Zoo City Quotes

We've searched our database for all the quotes and captions related to Zoo City. Here they are! All 74 of them:

He wants me to be myself like a leopard might be herself in a city zoo. Inert, waiting to be fed. Not out in the wild, with tendon in her teeth.
Raven Leilani (Luster)
Fashion is only different skins for different flavours of you.
Lauren Beukes (Zoo City)
Without knowing it, he had constructed a gigantic vertical zoo, its hundreds of cages stacked above each other. All the events of the past few months made sense if one realised that these brilliant and exotic creatures had learned to open the doors.
J.G. Ballard (High-Rise)
Traffic in Joburg is like the democratic process. Every time you think it's going to get moving and take you somewhere, you hit another jam.
Lauren Beukes (Zoo City)
Clearly, then, the city is not a concrete jungle, it is a human zoo.
Desmond Morris
I really wanted to believe that there were these magic celestial bodies that would direct my life, tell me what to do, and it turns out it's not stars, it's some bits of screwy DNA. I'm just meat with faulty programming.
Lauren Beukes (Zoo City)
You have to get up pretty early in the morning to invent the news.
Lauren Beukes (Zoo City)
Chicago—this vicious, stinking zoo, this mean-grinning, Mace-smelling boneyard of a city; an elegant rockpile monument to everything cruel and stupid and corrupt in the human spirit.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
In the forest, they did things to drive us mad. Muti. Drugs. Rape. Killing Games. (...) God is not in the forest. Maybe He is too busy looking after sports teams or worrying about teenagers having sex before marriage. I think they take up a lot of His time.
Lauren Beukes (Zoo City)
I smile thinly, to make it clear that this will happen when hell turns into a family friendly summer resort.
Lauren Beukes (Zoo City)
So are you an inmate or a rubbernecker?" she asks. "Rubbernecker," I answer without hesitation. "You?" "I'm a screw. Or on staff, anyway. Used to be an inmate. Repeat offender. Crimes against my body. Puking sickness followed by heroin, which led to more puking sickness." I'd be surprised at her forthrightness, but that's addicts for you. The twelve steps crack 'em open and then they can't shut up.
Lauren Beukes (Zoo City)
But since Sloth I've been so monogamous I make the demonstration banana that AIDS educators use to show how to put on a condom, look slutty.
Lauren Beukes (Zoo City)
Thanks to ideology, the twentieth century was fated to experience evildoing on a scale calculated in the millions. This cannot be denied, nor passed over, nor surpressed. How, then, do we dare insist that evildoers do not exist? And whi was it that destroyed these millions? Without evildoers there would have been no Archipelago. There was a rumor going the rounds between 1918 and 1920 that the Petrograd Cheka, headed by Uritsky, and the Odessa Cheka, headed by Deich, did not shoot all those condemned to death but fed some of them alive to the animals in the city zoos. I do not know whether this is truth or calumny, or, if there were any such cases, how many were there. But I wouldn't set out to look for proof, either. Following the practice of the bluecaps, I would propose that they prove to us that this was impossible. How else could they get food for the zoos in those famine years? Take it away from the workibg class? Those enemies were going to die anyway, so why couldn't their deaths support the zoo economy of the Republic and thereby assist our march into the future? Wasn't it expedient? That is the precise line the Shakespearean evildoer could not cross. But the evildoer with ideology does cross it, and his eyes remain dry and clear.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
The most potent weapon of the oppressor is the mind of the oppressed".
Lauren Beukes (Zoo City)
I yank open the cutlery drawer to be confronted with an anomaly worse than emails from dead people or a man with a gun sitting on my bed. It's a large carving knife with a viciously serrated edge and two broken teeth. It's tarnished with rust. It's not mine. And neither is the china figurine of a kitten with one paw playfully raised, also stained with rust. But it's not rust. It's not rust at all. Perversely, the thought that flashes through my brain is "I can haz murder weapon?" I laugh out loud, a sobbing hiccup.
