Upset With Myself Quotes

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It's okay,' he tells me. 'If you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life.' His voice cracks with emotion. He stops, clears his throat, takes a breath, and continues. 'But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.' For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can't be that late-inning pinch hitter I'd hoped for. He won't unplug my breathing tube or overdoes me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps's recognition, and the permission he just offered me--it feels like a gift. Gramps doesn't leave me. He slumps back into the chair. It's quiet now. So quiet you can almost hear other people's dreams. So quiet that you can almost hear me tell Gramps, 'Thank you.
Gayle Forman (If I Stay (If I Stay, #1))
I am so sorry. I wish you knew even one tenth of one percent of how sorry I am. ...It was my fault. Can I kill myself here, or should I do it outside, so the mess on your carpet doesn't upset your mother?
Laurie Halse Anderson (Twisted)
And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation. Everything that mattered except one lousy picture was in the trash, but it felt so great. I started jogging, wanting to put even more distance between myself and school. It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.
John Green (Paper Towns)
You happened to me,You scare me to death, you know. When you stormed into my life, you turned everything inside out. You upset all the things I believed about myself and made me think in new ways. I know who I used to be, but I’m finally ready to figure out who I am. Cynicism gets tiring, Isabel, and you’ve . . . rested me.And don’t you dare tell me you’ve stopped loving me back, because you’re still a better person than I am, and I’m counting on you to take more care with my heart than I took with yours.
Susan Elizabeth Phillips
I hated myself for needing him at such times, for craving his strength whenever I felt upset.
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
I said to myself that maturity consisted in accepting the turn that existence had taken without getting too upset, following a path between daily practices and theoretical achievements, learning to see oneself, know oneself, in expectation of great changes.
Elena Ferrante (Those Who Leave and Those Who Stay)
HIGGINS I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything. When you let them into your life, you find that the woman is driving at one thing and you're driving at another. PICKERING At what, for example? HIGGINS Oh, Lord knows! I suppose the woman wants to live her own life; and the man wants to live his; and each tries to drag the other on to the wrong track. One wants to go north and the other south; and the result is that both have to go east, though they both hate the east wind.
George Bernard Shaw (Pygmalion)
You okay with all of this?" I whispered to Daemon. He shrugged. "Not like I can stop her." I knew he could if he wanted, which meant he didn't have a problem with it. "Cookie?" he offered, holding a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. "Sure." His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it." Come and get...? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere... My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing. That cookie—those lips—were right there. Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me. Dee gagged. "I think I'm going to hurl." Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me. Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten." I stared at him. Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
Jennifer L. Armentrout (Onyx (Lux, #2))
I always considered myself a loner. I mean, not like a poor-me, Byron-esque, I-should-have-brought-a-swimming-buddy loner. I mean the sort of person who doesn’t feel too upset about the prospect of a weekend spent seeing no one, and reading good books on the couch. It wasn’t like I was a people hater or anything. I enjoyed activities and the company of friends. But they were a side dish. I always thought I would be happy without them.
Jim Butcher (Ghost Story (The Dresden Files, #13))
I wasn't paying attention," said Myrtle dramatically. "Peeves upset me so much I came in here and tried to kill myself. Then, of course, I remembered that I'm -- that I'm --" "Already dead," said Ron hopefully. Myrtle gave a tragic sob, rose up in the air, turned over, and dived headfirst into the toilet, splashing water all over them and vanishing from sight, although from the direction of her muffled sobs, she had come to rest somewhere in the U-bend.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I think you know if you disappeared from my life I’d be upset, but ultimately I’d make myself a new invisible cloak, to replace the one you stole.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
Of course it's jealousy," said Adrian nonchalantly. "What do you expect? The former love of your life comes back—from the dead, no less. That's not something I'm really excited about. But I don't blame you for feeling confused." "I told you before—" "I know, I know." Adrian didn't sound particularly upset. In fact, there was a surprisingly patient tone in his voice. "I know you said him coming back wouldn't affect things between us. But saying one thing before it happens and then actually having that thing happen are two different things." "What are you getting at?" I asked, kind of confused. "I want you, Rose." He squeezed my hand more tightly. "I've always wanted you. I want to be with you. I'd like to be like other guys and say I want to take care of you too, but...well. When it comes down to it, you'd probably be the one taking care of me." I laughed in spite of myself. "Some days I think you're in more danger from yourself than anyone else. You smell like cigarettes, you know." "Hey, I have never, ever said I was perfect. And you're wrong. You're probably the most dangerous thing in my life.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I was thinking about stabbing myself in the face—not actually considering stabbing myself in the face, but thinking that it would be a physical expression of how I felt.
Catherine Lacey (Nobody Is Ever Missing)
...and we sat like that, one creature in two bodies, for a long time, until I forgot what I'd been upset about and I was myself again.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
always thought of myself as a loving person. But she was right. I had been a fair-weather friend. As long as she was happy and nice, I loved back. But if she was unhappy or upset, I would feel blamed and then argue or distance myself
John Gray
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. 'I should have drowned you when I had the chance.' His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense. 'Oh, Katniss, don't tease him,' she says, folding him back in her arms. 'He's already so upset.' The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Can I ask what’s upsetting you?” I take a breath, try to work out the words, but after a moment I shake my head. “It’s too big to explain,” I say. Because it’s about more than my poem being bad, or that I can’t pick a study spot without exhausting myself. It’s a darker feeling, a fear of there being something wrong with me that I won’t ever be able to fix.
Kate Elizabeth Russell (My Dark Vanessa)
A strange mood has seized the almost-educated young. They're on the march, angry at times, but mostly needful, longing for authority's blessing, its validation of their chosen identities. The decline of the West in new guise perhaps. Or the exaltation and liberation of the self. A social-media site famously proposes seventy-one gender options – neutrois, two spirit, bigender…any colour you like, Mr Ford. Biology is not destiny after all, and there's cause for celebration. A shrimp is neither limiting nor stable. I declare my undeniable feeling for who I am. If I turn out to be white, I may identify as black. And vice versa. I may announce myself as disabled, or disabled in context. If my identity is that of a believer, I'm easily wounded, my flesh torn to bleeding by any questioning of my faith. Offended, I enter a state of grace. Should inconvenient opinions hover near me like fallen angels or evil djinn (a mile being too near), I'll be in need of the special campus safe room equipped with Play-Doh and looped footage of gambolling puppies. Ah, the intellectual life! I may need advance warning if upsetting books or ideas threaten my very being by coming too close, breathing on my face, my brain, like unwholesome drugs.
Ian McEwan (Nutshell)
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
You just like the idea of me. You like the person I present myself under circumstances that I can control. I choose what I say and how I say things. It’s like being attracted to a fictional character in a book. They are scripted and made up. If you think about it, through writings, we all script and make ourselves up. I don’t share the person I become when I am upset. I don’t show you how I look like when I sleep. I don’t tell you about all the times I’ve made someone cry. All the guilty things I’ve done and the bad thoughts I’ve had.
Jiawei Han
Let me alone," said Mildred "Let you alone!" He almost cried out with laughter. "Letting you alone is easy, but how can I leave myself alone? That's what's wrong. We need not to be let alone. We need to be upset and stirred and bothered, once in a while, anyway. Nobody bothers anymore. Nobody thinks. Let a baby alone, why don't you? What would you have in twenty years? A savage, unable to think or talk--like us!
Ray Bradbury (A Pleasure to Burn: Fahrenheit 451 Stories)
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you." Maxon took a step closer. My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted. Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard. Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?" "If you lay a single finger on me, I'll do worse!" I promised. "What?" "I said, if you-" "No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?" I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming. The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position. We were quiet for a while, and once Maxon was over the worst of his pain, he faced me. "What did you think I wanted?" he asked. I ducked my head and blushed. "America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!" He started to walk away but turned back. "Why did you even offer to help if you think so little of me?" I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
Kiera Cass (The Selection (The Selection, #1))
Have you never outright sinned, then?” “I disobeyed Patti when she told me to stay away from you.” “Right. I remember that one. So just once, then?” “There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching. “Yes? Go on,” he urged. He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts. “The night we met, I sort of...well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind. We started catching our breath again a few minutes later, only to break into another round of merriment. “Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes. “Yes, yes. I've had worse said about me.
