“
What are you, Rose Hathaway? Are you real? You're a dream within a dream. I'm afraid touching you will make me wake up. You'll disappear.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I suppose a lot of teenage girls feel invisible sometimes, like they just disappear. Well, that's me—Cammie the Chameleon. But I'm luckier than most because, at my school, that's considered cool.
I go to a school for spies.
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you."
He closed his eyes and pressed his head back into his pillow.
"I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?"
He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears.
”
”
Rainbow Rowell (Eleanor & Park)
“
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky."
"She's drunk," Joe Bell informed me.
"Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
Do you ever feel that way?"
"Lonely?"
I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt - 'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it."
He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have.
"Do you know what I think?" Kartik says at last.
"What?"
"Sometimes, I think you can glimpse it in another.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
My name is Hazel. Augustus Waters was the great sat-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay."
I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
”
”
John Green (The Fault in Our Stars)
“
Take it from me: love has all the lasting permanence of a rainbow- beautiful while it's there, and just as likely to have disappeared by the time you blink.
”
”
Jodi Picoult
“
Is there any point asking what you're going to make me do on Sunday?'
'Not really.'
Okay. 'Is there any point asking what you're going to do to me?'
He grinned wickedly. 'Not really.'
Fabulous. 'Does it involve the use of a safe word?'
'That will depend entirely on you.' Noah moved impossibly closer, just inches away. A few freckles disappeared into the scruff on his jaw. 'I'll be gentle,' Noah added. My breath caught in my throat as he looked at me from beneath those lashes, ruining me.
I narrowed my eyes at him. 'You're evil.'
In response, Noah smiled, and raised his finger to gently tap the tip of my nose. 'And you're mine,' he said, then walked away.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Lucas: I wanted to talk to you after class, but you disappeared.
Me: I have another class right after. One of those profs who stops talking, stares at you and waits until you get to your seat if you're late.
Lucas: I would probably just walk to my seat even slower. ;)
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
This is rather as if you imagine a puddle waking up one morning and thinking, 'This is an interesting world I find myself in — an interesting hole I find myself in — fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!' This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, frantically hanging on to the notion that everything's going to be alright, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise. I think this may be something we need to be on the watch out for.
”
”
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
“
Wolf, are you asking me to be ... your alpha female?"
He hesitated.
Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this."
Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere."
His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers.
"Alpha female," he murmured. "I sort of like that."
Beaming, Scarlet gave a mild shrug. "It could grow on me.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Unless you stop him. Perhaps next we meet."
"You'll be just as annoying?" I guessed.
He fixed my with those warm brown eyes. "Or perhaps you could bring me up to speed on those modern courtship rituals."
I sat there stunned until he gave me a glimpse of a smile-just enough to let me know he was teasing. Then he disappeared.
"Oh, very funny!" I yelled.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
Do you still distrust me?”
“No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
”
”
Max Nowaz (The Arbitrator)
“
I dreamed of you every night. It felt so real. And when I'd wake up the next morning, it was like your disappearance was fresh. Like you'd left me all over again.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
I wish you could tell me where you are now. I mean, I know you’re dead, but I think there must be something in a human being that can’t just disappear. It’s dark out. You’re out there. Somewhere, somewhere. I’d like to let you in.
”
”
Ava Dellaira (Love Letters to the Dead)
“
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word.
He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free.
His hand was shaking as he held it out. "It's messy."
Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU
Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.
"Maybe you can't read it," he said in a small voice. "I can do it over."
She shook her head. "I can read it just fine. It's… beautiful."
"I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Don’t to that! Don’t just disappear! If you’re mad at me, then hit me or something-just don’t think that I don’t want to stay with you. I’ll always want to stay with you!
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Can I say something?'
'Go on'
'I'm a little drunk'
'Me too. That's okay.'
'Just....I missed you, you know.'
'I missed you too.'
'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-'
'same here.'
'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-'
'same here.'
'-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'-
-'You know what happens you have a family, your responsibilities change, you lose touch with people'
'It won't be like that, I promise.'
'Do you?'
'Absolutely'
'You swear? No more disappearing?'
'I won't if you won't.'
Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.
”
”
David Nicholls (One Day)
“
This is what I know. I look like my father. My father disappeared when he was seventeen years old. Hannah once told me that there is something unnatural about being older than your father ever got to be. When you can say that at the age of seventeen, it's a different kind of devastating.
”
”
Melina Marchetta (On the Jellicoe Road)
“
A lot of people feel like they’re victims in life, and they’ll often point to past events, perhaps growing up with an abusive parent or in a dysfunctional family. Most psychologists believe that about 85 percent of families are dysfunctional, so all of a sudden you’re not so unique. My parents were alcoholics. My dad abused me. My mother divorced him when I was six…I mean, that’s almost everybody’s story in some form or not. The real question is, what are you going to do now? What do you choose now? Because you can either keep focusing on that, or you can focus on what you want. And when people start focusing on what they want, what they don’t want falls away, and what they want expands, and the other part disappears. (Jack Canfield)
”
”
Rhonda Byrne (The Secret (The Secret, #1))
“
I have you with me, and I'm terrified you'll disappear.
”
”
Jodi LaPalm (Still Life (Still Life #1))
“
i been meek, and hard like an oak, i seen pretty people disappear like smoke. friends will arrive, friends will disappear. if you want me, honey baby, i'll be here.
”
”
Bob Dylan
“
Don’t be afraid to love someone. When you fall in love, I want you to fall in love all the way. Even if it ends in heartache, please don’t live a lonely life without love. I’ve been so worried that because of what happened you’ll give up on falling in love. Love is wonderful. I don’t want you to forget that. Those memories of people you love, they never disappear. They go on warming your heart as long as you live. When you get old like me, you’ll understand.
”
”
Satoshi Yagisawa (Days at the Morisaki Bookshop (Days at the Morisaki Bookshop, #1))
“
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….
”
”
Bret Easton Ellis (American Psycho)
“
A lover asked his beloved,
Do you love yourself more than you love me?
Beloved replied, I have died to myself and I live for you.
I've disappeared from myself and my attributes,
I am present only for you.
I've forgotten all my learnings,
but from knowing you I've become a scholar.
I've lost all my strength, but from your power I am able.