Lauren Beukes (Zoo City)
Social” justice…but why only “social”…why set your sights so low…you mean just the opinions of the many? Who cares. Here is my vision of the true justice, the justice of nature: the zoos opened, predators unleashed by the dozens, hundreds….four thousand hungry wolves rampaging on streets of these hive cities, elephants and bison stampeding, the buildings smashed to pieces, the cries of the human bug shearing through the streets as the lord of beasts returns.
Bronze Age Pervert (Bronze Age Mindset)
I hate golf. It's the genteel version of seal-clubbing, only not as much fun.
Lauren Beukes (Zoo City)
The genuinely powerful, unlike the Vuyos of this world, don't give a fuck about making an impression.
Lauren Beukes (Zoo City)
Moving a zoo is like moving a city.
Yann Martel (Life of Pi)
Don't get too close buddy ' I warn Sloth. Unofficially there's a code of conduct but animals are still animals. And animals can be assholes too.
Lauren Beukes (Zoo City)
A limitless supply of cheap labor might build you a new city every year, but it ultimately just makes you the factory floor for other countries’ companies.
Matthew Reilly (The Great Zoo of China)
The city of Detroit slaughtered the animals in its zoo to provide meat for the hungry.
Adam Hochschild (Spain in Our Hearts: Americans in the Spanish Civil War, 1936-1939)
I love that Barnaby and Marian spend an afternoon at the zoo in Oklahoma City. It was at that zoo, in fact, that my younger daughter Katie was bitten by an emu.
Frederick Dillen (Fool)
SPACEBALL RICOCHET" "I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway Book after book I get hooked everytime The writer talks to me like a friend What can I do We just live in a zoo All I do is play the spaceball ricochet Deep in my heart There's a house That can hold just about all of you I bought a car It was old but kind I gave it my mind and it disappeared I love a girl She is a changeless angel She's a city it's a pity that I'm like me I said how can I lay When all I do is play The spaceball ricochet I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway, yes too Deep in my heart There's a house That can hold just about all of you How can I lay When all I do is play The spaceball ricochet Oh Baby, the spaceball ricochet Oh Mama, the spaceball Oh, do the spaceball ...
Marc Bolan (The Slider Song Album)
As the twentieth century arrived, America’s manifest destiny had been fulfilled. The 1890 census found so many settlements as to declare the extinction of the frontier. Having reached the Pacific, our forebears looked back and saw a denuded landscape: mountains demolished and rivers fouled by the Gold Rush, and species vanishing as cities grew larger and their smokestacks taller. Between 1883 and 1898, bird populations in twenty-six states dropped by nearly half. In 1914, Martha, the last Passenger Pigeon on earth, died in the Cincinnati Zoo. Four years later her cage hosted the death of Incas, the last of the Carolina Parakeets.
Kirk Wallace Johnson (The Feather Thief)
Billy was displayed there in the zoo in a simulated Earthling habitat. Most of the furnishings had been stolen from the Sears & Roebuck warehouse in Iowa City, Iowa. There was a color television set and a couch that could be converted into a bed. There were end tables with lamps and ashtrays on them by the couch. There was a home bar and two stools. There was a little pool table. There was wall-to-wall carpeting in federal gold, except in the kitchen and bathroom areas and over the iron manhole cover in the center of the floor. There were magazines arranged in a fan on the coffee table in front of the couch. There was a stereophonic phonograph. The phonograph worked. The television didn't. There was a picture of one cowboy shooting another one pasted to the television tube. So it goes. There were no wall in the dome, nor place for Billy to hide. The mint green bathroom fixtures were right out in the open. Billy got off his lounge chair now, went into the bathroom and took a leak. The crowd went wild.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
God, San Francisco was such a thief. A lady of the night, a sorceress with her hands out. Every time, all my years as a child, that we crossed the bridge, we had to pay to get in, pay to get out, pay for every little thing. Oakland was free, San Francisco was not. Pay me, pay me. Pay for the Pacific Ocean and the beach. I am expensive, the city always said, so pay me for my wonderful dark treats like the Steinhart Aquarium, with its dark wide hall lit up by tank after tank of bright gold green blue sharks dolphins whales stinger fish, cold-eyed still-as-a-corpse fish that didn't blink or budge when we tapped the thick glass with our fingernails. Pay, the voice said, to whomever took us on Saturday to the Fleischacker Zoo ... the hand of San Francisco reaches out to grab your stupid little nickels and dimes. Pay. Even as I stood in front of the Fat Lady, whose cackling gap-toothed twelve-feet-high, three-feet-wide body made me laugh for a solid hour, even as I collapsed in tears driven out of my eyes by laughter, I understood that the other name for San Francisco wasn't Frisco; it was pay you dumb jerks from Oakland pay.