Wendy Higgins (Sweet Evil (Sweet, #1))
Cookie?” he offered, holding up a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. “Sure.” His lips tipped to one side and he leaned towards me, his mouth inches from mine. “Come and get it.” Come and get…? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere… My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn’t bring myself to check out what they were doing. That cookie – those lips – were right there. Heat swept over my cheeks. I could feel the eyes of everyone else and Demon… dear God, Daemon arched his brows, daring me. Dee gagged. “I think I’m going to hurl.” Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take that cookie out of his mouth like something straight out of an R-rated version of Lady and the Tramp? Heck, I kind of wanted to, and I wasn’t too sure what that said about me. Daemon reached up and took the cookie. There was a gleam in his eyes, as if he’d just won some battle. “Time’s up, Kitten.
Jennifer L. Armentrout (Onyx (Lux, #2))
Like an attack this melancholy comes from time to time. I don't know at what intervals, and slowly covers my sky with clouds. It begins with an unrest in the heart, with a premonition of anxiety, probably with my dreams at night. People, houses, colors, sounds that otherwise please me become dubious and seem false. Music gives me a headache. All my mail becomes upsetting and contains hidden arrows. At such times, having to converse with people is torture and immediately leads to scenes... Anger, suffering, and complaints are directed at everything, at people, at animals, at the weather, at God, at the paper in the book one is reading, at the material of the very clothing one has on. But anger, impatience, complaints and hatred have no effect on things and are deflected from everything, back to myself.
Hermann Hesse (Wandering)
Three days after that, the funeral was held, and while riding from the church to the cemetery Ava looked out the widow and noticed that everyone she passed was crying. "Old people, college students, even the colored men at the gas station-- the soul brothers, or whatever we're supposed to call them now." It was such an outdated term, I just had to use it myself. "How did the soul brothers know your father?" "That's just it," she said. "No one told us until after the burial that Kennedy had been shot. It happened when we were in the church, so that's what everyone was so upset about. The president, not my father.
David Sedaris (When You Are Engulfed in Flames)
But why did you go,” my mother asked him, “when it was bound to upset you like this?” “I went,” he told her, “because every day I ask myself the same question: How can this be happening in America? How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination.
Philip Roth (The Plot Against America)
Sometimes when I get really sad and depressed, you know, I lie in bed and think about you. I don’t mean in a sexual way. I just think about the goodness of you as a person. And since you like me, or you love me, I must be okay. I can feel that feeling inside myself even now while I’m describing it to you. It’s like, when everything is really bad, it’s this one small feeling the size of an acorn, and it’s inside me, here. She gestured to the base of her breastbone, between her ribs. It’s like the way, when I’m upset, I know I can call you, and you’ll say soothing things to me, she said. And when I think about that, most of the time I don’t even need to call you, because I can feel it, the way I’m describing. I can feel that you’re with me. I know that probably sounds stupid. But if we got together and then broke up, would I not be able to feel that anymore? And what would I have inside here instead? She tapped the base of her breastbone again with anxious fingers. Nothing? she asked.
Sally Rooney (Beautiful World, Where Are You)
There was nothing dreadfully wrong with me, I was just upsetting myself with my irrational thinking. I just couldn't admit it until I knew for sure. Now, I feel like a whole man, and I had to call you up and let you know where I stood . . . It was hard for me to do this, and I'm sorry it took so long for me to get around to telling you.
David D. Burns (Feeling Good: Overcome Depression and Anxiety with Proven Techniques)
But I mind," Bart said savagely. "I'd like to see a world where I could have my picture taken, say, with Tommy on my lap if I want to. For every woman who got upset because I wasn't, shall we say, available for her romantic daydreams, there's be some young kid reading the papers and going to movies, and he'd be able to stop hating himself and say, 'Okay Bart Reeder is queer, and he's happy and successful, and he's getting along okay, so maybe I don't have to go out and hang myself after all.' And the suicide rate would go down, and everybody would be happy
Marion Zimmer Bradley (The Catch Trap)
If I could go back in time to when I wrote sad little poems, I’d punch myself right in the fucking face because it gets worse man. It gets much, much worse and the sooner we realize that, the sooner we can just start dying and I know. I know—blahblahblah, nobody gives a fuck about your broken heart, but you know something? Most days, I’m not even sure what I’m upset about.
Dan "Soupy" Campbell (Paper Boats or Some Poems I Wrote)
I was upset, sad, angry - something! I needed to do something! I needed to feel myself, understand myself and this horrible world we are all trapped in, where bugs and tumors and viruses worm their way into our brains and lay their putrid eggs that hatch and eat us alive from the inside out.
Garth Stein (The Art of Racing in the Rain)
A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend." "How can you be sure?" "He has on his best hedgehog suit." "Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?" "He's been away in London, you see, and now he has returned to her," Kartik continues. "And what if she is angry with him for being away so long?" Kartik circles just behind me. "She will forgive him." "Will she?" I say pointedly. "It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog. "And is he happy to see her again?" "Yes," Kartik says. "He should like to stay longer, but he cannot." The bark chafes against my hand. "Why is that?" "He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face. "Oh," I say, heart beating fast. "And what would the lady hedgehog say to that?" he asks. His voice soft and low. "She would say..." I swallow hard. Kartik steps closer. "Yes?" "She would say," I whisper, "'If you please, I am not a hedgehog. I am a woodchuck.'" A small smile plays at Kartik's lips. "He is fortunate to have so witty a lady friend," he says, and I wish I could have the moment back again to play differently.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Beth hates me." I chuckled, loving Echo for calling it straight. I framed her face with my hands, letting my fingers enjoy the feel of her satin skin. "You 're my world, so i'd say that evens things out." Echo's eyes widened and she paled. Why was she upset? My mind replayed every moment carefully and then froze, rewound, replayed and froze again on the words i'd said. It had been so long since i'd let myself fall for anybody. I gazed into her beautiful green eyes and her fear melted. A shy smile tugged at her lips and at my heart. Fuck me and the rest of the world, I was in love. Echo's gloved hands reached up and guided my head to hers. I let myself bask in her warmth and deepened our kiss, enjoying the teasing taste of her tongue and the way her soft lips moved against mine. Very easily, i could lose myself in her...forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Sometimes when I’m facing a horrendous week or am upset over a perceived slight, I remind myself that I won’t remember it (much less care about it) one month, six months, or a year from now. (The more extreme version of this strategy is to use the deathbed criterion: Will it matter when you’re on your deathbed?)
Sonja Lyubomirsky (The How of Happiness: A Scientific Approach to Getting the Life You Want)
I cannot stay in harmony if I let myself become upset by things beyond my control.
Epictetus (The Manual: A Philosopher's Guide to Life)
If someone liked me, I waited until she was off guard, and then I told her I didn’t want to be her friend any more. I watched the confusion and upset. The tears. Then I ran off, triumphantly in control, and very fast the triumph and the control leaked away, and then I cried and cried, because I had put myself on the outside again, on the doorstep again, where I didn’t want to be.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
I took a little walk outside for a while. I was surprised that I wasn't feeling what I thought people were supposed to feel under the circumstances. May be I was fooling myself. I wasn't delighted, but I didn't feel terribly upset, perhaps because we had known for a long time that it was going to happen. It's hard to explain. If a Martian(who, we'll imagine never dies except by accident) came to Earth and saw this peculiar race of creatures-these humans who live about seventy or eighty years, knowing that death is going to come--it would look to hi like a terrible problem of psychology to live under those circumstances, knowing that life is only temporary Well, we humans somehow figure out how to live despite this problem: we laugh, we joke, we live. The only difference for me and Arlene was, instead of fifty years, it was five years. It was only a quantitative difference--the psychological problem was just the same. The only way it would have become any different is if we had said to ourselves, "But those other people have it better, because they might live fifty years." But that's crazy. Why make yourself miserable saying things like, "Why do we have such bad luck? What has God done to us? What have we done to deserve this?"--all of which, if you understand reality and take it completely into your heart, are irrelevant and unsolvable. They are just things that nobody can know. Your situation is just an accident of life.. We had a hell of good time together...
