Zip Tie Quotes

We've searched our database for all the quotes and captions related to Zip Tie. Here they are! All 67 of them:

Kevlar wrist cuffs in place, smoke bombs in left cargo pocket, zip ties in the right, and my handy-dandy, military-grade, metal detector-defying, twin APS daggers snug in their sheaths and hidden inside my steel-toe Doc Martens. Nothing like a well-stocked pair of black cargoes to make me feel girly.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
Josie’s house was near the edge of town, next to the used car lot. When a person was done with a car, and they didn’t need to pawn it, they would park it in the used car lot, open the door, and run as fast they could for the fence, before the used car salesmen could catch them. No one ever came to buy one. The used car salesmen loped between the lines of cars, their hackles raised and their fur on end. They would stroke the hood of a Toyota Sienna, radiant with heat in the desert sun, or poke curiously at the bumper of a Volkswagen Golf, nearly dislodged by potholes and tied on with a few zip ties. The used car salesmen were fast and ravenous, and sometimes a person who meant only to leave their car would leave much more than that.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
He grasped a bag of zip ties from the shelf.
Elisabeth Naughton (Extreme Measures (Aegis, #1))
Good girl. Now, I’ll teach you to break free of zip ties.
Gigi Styx (I Will Break You (Pen Pals Duet, #1))
I zip-tied both ends and he kind of looks like one of those sausages we used to have when I was a wee lad. I’m hungry.
H.B. Elliott (Seven Graves (The Mortuary Misfits Series Book 1))
If we can push on each other to stand, you can try to break them.” “Break them? With the strength of my love for freedom?” She laughed. “Have you never been arrested before?” “Is that a serious question? I create investment algorithms. I’m usually in bed by nine. In what situation would I have been arrested and restrained with zip ties?” “Okay, so that’s a no I’m hearing.” “Have you?” he asked incredulously.
Christina Lauren (Something Wilder)
So, Like- always I am going too dragged myself out of my bed, brush my hair, brush my teeth.' 'Grab a bra out of my dresser and slide it up on me. Today it is an adorable baby pink one with black dots, and a little bow in the middle, so sweet- like me.' 'So anyway, I am going to clasp it in the back, as my long hair falls forward while doing it.' 'Then spin a white blouse through my arms and on top of my shoulders, I will fix my collar. Button everything it up, to a point; tie it up at the bottom so it is snug to my lower ribs. Then I slide a skirt up over my body, zip and button it in the front. I will use the bathroom one last time.' 'Fix my hair for the last time, while looking into my oval bathroom mirror, which is lit from both sides. That is where I do all my makeup. I like to use a nude shade of powder, pink blush on my cheeks, and a soft eyeshadow.
Marcel Ray Duriez
Instead of joining national organizations where membership means little more than sending a check once a year and receiving a membership card in the mail, we should join the organizations that make up our social fabric: community-based associations, clubs, congregations, etc. Similarly, rather than amassing followers and “connecting” with as many people as possible over social media, we should focus on strengthening social ties and building social capital where we live.
Seth D. Kaplan (Fragile Neighborhoods: Repairing American Society, One Zip Code at a Time)
One morning Profane woke up early, couldn't get back to sleep and decided on a whim to spend the day like a yo-yo, shuttling on the subway back and forth underneath 42nd Street, from Times Square to Grand Central and vice versa. He made his way to the washroom of Our Home, tripping over two empty mattresses on route. Cut himself shaving, had trouble extracting the blade and gashed a finger. He took a shower to get rid of the blood. The handles wouldn't turn. When he finally found a shower that worked, the water came out hot and cold in random patterns. He danced around, yowling and shivering, slipped on a bar of soap and nearly broke his neck. Drying off, he ripped a frayed towel in half, rendering it useless. He put on his skivvy shirt backwards, took ten minutes getting his fly zipped and another fifteen repairing a shoelace which had broken as he was tying it. All the rests of his morning songs were silent cuss words. It wasn't that he was tired or even notably uncoordinated. Only something that, being a schlemihl, he'd known for years: inanimate objects and he could not live in peace.
Thomas Pynchon (V.)
