Zany Quotes

But you have to understand, mental illness is like cholesterol. There is is good kind and the bad. Without the good kind- less flavor to life. Van Gogh, Beethoven, Edgar Allen Poe, Sylvia Plath, Pink Floyd (the early Piper at the Gates of Dawn line up), scientific breakthroughs, spiritual revolution, utopian visions, zany nationalism that kills millions- wait, that’s the bad kind. Tim Dorsey (Hurricane Punch)

I love you sons of bitches. You’re all I read any more. You're the only ones who’ll talk all about the really terrific changes going on, the only ones crazy enough to know that life is a space voyage, and not a short one, either, but one that’ll last for billions of years. You’re the only ones with guts enough to really care about the future, who really notice what machines do to us, what wars do to us, what cities do to us, what big, simple ideas do to us, what tremendous misunderstanding, mistakes, accidents, catastrophes do to us. You're the only ones zany enough to agonize over time and distance without limit, over mysteries that will never die, over the fact that we are right now determining whether the space voyage for the next billion years or so is going to be Heaven or Hell.

My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing." "You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me. "I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said. "Fuck the TV. Leave the TV. Cut your ties." "It's a fifteen-hundred-dollar TV," I insisted. "Go get that fucking TV.

Z is for Zany! Master the Zany habit of thinking backwards. it will help you become a really great thinker!

The world is full of zanies and fools, who don't believe in sensible rules, and won't believe what sensible people say. And because such daft and dewy-eyed dopes keep building up impossible hopes, impossible things are happening every day.

Hundreds of words await ostracism from our functional vocabularies: waltz and fizz and squeeze and booze and frozen pizza pie, frizzy and fuzzy and dizzy and duzzy, the visualization of emphyzeema-zapped Tarzans, wheezing and sneezing, holding glazed and anodized bazookas, seized by all the bizarrities of this zany zone we call home. Dazed or zombified citizens who recognize hazardous organizations of zealots in their hazy midst, too late - too late to size down. Immobilized we iz. Minimalized. Paralyzed. Zip Zap. ZZZZZZZZZ. Crazy. Crazy. Did I say crazy?

I knew books to be objects that loved to cluster and form disordered piles, but here books seemed robbed of their zany capacity to fall about, to conspire. In the library, books behaved themselves.

Mother Goose will show newcomers to this world how astonishing, beautiful, capricious, dancy, eccentric, funny, goluptious, haphazard, intertwingled, joyous, kindly, loving, melodious, naughty, outrageous, pomsidillious, querimonious, romantic, silly, tremendous, unexpected, vertiginous, wonderful, x-citing, yo-heave-ho-ish, and zany it is.

Among the words first found in Shakespeare are abstemious, antipathy, critical, frugal, dwindle, extract, horrid, vast, hereditary, critical, excellent, eventful, barefaced, assassination, lonely, leapfrog, indistinguishable, well-read, zany, and countless others (including countless).

We are the zanies of sorrow. We are clowns whose hearts are broken.

It’s not a real place, not a real thing. Mom made up the Gray Space, the place of anti-art, antifeeling, the cold dark place that felt like death. It was just her zany way of describing the place she went when she felt most depressed, when making music at all became impossible. It isn’t real.

TV families and your own are hard to tell apart, except your isn't interrupted every six minutes by commercials and theirs don't get bogged down into nothingness, a state where nothing happens, no skit, no zany visitors, no outburst on the laugh track, nothing at all but boredom and a lost feeling, especially when you get up in the morning and the moon is still shining and men are making noisy bets on the first tee.

For God has not given us a spirit of fear, but of power and of love and of a sound mind” (2 Timothy 1:7).