Judy Juanita
In Moscow, city of pedestrians, it was the engine that drove a driver to crime. A weapon makes a man bolder. A horse turns him into a calvryman. Things make of a man whatever he makes from them. Speed requires a goal. Things are multiplying around us--there are ten or even a hundred times more of them now than there were two hundred years ago. Mankind has them under control, but the individual does not.
Victor Shklovsky (Zoo or Letters Not About Love)
I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world.
John Cheever (The Journals of John Cheever)
Get off the Expressway, and go south a mile or so, or half a mile north toward the Zoo; drive in and out through streets whose names are posted at the soul’s intersections — Fox, Kelly, Longwood, Honeywell, Southern Boulevard — and you will find blocks that feel so much like blocks you left long ago, blocks you thought had vanished forever, that you will wonder if you are seeing ghosts or if you yourself are a ghost haunting these solid streets with the phantoms of your inner city.
Marshall Berman (All That Is Solid Melts Into Air: The Experience of Modernity)
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo—any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
Thomas Pynchon (The Crying of Lot 49)
The portraits were intended to parade their fellows like specimens in a zoo. Yet at the same time most show the castizos, mestizos, and mulattos dressed sumptuously, moving happily about their daily business, tall and robustly healthy each and every one. Looking at the smooth, smiling faces now, one would never know that on the streets of the cities where they were painted these people were scorned for their very diversity. One would also never know that the casta paintings were not diverse enough—not a single one portrayed New Spain’s Asian population, by far the biggest outside Asia. SHOOK-UP
Charles C. Mann (1493: Uncovering the New World Columbus Created)
That's what I thought" he said. "It doesn't change anything, Zinzi". He moved to kiss me, but as I tilted my head up, he pressed the mango against my lips instead. "Idiot" I said, wiping my mouth, mainly to hide my smile. "Adulterer", he grinned. "Unwitting accomplice!" "You weren't so unwitting last night. And besides polygamie is legal in Congo." "Did I call you an idiot already?" "Only as much as I deserve." This time he did kiss me. I handed over twelve bucks for the mango and tucked myself under his arm, forcing Sloth to shuffle over begrudgingly. "Are we a terrible cliché?" "Isn't everybody?" he said.
Lauren Beukes (Zoo City)
Henrietta, at heart a contemplative person, enjoyed alarums and excursions for a short while only. For her a background of quiet was essential to happiness. It had been fun to stay with Felicity, to be petted and spoiled by her friends, to be applauded by big audiences in a crowded theater, to have lovely things to eat and go to the zoo whenever she liked, but it had completely upset her equilibrium and she had felt as though she had been turned upside down so that everything that was worth while in her mind fell out. She, like everyone else, had to find out by experience in what mode of life she could best adjust herself to the twin facts of her own personality and the moment of time in which destiny had planted it, and she was lucky perhaps that she found out so early.