No choice. No coincidence. Pah! We take this train on purpose." Fabbio waved his long arms dismissively. "And what about htis bump in the road?" Fabbio looked out the window. "I see no bump." Pumpkin let out a loud sigh. "'Bump in the road' is an expression." He was wearing a toga he'd found in an abandoned suitcase, tied with a curtain tie. He flounced one tassel around dramatically as he talked, smiling haughtily at Kitty from the corner of his eye. "It doesn't mean a real bump. It means-" Bump "Meay!" Somber Kitty, hissing, bounced against one of the closed windows, then landed on all fours. Pumpkin flew across the table under a cascade of dards; Beatrice and May hurtled off their bench onto the ground; Fabbio tumbled flat against the wall behind him. Scccccccccccccccrrrrrrrrrrrrrrcccccccccccccccchhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh! The train came to a dead halt. A bone-chilling stillness followed. The Bogey. Pumpkin whimpered and zipped under the table. Somber Kitty positioned himself between May and the rear car door. And they all readied themselves for whatever might come through it.
Jodi Lynn Anderson
She lay on her back with arms extended over her head and legs slightly spread. Cuchillo zip-tied her slender wrists and ankles to each corner of the long metal exam table and stuffed a washrag in her mouth to prevent her from crying out… Only her rapidly-moving eyes betrayed her distress, they darted from her captors to the wiry man tied to the wall…The interrogator stood close to the table, carelessly wielding a lovingly sharpened straight razor and licking his lips, while he ogled the helpless girl. Tuco felt his stomach turn when Cuchillo ran his dirty hand up the inside of her smooth leg and under the hem of her short dress.
Anson Scott (Borderland)
locals rigged their ground tackle differently, attaching the chain—known as the rode—to the end by the flukes, opposite of the standard attachment point. The rode was then routed back to the top and held in place by zip ties. A
Steven Becker (Storm Gods: A Fast Paced International Thriller (Storm Thriller Series Book 5))
In five minutes, she had changed into her mother's dress and packed the other suitcase. She snapped a brown belt around her waist and tied her hair back to mimic her mother's updo. She crept to the kitchen and located her mother's purse, where she felt inside the zip pocket for lipstick and her mother's grocery money -- two hundred dollars. She dumped everything from her mother's purse except the money and the lipstick and hooked it on her arm. After packing her things, she took the diaper box and her suitcase to the truck. She lifted Bea from her crib and whispered, 'We're going to be okay.
Brandi Bradley (Mothers of the Missing Mermaid)
Algorithms are the digital equivalents of zip ties.
Kurt Seapoint
A ball gag, a bag of zip ties, and a paddle that says SLUT across it. A choker that reads whore.
Shantel Tessier (The Sinner (L.O.R.D.S. #2))
opportunity Derrick had been waiting for. With their captors distracted, Derrick lifted his arms behind himself, then slammed his forearms against his hips. It hurt like a mother to have the zip ties cut into his wrists, but after three swift hits, the zip ties snapped apart.
Christine Kersey (Insurrection (Pandemic #4))
Audrey slapped a piece of duct tape over his lips. He growled and lunged at her, but his arms didn’t move. She’d zip-tied him to his chair. He’d been had. She’d tricked him like he was a sucker. Like he was a child. The moment he got free, she would regret it. He would make her deeply regret it.
Ilona Andrews (Fate's Edge (The Edge, #3))
In what other ways did they kill people?” I asked Ephraim, who did not hesitate to tell me that in addition to people being burned and tortured with axes and knives, there were people who were strangled with zip ties. "A very primitive and easy method. There were burnt people who were also tied up, strangled and choked with barbwire. Apparently, they wanted to take them captive and failed, so they just burned them," he revealed.