I’m not this unusual,” she said. “It’s just my hair.” She looked at Bobby and she looked at me, with an expression at once disdainful and imploring. She was forty, pregnant, and in love with two men at once. I think what she could not abide was the zaniness of her life. Like many of us, she had grown up expecting romance to bestow dignity and direction. “Be brave,” I told her. Bobby and I stood before her, confused and homeless and lacking a plan, beset by an aching but chaotic love that refused to focus in the conventional way. Traffic roared behind us. A truck honked its hydraulic horn, a monstrous, oceanic sound. Clare shook her head, not in denial but in exasperation. Because she could think of nothing else to do, she began walking again, more slowly, toward the row of trees.

Being normal isn't that miserable." "Try it for a thousand years in a row, and you'll be grateful for a little zaniness.

Try to read or send a love note everyday. Love is the most powerful force there is in this world and we're not tapping into its power as often as we should.

I realize my life here is much richer than I ever could have imagined. [Why one Canadian immigrant to Italy stays]

How do you know anything about me? You're not on social media." "Nah, people are strange enough in real life. I don't need to view their psychosis through a zany filter.

Laurent was fascinated by her reflections which followed on one from the other, random, touching, zany, sensual.

Love, in my experience,” began Clarence, “generally is a series of zany hijinks.

After about three billion years of this sometimes zany, frequently tedious fugue of carnality and carnage,

Emerging evidence suggests that dreams are often functional and highly attuned to our practical needs. You can think of them as a slightly zany flight simulator. They aid us in preparing for the future by simulating events that are still to come, pointing our attention to potentially real scenarios and even threats to be wary of. Although we still have much to learn about how dreams affect us, at the end of the day—or night, rather—they are simply stories in the mind.

I marvel your ladyship takes delight in such a barren rascal. I saw him put down the other day with an 80   ordinary fool that has no more brain than a stone. Look you now, he’s out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest I take these wise men, that crow so at these set kind of fools, no better than the fools’ zanies.

Stuyvesants and Vanderbilts and Roosevelts and staid, respectable Washington Square. Trinity Church. Mrs. Astor’s famous ballroom, the Four Hundred, snobby Ward McAllister, that traitor Edith Wharton, Delmonico’s. Zany Zelda and Scott in the Plaza fountain, the Algonquin Round Table, Dottie Parker and her razor tongue and pen, the Follies. Cholly Knickerbocker, 21, Lucky Strike dances at the Stork, El Morocco. The incomparable Hildegarde playing the Persian Room at the Plaza, Cary Grant kneeling at her feet in awe. Fifth Avenue: Henri Bendel, Bergdorf’s, Tiffany’s.

It would have diverted if ever seen the shuddersome spectacle of this semidemented zany amid the inspissated grime of his glaucous den making believe to read his usylessly unreadable Blue Book of Eccles, édition de ténèbres, (even yet sighs the Most Different, Dr. Poindejenk, authorised bowdler and censor,

In the olden days, there had been a breed of human known as "billionaire." To qualify, you had to have at least a billion cash bucks. One billion! But the real mind-boggler was that billionaires kept on being billionaires even when they knew there were people who had zero cash-bucks. What a zany place this world had been.

Incendiary That one small boy with a face like pallid cheese And burnt-out little eyes could make a blaze As brazen, fierce and huge, as red and gold And zany yellow as the one that spoiled Three thousand guineas' worth of property And crops at Godwin's Farm on Saturday Is frightening---as fact and metaphor: An ordinary match intended for The lighting of a pipe or kitchen fire Misused may set a whole menagerie Of flame-fanged tigers roaring hungrily. And frightening, too, that one small boy should set The sky on fire and choke the stars to heat Such skinny limbs and such a little heart Which would have been content with one warm kiss Had there been anyone to offer this.

When you write you can romp through infinity with just a piece of paper, a pencil, and your mind. The only thing that limits you is your imagination.

We're all just walking each other home.- Ram Dass Why do you prefer to crawl through life when you were given wings. - Rumi

It so doesn't matter who likes us , we like us.

She paused for laughter. None came. Evie sighed.