Elizabeth Goudge (A City of Bells (Torminster, #1))
What can I tell you that you do not know Of the life after death? Your son’s eyes, which had unsettled us With your Slavic Asiatic Epicanthic fold, but would become So perfectly your eyes, Became wet jewels, The hardest substance of the purest pain As I fed him in his high white chair. Great hands of grief were wringing and wringing His wet cloth of face. They wrung out his tears. But his mouth betrayed you — it accepted The spoon in my disembodied hand That reached through from the life that had survived you. Day by day his sister grew Paler with the wound She could not see or touch or feel, as I dressed it Each day with her blue Breton jacket. By night I lay awake in my body The Hanged Man My neck-nerve uprooted and the tendon Which fastened the base of my skull To my left shoulder Torn from its shoulder-root and cramped into knots — I fancied the pain could be explained If I were hanging in the spirit From a hook under my neck-muscle. Dropped from life We three made a deep silence In our separate cots. We were comforted by wolves. Under that February moon and the moon of March The Zoo had come close. And in spite of the city Wolves consoled us. Two or three times each night For minutes on end They sang. They had found where we lay. And the dingos, and the Brazilian-maned wolves — All lifted their voices together With the grey Northern pack. The wolves lifted us in their long voices. They wound us and enmeshed us In their wailing for you, their mourning for us, They wove us into their voices. We lay in your death, In the fallen snow, under falling snow, As my body sank into the folk-tale Where the wolves are singing in the forest For two babes, who have turned, in their sleep, Into orphans Beside the corpse of their mother.
Ted Hughes (Birthday Letters)
We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.
Arthur Conan Doyle (The Complete Sherlock Holmes)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
[Curtis Carley, first field coordinator for the Red Wolf Recovery Program] decided early in the project that there was only one possible way of saving red wolves from genetic swamping by coyotes. Biologists were going to have to capture every red wolf remaining in the wild for placement in a captive breeding program. In effect, preserving the red wolf's purity required first bringing about its extinction in the wild and turning its former range over to coyotes and hybrids until biologists could produce enough "pure" animals, then finding a suitable protected preserve for releasing a captive-bred population into the wild again. How difficult was that? After establishing a certified breeding program for red wolves at Point Defiance Zoo in Tacoma, Washington, in 1974 and 1975, the Red Wolf Recovery team decided to examine as breeding candidates some fifty red wolves held in almost twenty zoos across the country. Using the morphology-howl criteria they had established, out of those fifty they identified but a single red wolf, a female in the Oklahoma City Zoo. They were convinced all the rest, plus their pups, were actually either coyotes or hybrids, and in the latter case the team insisted they be destroyed. When some of the shocked zoo personnel refused such a draconian order, in the name of purity Curtis Carley carried out the death sentences himself.
Dan Flores (Coyote America: A Natural and Supernatural History)
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
Thomas Pynchon (The Crying of Lot 49)
Your first look at Africa,” said Henk, leaning in to murmur in her ear. “Does it surprise you?” She swallowed. “It’s not what I imagined.” “What did you imagine? Lions and zebras running around everywhere?” “Well, yeah.” “That’s the way most Americans picture Africa. They watch too many nature shows on TV, and when they walk off the plane wearing bush jackets and khaki, they’re surprised to find a modern city like Cape Town. Not a zebra in sight, except at the zoo.
Tess Gerritsen (Die Again (Rizzoli & Isles, #11))
In Alexandria were parks and gardens, palaces, shrines and a zoo. The city was rich in sights to please even the most jaded traveller, and its architecture laid out its cultural and intellectual claims to pre-eminence. The pharaoh-emperor’s arrival was the most extraordinary occasion most Egyptians would ever see.
Elizabeth Speller (Following Hadrian: A Second-Century Journey through the Roman Empire)
Passionate and acerbic, Gupt would spare no one, not even his own community. On learning that the Calcutta Marwaris had opened a school that would impart education in English, Hindi and Sanskrit to their boys, Gupt, writing under the pseudonym Shiv Sambhu Sharma in Bharatmitra, the Calcutta journal he edited, hit out at the community telling them not to ‘dare come near knowledge’. Instead, he said, it would be better if they worshipped the camel that had brought them to Calcutta, and if possible bring a camel to the city zoo since it did not have one. He wrote, ‘Your wealth has been acquired through hard work and mental machinations. Whatever you have is yours and not related to knowledge. People who cannot digest your prosperity are whispering “vidya, vidya” (knowledge, knowledge) in your ears. Of what use is vidya? You cannot wear or eat it. If you have money hundreds of knowledgeable persons bow before you even if you are a fool. They praise your sad face . . . without education you have become Raja and Rai Bahadur and the future only knows what more is in store.’18
Akshaya Mukul (Gita Press and the Making of Hindu India)
The metropolitan area of one-half million people was brought to a standstill. Restaurants, public buildings, and even the city zoo closed. People quickly bought up whatever bottled water was on store shelves. The governor of Ohio declared a state of emergency. The National Guard was enlisted to truck in water and portable water treatment plants. The national and international news media covered the story of a modern American city without the 80 million gallons of water it needed daily. It was not the sort of attention the long-struggling, rust-belt city wanted.
