Z A We Quotes

We've searched our database for all the quotes and captions related to Z A We. Here they are! All 200 of them:

We all create stories to protect ourselves.
Mark Z. Danielewski (House of Leaves)
So I hear we get to go to town this weekend. Want to catch a movie or something? --Z P.S. That is, if Jimmy doesn't mind. Translation: This weekend might be a good chance for us to see each other outside our school in a social environment, free of competetiton. I do not view other boys as threats, and I enjoy making them seem insignificant by calling them the wrong names. (Translation by Macey McHenry)
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
The monsters that rose from the dead, they are nothing compared to the ones we carry in our hearts
Max Brooks (World War Z: An Oral History of the Zombie War)
The staircase that was revealed was lit with a soft red glow. I feel like I'm walking down into a porn movie," V muttered as they took the steps with care. Wouldn't that require more black candles for you," Zsadist cracked. At the bottom of the landing, they looked left and right down a corridor carved out of stone, seeing row after row of...black candles with ruby color flames. I take that back," Z said, eyeing the display. We start hearing chick-a-wow-wow shit," V cut in, "can I start calling you Z-packed?" Not if you want to keep breathing.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
You shall be my roots and I will be your shade, though the sun burns my leaves. You shall quench my thirst and I will feed you fruit, though time takes my seed. And when I'm lost and can tell nothing of this earth you will give me hope. And my voice you will always hear. And my hand you will always have. For I will shelter you. And I will comfort you. And even when we are nothing left, not even in death, I will remember you.
Mark Z. Danielewski (House of Leaves)
We change people through conversation, not through censorship.
Jay-Z (Decoded)
The only rule that ever made sense to me I learned from a history, not an economics, professor at Wharton. "Fear," he used to say, "fear is the most valuable commodity in the universe." That blew me away. "Turn on the TV," he'd say. "What are you seeing? People selling their products? No. People selling the fear of you having to live without their products." Fuckin' A, was he right. Fear of aging, fear of loneliness, fear of poverty, fear of failure. Fear is the most basic emotion we have. Fear is primal. Fear sells.
Max Brooks (World War Z: An Oral History of the Zombie War)
Fang: “Let them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. We’ll come back out when they’re all gone, done playing their games of world domination." Max: “That’s a great plan. Of course, by then we won’t be able to go outside because we’ll get fried by the lack of the ozone layer. We’ll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there won’t be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” Fang: “So maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.” Max: "I HATE YOU!!!" Fang: "NO YOU DOOOOOON'T!!" Voice: "You two are crazy about each other.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Rosa Parks sat so Martin Luther King could walk. Martin Luther King walked so Obama could run. Obama's running so we all can fly.
Jay-Z
If only people could travel as easily as words. Wouldn't that be something? If only we could be so easily revised.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.
Vladimir Nabokov (Lolita)
If we desire to avoid insult, we must be able to repel it; if we desire to secure peace, one of the most powerful instruments of our rising prosperity, it must be known, that we are at all times ready for War.
George Washington (The Writings of George Washington from the Original Manuscript Sources 1745-1799 Volume 39 (General Index O-Z List of Letters) - Leather Bound)
Won’t we be quite the pair?—you with your bad heart, me with my bad head. Together, though, we might have something worthwhile.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place ... You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep. Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski (House of Leaves)
Look to the sky, look to yourself and remember: we are only God’s echoes and God is Narcissus.
Mark Z. Danielewski (House of Leaves)
Fear is the most basic emotion we have. Fear is primal. Fear sells.
Max Brooks (World War Z: An Oral History of the Zombie War)
Dear Lord,” began Randy, who paused for long enough that Tristan sneaked an eye open to look at him. His saw his mother’s cheek twitch with what he thought might be apprehension. “We are so grateful to be gathered here today with our family, and the family of our brother’s homosexual boyfriend, and our new little goth friend who has a gay dad, whatever the heck that is all about. We’d like to say we’re grateful this year for condoms, lube, and Ellen Degeneres, and for those guys on Queer Eye…” Randall Evan Phillips!” his mother shouted.
Z.A. Maxfield (Crossing Borders (Crossing Borders, #1))
If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow.
Jay-Z (Decoded)
Never, ever quake in the face of hate, Zayneb.
S.K. Ali (Love from A to Z)
Marry me, Zelda. We'll make it all up as we go. What do you say?
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Let the night come. We are not afraid.
Poppy Z. Brite (Lost Souls)
Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
We were kids without fathers, so we found our fathers on wax and on the streets and in history, and in a way, that was a gift. We got to pick and choose the ancestors who would inspire the world we were going to make for ourselves.
Jay-Z (Decoded)
We relinquished our freedom that day, and we were more than happy to see it go. From that moment on we lived in true freedom, the freedom to point to someone else and say “They told me to do it! It’s their fault, not mine.” The freedom, God help us, to say “I was only following orders.”-World War Z
Max Brooks (World War Z: An Oral History of the Zombie War)
The art of rap is deceptive. It seems so straightforward and personal and real that people read it completely literally, as raw testimony or autobiography. And sometimes the words we use, nigga, bitch, motherfucker, and the violence of the images overwhelms some listeners. It's all white noise to them till they hear a bitch or a nigga and then they run off yelling "See!" and feel vindicated in their narrow conception of what the music is about.
Jay-Z (Decoded)
This is the only time for high ideals because those ideals are all that we have. We aren't just fighting for our physical survival, but for the survival of our civilization. We don't have the luxury of old-world pillars. We don't have a common heritage, we don't have a millennia of history. All we have are the dreams and promises that bind us together. All we have...is what we want to be.
Max Brooks (World War Z: An Oral History of the Zombie War)
My bad, Z. I shouldn't have gone bitch on you. We cool?
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
We ache with the yearning that turns half into whole and offer no excuses for the beauty of our souls.
Aberjhani (Songs from the Black Skylark zPed Music Player)
We never surrendered. We always kept in our hearts the most noble, beautiful feeling that sets human beings apart: hope.
Manel Loureiro (Apocalypse Z: The Beginning of the End (Apocalypse Z, #1))
Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
Mark Z. Danielewski (House of Leaves)
If we are willing to do the mental work, almost anything can be healed.
Louise L. Hay (Heal Your Body A-Z)
After all we'd been through, we still couldn't take our heads from out of our asses or our hands from around each other's throats.
Max Brooks (World War Z: An Oral History of the Zombie War)
One thing I can guarantee, is that the world will never change itself because of our weaknesses. In fact, it has ways of actually becoming more dangerous when we approach it with a bad attitude.
J.Z. Colby (Selection (NEBADOR, #3))
I guess we'll try the old fashion way!" "Alright Kakarrot you're asking for it" "Rock, Paper!...ready! rock, paper, scissors, ha!" "Yea I did it!" "That's not the fusion technique!
Toei Animation
This is why we shouldn't be afraid. There are two possibilities: One is that there's more to life than the physical life, that our souls "will find an even higher place to dwell" when this life is over. If that's true, there's no reason to fear failure or death. The other possibility is that this life is all there is. And if that's true, then we have to really live it - we have to take it for everything it has and "die enormous" instead of "living dormant," as I said way back on "Can I Live." Either way, fear is a waste of time.
Jay-Z (Decoded)
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all your carefully conceived denials, whether deliberate or unconscious. And for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski (House of Leaves)
- Whenever we roam be beside me. When you're allone. When you go. When no one comes along. And for all we Wander. Encounter and open Allways curl up with me. Give me pain, past and fury. Betray my way. I won't abandon you.-
Mark Z. Danielewski (Only Revolutions)
We are not born to accommodate tyranny over our hearts, minds, bodies, or souls. We are here to confirm an abundance of love-inspired possibilities greater than such restrictions.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
Nothing except luck protects you from catastrophe. Not love. Not money. Not faith. Not a pure heart or good deeds--and not bad ones either, for that matter. We can, any of us, be laid low, cut down, diminished, destroyed.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
America is especially sensitive to war weariness, and nothing brings backlash like the perception of defeat. I say “perception” because America is a very all-or-nothing society… We like to know, and for everyone else to know, that our victory wasn’t uncontested, it was positively devastating.
Max Brooks (World War Z: An Oral History of the Zombie War)
Gdybyś kiedy we śnie poczuła, że oczy moje już nie patrzą na ciebie z miłością, wiedz, żem żyć przestał.
Stefan Żeromski (Syzyfowe prace)
How do we remember this emptiness so in fullness we won't forget?
Mark Z. Danielewski (Hades (The Familiar, #4))
That's the one thing you can always depend on; as we're fighting one war, we're always preparing for the next one.
Max Brooks (World War Z: An Oral History of the Zombie War)
My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust? If the whole show was bad and senseless from A to Z, so to speak, why did I, who was supposed to be part of the show, find myself in such a violent reaction against it?... Of course I could have given up my idea of justice by saying it was nothing but a private idea of my own. But if i did that, then my argument against God collapsed too--for the argument depended on saying the world was really unjust, not simply that it did not happen to please my fancies. Thus, in the very act of trying to prove that God did not exist - in other words, that the whole of reality was senseless - I found I was forced to assume that one part of reality - namely my idea of justice - was full of sense. If the whole universe has no meaning, we should never have found out that it has no meaning: just as, if there were no light in the universe and therefore no creatures with eyes, we should never have known it was dark. Dark would be without meaning.
C.S. Lewis
Girls like me who see and feel the pains and problems of the world don’t make sense to people. So maybe we’re meant to be alone, or only with people exactly like us.
S.K. Ali (Love from A to Z)
We're the unmended, the untended, cold soldiers of the shoe. We're the neglected, the never resurrected, agonies of the few. We're the once kissed, unmissed and always refused. Because we're the unfinished and feared and we're never pursued. And just that easily, on my behalf, I come around. Because I'm burning. The beast of War feeds only on the meats of War. And now I'm for carnage. Here's how my anguish frees. Destroy everyone of course. Because I'm unwanted and unsafe. And I'll take tears away with torments and rape, killings and fears not even the dead will escape. Encircling the Guilty, Ashamed, Blameless and Enslaved. Absolved. Butchering their prejudice. Patience. Their Value. Because I'm without value. I'm the coming of every holocaust. Turning no lost. Rending tissue, sinew and bone. Excepting no suffering. By me all levees will break. All silos heave. I will walk heavy. And I will walk strange. Because I am too soon. Because without Her, I am only revolutions Of ruin. Because I am too soon. Because without You, I am only revolutions Of ruin. I'm the prophecy prophecies pass. Why need dies at last. How oceans dry. Islands drown. And skies of salt crash to the ground. I turn the powerful. Defy the weak. Only grass grows down abandoned streets. For a greater economy shall follow Us and it will be undone. And a greater autonomy shall follow Us and it too will be undone. And a greater feeling shall follow Love and it too we will blow to dust. For I am longings without trust. The cycloidal haste freedom from Hailey forever wastes. Dust cares for only dust. And time only for Us. Because I am too soon. Because without Her, I am only revolutions Of ruin. Because I am too soon. Because without You, I am only revolutions Of ruin. We are always sixteen...