Richard P. Feynman
Use art, be creative. No more war. No more children dying. A pawn that does not move in chess upsets the game. I know there is love in the world still and that is what i wish to surround myself with. Sacrifice your time and energy into something positive instead of the negative and you will see that change around you.
Lorin Morgan-Richards
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
I worry that I upset people without meaning to. I worry that I don't check my privilege enough. I worry about people being imprisoned for crimes they didn't do. I worry about human rights abuses. I worry about prejudice and politics and pollution and the world my children, and their entire generation, are inheriting from us. I worry about all of the species going extinct because of humans. I worry about my carbon footprint. I worry about all of the pain in the world that I am not actively able to stop. I worry about how much I'm wrapped up in myself, which makes me even more wrapped up in myself.
Matt Haig (Notes on a Nervous Planet)
Can I ask how it impacts your relationships in a toxic way?” “I’m just noticing things. All the time. Bad behaviors. Like, I tend to categorize people as ‘safe’ or ‘unsafe.’ And when I don’t like somebody, I see them as unsafe and I can’t deal with them. And then whenever anybody’s upset, I’m not good with sitting with their discomfort. I’m always trying to help and fix. And some people have told me I have a tendency to make things about myself. And I’m negative and I’m always complaining about my life. And I always feel like I’m having a crisis because I’m still not good enough at self-soothing.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Don’t get too upset,” said Roberta. “You may have the psychopathy of a dangerous man, but so do many cops. In fact, a lot of CEOs would have scored the same as you, or worse. Donald Trump is probably a sociopath. But it’s what makes him successful.
James Renner (True Crime Addict: How I Lost Myself in the Mysterious Disappearance of Maura Murray)
Those comments were borne of depression and sadness and my desire to make someone else feel as badly as I did. I get very snarky when I’m upset, which some people find endearing in a weird way but it usually ends up making me disappointed in myself.
Cecilia London (Dissident (Bellator Saga, #1))
The night we met, I sort of... well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don’t know why, it upset me, and I told them... thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn’t keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn’t offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he’d been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
Wendy Higgins (Sweet Evil (The Sweet Trilogy, #1))
There was genuine hurt in his voice, but I refused to let myself soften. It had been Ben’s favorite tactic in arguments, when we were together, to divert the discussion away from whatever was annoying me to the fact that I’d hurt his feelings and was acting irrationally. Time and again I’d ended up apologizing for the fact that I’d upset him—my own feelings completely ignored, and always, in the process, we’d somehow wound up losing sight of the issue that had provoked the disagreement in the first place. I wasn’t falling for it now.
Ruth Ware (The Woman in Cabin 10)
Pardon me,” said Glokta, wiping his running eye with a finger, “but I spent two years in the Emperor’s prisons. I daresay, if I had known I’d be there half that long at the start, I would have made a more concerted effort to kill myself. Seven hundred days, give or take, in the darkness. As close to hell, I would have thought, as a living man can go. My point is this – if you mean to upset me, you'll need more than harsh language.
Joe Abercrombie (The Blade Itself (The First Law, #1))
I've been living like this for a long time - about twenty years. I'm forty now. I used to be in the civil service; I no longer am. I was a wicked official. I was rude, and took pleasure in it. After all, I didn't accept bribes, so I had to reward myself at least with that. (A bad witticism, but I won't cross it out. I wrote it thinking it would come out very witty; but now, seeing for myself that I simply had a vile wish to swagger - I purposely won't cross it out!) When petitioners would come for information to the desk where I sat - I'd gnash my teeth at them, and felt an inexhaustible delight when I managed to upset someone. I almost always managed. They were timid people for the most part: petitioners, you know. But among the fops there was one officer I especially could not stand. He simply refused to submit and kept rattling his sabre disgustingly. I was at war with him over that sabre for a year and a half. In the end, I prevailed. He stopped rattling. However, that was still in my youth. But do you know, gentlemen, what was the main point about my wickedness? The whole thing precisely was, the greatest nastiness precisely lay in my being shamefully conscious every moment, even in moments of the greatest bile, that I was not only not a wicked but was not even an embittered man, that I was simply frightening sparrows in vain, and pleasing myself with it. I’m foaming at the mouth, but bring me some little doll, give me some tea with a bit of suger, and maybe I’ll calm down. I’ll even wax tenderhearted, though afterwards I’ll certainly gnash my teeth at myself and suffer from insomnia for a few months out of shame. Such is my custom. And I lied about myself just now when I said I was a wicked official. I lied out of wickedness. I was simply playing around both with the petitioners and with the officer, but as a matter of fact I was never able to become wicked.
Fyodor Dostoevsky (Notes from Underground)
Until I was twenty I was sure there was a being who could see everything I did and who didn't like most of it. He seemed to care about minute aspects of my life, like on what day of the week I ate a piece of meat. And yet, he let earthquakes and mudslides take out whole communities, apparently ignoring the saints among them who ate their meat on the assigned days. Eventually, I realized that I didn't believe there was such a being. It didn't seem reasonable. And I assumed that I was an atheist. As I understood the word, it meant that I was someone who didn't believe in a God; I was without a God. I didn't broadcast this in public because I noticed that people who do believe in a god get upset to hear that others don't. (Why this is so is one of the most pressing of human questions, and I wish a few of the bright people in this conversation would try to answer it through research.) But, slowly I realized that in the popular mind the word atheist was coming to mean something more - a statement that there couldn't be a God. God was, in this formulation, not possible, and this was something that could be proved. But I had been changed by eleven years of interviewing six or seven hundred scientists around the world on the television program Scientific American Frontiers. And that change was reflected in how I would now identify myself. The most striking thing about the scientists I met was their complete dedication to evidence. It reminded me of the wonderfully plainspoken words of Richard Feynman who felt it was better not to know than to know something that was wrong.
Alan Alda
I wouldn’t let you upset me,” she mumbles. “Good!” I laugh and smile at her. I see the tiniest smile in return. “I’m just trying to say…we’re not so different. And, maybe, because of that, you can understand how I feel. I had my own dreams, too, Rinni. I had a shop. I wanted to help people with my talents when it came to herbs and potions. The whole town depended on me and invested in me so I could do it. That profession—herbalist—was my painting. But the world wanted me to be something different. “So, no, I’m not held hostage in the literal sense. But it can feel that way, especially because the life I planned for myself is out of reach.
Elise Kova (A Deal with the Elf King (Married to Magic, #1))
TINA: I’ll have to go to the Ministry with what I’ve got. (a wobble in her voice) It was nice to see you again, Mr. Scamander. She strides from the room, leaving NEWT perplexed and upset. INT. FLAMEL HOUSE, HALLWAY—AFTERNOON JACOB follows TINA into the hall. JACOB: Hey, hold on one second, will you? Well, hold on! Wait! Tina! She leaves. As the front door closes, NEWT appears at the drawing room door. JACOB: (to NEWT) You didn’t mention salamanders, did you? NEWT: No, she just—ran. I don’t know . . . JACOB (firm): So you chase after her! NEWT grabs his case. He leaves.  EXT. RUE DE MONTMORENCY—END OF DAY TINA is hurrying up the road. NEWT hastens to catch up. NEWT: Tina. Please, just listen to me— TINA: Mr. Scamander, I need to go talk to the Ministry—and I know how you feel about Aurors— NEWT: I may have been a little strong in the way that I expressed myself in that letter— TINA: What was the exact phrase? “A bunch of careerist hypocrites”? NEWT: I’m sorry, but I can’t admire people whose answer to everything that they fear or misunderstand is “kill it”! TINA: I’m an Auror and I don’t— NEWT: Yes, and that’s because you’ve gone middle head! TINA (stopping): Excuse me? NEWT: It’s an expression derived from the three heads of the Runespoor. The middle one is the visionary. Every Auror in Europe wants Credence dead—except you. You’ve gone middle head. A beat. TINA: Who else uses that expression, Mr. Scamander? NEWT considers. NEWT: I think it might just be me.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
Narcissists like watching themselves on videotape, and report gaining self-confidence from gazing at their reflection in a mirror. The Narcissistic Personality Inventory contains items such as “I like to look at myself in the mirror,” “I get upset when people don’t notice how I look when I go out in public,” and “I like to show off my body.” Vanity seems harmless and often is, but vanity often occurs with self-centeredness, which causes so many of the negative behaviors associated with narcissism.
