Recycle Feeling Quotes

Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours. Floss. Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself. Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how. Keep your old love letters. Throw away your old bank statements. Stretch. Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't. Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone. Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's. Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Dance, even if you have nowhere to do it but your living room. Read the directions, even if you don't follow them. Do not read beauty magazines. They will only make you feel ugly. Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out. Don't mess too much with your hair or by the time you're 40 it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. But trust me on the sunscreen.

Too much of my life feels like this already- trying to recycle something old into something new and better, disguising someone else's trash as some fresh, shiny thing.

I didn't think past the first step of anything, that was the key. I drank a Coke and didn't worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn't worry about the offensive sexism or the lack of minorities in meaningful roles. I didn't even worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

Ghel the gold horned unicorn is empathic and can sense the emotions of other unicorns. A touch of her horn on another’s heart make them feel better.  Gold has many every day uses but 80% of newly mined or recycled gold is still used in jewelry manufacture.

She's a bitch. Fake people deserve to be treated like they're made of tin-or plastic. I recycle, it's OK. Besides, you know how I feel about robots.

But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.

The experience of childhood sexual abuse leaves some survivors with a high tolerance for pain. Dysfunctional environments require endurance and thick skin. Child survivors sometimes have to commit to sticking things out in order to survive. This pattern of tolerance follows you into adulthood. Instead of using pain as a signal to evaluate and change direction, you may use pain as a signal to try harder. Try harder to please someone. Try harder to control your children. Try harder to be a good friend. Try harder to be successful at a job that you hate. You remain in survival mode that you picked up as a child. Your high tolerance for pain keeps you committed to dysfunctional experiences and relationships that recycle pain from the past. Sometimes, the only way out of this cycle is time in isolation to learn what peace feels like. Sometimes you have to be willing to let go of everything in order to learn how to hold onto anything.

ALONE One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard. I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing. After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.

He simply preferred the sensation of soil beneath his feet and wind in his hair, of fresh, non-recycled air which carried on it the scent and taste of life. He preferred what was solid and real, where if you could see it you could touch it, feel its texture between the tips of your fingers. As far as he knew, no one had ever touched a star. Not even her.

Recycling is better--I won't write "good"--for the environment. But without economics--without supply and demand of raw materials--recycling is nothing more than a meaningless exercise in glorifying garbage. No doubt it's better than throwing something into an incinerator, and worse than fixing something that can be refurbished. It's what you do if you can't bear to see something landfilled. Placing a box or a can or a bottle in a recycling bin doesn't mean you've recycled anything, and it doesn't make you a better, greener person: it just means you've outsourced your problem. Sometimes that outsourcing is near home; and sometimes it's overseas. But wherever it goes, the global market and demand for raw materials is the ultimate arbiter. Fortunately, if that realization leaves you feeling bad, there's always the alternative: stop buying so much crap in the first place. (269)

I feel like it gives a subtle message about the importance of recycling..." said one reviewer.

There’s a real Isle Esme feel to the decor (if you know, you know), with carved bamboo, recycled teak, jellyfish light fixtures, and a massive canopy bed.

Every time I think about it, it makes me happy. Do you think I’m a monster?

Sometimes I feel like going down to the recycling plant. Turning myself in, jumping into the inferno, getting melted down, coming out again as someone else. Scrap metal man.

She's that bad boy you want, but in a girl who believes in recycling. Freud described the kinds of feelings I had for Amy as loving the same person twice, as a woman and as a man.

Normally, the mortal would be emptied of his soul. His truest essence, which, if the bastard was lucky, would be released to be recycled by the cosmos. The ‘investor’ would then take hold, snuggling in tightly to his host body. At first it's kind of like when you purchase a new pair of shoes. How the hard leather around the opening digs into the flesh it surrounds. Then, after a short period of breaking them in, it begins to only feel uncomfortable when you move a certain way. Soon enough though, you forget that you even have them on. They eventually seem to fit as if you’ve always worn them. The truly unlucky, though, they are left inside. Paralyzed and powerless to do anything but watch their lives be lived by someone… something, else.

Placing a box or a can or a bottle in a recycling bin doesn’t mean you’ve recycled anything, and it doesn’t make you a better, greener person: it just means you’ve outsourced your problem. Sometimes that outsourcing is near home; and sometimes it’s overseas. But wherever it goes, the global market and demand for raw materials is the ultimate arbiter. Fortunately, if that realization leaves you feeling bad, there’s always the alternative: stop buying so much crap in the first place.

In the absence of this depth of community, the safe container is difficult to find. By default, we become the container ourselves, and when this happens, we cannot drop into the well of grief in which we can fully let go of the sorrows we carry. We recycle our grief, moving into it and then pulling it back into our bodies unreleased. Frequently in my practice patients tell me that they often cry in private. I ask them whether, at some point in this process, they ever allow their grief to be witnessed and shared with others. There is usually a quick retort of “No, I couldn’t do that. I don’t want to be a burden to anyone else.” When I push it a little further and ask them how it would feel if a friend came to them with his or her sorrows and pain, they respond that they would feel honored to sit with their friend and offer support. This disconnection between what we would offer others and what we feel we can ask for is extreme. We need to recover our right to ask for help in grief, otherwise it will continue to recycle perpetually. Grief has never been private; it has always been communal. Subconsciously, we are awaiting the presence of others, before we can feel safe enough to drop to our knees on the holy ground of sorrow.