I love you sons of bitches,” Eliot said in Milford. “You’re all I read any more. You’re the only ones who’ll talk about the really terrific changes going on, the only ones crazy enough to know that life is a space voyage, and not a short one, either, but one that’ll last for billions of years. You’re the only ones with guts enough to really care about the future, who really notice what machines do to us, what wars do to us, what cities do to us, what big, simple ideas do to us, what tremendous misunderstandings, mistakes, accidents and catastrophes do to us. You’re the only ones zany enough to agonize over time and distances without limit, over mysteries that will never die, over the fact that we are right now determining whether the space voyage for the next billion years or so is going to be Heaven or Hell.

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising.

You and I, my dear reader, may drop into this condition one day: for have not many of our friends attained it? Our luck may fail: our powers forsake us: our place on the boards be taken by better and younger mimes—the chance of life roll away and leave us shattered and stranded. Then men will walk across the road when they meet you—or, worse still, hold you out a couple of fingers and patronize you in a pitying way—then you will know, as soon as your back is turned, that your friend begins with a "Poor devil, what imprudences he has committed, what chances that chap has thrown away!" Well, well—a carriage and three thousand a year is not the summit of the reward nor the end of God's judgment of men. If quacks prosper as often as they go to the wall—if zanies succeed and knaves arrive at fortune, and, vice versa, sharing ill luck and prosperity for all the world like the ablest and most honest amongst us—I say, brother, the gifts and pleasures of Vanity Fair cannot be held of any great account, and that it is probable . . . but we are wandering out of the domain of the story.

In the storyline, Judy’s father Melvyn owned the Foster Can Company. Her mother was a typical radio housewife. Her brother Randolph had a large vocabulary and a “supreme distaste for girls” (Radio Life). Oogie Pringle, Judy’s boyfriend, was a paragon of radio adolescents. Her friends were named Gloria, Mitzi, Eleanor, Stinky Edwards, and Jo-Jo Duran. The plots were almost interchangeable with others involving teenagers of either sex: less zany, certainly, than The Aldrich Family, about on a par with Corliss Archer, and perhaps more palatable than Archie Andrews.

Blasfemi Notojnë xhamiat dhe kishat nëpër kujtime tona, e lutjet pa kuptim e shije përplasen për muret e tyne dhe nga këto lutje zemra zotit ende s'iu thye, por vazhdoi të rrahi ndër lodra dhe kumbona. Xhamiat dhe kishat madhshtore ndër vende të mjerueme... Kumbonaret dhe minaret e nalta mbi shtëpia tona përdhecke... Zani i hoxhës dhe i priftit në një kangë të degjenerueme... 0 pikturë ideale, e vjetër një mijë vjeçe! Notojnë xhamiat dhe kishat nëpër kujtime të fetarve. Tingujt e kumbonës ngatrrohen me zanin e kasnecit, Shkëlqen shejtnia mbi zhguna dhe ndër mjekra të hoxhallarve 0, sa engjuj të bukur përpara derës së ferrit! Mbi kështjellat mijvjeçare qëndrojnë sorrat e smueme, krahët i kanë varë pa shpresë-simbojt e shpresave të humbune me klithma të dëshprueme bajnë fjalë mbi jetë të pëmdueme, kur kështjellat mijvjeçare si xhixha shkëlqejshin të lumtuna.

The menu at the Hug Deli included, among other items, the Warm and Fuzzy Hug, the Beverly Hills Air Kiss Hug, and the Gangsta Hug, with side orders of Pinch, Tickle, and Back Scratch. She ordered the Long Uncomfortable Hug, because she thought that was funny, thereby prompting a nut-brown Venice Beach-looking dude to hold on to her, earnestly pokerfaced, for a seeming eternity. "Are you uncomfortable yet?" "Fairly, yes." "Excellent. My work here is done." She laughed and mounted on her bike, pedalling away from the zany mirage as her gratuitous hugger shouted "Namaste" in her direction.