Mark Z. Danielewski (Only Revolutions)
The book of war, the one we've been writing since one ape slapped another, was completely useless in this situation. We had to write a new one from scratch.
Max Brooks (World War Z: An Oral History of the Zombie War)
Sometimes we gotta be brave even when we're scared. We gotta not let being scared keep us from thinkin' straight. That's all brave is, boy, when you come right down to it, not lettin' the fear get you so turned around you start doin' stupid things, instead of what you know you ought to do.
Poppy Z. Brite
This is what we've got at the moment, who we are. It's not nearly what we once had- the good, I mean- but it's also not what we once had, meaning the bad.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
ſtairs! We haue found ſtairs!
Mark Z. Danielewski
We never even kissed or looked into each other's eyes. Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my only tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound.
Mark Z. Danielewski
We're allowed to cry.
S.K. Ali (Love from A to Z)
If we desire to live, we can only do so in the margins of that place.
Mark Z. Danielewski (House of Leaves)
Symbols shmimbols. Sure they're important but... Well look at Ahab's whale. Now there's a great symbol. Some say it stands for god, meaning, and purpose. Others say it stands for purposelessness and the void. But what we sometimes forget is that Ahab's whale was also just a whale.
Mark Z. Danielewski (House of Leaves)
Oprah, for instance, still can't get past the n-word issue (or the nigga issue, with all apologies to Ms. Winfrey). I can respect her position. To her, it's a matter of acknowledging the deep and painful history of the word. To me, it's just a word, a word whose power is owned by the user and his or her intention. People give words power, so banning a word is futile, really. "Nigga" becomes "porch monkey" becomes "coon" and so on if that's what in a person's heart. The key is to change the person. And we change people through conversation, not through censorship.
Jay-Z (Decoded)
We did not just go to the stars. We became the stars.
Mark Z. Danielewski (Honeysuckle & Pain (The Familiar, #3))
You're writing like a freshman.' And he replied- I remember this very distinctly: 'We always look for doctors but sometimes we're lucky to find a frosh.
Mark Z. Danielewski (House of Leaves)
Who knows what we could have accomplished if we had only chucked the politics and come together as human bloody beings.
Max Brooks (World War Z: An Oral History of the Zombie War)
Sometimes we called one another by our future doctor names. We did it partly to be funny, but mostly because we liked it when people did it back to us.
David Z. Hirsch (Didn't Get Frazzled: humorous medical fiction)
How do we remember this emptiness so in fullness we won't forget?' Asked once, when emptiness was the worst. Why ever [would] he want to remember that?
Mark Z. Danielewski (Into the Forest (The Familiar, #2))
What we all must decide is how we are valuable rather than how valuable we are.
Edgar Z. Friedenberg
The Z’s will kill us all, and then the Z’s will die out and in sixty years there will be no one to remember our silly war, Caroline’s wasted ammunition, my year of zombic survivalism, Rene DesCartes’s musings, or Michelangelo’s sculptures. And that is really only the sadness here as I drink a thousand-dollar bottle of wine down here in the cellar: We did a few things worth remembering, and I wish for someone to remember them.
John Green (Zombicorns)
Do we miss not only the past but every future the lost past describes? Is that just the nature of missing? All the lost might-have-beens? The certainty that those uncertain futures are gone? If we can't embrace uncertainty do we miss the point of love?
Mark Z. Danielewski (Honeysuckle & Pain (The Familiar, #3))
We glared at each other then, with the kind of hatred that comes from being deliberately wounded in one’s softest, most vulnerable places by a person who used to love you passionately.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
The official report was a collection of cold, hard data, an objective "after-action report" that would allow future generations to study the events of that apocalyptic decade without being influenced by the "human factor." But isn't the human factor what connects us so deeply to our past? Will future generations care as much for chronologies and casualty statistics as they would for the personal accounts of individuals not so different from themeslves? By excluding the human factor, aren't we risking the kind of personal detachment from a history that may, heaven forbid, lead us one day to repeat it?
Max Brooks (World War Z: An Oral History of the Zombie War)
The truth was, neither the Central Intelligence Agency nor any of the other official and unofficial U.S. intelligence organizations have ever been some kind of all-seeing, all-knowing, global illuminati. For starters, we never hand that kind of funding.
Max Brooks (World War Z: An Oral History of the Zombie War)
Housing projects can seem like labyrinths to outsiders, as complicated and intimidating as a Moroccan bazaar. But we knew our way around.
Jay-Z (Decoded)
It's official: we’re fucked.
Manel Loureiro (Apocalypse Z: The Beginning of the End (Apocalypse Z, #1))
What we did, what every president since Washington has done, was provide a measured, appropriate response, in direct relation to a realistic threat assessment.
Max Brooks (World War Z: An Oral History of the Zombie War)
...because I'm sure that as soon as things really get back to "normal," once our kids or grandkids grow up in a peaceful and comfortable world, they'll probably go right back to being as selfish and narrow-minded and generally shitty to one another as we were.
Max Brooks (World War Z: An Oral History of the Zombie War)
But isn't the human factor what connects us so deeply to our past? Will future generations care as much for chronologies and casualty statistics as they would for personal accounts of individuals not so different from themselves? By excluding the human factor, aren't we risking the kinds of personal detachment from a history that may, heaven forbid, lead us one day to repeat it?
Max Brooks (World War Z: An Oral History of the Zombie War)
The world is a mysterious place. On the one hand, its size can be measured and recorded and verified. Its marvels and oddities captured in complex, empirical detail. On the other hand, its size is relative to our mind’s perception of it. Its marvels and oddities only extending to how far our vision goes. For some of us, this means the world is small, including only those we see as belonging to it. People related to us, people who look like us, dress like us, think like us. For others, it’s medium-size and includes those we connect to through some similarity, some trait that pings familiarity within, which then allows us to overlook the differences between us and them. And then there are those who see the world as huge, as the actual size it measurably is. Huge enough to include vast differences, people with nothing in common with one another except a beating heart and a feeling soul, these two—heart, soul—being the strongest connection between us all.
S.K. Ali (Love from A to Z)
You can't blame anyone else... You have to make your own choices and live every agonizing day with the consequences of those choices. He knew this. That's why he deserted us like we deserted those civilians. He saw the road ahead, a steep, treacherous mountain road. We'd all have to hike that road, each of us dragging the boulder of what we'd done behind us. He couldn't do it. He couldn't shoulder the weight." - Philip Adler
Max Brooks (World War Z: An Oral History of the Zombie War)
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep. Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski
And now here we were, almost a thousand years later, still doing it. Trying to make sense of what was happening around us. Maybe that's what life is, really.
S.K. Ali (Love from A to Z)
Yeah, but the difference is I’m Gen Z, pal. We can’t wait to die. Can you say the same?
Onley James (Bad Habits (Wages of Sin, #1))
We were taught that, even if we wore a uniform, that our first sworn duty was to our conscience, no matter what the consequences.
Max Brooks (World War Z: An Oral History of the Zombie War)
This wasn't necessary. It could have been avoided. We didn't need to go through all this.
Mark Z. Danielewski (House of Leaves)
Hundreds of words await ostracism from our functional vocabularies: waltz and fizz and squeeze and booze and frozen pizza pie, frizzy and fuzzy and dizzy and duzzy, the visualization of emphyzeema-zapped Tarzans, wheezing and sneezing, holding glazed and anodized bazookas, seized by all the bizarrities of this zany zone we call home. Dazed or zombified citizens who recognize hazardous organizations of zealots in their hazy midst, too late - too late to size down. Immobilized we iz. Minimalized. Paralyzed. Zip Zap. ZZZZZZZZZ. Crazy. Crazy. Did I say crazy?
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
Do we miss not only the past but every future the lost past describes? Is that just the nature of missing? All the lost might-have-beens? The certainty that those uncertain futures are gone?
Mark Z. Danielewski (Honeysuckle & Pain (The Familiar, #3))
They’re tortured by indecision and guilt and lust. They love X but want to fuck Z. It is the plight of almost every monogamous person at one time or another. We all love X but want to fuck Z.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
High levels of dopamine suppress H&N functioning, so brilliant people are often poor at human relationships. We need H&N empathy to understand what’s going on in other people’s minds, an essential skill for social interaction.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
Jay-Z (Decoded)
Are you gay?” asked Michael with a sigh. “Is that your truth?” “Mmmhmm,” Tristan said into the night. “Yep. Totally gay. And I'm apparently a chick too, because here we are, talking instead of screwing.
Z.A. Maxfield (Crossing Borders (Crossing Borders, #1))
There is a great new work before us, which is to replace with true knowledge the ignorance that has destroyed human minds. We will construct unity in a world [which] has been brutally torn apart by false divisions of race, religion, gender, nationality, and age. We will heal with unconditional love those souls whose hearts have been disfigured by hatred and loneliness.
Aberjhani (Songs from the Black Skylark zPed Music Player)
We both thrive in the late hours, appreciate its sad taste and never get in the way of each other's dreams, even though Lude just wants more money, better parties and prettier girls and I want something else. I'm not even sure what to call it anymore except I know it feels roomy and it's drenched in sunlight and it's weightless and I know it's not cheap. Probably not even real.
Mark Z. Danielewski (House of Leaves)
There’s a fascinating frailty of the human mind that psychologists know all about, called “argument from ignorance.” This is how it goes. Remember what the “U” stands for in “UFO”? You see lights flashing in the sky. You’ve never seen anything like this before and don’t understand what it is. You say, “It’s a UFO!” The “U” stands for “unidentified.” But then you say, “I don’t know what it is; it must be aliens from outer space, visiting from another planet.” The issue here is that if you don’t know what something is, your interpretation of it should stop immediately. You don’t then say it must be X or Y or Z. That’s argument from ignorance. It’s common. I’m not blaming anybody; it may relate to our burning need to manufacture answers because we feel uncomfortable about being steeped in ignorance.
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
We think conscious thought is somehow better, when in fact, intuition is soaring flight compared to the plodding of logic. Nature’s greatest accomplishment, the human brain, is never more efficient or invested than when its host is at risk. Then, intuition is catapulted to another level entirely, a height at which it can accurately be called graceful, even miraculous. Intuition is the journey from A to Z without stopping at any other letter along the way. It is knowing without knowing why.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
When we get home, I'll make you some soup or something." "God. Don't be nice." "All right." Jeff spoke softly into the darkness. "When we get home, I'll make some soup, and when you're not looking, I'll spit in it.
Z.A. Maxfield (Gasp!)
Susan . . . it wasn't a good name, was it? It wasn't a truly bad name, it wasn't like poor Iodine in the fourth form, or Nigella, a name which meant "oops, we wanted a boy." But it was dull. Susan. Sue. Good old Sue. It was a name that made sandwiches, kept its head in difficult circumstances, and could reliably look after other people's children. It was a name used by no queens or goddesses anywhere. And you couldn't do much even with the spelling. You could turn it into Suzi, and it sounded as though you danced on tables for a living. You could put in a Z and a couple of Ns and an E, but it still looked like a name with extensions built on. It was as bad as Sara, a name that cried out for a prosthetic H.