Alon Pentzel (Testimonies Without Boundaries: Israel: October 7th 2023 (Multiple Languages))
With a pair of scissors in my pocket, a bottle of rum in my hand, and Martina, we walked towards Plaza Trippy to go to the alley behind it called Carrer de la Rosa. Martina didn't know what this was all about; I tried to make it a surprise. At the gate, I asked Martina to hold the scissors until I climbed up the wall of the building and cut off the sign. I never had the chance to tell her that I used to do indoor climbing. Just like Adam. It was so dusty and rusty, abandoned and old, that I got dirty. The sign was quite new, or at least it looked new, but it was dustier than I had thought - it must have been up there for years. I cut the zip ties on the four corners, holding the sign to the old metal railings and then I jumped down from the wall to jump into Martina's arms in the tight alley. We were laughing. We went up and left, and up and right a few blocks until we crossed Ferran Street, I think, and finally, I thought we were safe: let's take a picture of the sign and get rid of it. I didn’t want anyone to see us in front of the place or on the busy Carrer Escudellers taking a picture of the 'For Sale' sign. Only Martina knew that we were going to have a club and that it would be right there. I gave my iPhone to Martina to take a picture of me holding the sign. I was so happy. I had my new girlfriend, suddenly from the sky, and she seemed to be “The One”. Celestial. I was wearing my beige suede Adidas shoes with white sole which Sabrina had surprised me with a year earlier on my birthday, my dark green Globe pants, and my black Breach jacket, a black hoodie, smiling ear to ear while holding a dirty sign in front of a store's closed metal shutter decorated with graffiti. After throwing out the sign in the trash can with Martina, I sent Adam the picture. He replied late at night: „:DDDDDDDDDDDDDDDDDDDDDD” Finally, it took a year to make Adam happy, even though Sabrina wouldn't let me make her happy. I got the place to make 'Aso Golan', the only place it could ever take place; to be one of the largest coffeeshops in Barcelona. I knew it would take another year to quickly fix up the place and pass the inspection before we could open it. I knew that in few years, we would be rich, looking back to the day I made my first order at the Sagrada Familia. Or the night we took off the FOR SALE sign with Martina.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Oatmeal Face, Jawless, and the other revenants dragged me out of the van by the zip tie between my hands. The sharp plastic bit painfully into my wrists. "All right, all right, I'm coming," I said. "Keep your faces on." There was no reaction from any of them. Humor was wasted on the dead.
Nicholas Kaufmann (Die and Stay Dead (Trent, #2))
He felt a bit like Val handing over his MP5, three pistols, several knives, and all his mags and zip ties.
Elaine Levine (War Bringer (Red Team #6))
Sinclair unzipped the pouch and Reacher smelled copier paper still hot from the printer. There had been a flurry of phone calls, he guessed, and then a high-speed digital transmission incoming from somewhere, either Personnel Command back home, or Stuttgart maybe, directly into the Hamburg consulate, where a high-speed machine had done fast work, and where the young attaché in the Brooks Brothers tie had caught the tumbling pages and butted them together and zipped them up and grabbed a cab. The National Security Council. Even faster than the army press room. The
Lee Child (Night School (Jack Reacher, #21))
I don’t guess you can outrun an explosion, right?” Sam asked doubtfully. Jack rolled his eyes and sighed his condescending geek sigh. “Seriously? Brianna runs in miles per hour. Explosions happen in feet per second. Don’t believe what you see in movies.” “Yeah, Sam,” Dekka said. “In the old days I always had Astrid around to humiliate me when I asked a stupid question,” Sam said. “It’s good to have Jack to take over that job.” He’d said it lightheartedly, but the mention of Astrid left an awkward hole in the conversation. Brianna said, “I can’t outrun an explosion, but I’ll tie the string around the wire.” She zipped over to the wire and zipped back holding the loose end. “Who gets to yank the string?” “She who ties the string pulls it,” Sam said. “But first—” BOOOOM! The containers, the sand, pieces of driftwood, bushes on the bluff all erupted in a fireball. Sam felt a blast of heat on his face. His ears rang. His eyes scrunched on sand. Debris seemed to take a long time to fall back down to earth. In the eventual silence Sam said, “I was going to say first we should all lie flat so we didn’t get blown up. But I guess that was good, too, Breeze.
Michael Grant (Fear (Gone, #5))
Ugh, I’d tried to flirt with Ed with a big, fat Band-Aid on my forehead.  I probably looked like the Alaskan Bush version of Frankenstein, except, of course, Alaskan Frankenstein would have been put together with duct tape and zip ties.  Maybe I should have directed Ed to my duct tape drawer.
Shaye Marlow (Two Captains, One Chair (Alaskan Romance #2))
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
In dying, she allayed my greatest fear -- of death. Dying joined shoe tying and coat zipping and bed making on the long list of acts Mom demonstrated for her children, so that we could someday do it for ourselves.
