Younger Brother Death Quotes

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Oh, brothers! I don't care for brothers. My elder brother won't die, and my younger brothers seem never to do anything else.
Oscar Wilde (The Picture of Dorian Gray)
Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It's me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, it's me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she'd begun writing books, he'd heard about it through her mother whom he'd met again in Saigon. And about her younger brother, and he'd been grieved for her. Then he didn't know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he'd love her until death.
Marguerite Duras (The Lover)
I was the dhampir daughter of the family patriarch, the little known stain on an otherwise immaculate record. Louis-Cesare, on the other hand, was vamp royalty. The only Child of Mircea’s younger, and far stranger, brother Radu, he was a first-level master--the highest and rarest vampire rank. A month ago, the prince and the pariah had crossed paths because we had one thing in common: we were very good at killing things. And Mircea’s bug-eyed crazy brother Vlad had needed killing if anyone ever had. The collaboration hadn’t exactly been stress free, but to my surprise, we eventually sorted things out and got the job done. By the end, I’d even started to think that it was kind of nice, having someone to watch my back for a change. Sometimes, I could be really stupid.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
It gave him an odd empty feeling to remember those times; it was like remembering a younger brother whom he had lost
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It’s me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, It’s me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she’d begun writing books, he’d heard about it through her mother whom he’d met again in Saigon. And about her younger brother, and he’d been grieved for her. Then he didn’t know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he’d love her until death. Neauphle-le-Château–Paris February–May 1984
Marguerite Duras (The Lover (The Lover #1))
In the immediate aftermath of Chris’s death, Bubba dealt with his grief by playing. He played all the time, with anyone and everyone who came to the house. It was his way of staying busy and not focusing on sadness. Angel, younger, was a little more direct, though quieter. She often looked toward her brother as her spokesman and maybe test case: his emotions guided hers. She expressed her connection with her dad directly, mentioning that she often felt him still close to her. I came to take that as a comfort and reassurance: Chris walked with us still.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
One of the first things mental health practitioners tell you after you try to die is that your recent attempt is not selfish, not a misery you’ve inflicted on those you love most, but a fatal final symptom of a disease that’s destroying you. Which, sure. Fine. But seeing my younger brother’s face in that psych ward after he’d flown in from his first weeks of law school convinced me I deserved to die in the most torturous way imaginable. Loving people so much it hurts doesn’t necessarily negate the need to die; it just makes you hate yourself more for all the pain you cause, makes you feel your death would be a gift.
Anna Mehler Paperny (Hello I Want to Die Please Fix Me: Depression in the First Person)
I watched my brothers, both older and younger, those less worthy, fall one by one. Did I feel anything as I watched them gasp their final breaths? I don’t know anymore. I don’t remember what feelings feel like. They’re not useful to predators. With each death, my father’s gaze burned with scorn. My mother’s lips quivered, and tears shimmered in her eyes, but she didn’t shed a single one. My father was a predator. She didn’t want him to devour her. I learned the lessons my father taught us, and I adapted, and I alone survived. A predator doesn’t ask. He takes. A predator knows no fear. A predator is a hunter, and a hunter needs prey. A predator can only win if someone else loses
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
[Paul Olum] was president of the University of Oregon when he heard of [Richard] Feynman’s death. He realized that the young genius he had met at Princeton had become a part of him, impossible to extricate. “My wife died three years ago, also of cancer,” he said. ... I think about her a lot. I have to admit I have Dick’s books and other things of Dick’s. I have all of the Feynman lectures and other stuff. And there are things that have pictures of Dick on them. The article in Science about the Challenger episode. And also some of the recent books. I get a terrible feeling every time I look at them. How could someone like Dick Feynman be dead? This great and wonderful mind. This extraordinary feeling for things and ability is in the ground and there’s nothing there anymore. It’s an awful feeling. And I feel it—— A lot of people have died and I know about it. My parents are both dead and I had a younger brother who is dead. But I have this feeling about just two people. About my wife and about Dick. I suppose, although this wasn’t quite like childhood, it was graduate students together, and I do have more—— I don’t know, romantic, or something, feelings about Dick, and I have trouble realizing that he’s dead. He was such an extraordinarily special person in the universe. Gleick, James (2011-02-22). Genius: The Life and Science of Richard Feynman (p. 145). Open Road Media. Kindle Edition.