Steve Englehart’s latest idea for Doctor Strange was appropriately zany: Strange and his lover/apprentice Clea would be whisked back in time to explore “The Occult History of America,” an adventure that would put them in contact with notable Freemasons like Francis Bacon, George Washington, and Thomas Jefferson. Clea and Benjamin Franklin would have a torrid affair—cuckolding Strange—as they sailed from England to bear witness to the occult-influenced drafting of the Declaration of Independence. Finally, they’d return to the present, where the evil sorcerer Stygro was vampirically feeding off the energy of American patriotism. “It seemed like the thing to do for the bicentennial,” Englehart said.

Among the words first found in Shakespeare are abstemious, antipathy, critical, frugal, dwindle, extract, horrid, vast, hereditary, critical, excellent, eventful, barefaced, assassination, lonely, leapfrog, indistinguishable, well-read, zany, and countless others (including countless). Where would we be without them? He was particularly prolific, as David Crystal points out, when it came to attaching un prefixes to existing words to make new words that no one had thought of before—unmask, unhand, unlock, untie, unveil and no fewer than 309 others in a similar vein. Consider how helplessly prolix the alternatives to any of these terms are and you appreciate how much punch Shakespeare gave English. He

Of course, they say you can't steal first.  Detroit's Germany Schaefer did though. That zany character used to do his own announcing:  "Ladies and gentlemen!" he'd call out.  "Herman 'Germany' Schaefer now coming to bat for the Dee-troit Tagers.  That was the way he pronounced 'Tigers.'  Well, he was on first this day and Davy Jones on third in the ninth inning when they try to pull a double steal.  Nig Clarke, the catcher doesn't throw the ball, so on the next pitch Germany runs back to first.  He yells that he is gonna steal second again, and this time Nig tries to throw him out and Davy steals home with the winning run.  Craziest damned play you'll ever see.  They changed the rules after that.  Once you reach second, you can't run back and steal first.

And so I suppose now, my Fellow Reader, comes the moment I assume you've all been waiting for - the Magnum Opus of this merry tale of absurd and inflammatory nonsense in which our Holy Protagonist sets out for adventure to find himself and seek a moment of astounding enlightenment amid daring trials and tribulations and perils and dangers and gallant quests and encounters with fascinating people and enlightening conversations and unforgettable sights and upon return from this great and wild journey a new discovery of himself and the world around him and an opportunity for you Oh Holy Noble Reader to live vicariously through these incredible experiences and to dream of YOUR one day when YOU will have the courage to undertake such a journey yourself. So sit back and enjoy the ride because Costa Rica has been one zany insaney psychobrainy fuck of a holy trip.

They ended up in a amusement arcade on Old Compton Street, where Nora insisted Stephen join her on one of those dance-step machines, and as he stood next to her, stomping out a dance routine on the illuminated dance floor, he had a sudden anxiety that Nora might be one of those kooky, free-spirit types, the kind of irreverent life-force who, in the imaginary romantic comedy currently playing in his head, turns the hero’s narrow life upside down, etc., etc. The acid test for free-spirited kookiness is to show the subject a field of fresh snow; if they flop on their backs and make snow-angels, then the test is positive. In the absence of snow, Stephan resolved to keep an eye open for other tell-tale kookiness indicators: a propensity for wacky hats, zany mismatched socks, leaf-kicking, a disproportionate enthusiasm for karaoke, kite - flying and light-hearted shoplifting, the whole Holly Golightly act.