Terry Pratchett (Soul Music (Discworld, #16; Death, #3))
We all yearn for moon like our lost love.
Guru Z.S. Gill (Only If the Moon Is Listening)
Are we rich?" "We're unstoppable.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
He believed, as I did, that we are helpless to resist or influence what our hearts are bound to do.” - Z - A Novel of Zelda Fitzgerald
Therese Anne Fowler
Stephen is my boyfriend," Doug said. "We're gay together." "I'm also gay when we're apart," Stephen added.
Valerie Z. Lewis (The Epic Love Story of Doug and Stephen)
We should learn to smile as we fall, So much so as when we have it all.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
Mark Z. Danielewski (House of Leaves)
Which in the gray of gentler eyes will prove far more than any of us could ever need; 'enough' we will shout, 'enough!' our bellies full, our hearts full, our ages full; fullness and greater fullness and even more fullness; how then we will laugh and forget how imagining has already left us.
Mark Z. Danielewski (House of Leaves)
So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Dopamine isn’t the pleasure molecule, after all. It’s the anticipation molecule. To enjoy the things we have, as opposed to the things that are only possible, our brains must transition from future-oriented dopamine to present-oriented chemicals, a collection of neurotransmitters we call the Here and Now molecules, or the H&Ns. Most people have heard of the H&Ns. They include serotonin, oxytocin, endorphins (your brain’s version of morphine), and a class of chemicals called endocannabinoids (your brain’s version of marijuana). As opposed to the pleasure of anticipation via dopamine, these chemicals give us pleasure from sensation and emotion. In fact, one of the endocannabinoid molecules is called anandamide, named after a Sanskrit word that means joy, bliss, and delight.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
They had been talking about his friend Z. when she announced, "If I hadn't met you, I'd certainly have fallen in love with him." Even then, her words had left Tomas in a strange state of melancholy, and now he realized it was only a matter of chance that Tereza loved him and not his friend Z. Apart from her consummated love for Tomas, there were, in the realm of pos­sibility, an infinite number of unconsummated loves for other men. We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspir­ing, is playing the "Es muss sein!" to our own great love. Tomas often thought of Tereza's remark about his friend Z. and came to the conclusion that the love story of his life exemplified not "Es muss sein!" (It must be so), but rather "Es konnte auch anders sein" (It could just as well be otherwise).
Milan Kundera (The Unbearable Lightness of Being)
Reality is chaos, and we’ve created an algorithm that keeps us informed of as much of that chaos as possible, from the second we wake up to the second we go to bed, and then we wonder why we’re anxious.
Matty Healy
We all love X but want to fuck Z. Z is so gleaming, so crystalline, so unlikely to bitch at you for neglecting to take out the recycling. Nobody has to haggle with Z. Z doesn’t wear a watch. Z is like a motorcycle with no one on it. Beautiful. Going nowhere.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
No longer did I imagine that any place we lived would become permanent. The only question was how long we'd stay.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Because sometimes doing the right thing when everything else is wrong is all we have left.
sean platt and david wright (Z 2134)
From that moment on we lived in true freedom, the freedom to point to someone else and "They told me to do it! It's their fault, not mine.
Max Brooks (World War Z: An Oral History of the Zombie War)
AS WE THINK, SO WE ARE;
Poppy Z. Brite (Lost Souls)
What at all can we ever really possess?
Mark Z. Danielewski (House of Leaves)
We cannot rest within those walls, we have to struggle past them.
Mark Z. Danielewski (House of Leaves)
The monsters that rose from the dead, they are nothing compared to the ones we carry in our hearts.
Max Brooks (World War Z: An Oral History of the Zombie War)
On Algebra - "We're a month into it, and I'm planning to start a real protest movement, one to have X and Y removed from the alphabet. Z is also suspect as far as I'm concerned...Damn it! They put a man on the moon; can't they find some way to end the scourge of Algebra?
Huston Piner (My Life as a Myth)
I believe that water is the closest thing to a god we have here on Earth. We are in awe of its power and majestic beauty. We are drawn to it as if it’s a magical, healing force. We gestate in water, are made of water, and need to drink water to live. We are living in water.
Alex Z. Moores (Living in Water)
We need to spread more seeds and fill this Planet with love to be surrounded by flowers just everywhere! It starts by simply opening up our hearts and hands to one another. It's in simple things where true Happiness may flourish.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
We give violent movies a pass but come down hard on a rapper like Scarface, who is ultimately a storyteller just like Brian de Palma. And neither of them is responsible for the poverty and violence that really do shape people's lives--not to mention their individual choices.
Jay-Z (Decoded)
It is my fault, and the fault of everyone of my generation. I wonder what the future generations will say about us. My grandparents suffered through the Depression, World War II, then came home to build the greatest middle class in human history. Lord knows they weren't perfect, but they sure came closest to the American dream. Then my parents' generation came along and f***ed it all up - the baby boomers, the "me" generation. And then you got us. Yeah, we stopped the Zombie menace, but we're the ones who let it become a menace in the first place. At least we're cleaning up our own mess, and maybe that's the best epitaph to hope for. 'Generation Z, they cleaned up their own mess.
Max Brooks (World War Z: An Oral History of the Zombie War)
Even up until these final eons of time, we felt we could create anything. We could build ourselves a heaven. But why? We were Heaven already. Only in the very end did we try to build a S.O.U.L. That which would outlast V.E.M., outlast The Verse, outlast death. But it was impossible. Or we were too late. Though still the H.O.L.Y. tried. And built Hell instead.
Mark Z. Danielewski (Honeysuckle & Pain (The Familiar, #3))
Oh, look, the lights are so pretty,” I said dreamily, having just noticed them. I smiled at the way the lights were dancing overhead, pink and yellow and blue. I felt some pressure on my arm and thought, I should look over and see what’s going on, but then the thought was gone, sliding away like Jell-O off a hot car hood. “Fang?” “Yeah. I’m here.” I struggled to focus on him. “I’m so glad you’re here.” “Yeah, I got that.” “I don’t know what I’d do without you.” I peered up at him, trying to see past the too-bright lights. “You’d be fine,” he muttered. “No,” I said, suddenly struck by how unfine I would be. “I would be totally unfine. Totally.” It seemed very urgent that he understand this. Again I felt some tugging on my arm, and I really wondered what that was about. Was Ella’s mom going to start this procedure any time soon? “It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’t try to talk.” “I don’t want my chip anymore,” I explained groggily, then frowned. “Actually, I never wanted that chip.” “Okay,” said Fang. “We’re taking it out.” “I just want you to hold my hand.” “I am holding your hand.” “Oh. I knew that.” I drifted off for a few minutes, barely aware of anything, but feeling Fang’s hand still in mine. “Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word an effort. “Um, no,” said Ella’s voice, somewhere behind my head. “I think I would like a La-Z-Boy,” I mused, letting my eyes drift shut again. “Fang, don’t go anywhere.” “I won’t. I’m here.” “Okay. I need you here. Don’t leave me.” “I won’t.” “Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. I love you sooo much.” I tried to hold out my arms to show how much, but I couldn’t move them. “Oh, jeez,” Fang said, sounding strangled.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
even when members of Gen Z are not on their devices and appear to be doing something in the real world, such as sitting in class, eating a meal, or talking with you, a substantial portion of their attention is monitoring or worrying (being anxious) about events in the social metaverse. As the MIT professor Sherry Turkle wrote in 2015 about life with smartphones, “We are forever elsewhere.”[33] This is a profound transformation of human consciousness and relationships,
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)
Heroin is a stand-in, a stop-gap, a mask, for what we believe is missing. Like the "objects" seen by Plato's man in a cave, dope is the shadow cast by cultural movements we can't see directly.
Ann Marlowe (How to Stop Time: Heroin from A to Z)
It’s not enough to just imagine the future. To bring an idea to fruition we must struggle with the uncompromising realities of the physical world. We need not only knowledge but also tenacity.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity—and Will Determine the Fate of the Human Race)
Consider: The mouth is the only bit of erotic landscape visible when a woman is dressed. It is the symbol of every moist cavern a woman possesses, which all men are bound to seek out, we have no choice.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
My brother betrayed me and our people. If I were as cold as I'd like to be, his hide would be on the floor so everyone could walk on him. Unfortunately, my other brothers were a little disturbed by that so we compromised with the wall." "Understood," Ash said. "Where's the rest of the pack?" "In the back.We're staying out of it. We don't like to kill our own." Zarek snorted at that."Unless it's your brother." Dante approached Zarek and the two of them had a mutual sneer-off."Law of the jungle.The betrayee gets to eat the betrayer." Zarek gave him a droll stare."Law of my jungle. Kill them all and let Hades sort them out." Dante actually laughed at that. "I like this one, Ash. He understands us." "Gee, Z," Ash said jokingly. "I think you may have found a new friend after all. That should make Astrid happy.
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
What an insane waste! We could have worked together, traded supplies, technical expertise. Who knows what we could have accomplished if we had only chucked the politics and come together as human bloody beings.
Max Brooks (World War Z: An Oral History of the Zombie War)
A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket. Z: (mockingly) But I suspect that at the last moment you reconsidered. A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not.
Jorge Luis Borges (Collected Fictions)
These golf people seem unnaturally obsessed. They dress kind of funny too, and it's become a running joke for Gretchen and I to e-mail the most ridiculous golfing pictures back and forth to each other. Sometimes she adds hysterical captions. She never puts them on PitchBitch, though. We can't threaten the gravy train.
Shawn Klomparens (Jessica Z.)
What is boredom? Endless repetitions, like, for example, Navidson’s corridors and rooms, which are consistently devoid of any Myst-like discoveries thus causing us to lose interest. What then makes anything exciting? Or better yet: what is exciting? While the degree varies, we are always excited by anything that engages us, influences us or more simply involves us. In those endlessly repetitive hallways and stairs, there is nothing for us to connect with. That permanently foreign place does not excite us. It bores us. And that is that, except for the fact that there is no such thing as boredom. Boredom is really a psychic defense protecting us from ourselves, from complete paralysis, by repressing, among other things, the meaning of that place, which in this case is and always has been horror.
Mark Z. Danielewski
The living dead had taken more from us than land and loved ones. They'd robbed us of our confidence as the planet's dominant life form. We were a shaken, broken species, driven to the edge of extinction and grateful only for tomorrow with perhaps a little less suffering than today. Was this the legacy we would leave our children, a level of anxiety and self-doubt not seen since our simian ancestors cowered in the tallest trees? What kind of world would they rebuild? Would they rebuild at all? Could they continue to progress, knowing that they would be powerless to reclaim their future? And what if that future saw another rise of the living dead? Would our descendants rise to meet them in battle, or simply crumple in meek surrender and accept what they believe to be their inevitable extinction? For this alone, we had to reclaim our planet. We had to prove to ourselves that we could do it, and leave that proof as this war's greatest monument. The long, hard road back to humanity, or the regressive ennui of Earth's once-proud primates. That was the choice, and it had to be made now.
