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The one measure of true love is: you can insult the other
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Slavoj Žižek
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When we are shown scenes of starving children in Africa, with a call for us to do something to help them, the underlying ideological message is something like: "Don't think, don't politicize, forget about the true causes of their poverty, just act, contribute money, so that you will not have to think!
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Slavoj Žižek
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Q- What makes you depressed?
Seeing stupid people happy.
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Slavoj Žižek
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I think that the task of philosophy is not to provide answers, but to show how the way we perceive a problem can be itself part of a problem.
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Slavoj Žižek
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True power does not need arrogance, a long beard and a barking voice. True power strangles you with silk ribbons, charm, and intelligence
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Slavoj Žižek
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Do not blame people and their attitudes: the problem is not corruption or greed, the problem is the system that pushes you to be corrupt. The solution is not, "Main Street, not Wall Street," but to change the system where Main Street cannot function without Wall Street.
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Slavoj Žižek
“
And so on, and so on...
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Slavoj Žižek
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What is the Absolute? Something that appears to us in fleeting experiences--say, through the gentle smile of a beautiful woman, or even through the warm caring smile of a person who may otherwise seem ugly and rude. In such miraculous but extremely fragile moments, another dimension transpires through our reality. As such, the Absolute is easily corroded;it slips all too easily through our fingers and must be handled as carefully as a butterfly
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Slavoj Žižek (The Fragile Absolute: Or, Why is the Christian Legacy Worth Fighting For?)
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The one measure of true love is: you can insult the other. --Slavoj Zizek
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Russell Brand (Booky Wook 2: This Time it's Personal)
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There is an old joke about socialism as the synthesis of the highest achievements of the whole human history to date: from prehistoric societies it took primitivism; from the Ancient world it took slavery; from medieval society brutal domination; from capitalism exploitation; and from socialism the name..
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Slavoj Žižek (Revolution at the Gates: Zizek on Lenin, the 1917 Writings)
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I couldn't help noticing how all the best Marxist analyses are always analyses of a failure ... Like, why did Paris Commune go wrong? Trotskyites. Why did the October Revolution go wrong? And so on ... OK, we screwed it up, but we can give the best theory why it had to happen.
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Slavoj Žižek
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The light that you discover in your life is proportionate to the amount of the darkness you are willing to forthrightly confront (from the debate between Jordan Peterson and Slavoj Zizek)
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Jordan B. Peterson
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Without the communist oppression, I am absolutely sure I would now be a local stupid professor of philosophy in Ljubljana.
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Slavoj Žižek
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There is a contradiction between market liberalism and political liberalism. The market liberals (e.g., social conservatives) of today want family values, less government, and maintain the traditions of society (at least in America's case). However, we must face the cultural contradiction of capitalism: the progress of capitalism, which necessitates a consumer culture, undermines the values which render capitalism possible
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Slavoj Žižek
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On the 'Celestial Seasonings' green tea packet there is a short explanation of its benefits: 'Green tea is a natural source of antioxidants, which neutralize harmful molecules in the body known as free radicals. By taming free radicals, antioxidants help the body maintain its natural health.' Mutatis mutandis, is not the notion of totalitarianism one of the main ideological antioxidants, whose function throughout its career was to tame free radicals, and thus to help the social body to maintain its politico-ideological good health?
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Slavoj Žižek (Did Somebody Say Totalitarianism: Five Interventions in the (Mis)Use of a Notion)
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In short, the true courage is to admit that the light at the end of the tunnel is most likely the headlight of another train approaching us from the opposite direction.
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Slavoj Žižek
“
On the information sheet in a New York hotel, I recently read: "Dear guest!
To guarantee that you will fully enjoy your stay with us, this hotel is
totally smoke-free. For any infringement of this regulation, you will be charged $200:' The beauty of this formulation, taken literally, is that you are to be punished for refusing to fully enjoy your stay . . . The superego imperative to enjoy thus functions as the reversal of Kant's "Du kannst, denn du soUstf" (You can, because you must ! ) ; it relies on a "You must, because you can ! " That is to say, the superego aspect of today's "nonrepressive" hedonism (the constant provocation we are exposed to, enjoining us to go right to the end and explore all modes of jouissance) resides in the way permitted jouissance necessarily turns into obligatory jouissance.