Steve Rushin (Sting-Ray Afternoons)
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
From the top of my head to the soles of my feet, I'm wearing black: knit watch cap, a long-sleeved wool pullover on top of a polypropylene undershirt, tough black Cordura nylon cargo pants and high-top black cross-trainers. It's all very ninja. Over all that, I've got a Kevlar-lined tactical vest with six magazines of nine-millimeter frangible ammunition. The magazines are for the suppressed Uzi submachine gun slung over my back. I've also got a black tactical belt rig around my waist, suppressed Ruger .22 automatic riding low on one hip, with two spare mags and a combat knife balancing the load on the other side. I've got a short-range secure radio set clipped to my back, the wire running up to a headset tucked around my ear, throat mic hanging loose at the moment. One frag grenade and two flash-bangs round out my arsenal. I've got a small LED flashlight, a multi-tool, a couple of plastic zip-tie restraints, and that's it. I like to keep my loadout light so I'm quick on my feet; I've seen too many guys bite it because they were turtled by their combat gear. I feel like a G.I. Joe commando. Hell, all I need is a code-name.
Jack Badelaire (Killer Instincts)
Hey Sam, can I tell you something?” I whisper. I lift my face and press my chin into his chest so I can look toward his face in the dark. “You can tell me anything.” He kisses my forehead. “I think I might be falling in love with you.” His breath stalls. “Are you okay?” I ask. “Yeah…” “Then what’s wrong?” “Nothing.” He shifts under me a little, like he’s suddenly restless. Then he blurts out, “Are you sure?” He rolls me over onto my back so he can hover over me. I nod. He groans and presses his face into my neck. “You have no idea how long I’ve waited to hear that.” “Do you think you might love me too? Someday? Maybe not even now. But someday?” My voice quivers. “Do you realize that you haven’t even stuttered a single time since we’ve been talking tonight?” he says out of the blue. I sit up. “What?” Of course I stuttered. I always stutter. “Not once. Not a single time tonight. That’s just about as important to me as your telling me you love me.” “Why?” “Because it means you’re comfortable with me. You trust me. Or at least that’s what I tell myself.” He waits a second. “Am I wrong?” He’s right. I haven’t stammered even once. But suddenly I’m tongue-tied. “I-I don’t know what to say.” He pulls me back down to him. “Don’t say anything.” He grabs my thigh and pulls my leg across his hips. I nestle into the crook of his shoulder. His hand slides up and down my thigh and then disappears beneath the edge of my panties. “Sam,” I warn. He laughs. “Can’t blame a guy for trying.” As I close my eyes, I realize he never really did say he loves me back.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
How are things going with Sam? Fine. Fine? He grins. Heat creeps up my cheeks. Fine. I want to ask him so many questions about Sam. He’s pretty taken with you. Taken? What does that even mean? Absorbed. Entranced by. He really, really likes you. How do you know? He snorts. Because you got him all tongue-tied all the time. He doesn’t know up from down. Left from right. Top from bottom. That boy is taken. He lifts a hand and chucks my shoulder. But then he gets really serious. Honestly, I’ve never seen him with anyone the way he is with you. What do you mean? He avoids my eyes. He used to be a little bit of a horn dog. But he dropped all that the moment he met you. He’s different. It’s like you fill him with possibility. I lay a hand on my chest. That’s not me. That’s just him. He is one big possibility, all by himself. You see him as more than he is. That’s why you’re good for him. He’s a professional football player. Seriously? He’s the shit. He knows he’s the shit. He’s a man. And he has the same insecurities as the rest of us. His hands stop moving for a minute. They’re almost hesitant when they start back up. It hasn’t been easy for us. We had a mom who was awesome. And a dad who wasn’t. But even with all we were lacking, we had each other. That was never in doubt. So, where’s the problem? The problem is that we had no example of love. We had no idea what to look for. Then we found it and BAM! He smacks his palm against his forehead. Hits you like a ton of bricks. No ton of bricks has hit Sam yet. I told him I love him and he didn’t reciprocate. Logan winces before he speaks, and I brace myself for what’s coming. If you don’t feel the same way he does, just tell him. Don’t lead him on. And don’t hurt him. He’s more invested than you think. Emily
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
For some reason, her words snapped the zip-tie that had been holding his secret. She'd just given him permission to be flawed.