I judge myself by the shiny, pretty people I see at parent-teacher meetings, or on Facebook, or Pinterest, who seem to totally have their shit together and never have unwashed hair. They never wait until Thursday night to help their kid with the entire week's homework. They don't have piles of dusty boxes in corners waiting to be opened from the move before last. They have pretty, pastel lives, and they are happy, and they own picnic baskets and napkins and know how to recycle, and they never run out of toilet paper or get their electricity turned off. And it's not even that I want to be one of those people. I fucking hate picnics. If God wanted us to eat on the ground He wouldn't have invented couches. I just don't want to feel like a failure because my biggest accomplishment of the day was going to the bank.

We spend our days—and for some of us, nights—reviewing the past for errors and looking into the future to prevent making more. We debate decisions we’ve already made, recycle old concerns, indulge endless regrets, obsess over things we can’t control. It’s all in response to a constant stream of negative feelings and monkey chatter.

I've met people who say they don't want relationships; but it's not the relationships that they don't want: it is the mundane dynamic that is named the "relationship", which they despise. The struggle for control; the humdrum motions recycled by a billion other couples; the low rhythm that seems to cycle, repeating its monotonous hymn through the myriad crowds. They want to find someone and feel every vein in their body connect to that person, they want to fly with someone, they want what's natural; they want a partner. It's a partner they want. Not a "relationship"; but a partner. A whole other person who wants to stay with their own whole person. They want something meant for them, or nothing at all.

We trust that acknowledging and releasing grief, pain and other unmentionable feelings is a most healing and blessed function, since it allows emotions to serve as compost for the world we intend to create for ourselves and the next generations to come. In a holistic world there are no personal or individual emotions. Pain comes as a result of perceiving separation and identifying oneself as the cause or the victim of pain. Massive emotional pain has been recycled since ancient times. We believe this pain cannot be held or released by any single individual. We trust instead that it can be collectively released and that those sharing the same trust can join and release together. This is the risk that we can take, that as we collectively expose and release our deepest wounds they can either destroy us or become the gateway into our highest dreams.

Ego or fixed identity doesn’t just mean we have a fixed idea about ourselves. It also means that we have a fixed idea about everything we perceive. I have a fixed idea about you; you have a fixed idea about me. And once there is that feeling of separation, it gives rise to strong emotions. In Buddhism, strong emotions like anger, craving, pride, and jealousy are known as kleshas—conflicting emotions that cloud the mind. The kleshas are our vehicle for escaping groundlessness, and therefore every time we give in to them, our preexisting habits are reinforced. In Buddhism, going around and around, recycling the same patterns, is called samsara. And samsara equals pain. We keep trying to get away from the fundamental ambiguity of being human, and we can’t. We can’t escape it any more than we can escape change, any more than we can escape death. The cause of our suffering is our reaction to the reality of no escape: ego clinging and all the trouble that stems from it, all the things that make it difficult for us to be comfortable in our own skin and get along with one another. If the way to deal with those feelings is to stay present with them without fueling the story line, then it begs the question: How do we get in touch with the fundamental ambiguity of being human in the first place? In fact, it’s not difficult, because underlying uneasiness is usually present in our lives. It’s pretty easy to recognize but not so easy to interrupt. We may experience this uneasiness as anything from slight edginess to sheer terror. Anxiety makes us feel vulnerable, which we generally don’t like. Vulnerability comes in many guises. We may feel off balance, as if we don’t know what’s going on, don’t have a handle on things. We may feel lonely or depressed or angry. Most of us want to avoid emotions that make us feel vulnerable, so we’ll do almost anything to get away from them. But if, instead of thinking of these feelings as bad, we could think of them as road signs or barometers that tell us we’re in touch with groundlessness, then we would see the feelings for what they really are: the gateway to liberation, an open doorway to freedom from suffering, the path to our deepest well-being and joy. We have a choice. We can spend our whole life suffering because we can’t relax with how things really are, or we can relax and embrace the open-endedness of the human situation, which is fresh, unfixated, unbiased. So the challenge is to notice the emotional tug of shenpa when it arises and to stay with it for one and a half minutes without the story line. Can you do this once a day, or many times throughout the day, as the feeling arises? This is the challenge. This is the process of unmasking, letting go, opening the mind and heart.

Admittedly, guilt can be my default setting. After a social gathering, I’m often left with a vague sense of wrongdoing that I try to pinpoint the source of. Had I laughed insensitively or slighted someone unintentionally? And I always feel accused in Nordstrom. The saleswomen look at my jeans and inexpensive haircut and I’m sure they’re thinking I’m about to slip a pair of earrings into my purse. I feel guilty when I eat white bread and when I don’t recycle.