I love myself...I love you.
I love you...I love myself.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
we disappear.
It happens to me frequently. You disappear? Yes and then come back.
Moments of death I call them.
”
”
Anne Carson
“
If it was up to me, I’d make the world disappear and it would be just us. Just you and me.
”
”
M. Leighton (Up to Me (The Bad Boys, #2))
“
Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
”
”
Pablo Neruda (Intimacies: Poems of Love)
“
Tiger Lily went back into the house, from which she kept watch of the ocean. She held her arms around her stomach and stayed awake. She didn't want him to catch her sleeping.
Peter did not come that night, or the next day, and she stayed awake. She did not believe he could have really gone, because for her, to leave the person you loved was impossible.
For three days, she kept on studying the horizon, even speaking to it, as if a ship that had already disappeared could hear her. "Choose me."
And Peter did choose. But he chose something else.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
It's always been 'go'. It's always been 'lie' and 'hide' and 'disappear'. I've never belonged anywhere or had the right to call anything my own. But Coach gave me keys to the court, and you told me to stay. You gave me a key and called it home. I haven't had a home since my parents died.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
My mother died yesterday, yesterday many years ago. You know, what amazed me the most the next day after her leaving was the fact that the buildings were still in place, the streets were still full of cars running, full of people who were walking, seemingly ignoring that my whole world has just disappeared."
(rough translation)
”
”
Marc Levy (If Only It Were True)
“
I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service."
He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep.
Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?"
Thanks, Apollo," I said. "I'll, um, let you handle the poetry.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Archer?” I asked, raising my eyebrows. Hey, you might be able to take away my magical powers, but the power of sarcasm was still at my disposal. “Is your last name Newport or Vanderbilt? Maybe followed by some numbers? Ooh!” I said, widening my eyes, “or maybe even Esquire!”
I’d hoped to hurt his feelings or, at the very least, make him angry, but he just kept smiling at me. “Actually, it’s Archer Cross, and I’m the first one. Now what about you?” He squinted. “Let’s see . . . brown hair, freckles, whole girl-next-door vibe going on . . . Allie? Lacie? Definitely something cutesy ending in ie.”
You know those times when your mouth moves but no sound actually comes out? Yeah, that’s pretty much what happened. And then, of course, my mom took that opportunity to end her conversation with Justin’s parents and call out, “Sophie! Wait up.”
“I knew it.” Archer laughed. “See you, Sophie,” he called over his shoulder as he disappeared into the house.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
I see
red, burning love
disappear
forever.
”
”
Lisa Schroeder (I Heart You, You Haunt Me)
“
And yes, when he kisses you, the rest of the world disappears and your brain shuts off and all you can feel are his lips and nothing else matters.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
You know, Annie, a long time ago an old man told me beauty doesn't mean much in a woman. It disappears with age. But he said some women have something better. They have a special glow that lasts all their life and just gets richer. You're like that. You really shine.
”
”
Ellen O'Connell (Eyes of Silver, Eyes of Gold)
“
You can't go."
"Give me a reason why I shouldn't."
"Because I'll miss you, damn it!" she hissed, splaying her arms. "Because what's the point in anything if you just disappear forever?"
"The point in what, Celaena?" How could he be so calm when she was so frantic?
"The point in Skull's Bay, and the point in getting me that music, and the point in... the point in telling Arobynn that you'd forgive him if he never hurt me again."
"You said you didn't care what I thought. Or what I did. Or if I died, if I'm not mistaken."
"I lied! And you know I lied you stupid bastard!
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
I ask one thing only: I ask for the right to hope, to suffer as I do. But if even that cannot be, command me to disappear, and I disappear. You shall not see me if my presence is distasteful to you.
”
”
Leo Tolstoy (Anna Karenina)
“
I don't know then that one day I won't be seventeen. I don't know that youth doesn't last, that it's only a moment, and then it disappears and by the time you finally realize it, it's too late. It's finished, vanished, lost. There are some around me who can sense it; the adults repeat it constantly but I don't listen. Their words roll over me but don't stick. Like water off the feathers of a duck's back. I'm an idiot. An easygoing idiot.
”
”
Philippe Besson (Lie With Me)
“
I said, “I just want to know you and then disappear.”
She said, “Knowing me does not mean dying.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
You doubt God? Well more to the point I credit God with the good sense to doubt me. What is mortality after all but divine doubt flashing over us? For an instant God suspends assent and poof! we disappear.
”
”
Anne Carson (Autobiography of Red)
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
Many partners of addicts have told me they feel bad about themselves for staying in the relationship because of the betrayal they’ve experienced. They imagine that the people who know their past judge them to be stupid for staying with the person who’s caused them so much pain. I often counter this thinking, explaining that leaving may seem quick and easy because they can pretend they’re okay and the problem has disappeared. However, if you leave your relationship, you’ll be stuck with your pain and sorrow without the person you loved to help you sort it out. Why is this true? Because even though it feels as if your pain comes from your partner, it’s actually coming from inside you.
”
”
Alexandra Katehakis (Erotic Intelligence: Igniting Hot, Healthy Sex While in Recovery from Sex Addiction)
“
One thing I've always wondered—why did you enter that bikini contest when you were a teenager?”
Her face flushed with a mixture of anger and embarrassment. “How far back did you trace me?”
“Far enough.” A pause. “You didn't answer my question.”
“And you didn't turn into a puff of smoke and disappear. The world is full of disappointments.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
To them I'm simply an object from the past that they wish will disappear Then why do I exist? Why am I alive? When I thought about this I could find no answer. But as you live you need a reason otherwise it's the same as being dead, I then came to this conclusion I exist to kill every human besides myself. Fighting only for yourself living while only loving yourself If you think that everybody else simply exist to allow you to experience that feeling nothing is better then that world. As long as there are people in this world for me to kill and continue to feel that joy of living my existence will not vanish.
”
”
Masashi Kishimoto
“
The two girls disappeared into the stern cabin once more. Will watched them go, then asked Halt, 'Anything you'd like me to do? Grow a beard? Learn to walk like a rooster?'
'If you could stop asking facetious questions, that'd be a start,' Halt told him. 'But it's probably a little late in life for you to do that.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
If you see Myrnin, tell him I said I want my slow cooker back."
