“
Wait. You think I'm going to die? That's why you slept with me?
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Do you know what I did to the last guy that called me Tinkerbelle?"
"Slept with him?"
Darryl was silent for a second. "After that.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
You slept with Curran and you didn’t tell me? I’m your best friend.”
“It didn’t come up.”
“How disappointing for you.”
Ha-ha. “That’s not what I meant.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
You slept just fine in the recliner. Why couldn't you sleep with me?"
"You mean next to a guy who still smelled like the pair of bar flies he had just sent home? I don't know! How selfish of me!
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
No killing,” Jordan said. “We’re trying to make you feel peaceful, so you don’t go up in flames. Blood, killing, war, those are all non-peaceful things. Isn’t there anything else you like? Rainforests? Chirping birds?”
“Weapons,” said Jace. “I like weapons.”
“I’m starting to think we have a problematic issue of personal philosophy here.”
Jace leaned forward, his palms flat on the ground. “I’m a warrior,” he said. “I was brought up as a warrior. I didn’t have toys, I had weapons. I slept with a wooden sword until I was five. My first books were medieval demonologies with illuminated pages. The first songs I learned were chants to banish demons. I know what brings me peace, and it isn’t sandy beaches or chirping birds in rainforests. I want a weapon in my hand and a strategy to win.”
Jordan looked at him levelly. “So you’re saying that what brings you peace … is war.”
“Now you get it.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
You--Roarke." Eyes watering, she reached for more tissue. "Jesus, Eve. Jesus Christ, you never sleep with anybody. And you're telling me you slept with Roarke?"
"That's not precisely accurate. We didn't sleep.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
Have you slept yet?'
'Sure. I took a power nap on the way over.'
'Didn't you drive there?'
'Yeah. Other drviers kept waking me up. Car horns should be illegal.'
- Charley & Cookie
”
”
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
“
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father's shed were sighing.
The sheets were rising and falling around me with Anna's breathing.
I thought about waking her.
but it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you...
It's always necessary.
I love you,...
”
”
Jonathan Safran Foer
“
I settled on the floor and whispered to Sam, “I want you to listen to me, if you can.” I leaned the side of my face against his ruff and remembered the golden wood he had shown me so long ago. I remembered the way the yellow leaves, the color of Sam’s eyes, fluttered and twisted, crashing butterflies, on their way to the ground. The slender white trunks of the birches, creamy and smooth as human skin. I remembered Sam standing in the middle of the wood, his arms stretched out, a dark, solid form in the dream of the trees. His coming to me, me punching his chest, the soft kiss. I remembered every kiss we’d ever had, and I remembered every time I’d curled in his human arms. I remembered the soft warmth of his breath on the back of my neck while we slept.
I remembered Sam.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Jeez, we haven’t even slept together and already you don’t trust me.”
“I’ve known you all your life not to mention the fact that my idiot sister is in the next room and when you two get together it’s like Laurel and Hardy do Denver.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
I said, I want to tell you something.
She said, you can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father's shed were sighing.
The sheets were rising and falling around me with Anna's breathing.
I thought about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you ... It's always necessary.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I shouldn't have stayed as long as I did, but I wanted to hold her while she slept. I wanted her to know I wasn't going anywhere. That she was safe with me. In my arms.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
You were dead, you were sleeping the big sleep, you were not bothered by things like that, oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
Clearly angry with himself, Denny shook his head. “You needed me, and I wasn’t there for you. And I’m really sorry. That was pretty shitty of me.”
“Are you kidding?” Incredulous, Kellan pointed over at me. “I slept with your girlfriend…repeatedly.” I flinched, and Abby squeezed my hand a little tighter.
Denny frowned. “Well, that was pretty shitty of you.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Kid,” Richard said wearily, “I am not in the mood. I haven’t slept in thirty-six hours, my sister’s crazy–”
“Hey!” Monica protested.
“–and you’re not my high school crush–”
“He is not my high school crush, Richard!”
“The point it, I couldn’t give a crap about you, your friends, or your problems, because for me this isn’t personal. Monica will kill you because she’s nuts. I’ll kill you because you make me kill you. Are we straight?”
“Well,” Shane said, “That’s kind of a personal question.
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
Roen snorted. "You two have the strangest relationship in the Dells."
Archer smiled slightly. "She won't consent to make it a marriage."
"I can't imagine what's stopping her. I don't suppose you've considered being less munificent with your love?"
"Would you marry me, Fire, if I slept in no one's bed but yours?"
He knew the answer to that, but it didn't hurt to remind him. "No, and I should find my bed quite cramped.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
I hurt myself,” Syren bit out. “I make myself bleed and it feels good. It eases the pressure inside me, but it never lasts for long.” His lips trembled. “Before I slept in your bed, I’d never had a full night’s sleep. Before I crawled into your arms I’d never been safe.” He shuffled forward. “You give me that. You hold that power and you can take it away.
”
”
Avril Ashton (A Sinner Born (Brooklyn Sinners, #3))
“
You need to kiss me. All night you slept cuddled into me. You can’t do that to a man without at least kissing him.
”
”
Aurora Rose Reynolds (Until November (Until, #1))
“
And secondly, losing your virginity doesn't make you a slut. I slept with your father when I was your age. . . '
'Mia,' my father roared from the other room.
'What? So we're going to lie to her now,?' she shouted back.
He walked in. 'What if your mother finds out? Or my mother?'
'Robert, it was twenty years ago. I don't think there's much they can do.'
He looked at me, pointing a finger. 'No sex for you.' He used the Soup Nazi's accent from Seinfeld.