I’m drunk,” she mutters. “I can already feel the hangover.” “Thraxa’s good at making it feel like a moral obligation to keep pace.” “Ten credits says we have to scrape Sevro off the patio tomorrow.” “Poor Goblin. All spirit, no body mass.” She laughs. “I put him and Victra in the west wing so we can actually get some sleep. Last time, I woke up in the middle of the night thinking a coyote was caught in the air recycler. I swear, at the pace they’re going they’ll be able to single-handedly populate Pluto in a few years.

I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

Back from the funeral, we think we felt the grim reaper swing close; we feel him stalking us. We ward off anxiety before the imminent and inescapable annihilation awaiting us by establishing control over our life and field of operations, by projecting an advance representation of what each day brings, and by measuring our enterprises to our forces. We arrange our home and our situation and our workday in such a way that we retain, behind the forms of our performances, a reserve of force for the tasks that will recur the next day. We settle into an occupation that requires only those mental tasks for which we have already contracted the mental skills. We frame our pleasures and our angers, our affections and our vexations, in the patterns and confines of feelings we can repeat indefinitely. We avoid going to places utterly unlike any other, which would leave us wholly astonished, with an astonishment that could never recur. We seek out partners others might also fall in love with, and we love our partner as others love like partners, with a love that we could recycle for another partner should we lose this one. For we sense that were we to expend all our forces on an adventure, discharge all our mental powers on a problem, empty out all the love in our heart on a woman or a man unlike any other, we would be dying in that adventure, that problem, that love.

I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

Sargon, the obscure adventurer who had emerged as though from nowhere to nurture this proud ambition, to extinguish the independence of neighboring city-states and to rule supreme over the “totality of the lands under heaven,” had always remained the model of a Mesopotamian strongman. Almost two thousand years after his foundation of Akkad, he remained the cynosure of great kings. Indeed, in the decades before the Persian conquest, the obsession with him had become a veritable craze. At Susa, the capital of Elam, a victory memorial originally inscribed by Sargon’s grandson had been lovingly dusted down and put on prominent display; in Akkad itself, when a statue of the great man was excavated, Nabonidus had come rushing in high excitement to inspect it, and to supervise its restoration. Museums had sprung up everywhere: at Ur, for instance, the antiquities collection maintained by Nabonidus’ daughter, Princess En-nigaldi-Nanna, had been carefully labeled and put on display for the edification of the public. Meanwhile, in Babylon itself, scholars pored over great libraries of archives, tracing ancient documents, recycling archaic phrases, looking to the distant past to legitimize the needs and whims of their masters. The people of Mesopotamia, living as they did amid the lumber of millennia, had always been profoundly respectful of antiquity. Rather than feeling oppressed by it, they recycled it, cannibalized it, and turned it to their advantage.

If I’d had a good week—a real “Christian” week”—I felt close to God. When Sunday came around, I would feel like lifting my head and hands in worship, almost as if to say, “God, here I am . . . I know You’re excited about seeing me this week.” If I’d had a stellar week, I loved being in God’s presence and was sure God was pretty stoked about having me there too. But the opposite was also true. If I hadn’t done a good job at being a real Christian, I felt pretty distant from God. If I’d fallen to some temptations, been a jerk to my wife, dodged some easy opportunities to share Christ, was stingy with my money, forgotten to recycle, kicked the dog, etc. . . . well, on those weeks I felt like God wanted nothing to do with me. When I came to church, I had no desire to lift my soul up to God. I was pretty sure He didn’t want to see me either. I could feel His displeasure—His lack of approval. That’s because I didn’t really understand the gospel. Or, at least I had forgotten it.

Two days later, I started my job. My job involved typing friendly letters full of happy lies to dying children. I wasn't allowed to touch my computer keyboard. I had to press the keys with a pair of Q-tips held by tweezers -- one pair of tweezers in each hand. I’m sorry -- that was a metaphor. My job involved using one of those photo booths to take strips of four photographs of myself. The idea was to take one picture good enough to put on a driver’s license, and to be completely satisfied with it, knowing I had infinite retries and all the time in the world, and that I was getting paid for it. I’d take the photos and show them to the boss, and he would help me think of reasons the photos weren't good enough. I’d fill out detailed reports between retakes. We weren't permitted to recycle the outtakes, so I had to scan them, put them on eBay, arrange a sale, and then ship them out to the buyer via FedEx. FedEx came once every three days, at either ten minutes till noon or five minutes after six. I’m sorry -- that was a metaphor, too. My job involved blowing ping-pong balls across long, narrow tables using three-foot-long bendy straws. At the far end of the table was a little wastebasket. My job was to get the ping-pong ball into that wastebasket, using only the bendy straw and my lungs. Touching the straw to the ping-pong ball was grounds for a talking-to. If the ping-pong ball fell off the side of the table, or if it missed the wastebasket, I had to get on my computer and send a formal request to commit suicide to Buddha himself. I would then wait patiently for his reply, which was invariably typed while very stoned, and incredibly forgiving. Every Friday, an hour before Quitting Time, I'd put on a radiation suit. I'd lift the wastebaskets full of ping-pong balls, one at a time, and deposit them into drawstring garbage bags. I'd tie the bags up, stack them all on a pallet, take them down to the incinerator in the basement, and watch them all burn. Then I'd fill out, by hand, a one-page form re: how the flames made me feel. "Sad" was an acceptable response; "Very Sad" was not.