Jean M. Twenge (The Narcissism Epidemic: Living in the Age of Entitlement)
To be honest, I was also upset about what I knew I was heading into. A whole new school where I’d have to make new friends (if I was lucky, which was unlikely) and avoid being stereotyped as a Native American midget (which was probably inevitable). So I was struggling between feeling worried about my mom and feeling sorry for myself, and being angry at her for deserting me and being angry at myself for being so selfish. Although I tried not to show it, my face probably looked like a battlefield that day.
Joseph Bruchac (Bearwalker)
I started crying when the group [therapy] was over because the last thing we did upset me - we all held a piece of the same cloth, leaned back and supported each other's weight. I couldn't do it. I bent my legs and elbows and stood very firm, yet . . . I needed to feel supported, as i do in life, but i can't let myself be, and i pretend not to need that support.
Carol Lee (To Die For)
I shook my head at him. “Unbelievable. You have no claim here,” I said, gesturing to myself. “You have no right to be upset that I’m dating Jack. You had your chance.” “I guess I’m not as okay with it as I thought I was. I don’t like seeing him with you,” he said, and I wasn’t sure if it was because Jack was a known player or if Jack was suddenly playing with me.
Monica Alexander (Aftershocks)
Sebastian: Do you remember when you were eleven and had mono? Our parents wanted us to stay away from each other. Dad was afraid I'd catch it and I'd miss Little League practice. Anyway, you were upset because you were lonely and being all kinds of whiny about it... Lena: I wasn't being whiny. I was stuck in my bedroom by myself for days, and if wasn't sleeping, I was bored. Sebastian: You were sick and you didn't want to be alone. You wanted me. Lena: I didn't want you, per se. I just wanted someone... Sebastian: You've always wanted me. Not just anyone, but me. So, you not wanting me here has nothing to do with you being tired. I know why you don't Or at least I think I understand part of it, and we'll talk about the you-wanting-me part later.
Jennifer L. Armentrout (If There's No Tomorrow)
I was surprised and delighted to find a lot of letters from people in the early days would say, ‘I was terribly depressed and upset until I sat down and read your book. It’s really shown me the way up again.’ I wrote it to do this for myself, and it’s seemed to have the same effect on a lot of other people. I can’t explain it. Perhaps I’ve inadvertently written a self-help book.
Neil Gaiman (Don't Panic: Douglas Adams & The Hitchhiker's Guide to the Galaxy)
In 1966, after arriving in New York, I read two of Luria's books, Higher Cortical Functions in Man and Human Brain and Psychological Processes. The latter, which contained very full case histories of patients with frontal lobe damage, filled me with admiration [4]. [Footnote 4]. And fear, for as I read it, I thought, what place is there for me in the world? Luria has already seen, said, written, and thought anything I can ever say, or write, or think. I was so upset that I tore the book in two (I had to buy a new copy for the library, as well as a copy for myself).
Oliver Sacks (On the Move: A Life)
grew up in a very invalidating environment,” I declare. “People didn’t take my problems seriously. I was blamed for everything I did. When I got upset, no one taught me how to take care of myself. And you were gone half the time on your trips around the world, and when you were around, you were constantly preoccupied. Even with you there, you weren’t there. I felt entirely alone.
Kiera Van Gelder (The Buddha and the Borderline: My Recovery from Borderline Personality Disorder through Dialectical Behavior Therapy, Buddhism, and Online Dating)
This is…” She crossed her arms, and I braced myself for a rant of epic proportions. “This personal meeting you’ve been telling me about all weekend was just a ruse for you to ask me to sign an extension? “It was a ruse to ask you to be my girlfriend.” She pretended to look upset, but her cheeks gave her away. “You could’ve asked me that over the weekend.” “You would’ve said no.” “No.” She smiled. “I would’ve said that the only reason you’re asking me to be your girlfriend is because you think we might possibly have more sex that way.” “We’re definitely going to have more sex.
Whitney G. (Cocky Client (Steamy Coffee Collection, #3))
And finally he had upset the whole household when he arrived an hour and a half late for luncheon and covered with mud from head to foot, and made not the least apology, saying merely: “I never allow myself to be influenced in the smallest degree either by atmospheric disturbances or by the arbitrary divisions of what is known as Time. I would willingly reintroduce to society the opium pipe of China or the Malayan kriss, but I am wholly and entirely without instruction in those infinitely more per-nicious (besides being quite bleakly bourgeois) implements, the umbrella and the watch.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
I grew up listening to my mother scoff at all the T.V shows and books that I watched or read. She told me how it was all 'rubbish' and 'garbage'. But the thing is, I think somehow, watching along the show I also grew up. I know everyone says that, like when Good Luck Charlie ended everyone was upset and was like 'I grew up now its gone!' Or 'Aww. My childhood gone' But its not like that with me. I actually grow and learn more things about myself. And some of the shows or books I watched/read, motivated me. They were always there. So if that is the definition of 'rubbish' and 'garbage' than please. Cover me in filth.
Trisscar
Prison Moon Four a.m. work duty and I begin my solitary trudge from outer compound to main building. A shivering guard, chilled in his lonely outpost, strip searches me until content that my inconsequential nudity. poses no threat and then whispers the secret code that allows me admittance into the open quarter-mile walkway. I chuff my way into another day as ice glints on the razor wire and the rifles note my numbed passage, silent but for my huffs and scuffle on the cracked, slippery sidewalk A new moon, veiled in wispy fog and beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights. The moon’s creamy pull upsets some liquid equilibrium within me and like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip me and I howl--once, then again, and surely somewhere an unbound sleeper stirs, penitence is dying a giddy death. I shake myself sane and as the echoes hang in the frigid air I explain to the wild-eyed guard that convicts, like all animals under the leash, must bay at the beauty beyond them.
Jorge Antonio Renaud
When I asked the Reb, Why do bad things happen to good people?, he gave none of the standard answers. He quietly said, “No one knows.” I admired that. But when I asked if that ever shook his belief in God, he was firm. “I cannot waver,” he said. Well, you could, if you didn’t believe in something all-powerful. “An atheist,” he said. Yes. “And then I could explain why my prayers were not answered.” Right. He studied me carefully. He drew in his breath. “I had a doctor once who was an atheist. Did I ever tell you about him?” No. “This doctor, he liked to jab me and my beliefs. He used to schedule my appointments deliberately on Saturdays, so I would have to call the receptionist and explain why, because of my religion, that wouldn’t work.” Nice guy, I said. “Anyhow, one day, I read in the paper that his brother had died. So I made a condolence call.” After the way he treated you? “In this job,” the Reb said, “you don’t retaliate.” I laughed. “So I go to his house, and he sees me. I can tell he is upset. I tell him I am sorry for his loss. And he says, with an angry face, ‘I envy you.’ “‘Why do you envy me?’ I said. “‘Because when you lose someone you love, you can curse God. You can yell. You can blame him. You can demand to know why. But I don’t believe in God. I’m a doctor! And I couldn’t help my brother!’ “He was near tears. ‘Who do I blame?’ he kept asking me. ‘There is no God. I can only blame myself.’” The Reb’s face tightened, as if in pain. “That,” he said, softly, “is a terrible self-indictment.” Worse than an unanswered prayer? “Oh yes. It is far more comforting to think God listened and said no, than to think that nobody’s out there.