”
”
Melina Marchetta (Saving Francesca)
“
Today, I slept in until 10,
Cleaned every dish I own,
Fought with the bank,
Took care of paperwork.
You and I might have different definitions of adulthood.
I don’t work for salary, I didn’t graduate from college,
But I don’t speak for others anymore,
And I don’t regret anything I can’t genuinely apologize for.
And my mother is proud of me.
I burnt down a house of depression,
I painted over murals of greyscale,
And it was hard to rewrite my life into one I wanted to live
But today, I want to live.
I didn’t salivate over sharp knives,
Or envy the boy who tossed himself off the Brooklyn bridge.
I just cleaned my bathroom,
did the laundry,
called my brother.
Told him, “it was a good day.
”
”
Kait Rokowski
“
Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?
Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.
Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.
Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.
”
”
Antonio Machado
“
I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.
”
”
Ayn Rand
“
Alex slept in Darlington's bed and dreamed that he was curled behind her on the narrow mattress.
He pulled her close, his fingers digging into her abdomen, and she could feel claws at their tips. He whispered in her ear, "I will serve you 'til the end of days."
"And love me," she said with a laugh, bold in the dream, unafraid.
But all he said was, "It is not the same.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
That pissed me the hell off. I took in a deep breath and blurted out everything without thinking twice. “Fuck you! You want to know who I am, Marcus. Well here it goes! I am temperamental, over-sensitive, and outspoken. I’m honest! I cry at stupid love movies, and I'm a sucker for a romantic novel. I don’t allow people to walk all over me, I have trust issues, and I have insecurities. I’ve slept with four men in my entire life! And the one thing I don’t do is take shit from men who try to act like they’re better than me as if they don’t have any hidden skeletons! I’m not keeping shit hidden, how ‘bout you? You can fuck off. I'll find my own way home. Have a nice fucking life!” - Mia
”
”
E.L. Montes (Disastrous (Disastrous, #1))
“
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
”
”
Julie Buxbaum (The Opposite of Love)
“
I started to dream, which was weird not only because I was dead, but because I never dream. People have tried to argue with me about that. They say everybody dreams and I just don't remember mine. But, I'm telling you, I always slept like the dead. Until I was dead. Then I dreamed like a normal person.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Cadeon, can you hear me?"
He didn't open his eyes. "Nothing wrong with my ears."
"Of course not." She laid the cloth on his forehead. "So . . you and Tera seemed close."
"Been through a lot."
"Was she your girlfriend?"
He gave a laugh that sounded like a grunt. "Not at all."
"And you really didn't sleep with Imatra?"
"Bloody hell, noooo, I didn't . . . She's a slag."
"Then why did you kiss her?" Holly asked.
"Directions. . . and to see."
"To see what?"
"That it wouldn't be all that bad without you."
This was interesting. "Did you make a determination?"
He gave a bitter laugh. "It'll be all that bad."
Oh, Cadeon. "You've known I was your female for a year?" He nodded. "Why I would be chosen for you?"
"Fate decides . . . who I can be most satisfied with."
Nibbling her lip, she asked, "Have you slept with anyone else since you knew it was me?"
"Gave a halfhearted try for a witch . . . she wanted a werewolf instead."
There was no getting around it--Holly was jealous of the witch.
But then Cadeon said, "And I wanted you.
”
”
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
“
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?”
Vin looked up, glaring at him. “Yes.”
“What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.”
She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!”
“He’s a nobleman!”
“So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!”
She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst.
“What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?”
She fell silent, puffing slightly, the crewmembers staring at her.
“Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.”
She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt.
And, for once, found himself without anything to say.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
His face spreads into a warm smile. “As a matter of fact, no, I have never slept under the stars – are you gettin’ all romantic on me, Camryn Bennett?” He looks at me with a playful sideward stare.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Then I said, “Matt’s got a big mouth.”
“They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.”
I was stunned speechless again, this time it didn’t last as long.
“What?”
“See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.”
I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me.
“So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.”
Ho-ly crap.
“So,” she went on. “Did he nail you nail you or did you two just sleep?”
For some reason, I answered her unbelievably nosy question. “We just slept.”
“New pool!” she shouted.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
I tilt my head and ask “What firsts have we
already passed?”
“The easy ones,” he says. “First hug, first date, first fight, first time we slept together,
although I wasn’t the one sleeping. Now we barely have any left. First kiss. First time to
sleep together when we’re both actually awake. First marriage. First kid. We’re done
after that. Our lives will become mundane and boring and I’ll have to divorce you and
marry a wife who’s twenty years younger than me so I can have a lot more firsts and
you’ll be stuck raising the kids.” He bring his hand to my cheek and smile at me. “So you
see, babe? I’m only doing this for your benefit. The longer I wait to kiss you, the longer
it’ll be before I’m forced to leave you high and dry.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
You tell me I'm beautiful,and that you like my hair and you like my smile. You rest your leg against mine in darkened theaters,and then you act as if nothing happened when the lights go up.You slept in my bed for three nights straight,and then you just...blew me off for the next month.What am I supposed to do with that,St. Clair? You said on my birthday that you were afraid of being alone,but I've been here this whole time.This whole time.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
She was worried and came to check on me, but by the time she made it here she was practically falling over. I didn’t want to wake Cassandra to carry her back to the guest room, so I had her lay down with me. Obviously, we just slept. Now, can everyone but Hector or Jase get out of my room please? That includes you, Mom. I need Jason to help me out of these casts so I can take a shower.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Remember when i slept with my head
in a puddle at your feet?