Ah, the problem is that you didn’t DTR,” said Holly wisely. Kami stared. “What?” “D. T. R.,” Holly spelled out, slowly and helpfully. “Do try rollerblading?” Kami guessed. “Dump the recycling. Don’t taste reptiles. No, that doesn’t make any sense at all.” Holly wrinkled her nose. “Because the others made perfect sense?” Kami shrugged, and Holly grinned. “Determine the Relationship,” Holly said. “That’s when the two of you have been kissing a bunch and then you find yourself on a sofa or somewhere and someone’s like, ‘Oh, do you want to be my girlfriend?’ or ‘Is this an exclusive thing, then?’ And then you say ‘Yes’ or ‘No’ and then you’ve either determined the relationship or determined that there isn’t a relationship. You guys needed to DTR.” “Well, we have,” Kami said. “We D’d the R, or rather he D’d that there wasn’t an R, and now we’re done.” Holly put out the hand that wasn’t holding the book, and wiggled it noncommittally. “I don’t know,” she said. “He—we talked about you, once.” “That one time you two made out?’ Kami asked with a sinking feeling. “Uh, I don’t remember exactly when.” Holly looked shifty. “It was totally that time you made out, wasn’t it?” “Oh, come on,” said Holly. “What’s that thing you say? The past is another country. You make out with different people there.” “That’s not how it goes but I admire your creative weaseling,” said Kami. “You are the most promising reporter on my newspaper staff.

Everybody’s Free (To Wear Sunscreen)” Ladies and Gentlemen of the class of '99: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself. Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees; you’ll miss them when they’re gone. Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s. Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own. Dance. even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do not read beauty magazines; they will only make you feel ugly. Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out. Don’t mess too much with your hair, or by the time you're 40, it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth. But trust me on the sunscreen. Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)

I am dreaming of happy Pandas. A whole field full of happy Pandas. I am beside myself. I am entirely myself. I am going to set myself on fire. Just you wait and see. I will destroy. You will obey. That's the way it has to be. You'll make the lemonade and I'll ensure that no other lemonade stand stands in our way. We will wear terrific Panda suits. We will have a secret hand shake. We'll stick to the plan. I will destroy. You will obey. That's the way it's going to have to be. Pouting about it won't change anything. Pouting about it will only make you look like an unhappy Panda and we can't be having that. So you should think before you speak. You should consider your options before you decide to become an unhappy Panda. Because you don't want to know what happens to Pandas that aren't happy. So you'd best be careful. Don't worry though. This is just us talking. This is just us coming together at the head. Like Siamese twins, like two happy peas in a pod. You would not like it if we were to do the other routine. There are no happy Pandas to be had in that one. Not at all. No mention of Pandas whatsoever. Just unpleasantness that I would rather avoid. So keep smiling. Always remember to keep smiling. Whatever will be, will be. There is nothing more pathetic than a sore loser. So keep smiling. Everything will take care of itself. Thank goodness. I'm tired now. I am going to go to bed. I don't much feel like being your friend anymore. The good old days are gone. Best to get on board with the depravity of the here and now. The world consumes, the world revolves, the world will someday come to and end. If not by us, then pulverized by the sun. The mysteries of the universe revealed with no time to study the data and reach an outcome, the sun will go out and all creatures great and small will be helpless against the unknowns of life. So why are you so worried? Why don't you go have some drinks, get laid, get back, get something. After everything has been done, been bought, sold, produced, consumed, recycled, re-packaged, and re-sold, you will have gained nothing by floundering about trying to change things that cannot be changed. The little things exist only so that the important ones never get touched upon. That's why you can wear leather shoes and, at the same time, refuse to eat beef. Because we are all, every one of us, ridiculous. And we've elected you our leader. I am going to go lay in bed and wait for the hands of impossibility to come strangle me. I am going to smile at my ceiling and sing the song of our undoing. I will wear my Panda pajamas. I will think of you often when I get to where it is that I'm going. Everything will be fine. Just you wait and see. Just you wait and see.

If you are trying to recover from something or replenish yourself, place a hand on your heart and say to yourself, “I give myself my own love.” It is a powerful statement. I give myself my own love. Some of you will feel it going through the hand back into the heart recycling what it is you send out. A lot of love escapes your body from this point, so send it back in. The heart is a magnet when it is full. Think about that for a second. Think about the times in your life when you are greatly in love with a person, a project, or your own experience of life. Everything flows. The colors are more vivid. The light is brighter. You are your own master of your heart, and the fastest way to feed it is through yourself. Very quickly you will find you will be able to connect with others to have the experiences you want, the relationships you want, the work you want, or the creations you want to birth.

