Zeiss Quotes

We've searched our database for all the quotes and captions related to Zeiss. Here they are! All 8 of them:

The forty-hour week is there for a reason; it gets the best work from people. The first four hours of work are the most productive and, as the day wears on, everyone becomes less alert, less focused, and prone to more mistakes. In 1908, the first known study by Ernst Abbe,5 one of the founders of the Zeiss lens laboratory, concluded that reducing the working day from nine to eight hours actually increased output. Henry Ford, who studied productivity issues obsessively, reached the same conclusion and infuriated his manufacturing colleagues when, in 1926, he had the audacity to introduce a forty-hour work week. Subsequent studies by Foster Wheeler (1968), Procter & Gamble (1980), members of the construction industry, and many, many more show that, as the days get longer, productivity declines. No study has ever convincingly argued otherwise.6
Margaret Heffernan (Willful Blindness: Why We Ignore the Obvious at Our Peril)
Along with food, Roosevelt considered the finer points of bullets, colored glasses, Zeiss lenses, iron pans, enameled tableware, cameras, and “flashlights.”32 When considering
Michael R. Canfield (Theodore Roosevelt in the Field)
Ultimately, Zeiss created mirrors that were the smoothest objects ever made, with impurities that were almost imperceptibly small. If the mirrors in an EUV system were scaled to the size of Germany, the company said, their biggest irregularities would be a tenth of a millimeter. To direct EUV light with precision, they must be held perfectly still, requiring mechanics and sensors so exact that Zeiss boasted they could be used to aim a laser to hit a golf ball as far away as the moon.
Chris Miller (Chip War: The Fight for the World's Most Critical Technology)
Bad things happen, they are part of life, but you should always try to ward off anger and despair. Don’t let those emotions into your heart or they’ll destroy your ability to see beauty and good. You will forget what really counts and the things you should be grateful for.’ ‘Like
Ella Zeiss (On the Wings of Hope)
Before leaving Hammersmith, Dekker and Simpson had discussed what type of bullet should be used. ‘It all depends,’ Dekker had said, ‘on whether you want me to stop this guy dead, literally, or just stop him. If I use a hollow-point or a dumdum bullet, at the ranges you’re talking about, a hit anywhere on the torso is going to kill him pretty much instantly.’ Simpson had shaken his head. ‘If we need him dead, you can put a bullet through his head, right? No, just use standard copper-jacketed rounds, and hopefully there’ll be enough left of him to talk to us afterwards.’ Dekker took five rounds out of the box and loaded the magazine, then pressed it into the slot in front of the trigger guard. The last item was the scope. The normal sight used on the AW rifle was from the Schmidt and Bender PMII range, but Dekker preferred something slightly different. He’d chosen a huge Zeiss telescopic sight that offered variable magnification, and incorporated a laser sighting attachment which would project a spot of red laser light directly onto the target, but he probably wouldn’t need to use that, not at this range.
James Barrington (Manhunt (Paul Richter, #6))
Pike did not move his eye from the sight picture. Cole, Ramos, Park. The Zeiss was fitted with a laser range finder displaying the range in tiny red numerals in the upper right quadrant of the sight picture. Elvis Cole was forty-two meters away. Overkill. Stone
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Pike got out of the car, took off the long-sleeved shirt, then went to the trunk. He looked through the things Ronnie had left. He drank half a bottle of Arrowhead water, then collected his SOG fighting knife, a pair of Zeiss binoculars, the little .25-caliber Beretta, and a box of hollowpoints for the .45. He wouldn’t need anything else.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
with her son, looking beside herself with fear and worry. ‘Would you look after Friedrich, please?’ ‘Of course!’ Anna bent down to the boy and took his hand. ‘You remember Tante Anna, don’t you, darling?’ Martha said to him encouragingly. ‘You can play with Rita and Erich while your mama is busy,’ Anna said. The boy nodded and cautiously let go of his mother. Anna couldn’t believe how small and skinny he was. The loaf of bread! she suddenly remembered. She hadn’t given it to Martha yet and the woman was far too timid to ask. ‘Take the children,’ she said to Maria. ‘I’ll be back in a moment.’ Then she turned back to Martha. ‘Come with me,’ she said, pulling Friedrich along too. ‘Here.’ She opened the rucksack with their provisions and handed her the loaf of bread. ‘You’d already gone to sleep yesterday and we didn’t want to wake you.’ ‘Thank you.’ Carefully Martha broke off a piece. ‘Please give the rest to Friedrich, OK?’ ‘Don’t worry, we won’t let him starve,’ Anna interrupted her. She broke off another chunk of bread and put it in Martha’s bag. ‘You’ll need all the strength you can get.’ The woman nodded bravely and joined the nearly fully assembled work gang. The middle aisle was empty, everyone was where they were supposed to be, and Anna hurried to her children. With a sinking heart she watched the work gang set off. Apart from the men, there were two boys who could be no older than sixteen or seventeen, as well as four women and a young girl holding on to her mother’s hand. Most of them weren’t dressed appropriately and Anna hoped very much that they would be given coats and boots before they were forced to work in the woods. The door was slammed behind them then and the Commander turned towards the women and children. Their names were called and they were asked to state their abilities and say how old their children were. ‘Anna Scholz,’ she said by way of introduction when it was her turn, ‘and these are my children, Erich and Yvonne.’ ‘Date of birth?’ ‘The 17th of September 1902,’ she said. ‘Erich was born on the 10th of January 1922, Yvo on the 5th of October
Ella Zeiss (In the Shadow of the Storm)