It was humility, or atonement.
later your ankle was a pillow and
finally you pulled me up and in my sleep i
placed your hand above my heart,
like i forgot i didn't live there
anymore
”
”
Michelle Tea
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
I hung up the phone, and America glared at me. “You SLEPT with him? You bitch! You weren’t even going to tell me?
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
There's no other life for me. Anyway, clemency wouldn't begin to repay your debt. I've given you a greater gift than you know."
"What gift?"
"You'll find out. In return, I expect you to keep it safe."
Kelsea turned back to the mirror. "Great God, tell me you didn't impregnate me while I slept."
The fetch threw back his head and roared with laughter. He placed a friendly hand on Kelsea's back, making her skin prickle. "Tear Queen, you'll either be dead within a week or you'll be the most fearsome ruler this kingdom has ever known. I see no middle ground.
”
”
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
“
Cam used to hook up with her.”
“Ew.” I wrinkled up my nose. “And so did you?”
“Not at the same time.”
“God, I hope not.” When he chuckled again , I nudged him with my knee. “You do realize that means you’ve slept with Cam, right?”
“What? Fuck no.” In the dim light, he shrank back. “I told you it wasn’t—”
“He’s been in there. So have you. So by association, you two have had sex.”
“That is disgusting.”
I grinned. “What’s disgusting is that you’ve both been up in there and—”
“Can we not talk about this?
”
”
J. Lynn (Be with Me (Wait for You, #2))
“
I wanted you that night, Cassandra. More than I've ever wanted any woman. But I'm thankful every day that you wouldn't let me have my way. We wouldn't be here today if I had slept with you then.
”
”
Angela Graham (Inevitable (Harmony, #1))
“
Last night, we IM'd so late, I fell asleep with my computer on my lap and woke to his words dinging on my screen. Three things, he said: (1) good morning, (2) I have keybord marks on my face. slept on the "sdfg." (3) you leave in 24 hours, and I'm going to miss you.
”
”
Julie Buxbaum (Tell Me Three Things)
“
Percy wakes me (fourteen)
Percy wakes me and I am not ready.
He has slept all night under the covers.
Now he’s eager for action: a walk, then breakfast.
So I hasten up. He is sitting on the kitchen counter
Where he is not supposed to be.
How wonderful you are, I say. How clever, if you
Needed me,
To wake me.
He thought he would a lecture and deeply
His eyes begin to shine.
He tumbles onto the couch for more compliments.
He squirms and squeals: he has done something
That he needed
And now he hears that it is okay.
I scratch his ears. I turn him over
And touch him everywhere. He is
Wild with the okayness of it. Then we walk, then
He has breakfast, and he is happy.
This is a poem about Percy.
This is a poem about more than Percy.
Think about it.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
Trust me, baby, you weren’t that good. I was just a better actress than you were actor. (Zephyra to Stryker)
Ew! No offense, Mum, I don’t want to know who you’ve slept with. Kill the sexual bantering and him before I go deaf from it. (Medea)
”
”
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
“
You were dropped as a child, weren't you?" Varen asked her.
"Maybe once or twice," Gwen said, "but at least I wasn't raised by highly literate vampires who, every night just before bed, fed me a steady diet of dark sarcasm and gothic horror fiction."
"Every morning before bed," Varen corrected. Stepping forward, he moved toward the headstone. "We slept during the day.
”
”
Kelly Creagh (Oblivion (Nevermore, #3))
“
Passing stranger! You do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my back, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
”
”
Walt Whitman
“
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
”
”
Markus Zusak (The Book Thief)
“
You’re the only girl I have looked at these past few months and imagined my dick sliding into. I haven’t fucked since the night I fucked you, Elle, and you’re the last one I will ever fuck. Tonight will be the first night anyone has slept in that bed and in this place. I couldn’t sleep here until you were in the bed beside me where you fucking belong.
”
”
Sarah Brianne (Nero (Made Men, #1))
“
I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me:
You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.
I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream.
— Jorge Luis Borges, The Writing of the God
”
”
Jorge Luis Borges (The Aleph and Other Stories)
“
Do I look like a commitment sort of girl to you?”
“You look like trouble,” he grinned. “When I was growing up, my mother used to tell me to never trust a redhead.”
I frowned. “There are only two reasons she’d say something like that.” Caleb raised his eyebrows. “And they are?”
“Your father either slept with one, or she is one.”
I buzzed under his crooked smile. It extended all the way to his eyes this time.
“I like you,” he said.
“That’s swell, Boy Scout. Real swell.
”
”
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
“
It was late, and we were tired.
We assumed there would be other nights.
Anna’s breathing started to slow, but I still wanted to talk.
She rolled onto her side.
I said, I want to tell you something.
She said, You can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father’s shed were sighing.
The sheets were rising and falling around me with Anna’s breathing.
I thought about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled on my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you, Oskar.
It’s always necessary.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
She wuz depressed. Yeah, she wuz on stuff for it. Like me. Sometimes it jus' takes you over. It's an illness," she said, although she made the words sound like "it's uh nillness."
Nillness, thought Strike, for a second distracted. He had slept badly. Nillness, that was where Lula Landry had gone, and where all of them, he and Rochelle included, were headed. Sometimes illness turned slowly to nillness, as was happening to Bristow's mother... sometimes nillness rose to meet you out of nowhere, like a concrete road slamming your skull apart.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Gemma Davidson,” she answered, her voice as groggy as I felt.
“Where are you?” I asked.
“Who is this?”
“Elvis.”