Jame Gleick quoting Paul Olum
There was a picture of the family over the mantelpiece, removed thither from the front room after Mrs. Osborne’s death — George was on a pony, the elder sister holding him up a bunch of flowers; the younger led by her mother’s hand; all with red cheeks and large red mouths, simpering on each other in the approved family-portrait manner. The mother lay underground now, long since forgotten — the sisters and brother had a hundred different interests of their own, and, familiar still, were utterly estranged from each other. Some few score of years afterwards, when all the parties represented are grown old, what bitter satire there is in those flaunting childish family-portraits, with their farce of sentiment and smiling lies, and innocence so self-conscious and self-satisfied. Osborne’s
William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
It had personally pained Trump not to be able to give it to him. But if the Republican establishment had not wanted Trump, they had not wanted Christie almost as much. So Christie got the job of leading the transition and the implicit promise of a central job—attorney general or chief of staff. But when he was the federal prosecutor in New Jersey, Christie had sent Jared’s father, Charles Kushner, to jail in 2005. Charlie Kushner, pursued by the feds for an income tax cheat, set up a scheme with a prostitute to blackmail his brother-in-law, who was planning to testify against him. Various accounts, mostly offered by Christie himself, make Jared the vengeful hatchet man in Christie’s aborted Trump administration career. It was a kind of perfect sweet-revenge story: the son of the wronged man (or, in this case—there’s little dispute—the guilty-as-charged man) uses his power over the man who wronged his family. But other accounts offer a subtler and in a way darker picture. Jared Kushner, like sons-in-law everywhere, tiptoes around his father-in-law, carefully displacing as little air as possible: the massive and domineering older man, the reedy and pliant younger one. In the revised death-of-Chris-Christie story, it is not the deferential Jared who strikes back, but—in some sense even more satisfying for the revenge fantasy—Charlie Kushner himself who harshly demands his due. It was his daughter-in-law who held the real influence in the Trump circle, who delivered the blow. Ivanka told her father that Christie’s appointment as chief of staff or to any other high position would be extremely difficult for her and her family, and it would be best that Christie be removed from the Trump orbit altogether.
Michael Wolff (Fire and Fury: Inside the Trump White House)
The success of the Industrial School at Sutton can also be measured in terms of its impact on Kate’s younger brothers and sister—Thomas, George, and Mary—who were sent there from Bermondsey Workhouse after the death of their father. Within several years, George Eddowes had been trained as a shoemaker, while Thomas Eddowes had been taught music and was sent to join the band of the 45th Nottinghamshire Regiment of Infantry in Preston. Mary too succeeded well enough in her “domestic studies” to warrant placement as a servant.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
To a child, abandonment is death. In order to meet my two most basic survival needs (my parents are okay and I matter), I became Mom’s emotional husband and my younger brother’s parent. To help her and others made me feel that I was okay. I was told and believed that Dad loved me but was too sick to show it and that Mom was a saint. All of this covered up my sense of being worth-less than my parents’ time (toxic shame). My core material was composed of selected perceptions, repressed feelings, and false beliefs. This became the filter through which I interpreted all new experiences in my life.
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
When Cyrus the Younger was preparing war against his brother Artaxerxes Mnemon, King of Persia, Xenophon went with him.  After the death of Cyrus on the plains of Cunaxa, the barbarian auxiliaries fled, and the Greeks were left to return as they could from the far region between the Tigris and Euphrates.  Xenophon had to take part in the conduct of the retreat, and tells the story of it in his “Anabasis,” a history of the expedition of the younger Cyrus and of the retreat of the Greeks.  His return into Greece was in the year of the death of Socrates, b.c. 399, but his association was now with the Spartans, with whom he fought, b.c. 394, at Coroneia.  Afterwards he settled, and lived for about twenty years, at Scillus in Eleia with his wife and children. 
