Nirvana Nevermind Quotes

We've searched our database for all the quotes and captions related to Nirvana Nevermind. Here they are! All 6 of them:

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Everything said about Gen Xers--both positive and negative--was completely true. Twenty-somethings in the nineties rejected the traditional working-class American lifestyle because (a) they were smart enough to realize those values were unsatisfying, and (b) they were totally fucking lazy. Twenty-somethings in the nineties embraced a record like Nirvana's Nevermind because (a) it was a sociocultural affront to the vapidity of the Reagan-era paradigm, and (b) it fucking rocked. Twenty-somethings in the nineties were by and large depressed about the future, mostly because (a) they knew there was very little to look forward to, and (b) they were obsessed with staring into the eyes of their own self-absorbed sadness. There are no myths about Generation X. It's all true.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Steve Isaacs (MTV VJ): When I was hired at MTV, in August of '91, I was "musician guy." I had long hair, and I was a singer-songwriter. And then the next month, Nevermind hit. It was the most perfect time to have an experience like this. I became the silly MTV grunge poster boy. I was wearing flannel a lot. I loved Nirvana, I loved Pearl Jam, I loved Alice in Chains, I loved Soundgarden, I loved Screaming Trees. when I talked about Whitney Houston on-air you could see me die in my eyes a little bit.
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Mark Yarm (Everybody Loves Our Town: An Oral History of Grunge)
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Times were changing in the world of id. They had finally fired Jason, narrowing the group to Carmack, Romero, Adrian, and Tom. But something else was in the air. The Reagan-Bush era was finally coming to a close and a new spirit rising. It began in Seattle, where a sloppily dressed grunge rock trio called Nirvana ousted Michael Jackson from the top of the pop charts with their album Nevermind. Soon grunge and hip-hop were dominating the world with more brutal and honest views. Id was braced to do for games what those artists had done for music: overthrow the status quo. Games until this point had been ruled by their own equivalent of pop, in the form of Mario and Pac-Man. Unlike music, the software industry had never experienced anything as rebellious as Wolfenstein 3-D. The
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David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
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In the post-Nevermind universe, everything had to be filtered through the notion that this specific representation of modernity was the template for what everyone now wanted from everything, and that any attempt to understand young people had to begin with an understanding of why Nirvana frontman Kurt Cobain looked and acted the way that he did.
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Chuck Klosterman (The Nineties: A Book)
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She leans in and their lips touch. She feels electricity through every part of her. When they pull away, he has a dopey look on his face. He inhales through his nose, like he's taking in the moment. "Nirvana," he says quietly. "What?" "Nevermind, I'll see you tonight.
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Alex Finlay (The Night Shift)
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The songs on Nirvana’s Nevermind did not tangibly change the world. There are limits to what art can do, to what a record can do, to what sound can do.
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Chuck Klosterman (The Nineties: A Book)