Sean B. Carroll (The Serengeti Rules: The Quest to Discover How Life Works and Why It Matters)
Okay, as you guys saw, there are four city gateways equally spaced around the Wotter Tower.
Bryan Chick (Secrets and Shadows (The Secret Zoo, #2))
It seemed that now, more than ever, he relished having his little family unit. Now that Robert was getting bigger, Steve was enjoying spending time with both the kids and seemed much more appreciate of how comfortable our relationship had become. I was pleasantly surprised when the phone rang and it was Steve, calling all the way from Washington, D.C. He sounded concerned. “Mate, when I hugged you good-bye at the airport, it felt like there was something wrong.” I was always impressed with the way Steve could tune in to my feelings. “The longer we’re together, the more I worry when we’re apart,” I confessed. “We just have to make every day, every minute we’re together count,” Steve replied. “I know,” I told him. “I just miss you so much.” “Don’t worry, babe,” he said. “I’ll be home in a couple days. Big cities just aren’t my cup of tea.” When he did come home, we had new Sumatran tiger cubs to play with at the zoo, and new bush adventures to embark upon.
Terri Irwin (Steve & Me)
But I really wanted to believe that there were these magic celestial bodies that would direct my life, tell me what to do, and it turns out it's not stars, it's some bits of screwy DNA. I'm just meat with faulty programming.
Lauren Beukes (Zoo City)
Noah stood beside Ella, and together they stared out at the City of Species. Though the scouts had been there only a couple weeks ago, seeing it now was like seeing it for the first time. The City of Species was part city, part forest. Each part seemed to need the other, and their bizarre marriage was breathtaking. Tall buildings were surrounded by trees whose limbs reached through their walls, splitting steel and piercing glass. Waterfalls fell from rooftops, splashing across balconies and limbs before spilling into fountains and streams, bursting into mist. Streetlights blinked beneath low-hanging branches, and ivy pinned signs to the sides of brick buildings. All types of animals passed down the winding streets. They crawled through intersections, slithered along sidewalks, hopped over hedges, and swept across the sky.
Bryan Chick (Secrets and Shadows (The Secret Zoo, #2))
It’s the start of a new era, when people are finally ready to embrace the microbial world. When I walked through San Diego Zoo with Rob Knight at the start of this book, I was struck by how different everything seemed with microbes in mind. Every visitor, keeper, and animal looked like a world on legs – a mobile ecosystem that interacted with others, largely oblivious to their inner multitudes. When I drive through Chicago with Jack Gilbert, I experience the same dizzying shift in perspective. I see the city’s microbial underbelly – the rich seam of life that coats it, and moves through it on gusts of wind and currents of water and mobile bags of flesh. I see friends shaking hands, saying’ “how do you do”, and exchanging living organisms. I see people walking down the street, ejecting clouds of themselves in their wake. I see the decisions through which we have inadvertently shaped the microbial world around us: the choice to build with concrete versus brick, the opening of a window, and the daily schedule to which a janitor now mops the floor. And I see, in the driver’s seat, a guy who notices those rivers of microscopic life and is enthralled rather than repelled by them. He knows that microbes are mostly not to be feared or destroyed, but to be cherished, admired, and studied.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
One day, years later, the soldiers wheeled around to find themselves in a city of glass. Their rifles turned to carnival glass; bullets dissolved, glittering, in their hands. From the poet’s zoo they heard monkeys cry; from the poet’s observatory they heard poem after poem like a call to prayer.