If you pretend to hold a political opinion contrary to your real views, what happens inside you? Denying your true self feels bad. But sometimes we feel we have to do it, usually when our survival is in some way threatened. Has this ever happened to you? Bill Mason went to lunch with other folks from the office. They all were adamantly against the new recycling law. Bill thought the law a good one. He kept quiet because he wanted to belong to the group. His economic survival felt tied to the acceptance of the group. Here are some other ways you can deny your true self and weaken your emotional boundaries:

She never came back after mid-term break; according to the Automator, ‘unforeseen circumstances’ had forced her to extend her holiday. Every day Howard sees her classes trooping despondently from the Geography Room to the study hall, or carrying votive bundles of cardboard and paper to the recycling bins, their faces anxious, hopeful, like Indians doing a rain dance. He knows how they feel. Since mid-term he’s existed in a constant state of tension, braced against every moment as the one that might finally restore her. Even out of school, even on his own, shopping in the supermarket, sitting at the traffic lights, he finds himself holding his breath. But the days are a series of ghost pregnancies, delivering nothing.

His name was Ed. His nickname was Scrambled Ed. On leaving school he had taken a year out to decide what he wanted to study at University. The year passed and he still hadn't decided but went to University anyway. 'Academic' is defined as 'of, or relating to, institutionalized education and scholarship'. The same word, at the same time, also means 'having little practical use or value, as by being overly detailed, unengaging or theoretical'. The latter definition seemed the most appropriate for Ed's university career which was a mash up of drinking, diving, surfing, kayaking and having his heart-broken. All washed down with a few pints. After three years of that he was awarded a second class joint honours degree which he put in the recycling bin and went in search of something that would make him feel better.

If, for example, you and I were anteaters, rather than two people sitting in the corner of a bar, I might feel more comfortable with your silence, with your motionless hands holding your glass, with your glazed fish eyes fixing now on my balding head and now on my navel, we might be able to understand each other better in a meeting of restless snouts sniffing halfheartedly at the concrete for nonexistent insects, we might come together, under cover of darkness, in acts of sexual coitus as sad as Lisbon nights, when the Neptunes in the lakes slough off the mud and slime and scan the deserted squares with blank, eager, rust-colored eyes. Perhaps you would finally tell me about yourself. Perhaps behind your Cranach brow there lies sleeping a secret fondness for rhinoceroses. Perhaps, if you felt my body, you would discover that I had been suddenly transformed into a unicorn, and I would embrace you, and you would flap startled arms, like a butterfly transfixed by a pin, your voice grown husky with desire. We would buy tickets for the train that travels around the zoo, from creature to creature, with its clockwork engine, an escapee from some provincial haunted castle, and we would wave, as we passed, at the grotto-cum-crib of those recycled carpets—the polar bears. We would observe with an ophthalmological eye the baboons' anal conjunctivitis, like eyelids inflamed with combustible hemorrhoids. We would kiss outside the lions' den, where the lions—moth-eaten old overcoats—would curl their lips to reveal toothless gums. I would stroke your breasts in the oblique shade cast by the foxes, you would buy me an ice cream on a stick from the clowns' enclosure, where they, eyebrows permanently arched, exchanged blows to the tragic accompaniment of a saxophone. And that way we would have recovered a little of the childhood that belongs to neither of us and that insists on whizzing down the children's slide with a laugh that reaches us now as an occasional faint, almost angry echo.

When I wake to consider the vaporous aether of our universe, everything feels as though contained within an impenetrably dark infinitely expanding bubble through which the empty space overtaken is sacrificially loaned unto a mockery of its antithesis, across waning dales where the dead retire, to be reclaimed by this cosmic tide, recycled, reincarnated into further being, a self-renewing system of cacophonous consignment inuring one maniacal God His baseless funereal watch, an elementary decree whose advantage succeeds into everlasting fire.

Give Up Your Suffering The second root cause of blaming is justification. This occurs when you tell yourself (and others) why it is that you are entitled to be angry or upset in this situation. Many people fall in love with their suffering. Their past problems become a primary focus of their lives. They think about what happened all the time. They go through the day and even the night carrying on angry conversations with people who are not present, people who they feel have hurt them in the past. Whenever they get into a conversation for any period of time, they bring out their suffering, like a trader in a bazaar, and display it to the other person. They then recycle through the unhappy events of their lives, telling what happened, how they were badly treated, and how awful the other person was to have behaved in this way.

