Ziegfeld Girl Quotes

She smiled as sweetly as a show poster for the glorified, all-American Ziegfeld girl just before dumping her second cigarette into Wally’s fresh cup of coffee.

Mr. DuBois, you are a rehearsal accompanist. I do not pay you for your musical interpretation.' The impresario marched down the aisle and stood in the middle like the commander of a mutinying ship. 'No, Mr. Ziegfeld. I'm not. I'm a songwriter. My songs are a damn sight better than this garbage.' One of the midwestern chorus girls gasped. 'Forgive my language,' Henry added.

Besides having baseball and success in common they also had Claire Merritt Hodgson, a Georgia native and a Ziegfeld Follies girl who was Ruth’s second wife. In her autobiography, The Babe and I, Mrs. Ruth said she had known Cobb “very well” as a teenager back in Athens, before he married Charlie, and for what it may be worth, Al Stump, in his second book on Cobb, suggests they were young lovers.

She had seen the faces of shattered dreams, the zippy Ziegfeld girls, the doll-faced divorcées, the wellborn wives in opulent ivory towers, knocked down and knocked right out.

She had seen the faces of shattered dreams, the zippy Ziegfeld girls, the doll-faced divorcées, the wellborn wives in opulent ivory towers, knocked down and knocked right out.

The Rockettes have been around for ages, starting back in the 1920s when Russell had the idea of doing a Ziegfeld Follies–style show featuring sixteen girls. It became a smash hit, traveling all around the country.” Bunny spoke quickly as the elevator rose. “Eventually, the impresario S. L. Rothafel, a.k.a. Roxy, brought the troupe to his Roxy Theatre in New York and changed the name to the Roxyettes.” “That’s a mouthful.

She won an amateur night at Keeney’s Theater in Brooklyn, singing When You Know You’re Not Forgotten by the Girl You Can’t Forget. Her prize was $10, and she gathered $23 in coins from the floor of the stage. She worked for George M. Cohan but was fired when Cohan learned that she couldn’t dance. After singing with a road show, she appeared in New York musical revues. A struggling young songwriter, Irving Berlin, gave her a musical piece called Sadie Salome and suggested she sing it in Yiddish dialect at the Columbia Burlesque House, where she was working. In the audience that night was Florenz Ziegfeld, whose Follies were at the pinnacle of Broadway entertainment.