“What time is it?”
“Hammer time?”
“Charley.”
“Did you text me? Did your car break down?”
“No and no. Why are you doing this to me?” She was funny.
“Check your cell.”
I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.”
“Not at all?”
“No. What did you do to it?”
“I ate it for breakfast. Check the battery compartment.”
“Where the hell is that?”
“Um, behind the battery door.”
“Are you punking me?” I heard her fumbling with the phone.
“Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.”
“That was you?” she asked, appalled.
”
”
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
“
Wendy warmed my heart, earned my trust, touched my soul, and then touched me in a lot of other places. And right after we'd slept together for the very first time she looked up at me with her chocolate-brown, trustworthy doe eyes and said, "I've got herpes. I thought you should know.
”
”
Caprice Crane (Stupid and Contagious)
“
Derek said Andrew never went to bed before midnight. If we wanted to get him after he was sound asleep, that meant waiting until two.
To my surprise, I fell asleep, so soundly that i didn't hear the alarm on the watch Derek had given me earlier. I woke to Tori shaking me with one hand, while trying to shut off the alarm with the other.
I yawned and blinked hard.
"Running away after you've barley slept in a week isn't a great idea," she said. "Luckily, I anticipated this."
She popped open a can of coke and handed it to me.
"Not as good as coffee," she said. "But I bet you don't drink coffee do you?"
I shook my head as I gulped.
"Kids," she said, rolling her eyes.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Tirian, with his head against Jewel's flank, slept as soundly as if he were in his royal bed at Cair Paravel, till the sound of a gong beating awoke him and he sat up and saw that there was firelight on the far side of the stable and knew that the hour had come. "Kiss me, Jewel," he said. "For certainly this is our last night on earth. And if ever I offended against you in any matter great or small, forgive me now."
"Dear King," said the Unicorn, "I could almost wish you had, so that I might forgive it. Farewell. We have known great joys together. If Aslan gave me my choice I would choose no other life than the life I have had and no other death than the one we go to.
”
”
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
“
We want to climb in with you,' Dermot said. 'We'll all sleep better.'
That seemed incredibly weird and creepy to me - or maybe I only thought it should have. I was simply too tired to argue. I climbed in the bed. Claude got in on one side of me, Dermot on the other. Just when I was thinking, I would never be able to sleep, that this situation was too odd and too wrong, I felt a kind of blissful relaxation roll through my body, a kind of unfamiliar comfort. I was with family. I was with blood.
And I slept.
”
”
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
“
Listen Zeke, i have to go. There's something i have to do, someone i have to find. i owe him a lot, and he's in trouble now. i just wanted to say goodbye."
Zeke slept on. i put my hand on his uninjured arm, squeezing gently. My eyes burned, but i ignored them. "you probably won't see me again," i murmured, feeling something hot slide down my cheek. "i got you here, like i promised i would. i wish... i wish i could've seen your Eden, but this place isn't for me. it never was. i have to find my own place in the world.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
He came back, sat on the ledge again, and handed her a glass. “You haven’t slept; you haven’t eaten.”
“It goes with the territory.” The wine tasted like liquid gold. “Nonetheless, you worry me, Lieutenant.”
“You worry too easily.”
“I love you.” It flustered her to hear him say it in that lovely voice that hinted of Irish mists, to know that somehow, incredibly, it was true. Since she had no answer to give him, she frowned into her wine.
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
It's true... I did see everything on the other side of the ocean as my enemy. Then... I crossed it. I slept under the same roof as my enemies. And I ate the same food as them. Reiner... I'm the same as you. Sure, there were people who pissed me off. But there are good people too. Past the ocean... Inside the Walls... We are all the same.
”
”
Hajime Isayama (Attack on Titan #100)
“
What do they say about meeting a bear in the woods? Oh right, you shouldn't. And to make sure you don't, you should make a lot of noise so that they'll will know where you are and keep their distance because, supposedly, they're as nervous of us as we are of them. Which is all goo, except this bear doesn't seem the least bit nervous. He's giving me a look like I'm Goldilocks, ate his porridge, broke his chair, slept in his bed, and now it's payback time."- Widdershins
”
”
Charles de Lint (Widdershins)
“
You’re gorgeous,” she said. “Even more gorgeous than I imagined.” I blushed and put my head in my hands, embarrassed by how out of control I felt, how out of my league it all was. She took my hands off my face and looked at me. “I don’t know what I’m doing,” I said. “It’s OK,” she said. “I do.” That night, Celia and I slept nude, holding each other. We no longer pretended to touch by accident. And when I woke up in the morning with her hair in my face, I inhaled, loudly and proudly. Within those four walls, we were unashamed.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I don’t want to suffer any more, I have had my mind broken open over and over before, I have been isolate and loveless always. I have not slept with anyone since I saw you, not because I was faithful but because I am afraid and I know no one. I will always be afraid I will always be worthless, I will always be alone till I die and I will be tormented long after you leave me.
”
”
Allen Ginsberg (The Letters of Allen Ginsberg)
“
I just …” He trailed off, sounding exhausted. Defeated. “Are you really here, baby?” he repeated, holding me tighter. “Or is this my imagination playing tricks on me? I haven’t slept in … I don’t know how many days. Two? Three?” “I’m here. I’m right here.” I lifted my head and moved, so I could cup his face, take a good look at that face I had been so set on despising and now loved so much. “And I’m going to take care of you.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
What firsts have we already passed?