"Your- You let him borrow something you put food in?"
Hannah's smile disappeared. "Why?"
"Um, never mind. I'll make sure it gets disinfected before you get it back. But don't lend anything to him again unless you can put it in some kind of sterilizer." That made even Hannah look nervous. "Thanks. Tell crazy boy I said hey." "I will" Claire promised. "Hey, if you don't mind me asking - when did he borrow it from you?"
"He just showed up at my door one night about a week ago, said, 'Hi, nice to meet you. Can I borrow your Crock-Pot?' Which I understand is pretty typical Myrnin.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
There are times when a feeling of expectancy comes to me, as if something is there, beneath the surface of my understanding, waiting for me to grasp it. It is the same tantalizing sensation when you almost remember a name, but don't quite reach it. I can feel it when I think of human beings, of the hints of evolution suggested by the removal of wisdom teeth, the narrowing of the jaw no longer needed to chew such roughage as it was accustomed to; the gradual disappearance of hair from the human body; the adjustment of the human eye to the fine print, the swift, colored motion of the twentieth century. The feeling comes, vague and nebulous, when I consider the prolonged adolesence of our species; the rites of birth, marriage and death; all the primitive, barbaric ceremonies streamlined to modern times. Almost, I think, the unreasoning, bestial purity was best. Oh, something is there, waiting for me. Perhaps someday the revelation will burst in upon me and I will see the other side of this monumental grotesque joke. And then I'll laugh. And then I'll know what life is.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
No matter what happens, I don’t think that anyone will remember me when I disappear. It will be like I was never here. There will be no proof that I ever existed … you can’t be sad if you disappear, because disappeared people can’t feel sad. They can only be remembered or forgotten.
”
”
Matthew Green (Memoirs of an Imaginary Friend)
“
Waylon said it best when he sang to Willy; 'If you see me gettin' smaller, I'm leavin' don't be grievin', just gotta get away from here. If you see me gettin' smaller, don't worry, I'm in no hurry I've got the right to disappear.
”
”
Waylon Jennings
“
Just tell me how to be different in a way that makes sense. To make this all go away. And disappear. I know that's wrong, because it's my responsibilty, and I know things have to get worse before they get better. I walk around the school hallways and look at the people. I look at the teachers and wonder why their here. If they like their jobs. Or us. I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day. And how they cope with having three quizes and a book report. On top of that. Or wondering who did the heart breaking. And wondering why. Especially since I know that if they went to another school, the person who had their heart broken would have had their heart broken by somebody else, so why does it have to be personal? It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especiall me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
”
”
Stephen Chbosky
“
Does the hatred you feel ever disappear? Or is it something that never goes away... No matter how many times you try to erase it? What I have always feared the most... Is myself. Because I, too, have hatred inside me.
”
”
Naoki Urasawa (PLUTO: 浦沢直樹 x 手塚治虫 005 [Pluto: Urasawa Naoki x Tezuka Osamu 005])
“
I almost miss the sound of your voice but know that the rain
outside my window will suffice for tonight.
I’m not drunk yet, but we haven’t spoken in months now
and I wanted to tell you that someone threw a bouquet of roses
in the trash bin on the corner of my street, and I wanted to cry
because, because —
well,
you know exactly why.
And, I guess I’m calling because only you understand
how that would break my heart.
I’m running out of things to say. My gas is running on empty.
I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus
and looked for synonyms for you but could only find rain and more rain
and a thunderstorm that sounded like glass, like crystal, like an orchestra.
I wanted to tell you that I’m not afraid of being moved anymore;
Not afraid of this heart packing up its things and flying transcontinental
with only a wool coat and a pocket with a folded-up address inside.
I’ve saved up enough money to disappear.
I know you never thought the day would come.
Do you remember when we said goodbye and promised that
it was only for then? It’s been years since I last saw you, years
since we last have spoken.
Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs
against each other’s.
I’ve forgotten almost everything about you already, except that
your skin was soft, like the belly of a peach, and
how you would laugh,
making fun of me for the way I pronounced almonds
like I was falling in love
with language.
”
”
Shinji Moon
“
The fact is, the man who’d begotten me didn’t want me. In his eyes I should never have been born. And perhaps that would’ve been best. As it was, my existence had proven to be nothing more than a nuisance for everyone. I angered my father, brought strife upon my mother, irritated my teachers, and annoyed the other children who were forced to interact with me in school. All by simply being.
When you aren’t loved, you aren’t real. Life is cold, like the stone against my palm.
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
There are other ways women have been made to disappear. There is the business of naming.In some cultures women keep their names, but in most their children take the father's name, and in the English-speaking world until very recently, prefaced by Mrs. You stopped, for example, being Charlotte Bronte and became Mrs. Arthur Nicholls. Names erased a woman's genealogy and even her existence.
”
”
Rebecca Solnit (Men Explain Things to Me)
“
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again.
I stood frozen, my back against the door. Even though he was faint, I could see him smirk.
“Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’”
“You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—”
All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.”
My heart was still hammering. “Then what the heck are you?”
Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’”
“Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall.
“No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.”
Merripen, attentive as always to his wife, gave her a frowning glance. “Now?”
"Yes, now.”
"Can’t it wait?”
"No,” Win said equably. At his continued hesitation, she said, “I’m expecting.”
Merripen blinked. “Expecting what?”
"A baby.”
They all watched as Merripen’s face turned ashen. “But how ...” he asked dazedly, nearly staggering as he headed to Win.
"How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?”
"It’s not a ploy,” Win said cheerfully.
Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house.
"I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
It had struck me that the world was full of holes, holes which you could fall into, never to be seen again. I couldn't understand the difference between disappearance and death. Both seemed the same to me, both left holes. Holes in your heart holes in your life.
”
”
Sally Gardner (Maggot Moon)
“
And without you is how I disappear,
And live my life alone forever now.
And without you is how I disappear,
And live my life alone forever now.
Who walks among the famous living dead,
Drowns all the boys and girls inside your bed.
And if you could talk to me,
Tell me if it's so,
That all the good girls go to heaven.
Well, heaven knows
That without you is how I disappear,
And live my life alone forever now.
And without you is how I disappear,
And live my life alone forever now.