Ehsan Sehgal Quotes about Media — — — * Words matter and mirror if your head is a dictionary of insight and your feelings are alive. * Sure, fake news catches and succeeds attention, but for a while; however, it embraces disregard and unreliability forever. * Media rule the incompetent minds and pointless believers. * A real journalist only states, neither collaborates nor participates. * The majority of journalists and anchors have the information only but not the sense of knowledge. * When the media encourages and highlights the wrong ones, anti-democratic figures, criminals in uniform, and dictators in a supreme authority and brilliant context, sure, such a state never survives the breakdown of prosperity and civil rights, as well as human rights. Thus, the media is accountable and responsible for this as one of the democratic pillars. *Media cannot be a football ground or a tool for anyone. It penetrates the elementary pillar of a state, it forms and represents the language of entire humanity within its perception of love, peace, respect, justice, harmony, and human rights, far from enmity and distinctions. Accordingly, it demonstrates its credibility and neutrality. * When the non-Western wrongly criticizes and abuses its culture, religion, and values, the Western media highlights that often, appreciating in all dimensions. However, if the same one even points out only such subjects, as a question about Western distinctive attitude and role, the West flies and falls at its lowest level, contradicting its principles of neutrality and freedom of press and speech, which pictures, not only double standards but also double dishonesty with itself and readers. Despite that, Western media bother not to realize and feel ignominy and moral and professional stigma. * Social Media has become the global dustbin of idiocy and acuity. It stinks now. Anyone is there to separate and recycle that. Freedom of speech doesn’t mean to constitute insulting, abusing, and harming deliberately in a distinctive and discriminative feature and context, whereas supporting such notions and attempts is a universal crime. * Social media is a place where you share your favourite poetry, quotes, songs, news, social activities, and reports. You can like something, you can comment, and you can use humour in a civilised way. It is social media, but it is not a place to love or be loved. Any lover does not exist here, and no one is serious in this regard. Just enjoy yourself and do not try to fool anyone. If you do that, it means you are making yourself a fool; it is a waste of time, and it is your defeat too. * I use social media only to devote and denote my thoughts voluntarily for the motivation of knowledge, not to earn money as greedy-minded. * One should not take seriously the Social-Media fools and idiots. * Today, on social media, how many are on duty? * Journalists voluntarily fight for human rights and freedom of speech, whereas they stay silent for their rights and journalistic freedom on the will and restrictions of the boss of the media. Indeed, it verifies that The nearer the church, the farther from god. * The abuse, insult, humiliation, and discrimination against whatever subject is not freedom of expression and writing; it is a violation and denial of global harmony and peace. * Press freedom is one significant pillar of true democracy pillars, but such democracy stays deaf, dumb, and blind, which restricts or represses the media. * Press and speech that deliberately trigger hatred and violation fall not under the freedom of press and speech since restrictions for morale and peace apply to everyone without exemption. * Real press freedom is just a dream, which nowhere in the world becomes a reality; however, journalists stay dreaming that.

…Sartre, expanding on Descartes, wrote that the reason we know others exist is because when they look at us, we feel looked at. He called the entity that was staring back at us the Other. From that meeting of the eyes, everything else in our fragile human universes blossomed forth. But! Think of how easily human status is taken away—by war, by hospitals, by arguments about whose turn it is to take out the recycling. How easily we can turn people into things. And now Tanya had turned me into a thing.

The paperback was compromise enough. And that’s what I’ve become: paper spine, paper limbs, brain of cheapo crumpled paper, the final type that publishers used before surrendering to the touch displays, that bad thin four-times-deinked recycled crap, 100% acidfree postconsumer waste. I have very few books with me here—Hitler’s Secretary: A Firsthand Account, Benjamin Franklin: An American Life, whatever was on the sales table at Foyles on Charing Cross Road, and in the langues anglais section of the FNAC on the Rue de Rennes—books I’m using as models, paragons of what to avoid. I’m writing a memoir, of course—half bio, half autobio, it feels—I’m writing the memoir of a man not me.

Instead of feeling sexy and tingly, it felt useless, like recycling plastics or registering to vote.

If you haven’t done what you intended to do yet, donate or recycle that book. Only by discarding it will you be able to test how passionate you are about that subject. If your feelings don’t change after discarding it, then you’re fine as is. If you want the book so badly after getting rid of it that you’re willing to buy another copy, then buy one—and this time read and study it. Books

If we direct our intention toward doing (when possible) that which seems meaningful right now and noticing that any outcome is enough, we might discover a terribly obvious yet effective strategy for perpetual contentment. Of course to do this—to open ourselves up to changing and living according to the meaning of the present month or moment—is a frightening proposition. If we do, we will surely witness our tastes and whims recycle and transform. We will watch as our personalities modify in subtle ways. And although a small number of passions might stay with us throughout our lives, many more will certainly fall away or be replaced. In other words, to admit that in this second I am not a static being is to admit that I will be something different tomorrow, something unknown a year from now, and possibly something unrecognizable to myself in a decade. This notion is uncomfortable because it forces us to countenance the passing of time, the fading of past selves, our eventual physical death. To change is to vacate the past and move ever-closer to the end of our story. It’s no wonder that we bury our proverbial talons in the interests, attributes, memories, and tendencies of our past selves and insist that “who we are” has long been established. But what might we become if we accept that, in the grammar of the universe, our nature is verb-like, transitory, ever-moving? We might become anything. The possibilities are endless and exciting. It seems natural to hold tightly onto the past. We tend to feel that if don’t have the past, we don’t have anything. Our pasts provide all of the context with which we are equipped to navigate the present. Without our memories and stories, we would indeed be directionless and alone. But it seems that we often overcompensate, desperately clinging to the “good old days”, trying to relive them in our minds, and simultaneously attempting to freeze the present moment, to capture the past before it becomes the past. This latter point can be plainly observed in our modern tendency to photograph even the most mundane of moments and to record hours of video that we’ll never revisit. But if we spend significant amounts of time trying to immortalize and live vicariously through the past, we may relinquish a measure of ability to see the possibilities of the present and future. We may cease to fully capitalize on the surrounding opportunities for novel experience, reflection, and appreciation. We may eschew the potential to become a marvelously different-yet-somehow-still-the-same version of ourselves.