Mitch Albom (Have a Little Faith: A True Story)
We didn’t see Peeta. Only the propo on Eight. Then we turned the set off because the images upset you. Got it?” he asks. I nod. “Finish your dinner.” I pull myself together enough so that when Plutarch and Fulvia enter, I have a mouthful of bread and cabbage. Finnick is talking about how well Gale came across on camera. We congratulate them on the propo. Make it clear it was so powerful, we tuned out right afterward. They look relieved. They believe us. No one mentions Peeta.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Sammi,” Alex said, still holding on to her arm, firmly, but not hurting her. “Don’t do that.” “Do what?” Sam asked a bit peevishly. “Don’t lie and tell me what you think I want to hear rather than how you really feel.” After a beat where Sam didn’t say anything he continued. “If you want to tell me to piss off, tell me. If I do something that hurts your feelings, tell me.” His voice suddenly lowered and he took her hands in his. Sam had to lean into him to hear him over the noise of the barn. “For the love of God, you’re the only real person here. If I can’t rely on you to tell me like it is, who will?” He paused. “Now, please tell me what upset you.” “It’s just that…..” she paused, finally continuing when Alex squeezed her hand. “I don’t fit in with the other women here, and I don’t want you to see me as…less…then they are.” “I don’t see you as less.” Alex immediately said, not even pausing to think about what he wanted to say. “We don’t really know each other, but when I’m lying in my cot at night I find myself thinking about you and what you are thinking about.” He brushed his knuckle over her reddening cheek and continued, “I would never intentionally insult you like that. I just have to learn how I can tease you and not have you take offense.
Susan Stoker
Telltale Signs That You Grew Up as a “Little Adult” It’s often so difficult for adult daughters to step back and see how they were put into the adult helper role. To help you recognize if this dynamic echoes your experience, I’ve created a pair of checklists to help you identify how mothering your mother shaped and influenced a significant part of your life. When you were a child did you: • Believe that your most important job in life was to solve your mother’s problems or ease her pain—no matter what the cost to you? • Ignore your own feelings and pay attention only to what she wanted and how she felt? • Protect her from the consequences of her behavior? • Lie or cover up for her? • Defend her when anyone said anything bad about her? • Think that your good feelings about yourself depended on her approval? • Have to keep her behavior secret from your friends? As an adult, do these statements ring true for you: • I will do anything to avoid upsetting my mother, and the other adults in my life. • I can’t stand it if I feel I’ve let anyone down. • I am a perfectionist, and I blame myself for everything that goes wrong. • I’m the only person I can really count on. I have to do things myself. • People like me not for myself but for what I can do for them. • I have to be strong all the time. If I need anything or ask for help, it means I’m weak. • I should be able to solve every problem. • When everyone else is taken care of, I can finally have what I want. • I feel angry, unappreciated, and used much of the time, but I push these feelings deep inside myself.
Susan Forward (Mothers Who Can't Love: A Healing Guide for Daughters)
Oh, how sweet the first kiss of Jesus was! It was a kiss of love. I knew that I was loved and I declared: “I love You and I give myself to You for ever!” Jesus made no demand on me; He asked for no sacrifices. For a long time Jesus and little Thérèse had gazed at each other and they understood each other. On that day it was no longer a matter of gazing: it was a union. There were no longer two of us. Thérèse had disappeared like a drop of water lost in the depth of the ocean. Only Jesus remained — as Master and King. For had not Thérèse begged Him to take away her freedom? Freedom frightened her, for she knew herself to be so weak and feeble that she wished to be united with the divine Power for ever. Her joy was too great, too deep to be contained. She wept. Her companions were amazed and afterwards they said: “Why on earth did she cry? Something must have been upsetting her. Perhaps it was because her mother wasn’t there, nor her Carmelite sister she loves so much.” They couldn’t understand that such a flood of divine joy cannot be borne without tears.
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
To imagine I wasted time clinging to superficial ideals with a desperate want, because I was terrified of losing things, afraid of the outcome, afraid of upsetting my husband, my family or my associates. Afraid of being alone, a single unmarried woman afraid of being a failed business owner, trusting the love of a man I'm having an affair with, and believing in myself. Afraid of taking the next step, because "What will people think?" as if it were death. Here I am having lost everything, having died, yet I am still alive, still burning with existence.
Tlotlo Tsamaase (Womb City)
Thinking about the journey I have been on and why I might be here in this lifetime. I’m here to not repeat patterns. To not live on other people’s terms, but on my own terms. To stop trying to please everyone at the expense of myself. So here I am, to find me, and then I freak out. What? Did I upset you? It’s fucking scary. Fucking scary to take a baby step in that direction. To reveal myself? To not look in the mirror or take an iPhone selfie that will expose the inside? But this is what it takes to be my best. In this lifetime, to bare my naked soul and my scarred skin. You can love me or hate me. Or be somewhere in between. But I am who I am. We all have many scars from just living. From living life, feeling love, hurt, loss, pain. Maybe instead of hiding those scars this time I can turn them into beautiful tattoos of experience on that naked skin.
Riitta Klint
NO!” I bellowed it at him. “You say that over and over like it’s some kind of slogan. And I never knew why it made me feel as if I was going mad. I don’t ‘upset myself,’ Marco. Things ‘upset me.’ Things ‘upset’ everyone unless they’re catatonic or drugged to their eyeballs. It’s called life.
Catriona McPherson (House. Tree. Person.)
And it was this location that provides my second memory. (It must come after the first because in it I am now standing up.) I was bitten by a rabbit. Or rather, I was nibbled by a rabbit, but, because I was such a weedy, namby-pamby little pansy, I reacted as though I’d lost a limb. It was the sheer unfairness of it all that so upset me. One minute, I was saying, ‘Hello, Mr Bunny!’ and smiling at its sweet little face and funny floppy ears. The next, the fucker savaged me. It seemed so gratuitous. What, I asked myself, had I done to the rabbit to deserve this psychotic response?
John Cleese (So, Anyway...: The Autobiography)
At twenty I believed myself passionate: one does at that age. But now, when I come to consider myself candidly, I find that I am really one of those who never deeply felt nor strongly willed. Everything is profoundly indifferent to me. I sometimes try to depress myself with the thought that the world is a cess-pool, that men are pathetic degenerates from the ape whose laboriously manufactured ideals are pure nonsense and find no rhyme in reality, that the whole of life is a bad joke which takes a long time coming to an end. But it really doesn't upset me. I don't care a curse. It's deplorable; one ought to care. The best people do care.
Aldous Huxley (Crome Yellow)
I have learned,” Douglas explained, “first through my wife’s illness and then especially through the accident, not to confuse God with life. I’m no stoic. I am as upset about what happened to me as anyone could be. I feel free to curse the unfairness of life and to vent all my grief and anger. But I believe God feels the same way about the accident as I do—grieved and angry. I don’t blame Him for what happened… . We tend to think, ‘Life should be fair because God is fair.’ But God is not life. And if I confuse God with the physical reality of life—by expecting constant good health, for example—then I set myself up for a crashing disappointment.”3
Pat Williams (What Are You Living For?: Investing Your Life in What Matters Most)
I went for a walk outside. Maybe I was fooling myself, but I was surprised how I didn’t feel what I thought people would expect to feel under the circumstances. I wasn’t delighted, but I didn’t feel terribly upset, perhaps because I had known for seven years that something like this was going to happen. I didn’t know how I was going to face all my friends up at Los Alamos. I didn’t want people with long faces talking to me about it. When I got back (yet another tire went flat on the way), they asked me what happened. “She’s dead. And how’s the program going?” They caught on right away that I didn’t want to moon over it. (I had obviously done something to myself psychologically: Reality was so important—I had to understand what really happened to Arlene, physiologically—that I didn’t cry until a number of months later, when I was in Oak Ridge. I was walking past a department store with dresses in the window, and I thought Arlene would like one of them. That was too much for me.)
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
The ads in the papers all said 'help wanted, will train,' but wherever she went she was turned down. "The position's just been filled," she was told again and again. Or, "We wouldn't want to upset the other employees." At the department store where she had once bought all her hats and silk stockings they would not hire her as a cashier because they were afraid of offending the customers. Instead they offered her work adding up sales slips in a small dark room in the back where no one could see her but she politely declined. "I was afraid I'd ruin my eyes back there," she told us. "I was afraid I might accidentally remember who I was and ... offend myself.