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Slavoj Žižek
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من هیچ گونه آمادگی جسمانی ندارم. من ورزش را دوست ندارم. در کشور من اسکی محبوب است. من مزخرفات آن را پیدا می کنم. شما از کوه بالا می روید و به پایین سُر میخورید. چرا در پایین نمی مانید و یک کتاب خوب می خوانید؟
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Slavoj Žižek
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Not all is ideology, beneath the ideological mask, I am also a human person' is the very form of ideology, of its 'practical efficiency'.
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Slavoj Žižek (The Plague of Fantasies (Wo Es War Series))
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If he had stayed in Slovenia, and Slovenia had stayed Communist, Žižek would not have been the nuisance he has since become. Indeed, if there were no greater reason to regret the collapse of Communism in Eastern Europe, the release of Žižek on to the world of Western scholarship would perhaps already be a sufficient one.
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Roger Scruton (Fools, Frauds and Firebrands: Thinkers of the New Left)
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There is a class division in Europe as well as in the Middle East , and the key question is : how do these different class dynamics interact?
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Slavoj Žižek
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the true choice is between losing it all and creating what we are about to lose: only this could eventually save us, in a profound sense . . . The possible awakening of the bomb is not simply 'let's do all in our power to prevent it before it's too late', but rather 'let's first build this totality (unity, community, freedom) that we are about to lose through the bomb.
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Alenka Zupančič
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Als Präsident Obama den Aufstand als legitime Meinungsäußerung begrüßte, die von der Regierung anerkannt werden müsse, war die Verwirrung komplett. Die Massen in Kairo und Alexandria wollten keine Anerkennung ihrer Forderungen durch die Regierung, deren Rechtmäßigkeit sie rundweg ablehnten. Sie wünschten sich das Mubarak-Regime nicht als Gesprächspartner, sie wollten, dass Mubarak verschwand. Ihr Ziel war nicht nur eine neue Regierung, die ihre Meinung anhören würde, sondern eine Umgestaltung des gesamten Staates. Sie hatten keine »Meinungen «; sie waren die Wahrheit der Situation in Ägypten. (S. 55)
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Slavoj Žižek (Weniger als nichts - Hegel und der Schatten des dialektischen Materialismus)
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The Jacobins were the standard bearers of the left. Liberals are not on the left. They are in the center, and often trending right with their hatred of the State and any possibility of State social engineering on the grand scale. It has been rightly observed that the hallmark of liberalism is wanting the “thing without the thing”, as Slavoj Zizek famously put it. The liberals want war without war, revolution without revolution, drugs without any of the downside of drugs, coffee without caffeine. They want a situation that inevitably leads to violence, without the violence. They immediately condemn the violence even though violence was implicit in the entire project from the get-go.
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Joe Dixon (The Mandarin Effect: The Crisis of Meaning)
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In it, Shelley does something that a conservative would never have done. In the central part of her book, she allows the monster to speak for himself, to tell the story from his own perspective...Mary Shelley moves inside his mind and asks what it is like to be labelled, defined, oppressed, excommunicated, even physically distorted, by society.
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Slavoj Žižek
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Could even imagine the opposite case, an upper-class white woman's torso displayed when the accused is a black or indigenous man?
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Slavoj Žižek
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Perpetrators were designated vaguely as 'Asians', while claims were made that the abuse was not about ethnicity and religion but about domination of man over woman;and anyway, who are we, with our Church paedophilia and sexual abuse scandals - that of the media personality Jimmy Saville being a case in point - to adopt the moral high ground over a victimised minority?......In both cases , we are dealing with organised - ritualised even - collective activity. In the case of Rotherham, another parallel may be even more pertinent. One of the terrifying effects of the non-contemporaneity of different levels of social life- behaviour that somehow seems out of sync with the age in which we live - is the rise of the violence against women.
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Slavoj Žižek
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And the crucial feature in all these cases is that these acts of criminal violence are not spontaneous outbursts of raw brutal energy that breaks the chains of civilised customs, but something learned , externally imposed ritualised: part of the collective symbolic substance of a community. What is repressed for the 'innocent' public gaze is not the cruel brutality of the act, but precisely its 'cultural', ritualistic character of a symbolic custom...