Martín Espada (The Republic of Poetry: Poems)
First they ate the animals in the zoo. Then they ate their cats and dogs. Some even resorted to eating wallpaper paste and boiled leather. Then the unthinkable. “A child died, he was just three years old,” wrote Daniil Granin, one of the survivors. “His mother laid the body inside the double-glazed window and sliced off a piece of him every day to feed her second child.” These were some of the extremes the people of Leningrad were driven to during the Nazis’ nearly nine-hundred-day siege of the city from September 1941 to January 1944. Over a million citizens, including four hundred thousand children, died, many of them due to starvation.
Simon Sinek (The Infinite Game)
It was like this," he said. "I made up my mind that I would take in a few of the points of interest in the city I ain't ever got around to. Being a Chicagoan, like most Chicagoans I ain't ever seen any of our natural wonders at all. So first day out I figured that the place no copper would ever look for me would be like the Field Museum and in the zoo and on the beach and like that.
Ben Hecht (A Thousand and One Afternoons in Chicago)
Zoos and aquariums with glass walls serve a purpose but they also teach ignorant fuckers that they are better because we aren’t the ones being held captive. When was it ever our right because we have opposable thumbs to put God’s animals on permanent display in every major city in the world? We might be saving a few, but we wouldn’t have to save any if we weren’t fucking up the whole planet.
Sarah Noffke (Ren: The Monster's Adventure (Ren #4))
Sinun pitäisi kasvattaa hoodia-kaktuksia”, minä ehdotan. ”Eikö se olisi terveellisempi tapa vähentää ruokahalua?” ”Luonnollisempi ilman muuta”, myöntää neiti Avautuja. ”Tosin en koskaan ole tajunnut tuota argumenttia. Puffadderin myrkky on luonnollista. Ientulehdukseen kuoleminen kolmekymmenvuotiaana on luonnollista. Tiedätkö, minkä takia khoi-kansa alun perin käytti hoodiaa? Teeskennelläkseen, etteivät ole kuolemassa nälkään. Aika skitsoa, eikö?
Lauren Beukes (Zoo City)
Humankind devotes much of its collective energy to managing personal and institutional anxiety and dealing with unsuccessful efforts of its civilians to cope with the tides of shifting social and economic conditions. Every city corridor houses downtrodden citizens whom have given up on life, the dopers, smoke hounds, crack heads, and unrepentant drunkards whom spend their days pushing shopping carts and their nights sleeping in gutters. In marked contrast to these filthy and wretched souls whom inhabit the skid row of every city’s streets, all animals display an admirable state of hygiene and a zest for life. Except for poor critters sentenced to live confined in a zoo and domestic animals held captives in deplorable harvesting pens, all animals live a carefree existence that is preferable to living off stress sandwiches of modern humankind.
Kilroy J. Oldster (Dead Toad Scrolls)
With this project, Plato bears witness to an intellectual unrest in the human park, which could never again be entirely pacified. Ever since the Politikos and the Politeia [The Republic], there have been discourses in the world that speak of the human community as of a zoological park that is at the same time a theme park. Keeping human beings in parks or cities from now on appears to be a zoöpolitical task. Whatever purports to be a reflection on politics is in truth a fundamental reflection on rules for the operation of human parks. If there is a dignity of the human being that merits being expressed in philosophical reflection, then this is above all because human beings are not only kept in political theme parks, but keep themselves there. Human beings are self-nurturing, self-tending beings that—wherever they live—produce parks around themselves. Whether in city parks, national parks, state parks, or eco-parks—everywhere, human beings must form an opinion about how their self-maintenance is to be regulated.