The eady ones, I say. First hug, first date, first fight, first time we slept together, although I wasn't the one sleeping. Now we barely have any keft. First kiss. First time to sleep together when we're both actually awake. First marriage. First kid. We're done after that. Our lives will become mundane and boring and I'll have to divorce you and marry a wife who's twenty years younger than me so I can have a lot more firsts and you'll be stuck raising the kids. So you see, babe? I'm only doing this for your benefit. The longer I wait to kiss you, the longer it'll be before I'm forced to leave you high and dry.
Your logic terrifies me, I sort of don't find you attractive anymore.
”
”
Colleen Hoover (Losing Hope (Hopeless, #2))
“
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
”
”
Bernard Levin
“
The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together.
I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you?
No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming.
I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets.
After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.
”
”
Sharon Olds
“
All right, God, say that You are really there. You have put me in this fix. You want to test me. Suppose I test You? Suppose I say that You are not there? You've given me a supreme test with my parents and with these boils. I think that I have passed Your test. I am tougher than You. If You will come down here right now, I will spit into Your face, if You have a face. And do You shit? The priest never answered that question. He told us not to doubt. Doubt what? I think that You have been picking on me too much so I am asking You to come down here so I can put You to the test! I waited. Nothing. I waited for God. I waited and waited. I believe I slept.
”
”
Charles Bukowski (Ham on Rye)
“
EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
Sunshine
If it were possible
to place you in my brain
to let you roam around
in and out
my thought waves
you would never
have to ask
why do you love me?
This morning as you slept
I wanted to kiss you awake
say I love you till your brain
smiled and nodded yes
this woman does love me.
Each day the list grows
filled with the things that are you
things that make my heart jump
yet words would sound strange
become corny in utterance.
In the morning when I wake
I don’t look out my window
to see if the sun is shining.
I turn to you instead.
”
”
Pat Parker
“
The cult of friendship disturbs me. It's like our quality is supposed to be measured by the number of friends we have. For me, it's quite the inverse. When somebody says "I'm friends with everyone" I just assume they have the spine of your average jellyfish and the integrity of your average soap dish.
"I have tons of close friends!" Ok, then you obviously have no standards. "I've slept with lots of people!" Good, I will shake your hand from inside this Hazmat suit. It's like you have to have friends or you're nothing, and you gotta have lots of friends, and the more friends you have the more value you have. This Is a way of lowering our standards to fit in.
I'm a big fan of quality over quantity. Everyone wants to look at their life like it's a beer commercial they can just climb into. The larger the circle of friends the more alcohol is involved to blind yourself to the fact that you cant stand most of these assholes.
”
”
Stefan Molyneux
“
You can deny it. But I have been with you, in every way that matters. As you have been with me. We’ve shared our thoughts and our food, bound each other’s wounds, slept close when the warmth of our bodies was all we had left to share. Your tears have fallen on my face, and my blood has been on your hands. You’ve carried me when I was dead, and I carried you when I did not even recognize you. You’ve breathed my breath for me, sheltered me inside your own body. So, yes, Fitz, in every way that matters, I’ve been with you. We’ve shared the stuff of our beings. Just as a captain does with her liveship. Just as a dragon does with his Elderling. We’ve been together in so many ways that we have mingled. So close have we been that when you made love to your Molly, she begat our child. Yours. Mine. Molly’s. A little Buck girl with a wild streak of White in her. “Oh, gods. Such
”
”
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
“
Let me tell you girls a story, short and sweet. In high school, I was a junior varsity cheerleader dating a senior who was up for football scholarships. I'd slept with him several times willingly. One night I wasn't in the mood, but he was. So he held me down and forced me. The few people I told about it - including my best friend - pointed out what would happen to him if I told. They stressed the fact that I hadn't been a virgin, that we were dating, that we'd had sex before. So I kept quiet. I never even told my mother. That boy put bruises on my body. I was crying and begging him to stop and he didn't. That's called rape, ladies.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
I am what became of your child. I found an old baby picture of me. And it was somebody else, not me. It was somebody pink and fat who never heard of sick or lonely, somebody who cried and got fed,, and reached up and got held and kicked but didn't hurt anybody, and slept whenever she wanted to, just by closing her eyes. Somebody who mainly just laid there and laughed at the colors waving around over her head and chewed on a polka-dot whale and woke up knowing some new trick nearly every day and rolled over and drooled on the sheet and felt your hand pulling my quilt back up over me. That's who I started out and this is who is left. That's what this is about. It's somebody I lost, all right, it's my own self. Who I never was. Or who I tried to be and never got there. Somebody I waited for who never came. And never will. So, see, it doesn't much matter what else happens in the world or in this house, even. I'm what was worth waiting for and I didn't make it. Me...who might have made a difference to me...I'm not going to show up, so there's no reason to stay, except to keep you company, and that's...not reason enough because I'm not...very good company. Am I.
”
”
Marsha Norman ('night, Mother)
“
The blaring of an alarm jarred me out of sleep. I shot up in bed, and for a second, I couldn’t see anything. Fear punched through me. Had the contacts rolled into the back of my eyes while I slept and severed my optic nerves? Was that even possible? Aly groaned somewhere nearby. “What is that sound?” “I don’t know. I’ve gone blind,” I said, voice laced with panic. Fuck, that was the second time I’d forgotten to disguise it. “What?” she yelped, and the mattress shifted with her movement. “Help me,” I whimpered, Batman-style, and yes, it was just as pathetic as it sounds. “Oh my god,” she said with a shaky laugh. “You’re not blind. Your dumb baklava slid sideways.