One can well imagine a non-paedophiliac priest who, after years of service, gets involved in paedophilia because the very logic of the institution seduces him into it.
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Slavoj Žižek
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Why would photographs of the wound not be enough? Does such a display not rely on the long tradition of treating indigenous people's bodies as specimens?
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Slavoj Žižek
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believes that something urgently needs to be done about the ecological crisis. In Žižek’s opinion, politicians are not able to accomplish this task effectively.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Traditionally, advertising had an imaginary and symbolic dimension.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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suspicious of the equation that is made between happiness and self-realization
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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a special effect which outdid all others?
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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only in so far as the subject is prepared to relinquish altogether their attachment to any kind of ideal and to confront the fact that the symbolic order through which
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Žižek has drawn up an ecological manifesto boldly synthesizing into four points
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Even in the few cases that would vaguely fit the definition of the ‘clash of civilizations’ (Bosnia and Kosovo, southern Sudan), the shadow of other interests is easily discernible.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Freud and the super-ego The big Other is the Law underlying the symbolic order.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Cogito ergo sum” (“I think therefore
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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psychoanalysis claims that reality outside myself definitely exists.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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this void is perpetually filled in by the fiction of language.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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similar tendency to seek a sense of meaningfulness
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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universe is a void but a positively charged one. Particular things appear when the balance of the void is disturbed.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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sees happening in reality post-9/11 is a reassertion of “America’s traditional ideological commitments and rejection of feelings of responsibility and guilt towards the Third World”.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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fundamental rule or law: meaning is dependent upon the symbolic system, itself.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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the big Other is just as much a fiction as the symbolic order.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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our inability to articulate and be fully conscious of our dependency upon the symbolic order.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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T.S. Eliot’s line from his verse drama Murder in the Cathedral (1935): ‘the highest form of treason: to do the right thing for the wrong reason
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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transgression – imagined or real forms of enjoyment that seem to contradict the dominant ideas or laws
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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The Church needs sinners who repent their sins.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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without some artificial system of symbolic order by which to organize “reality”, the individual ceases to exist.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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However, this cannot be achieved through direct perception. In other words, direct access to the void that is both language and the void that lies “behind” language is impossible.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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universe: humanity does not – and never did have – a ground or a natural balance to return to. For Žižek, our existence is utterly contingent and beyond our control.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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large-scale collective decisions
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Žižek’s intention is to offset sentimental ideas of a balanced world that humanity has disturbed but to which it might somehow return.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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altruistic gestures simply preserve the status quo and prevent the radical reconstruction of society by which poverty may be alleviated altogether.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Žižek’s conclusion is that the phenomenon of the Taliban should not be seen simply as a reversion to traditional, feudal values but more as a way of countering Western ideology and American imperialism.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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centres upon the experience to be gained
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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progressive causes today.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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way in which the strike on the World Trade Center in New York on 9/11 was perceived.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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By recognizing the fictional nature of unitary identity, the dominating presence of the super-ego is overthrown.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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identity is maintained is ultimately a fiction.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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transgresses our horizon. We must recognize that we cannot gain full power over our biosphere even though it is in our power to de-rail it and disturb its balance.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Nature is actually composed from vast amounts of destruction
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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theory of evolution proposed by Charles Darwin (1809–82) was wrong:
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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oil and the energy we rely upon is composed from a previous natural disaster of unimaginable dimensions.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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what we call creation is a cosmic catastrophe, a cosmic mistake
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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While we may be familiar with the grammatical and social rules governing language and communication, we cannot be conscious of all of them in the act of participating in communication.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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built into all societies.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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According to today’s ideology, the key to achieving happiness is through self-realization and by making one’s life more “meaningful”.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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provides reality itself deprived of its substance; just as decaffeinated coffee smells and tastes like real coffee without being real coffee, Virtual Reality is experienced as reality without being so.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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given the ubiquitous presence of the super-ego, or the big Other, can its repressive authority be overcome?
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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media. It is especially owing to the media today in its role as a social conscience of global affairs that the liberal class has developed a keen awareness about poverty,
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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defended by the ideology: “We are the victims now and so we have every right to retaliate!
