Rebecca Horn Quotes

Another challenge we face is describing something commonly thought of as ugly,imperfect or disgusting. Again, we’re likely to jump to conclusions. Rather than considering our subject firsthand and describing what we observe, we label it. Because we’ve already established, for instance, that slugs are disgusting, we go on to describe them as “slimy” creatures that leave “gooey trails.” Cliché upon cliché. But when we engage our all-accepting eye, when we look beyond surface prejudices and preconceptions into the actual nature of our subject, clichés disappear. In her poem “The Connoisseuse of Slugs,” Sharon Olds transforms her subject with descriptive phrases like “naked jelly of those gold bodies,/translucent strangers glistening among the/stones” and “glimmering umber horns/rising like telescopes.” Her description forces us to see an old subject in a new way. We no longer have to choose between ugliness and beauty; they have realigned themselves, each side illuminating the other. When we engage our all-accepting eye, we discover the flaw that makes surface beauty interesting as well as the arresting detail that redeems a seemingly ugly image. THE

2. The Ontological Argument Nothing greater than God can be conceived (this is stipulated as part of the definition of “God”). It is greater to exist than not to exist. If we conceive of God as not existing, then we can conceive of something greater than God (from 2). To conceive of God as not existing is not to conceive of God (from 1 and 3). It is inconceivable that God not exist (from 4). God exists. This argument, first articulated by Saint Anselm (1033–1109), the Archbishop of Canterbury, is unlike any other, proceeding purely on the conceptual level. Everyone agrees that the mere existence of a concept does not entail that there are examples of that concept; after all, we can know what a unicorn is and at the same time say, “Unicorns don’t exist.” The claim of The Ontological Argument is that the concept of God is the one exception to this generalization. The very concept of God, when defined correctly, entails that there is something that satisfies that concept. Although most people suspect that there is something wrong with this argument, it’s not so easy to figure out what it is. FLAW: It was Immanuel Kant who pinpointed the fallacy in The Ontological Argument—it is to treat “existence” as a property, like “being fat” or “having ten fingers.” The Ontological Argument relies on a bit of wordplay, assuming that “existence” is just another property, but logically it is completely different. If you really could treat “existence” as just part of the definition of the concept of God, then you could just as easily build it into the definition of any other concept. We could, with the wave of our verbal magic wand, define a trunicorn as “a horse that (a) has a single horn on its head, and (b) exists.” So, if you think about a trunicorn, you’re thinking about something that must, by definition, exist; therefore, trunicorns exist. This is clearly absurd: we could use this line of reasoning to prove that any figment of our imagination exists.

Standing at the end of the line is a small golden dragon. Sunlight reflects off its scales and horns as it stands to its full height, flicking a feathered tail around the side of its body. The feathertail.

Na’asho’ii dich’izhii means horned toad,

Alex closed his own eyes. Immediately sounds thickened in his ears: choppers, church bells, a distant drill. The usual confetti of horns and sirens. The tingle of track lighting overhead, a dishwasher slop, Cara-Ann's sleepy 'No ...' as Rebecca pulled on her sweater. They were about to go. Alex felt a spasm of dread, or something like it, at the thought of leaving this brunch with Bennie Salazar empty-handed. He opened his eyes. Bennie's were already open, his brown, tranquil gaze fixed on Alex's face. 'I think you hear what I hear, Alex,' he said. 'Am I right?'" (p. 310)