Peter Sloterdijk (Not Saved: Essays After Heidegger)
At the zoo, I stood in front of the primate cage listening to a woman marvel at how “presidential” the four-hundred-pound gorilla looked sitting astride a shorn oaken limb, keeping a watchful eye over his caged brood. When her boyfriend, his finger tapping the informational placard, pointed out the “presidential” silverback’s name coincidentally was Baraka, the woman laughed aloud, until she saw me, the other four-hundred-pound gorilla in the room, stuffing something that might have been the last of a Big Stick Popsicle or a Chiquita banana in my mouth. Then she became disconsolate, crying and apologizing for having spoken her mind and my having been born. “Some of my best friends are monkeys,” she said accidentally. It was my turn to laugh. I understood where she was coming from. This whole city’s a Freudian slip of the tongue, a concrete hard-on for America’s deeds and misdeeds. Slavery? Manifest Destiny? Laverne & Shirley? Standing by idly while Germany tried to kill every Jew in Europe? Why some of my best friends are the Museum of African Art, the Holocaust Museum, the Museum of the American Indian, the National Museum of Women in the Arts. And furthermore, I’ll have you know, my sister’s daughter is married to an orangutan.
Paul Beatty (The Sellout)
Cannibal Penguin FTW!!
Lauren Beukes (Zoo City)
The most popular Foursquare feature is a competitive challenge called The Mayor. The rules read: “If you’ve got more check-ins than anyone else at a particular place, we deem you ‘The Mayor’ of that place. But once someone else comes along who has checked in more times than you, they then steal the ‘Mayor’ title back from you.” As soon as you become mayor, Foursquare sends an announcement to your friends congratulating you. Even better, some bars and restaurants have set up special deals for whoever happens to be mayor at any given time. The Marsh Café in San Francisco, for example, lets the current mayor drink for free. Of course, this is also a smart move on the part of the café—players have extra incentive to bring their friends there nightly to try to achieve or hold on to the mayor status, boosting business throughout the week. It’s also a good example of how traditional brick-and-mortar companies might be able to augment their services by more actively taking part in this popular reality-based game. Currently, hundreds of venues—from the Sacramento Zoo to a Wendy’s fast-food restaurant in the student union at the University of North Carolina Charlotte—offer deals or freebies for Foursquare players. Why do people love the idea of becoming the mayor? Because trying to become mayor of your favorite city spots gives you a chance to keep doing something you already love, but do it more. It gives you an excuse to spend as much time as possible at the places that make you happiest. And when you notice someone else vying for your mayor status, you get an instant friendly rival, motivating you to visit your favorite places more often, the same way a Nike+ challenger pushes you to run faster and longer.
Jane McGonigal (Reality Is Broken: Why Games Make Us Better and How They Can Change the World)
It is often said that there are very few places left on Earth that have yet to be discovered. But those who say this are usually referring to the places that exist at the human scale. Take a magnifying glass to any part of your house and you will find a whole new world to explore. Use a powerful microscope and you will find another, complete with a zoo of living organisms of the most fantastic nature. Alternatively use a telescope and a whole universe of possibilities will open up before you. Ants build cities at their scale, and bacteria build cities at their scale. There is nothing special about our scale, about our cities, about our civilization, except that we have a material that allows us to transcend our scale – that material is glass.
Mark Miodownik (Stuff Matters: The Strange Stories of the Marvellous Materials that Shape Our Man-made World)
Oh, and gosh you wouldn’t believe it, in the nineteenth century they had an exhibit of human beings in the park. Live ones, Zulus and Pygmies. The whole city came out to gawk. I suppose that is what people now do with their National Geographic magazines, ogle the natives’ bare black buttocks and fulsome breasts, but it strikes me as particularly surreal to have it happen live and in person. Do you think any of the sophisticates strolling in that human zoo looked into the noble savages’ eyes and found a universal brother? Seriously, one has to wonder, in that particular scenario, which side of the iron cage the savages were on.
Toby Barlow (Babayaga)
Almost everyone, as almost always at such concerts, was white. It is something I can't help noticing; I notice it each time, and try to see past it. Part of that is a quick, complex series of negotiations: chiding myself for even seeing it, lamenting the reminders of how divided our life still remains, being annoyed that these thoughts can be counted on to pass through my mind at some point in the evening. Most of the people around me yesterday were middle-aged or old. I am used to it, but it never ceases to surprise me how easy it is to leave the hybridity of the city, and enter into all-white spaces, the homogeneity of which, as far as I can tell, causes no discomfort to the whites in them. The only thing odd, to some of them, is seeing me, young and black, in my seat or at the concession stand. At times, standing in line for the bathroom during intermission, I get looks that make me feel like Ota Benga, the Mbuti man who was put on display in the Monkey House at the Bronx Zoo in 1906. I weary of such thoughts, but I am habituated to them. But Mahler's music is not white, or black, not old or young, and whether it is even specifically human, rather than in accord with more universal vibrations, is open to question.