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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does not believe that political opposition to capitalism can arise solely through an understanding of economics. For him, political and social repression, however manifested, is ultimately caused by ideology.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Žižek declares: “Ecology is the new opium of the masses, replacing religion.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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When we obey the Law, we do it as part of a desperate strategy to fight against our desire to transgress
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Žižek’s thesis, therefore, is that the super-ego, itself, is an obscene agency active within every subject.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Nevertheless, Žižek holds open the possibility of the subject recognizing their own fictional status within reality. This is the ultimate purpose of treatment in psychoanalysis.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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psychoanalysis is the exact opposite of subjectivist solipsism
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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focuses upon how and in what ways the product renders one’s life meaningful.
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Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
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Zizek's thesis is that 'an epistemological shift in the subject's point of view always reflects an ontological shift in the object itself.' I believe that Graham Harman is correct to assert that this is most likely the core contribution to philosophy for which Slavoj will be remembered.
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Bradley Kaye
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...the only way to keep a classical work alive, is to treat it as 'open' pointing towards the future, or, to use the metaphor evoked by Walter Benjamin, to act as if the classical work is a film for which the appropriate chemical liquids to develop it was invented only later, so that it is only today that we can get the full picture.
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Žižek, Slavoj
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The contemporary era constantly proclaims itself as post-ideological, but this denial of ideology only provides the ultimate proof that we are more than ever embedded in ideology. Ideology is always a field of struggle - among other things, the struggle for appropriating past traditions.
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Slavoj Žižek (First as Tragedy, Then as Farce)
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However, in giving up the idea of transcendence, Foucault also gives up the hope of ever uncovering the roots of power. This is why Joan Copjec sees Foucault’s refusal of transcendence as the fundamental stumbling block within his thought.
Foucault aims at conceiving how power arises, but his studies consistently stop short of arriving at this. Copjec claims, “despite the fact that [Foucault] realizes the necessity of conceiving the mode of a regime of power’s institution, he cannot avail himself of the means of doing so and thus, by default, ends up limiting that regime to the relations that obtain within it.” This limitation stems from his refusal of any notion of transcendence, “his disallowance of any reference to a principle or a subject that ‘transcends’ the regime of power he analyzes.” Without the moment of transcendence, one cannot grasp the regime of power in its incipience, and hence Foucault necessarily posits the regime of power as always already existing, which makes any attempt to counter it fundamentally impossible. The result of this rejection of transcendence is Foucault’s historicism—a mode of analysis that eschews the search for truth in favor of uncovering the presuppositions of regimes of truth, in favor of “pointing out on what kinds of assumptions, what kinds of familiar, unchallenged, unconsidered modes of thought the practices that we accept rest.” This type of uncovering of historical presuppositions is one of Foucault’s chief legacies today, and it indicates the extent to which any idea of transcendence has become an anathema.
In the wake of Foucault, contemporary cultural criticism has largely taken up this contextualizing mode. Today, the predominant response to any articulation of truth claims is a demand for the historicization of these claims: one must reveal the cultural context out of which they emerge. This has become the fundamental operation of contemporary cultural studies. In The Ticklish Subject, Slavoj Zizek describes this intellectual situation: “the basic feature of cultural studies is that they are no longer able or ready to confront religious, scientific or philosophical works in terms of their own inherent Truth, but reduce them to a product of historical circumstances, to an object of anthropologico-psychoanalytic interpretation.” This reduction of every truth claim to the circumstances of its enunciation represents the ultimate rejection of transcendence: nothing escapes the immanence of history itself. According to this prevailing historicism, no truth claim ever touches the Real; instead, the very pretension to truth is itself imaginary. The popularity of this kind of historicism today indicates the extent to which transcendence has become theoretically untenable. It also highlights the link between contemporary theory and the command to enjoy: the operations of both work to reduce what appears as transcendence to conditions of immanence.
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Todd McGowan (The End of Dissatisfaction: Jacques Lacan and the Emerging Society of Enjoyment (Psychoanalysis and Culture))
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(...) ni siquiera el ocio, el sexo o la amistad son espacios libres de obsesión por la medición y la productividad: hay que aprovechar el tiempo de relax y no hacerlo es una especie de inmoralidad, un desperdicio imperdonable que se paga con culpa y angustia. Ninguno de estos dominios, además, aparece como un espacio para la disrupción: el sexo es salud, dormir la siesta es salud, tener una pareja feliz es salud. ¿Y hay algo en la vida mejor que la salud? ¿Vos no querés ser más feliz de lo que sos? (...) Es el imperativo del goce del que habla el filósofo Slavoj Zizek, la idea de que ser feliz hoy tiene que ver más con la obligación que con el deseo. (...)¿Se puede querer otra cosa que ser cada vez más y más feliz?