”
”
Navessa Allen (Lights Out)
“
As she read over Eve's shoulder, Mavis let out a low whistle. "Not the Roarke! The incredibly wealthy, fabulous to look at, sexily mysterious Roarke who owns approximately twenty-eight percent of the world, and its satellites?"
All Eve felt was irritation. "He's the only one I know."
"You know him." Mavis rolled her green shadowed eyes. "Dallas, I've underestimated you unforgivably. Tell me everything. How, when, why? Did you sleep with him? Tell me you slept with him, then give me every tiny detail."
"We've had a secret, passionate affair for the last three years, during which time I bore him a son who's being raised on the far side of the moon by Buddhist monks.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
Under-slept employees are not, therefore, going to drive your business forward with productive innovation. Like a group of people riding stationary exercise bikes, everyone looks like they are pedaling, but the scenery never changes. The irony that employees miss is that when you are not getting enough sleep, you work less productively and thus need to work longer to accomplish a goal. This means you often must work longer and later into the evening, arrive home later, go to bed later, and need to wake up earlier, creating a negative feedback loop. Why try to boil a pot of water on medium heat when you could do so in half the time on high? People often tell me that they do not have enough time to sleep because they have so much work to do. Without wanting to be combative in any way whatsoever, I respond by informing them that perhaps the reason they still have so much to do at the end of the day is precisely because they do not get enough sleep at night.
”
”
Matthew Walker (Why We Sleep: The New Science of Sleep and Dreams)
“
Dear daughter, I won't try to call my feeling for Arty love. Call it focus. My focus on Art was an ailment, noncommunicable, and, even to me all these years later, incomprehensible. Now I despise myself. But even so I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I ever had. Remember what a poor thing I have always been and forgive me.
He saw no use for you and you interfered with his use of me. I sent you away to please him, to prove my dedication to him, and to prevent him from killing you...
My job was to come back [from the convent] directly, with nothing leaking from beneath my dark glasses, to give Arty his rubdown and then paint him for the next show, nodding cheerfully all the while, never showing anything but attentive care for his muscular wonderfulness. Because he could have killed you. He could have cut off the money that schooled and fed you. He could have erased you so entirely that I never would have had those letters and report cards and photos, or your crayon pictures, or the chance to spy on you, and to love you secretly when everything else was gone.
”
”
Katherine Dunn (Geek Love)
“
Michael turned from the counter with a cup of coffee in hand. "Don't start," he said to Gabriel."I didn't say anything. I'm just glad you weren't jerking her around." Gabriel paused. "So I guess you don't have too much baggage after all?"
Michael gave him a look. "Trust me I do." He sat down at the table. "She just has enough to mach."
"What does that mean?"
"It means she has a five-year-old son."
Gabriel went still. "Holy crap."
"So we're taking things really slowly."
"Looks like it."
This was quite possibly the first time Gabriel had ever seen his older brother blush. "It was late. She slept here. We did not-" Michael broke off. "I don't really think I need to explain myself to you."
Gabriel smiled and took a sip of coffee. "No, no, I'm enjoying this.
”
”
Brigid Kemmerer (Spark (Elemental, #2))
“
Paul. Look at me. You need to understand this. The worst thing that could have happened to me already happened."
He looks up.
She swallows, knowing that these are the words that stall; that may simply refuse to emerge.
"Four years ago David and I went to bed like it was any other night, brushing our teeth reading our books, chatting about a restaurant we were going to the next day...and when I woke up the next morning he was there beside me, cold. Blue. I didn't...I didn't feel him go. I didn't even get to say..."
There is a short silence.
"Can you imagine knowing you slept through the person you love most dying next to you ? Knowing that there might have been something you could have done to help him ? To save him ? Not knowing if he was looking at you, silently begging you to..."
The words fail, her breath catches, a familiar tide threatens to wash over her He reaches out his hands slowly, enfolds hers within them until she can speak again.
"I thought the world had actually ended. I thought nothing good could ever happen again. I thought any thing might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, life gradually became liveable again."
She leans closer to him.
"So this...the painting, the house...It hit me when I heard what happened to Sophie. It's just stuff. They could take all of it, frankly. the only thing that matters is people."
She looks down at his hands, and her voice cracks.
"All that really matters is who you love.
”
”
Jojo Moyes (The Girl You Left Behind)
“
13. A Buddha
In Tokyo in th Meiji era there lived two prominent teachers of opposite characteristics. One, Unsho, an instructor in Shingon, kept Buddha's precepts scrupulously. He never drank intoxicants, nor did he eat after eleven o'clock in the morning. The other teacher, Tanzan, a professor of philosophy at the Imperial University, never observed the precepts. When he felt like eating he ate, and when he felt like sleeping in the daytime he slept.
One da Unsho visited Tanzan, who was drinking wine at the time, not even a drop of which is supposed to touch the tongue of a Buddhist.
"Hello, brother," Tanzan greeted him. "Won't you have a drink?"
"I never drink!" exclaimed Unsho solemnly.
"One who never drinks is not even human," said Tanzan.
"Do you mean to call me inhuman just because I do not indulge in intoxicating liquids!" exclaimed Unsho in anger. "Then if I am not human, wht am I?"
"A Buddha," answered Tanzan.
”
”
Nyogen Senzaki
“
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
”
”
Toni Morrison (Song of Solomon)
“
You can’t tell half a tale, Poison. You can’t write half a book. Whatever you choose to do next will completely change the aspect of what has gone before. if you decided to suddenly kill your friends as they slept –“
Why would I do that?” Poison interjected.