Can you hear me cry out to you?
Words I thought I'd choke on figure out.
I'm really not so with you anymore.
I'm just a ghost,
So I can't hurt you anymore,
And now, you wanna see how far down I can sink?
Let me go, fuck!
So, you can, well now so, you can
I'm so far away from you.
Well now so, you can.
And without you is how I disappear,
And without you is how I disappear,
Whoa whoa... (And without you is how I disappear)
Whoa whoa... (And without you... is how, is how, is how...)
Forever, forever now!
”
”
Gerard Way
“
It was good of Friedrich Nietzsche to declare God dead – I declare that he has never been born. It is a created fiction, an invention, not a discovery. Do you understand the difference between invention and discovery? A discovery is about truth, an invention is manufactured by you. It is man-manufactured fiction. Certainly it has given consolation, but consolation is not the right thing! Consolation is opium. It keeps you unaware of the reality, and life is flowing past you so quickly – seventy years will be gone soon. Anybody who gives you a belief system is your enemy, because the belief system becomes the barrier for your eyes, you cannot see the truth. The very desire to find the truth disappears. But in the beginning it is bitter if all your belief systems are taken away from you. The fear and anxiety which you have been suppressing for millennia, which is there, very alive, will surface immediately. No God can destroy it, only the search for truth and the experience of truth – not a belief – is capable of healing all your wounds, of making you a whole being. And the whole person is the holy person to me
”
”
Osho
“
Tell her I'm sorry I sold the diamond, eh?" Sammy said. "I broke my promise. When she disappeared in Alaska... ah, so long ago, I finally used that diamond, moved to Texas as I always dreamed. I started my machine shop. Started my family! It was a good life, but Haze; was right. The diamond came with a curse. I never saw her again."
"Oh, Sammy," Hazel said. "No, a curse didn't keep me away. I wanted to come back. I died!"
The old man didn't seem to hear. He smiled down at the baby, and kissed him on the head. "I give you my blessing, Leo. First male great-grandchild! I have a feeling you are special, like Hazel was. You are more than a regular baby, eh? You will carry on for me. You will see her someday. Tell her hello for me.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
You remember our talk about purpose and meaning?" he asked me, the smile disappearing. "Well, I think this might be mine. I think this is what I was meant to do, Georgina.
”
”
Richelle Mead (Succubus Revealed (Georgina Kincaid, #6))
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two"
She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam.
Celaena grabbed Sam's elbow. "Enough," she warned him.
The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind.
Celaena whirled to face Sam. "What in hell was that for?"
"You're drunk," he told her, so close her chest brushed his, "And he knew it, too."
"So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground.
"You'll thank me in the morning."
"Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist.
"Let me take you home.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
So they gave me love in form of poison and tiny little pills, programming my emotions, teaching me how to feel. To act correct and talk correct and answer without knowing the question, because that, my dear, is how you get love. Yes that, dear youth, is how you'll be loved. I tried to medicate my own fucked up little mind with chemicals and adrenaline, tasting sweeter every night, shaking louder every time. Sitting wide awake in bed until the world disappears, writing poetry to concentrate on something real while waiting for the love to arrive.
I've been looking for it night after night, waiting patiently for it to show up, maybe somewhere in between the state of awake and asleep, alive and not so alive, sober and not so sober.
(I lost track of the difference somewhere in between.)
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Emilio appeared with wine before Cal could say anything, and Min beamed at him, grateful for the rescue. "Emilio, my darling. I forgot to mention cake boxes. Two hundred cake boxes."
"Already on it," Emilio said. "Nonna said you'd need them. She said to get four-inch-square boxes for three-inch-square cakes."
"I'm getting the boxes," Min said, nodding. "Sure. Great. Fine. Your grandmother is an angel and you are my hero. And of course, a genius with food."
"And you are my favorite customer." Emilio kissed her cheek and disappeared back into the kitchen.
"I love him," she told Cal.
"I noticed," Cal said. "Been seeing him behind my back, have you?"
"Yes," Min said. "We've been having conversations about cake."
"Whoa," Cal said. "For you, that's talking dirty.
”
”
Jennifer Crusie (Bet Me)
“
Moreover, I have boundary issues with men. Or maybe that’s not fair to say. To have issues with boundaries, one must have boundaries in the first place, right? But I disappear into
the person I love. I am the permeable membrane. If I love you, you can have everything. You can have my time, my devotion, my ass, my money, my family, my dog, my dog’s money, my
dog’s time—everything. If I love you, I will carry for you all your pain, I will assume for you all your debts (in every definition of the word), I will protect you from your own insecurity, I will project upon you all sorts of good qualities that you have never actually cultivated in yourself and I will buy Christmas presents for your entire family. I will give you the sun and the rain, and if they are not available, I will give you a sun check and a rain check. I will give you all this and more, until I get so exhausted and depleted that the only way I can recover my energy is by becoming infatuated with someone else.
I do not relay these facts about myself with pride, but this is how it’s always been.
Some time after I’d left my husband, I was at a party and a guy I barely knew said to me, “You know, you seem like a completely different person, now that you’re with this new boyfriend. You used to look like your husband, but now you look like David. You even dress like
him and talk like him. You know how some people look like their dogs? I think maybe you always look like your men.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Xavier leaned forward. "Sarcasm aside, you don't need a guy like that, Elena. Maybe you think you do - only female werewolf and all that - but hell, I've seen what you can do - tied to a chair, up against a male werewolf. You can do that, you don't need some fucking psychopath like Clayton Danvers-"
He stopped, noticing my gaze.
"He's standing right behind me, isn't he?" Xavier muttered.
"Uh-huh."
Xaview tilted his head back, saw Clay, and disappeared. He reappeared on the opposite bench, pressed up against me. I looked over at him, eyebrow raised. He swore under his breath and teleported to the far end of the other bench. Then he stood and turned to Clay.
"You must be-"
"The fucking psychopath," Clay said.
"Er, right, but I meant that in the most respectful way. Believe me, I have the utmost regard for, uh..."
"Raging lunatics," I said.
Xavier shot me a glare.
"Oh sit down," I said. "He didn't bring his chain saw.
