda. Here are some examples. A Consistently High-ROCE Business Is Likely to Be Run by an Excellent Management Team What? “Excellent management team” again? If we can’t measure it directly, why am I sneaking it in indirectly? Just because we can’t measure management quality through interviews and discussions does not mean quality management teams do not exist. Of course they do. What we need is not some airy-fairy impression of an investor made over a coffee (or a Zoom call) but a quantitative measure.
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Pulak Prasad (What I Learned About Investing from Darwin)
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A fax. Gender ambiguous, with an articulating wheeled platform below. They were called “helpers,” these models. They zoomed around the streets of the city making themselves useful—offering directions, opening a door for a woman with her hands full of packages, directing traffic when the need arose. Just the sight of its ersatz expressionless face filled me with revulsion.
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Justin Cronin (The Ferryman)
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1. Visual Zooming: Portrait Versus Panorama Mode Direct your focus of attention, almost staring at an object, picking up as many details as possible in a small area. That’s portrait mode. It primes your mind for a single task, shifting you to a narrow state of mind. On the other hand, softening your gaze to an almost blurry state where you attempt to pick up everything in the periphery is what I call panorama mode.
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Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
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2. Cognitive Zooming: Weird Versus Normal This is what I like to call the Family Feud style of thinking. In the TV game show, they present you with a challenge (e.g., “Name something that goes up and down”), and then you have to answer what you think people who were surveyed would have answered.
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Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
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Gorski really helps us all when he zooms in on what these kinds of readings do to people. “First, it leads to hubris. It seduces its followers into claiming to know things that no human being can possibly know.” Such persons consider themselves elect and special and insiders, and such confidence tends toward condescension.
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Scot McKnight (Revelation for the Rest of Us: A Prophetic Call to Follow Jesus as a Dissident Disciple)
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Hammer
“
The maestro of observation, Konrad Lorenz, believed that one could not investigate animals effectively without an intuitive understanding grounded in love and respect. He saw such intuitive insight as quite separate from the methodology of the natural sciences. To marry it productively with systematic research is both the challenge and the joy of studying animals. Promoting what he called the Ganzheitsbetrachtung (holistic contemplation), Lorenz urged us to grasp the whole animal before zooming in on its various parts.
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Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
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Love to me isn't complicated. It is simple. We either love someone, or we don't.
If we love them enough, we will learn to tolerate them at their best and their worst. If we don't, we'll call it quits and seek love elsewhere.
Love isn't complicated. Life is complicated.
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Binati Sheth (Infinite Shades of Love (Zoom in on... Book 2))
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We offer Zoom teeth whitening; a simple, safe & quick way to refresh your smile. Rejuvenate your smile with Newstead Smiles. Call now!
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Newsted Smiles
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Ciao, Bruno!” someone calls from a boat puttering slowly into the marina.
A hard line sets Bruno’s jaw for a split second before he smiles and turns. “Ciao, Mauro!” Bruno shouts back.
Mauro? I lift my camera back up to my eye and zoom in to the white- and red-trimmed boat. It’s definitely the same scumbag from a few days ago. He’s glaring at me, but I click a picture anyway. Just in case I need to identify him in a lineup.
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Kristin Rae (Wish You Were Italian (If Only . . . #2))
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On one of the Zoom calls, some of the advertisers could be seen folding their arms or signing off. “What the fuck?” one of them muttered. Twitter was supposed to be a billion-dollar business, not an extension of Elon Musk’s flaws and quirks.
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Walter Isaacson (Elon Musk)
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Macro-perseverance zooms out from the individual sale and focuses on your overall selling work. It is continuing to make your calls, even when you feel that maybe you don't have it in you. Macro-perseverance is applied between the calls, and at the start of your day, or in bed when you are alone with your thoughts. It is determining to continue to try and to fight even when you might feel like curling up into a defensive posture. It is doing the work and making the effort when success has been rare lately. Because it is precisely the work and the effort that will bring success back.
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Alex Goldfayn (Pick Up The Phone and Sell: How Proactive Calls to Customers and Prospects Can Double Your Sales)