Teju Cole (Open City)
I share my King Seize Peanuts in the Zoo of Atlantis City.
Petra Hermans (Voor een betere wereld)
DeGraff, the Shadowist, backed away from the portal to the City of Species, something of a smile on what remained of his face. He turned and moved deeper into the Creepy Critters sector of the Secret Zoo, the thing-that-had-once-been-a-bear walking beside him. Seconds ago, the animal had delivered a note to Mr. Darby—a note with a very simple message: I’m back, old friend.
Bryan Chick (Raids and Rescues (The Secret Zoo #5))
There were several definitions of the term mate—though Bryce supposed that to Ithan, to a shifter, only one mattered: one’s true lover, predestined by Urd. The Fae had a similar concept—a mate was a bond deeper than marriage, and beyond an individual’s control. The angels, she knew, used the term far more lightly: for the malakim, it was akin to a marriage, and matings could be arranged. Like breeding animals in a zoo.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
But an animal in a zoo or a game park does not live its natural life, any more than a man in a city lives a natural life. Today we are surrounded by man and his creations. Man is inescapable, everywhere on the globe, and nature is a fantasy, a dream of the past, long gone.
Michael Crichton (Congo)
Nervousness hates a vacuum. 826 alligator. Nervousness will blurt right out with something, anything, to kill the silence. 839 alligator. Unless nervousness is kept busy doing something more useful. Like counting. 842 alligator.
Lauren Beukes (Zoo City)
The Americans were understandably on hair triggers. There was a good reason for all of this security. For despite TV images of quick victory, much of Baghdad certainly had not fallen and firefights with die-hard Ba’athists loyal to Saddam Hussein were raging all over the city.
Lawrence Anthony (Babylon's Ark: The Incredible Wartime Rescue of the Baghdad Zoo)
The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!
Delmore Schwartz
a $55,000 check from the Johnny Carson Foundation had recently landed in their PO box, accompanied by a note from the King of Late Night himself: “It is important to help the area kids to have the same advantages and education that larger cities’ kids already have and also help the rural area.
Carson Vaughan (Zoo Nebraska: The Dismantling of an American Dream)
Junkie pheromones reel him in like a pedophile homing in on a day care
Lauren Beukes (Zoo City)
Will Fairchild, the city's hero, and the maternal uncle of Beatrice Keedsler, appeared one summer night in 1926 with a Springfield rifle. He shot and killed five relatives, three servants, two policemen, and all the animals in the Keedslers' private zoo. Then he shot himself through the heart. When an autopsy was performed on him, a tumor the size of a piece of birdshot was found in his brain. This was what CAUSED the murders.
Kurt Vonnegut Jr. (Breakfast of Champions)
Chicago—this vicious, stinking zoo, this mean-grinning, Mace-smelling boneyard of a city; an elegant rockpile monument to everything cruel and stupid and corrupt in the human spirit.
William McKeen (Outlaw Journalist: The Life and Times of Hunter S. Thompson)
The Fae had a similar concept—a mate was a bond deeper than marriage, and beyond an individual’s control. The angels, she knew, used the term far more lightly: for the malakim, it was akin to a marriage, and matings could be arranged. Like breeding animals in a zoo.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The more time I spend with her, the more I want. I take her all over Chicago, showing her the city. I take her to the Art Institute and the Cloud Gate sculpture in Millennium Park. We go shopping on the Magnificent Mile and visit the Lincoln Park Zoo. I offer to take her up to the 360 Observation Deck, knowing that she might decline since she’s not a fan of heights. But, buoyed by the success of our Ferris wheel ride, Yelena agrees to go.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))