Max Brooks (World War Z: An Oral History of the Zombie War)
The feelings of excitement, enthusiasm, and energy dissipate. Dopamine has shut down. Dopamine circuits don’t process experience in the real world, only imaginary future possibilities. For many people it’s a letdown. They’re so attached to dopaminergic stimulation that they flee the present and take refuge in the comfortable world of their own imagination. “What will we do tomorrow?” they ask themselves as they chew their food, oblivious to the fact that they’re not even noticing this meal they had so eagerly anticipated. To travel hopefully is better than to arrive is the motto of the dopamine enthusiast.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
To me, its just a word, a word whose power is owned by the user and his or her intention. People give words power, so banning a word is futile, really. 'Nigga' becomes 'porch monkey' becomes 'coon' and so on if that's what's in a person's heart. They key is to change the person. And we change people through conversation, not through censorship.
Jay-Z (Decoded)
At first glance, it seems hard to believe these two men are even related let alone brothers. Tom is content if there happens to be a game on and a soft place from which to watch it. Navidson works out every day, devours volumes of esoteric criticism, and constantly attaches the world around him to one thing: photography. Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
Mark Z. Danielewski (House of Leaves)
We are physical, embodied creatures who evolved to use our hands, facial expressions, and head movements as communication channels, responding in real time to the similar movements of our partners. Gen Z is learning to pick emojis instead.
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Caused an Epidemic of Mental Illness)
. . . for where else could we have really gone?
Mark Z. Danielewski (House of Leaves)
We split the atom, we reached the moon, we’ve filled every household and business with more gadgets and gizmos than early sci-fi writers could have ever dreamed of.
Max Brooks (World War Z: An Oral History of the Zombie War)
Why'd you go and have to have a straight boy crush?" "We all do. That's how fairies get their wings.
Z.A. Maxfield (A Picture Perfect Holiday)
The clearest feeling I remember is this: the way that it felt like the space between us folded and folded, and kept folding until the distance shrank, until we made sense to each other.
S.K. Ali (Love from A to Z)
Reading people's bio feels like reading specifications of an assembled computer: X memory, Y processor, Z display... We are born unique but useless for society. Then we have to acquire and assemble some common things to become useful for the society.
Shunya
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. and then the nightmares will begin.
Mark Z. Danielewski (House of Leaves)
And then you got us. Yeah, we stopped the zombie menace, but we're the ones who let it become a menace in the first place. At least we're cleaning up our own mess, and maybe that's the best epitaph to hope for. "Generation Z, they cleaned up their own mess.
Max Brooks (World War Z: An Oral History of the Zombie War)
No, you don’t get to touch yourself in my car.” “Why not?” It wasn’t a whine, it wasn’t. My voice was too deep to whine. It was more of a… whoan. Or something. I couldn’t think. “Three reasons. One, I don’t want to get into an accident trying to keep my eyes on you. Two, if I got into an accident, or if we were pulled over for indecent exposure, the mood killing would be the least of our problems. Three,” and here it was, the tone I loved, that I could barely wait for even though I knew I wasn’t going to like what he had to say, “for the rest of the night, that’s mine. Don’t touch it.
Cari Z. (Making It Work)
The first step in any encounter with art is to do nothing, to just watch, giving your eye a chance to absorb all that's there. We shouldn't think "This is good," or "This is bad," or "This is a Baroque picture which means X, Y, Z." Ideally, for the first minute we shouldn't think at all. Art needs time to perform its work on us.
Patrick Bringley (All the Beauty in the World: The Metropolitan Museum of Art and Me)
Housing projects are a great metaphor for the government's relationship to poor folks: these huge islands built mostly in the middle of nowhere, designed to warehouse lives. People are still people, though, so we turned the projects into real communities, poor or not. We played in fire hydrants and had cookouts and partied, music bouncing off concrete walls. But even when we could shake off the full weight of those imposing buildings and try to just live, the truth of our lives and struggle was still invisible to the larger country. The rest of the country was freed of any obligation to claim us. Which was fine, because we weren't really claiming them, either.
Jay-Z (Decoded)
There are few things we encounter in daily life that are more unlikely than winning the lottery. A person is more likely to have identical quadruplets, or be killed by a vending machine tipping over. It’s over a hundred times more likely that a person will be struck by lightning than win the lottery. Yet millions of people buy tickets.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
THE SOUNDTRACK OF WES AND LIZ Someone Like You | Van Morrison Paper Rings | Taylor Swift Lovers | Anna of the North ocean eyes | Billie Eilish Bad Liar | Selena Gomez Public Service Announcement (Interlude) | Jay-Z Up All Night | Mac Miller How Would You Feel (Paean) | Ed Sheeran Hello Operator | The White Stripes Paradise | Bazzi Sabotage | Beastie Boys Feelin’ Alright | Joe Cocker Someone Like You | Adele Monkey Wrench | Foo Fighters Bella Luna | Jason Mraz Forrest Gump | Frank Ocean Electric (feat. Khalid) | Alina Baraz Kiss | Tom Jones Enter Sandman | Metallica Death with Dignity | Sufjan Stevens We Are Young | fun. feat. Janelle Monáe New Year’s Day | Taylor Swift River | Joni Mitchell
Lynn Painter (Better Than the Movies)
Ignorance was the enemy. Lies and superstition, misinformation, disinformation. Sometimes, no information at all. Ignorance killed billions of people. Ignorance caused the Zombie War. Imagine if we had known then what we know now. Imagine if the undead virus had been as understood as, say, tuberculosis was. Imagine if the world’s citizens, or at least those charged with protecting those citizens, had known exactly what they were facing. Ignorance was the real enemy, and cold, hard facts were the weapons.
Max Brooks (World War Z: An Oral History of the Zombie War)
To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
Tom Robbins
Fermi proslul svou schopností jednoduchým a rychlým způsobem odhadnout fyzikální veličiny. Při explozi první jaderné bomby v Alamogordu v poušti v Novém Mexiku 15. července 1945 například upustil kus papíru z výšky ramen a sledoval, jak se vlivem nárazové vlny z bomby odklonil. Tím, že věděl, že epicentrum je devět mil daleko, odhadl energii výbuchu – jednalo se o ekvivalent více než 10 000 tun TNT.
Marcus Chown (We Need to Talk About Kelvin)
So tell me: were you born broken just like me, born hungry? Are we all of us born with some part of us missing? Are we each us born with a hole?....Born with a hole and no earthly way of finding just the exact right plug to fill it, not 'til you've tried 'em from A to Z and back once more: booze, fags, work, candy, men, girls, heroin, methedrine, methadone, God. Tried having a baby. Tried killing yourself. A hundred religions, from Calvin to the Dalai Lama and back again; tried every damn thing you could think of and some you had to stumble over....You stick a plug in your weakness like a finger in the proverbial dike and let pressure build up let it swell and swell 'til there's nothing left but tension, nothing left but what's left over--the absence, not the presence. The wound you shape your soul around.
Gemma Files (We Will All Go Down Together)
A reporter once asked me why I think progressive men who earn significantly less than their breadwinning wives still won't quit their jobs to take care of their children. Why do they still hold on to their careers, even if taking care of the children would make more financial sense because the cost of childcare is higher than their net salary? I think I know the answer to that now, and it sucks. Women are not expected to live a life for themselves. When women dedicate their lives to children, it is deemed a worthy and respectable choice. When women dedicate themselves to a passion outside of the family that doesn't involve worshiping their husbands or taking care of their kids, they're seen as selfish, cold, or unfit mothers. But when a man spends hours grueling over a craft, profession, or project, he's admired and seen as a genius. And when a man finds a woman who worships him, who dedicates her life to serving him, he's lucky. But when a man dedicates himself to taking care of his children it's seen as a last resort. That it must be because he ran out of other options. That it's plan Z. That it's an indicator of his inability to provide for his family. Basically, that he's a fucking loser. I think it's one of the most important falsehoods we need to shatter when talking about women's rights.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
Instead of taking a bow for walking on the moon, Colonel Buzz Aldrin, PhD, told his admirers, “It’s something we did. Now we should do something else,” apparently no more satisfied than if he had painted a fence. His desire was not to bask in his glory but to find “something else”—the next big challenge that could hold his interest. This perpetual need to identify a goal and calculate a way to reach it was perhaps the most important factor in his historic success. But it’s not easy having so much dopamine coursing through the control circuits. It almost certainly played a significant role in Aldrin’s post-lunar struggle with depression, alcoholism, three divorces, suicidal impulses, and a stay on a psychiatric ward, which he described in his candid autobiography, Magnificent Desolation: The Long Journey Home from the Moon.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
I believe with all my heart that standing up for America means standing up for the God who has so blessed our land. We need God’s help to guide our nation through stormy seas. But we can’t expect Him to protect America in a crisis if we just leave Him over on the shelf in our day-to-day living. Speech, New Orleans, November 16, 1982
Ronald Reagan (QUOTABLE REAGAN: An A-Z Collector's Edition of Quotations (Quotable Wisdom Books Book 40))
Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my own tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine – I didn’t hear mine – only hears, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agonizing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove … - which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come. Too bad dark languages rarely survive.
Mark Z. Danielewski (House of Leaves)
But evidence is all around you.” “The world is all around me. Some parts I understand, some I don’t. Some the scientists do, some they don’t. It exists. That only proves it exists.” “I don’t understand how you can look at the world and say there’s no God.” “And I don’t know how you can look at the world and pretend you know there’s a God and what he wants. So we’re even.
Michael Z. Williamson (A Long Time Until Now (Temporal Displacement Series Book 1))
Scott is gone. I've had two days with this truth. This truth and me, we're acquainted now, past the shock of our first unhappy meeting and into the uneasy-cohabitation stage. Its barbs are slightly duller than they were that first night, when even breathing felt agonizing and wrong. Tootsie and Marjorie hovered over me, waiting to see whether I'd collapse, while Mama looked on, white-faced, from her rocker by the fire. "Gone?" I would whisper, to no-one in particular. I, too, waited for me to be overwhelmed - but all that happened was what happens to anyone who has lost their one love: my heart cleaved into two parts, before and foreverafterward.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
(…) jest naiwnością mniemanie, jakoby zachwyt nasz wobec dzieła sztuki z nas samych pochodził: że zachwyt ten w sporej mierze nie rodzi się z ludzi, ale między ludźmi, i jest to tak jakbyśmy wzajemnie zmuszali się do zachwytu (choć nikt „osobiście” nie jest zachwycony). / It is naive to believe that the admiration for a masterpiece is spontaneous. The admiration, to a great extent, is not born within people but between people, as if we forced each other to admire (while no one is “personally” enraptured). (Dziennik, 1956, XX, Wtorek I)
Witold Gombrowicz (Dziennik 1953-1956)
Při prvním spuštění (výbuchu) zůstalo pod tryskou motoru asi deset nepozorných čísel z naší haly – nezbylo z nich nic než pár drobků a sazí. S hrdostí tu zaznamenávám, že se tím rytmus naší práce ani na vteřinu nezarazil, nikdo ani nemrkl. Naše stroje i my jsme pokračovali ve svém přímočarém a kruhovém pohybu s neměnnou přesností, jako by se nic nestalo. Deset Čísel, to je sotva jedna stomilióntina z mas Jednotného státu, prakticky počítáno je to nekonečně malá veličina třetího stupně. Aritmeticky primitivní soucit znali jen lidé starověku – nám je k smíchu.