”
”
Kelley Armstrong
“
He cocked his head in an overly dramatic fashion. "Hey, I just got it: it was you, wasn't it?" He looked at Lissa, the back at me. "She got you to kill the fox, didn't she?Some weird kind of lesbian voo—ahhh!”
Ralf burst into flames.
I jumped up and pushed Lissa out of the way—not easy to do, since we were sitting at our desks. We both ended up on the floor as screams—Ralf's in particular—filled the classroom and Ms. Meissner sprinted for the fire extinguisher.
And then, just like that, the flames disappeared. Ralf was still screaming and patting himself down, but he didn't have a single singe mark on him. The only indication of what had happened was the lingering smell of smoke in the air.
For several seconds, the entire classroom froze. Then, slowly, everyone put the pieces together. Moroi magical specializations were well known, and after scanning the room, I deduced three fire users: Ralf, his friend Jacob, and—
Christian Ozera.
Since neither Jacob nor Ralf would have set Ralf on fire, it sort of made the culprit obvious. The fact that Christian was laughing hysterically sort of gave it away too.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
You can't tell me? You disappear one day without any kind of warning, without any kind of note...you leave the gang and me and just competely vanish and nobody know where to find you, not even your uncle...and now you appear again and now you can't tell me where you were?" He was working himself into one of his Extremely Excited States, Jez realised.
”
”
L.J. Smith
“
Just tell me what's so irritating."(katsu)
That's none of your damn business!"(kyok)
Maybe not. But I'm curious."(katsu)
It's EVERYTHING you prick! God, you're annoying! It's everything,okay?!
EVERYTHING PISSES ME OFF!
Them! And them! And them! And YOU! Everyone and everything!I HATE YOUR GODDAMN GUTS! You just...You all treat people like garbage. But you're all just as bad!QUIT TRYING TO ACT LIKE YOU'RE ALL FRIGGIN' PERFECT! Leave me alone. I wish everyone would just...go. Get out of my life. I'd be better off with YOU DEAD! DIE! DIE! GO TO HELL! YOU DISAPPEAR! YOU FALL APART!"(kyok)
Really? I think you WANT them to care. You want them to look at you, don't you? All those people. You want them to need you. You want them.....to listen to you. To understand somehow. You want them to accept you. I think.... you want them to love you.You know something? I'm like that, too."(katsu)
... Wh-why? Why did I....turn out....like this?"(kyok)
You're asking me?"(katsu)
That's what..That's what I wanna know. Why? Why...did I..?!"(kyok)
Where did she go wrong? What was her mistake? "I'm miserable. I feel so alone!"(kyok)
-Katsuya and Kyoko Honda
”
”
Natsuki Takaya (Fruits Basket, Vol. 16)
“
My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay."
I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
”
”
John Green (The Fault in Our Stars)
“
I can do oblivion, you know. I can do it better than him. I'd like to see how he likes it if I just disappear from his life without a word. It was okay for him to keep in contact with Georgie and my mum, but not once did he pick up the phone or write to me. Like I was fucking nothing to him. Like I'm nothing to no one.
”
”
Melina Marchetta (The Piper's Son)
“
eat, baby.
eat.
chew.
please.
I know it hurts. I know it doesn’t feel good.
please.
I know your hunger is different than mine.
I know it doesn’t taste the same as mine.
imagine you could grow up all over again
and pinpoint the millisecond that you started
counting calories like casualties of war,
mourning each one like it had a family.
would you?
sometimes I wonder that.
sometimes I wonder if you would go back
and watch yourself reappear and disappear right in front of your own eyes.
and I love you so much.
I am going to hold your little hand through the night.
just please eat. just a little.
you wrote a poem once,
about a city of walking skeletons.
the teacher called home because you
told her you wished it could be like that
here.
let me tell you something about bones, baby.
they are not warm or soft.
the wind whistles through them like they are
holes in a tree.
and they break, too. they break right in half.
they bruise and splinter like wood.
are you hungry?
I know. I know how much you hate that question.
I will find another way to ask it, someday.
please.
the voices.
I know they are all yelling at you to stretch yourself thinner.
l hear them counting, always counting.
I wish I had been there when the world made you
snap yourself in half.
I would have told you that your body is not a war-zone,
that, sometimes,
it is okay to leave your plate empty.
”
”
Caitlyn Siehl
“
Most people hear an airplane in the sky and think, ‘There’s an airplane,’ and go back to what they were doing. A few folks look around for the airplane, try to figure out what kind of plane it is, and watch it from the time they spot it to the time it disappears on the horizon, maybe after that. Those kids are the ones who will be pilots." He pointed at me. "I knew that about you. I’ve just been waiting for you to show up.
”
”
Jennifer Echols (Such a Rush)
“
I thought that what I felt for you was right," Luce said. "I loved you until it hurt me, until our love was consumed by your pride and rage. The thing you called love made me disappear. So I had to stop loving." She Paused. "Our adoration never diminished the Throne, but your love diminished me. I never meant to hurt you. I only meant to stop you from hurting me.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Nix and Lothaire:
When the collar dropped to the ground, Lothaire rolled his head on his neck. But instead of disappearing immediately, he traced to stand mere feet from Nïx.
A towering vampire with skin like marble and chillingly flawless features was staring down a petite Valkyrie with crazed eyes and a cryptic smile.
The tension between the two was palpable. Even on the verge of flipping the fuck out, Regin couldn’t look away.
“The Accession grinds on, does it not?” Lothaire said.
“Just like old times.” Nïx winked. “Alas, Dorada will come for you once she rises again.”
“I’ll be ready.” He narrowed his red eyes. “You’ve likely foreseen this moment. Tell me, are we to fight now? As in the past?”
“You defy foresight, Lothaire.”
“That’s only fair, Phenïx, since you’ve long defied insight.” Phenïx?
Nïx canted her head. “What does your Endgame tell you?”
“That white queen will never take black king.” He gave her a formal bow. “Until our next match.”
“There won’t be a next match, vampire.”