Julie Otsuka (When the Emperor Was Divine)
They had found out. Before I could panic, I made myself stretch my fingers wide and take a calming breath. You already knew this was bound to happen. At least that’s what I told myself. The more I thought about it, the more I should have been appreciative that the people at the chapel in Las Vegas hadn’t recognized him. Or that people on the street had been oblivious and hadn’t seen us going in and out of there. Or that the receptionist at the acupuncturist hadn’t snapped a picture on her phone and posted it online. Because I might not understand all people, much less most of them, but I understood nosey folks. And nosey folks would do something like that without a second thought. Yet, I reminded myself that there was nothing to be embarrassed about. It would be fine. So, one gossip site posted about us getting married. Whoop-de-do. There was probably a thousand sites just like it. I briefly thought about Diana hearing about it, but I’d deal with that later. There was no use in getting scared now. She was the only one whose reaction I cared about. My mom and sisters’ opinions and feelings weren’t exactly registering at the top of my list now… or ever. I made myself shove them to the back of my thoughts. I was tired of being mad and upset; it affected my work. Plus, they’d made me sad and mad enough times in my life. I wasn’t going to let them ruin another day. Picking my phone up again, I quickly texted Aiden back, swallowing my nausea at the same time. Me: Who told you? Not even two minutes passed before my phone dinged with a response. Miranda: Trevor’s blowing up my phone. Eww. Trevor. Me: We knew it was going to happen eventually, right? Good luck with Trev. I’m glad he doesn’t have my number. And I was even gladder there wasn’t a home phone; otherwise, I’m positive he would have been blowing it up too. I managed to get back to looking at images on the screen for a few more minutes—a bit more distracted than usual—when the phone beeped again. It was Aiden/Miranda. I should really change his contact name. Miranda: Good luck? I’m not answering his calls. What? Me: That psycho will come visit if you don’t. Was that me being selfish? Yes. Did I care? No. Aiden: I know. Uh. Me: You’re always at practice… Aiden: Have fun. This asshole! I almost laughed, but before I could, he sent me another message. Aiden: I’ll get back to him in a couple days. Don’t worry. Snorting, I texted back. Me: I’m not worried. If he drops by, I’ll set him up in your room. Aiden: You genuinely scare me. Me: You don’t know how many times you barely made it through the day alive, for the record. He didn’t text me back after that
Mariana Zapata (The Wall of Winnipeg and Me)
So, when I read of a recent study that found that children are significantly more inclined to eat “difficult” foods like liver, spinach, broccoli—and other such hard-to-sell “but-it’s-good-for-you” classics—when they are wrapped in comfortingly bright packages from McDonald’s, I was at first appalled, and then … inspired. Rather than trying to co-opt Ronald’s all-too-effective credibility among children to short-term positive ends, like getting my daughter to eat the occasional serving of spinach, I could reverse-engineer this! Use the strange and terrible powers of the Golden Arches for good—not evil! I plan to dip something decidedly unpleasant in an enticing chocolate coating and then wrap it carefully in McDonald’s wrapping paper. Nothing dangerous, mind you, but something that a two-and-a-half-year-old will find “yucky!”—even upsetting—in the extreme. Maybe a sponge soaked with vinegar. A tuft of hair. A Barbie head. I will then place it inside the familiar cardboard box and leave it—as if forgotten—somewhere for my daughter to find. I might even warn her, “If you see any of that nasty McDonald’s … make sure you don’t eat it!” I’ll say, before leaving her to it. “Daddy was stupid and got some chocolate … and now he’s lost it…” I might mutter audibly to myself before taking a long stroll to the laundry room. An early, traumatic, Ronald-related experience can only be good for her.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
What did she say to you?" "Nothing." "Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you. "I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class." "So you hit her?" "No ... yes." "A girl puts her hair all over your books, so you break her nose?" "Well, I don't think it's broken, personally." "Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you." "God," I yelled exasperated. "She said something to upset me, okay?" "What? That you were ugly? That you smell? What?" I looked horrified. "I'm not ugly. I don't smell." He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason." "Never mind," I said. "That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said." "There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job. "I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why." "Just go," I said, as he stood up and paced the room. "I'll defend myself in court." He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged. "Go," I yelled. "Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty." "She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic." "Did you provoke her?" "Yes. I called her a racist pig due to some things she was saying." "Is she one?" "God, yes. The biggest.
Melina Marchetta (Looking for Alibrandi)
I don't know how long it went on," he continued. "Not that long, likely, but it seemed like a long time to me. At last he stopped a moment and shouted at me. He was beside himself wi' fury, and I was so furious myself I could barely make out what he said at first but then I could. He roared 'Damn you, Jamie! Can ye no cry out? You're grown now, and I dinna mean to beat you ever again, but I want one good yelp out of ye, lad, before I quit, just so I'll think I've made some impression on ye at last!'" Jamie laughed, disturbing the even movement of his pulsebeat. "I was so upset at that, I straightened up and whirled round and yelled at him, 'Weel why did ye no say so in the first place, ye auld fool! OUCH!!
Diana Gabaldon (Outlander (Outlander, #1))
The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen.
Sylvia Plath
When I wasn’t in the barn garden, helping out, sorting seeds or checking hoses I’d spend time alone, usually in the bathroom adjacent to Joel’s room, staring into the shattered mirror as my hand gently caressed my baby bump. More often than not I would cry. Not because my pregnancy upset me, or that my hormones were getting the better of me, but because I missed Joel, my baby’s father. That the baby would grow up without a dad made me anxious. Then again, if he had survived, what irreparable damage would he have suffered and how would his pain translate to his child? Jesus, I was studying myself in the very mirror he’d smashed the night he chose to take his own life. The bump had grown slowly in the last couple of months. With these limited resources, I didn’t have the privilege of eating whatever I craved. Had that been the case, I was sure I would have been bigger by now. Still, I tried to eat as well and as often as I could and the size of my belly had proven that my attempts at proper nutrition were at least growing something in there. Nothing made me happier than feeling my baby move. It was a constant source of relief for me. In our present circumstances, with no vitamins and barely any meat products save the recent stash of jerky Earl had found in an abandoned trailer, my diet consisted of berries, lettuce, and canned beans for the most part. Feeling the baby move inside me was an experience I often enjoyed alone. I would think of Joel then as well. Imagining his hand on my belly, with mine guiding his to the kicks and punches.
Michael Poeltl (Rebirth (The Judas Syndrome, #2))
I am sorry. I'm sorry that I feel as if you don't trust me enough to confide me. This is me being selfish even though this isn't about me, it's about you. I'm sorry that it makes me upset that in those times you thought about ending your life, I feel like I didn't cross your mind. I hate myself for thinking you didn't care enough to talk to me about those toxic thoughts that's trying to push you to end everything, because I know myself that's it is hard to share. I hate myself for thinking you didn't care enough to think about how horrible it is going to be for me once I learn what you've done. I'm sorry for feeling like this, it is selfish, I am selfish. I'm sorry for feeling like I'm not a good friend, I know that's now how you think, I'm sorry. I just love you and I'm hurt.
Mari
I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let's tone it down. You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.
Chanel Miller (Know My Name)
must hide from the world. The next time you get triggered, use the opportunity to bring the light of your consciousness to what is hidden in the shadows. The world is our mirror: we can choose to look at our reflection or look away until another time. There are very few times when someone says something to us that isn’t ours. So instead of getting mad at the person who sparked your upset, instead of shutting them down or blaming them, take a look in the mirror.  What is this person trying to show me about myself?