The expectation of a reward or evaluation, even a positive evaluation, squelched creativity. She calls this phenomenon the intrinsic theory of motivation. Stated simply: “People will be most creative when they feel motivated primarily by interest, enjoyment, satisfaction, and the challenge of the work itself—not by external pressures.” She warns that many schools and corporations, by placing such emphasis on rewards and evaluation, are inadvertently suppressing creativity. It’s a compelling theory, and one that, intuitively, makes sense. Who hasn’t felt creatively liberated writing in a private diary or doodling in a notebook, knowing no one will ever see these zany scribbles? The theory, though, doesn’t always jibe with the real world. If we are only motivated by the sheer joy of an activity, why do athletes perform better in the heat of competition rather than during training sessions? Why did Mozart abandon works in progress because his

Nakon kratkog vremena, Petar i još jedan učenik su se ohrabrili pa su u tajnosti pratili stražare do kuće velikog svećenika Kajfe, kamo je Isus odveden i gdje su pismoznanci i ostali bili okupljeni kako bi ga ispitali. Petar je stajao na vratima, ali drugi je učenik, koga je veliki svećenik poznavao, ušao unutra, i smjesta se vraćajući, zamolio ženu koja je čuvala vrata neka pro-pusti i Petra. Ona je, gledajući Petra, rekla, 'Nisi li ti jedan od učenika?' On joj je rekao, 'Nisam.' Tako ga je pustila unutra; pa je stajao ispred vatre koja je tamo gorjela, grijući se među slugama i vojnicima koji su ju okružili. Jer bilo je jako hladno. Neki su mu od tih ljudi postavili isto pitanje kao i žena, pa su rekli, 'Zar ti nisi jedan od učenika?' On je to ponovno zani-jekao i rekao, 'Nisam.' Jedan je od njih, koji je bio u rodu s onim čovjekom kojemu je Petar odsjekao uho svojim mačem, rekao, 'Zar te nisam vidio u vrtu s Njim?' Petar je ponovno zanijekao prisežući te je rekao, 'Ne poznajem toga čovjeka.' Istoga je trena pijetao zakukurikao, a Isus je, okrenuvši se, prodorno pogledao u Petra. Tada se Petar sjetio što mu je Isus rekao — kako će ga, prije nego pijetao zakukuriče, tri puta zatajiti — te je izišao i gorko zaplakao.

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

I saw the the eternal touch of my generation destroyed, How I mourned the kiss. Down, down, down into the darkness of the kiss, Gently it goes - the unceasing, the long, the lasting. How happy is the great affection! Now nifty is just the thing, To get me wondering if the affection is keen. I cannot help but stop and look at the zany liking. Now unreasonable is just the thing, To get me wondering if the liking is buffoonish.

You of the almighty zap, Zeusifer, loose and zany, let me sizzle on your throne for maybe forty-eight seconds; I've had enough of your poetry crap, just give me the last word of this poem.

D. Donovan, Senior Reviewer, Midwest Book Review writes: "Sea Creatures and Poems: Plus Some Other Fish Rhymes illustrates the fun that poetry can embrace, providing a zany collection for all ages that is both ocean-focused and whimsical. The operative description for both poems and pictures is "silly," and the book fulfills this promise with a series of engaging observations that belay the usual staid approaches of too many poetry books. Art combined with poetry is "a delicious combination," as Richard Merritts reflects in the collection's introduction. The poems inspired the author to add illustrations which are just as whimsically touched...and, also, quite artistically rendered. These aren't demanding works. Take "Pompano Pompano Pompano," for example. Its very short observation concludes with an ironic twist after identifying the "flat fish from Florida" outside of its normal sea environment. Succinct? Yes. But the poem really...snags readers, landing a winning insight on both the pompano and its ultimate fate. Readers trawling for humor will find plenty in this book. Even the poetry titles present original, fun observations, as in "By Jove, I Hooked a Snook." Aside from its delightful observations, the poems represent diverse structures, from free verse to rhyme: "From the depths of the sea;/Came a fish that could be;/From a prison did flee;/Dressed in stripes, so you see..." From redfish and ahi to the anglers who long for them, Sea Creatures and Poems will appeal to a wide audience, especially those who do not view poetry as an opportunity for philosophical and psychological analysis alone. Its blend of natural history info, inviting color illustrations, and accompanying fun insights is recommended for those who fish to those who enjoy eating or studying them, as well as poetry lovers who will appreciate the very different approaches, poetic variety, and whimsical inspections within. Libraries catering to these audiences will want to include it in their collections, but Sea Creatures and Poems will prove a delightful choice for adults who seek to instill in the young an appreciation for poetry's capability for fun and its diverse structural representations.