His brow creased into a frown, the Enemy of Old disappeared.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
The old man’s eyes sparked. “Elan of Ember, you I know, take me to your King.” He paused. “Now!” The old man spoke like a crack of thunder and red lightning flashed from his open hand. The portal gate beside Elan flashed with fire and disappeared. Without thought, Elan’s sword flew to his hand as he made towards the traveller. But again the red fire flashed. The sword glowed and like the gate, it was consumed by the fire. Elan collapsed, clutching the burnt fragments of his sword in his injured hand. “Take him to the King,” he grunted in pain. The guards did so without delay.
”
”
Robert Reid (White Light Red Fire)
“
Hi. Cat was just keeping me company until you came back.”
He glanced in the direction she’d just disappeared to before returning his attention to me.
“Fourteen hundred and thirty-one."
I blinked. "What's that?"
"The year I was born, which is not, as you'll note, yesterday.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
I like your…outfit.” His eyes took in the naked flesh that was visible below the edge of the shirttail.
“I like your outfit too. You’re looking awfully casual this morning, Professor.”
He leaned forward and gave her a heated look. “Miss Mitchell, you’re lucky I decided to put on any clothes at all.” He chuckled at her fierce blush and disappeared into the kitchen.
Oh, gods of all virgins who are planning to have sex with their sex-god (no blasphemy intended) boyfriends, please don’t let me spontaneously combust when he finally takes me to bed. I really need a Gabriel-induced orgasm, especially after last night. Please. Please. Pretty please…
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
I'm disappearing, Leo. Like Dootsie's trick, except this is real. Who are you if you lose your favorite person? Can you lose your favorite person without losing yourself? I reach for Stargirl and she's gone. I'm not me anymore.
”
”
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
“
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
”
”
David Wojnarowicz
“
The distance between you and me disappears with us.
”
”
J.R. Rim (Write like no one is reading 2)
“
A sharp blade of sadness goes through me, deep and quick. I guess it was bound to happen
eventually. I’ve always known it would. Everyone you trust, everyone you think you can count on, will eventually disappoint you. When left to their own devices, people lie and keep secrets and change and disappear, some behind a different face or personality, some behind a dense early morning fog, beyond a cliff. That’s why the cure is so important. That’s why we need it.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Kiss me again without my permission, " she whispered against his lips, "and I'll geld you and sell your balls to a Ruthanian specialty meats shop. Understood?"
"You won't do that," he whispered back. "You'd miss them too much."
Sin snorted and made the blade disappear into her pocket as she stepped back.
"Men are always overestimating the worth of their genitals."
~Sin to Con
”
”
Larissa Ione (Sin Undone (Demonica, #5))
“
This, it seemed, was just what happened when you left someone. They disappeared behind you like the wake of a boat.
”
”
Jennifer E. Smith (The Geography of You and Me)
“
I think I know the perfect prayer.” I twirled a dandelion before my face and closed my eyes. “God, give me exactly what I would ask for if I knew everything you know.” His eyes sparkled in response. “Brilliant.
”
”
Joanna Davidson Politano (Lady Jayne Disappears)
“
What's the difference between love and obsession? Didn't both make you stay up all night, wandering the streets, a victim of your own imagination, your own heartbeat? Didn't you fall into both, headfirst into quicksand? Wasn't every man in love a fool and every woman a slave?
Love was like rain: it turned to ice, or it disappeared. Now you saw it, now you couldn't find it no matter how hard you might search. Love evaporated; obsession was realer; it hurt, like a pin in your bottom, a stone in your shoe. It didn't go away in the blink of an eye. A morning phone call filled with regret. A letter that said, 'Dear you, good-bye from me'. Obsession tasted like something familiar. Something you'd known your whole life. It settled and lurked; it stayed with you.
”
”
Alice Hoffman (The Ice Queen)
“
I hear you’re good at making people disappear.” The deep, male voice is jarring and not what I was expecting. I pull the phone away from my ear, checking the number. It’s unknown. “Who is this?” “Most know me by Z. But you can call me Zade.
”
”
H.D. Carlton (Where's Molly (Cat and Mouse, #2.5))
“
The old man spoke of nothing but shoes. He spoke of them with such love and emotion that a woman in our group had crowned him “the shoe poet.” The woman disappeared a day later but the nickname survived. “The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.” I paused in the center of the frozen road and watched the stubby old cobbler shuffle ahead of me. The shoe poet was right. Mother had sacrificed for me.
”
”
Ruta Sepetys (Salt to the Sea)
“
There is little or no magic about them, except the ordinary everyday sort which helps them to disappear quietly and quickly when large stupid folk like you and me come blundering along, making a noise like elephants which they can hear a mile off.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
Tell me about your family," I said. And so she did. I listened intently as my mother went through each branch of the tree. Years later, after the funeral, Maria had asked me questions about the family - who was related to whom - and I struggled. I couldn't remember. A big chunk of our history had been buried with my mother. You should never let your past disappear that way.
”
”
Mitch Albom (For One More Day)
“
I dove down deep into your psyche, turning over every word you gave me like a jewel. Looking for meaning, seeking out the mysteries of you. I didn't care if I lost myself in the process. I wanted to be brought by the hand into your world and disappear into your kiss until us two could no longer be told apart.
”
”
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
“
Bones are patient. Bones never tire nor do they run away. When you come upon a man who has been dead many years, his bones will still be lying there, in place, content, patiently waiting, but his flesh will have gotten up and left him. Water is like flesh. Water will not stand still. It is always off to somewhere else; restless, talkative, and curious. Even water in a covered jar will disappear in time. Flesh is water. Stones are like bones. Satisfied. Patient. Dependable. Tell me, then, Alobar, in order to achieve immortality, should you emulate water or stone? Should you trust your flesh or your bones?
”
”
Tom Robbins (Jitterbug Perfume)
“
[Kane to Rose] I'll never forget the way you looked walking toward me. I never thought that I'd have a woman like you in my life. It's all there etched in my brain. And now, the way the light pours over our hair, the way all that silk shines, so black it's nearly blue. The world disappears when I'm holding you.
”
”
Christine Feehan (Ruthless Game (GhostWalkers, #9))
“
What makes you think I have any leverage over her?”
“Because she’s been saying your name in her dreams.”
A shock of pleasure moves through me. Automatic endorphin rush. “What? Really?”
“No.”