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Tamara Tenenbaum (El fin del amor: querer y coger)
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The first step to freedom is not just to change reality to fit your dreams. It’s to change the way you dream.
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Slavoj Žižek
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Language generates lack. Lack in turn generates desire. While it is common to assume that desire is what is most “natural” about our lives, Lacan reveals the exact opposite, namely that desire is a product of culture—a function of the ways in which the signifiers of the social order cut into the child’s biological constitution. Indeed, a great deal has been made of the fact that, in Lacanian terms, desire emerges through the mortification and subordination of the body and its unmediated enjoyment. The signifier violates—mutilates and dismembers—the body as a “thing,” as a spontaneous nexus of drives that struggles for viability and fullness of being beyond the symbolic system into which it is inserted. As Slavoj Zizek explains: “Word is murder of a thing, not only in the elementary sense of implying its absence—by naming a thing, we treat it as absent, as dead, although it is still present—but above all in the sense of its radical dissection: the word ‘quarters’ the thing.” The signifier thus carves out the body in specific ways in order to give rise to a particular form of subjectivity and desire. It is in this
sense that the subject is vulnerable to what Lacan famously calls the “agency of the signifier.” The course of individuation initiated by the signifier may be necessary for the subject’s ability to orient itself in the world, but it simultaneously colonizes the presymbolic body in ways that evacuate the body of its enjoyment.
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Mari Ruti (A World of Fragile Things: Psychoanalysis and the Art of Living (Suny Psychoanalysis and Culture))
“
¿No ocurre lo mismo con la guerra? Lejos de dar comienzo a la guerra del siglo XXI, el ataque al World Trade Center en septiembre de 2001 fue más bien el último acto espectacular de la guerra del siglo XX. Lo que nos espera es algo mucho más siniestro: el espectro de una guerra «inmaterial» en la que los ataques son invisibles (virus, venenos, etcétera, que pueden estar en cualquier sitio y en ninguno). En el nivel de la realidad material visible, nada ocurre, no hay grandes explosiones, e igualmente el universo conocido comienza a colapsar y la vida se desintegra. Estamos entrando en una nueva era de guerra paranoide en la que la mayor tarea será la de identificar al enemigo y sus armas. Solo con esta completa «desmaterialización» es cuando la famosa tesis de Marx del Manifiesto comunista (que en el capitalismo «todo lo sólido se desvanece en el aire»), adquiere un sentido mucho más literal de lo que él pretendía. La tesis se cumple literalmente cuando nuestra realidad social material no está solo dominada por el movimiento especulativo o espectral del Capital, sino que ella misma se ve progresivamente «espectralizada» (el «Yo proteico» reemplaza al antiguo sujeto autoidéntico, la elusiva fluidez de sus experiencias reemplaza la estabilidad de los objetos que se poseen). En resumen, cuando la relación habitual entre los objetos materiales sólidos y las ideas fluidas se invierte (los objetos son
progresivamente disueltos en experiencias fluidas, mientras que las únicas cosas estables son obligaciones simbólicas virtuales), solo entonces se hace plenamente real lo que Derrida llamaba el aspecto espectral del capitalismo.
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Slavoj Žižek (Less Than Nothing: Hegel and the Shadow of Dialectical Materialism)
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Con Juan nos conocimos el año 2011 en Barcelona. Los dos estudiábamos guión, queríamos escribir películas, series, teleseries, algo que alguien viera en una pantalla. Habíamos crecido en los años noventa, con Los Venegas, las teleseries de Thalía, las series de animación japonesa de Chilevisión, el Chavo siendo expulsado de la vecindad.
Nuestros gustos no eran tan sofisticados como los de nuestros compañeros europeosm quienes sabían más sobre cine francés, habían visto la filmografía completa de Agnes Varda, comentaban libros de Slavoj Zizek, nombres que nosotros nunca antes habíamos escuchado-
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Macarena Araya Lira (Paisajes (No habrá muerte. Aquí terminará el cuento))