Tammy L. Gray (My Hope Next Door)
Now, Tom had seemed like a decent guy when we watched him during track practice, and seeing that sign on the bulletin board had given us a clue that he had a good heart, too. But it was almost as if he knew we needed more convincing. And by the time we lost him—just a few streets away from our block—we were positive he couldn’t be the same guy who had robbed Speedy Jack’s. In fact, he turned out to be the nicest, most polite, most civic-minded boy I’ve ever seen. Here’s what we saw him do: He spotted a dog wandering into the road and stopped to coax it onto the sidewalk. He helped a little old lady across the street (really!), holding his hand up to stop traffic for her. He hopped off his skateboard and bent down to tie a child’s shoe. The mother (whose arms were full of groceries) looked like she wanted to hug him. He gave directions to a motorist, nodding politely at all her questions. He picked up litter from the sidewalk and threw it into a trash can. He stopped to admire a baby in its carriage. It was while he was cooing over the baby that Sunny gave me a disgusted look. “Are we wasting our time, or what?” she asked. I giggled. “Somehow I find it hard to believe he could swat a fly, much less hold up a store.” When Tom finished with the baby, he straightened up, stepped back onto his skateboard, and zipped around a corner. We let him go. Sunny sighed. “He’ll make some girl a fine husband one day,” she said, with a straight face. Then we cracked up. We were still laughing about it a half hour later, when Jill and Maggie showed up at Sunny’s for our party-planning session. We told them all about “Saint Tom,” as we’d begun to call him.
Ann M. Martin (Dawn and the Halloween Mystery (Baby-Sitters Club Mystery, #17))
He didn’t know how he got in the box.  Everything was foggy and numb like the bad end of a heavy dose.  He tried to blink himself clear, but couldn’t focus his mind.  This wasn’t heroin. He knew the difference.  His throat folded over on itself as he tried to swallow. When was the last time he drank something? When was the last time he remembered doing anything? And why the hell was he in a box? His hands were bound and he could feel the roughly cut end of a zip-tie digging into the skin on his leg where his wrists had been resting.  It felt like wood under his fingernails in the dark and he could feel the corners around him — he was hunched over, his knees to his chest. There were air holes the size of his fingers drilled through the plywood. He remembered the feeling of the layers from that time he’d been made to help his dad build that bookcase that fit in the nook under the stairs.  Mum had wanted to have one made, but dad had said it was way too expensive, and that he would build one — with Ollie’s help.  Why the hell was he in this box?  His arm was itching, the track marks enraged and fresh.  Ollie kicked out, his bare heels catching splinters as he thumped against the sides, listening to the noise ring in the room around him. He couldn’t see anything, couldn’t hear anything except his own heart in his ears. He could smell fresh sawdust, damp earth, something sharp and synthetic, like bleach, and his own breath, hot against his cheeks as he pressed his eye to the hole above him. He tried to calm himself, replaying the last things he remembered over and over in his head. It was all fog. There were streets, people he knew but whose faces he couldn’t see, then there was someone he didn’t recognise, someone alien to him, and then nothing.  His fingers traced the seams, looking for a gap. There wasn’t one.  Tears burned hot on his face, his eyes stinging in the dust.  He kept searching, the rough skin under his chewed nails discovering the hard protrusion of an angled nail. The tip was sticking out through the wood on his right side — hammered through the lid at an odd angle. God, how couldn’t he remember being nailed inside a damn coffin?  He pulled at it, hands still bound, and felt his fingernails pull back.  He wept more, digging into the wood around it, focused solely on it. The only weak point in the box. His only chance. There was no one else around and he had to escape. That was all he knew.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
respect for this, people don’t have respect for that. No manners these days.  She watched as the steam shot out of the spout and Cake lifted it gently off the heat, pouring the dark liquid into a cup that read Sweat is just your fat crying. She smiled a little and took it.  ‘You know,’ he said, ‘no pressure or anything, but there’s an open competition coming up and—’ Her phone started buzzing in her rucksack on the chair just inside the door, cutting him off. She put her coffee down, a little glad they didn’t have to have this conversation again. ‘Hold that thought,’ she said, unzipping it and fishing around under the hydration bladder. She pulled it out, held up a finger to signify that she’d just be a minute, and then took the call, stepping back into the gym. Behind her, Cake slurped on his coffee. ‘Roper,’ she said, lifting it to her ear, drawing in a lungful of stale sweat. ‘What is it?’ ‘Got a body,’ he said bluntly, the heavy night of drinking apparent in his gruff voice. No doubt he’d been woken up by a call from DCI Smith a few minutes before. He was grunting like he was trying to pull on a pair of trousers. ‘Washed up in the Lea this morning. Fresh one. Hour or two in the water at the most, supposedly.’ She pressed her lips together, rolling it over in her mind. ‘A body? Bit above our pay grade, isn’t it?’ Roper grumbled. He’d been a detective for years, but a few bad cases had him working larceny and assaults mostly. A body was usually reserved for the more senior investigators. ‘Maybe we’re moving up. Maybe it’s because Henley’s finally come to his senses and seen that we’re shining examples of what detectives should be in this goddamn city.’ ‘What’s the real reason?’ He sighed and she could almost smell the beer and whiskey on his breath. ‘It’s a homeless kid. Arms all tracked out. Drowned by the look of it.’ ‘So why’s this being kicked up to us and not being logged as accidental or—’ ‘Kid’s hands were zip-tied together and his fingernails have been ripped off.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
She sighed and sniffed the air. The smell of dirty water hung thickly in it. They were supposed to be running a clean-up initiative. Whether they had and failed, or they’d succeeded and it had grown filthy again she wasn’t sure. Either way, she wasn’t fancying a swim.  ‘Johansson,’ Roper called from the tent, beckoning her over, the report from the uniformed officer already in his hand. ‘Come on.’ She approached and he held the edge of the door-flap open for her so she could pass inside. It was eight feet by eight feet, and the translucent material made everything bright with daylight.  The kid in front of them could have been no more than eighteen or nineteen. He was skinny and had thick curly brown hair. His skin was blued from the cold and had the distinctly greyish look of someone who did more drugs than ate food. He was lying on his back on the bank, eyes closed, hands bound together on his stomach. His clothes were enough to tell them that he was homeless. It was charity shop mix and match. A pair of jeans that were two sizes too big, tied tight around pronounced hip bones with a shoelace. He was wearing a t-shirt with the cookie monster on it that looked as old as he was. But that was it. He had no jacket despite the time of year and no socks or shoes.  Jamie crouched down, pulling a pair of latex gloves from her jacket pocket. She had a box of them in the car. ‘We got an ID?’ she asked, not looking up. She knew Roper wouldn’t get down next to her. He didn’t have the stamina for it for one, and with his hangover the smell would make him puke.  He’d leave the close inspection to her.  ‘Uh, yeah. He matches the description of a missing person’s — Oliver Hammond. Eighteen years old. No positive ID yet though. No picture on file.’ ‘Eighteen,’ Jamie mumbled, looking over him more closely. ‘Jesus.’ ‘Yup.’ Roper sighed. ‘Probably scored, got high, took a little stroll, fell in the river… And here we are.’ ‘Did he zip-tie his hands together before or after shooting up?’ She side-eyed him as he scrolled through something on his phone. She hoped it was the missing person’s report, but thought it was more likely to be one of the daily news items his phone prepared for him. ‘I’m just testing you,’ he said absently. ‘What else d’you see?’ Jamie pursed her lips. No one seemed to care when homeless people turned up dead. There’d been eight this month alone in the city — two of which had been floaters like this. She’d checked it out waiting at some traffic lights. There were more than a hundred and forty homeless missing persons reported in the last six months in London. Most cases were never closed. She grimaced at the thought and went back to her inspection. Oliver’s wrists were rubbed raw from the zip-tie, but that looked self-inflicted. She craned her neck to see his arms. His elbows were grazed and rubbed raw, and the insides were tracked out, like Roper had said. He wasn’t new to the needle. She didn’t need to check his ankles and toes to know that they’d be the same.  She lingered on his fingers, honing in on the ones with missing nails.  ‘Ripped out,’ Roper said, watching as she lifted and straightened his fingers, careful not to disturb anything before the SOCOs showed up to take their photographs. In a perfect world the body would have stayed in situ in the water, but these things couldn’t be helped.  She inspected the middle and the index fingers on the right hand — the nails were completely gone. ‘Torture,’ Roper added to the silence. ‘Probably over the heroin. You know, where’s my money?
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Just as they were reaching the wall of the building, Justin spoke urgently. “Hostiles on roof!” But it was too late!! Two figures had thrown off their protective heat shields and jumped from the roof of the building onto the backs of the CIA agents. Trey fought hard. His attacker was standing behind him with his hand around the agent’s throat. Stone elbowed his attacker in the face and bit hard on his hand. Howling, his assailant let go of Trey’s esophagus, but punched him in the kidney and slammed his foot into Trey’s groin. He unleashed a flurry of punches into the back of the agent’s head, knocking him to the ground. In a flash the hostile had zip-tied Trey’s ankles and wrists.