Yevgeny Zamyatin (We)
Going for the brain. [He chuckles.] We talk about it today as if it is some feat of magic, like holy water or a silver bullet, but why wouldn’t destruction of the brain be the only way to annihilate these creatures? Isn’t it the only way to annihilate us as well? You mean human beings? [He nods.] Isn’t that all we are? Just a brain kept alive by a complex and vulnerable machine we call the body? The brain cannot survive if just one part of the machine is destroyed or even deprived of such necessities as food or oxygen. That is the only measurable difference between us and “The Undead.” Their brains do not require a support system to survive, so it is necessary to attack the organ itself.
Max Brooks (World War Z: An Oral History of the Zombie War)
In totalitarian regimes—communism, fascism, religious fundamentalism—popular support is a given. You can start wars, you can prolong them, you can put anyone in uniform for any length of time without ever having to worry about the slightest political backlash. In a democracy, the polar opposite is true. Public support must be husbanded as a finite national resource. It must be spent wisely, sparingly, and with the greatest return on your investment. America is especially sensitive to war weariness, and nothing brings on a backlash like the perception of defeat. I say “perception” because America is a very all-or-nothing society. We like the big win, the touchdown, the knockout in the first round. We like to know, and for everyone else to know, that our victory wasn’t only uncontested, it was positively devastating.
Max Brooks (World War Z: An Oral History of the Zombie War)
There are things that can be measured. There are things that are worth measuring. But what can be measured is not always what is worth measuring; what gets measured may have no relationship to what we really want to know. The costs of measuring may be greater than the benefits. The things that get measured may draw effort away from the things we really care about. And measurement may provide us with distorted knowledge—knowledge that seems solid but is actually deceptive.
Jerry Z. Muller (The Tyranny of Metrics)
Remember how I said nothing changes everything? I think I was wrong about that. I'm starting to think that maybe everything changes everything. That we never know what's going to happen next and we're not even supposed to. Maybe 'Z' is the shape of everyone's life. You're going along in what feels like a straight line, headed for one horizon, the only one as far as you know, and then something happens, maybe something good, maybe something terrible, or maybe just something like seeing a guy picking out a cantelope at the store, something that feels like nothing, and all of a sudden you're headed at another horizon altogether. Good things can happen that you did nothing to deserve. Bad things can happen that aren't anyone's fault. And it's sad how, if you let yourself, it's so much easier to think about what you've lost instead of what you have left. I'm not saying everything's okay, because it's not. We will never, ever be the same without you. We have our good days and bad days as a family, and you will always be the invisible center of both. But love is this really powerful thing that everyone's got if they'd just learn how to accept it. I mean, come on. If it's something we all have to give, and it's something we all want, doesn't that mean there's exactly enough to go around?
Philip Beard
Do you understand economics? I mean big-time, prewar, global capitalism. Do you get how it worked? I don’t, and anyone who says they do is full of shit. There are no rules, no scientific absolutes. You win, you lose, it’s a total crapshoot. The only rule that ever made sense to me I learned from a history, not an economics, professor at Wharton. “Fear,” he used to say, “fear is the most valuable commodity in the universe.” That blew me away. “Turn on the TV,” he’d say. “What are you seeing? People selling their products? No. People selling the fear of you having to live without their products.” Fuckin’ A, was he right. Fear of aging, fear of loneliness, fear of poverty, fear of failure. Fear is the most basic emotion we have. Fear is primal. Fear sells. That was my mantra. “Fear sells.
Max Brooks (World War Z: An Oral History of the Zombie War)
We shared a bond I don’t think can ever be broken. We helped them reclaim their nation, and they helped us reclaim ours. They showed us the meaning of democracy…freedom, not just in vague, abstract terms, but on a very real, individually human level. Freedom isn’t just something you have for the sake of having, you have to want something else first and then want the freedom to fight for it. That was the lesson we learned from the Nortecubanos. They all had such grand dreams, and they’d lay down their lives for the freedom to make those dreams come true.
Max Brooks (World War Z: An Oral History of the Zombie War)
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you’ll watch yourself dismantle every assurance you ever lived by. You’ll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you’ll turn, unable to resist, though try to resist you still will, fighting with everything you’ve got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski
fear is the most valuable commodity in the universe.” That blew me away. “Turn on the TV,” he’d say. “What are you seeing? People selling their products? No. People selling the fear of you having to live without their products.” Fuckin’ A, was he right. Fear of aging, fear of loneliness, fear of poverty, fear of failure. Fear is the most basic emotion we have. Fear is primal. Fear sells. That was my mantra. “Fear sells.” When
Max Brooks (World War Z: An Oral History of the Zombie War)
As soon as I saw that doll all splotched with mud, I saw myself, saw how soiled I was. Or thought I was. From that minute on, I felt liked I'd slipped through a hole in God's pocket. Just took a dive right into the dirt and was lost forever." Greg kissed Faron's hair. "You never hit the dirt. You just slid from one pocket to another. That's what I did too - I took a journey I was meant to take. I know that now." Absorbing this, Faron slanted a puzzled look at Greg. "Which pocket do you suppose I landed in?" "This one. The one we're in together. The one I believe we'll stay in." Faron felt a thrill of optimism in his heart. "I never thought of it that way." "I never did either. Until today." Greg once again settled onto Faron's chest. His cheek moved noticeable into a smile. "God isn't small, honey. God has a lot of freakin' pockets. And we just found the one we belong in.
K.Z. Snow (A Hole in God's Pocket)
We move out over the ocean, and …I am looking straight down at the waves underneath me. The mid-morning sun is low and each crest flashes silver, silver, until it crashed into the rocky beach….and turns to foam. The rocks are broken into sand, and each grain …eventually…is broken down further. And as each grief crashes into us, we are broken too. We are rendered down and broken apart. Maybe some scientist could determine our ages by the size and number of pieces into which we’ve been broken? Maybe she could look at our pieces and measure the weight in impact of every grief and joy and agony. Maybe.
Shawn Klomparens (Jessica Z.)
Critics of ideological indoctrination in schools and colleges often attack the particular ideological conclusions, but that is beside the point educationally. Even if we were to assume, for the sake of argument, that all the conclusions reached by all the various “studies” are both logically and factually valid, that still does not get to the heart of the educational issue. Even if students were to leave these “studies” with 100 percent correct conclusions about issues A, B and C, that would in no way equip them intellectually with the tools needed to confront very different issues X, Y and Z that are likely to arise over the course of their future years. For that they would need knowledge and experience in how to analyze and weigh conflicting viewpoints.
Thomas Sowell (Intellectuals and Society)
8But do not overlook this one fact, beloved, that with the Lord one day is as a thousand years, and  t a thousand years as one day. 9 u The Lord is not slow to fulfill his promise  v as some count slowness, but  w is patient toward you, [1]  x not wishing that any should perish, but  y that all should reach repentance. 10But  z the day of the Lord will come like a thief, and then  a the heavens will pass away with a roar, and  b the heavenly bodies [2] will be burned up and dissolved, and the earth and the works that are done on it will be exposed. [3] 11Since all these things are thus to be dissolved,  c what sort of people ought you to be in lives of holiness and godliness, 12 d waiting for and hastening the coming of the day of God, because of which the heavens will be set on fire and dissolved, and  e the heavenly bodies will melt as they burn! 13But according to his promise we are waiting for  f new heavens and a new earth  g in which righteousness dwells.
Anonymous (Holy Bible: English Standard Version (ESV))
I would love to think that the essence of who we are continues after we die. Maybe our soul moves on somehow, and eventually we are reborn. Or maybe, we get absorbed into god like a drop of water into the ocean. I think it’s more believable than floating into the sky and entering heaven. I’ve looked up and I’ve never seen heaven the way religions describe it. But, I can tell you that I’ve looked around down here, and I’ve found many places that have appeared as if they could be heaven.
Alex Z. Moores (Living in Water)
Są dwa rodzaje szczerości: ta rodem z hollywoodzkich niekończących się seriali, wywlekająca na ekran otoczone we freudowskim lukrze żałosne sekrety małych ludzi, których największe żądze, najdrapieżniejsze ambicje, najmroczniejsze tajemnice są wstanie zanudzić widza na śmierć w przeciągu kilku minut; i ta druga, ciernista, masochistyczna, zaprawiona wódką i rozpaczą szczerość bohaterów Dostojewskiego, wylewających czarnym oleistym strumieniem zawartość swych słowiańskich dusz, aż słuchacz, przytłoczony potwornym ciężarem tej krzywej piramidy słów, traci z oczu sens i logikę, po czym zapada się po pas, po pierś, po szyję w ciepłe, bezrozumne współczucie - są dwa rodzaje szczerości, jeden gorszy od drugiego, ale żaden naturalny - bo życie nie jest telewizyjnym serialem ani rosyjską powieścią - żaden prawdziwy.
Jacek Dukaj (Xavras Wyżryn i inne fikcje narodowe)
Identifying ourselves with our dopamine circuits traps us in a world of speculation and possibility. The concrete world of here and now is disdained, ignored, or even feared, because we can’t control it. We can only control the future, and giving up control is not something dopaminergic creatures like to do. But none of it is real. Even a future one second away is unreal. It is only the stark facts of the present that are real, facts that must be accepted exactly as they are, facts that cannot be modified by a hair’s breadth to suit our needs. This is the world of reality. The future, where dopaminergic creatures live their lives, is a world of phantoms.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —
Blake Crouch (Dark Matter)
I know “professional” historians like to talk about how Yonkers represented a “catastrophic failure of the modern military apparatus,” how it proved the old adage that armies perfect the art of fighting the last war just in time for the next one. Personally, I think that’s a big ’ole sack of it. Sure, we were unprepared, our tools, our training, everything I just talked about, all one class-A, gold-standard clusterfuck, but the weapon that really failed wasn’t something that rolled off an assembly line. It’s as old as…I don’t know, I guess as old as war. It’s fear, dude, just fear and you don’t have to be Sun freakin Tzu to know that real fighting isn’t about killing or even hurting the other guy, it’s about scaring him enough to call it a day. Break their spirit, that’s what every successful army goes for, from tribal face paint to the “blitzkrieg” to…what did we call the first round of Gulf War Two, “Shock and Awe”? Perfect name, “Shock and Awe”! But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t! That’s what happened that day outside New York City, that’s the failure that almost lost us the whole damn war. The fact that we couldn’t shock and awe Zack boomeranged right back in our faces and actually allowed Zack to shock and awe us! They’re not afraid! No matter what we do, no matter how many we kill, they will never, ever be afraid!
Max Brooks (World War Z: An Oral History of the Zombie War)
The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.