“Wow, okay, fuck you.” Warner actually smiles. It’s one of his rare grins, dimples appearing and disappearing just to mess with your head. He goes from murderer to boy next door to murderer in two seconds flat. “Look how disappointed you are,” he says softly. “How delighted you were when you thought a minion of The Reestablishment, sent here to kill you and your entire family, was having inappropriate dreams about you.
”
”
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
“
So what do you wear to dump somebody?" she asked me, twirling a lock of hair around one finger. "Black, for mourning? Or something cheerful and colorful, to distract them from their pain? Or maybe you wear some sort of camouflage, something that will help you disappear quickly in case they don't take it well.
”
”
Sarah Dessen (This Lullaby)
“
You came suddenly shook me from my sleep and vanished.
In my heart you rose like the moon
but as I glanced at you, you disappeared.
Having had a glimpse of Your garden,
I have no more the patience to endure my existence....
”
”
Jalal ad-Din Muhammad ar-Rumi
“
When I asked him the meaning of life, Dr. Webb got very quiet and then told me life has no one meaning, it only has whatever meaning each of us puts on our own life. I'll tell you now that I still don't know the meaning of mine. And Lucas Cader, with all his brains and talent, doesn't know the meaning of his, either. But I'll tell you the meaning of all this. The meaning of some bird showing up and some boy disappearing and you knowing all about it. The meaning of this was not to save you, but to warn you instead. To warn you of confusion and delusion and assumption. To warn you of psychics and zombies and ghosts of your lost brother. To warn you of Ada Taylor and her sympathy and mothers who wake you up with vacuums. To warn you of two-foot-tall birds that say they can help, but never do.
”
”
John Corey Whaley (Where Things Come Back)
“
You say some Greek philosophers could dazzle their audiences
with their riddles? That does not interest me at all. Bring
more wine instead and play your lute; your changes in tones
remind me of the wind that rushes past and disappears,
just like us.
”
”
Omar Khayyám (The Rubaiyat of Omar Khayyam)
“
When I entered and shut the door, the Darkling gave me a small bow. “How are you, Alina?”
“I’m fine,” I managed.
“She’s fine!” hooted Baghra. “She’s fine! She cannot light a hallway, but she’s fine.”
I winced and wished I could disappear into my boots.
To my surprise, the Darkling said, “Leave her be.”
Baghra’s eyes narrowed. “You’d like that, wouldn’t you?”
The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. “Baghra has her own way of doing things,” he said.
“Don’t patronize me, boy!” Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he’d caught himself.
“Don’t chide me, old woman,” he said in a low, dangerous voice.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
I suppose hobbits need some description nowadays, since they have become rare and shy of the Big People, as they call us. They are (or were) a little people, about half our height, and smaller than the bearded Dwarves. Hobbits have no beards. There is little or no magic about them, except the ordinary everyday sort which helps them to disappear quietly and quickly when large stupid folk like you and me come blundering along, making a noise like elephants which they can hear a mile off. They are inclined to be fat in the stomach; they dress in bright colours (chiefly green and yellow); wear no...
”
”
J.R.R. Tolkien (The Hobbit)
“
Throughout history, men have broken women’s hearts in a particular way. They love them or half-love them and then grow weary and spend weeks and months extricating themselves soundlessly, pulling their tails back into their doorways, drying themselves off, and never calling again. Meanwhile, women wait. The more in love they are and the fewer options they have, the longer they wait, hoping that he will return with a smashed phone, with a smashed face, and say, I’m sorry, I was buried alive and the only thing I thought of was you, and feared that you would think I’d forsaken you when the truth is only that I lost your number, it was stolen from me by the men who buried me alive, and I’ve spent three years looking in phone books and now I have found you. I didn’t disappear, everything I felt didn’t just leave. You were right to know that would be cruel, unconscionable, impossible. Marry me.
”
”
Lisa Taddeo (Three Women)
“
Rose Tyler: The time war ends.
Emperor Dalek: I will not die! I cannot diieee!
[we see Rose's eyes light up, and the Dalek Emperor and his entire fleet disappear in an explosion of golden dust]
The Doctor: Rose, you've done it, now stop.
[Rose stares straight ahead]
The Doctor: Just let go.
Rose Tyler: How can I let go of this? I bring life.
[we see Jack start breathing again and open his eyes]
The Doctor: But this is wrong! You can't control life and death!
Rose Tyler: But I can. The sun and the moon, the day and night... but why do they hurt?
[she is crying]
The Doctor: The power's gonna kill you and it's my fault!
Rose Tyler: I can see everything... all that is... all that was... all that ever could be.
The Doctor: [stands up] But that's what *I* see. All the time. And doesn't it drive you mad?
Rose Tyler: [Rose nods, barely able to speak] My head...
The Doctor: Come here.
Rose Tyler: ...is killing me.
The Doctor: I think you need a Doctor.
[He leans down and kisses her, and the golden light transfers from her to him through their lips]
”
”
Russell T. Davies
“
I tell you, the old-fashioned doctor who treated all diseases has completely disappeared, now there are only specialists, and they advertise all the time in the newspapers. If your nose hurts, they send you to Paris: there's a European specialist there, he treats noses. You go to Paris, he examines your nose: I can treat only your right nostril, he says, I don't treat left nostrils, it's not my specialty, but after me, go to Vienna, there's a separate specialist there who will finish treating your left nostril.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
It made sense that these adult women worked hard on their friendships, even when sex and romantic love weren't part of the equation. It made me wonder about all the ways that we are able to love each other and how movies and TV make it seem like you have to discard people once they break your heart or once the love disappears. Maybe that was a horrible lie, a complete disservice to real love.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears.
I anticipate the next time you are troubled and must close your eyes again.
The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.
Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.
”
”
Banana Yoshimoto (Lizard)
“
You should go order a sweet roll. Those are to die for. And a carne adovada burrito."
His mouth thinned. "Should I order something else to drink?"
"Yes! A diet whatever. No! A mocha latte. No!" I held up my hand to put him in pause so I could think. "Yes, a mocha latte."
"Are you finished?" he asked, rising to go place his order. He was really hungry.
"Yes. No! Yes. I'm good with that. I have a busy afternoon ahead of me, and I need all the energy I can get. And I need you to be my wingman."
"This should be interesting," he said, sauntering off like he owned the place.