Conrad Brasso (Hunting the Midnight Shark)
Now, Stone was seething. Almost uncontrollable feelings surged through his body. He imagined himself ripping off the ambassador’s ears and arms. He squirmed – straining at his zip ties. His breathing was labored. His wrists and ankles were bleeding as the ties cut through his flesh to his bones.
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Here’s a zip tie!” my father says, pulling one out of his pocket. Some families carry tissues and gum. We carry restraints.
Sarina Bowen (Moonlighter (The Company, #1))
label maker plus extra cartridge tape and batteries pad of lined paper, pad of graph paper pens, pencils, felt-tip pens, Sharpies®, and highlighters office necessities like a stapler, tape, paper clips, scissors, labels, calculator, sticky notes, etc. box cutter, letter opener zip ties, cable ties, or cable clips tape measure and small tools (hammer, screw driver, level) assortment of nails and picture-hanging supplies Moving
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
I kneeled about eight feet from the scene and photographed, shocked by what I was witnessing. What happened to “liberating the Iraqis”? I was waiting for one of the soldiers to step in and stop the madness when I noticed an old woman in an abaya in the right corner of my frame. She was about sixty years old. She raised a propane tank over her head and smashed it on a crouching soldier’s neck. I kept shooting. No one even noticed me. The Americans didn’t understand the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
The Americans didn’t understand the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
Mmmhmm, you don't even like your little sister and brother—" "Well… that's true, but I do love them. And someday, when they aren't four-year-old aliens, I may even come to like them. So what do you say? Please… please… please?" "Okay, okay… we'll go to Grampa's workshop tomorrow, and we'll open the box there." Patti clapped her hands. "Sweet! And I promise, Carly, not even if someone ties me up and tortures me by eating all of my fave desserts in front of me, I - will - not – crack." She zipped her lips and threw away the key.
Glynnis Rogero (MIDDLE SCHOOL: YOUNGTIMER: ADVENTURES IN TIME SERIES - BOOK 1 (Middle School Books Girls, Middle Grade Books Girls, Adventure Books Girls, Time Travel Books, Friendship Books, Fun Books, Funny Books)
According to my instructions, I’m supposed to laugh at you now.” “Go ahead?” The voice managed a kind of embarrassed chuckle. More soft tapping sounds, but the voice spoke again before they finished. “I won’t give you my identity. It’s not important. Know that I am an interested party, and I want you to begin booking your travel back home. You have no particular skills. You know this. You’re a fairly standard teenage boy. You have no use but to be used.” “I know it’s fun to be cryptic, but that last thing made zero sense.” I wanted the voice to keep talking, because as I wiggled my hands, I realized the zip tie wasn’t as tight as it needed to be. “Think of yourself as a package. It’s Christmas, so picture a nicely wrapped present. Charlotte carries it around. It’s heavy in her arms, but it’s pleasing to look at it. Maybe the package talks. It’s witty. It’s flattering. It makes her feel special, and she likes that feeling. And one day Charlotte leaves it somewhere in public, and poof, it is taken from her. Charlotte is sad. Then furious. Charlotte will do anything to get her present back. Horrible things. Things that will end in her death, or imprisonment. We don’t want Charlotte to do these things.” “So in this weird children’s story you’re telling me, I’m a talking package.” I’d put my wrists between my knees, and slowly, slowly, I worked one curled hand out of its binding. “That’s a pretty stupid extended metaphor. Did you fail English class? You were more of a math person, weren’t you?
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
I grab the zip tie I dropped and cross her wrists, securing them tight enough to pinch her skin. I want her to suffer tonight in the best way. I want her to have marks once I’m done with her.
Shantel Tessier (Sabotage)
I looked down at my wrists, remembering the feel of zip ties digging into them. I remembered being stalked, hunted, trapped. I remembered Locke’s knife. I remembered fighting—lying, manipulating, struggling, running, hiding, fighting. I was my mother’s daughter.
Jennifer Lynn Barnes (All In (The Naturals, #3))
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Sam Sisavath (The Bones of Valhalla (Purge of Babylon, #9))
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