Jay-Z (Decoded)
One by one our skies go black. Stars are extinguished, collapsing into distances too great to breach. Soon, not even the memory of light will survive. Long ago, our manifold universes discovered futures would only expand. No arms of limit could hold or draw them back. Short of a miracle, they would continue to stretch, untangle and vanish – abandoned at long last to an unwitnessed dissolution. That dissolution is now. Final winks slipping over the horizons share what needs no sharing: There are no miracles. You might say that just to survive to such an end is a miracle in itself. We would agree. But we are not everyone. Even if you could imagine yourself billions of years hence, you would not begin to comprehend who we became and what we achieved. Yet left as you are, you will no more tremble before us than a butterfly on a windless day trembles before colluding skies, still calculating beyond one of your pacific horizons. Once we could move skies. We could transform them. We could make them sing. And when we fell into dreams our dreams asked questions and our skies, still singing, answered back. You are all we once were but the vastness of our strangeness exceeds all the light-years between our times. The frailty of your senses can no more recognize our reach than your thoughts can entertain even the vaguest outline of our knowledge. In ratios of quantity, a pulse of what we comprehend renders meaningless your entire history of discovery. We are on either side of history: yours just beginning, ours approaching a trillion years of ends. Yet even so, we still share a dyad of commonality. Two questions endure. Both without solution. What haunts us now will allways hunt you. The first reveals how the promise of all our postponements, ever longer, ever more secure – what we eventually mistook for immortality – was from the start a broken promise. Entropy suffers no reversals. Even now, here, on the edge of time’s end, where so many continue to vanish, we still have not pierced that veil of sentience undone. The first of our common horrors: Death. Yet we believe and accept that there is grace and finally truth in standing accountable before such an invisible unknown. But we are not everyone. Death, it turns out, is the mother of all conflicts. There are some who reject such an outcome. There are some who still fight for an alternate future. No matter the cost. Here then is the second of our common horrors. What not even all of time will end. What plagues us now and what will always plague you. War.
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
C. S. Lewis’s musings before his conversion: My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust? If the whole show was bad from A to Z, so to speak, why did I, who was supposed to be part of the show, find myself in such violent reaction against it? A man feels wet when he falls into water, because man is not a water animal; a fish would not feel wet. Of course I could have given up my idea of justice by saying it was nothing but a private idea of my own. But if I did that, my argument against God collapsed too—for the argument depended on saying that the world was really unjust, not simply that it did not happen to please my fancies. Thus in the very act of trying to prove that God did not exist—in other words, that the whole of reality was senseless—I found I was forced to assume that one part of reality—namely my idea of justice—was full of sense. Consequently atheism turns out to be too simple. If the whole universe has no meaning, we should never have found out that it has no meaning; just as, if there were no light in the universe and therefore no creatures with eyes, we should never have known that it was dark. Dark would be a word without meaning.2
Ravi Zacharias (Who Made God?: And Answers to Over 100 Other Tough Questions of Faith)
We need a stable government, fast!” I kept saying. “Elections are great in principle but this is no time for high ideals.” The president was cool, a lot cooler than me. Maybe it was all that military training…he said to me, “This is the only time for high ideals because those ideals are all that we have. We aren’t just fighting for our physical survival, but for the survival of our civilization. We don’t have the luxury of old-world pillars. We don’t have a common heritage, we don’t have a millennia of history. All we have are the dreams and promises that bind us together. All we have…[struggling to remember]…all we have is what we want to be.” You see what he was saying. Our country only exists because people believed in it, and if it wasn’t strong enough to protect us from this crisis, then what future could it ever hope to have? He knew that America wanted a Caesar, but to be one would mean the end of America. They say great times make great men. I don’t buy it. I saw a lot of weakness, a lot of filth. People who should have risen to the challenge and either couldn’t or wouldn’t. Greed, fear, stupidity, and hate. I saw it before the war, I see it today. My boss was a great man. We were damn lucky to have him.
Max Brooks (World War Z: An Oral History of the Zombie War)
In October of 1973, when the Arab sneak attack almost drove us into the Mediterranean, we had all the intelligence in front of us, all the warning signs, and we had simply “dropped the ball.” We never considered the possibility of an all-out, coordinated, conventional assault from several nations, certainly not on our holiest of holidays. Call it stagnation, call it rigidity, call it an unforgivable herd mentality. Imagine a group of people all staring at writing on a wall, everyone congratulating one another on reading the words correctly. But behind that group is a mirror whose image shows the writing’s true message. No one looks at the mirror. No one thinks it’s necessary. Well, after almost allowing the Arabs to finish what Hitler started, we realized that not only was that mirror image necessary, but it must forever be our national policy. From 1973 onward, if nine intelligence analysts came to the same conclusion, it was the duty of the tenth to disagree. No matter how unlikely or far-fetched a possibility might be, one must always dig deeper. If a neighbor’s nuclear power plant might be used to make weapons-grade plutonium, you dig; if a dictator was rumored to be building a cannon so big it could fire anthrax shells across whole countries, you dig; and if there was even the slightest chance that dead bodies were being reanimated as ravenous killing machines, you dig and dig until you stike the absolute truth.
Max Brooks (World War Z: An Oral History of the Zombie War)
What I’m about to tell you,” Elliott told me, “ninety-nine percent of people in the world will never understand.” For the first time all week, it was just the two of us. Elliott had told Austin he wanted to talk to me one-on-one. We were standing on a rooftop lounge during sunset, looking out at the Manhattan skyline. “You see, most people live a linear life,” he continued. “They go to college, get an internship, graduate, land a job, get a promotion, save up for a vacation each year, work toward their next promotion, and they just do that their whole lives. Their lives move step by step, slowly and predictably. “But successful people don’t buy into that model. They opt into an exponential life. Rather than going step by step, they skip steps. People say that you first need to ‘pay your dues’ and get years of experience before you can go out on your own and get what you truly want. Society feeds us this lie that you need to do x, y, and z before you can achieve your dream. It’s bullshit. The only person whose permission you need to live an exponential life is your own. “Sometimes an exponential life lands in your lap, like with a child prodigy. But most of the time, for people like you and me, we have to seize it for ourselves. If you actually want to make a difference in the world, if you want to live a life of inspiration, adventure, and wild success—you need to grab on to that exponential life—and hold on to it with all you’ve got.
Alex Banayan (The Third Door: The Wild Quest to Uncover How the World's Most Successful People Launched Their Careers)
You sayin' you want to go?" "Don't you?" "Hell no!" "Okay,I'll tell Matt and Jared that they can go to Paris without us." The only response was stunned silence, and I finally turned to smile at him. "Do you want to reconsider?" I asked. "The wedding's in Paris?" "Yep." His dark eyes were huge, and I could see so much in them. He was excited, almost giddy. I could see it bubbling up in him, but he was trying t stay calm and not get his hopes up. "Can we afford Paris?" "No," I said, "but it doesn't matter. Cole's footing the bill." He grabbed my shirt and pushed me back against the countertop, almost as if he was going to kiss me, but stopped short, looking into my eyes. "Are you serious?" "Would I lie to you about something like this?" "No." "Do you think I'd make it up just to tease you?" "No." "Yes." He backed up a step. "Yes what?" he asked. I could hardly keep from laughing that I'd finally managed to turn the tables on him with his own backward form of communication. "Yes, I'm absolutely serious. Cole offered to fly us all to Paris." ... His expression was so full of hope, I thought it was a good thing I hadn't tried to say no. He put his hand against my cheek and looked into my eyes. "Tell me what you want to do." All I had to do was tell him the truth. I brushed his hair out of his eyes and said, "I want to do whatever will make you happy." He smiled at me, the huge, excited smile of a child who woke up from his nap to find himself in Disneyland. "I want to go to Paris." "Okay," I said as I leaned down to kiss him. "Then you will.
Marie Sexton (Paris A to Z (Coda, #5))
Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We would prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has ever seen.
Vladimir Nabokov (Lolita)
Isn’t that… A lie? It’s okay. You can say it. Yes, they were lies and sometimes that’s not a bad thing. Lies are neither bad nor good. Like a fire they can either keep you warm or burn you to death, depending on how they’re used. The lies our government told us before the war, the ones that were supposed to keep us happy and blind, those were the ones that burned, because they prevented us from doing what had to be done. However, by the time I made Avalon, everyone was already doing everything they could possibly do to survive. The lies of the past were long gone and now the truth was everywhere, shambling down their streets, crashing through their doors, clawing at their throats. The truth was that no matter what we did, chances were most of us, if not all of us, were never going to see the future. The truth was that we were standing at what might be the twilight of our species and that truth was freezing a hundred people to death every night. They needed something to keep them warm. And so I lied, and so did the president, and every doctor and priest, every platoon leader and every parent. “We’re going to be okay.” That was our message.
Max Brooks (World War Z: An Oral History of the Zombie War)
Ruby: I’ve decided. I’m putting my Gary on a diet. Rosie: You’re putting him on a diet? How on earth can you control what your twenty-one-year-old son eats? Ruby: Oh it’s easy; I’ll just nail down everything to the floor. Rosie: So what kind of diet is it? Ruby: I don’t know. I bought a magazine, but there are so many stupid diets out there I don’t know which one to pick. Remember that ridiculous one that you and I did last year? The alphabet one where we had to eat foods beginning with a certain letter every day? Rosie: Oh yeah! How long did we do that for?! Ruby: Em . . . that would be 26 days of course Rosie Rosie: Oh . . . right . . . of course. You put on weight on the third day. Ruby: That’s because the third day was the lucky letter “C” . . . Cakes . . . mmmm Rosie: Well we made up for it on the last day. I was bloody starving on “Z” day; I was practically chasing zebras with a kitchen knife around the zoo. Could have eaten the zoo I suppose . . . Ruby: You should have done what I did, I ate like a queen. I became German for the day and ate “ze cakes” and “ze buns.” Oh I don’t know Rosie. I think I’ll just invent a diet of my own and give those stupid magazines a run for their money
Cecelia Ahern (Love, Rosie)
Ghafari points out that when an online guru uses too much “absolutist language,” that’s New Age scammer red flag number one. “Anyone who talks about the concept of feeling our past, our inner trauma, in a universal, oversimplified way,” she clarifies. “For example, statements like, ‘All of us are traumatized as kids, which is why we need to x, y, z,’ or, ‘All of us are from the cosmos and we’re just floating in a quantum field, blah blah blah.’” If simple quantifiers and qualifiers are absent from a guru’s messaging, that’s a sign they are likely unqualified to speak as a mental health authority, and are less interested in actually helping people than they are in convincing as many followers as possible to invest in their prophetic gifts.
Amanda Montell (Cultish: The Language of Fanaticism—Understanding the Social Science of Cult Influence)
What the hell happened to your leg?" Ang asked him. Matt looked down at his shin, which was scraped and oozing and seemed to be caked in mud. "Crashed." "Crashed what?" Ang asked. "My mountain bike. We just got back." "You crashed, then what? Rolled in dirt?" He laughed. "Something like that actually. It's not a successful ride if you don't bleed." He must not have noticed the look of horror on my face, because he asked, suddenly enthusiastic, "You guys ride?"Angelo and I just looked at each other, and he seemed to realize that was a "no." "Too bad. Well, make yourselves at home. Beer's in the fridge. I have to get cleaned up. Kickoff's in ten minutes." "Football?" Angelo asked. Matt looked at his as if he had just asked if the sky was really blue. "Yeah! First game of the regular season!" We just stared blankly at him, and he just laughed and disappeared down the hall. Angelo looked at me with a smile on his face. "Four fags watchin' football. Must be pretty fuckin' cold in hell right now.