Michelle Chalfant (The Adult Chair: A Guide to Loving Yourself)
Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
I don’t know if the other defectors had the same problems, but for me the most difficult part of the program was learning to introduce myself in class. Almost nobody knew how to do this, so the teachers taught us that the first thing you say is your name, age, and hometown. Then you can tell people about your hobbies, your favorite recording artist or movie star, and finally you can talk about “what you want to be in the future.” When I was called on, I froze. I had no idea what a “hobby” was. When it was explained that it was something I did that made me happy, I couldn’t conceive of such a thing. My only goal was supposed to be making the regime happy. And why would anyone care about what “I” wanted to be when I grew up? There was no “I” in North Korea—only “we.” This whole exercise made me uncomfortable and upset. When the teacher saw this, she said, “If that’s too hard, then tell us your favorite color.” Again, I went blank. In North Korea, we are usually taught to memorize everything, and most of the time there is only one correct answer to each question. So when the teacher asked for my favorite color, I thought hard to come up with the “right” answer. I had never been taught to use the “critical thinking” part of my brain, the part that makes reasoned judgments about why one thing seems better than another. The teacher told me, “This isn’t so hard. I’ll go first: My favorite color is pink. Now what’s yours?” “Pink!” I said, relieved that I was finally given the right answer. In South Korea, I learned to hate the question “What do you think?” Who cared what I thought? It took me a long time to start thinking for myself and to understand why my own opinions mattered. But after five years of practicing being free, I know now that my favorite color is spring green and my hobby is reading books and watching documentaries. I’m not copying other people’s answers anymore.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
Enraged I throw myself to the ground and I scream, my best friend is gone, this world is so mean. I cry as I pound my fists on his grass, I’m very upset that our time went so fast. My heart beats faster than ever before, my tears unstoppable, I'm hurt to the core. There are no words people can say, that will ease my excruciating pain. I don’t understand why you had to go. You leaving me, we just didn’t know. I’ll make it somehow, I’ll start anew. But, there is no way I can replace you. I struggle to make it through each day, and retain my sanity in this foggy haze. The sadness and pain that I display, is because God decided to take you away.
Michele Lena Lucy (Messages From The Heart: Love & Loss)
Look, I’m kind of tense,” he said. “So could you just break it to me? I know you’ve got some feelings about me being a shadow.” “I’ve been trying not to think about it too much,” Charlie told him. He looked at her incredulously. “How’s that working?” “I figured I could think about it when we got out of here. And maybe,” Charlie said hopefully, “we could even have a big fight about it. With screaming. And throwing things. And I could tell you how stupid you were for thinking I was having an affair with Adam.” “After you described his murder, I figured that out myself. You seemed pretty upset about the couch.” He laughed before he could stop himself, his hand going to cover his mouth. “I’m so sorry. That’s not funny.” “It’s a little bit funny,” she admitted.
Holly Black (Book of Night (Book of Night, #1))
We have some great museums. You'd love the lake." "I don't know that I can enjoy any kind of water anymore." "Why not?" I already knew. "After that little girl, little Ann Nash, was left in the creek to drown." She paused to take a sip of her iced tea. "I knew her, you know." Amma whined and began fidgeting in her seat. "She wasn't drowned though," I said, knowing my correction would annoy her. "She was strangled. She just ended up in the creek." "And then the Keene girl. I was fond of both of them. Very fond." She stared away wistfully, and Alan put his hand over hers. Amma stood up, released a little scream the way an excited puppy might suddenly bark, and ran upstairs. "Poor thing," my mother said. "She's having nearly as hard a time as I am." "She actually saw the girls every day, so I'm sure she is," I said peevishly in spite of myself. "How did you know them?" "Wind Gap, I need not remind you, is a small town. They were sweet, beautiful little girls. Just beautiful." "But you didn't really know them." "I did know them. I knew them well." "How?" "Camille, please try not to do this. I've just told you that I am upset and unnerved, and instead of being comforting, you attack me." "So. You've sworn off all bodies of water in the future, then?" My mother emitted a quick, creaky sound. "You need to shut up now, Camille." She folded the napkin around the remains of her pear like a swaddling and left the room. Alan followed her with his manic whistling, like an old-time piano player lending drama to a silent movie.
Gillian Flynn (Sharp Objects)
I remember." I nod. Wanting to say: I remember everything-all of it-the question is: Do you? But instead, I stare down at my feet, smiling stupidly. Everything I do around him is stupid. Some Seeker I've turned out to be. Attempting to redeem myself,say something normal,not let on that I already know he's employed here-thanks to the raven who allowed me to spy on him earlier,I say, "So,I guess you hang out here a lot then?" He pushes a hand through his hair, as his eyes-the color of aquamarines-glide down the length of me.And damn if I can't feel their trajectory. It's like showering in a stream of warm, molten honey-dripping from the top of my forehead all the way down to my feet. "I guess you could say that," he says,voicelow and deep. "More than most, anyway." He waves a damp towel, tugs on the string of his apron, and I blush in reply. The sight of it reminding me of what I saw in the alleyway-watching him lean against the wall,his face so soft anddreamy I longed to touch him-kiss him-like I did in the dream. I study him closely,seeking traces of recognition, remembrance-some small token of evidence to assure me that, as odd as it seems,that kiss in the cave was as real as it felt-but coming up empty. "So,how long have you worked here?" I ask, returning to the topic at hand. My gaze drifting over the black V-necked T-shirt skimming the sinuous line of his body-telling myself it's all part of my reconnaissance,my need to gather as uch information as I can about him and his kin. But knowing that's not really it.The truth is,I like looking at him, being near him. "I guess you could say somewhere between too long and not long enough-depending on the state of my wallet." His laugh is good-natured and easy-the kid that starts at the belly and trips all the way up. "It's pretty much the only decent game in town." He shrugs. "One way or another,you end up working for the Richters,and believe me, this is one of the better gigs." I peer at him closely,remembering what Cade said when I was here via the raven. How he referred to him by another name. "You're not a Richter?" I ask,holding my breath in my cheeks.Despite what Paloma told me, I need to hear it from him,confirm that he doesn't identify with their clan. "I go by Whitefeather," he says,gaze steady and serious. "I was raised by my mom,didn't even know the Richters when I was a kid." Despite getting the answer I wanted, I frown in return. His being a Richter was a good reason to avoid him-without it,I'm out of excuses. "Is that okay?" He dips his head toward mine,his mouth tugging at the side. "You seem a little upset by the news." I shake my head,break free of my reverie, and say, "No-not at all. Believe me,it's more like a relief." I meet his gaze,seeing the way it narrows in question. "Guess I'm not a big fan of your brother," I add,watching as he throws his head back and laughs,the sight of that long,glorious column of neck forcing me to look away,it's too much to take. "If it makes you feel any better, most of the time I'd have to agree." He returns to me,the warmth of his gaze solely reponsible for the wave of comfort that flows through me.
Alyson Noel (Fated (Soul Seekers, #1))
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
I feel something on my chest. Ivy's resting her head on me. In fact, she's pulled herself so close that we're touching everywhere. My heart picks up speed again, but I'm surprisingly calm, seeing her beautiful face close to mine, her eyes closed in an expression of content bliss, and—the best part—feeling her own heart pound in time with mine. She's feeling what I'm feeling. That is when I know for sure. "Ivy?" I know what I have to do. "Mm?" Her songbird voice is a calm purr. "I think...no. I really, really like you." Like moving through molasses, Ivy raises her head. Her eyes are enormous with bewilderment. But there's no fright, no dislike, no anything that discourages me, With that in mind, I don't hesitate as I move my face and my lips to her lips. Ivy's lips are cool like water but delicate and velvety and smooth like round pebbles. She smells like wildflowers, wet earth, and freshly cut grass, which only makes me want her more. I press my lips harder against hers, and a shiver of delight snakes through me when I feel her press back. Daring myself, I open my mouth. So does she, and the kiss deepens. My hand slides upward to caress her satin cheek, and the back of my neck tingles as her fingers play with my hair. This is it. Ivy's and my first kiss. I wouldn't have it any other way. Unhurriedly we pull our faces away, though we leave our foreheads touching. "Ivy?" I peer into her eyes. She doesn't look upset, but more calm and curious. She meets my eyes and asks, "What was that?" "A kiss. You do it with people you like." To my amazement Ivy leans forward and kisses me again. It's incredible as the first time. "That is my feeling towards you," she tells me as she leans back. She meets my eyes, her face flushed but determined. "I...am...really liking you, too." I smile and pull her to me, and we grasp each other like we never want to let go. She likes me. I like her. This can't get any better.