She had to get to the essence of the thing—to feel with her hands the undoing, and watch with her own eyes the reconnection.

No. I don’t see it. They can sit and watch dead human bodies on TV screens and feel nothing at all.” “That’s how I saw it at first, but—” “They can drive a car thirty miles every day and feel good about themselves for recycling a couple of empty jam jars. They can talk about peace being a good thing yet glorify war. They can despise the man who kills his wife in rage but worship the indifferent soldier

I desire to write, be wildly in love, support my son to be who he is, keep my hair thick and shiny, get more tattoos, recite mantras, speak onstage, sleep in linen sheets, drive alone in the wide open spaces of New Mexico for hours, be flexible and productive, be alone at parties, be alone at home, be alone, be liked-loved-respected, keep a temple-tidy house, drive a reliable car, make millions of dollars and give lots away, meditate, get caught in thunderstorms, dance long and hard, wear cashmere, make things that make people want to make things of their own, sleep in, recycle, be One, seek approval, go to weddings (and funerals), order in, worship Rothko paintings, call my grandmother, free spiders, go back to India, stay up too late, get just the right font spacing, listen to Tibetan singing bowls on repeat for hours, watch three documentaries in a row, give all I have to give at any given moment to pretty much anybody, wear perfume every day of the week, shave my head, burn everything I’ve ever written, give insight, give money, give time, find my True Nature, and touch the face of God … Why do I desire what I desire? The answer is fast, clear, and simple: to feel good, of course.

Cupro A vegan alternative to silk with the same luxury feel, Cupro is made from linter, a by-product of cotton that would normally be wasted. Manufactured in a closed-loop system, which means the chemicals and wastewater used in its production are reused again and again, it’s also biodegradable, easily recycled and machine-washable. ‘Dry clean only’ can do one.

Perhaps the unique isolation each human feels and the peculiar melancholy a dark sky filled with stars can evoke have something to do with knowledge buried in our genes and souls from recycled lives, a sensing of ancient intimacies with other beings and other worlds.

The DSM definition of PTSD is quite straightforward: A person is exposed to a horrendous event “that involved actual or threatened death or serious injury, or a threat to the physical integrity of self or others,” causing “intense fear, helplessness, or horror,” which results in a variety of manifestations: intrusive reexperiencing of the event (flashbacks, bad dreams, feeling as if the event were occurring), persistent and crippling avoidance (of people, places, thoughts, or feelings associated with the trauma, sometimes with amnesia for important parts of it), and increased arousal (insomnia, hypervigilance, or irritability). This description suggests a clear story line: A person is suddenly and unexpectedly devastated by an atrocious event and is never the same again. The trauma may be over, but it keeps being replayed in continually recycling memories and in a reorganized nervous system.

Undoing their objectivization as goods to be bought and sold, therefore, required not only that captives escape the physical hold exerted on them by the forts, factories, and other coastal facilities used to incarcerate them but, more difficult still, that they reverse their own transformation into commodities, by returning to a web of social bonds that would tether them safely to the African landscape, within the fold of kinship and community. For most, as we have seen, distance made return to their home communities impossible. The market, they learned, made return to any form of social belonging impossible as well. If they managed to escape from the waterside forts and factories, their value resided not in their potential to join communities as slave laborers, wives, soldiers, or in some other capacity, but rather in their market price. For most, the power of the market made it impossible to return to their previous state, that of belonging to (being ‘owned’ by) a community—to being possessed, that is, of an identity as a subject. Rather, the strangers the runaways encountered shared the vision of the officials at Cape Coast Castle: the laws of the market made fellow human beings see it as their primary interest to own as commodities these escaped captives, rather than to connection them as social subjects. More often than not, then, captives escaped only to be sold again. As Snelgrave’s language articulates so clearly, the logic of the market meant that enslavement was a misfortune for which no buyer needed to feel the burden of accountability. Indeed, according to the mercantile logic in force, buyers (of whatever nationality) could not bear the weight of political accountability. Buying people who had no evidence social value was not a violation or an act of questionable morality but rather a keen and appropriate response to opportunity; for this was precisely what one was supposed to do in the market: create value by exchange, recycle someone else’s castoffs into objects of worth. Thus, then, did the market exert its power—through its language, its categories, its logic. The alchemy of the market derived from its effectiveness in producing a counterfeit representation; it had become plausible that human beings could be so completely drained of social value, so severed from the community, that their lives were no longer beyond price: they could be made freely available in exchange for currency. The market painted in colors sufficiently believable as to seem true the appalling notion that ‘a human being could fail to be a person.