Marie Sexton (A to Z (Coda, #2))
Footnote 164: "I finally hooked up with Ashley. I went over to her place yesterday morning. Early. She lives in Venice. Her eyebrows look like flakes of sunlight. Her smile, I'm sure, burnt Rome to the ground. And for the life of me I didn't know who she was or where we met... We sat down and I wanted to talk. I wanted to ask her who she was, where we'd met, been before, but she just smiled and held my hand as we lay down on the hammock and started to swing above all those dead leaves... Before I left she told me our story: where we met - Texas - kissed, but never made love and this had confused and haunted her and she had needed it before she got married which was in four months to a man she loved who made a living manufacturing TNT exclusively for a highway construction firm up in Colorado where he frequently went on business trips and where one night, drunk, angry and disappointed he had invited a hooker back to his motel room and so on and who cared and what was I doing here anyway?... I was still hurting, abandoned, drank three glasses of bourbon and fumed on some weed, then came here, thinking of voices, real and imagined, of ghosts, my ghost, of her, at long last, in this idiotic footnote, when she gently pushed me out her door and I said quietly 'Ashley' causing her to stop pushing me and ask 'yes?' her eyes bright with something she saw that I could never see though what she saw was me, and me not caring now at least knowing the truth and telling her the truth: 'I've never been to Texas.'" - House of Leaves
Mark Z. Danielewski (House of Leaves)
I'd already sensed the attraction between us. it was apparent from the first time we met. But that sort of attraction was so usual that it didn't rate serious attention, let alone concern. When the attraction turned into something that smelled and tasted like substance, though, that was when things got complicated. A married woman will first deny to herself that anything improper is going on. She'll make excuses for her eagerness to see the man in question. She likes his sharp mind, for example, or his fresh views, or the stories he tells about his experiences, which are so different from her own. She'll dismiss as mere amusement her mind's tendency to wonder where he is and what he's doing, and whether he's thinking of her. She might even avoid the fellow for a day or two to test herself. If she doesn't see him and she feels fine about that, she'll know there's no cause for concern. The test is fake, though, too, because she's lying to herself to make sure she passes the test, which will then justify her choice to see him again, often.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
I am puzzled. Yesterday, at the very moment when I thought. everything was untangled, and that all the X's were at last found, new unknowns appeared in my equation. The origin of the coordinates of the whole story is of course the Ancient House. From this center the axes of all the X's, Y's, and Z's radiate, and recently they have entered into the formation of my whole life. I walked along the X-axis (Avenue 59) toward the center. The whirlwind of yesterday still raged within me: houses and people upside down; my own hands torturingly foreign to me; glimmering scissors; the sharp sound of drops dripping from the faucet; all this existed, all this existed once! All these things were revolving wildly, tearing my flesh,· rotating wildly beneath the molten surface, there where the "soul" is located.
Yevgeny Zamyatin (We)
Evolution endowed us with intuition only for those aspects of physics that had survival value for our distant ancestors, such as the parabolic orbits of flying rocks (explaining our penchant for baseball). A cavewoman thinking too hard about what matter is ultimately made of might fail to notice the tiger sneaking up behind and get cleaned right out of the gene pool. Darwin’s theory thus makes the testable prediction that whenever we use technology to glimpse reality beyond the human scale, our evolved intuition should break down. We’ve repeatedly tested this prediction, and the results overwhelmingly support Darwin. At high speeds, Einstein realized that time slows down, and curmudgeons on the Swedish Nobel committee found this so weird that they refused to give him the Nobel Prize for his relativity theory. At low temperatures, liquid helium can flow upward. At high temperatures, colliding particles change identity; to me, an electron colliding with a positron and turning into a Z-boson feels about as intuitive as two colliding cars turning into a cruise ship. On microscopic scales, particles schizophrenically appear in two places at once, leading to the quantum conundrums mentioned above. On astronomically large scales… weirdness strikes again: if you intuitively understand all aspects of black holes [then you] should immediately put down this book and publish your findings before someone scoops you on the Nobel Prize for quantum gravity… [also,] the leading theory for what happened [in the early universe] suggests that space isn’t merely really really big, but actually infinite, containing infinitely many exact copies of you, and even more near-copies living out every possible variant of your life in two different types of parallel universes.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
If men create intelligent machines, or fantasize about them, it is either because they secretly despair of their own intelligence or because they are in danger of succumbing to the weight of a monstrous and useless intelligence which they seek to exorcize by transferring it to machines, where they can play with it and make fun of it. By entrusting this burdensome intelligence to machines we are released from any responsibility to knowledge, much as entrusting power to politicians allows us to disdain any aspiration of our own to power. If men dream of machines that are unique, that are endowed with genius, it is because they despair of their own uniqueness, or because they prefer to do without it - to enjoy it by proxy, so to speak, thanks to machines. What such machines offer is the spectacle of thought, and in manipulating them people devote themselves more to the spectacle of thought than to thought itself. It is not for nothing that they are described as 'virtual', for they put thought on hold indefinitely, tying its emergence to the achievement of a complete knowledge. The act of thinking itself is thus put off for ever. Indeed, the question of thought can no more be raised than the question of the freedom of future generations, who will pass through life as we travel through the air, strapped into their seats. These Men of Artificial Intelligence will traverse their own mental space bound hand and foot to their computers. Immobile in front of his computer, Virtual Man makes love via the screen and gives lessons by means of the teleconference. He is a physical - and no doubt also a mental cripple. That is the price he pays for being operational. Just as eyeglasses and contact lenses will arguably one day evolve into implanted prostheses for a species that has lost its sight, it is similarly to be feared that artificial intelligence and the hardware that supports it will become a mental prosthesis for a species without the capacity for thought. Artificial intelligence is devoid of intelligence because it is devoid of artifice.
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
And that’s when it got ugly. Many of the colder countries were what you used to call “First World.” One of the delegates from a prewar “developing” country suggested, rather hotly, that maybe this was their punishment for raping and pillaging the “victim nations of the south.” Maybe, he said, by keeping the “white hegemony” distracted with their own problems, the undead invasion might allow the rest of the world to develop “without imperialist intervention.” Maybe the living dead had brought more than just devastation to the world. Maybe in the end, they had brought justice for the future. Now, my people have little love for the northern gringos, and my family suffered enough under Pinochet to make that animosity personal, but there comes a point where private emotions must give way to objective facts. How could there be a “white hegemony” when the most dynamic prewar economies were China and India, and the largest wartime economy was unquestionably Cuba? How could you call the colder countries a northern issue when so many people were just barely surviving in the Himalayas, or the Andes of my own Chile? No, this man, and those who agreed with him, weren’t talking about justice for the future. They just wanted revenge for the past. [Sighs.] After all we’d been through, we still couldn’t take our heads from out of our asses or our hands from around each other’s throats.
Max Brooks (World War Z: An Oral History of the Zombie War)
Jared was completely gone now, holding his stomach and laughing so hard that tears were running down his face. Matt turned on him and snapped, "It's not funny," which only made Jared laugh harder. "Any of you guys strict about top or bottom?" Angelo asked, "'Cause if so, you'll screw it all up-" "Literally," Cole said. "And we'll have to start all over." Angelo turned to Matt. "If you got a strong preference you better say so now." "Lay it all out, so to speak," Cole said. "On the table." Angelo said. "For all to see." "Zach does like to watch," Angelo said, winking at me, and I was relieved that with the direction the conversation was going, nobody took him seriously. "Then it's settled!" Cole said. "Who's going where with whom first? Zach, I think you're up." He winked at me. "Or you soon will be." "Oh dear God," Mat moaned, hanging his head. "I knew I shouldn't have come." "Don't worry about it a bit," Cole said. "I'm sure Zach can coax at least one more out of you." Jared laughed so hard, I was amazed he managed to stay in his chair.
Marie Sexton (Paris A to Z (Coda, #5))
99 Problems is almost a deliberate provocation to simpleminded listeners. If that sounds crazy, you have to understand: Being misunderstood is almost a badge of honor in rap. Growing up as a black kid from the projects, you can spend your whole life being misunderstood, followed around department stores, looked at funny, accused of crimes you didn't commit, accused of motivations you don't have, dehumanized -- until you realize, one day, it's not about you. It's the perceptions people had long before you even walked onto the scene. The joke's on them because they're really just fighting phantoms of their own creation. Once you realize that, things get interesting. It's like when we were kids. You'd start bopping hard and throwing the ice grill when you step into Macy's and laugh to yourself when security guards got nervous and started shadowing you. You might have a knot of cash in your pocket, but you boost something anyway, just for the sport of it. Fuck 'em. Sometimes the mask is to hide and sometimes it's to play at being something you're not so you can watch the reactions of people who believe the mask is real. Because that's when they reveal themselves. So many people can't see that every great rapper is a not just a documentarian, but a trickster -- that every great rapper has a little bit of Chuck and a little bit of Flav in them -- but that's not our problem, it's their failure: the failure, or unwillingness, to treat rap like art, instead of acting like it's a bunch of niggas reading out of their diaries. Art elevates and refines and transforms experience. And sometimes it just fucks with you for the fun of it.
Jay-Z
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
You’ve heard the expression “total war”; it’s pretty common throughout human history. Every generation or so, some gasbag likes to spout about how his people have declared “total war” against an enemy, meaning that every man, woman, and child within his nation was committing every second of their lives to victory. That is bullshit on two basic levels. First of all, no country or group is ever 100 percent committed to war; it’s just not physically possible. You can have a high percentage, so many people working so hard for so long, but all of the people, all of the time? What about the malingerers, or the conscientious objectors? What about the sick, the injured, the very old, the very young? What about when you’re sleeping, eating, taking a shower, or taking a dump? Is that a “dump for victory”? That’s the first reason total war is impossible for humans. The second is that all nations have their limits. There might be individuals within that group who are willing to sacrifice their lives; it might even be a relatively high number for the population, but that population as a whole will eventually reach its maximum emotional and physiological breaking point. The Japanese reached theirs with a couple of American atomic bombs. The Vietnamese might have reached theirs if we’d dropped a couple more, 2 but, thank all holy Christ, our will broke before it came to that. That is the nature of human warfare, two sides trying to push the other past its limit of endurance, and no matter how much we like to talk about total war, that limit is always there…unless you’re the living dead. For the first time in history, we faced an enemy that was actively waging total war. They had no limits of endurance. They would never negotiate, never surrender. They would fight until the very end because, unlike us, every single one of them, every second of every day, was devoted to consuming all life on Earth. That’s the kind of enemy that was waiting for us beyond the Rockies. That’s the kind of war we had to fight.