Xenophon (The Memorable Thoughts of Socrates)
I was friends with Oksana, she was from Ukraine. It was from her that I first heard of the horrible hunger in Ukraine. Golodomor. You couldn’t even find a frog or a mouse—everything had been eaten. Half the people in her settlement died. All her younger brothers, her father and mother died, but she saved herself by stealing horse dung at the kolkhoz stable by night and eating it. Nobody could eat it, but she did: “When it’s warm it’s disgusting, but you can eat it cold. Frozen is the best, it smells of hay.” I said, “Oksana, Comrade Stalin is fighting. He destroys the saboteurs, but there are many.” “No,” she said, “you’re stupid. My father was a history teacher, he said to me, ‘Someday Comrade Stalin will answer for his crimes…’"  At night I lay there and thought: What if Oksana is the enemy? A spy? What am I to do? Two days later she was killed in combat. She had no family left, there was no one to send the death notice to.
Svetlana Alexievich (War's Unwomanly Face)
A dramatic illustration of how environment shapes personality is the story of the Gilmore family. On January 17, 1978, in Utah, the convicted double murderer Gary Gilmore was executed by firing squad, his unyielding refusal to appeal his death sentence having gained him a measure of international notoriety. The shattering story of his childhood, blighted by family violence, alcoholism and spite was chronicled later by his brother Mikal Gilmore in the memoir Shot in the Heart. Mikal, the youngest of four boys, was born when Gary was eleven years old. If children reared in the same family shared the same environment, the differences between siblings would have to be due to genetic inheritance. In the case of the Gilmores, it is easy to see why Mikal, born at a time when the family was enjoying a period of relative stability, would feel he had been brought up in a different world, why the misery of his childhood, as he put it, had been so radically different from the misery of his brothers’ childhood. Even without such vast chasms in experience, the environment of siblings is never the same. Environment has far greater impact on the structures and circuits of the human brain than was realized even a decade ago. It is what shapes the inherited genetic material. I believe it to be the decisive factor in determining whether the impairments of ADD will or will not appear in a child. Many variables will influence the particular environment a child experiences. Birth order, for one, automatically places siblings in dissimilar situations. The older sibling has to suffer the pain of seeing parental love and attention directed toward an intruder. The younger sibling may need to learn survival in an environment that harbors a stronger, potentially hostile rival, and never comes to know either the special status or the burden of being an only child. The full weight of unconscious parental expectations is far more likely to fall on the firstborn. Historical studies of birth order have established it as an important influence on the shaping of the personality, comparable with sex.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Back on the platform, they found Lily and Hugo, Rose’s younger brother, having an animated discussion about which House they would be sorted into when they finally went to Hogwarts. “If you’re not in Gryffindor, we’ll disinherit you,” said Ron, “but no pressure." “Ron!” Lily and Hugo laughed, but Albus and Rose looked solemn. “He doesn’t mean it,” said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry’s eye, he nodded covertly to a point some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. “Look who it is.” Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, which emphasized the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, and Ginny staring at him, nodded curtly, and turned away again. “So that’s little Scorpius,” said Ron under his breath. “Make sure you beat him in every test, Rosie. Thank God you inherited your mother’s brains.” “Ron, for heaven’s sake,” said Hermione, half stern, half amused. “Don’t try to turn them against each other before they’ve even started school!” “You’re right, sorry,” said Ron, but unable to help himself, he added, “Don’t get too friendly with him, though, Rosie. Granddad Weasley would never forgive you if you married a pureblood.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians. "The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie." The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated. "My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another." "But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it." "Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others." "Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes." "No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it." Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely. "Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section." "I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name." "Who is he?" "His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it." "How do you know that?" "He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy." "What does he look like?" Helberson was evidently becoming interested. "Like Mancher, here—might be his twin brother." "I accept the challenge," said Helberson, promptly. "Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?" "Not against me," Helberson said. "I don't want your money." "All right," said Mancher; "I'll be the corpse." The others laughed. The outcome of this crazy conversation we have seen.
Ambrose Bierce (The Collected Works of Ambrose Bierce Volume 2: In the Midst of Life: Tales of Soldiers and Civilians)
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
Thomas Pynchon (The Crying of Lot 49)