Bear with me,” Fleet said patiently. “If you did, then the tale would take on a whole new light. Instead of being the journey of Poison from Gull to save her sister, it would be the terrible story of how a young girl became a cold-blooded killer. They way it would be written would be different. Do you see? Or you might die right now, and it would turn out that it wasn’t your tale all along it was Bram’s or Peppercorn’s, and you were just one of the sideline characters. The whole story has to be known before it can be recorded; otherwise it might suddenly change. That’s the beauty, Poison. You never know what’s going to happen next. When the tale is ended, then the writing will be visible to your eyes; until then it is unwritten.
”
”
Chris Wooding (Poison)
“
I slept and I woke. She gave me a ring made from a leaf, a cluster of golden berries, a flower that opened and closed at the stroking of a finger....
And once, when I startled awake with my face wet and my chest aching, she reached out to lay her hand on top of mine. The gesture was so tentative, her expression so anxious, you would think she had never touched a man before. As if she was worried I might break or burn or bite. Her cool hand lay on mine for a moment, gentle as a moth. She squeezed my hand softly, waited, then pulled away.
It struck me as odd at the time. But I was too clouded with confusion and grief to think clearly. Only now, looking back, do I realize the truth of things. With all the awkwardness of a young lover, she was trying to comfort me, and she didn't have the slightest idea how.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded –with what caution –with what foresight –with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it –oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly –very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! –would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously –oh, so cautiously –cautiously (for the hinges creaked) –I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights –every night just at midnight –but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.
”
”
Edgar Allan Poe (The Tell-Tale Heart and Other Writings)
“
Love Letter"
Not easy to state the change you made.
If I'm alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn't just tow me an inch, no-
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.
That wasn't it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter-
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn't convince me. Those tears froze.
Each dead head had a visor of ice.
And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn't know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn't fooled. I knew you at once.
Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It's a gift.
”
”
Sylvia Plath (Crossing the Water)
“
My friend once told me
she liked this guy because of his hands
And I found it absurd that anyone
would develop feelings over one feature,
and not care about the rest
It wasn’t until you used your hands
to cup the back of my neck the first time we kissed
and I could feel your firm grasp pull me closer,
and my insides exploded
and my head buzzed with bliss.
And the first night you slept over,
you fell asleep with your hand
laid over my stomach
and your fingers felt like a fire
that I didn’t mind burning my skin.
The first time we got drunk,
was the first time you played with my hair,
and my god I was hooked,
I’d drink forever if it meant you’d never stop.
And in public you’d hold my hand,
and rub your thumb in little circles
that left me wanting you more,
no matter what you would never let me go,
I was glued to you,
and I honestly didn’t mind
When we talked about breaking up,
you saw my lips quiver with fear,
and you brushed over my lips with your fingers
before pulling me into your lap
and you kissed me like never before.
With your hands on my hips
pulling me so close to you,
leaving no space in between us.
It was then I realized I never wanted you to go
Its now that,
I finally understand why hands
were the only feature that mattered.
”
”
Carol Shlyakhova
“
Were you ever going to tell me?”
“About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.”
She knocked back the rum and swallowed, setting the empty glass on the table. Impressive.
She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.”
He took a swig, his gaze locked on hers. “Would you have believed me?”
“No.” She shrugged. “Just wondering how long you would have lied to me.”
“I could ask you the same thing.”
She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.”
“I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.”
She raised a brow. “Are you saying I should feel…special?”
“Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.”
“Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.”
He chuckled. “It’s less heroic when you’re certain you won’t die.”
“But you knew it would hurt.”
He nodded slowly. “True.”
She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.”
Her dark eyes sparkled with the mischief he was growing much too fond of.
“Not bad for a pirate.” He admitted.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
Dr. Bone Specialist came in, made me stand up and hobble across the room, checked my reflexes, and then made me lie down on the table. He bent my right knee this way and that, up and down, all the way out to the side and in. Then he did the same with my left leg. He ordered X rays then started to leave the room. I panicked. I MUST GET DRUGS.
"What can I take for the pain?" I asked him before he got out the door.
"You can take some over the counter ibuprofen," he suggested. "But I wouldn't take more than nine a day."
I choked. Nine a day? I'd been popping forty. Nine a day? Like hell. I couldn't even go to the bathroom on my own, I hadn't slept in three weeks, and my normally sunny cheery disposition had turned into that of a very rabid dog. If I didn't get good drugs and get them now, it was straight to Shooter's World and then Walgreens pharmacy for me.
"I don't think you understand," I explained. "I can't go to work. I have spent the last four days with my mother who is addicted to QVC, watching jewelry shows, doll shows and make-up shows. I almost ordered a beef-jerky maker! Give me something, or I'm going to use your calf muscles to make the first batch!"
Without further ado, he hastily scribbled out a prescription for some codeine and was gone. I was happy.
My mother, however, had lost the ability to speak.
”
”
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
“
Italy: It's been a while since I slept with you, Romano.
Romano: Shut up! You should have at least two beds in your place!
Italy: How weird... I usually sleep together with Germany and Japan.
Romano: [Grabs Italy's throat] You still get along with them!
[Repeatedly bashes his head into his brother's]
Italy: Bro, I can't breathe. Bro, I can't breathe!
[Cut to Germany's office; his phone is ringing. He picks it up]
Italy: Germany, save me! I'm on my bed and my brother is- ow!
Romano: Not there!
Italy: It's stuck! OW!
Romano: Put down the phone, you fool!
Italy: TAKE IT OUT!
Romano: Put it down!
[Line goes dead]
Germany: [Slightly disturbed] His brother's... stuck..."ow"... take it out...