THE EMPEROR — Charles Lee Jackson, II, central figure of The Emperorverse, smart, swift, capable of amazing feats, all but indestructible, well dressed, and able to charm beautiful women with a single smile, who not only leads the fight for order and justice against all odds but collects the records of his cases and those of his partners to dramatize them for

but the adult mind has lost much of its craziness, its zany quality and I missed the verbal jousting that Hymie supplied in our day-to-day relationship at school. In fact, when I got back to school after the holidays, it would take me a couple of days to get my verbal riposte sharp and my timing right again.

Crapofanity, are you totally nuts?

Many have been supposedly foolproof but zany formulae that have made no one rich but the hucksters who sold them to the gullible. But over the years there have been some approaches that have enjoyed at least a modicum of success. These range from the Dow Theory first espoused by Wall Street Journal founder Charles Dow—essentially using technical indicators to try to identify and profit from different market phases—and David Butler’s CANSLIM system, to the value investing school articulated by Benjamin Graham. The earth-shattering suggestion of the research conducted in the 1960s and 1970s was that the code might actually be unbreakable, and efforts to decipher it were expensive and futile. Harry Markowitz’s modern portfolio theory and William Sharpe’s CAPM indicated that the market itself was the optimal balance between risks and return, while Gene Fama presented a cohesive, compelling argument for why that was: The net effect of the efforts of thousands upon thousands of investors continually trying to outsmart each other was that the stock market was efficient, and in practice hard to beat. Most investors should therefore just sit on their hands and buy the entire market. But in the 1980s and 1990s, a new round of groundbreaking research—some of it from the same efficient-markets disciples who had rattled the investing world in the 1960s and 1970s—started revealing some fault lines in the academic edifice built up in the previous decades. Perhaps the stock market wasn’t entirely efficient, and maybe there were indeed ways to beat it in the long run? Some gremlins in the system were always known, but often glossed over. Already in the early 1970s, Black and Scholes had noted that there were some odd issues with the theory, such as how less volatile stocks actually produced better long-term returns than choppier ones. That contradicted the belief that return and risk (using volatility as a proxy for risk) were correlated. In other words, loopier roller coasters produce greater thrills. Though the theory made intuitive sense, in practice it didn’t seem to hold up to rigorous scrutiny. This is why Scholes and Black initially proposed that Wells Fargo should set up a fund that would buy lower-volatility stocks (that is, low-beta) and use leverage to bring the portfolio’s overall volatility up to the broader stock market.7 Hey, presto, a roller coaster with the same number of loops as everyone else, but with even greater thrills. Nonetheless, the efficient-markets hypothesis quickly became dogma at business schools around the United States.

The skull screeched. Jawbone clattering, he turned back to face Mallory. "Difficult! The shade of it all! Put poor Maggoty back in his box, eh?" he shrieked. "After all the wacky adventures Mallory and Maggoty have been through! All the zany stunts they've pulled together?" "I found you less than two days ago," Mallory reminded the skull. "We've had exactly one wacky adventure.