Colleen Boyd (Swamp Angel)
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
He insisted on clearing the table, and again devoted himself to his game of patience: piecing together the map of Paris, the bits of which he’d stuffed into the pocket of his raincoat, folded up any old how. I helped him. Then he asked me, straight out, ‘What would you say was the true centre of Paris?’ I was taken aback, wrong-footed. I thought this knowledge was part of a whole body of very rarefied and secret lore. Playing for time, I said, ‘The starting point of France’s roads . . . the brass plate on the parvis of Notre-Dame.’ He gave me a withering look. ‘Do you take for me a sap?’ The centre of Paris, a spiral with four centres, each completely self-contained, independent of the other three. But you don’t reveal this to just anybody. I suppose - I hope - it was in complete good faith that Alexandre Arnoux mentioned the lamp behind the apse of St-Germain-l’Auxerrois. I wouldn’t have created that precedent. My turn now to let the children play with the lock. ‘The centre, as you must be thinking of it, is the well of St-Julien-le-Pauvre. The “Well of Truth” as it’s been known since the eleventh century.’ He was delighted. I’d delivered. He said, ‘You know, you and I could do great things together. It’s a pity I’m already “beyond redemption”, even at this very moment.’ His unhibited display of brotherly affection was of childlike spontaneity. But he was still pursuing his line of thought: he dashed out to the nearby stationery shop and came back with a little basic pair of compasses made of tin. ‘Look. The Vieux-Chene, the Well. The Well, the Arbre-a-Liege On either side of the Seine, adhering closely to the line he’d drawn, the age-old tavern signs were at pretty much the same distance from the magic well. ‘Well, now, you see, it’s always been the case that whenever something bad happens at the Vieux-Chene, a month later — a lunar month, that is, just twenty-eight days — the same thing happens at old La Frite’s place, but less serious. A kind of repeat performance. An echo Then he listed, and pointed out on the map, the most notable of those key sites whose power he or his friends had experienced. In conclusion he said, ‘I’m the biggest swindler there is, I’m prepared to be swindled myself, that’s fair enough. But not just anywhere. There are places where, if you lie, or think ill, it’s Paris you disrespect. And that upsets me. That’s when I lose my cool: I hit back. It’s as if that’s what I was there for.
Jacques Yonnet (Paris Noir: The Secret History of a City)
A strange mood has seized the almost-educated young. They’re on the march, angry at times, but mostly needful, longing for authority’s blessing, its validation of their chosen identities. The decline of the West in new guise perhaps. Or the exaltation and liberation of the self. A social-media site famously proposes seventy-one gender options—neutrois, two spirit, bigender…any colour you like, Mr. Ford. Biology is not destiny after all, and there’s cause for celebration. A shrimp is neither limiting nor stable. I declare my undeniable feeling for who I am. If I turn out to be white, I may identify as black. And vice versa. I may announce myself as disabled, or disabled in context. If my identity is that of a believer, I’m easily wounded, my flesh torn to bleeding by any questioning of my faith. Offended, I enter a state of grace. Should inconvenient opinions hover near me like fallen angels or evil djinn (a mile being too near), I’ll be in need of the special campus safe room equipped with Play-Doh and looped footage of gambolling puppies. Ah, the intellectual life! I may need advance warning if upsetting books or ideas threaten my very being by coming too close, breathing on my face, my brain, like unwholesome dogs.
Ian McEwan (Nutshell)
Apply the following statements to a significant EIP in your life and in your journal write “agree” or “disagree” for each one. I agree that your needs should come before anyone else’s. I agree not to speak my own mind when I’m around you. Please say anything you want, and I won’t object. Yes, I must be ignorant if I think differently from you. Of course you should be upset if anyone says no to you about anything. Please educate me about what I should like or dislike. Yes, it makes sense for you to decide how much time I should want to spend with you. You’re right, I should show you “respect” by disowning my own thoughts in your presence. Of course you shouldn’t have to exercise self-control if you don’t feel like it. It’s fine if you don’t think before you speak. It’s true: you should never have to wait or deal with any unpleasantness. I agree: you shouldn’t have to adjust when circumstances change around you. It’s okay if you ignore me, snap at me, or don’t act glad to see me: I’ll still want to spend time with you. Of course you are entitled to be rude. I agree that you shouldn’t have to take direction from anyone. Please talk as long as you like about your favorite topics; I’m ready to just listen and never be asked any questions about myself.
Lindsay C. Gibson (Recovering from Emotionally Immature Parents: Practical Tools to Establish Boundaries & Reclaim Your Emotional Autonomy)
As I listened to him describing the scene of the procurer seducing the young girl, I found myself torn between two conflicting emotions, between a powerful desire to laugh and an overwhelming surge of indignation. I was in agony. Again and again a roar of laughter prevented my rage bursting forth; again and again the rage rising in my heart became a roar of laughter. I was dumbfounded by such shrewdness and such depravity; by such soundness of ideas alternating with such falseness; by so general a perversity of feeling, so total a corruption, and so exceptional a candour. He saw how agitated I was. 'What's the matter?' he asked. ME: Nothing. HIM: I think you're upset. ME: Indeed I am. HIM: So what do you think I should do? ME: Talk about something else. What a wretched fate, to have been born and to have fallen so low! HIM: I agree. But don't let my state affect you too much. In opening my heart to you, it was not my intention to upset you. I've managed to save a little, while I was with those people. Remember I wanted for nothing, nothing whatsoever, and they also made me a small allowance for incidentals. [Here he began to strike himself on the forehead with his fist, bite his lips, and roll his eyes like a lunatic, then he said:] What's done is done. I've put a bit aside. Time's passed, so I'm that much to the good. ME: You mean to the bad. HIM: No, to the good. Live one day less, or have an ecu more, it's all the same. The important thing is to open your bowels easily, freely, enjoyably, copiously, every evening; 'o stercus pretiosum!' That's the grand outcome of life in every condition. At the final moment, we're all equally rich - Samuel Bernard who by dint of theft, pillage, and bankruptcy leaves twenty-seven millions in gold, and Rameau who'll leave nothing, Rameau for whom charity will provide the winding-sheet to wrap him in.
Denis Diderot
Switch from a Performance Focus to a Mastery Focus There’s a way to keep your standards high but avoid the problems that come from perfectionism. If you can shift your thinking from a performance focus to a mastery focus, you’ll become less fearful, more resilient, and more open to good, new ideas. Performance focus is when your highest priority is to show you can do something well now. Mastery focus is when you’re mostly concerned with advancing your skills. Someone with a mastery focus will think, “My goal is to master this skill set” rather than “I need to perform well to prove myself.” A mastery focus can help you persist after setbacks. To illustrate this, imagine the following scenario: Adam is trying to master the art of public speaking. Due to his mastery goal, he’s likely to take as many opportunities as he can to practice giving speeches. When he has setbacks, he’ll be motivated to try to understand these and get back on track. His mastery focus will make him more likely to work steadily toward his goal. Compare this with performance-focused Rob, who is concerned just with proving his competence each time he gives a talk. Rob will probably take fewer risks in his style of presentation and be less willing to step outside his comfort zone. If he has an incident in which a talk doesn’t go as well as he’d hoped, he’s likely to start avoiding public speaking opportunities. Mastery goals will help you become less upset about individual instances of failure. They’ll increase your willingness to identify where you’ve made errors, and they’ll help you avoid becoming so excessively critical of yourself that you lose confidence in your ability to rectify your mistakes. A mastery focus can also help you prioritize—you can say yes to things that move you toward your mastery goal and no to things that don’t. This is great if you’re intolerant of uncertainty, because it gives you a clear direction and rule of thumb for making decisions about which opportunities to pursue. Experiment: What’s your most important mastery goal right now? Complete this sentence: “My goal is to master the skills involved in ___.” Examples include parenting, turning more website visitors into buyers, property investment, or self-compassion. Based on the mastery goal you picked, answer the following questions. Make your answers as specific as possible. How would people with your mastery goal: 1. React to mistakes, setbacks, disappointments, and negative moods? 2. Prioritize which tasks they work on? What types of tasks would they deprioritize? 3. React when they’d sunk a lot of time into something and then realized a particular strategy or idea didn’t have the potential they’d hoped it would? 4. Ensure they were optimizing their learning and skill acquisition? 5. React when they felt anxious?
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)