[Germany bursts into Italy's room]
Italy: Italy, are you okay! What's going-!
[He realizes the brothers' signature hair curls are merely tangled with each other]
Italy: Germany, you're late!
”
”
Hidekaz Himaruya
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago."
Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear."
But Mrs. Bentley had stubbornly kept them.
"It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen."
It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors."
If he were alive tonight, what would he say?
"You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture."
"Affidavits?"
No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you."
Mrs. Bentley nodded at the memory, breathing easier.
"Yes, I see. I see."
The gold-feruled cane lay silently on the moonlit rug.
"In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do."
She slept . . .
”
”
Ray Bradbury (Dandelion Wine)
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him:
1. I’m sorry that I forgot to water your ferns while you were away that time.
2. When you said that I reminded you of your mother, was that a good thing?
3. I never really liked your friends all that much.
4. None of my friends ever really liked you.
5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway.
6. I never liked your mother.
7. After you left, I didn’t water your plants on purpose. They’re all dead.
8. Goodbye.
9. Were you ever really in love with me?
10. Was I good in bed, or just average?
11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound?
12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once.
13. So maybe I’m an idiot, but I used to be in love with you.
14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know.
15. My feet hurt, and it’s all your fault.
16. I mean it this time, goodbye.
”
”
Kelly Link (Stranger Things Happen)
“
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
”
”
Hanya Yanagihara (A Little Life)
“
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night.
Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible.
So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming.
I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me.
He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm.
After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck.
I bit my lip. Alarm bells started going off in my head.
Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?”
I stammered, “I…you…I…slept just fine, thank you.”
I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him.
He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
So,Batman,eh?"
Effing St. Clair.
I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it.
St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..."
"Yes,great,I get it.Ha ha. Stupid me."
"What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!"
"Wait." I frown. "What?"
"What what?"
"You're singing it wrong."
"No,I'm not." He pauses. "How do you sing it?"
I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-"
St. Clair snorts. "Laid an egg? Robin didn't lay an egg-"
"'Batmobile lost a wheel,and the Joker got away.'"
He stares at me for a moment,and then says with perfect conviction. "No."
"Yes.I mean,seriously,what's up with the motorway thing?"
"M1 motorway. Connects London to Leeds."
I smirk. "Batman is American. He doesn't take the M1 motorway."
"When he's on holiday he does."
"Who says Batman has time to vacation?"
"Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today."
"Thanks."
"You." He prods my leg with a finger. "Slept in."
I focus on the guy's laptop again. "Yeah.You mentioned that."
He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done."
I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting.
I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Not to waste the spring
I threw down everything,
And ran into the open world
To sing what I could sing...
To dance what I could dance!
And join with everyone!
I wandered with a reckless heart
beneath the newborn sun.
First stepping through the blushing dawn,
I crossed beneath a garden bower,
counting every hermit thrush,
counting every hour.
When morning's light was ripe at last,
I stumbled on with reckless feet;
and found two nymphs engaged in play,
approaching them stirred no retreat.
With naked skin, their weaving hands,
in form akin to Calliope's maids,
shook winter currents from their hair
to weave within them vernal braids.
I grabbed the first, who seemed the stronger
by her soft and dewy leg,
and swore blind eyes,
Lest I find I,
before Diana, a hunted stag.
But the nymphs they laughed,
and shook their heads.
and begged I drop beseeching hands.
For one was no goddess, the other no huntress,
merely two girls at play in the early day.
"Please come to us, with unblinded eyes,
and raise your ready lips.
We will wash your mouth with watery sighs,
weave you springtime with our fingertips."
So the nymphs they spoke,
we kissed and laid,
by noontime's hour,
our love was made,
Like braided chains of crocus stems,
We lay entwined, I laid with them,
Our breath, one glassy, tideless sea,
Our bodies draping wearily.
We slept, I slept so lucidly,
with hopes to stay this memory.
I woke in dusty afternoon,
Alone, the nymphs had left too soon,
I searched where perched upon my knees
Heard only larks' songs in the trees.
"Be you, the larks, my far-flung maids?
With lilac feet and branchlike braids...
Who sing sweet odes to my elation,
in your larking exaltation!"
With these, my clumsy, carefree words,
The birds they stirred and flew away,
"Be I, poor Actaeon," I cried, "Be dead…
Before they, like Hippodamia, be gone astray!"
Yet these words, too late, remained unheard,
By lark, that parting, morning bird.
I looked upon its parting flight,
and smelled the coming of the night;
desirous, I gazed upon its jaunt,
as Leander gazes Hellespont.
Now the hour was ripe and dark,
sensuous memories of sunlight past,
I stood alone in garden bowers
and asked the value of my hours.
Time was spent or time was tossed,
Life was loved and life was lost.
I kissed the flesh of tender girls,
I heard the songs of vernal birds.
I gazed upon the blushing light,
aware of day before the night.
So let me ask and hear a thought:
Did I live the spring I’d sought?
It's true in joy, I walked along,
took part in dance,
and sang the song.
and never tried to bind an hour
to my borrowed garden bower;
nor did I once entreat
a day to slumber at my feet.
Yet days aren't lulled by lyric song,
like morning birds they pass along,
o'er crests of trees, to none belong;
o'er crests of trees of drying dew,
their larking flight, my hands, eschew
Thus I'll say it once and true…
From all that I saw,
and everywhere I wandered,
I learned that time cannot be spent,
It only can be squandered.
”
”
Roman Payne (Rooftop Soliloquy)
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))