Max Brooks (World War Z: An Oral History of the Zombie War)
PROLOGUE   Zoey “Wow, Z, this is a seriously awesome turnout. There are more humans here than fleas on an old dog!” Stevie Rae shielded her eyes with her hand as she looked around at the newly lit-up campus. Dallas was a total jerk, but we all admitted that the twinkling lights he’d wrapped around the trunks and limbs of the old oaks gave the entire campus a magickal, fairy-like glow. “That is one of your more disgusting bumpkin analogies,” Aphrodite said. “Though it’s accurate. Especially since there are a bunch of city politicians here. Total parasites.” “Try to be nice,” I said. “Or at least try to be quiet.” “Does that mean your daddy, the mayor, is here?” Stevie Rae’s already gawking eyes got even wider. “I suppose it does. I caught a glimpse of Cruella De Vil, a.k.a. She Who Bore Me, not long ago.” Aphrodite paused and her brows went up. “We should probably keep an eye on the Street Cats kittens. I saw some cute little black and white ones with especially fluffy fur.” Stevie Rae sucked air. “Ohmygoodness, your mamma wouldn’t really make a kitten fur coat, would she?” “Faster than you can say Bubba’s drinkin’ and drivin’ again,” Aphrodite mimicked Stevie Rae’s Okie twang. “Stevie Rae—she’s kidding. Tell her the truth,” I nudged Aphrodite. “Fine. She doesn’t skin kittens. Or puppies. Just baby seals and democrats.” Stevie Rae’s brow furrowed. “See, everything is fine. Plus, Damien’s at the Street Cats booth, and you know he’d never let one little kitten whisker be hurt—let alone a whole coat,” I assured my BFF, refusing to let Aphrodite mess up our good mood. “Actually, everything is more than fine. Check out what we managed to pull off in a little over a week.” I sighed in relief at the success of our event and let my gaze wander around the packed school grounds. Stevie Rae, Shaylin, Shaunee, Aphrodite, and I were manning the bake sale booth (while Stevie Rae’s mom and a bunch of her PTA friends moved through the crowd with samples of the chocolate chip cookies we were selling, like, zillions of). From our position near Nyx’s statue, we had a great view of the whole campus. I could see a long line at Grandma’s lavender booth. That made me smile. Not far from Grandma, Thanatos had set up a job application area, and there were a bunch of humans filling out paperwork there. In the center of the grounds there were two huge silver and white tents draped with more of Dallas’s twinkling lights. In one tent Stark and Darius and the Sons of Erebus Warriors were demonstrating weaponry. I watched as Stark was showing a young boy how to hold a bow. Stark’s gaze lifted from the kid and met mine. We shared a quick, intimate smile
P.C. Cast (Revealed (House of Night #11))
Ksiądz I na cóż ból rozdrażniać w przygojonej ranie? Synu mój, jest to dawna, lecz słuszna przestroga, Że kiedy co się stało i już się nie odstanie, Potrzeba w tym uznawać wolę Pana Boga. Gustaw (z żalem) O nie! nas Bóg urządził ku wspólnemu życiu, Jednakowa nam gwiazda świeciła w powiciu, Równi, choć różnych zdarzeń wykształceni ciekiem, Postawą sobie bliscy, jednostajni wiekiem, Ten sam powab we wszystkim, toż samo niechcenie, Też same w myślach składnie i w czuciach płomienie. Gdy nas wszędzie tożsamość łączy niedościgła, Bóg osnuł przyszłe węzły, (z żalem największym) a tyś je rozstrzygła! (mocniej, gniewny) Kobieto! puchu marny! ty wietrzna istoto! Postaci twojej zazdroszczą anieli, A duszę gorszą masz, gorszą niżeli!... Przebóg! tak ciebie oślepiło złoto! I honorów świecąca bańka, wewnątrz pusta! Bodaj!... Niech, czego dotkniesz, przeleje się w złoto; Gdzie tylko zwrócisz serce i usta, Całuj, ściskaj zimne złoto! Ja, gdybym równie był panem wyboru, I najcudniejsza postać dziewicza, Jakiej Bóg dotąd nie pokazał wzoru, Piękniejsza niżli aniołów oblicza, Niżli sny moje, niżli poetów zmyślenia, Niżli ty nawet... oddam ją za ciebie, Za słodycz twego jednego spojrzenia! Ach, i gdyby w posagu Płynęło za nią wszystkie złoto Tagu, Gdyby królestwo w niebie, Oddałbym ją za ciebie! Najmniejszych względów nie zyska ode mnie, Gdyby za tyle piękności i złota Prosiła tylko, ażeby jej luby Poświęcił małą cząstkę żywota, Którą dla ciebie całkiem poświęca daremnie! Gdyby prosiła o rok, o pół roka, Gdyby jedna z nią pieszczota, Gdyby jedno mgnienie oka, Nie chcę! nie! i na takie nie zezwolę śluby.
Adam Mickiewicz (Dziady)
There are human boys here somewhere?” Zoey asked. Aurox’s face scrunched up as he frowned at her. “Not here. Outside—out there. ” He pointed in the general direction of the door to the field house behind them. “Outside the field house!” she almost yelled. “Zo, sometimes I think you don’t listen so good,” Aurox said. Still frowning at her, he continued speaking slowly, as if trying to get her to understand a foreign language. “Two boys. Outside the wall. With the keg. And cups. They. Want. Hot. Vampyre. Chicks.” “Okay, I think I get it.” Stark grabbed Aurox’s arm and started to drag him toward the door and away from Z before she went for his throat, although that would have been funny as hell. “You found two kids, with beer, trying to get over the wall, right?” “See, you listen better.” Aurox patted him on the back, almost knocking Stark over. “But they’re just looking through the hole for vampyre pussy, not trying to get over the wall.” “If you say pussy one more time I’m going to smack the crap out of you,” Zoey said, coming after them. “You can’t come!” Aurox stumbled to a stop. “You have legs and tits!” “Oh. My. Goddess. I’m going to kill him!” Stark stepped between the two of them. He faced Zoey. She’d gone from pale to bright red in zero-point-nothing seconds. “Z, I think this is something that a Warrior needs to handle.” Behind him, Aurox belched, sending a wave of beer air wafting over them. Zoey narrowed her eyes and pointed at Aurox. “You have never been able to drink!” Then she spun around and stomped back to the basement entrance, slamming the door behind her. “She seems mad. Should we bring her a beer?” Aurox said. Stark covered his laugh with a cough. “Ur, no. Z doesn’t like beer.” “Doesn’t like beer? She should. It would make her head feel bubbly and happy.” Stark didn’t bother to cover his laugh a second time. “I wish it worked that way with her, but it doesn’t.” “Because she has legs and tits?” Stark knew it was wrong, but he couldn’t stop himself. “I’m not sure. Maybe you should ask her next time you see her.” Aurox nodded, looking as serious as a drunk could look. “I will.” “That should be fun. But until then, show me where these humans are, and while we’re going there, start back at the beginning and tell me exactly what happened before and after you were introduced to the red Solo cup.
Kristin Cast (Revealed (House of Night, #11))
They sit and stare and stare and sit Until they're hypnoti[z]ed by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keep them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? It rots the senses in the head! It kills imagination dead! It clogs and clutters up the mind! It makes a child so dull and blind He can no longer understand A fantasy, a fairyland! His brain becomes as soft as cheese! His powers of thinking rust and freeze! He cannot think-he only sees! 'All right' you'll cry. 'All right' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: They... used ... to... read! They'd read and read, And read and read, and then proceed To read some more, Great Scott! Gadzooks! One half their lives was reading books!... Oh books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall... ...They'll now begin to feel the need Of having something good to read. And once they start-oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did...
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
There’s been a revival of the old debate: with the failure of the wormholes, should we consider redesigning our minds to encompass interstellar distances? One self spanning thousands of stars, not via cloning, but through acceptance of the natural time scale of the lightspeed lag. Millennia passing between mental events. Local contingencies dealt with by non-conscious systems. I don’t think the idea will gain much support, though – and the new astronomical projects are something of an antidote. We can watch the stars from a distance, as ever, but we have to make peace with the fact that we’ve stayed behind. I keep asking myself, though: where do we go from here? History can’t guide us. Evolution can’t guide us. The C-Z charter says ”understand and respect the universe”… but in what form? On what scale? With what kind of senses, what kind of minds? We can become anything at all – and that space of possible futures dwarfs the galaxy. Can we explore it without losing our way? Fleshers used to spin fantasies about aliens arriving to ”conquer” Earth, to steal their ”precious” physical resources, to wipe them out for fear of ”competition”… as if a species capable of making the journey wouldn’t have had the power, or the wit, or the imagination, to rid itself of obsolete biological imperatives. ”Conquering the galaxy” is what bacteria with spaceships would do – knowing no better, having no choice. Our condition is the opposite of that: we have no end of choices. That’s why we need to find another space-faring civilisation. Understanding Lacerta is important, the astrophysics of survival is important, but we also need to speak to others who’ve faced the same decisions, and discovered how to live, what to become. We need to understand what it means to inhabit the universe.
Greg Egan (Diaspora)
Security is a big and serious deal, but it’s also largely a solved problem. That’s why the average person is quite willing to do their banking online and why nobody is afraid of entering their credit card number on Amazon. At 37signals, we’ve devised a simple security checklist all employees must follow: 1. All computers must use hard drive encryption, like the built-in FileVault feature in Apple’s OS X operating system. This ensures that a lost laptop is merely an inconvenience and an insurance claim, not a company-wide emergency and a scramble to change passwords and worry about what documents might be leaked. 2. Disable automatic login, require a password when waking from sleep, and set the computer to automatically lock after ten inactive minutes. 3. Turn on encryption for all sites you visit, especially critical services like Gmail. These days all sites use something called HTTPS or SSL. Look for the little lock icon in front of the Internet address. (We forced all 37signals products onto SSL a few years back to help with this.) 4. Make sure all smartphones and tablets use lock codes and can be wiped remotely. On the iPhone, you can do this through the “Find iPhone” application. This rule is easily forgotten as we tend to think of these tools as something for the home, but inevitably you’ll check your work email or log into Basecamp using your tablet. A smartphone or tablet needs to be treated with as much respect as your laptop. 5. Use a unique, generated, long-form password for each site you visit, kept by password-managing software, such as 1Password.§ We’re sorry to say, “secretmonkey” is not going to fool anyone. And even if you manage to remember UM6vDjwidQE9C28Z, it’s no good if it’s used on every site and one of them is hacked. (It happens all the time!) 6. Turn on two-factor authentication when using Gmail, so you can’t log in without having access to your cell phone for a login code (this means that someone who gets hold of your login and password also needs to get hold of your phone to login). And keep in mind: if your email security fails, all other online services will fail too, since an intruder can use the “password reset” from any other site to have a new password sent to the email account they now have access to. Creating security protocols and algorithms is the computer equivalent of rocket science, but taking advantage of them isn’t. Take the time to learn the basics and they’ll cease being scary voodoo that you can’t trust. These days, security for your devices is just simple good sense, like putting on your seat belt.
Jason Fried (Remote: Office Not Required)