I’m the kind of person who recycles materials but I also recycle emotions and feelings.

They can drive a car thirty miles every day and feel good about themselves for recycling a couple of empty jam jars. They can talk about peace being a good thing yet glorify war. They can despise the man who kills his wife in rage but worship the indifferent soldier who drops a bomb killing a hundred children.

Against the gray fog, the explosive cloud of her ashes appears silvery and white. She booms up into the air like a little atomic cloud, blows back over us, scatters down into the sea, up into the branches and sky. She goes everywhere. And I laugh and laugh and laugh, feeling her delight. Her wild freedom. Recycled. Back into the universe.

Based on the parts of this... this scene that are not covered in refuse, and the drawings you have done for me, I know you are an artist with talent. Maybe I have old-fashioned views, but I simply don't understand why you would spend your time creating something like this." He shrugged his shoulders. "The sort of art I am used to seeing is more..." I raised an eyebrow. "More what?" He bit his lip, as though searching for the right words. "Pleasant to look at, I suppose." He shrugged again. "Scenes from nature. Little girls wearing filly white dresses and playing beside riverbanks. Bowls of fruit." "This piece shows a beach and a lake," I pointed out. "It's a scene from nature." "But it's covered in refuse." I nodded. "My art combines objects I find with images I paint. Sometimes what I find and incorporate is literal trash. But I also feel that my art is more than just trash. It's meaningful. These pieces aren't just flat, lifeless images on canvas. They say something." "Oh." He came even closer to the landscapes, kneeling so he could peer at them up close. "And what does your art... say?" His nose was just a few inches from an old McDonald's Quarter Pounder wrapper I'd laminated to the canvas so it looked like it was rising out of Lake Michigan. I'd meant for it to represent capitalism's crushing stranglehold on the natural world. Also, it just sort of looked cool. But I decided to give him a broader explanation. "I want to create something memorable with my art. Something lasting. I want to give people who see my works an experience that won't fade away. Something that will stay with them long after they see it." He frowned skeptically. "And you accomplish that by displaying ephemera others throw away?" I was about to counter by telling him that even the prettiest painting in the fanciest museum faded from memory once the patrons went home. That by using things other people throw away, I took the ephemeral and make it permanent in a way no pretty watercolor ever could.

Some special companies see trust as a public good (like clean air and water), and customers return the trust. One company in which I personally have a lot of faith is Timberland, the maker of outdoor clothing. I once attended a talk by Jeff Swartz, the CEO, in which he detailed many of the ways that Timberland is trying to reduce CO2 emissions, recycle, use sustainable materials, and treat its employees fairly. At the end of Jeff’s talk, another CEO asked him, “What are the returns on these investments?” Jeff answered that he has been trying to find an economic return for these actions but that he had not yet found it in the data. He further added that it would be nice if being environmentally and socially responsible was also financially rewarding but that he didn’t really feel it was necessary. He simply wanted to make sure that his company followed the moral principles he wanted his kids to live by. After hearing this, I went and bought my first pair of Timberland shoes.

This is the cornerstone of industry strategy since World War II--eliminate the burden of costs for negative externalities. It was throw-away living in the 1950s. It was crying Indian ads in the 1970s that made consumers feel guilty about littering, distracting them from the more meaningful issue of product design. It was crushing bottle bills across the United States in the 1990s and shifting responsibility for bottle waste from industry to taxpayer-funded recycling programs. Today it's World Bank loans to small countries, so they can buy waste-to-energy incinerators to burn it all and keep new plastic production alive.

Why do people pay expensive fees for such courses when they can read the same content in a book or elsewhere? Because they want to feel the passion of the teacher and experience that learning environment. Thus the real material is the seminar itself, and it must be experienced live. When you attend a seminar, do so with the resolve to part with every handout distributed. If you regret recycling it, take the same seminar again, and this time apply the learning. It’s paradoxical, but I believe that precisely because we hang on to such materials, we fail to put what we learn into practice.

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I have found little clues about my students revealed in doodles that had been crumpled and tossed in the recycling bin. The drawings aren't meant to be seen. They are about feelings too painful to talk about.

Yes, but there is good in them. A lot of good.” “No. I don’t see it. They can sit and watch dead human bodies on TV screens and feel nothing at all.” “That’s how I saw it at first, but—” “They can drive a car thirty miles every day and feel good about themselves for recycling a couple of empty jam jars. They can talk about peace being a good thing yet glorify war. They can despise the man who kills his wife in rage but worship the indifferent soldier who drops a bomb killing a hundred children.” “Yes, there is a bad logic here, I agree with you, yet I truly believe—