Bing! Bing who? Bing down the house!   Knock knock! Who’s there? Zany! Zany

If that's too mythical a tone consider those who conform and know something's wrong and need a zany few who won't obey.

zany

A scouting craft soon entered our solar system. It detected several broadcast signals, and routed the strongest one (WABC-TV in New York) to a distant team of anthropologists—who then found themselves watching a first-run episode of the hit sitcom Welcome Back, Kotter (the one in which Arnold Horshack joins a zany youth cult). Before I get into what happened next, I should mention that music is the most cherished of the forty so-called Noble Arts that Refined beings revere and dedicate their lives to. It is indeed viewed as being many times Nobler than the other thirty-nine Arts combined. And remember—their music sucks. The first alien Kotter watchers initially doubted that we had music at all, because everything about the show screamed that we were cultural and aesthetic dunderheads. Primitive sight gags made them groan. Sloppy editing made them chuckle. Wardrobe choices practically made them wretch. And then, it happened. The show ended. The credits rolled, and the theme music began. And suddenly, the brainless brutes that they’d been pitying were beaming out the greatest creative achievement that the wider universe had ever witnessed. Welcome back, Welcome back, Welcome back.

The ingredients of the mélange may include: •  high mental and physical energy (coupled with extreme lassitude at times) •  a fast-moving, easily distracted mind (coupled with an amazingly superfocused mind at times) •  trouble with remembering, planning, and anticipating •  unpredictability and impulsivity •  creativity •  lack of inhibition as compared to others •  disorganization (coupled with remarkable organizational skills in certain domains) •  a tendency toward procrastination (coupled with an I-must-do-it-or-have-it-now attitude at times) •  a high-intensity attitude alternating with a foggy one •  forgetfulness (coupled with an extraordinary recall of certain often irrelevant remote information) •  passionate interests (coupled with an inability to arouse interest at other times) •  an original, often zany way of looking at the world •  irritability (coupled with tenderheartedness) •  a tendency to drink too much alcohol, smoke cigarettes, use other drugs, or get involved with addictive activities such as gambling, shopping, spending, sex, food, and the Internet (coupled with a tendency to abstain altogether at times) •  a tendency to worry unnecessarily (coupled with a tendency not to worry enough when worry is warranted) •  a tendency to be a nonconformist or a maverick •  a tendency to reject help from others (coupled with a tendency to want to give help to others) •  generosity that can go too far •  a tendency to repeat the same mistake many times without learning from it •  a tendency to underestimate the time it takes to complete a task or get to a destination •  various other ingredients, none of which dominates all the time, and any one of which may be absent in a single individual

Pneumonoultramicroscopicsilicovolcanoconiosis,” said

The reality is that when you visit Italy, you'll be hijacked by relatives of all sorts; the entire family tree is waiting to meet you. [A hyphenated Italian's risk]

zany. He wants to get rid of people and make the world safe for animals and spirits. To say time is evil because evil happens in time is like saying the ocean is a fish because fish happen in the ocean.Mr. Propter has no sex life. This makes him unconvincing as a character.Mr. Propter's sex life is unconvincing.Mr. Propter is a Jeffersonian democrat, an anarchist, a Bolshevik, a proto-John-Bircher29

he had decided not to work with me on magazine stories anymore. Perhaps my zany behavior during the hospital visits had convinced him that I would never be able to tell Apple’s (or Pixar’s) stories with the same level of sophistication I had applied in the past, or perhaps it was something else. I never did learn his reason.

Historians, to be sure, have subsequently dug about in the byways of American culture and exposed signs of rebellion and dissatisfation with the conservative values of the early Eisenhower years. Some young people, mostly in university circles, identified with Holden Caulfield, the restless anti-hero of J. D. Salinger's novel The Catcher in the Rye (1951). Mad magazine, a zany and highly irreverent publication, began its commercially very successful career (it was number two in circulation behind Life by the early 1960s) in 1952.53

Music should be studied; never taught.

Teaching kids is like a 5 year old box of chocolates: You never know what you're gonna get, but you can bet your ass it ain't gonna be good.

But that woman I’d let into the house ravaged who I had been. Her zany brain force would not go. I didn’t want to fuck. I wanted to read. I didn’t want to go numb every night. I wanted to travel the country of ideas and feel thoughts and blast open the top of my head. I didn’t want to drink until I dropped. I wanted to write. A whole other book.

Well, you may be a bird-brained, zany, off-the-trolley little Shaunie boy, but I doubt that you are a spy. So we should totes be friends!

parents unwittingly turn their children into their trophies. They tend to want to be able to parade their children in public to the applause of the people around them. This is why so many parents struggle with the crazy, zany phases that their children go through as they are growing up. They’re not so much concerned about what that craziness says about their children, but what it says about them. Children in these homes feel both the burden of carrying their parents’ reputation and the sting of their disappointment and embarrassment.

Shampooooo. Shamp ooooo. Sham. Poo. Poo sham. Poosh ham. Poo—

I love Andrea.

If Stu chews shoes, should Stu choose the shoes he chews?

That was totally not fair.

That never could have happened if he hadn’t been a guy. For one, girls aren’t allowed to wear onesies to school. They’re deemed immodest. Because, you know, distracting female bodies pose a huge educational barrier for the poor boys. And if a girl had done that zany dance, either it’d have been sexualized or it’d have been stupid, depending on the girl. “She’s hot,” people would say. Or “She’s weird.” That morning, leaving Town Meeting, everyone was jostling one another, still in high spirits. “Andy is so out there.” Voices dripping with admiration. “He’s such a…” They couldn’t even finish. No words. Shake head. Smile, smile, smile. What they meant, of course, was this: Andy Monroe is so, so freaking cool. Right after that dance—still in the onesie!—he tapped the mike and said, “Next announcement. The Service Club is hosting a winter-coat drive on behalf of the Coalition for the Homeless.” A girl wouldn’t be allowed to bridge both worlds, the silly and the sober. To be taken seriously, she’d have to act serious, and her seriousness would make her unelectable—just as a lack of seriousness would. It was a quintessential catch-22, and we couldn’t even call it out, because it sounded like an excuse. Well, I could be that cool, if I were a guy…. We couldn’t say it, but we felt it. We felt it as surely as we felt the weight of our bodies, because, like gravity, it was a truth about how it worked, this world we knew. Girls didn’t even consider running for Chawton School chairman because, as girls, we knew, we knew deep in our bones, that we would always lose.

Those who see Show Boat as the progenitor of the form mistake its epic grandeur for its essence. No: most of Show Boat inheres in the zany frivolity of musical comedy, though revisions have been stamping out much of the fun since 1946. Still, the comic nature of Captain Andy and other leads and the use of dance as decoration rather than interpretation place Show Boat in a category of its own.

WOW,” everybody said, which is “MOM” upside down. We all started buzzing again. The teachers looked worried. A few first graders started crying. It was the saddest day in the history of the world.

The main shift, and it has been obvious for decades, is that art history can no longer occupy itself in an innocent fashion with the biography of form because art itself is no longer preoccupied with form. The generation of classic art history, from the 1890s to the 1920s, as by no means out of tune with an artistic modernism that, for all its rhetoric of rupture, still reckoned in ratios of good form to bad form, form to non-form, form to content. That early twentieth-century paradigm has long since broken down as art redistributes itself in events, vectors, emotions, ideas, clusters or swarms of artifice. Art today is less about form than about the conditions of possibility of effective speech and action, the tension between enunciation and performance, the virtues of images. Today creativity itself is differently distributed in society: in the mass media and social networks, i amateur or outsider art, in fashion elite and democratic, in the proliferation of recognized but little-esteemed aesthetic categories - 'the zany, the cute, and the interesting,' for example. Even the sophisticated discourses of modernism that have dominated art-history departments over the last three decades - the 'classic art history' of our time - are not keeping pace. They are still organized by master-discipline chains reaching back into the 1960s, chains of psychic involvement that binds generations, despite everything, to the old courses of form.

If long and meandering postmodern zaniness and stale, rip-off modernism are now the Culture, then it is not itself. It has been stricken by dementia. I’m here now to jog its memory one last time and then deliver it to a dignified death.

in

Klutz