By the time he got back, his fries had disappeared. It was weird.
”
”
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
“
You’re late.”
Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me.
We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut.
Don’t ever leave me again,” I said in a tiny voice.
I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.”
And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together.
“Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
”
”
James Patterson
“
I watch her walk up the road, and then she disappears and my anxiety returns, just for a split second. And somehow I find myself running, and by the time I catch up to her, the bus has pulled up.
“Justine?”
She looks at me, surprised, as the bus doors open.
I’m trying to catch my breath because I don’t have much time.
“You’re my rock.”
The bus driver is telling her to get on the bus, but she’s just standing there, an I-think-I’m-going-to-cry look on her face. But I grin at her and she grins back.
”
”
Melina Marchetta (Saving Francesca)
“
Our love is like the moon,
changeable through all the phases
of complete disappearance to full existence.
It raises the sea up to the sky
and makes the cool wind ripple its surface.
Blindly sparkling it doesn’t let us see.
I know I’m not the only one to love you,
but your heart inquired only of me.
”
”
Tatjana Ostojic (Baghdad Nights)
“
My head is so full of memories!" Cinderheart wailed. "I feel as though there are two lives inside me, not one. How can it be my choice to make? Doesn't Cinderpelt have a choice? I can't make her a warrior! She was a medicine cat!"
Lionblaze pressed his muzzle closer. "She chose you", he murmured. "She gave you the choice".
Cinderheart began to tremble. Lionblaze could sense her mind whirling. "You can only live one life, Cinderheart. It's your choice! This is your destiny, not Cinderpelt's. She lived her own life".
Cinderheart gasped. Then her pelt smoothed. She lifted her chin. "Then I choose the life of a warrior". Her blue eyes shone. "And I choose you".
A breeze stirred the ferns. Lionblaze glimpsed a pale gray shape appear like a shadow beside Cinderheart. Stepping back in surprise, he saw it peel away from her and drift up like a cobweb carried by the wind. A soft voice whispered, Thank you.
Lionblaze's fur stood on end. "Did you see that?
Cinderheart was watching the shadow disappear into the trees. "It was Cinderpelt", she breathed. "I've set her free".
Lionblaze purred loudly. "Will you fight alongside me?"
Cinderheart pressed her muzzle fiercely against his. "Always".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
I believe that sometimes, the moment you say goodbye could be as painful as a lifetime worth of pain that you can experience while living with the memories of your loved ones. I couldn’t stop myself from hallucinating about all those things that could have happened, while you were walking away from me today. I stopped walking and turned my head, expecting for you to do the same. I stayed there, motionless, and waited – for you to turn once, to smile, or wave. But you didn’t. You just continued walking away from me, while I stayed there watching your silhouette becoming smaller, and smaller with time, until it disappeared completely. There was nothing else to wait.
“What happened?” she asked me when I turned my head again towards the platform.
“She let me go, finally,” was all I could say.
”
”
Bhavya Kaushik
“
I think you just complimented me," said Jane. "You should take better care next time."
The music had started, the couples had begun a promenade, but Mr. Nobley paused to hold Jane's arm and whisper, "Jane Erstwhile, if I never had to speak with another human being but you, I would die a happy man. I would that these people, the music, the food and foolishness all disappeared and left us alone. I would never tire of looking at you or listening to you." He took a breath. "There. That compliment was on purpose. I swear I will never idly compliment you again."
Jane's mouth was dry. All she could think to say was, "But... but surely you wouldn't banish all the food."
He considered, then nodded once. "Right. We will keep the food. We will have a picnic."
And he spun her into the middle of the dance.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
being alone, i don’t see it as something that simply disappears once you take care of it. it’s just like a shadow that follows you through life, see. still, some days i feel the need of a pat on the shoulder, and since the things i told you before comfort me greatly, i am going through a healthy loneliness.
”
”
Kim Jonghyun (Skeleton Flower: Things That Have Been Released and Set Free)
“
I think you still love me,’ he says, ‘even though you don’t want to.’
I glare at him, fury battling my instincts.
‘Because that kind of love, Jessa,’ Kit continues, ‘doesn’t just disappear. It doesn’t just fade. I still love you. I’ll always love you. And I think you feel the same way about me. And hell, I know I don’t deserve it. I know all I deserve is your hatred. But if there’s a chance, a single chance that you might still love me, then I’m not going to throw it away. Because I’ve been through hell and you’re the only reason I’m still standing.’ He pauses. ‘So tell me the truth. Do you love him?
”
”
Mila Gray (Come Back to Me (Come Back to Me, #1))
“
I'm glad you told me. About the sex stuff."
"None of it was a news flash."
"True. But I figure you came out with it because you trust my ass."
"I do. Now drag it back to the Pit. Marissa's got to be coming home soon."
"She is," Butch headed for the door but then paused and looked over his shoulder. "V?"
Vishous raised his stare. "Yeah?"
"I think you should know, after all this deep conversatin'…" Butch shook his head gravely. "We still ain't
dating."
The two of them busted out laughing, and the cop was still yukking it up as he disappeared into the gym.
”
”
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
“
He missed you just as I did. He worried about you just as I worried. He looked for you. Tried to find you. Just as I did. But you were gone.” She took a step toward him. “You think he left you? It was you who left, Michael. You left us.” Her voice was shaking now, all the anger and sadness and fear she had felt in those months, those years after Michael had disappeared. “You left me.” She put her hands to his chest, pushing him with all her might, with all her anger. “And I missed you so much. I missed you so much. I still do, damn you.
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
Clay, did you ever love me?"
I'm studying a billboard and say that I didn't hear what she said.
"I asked if you ever loved me?"
On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets.
"Don't do this, Blair," I tell her.
"Just tell me."
I don't say anything.
"Is it such a hard question to answer?"
I look at her straight on.
"Yes or no?"
"Why?"
"Damnit, Clay," she sighs.
"Yeah, sure, I guess."
"Don't lie to me."
"What in the fuck do you want to hear?"
"Just tell me," she says, her voice rising.
"No," I almost shout. "I never did." I almost start to laugh.
She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine.
"Did you ever love me?" I ask her back, though by now I can't even care.
She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops.
I look at her, waiting for her to go on, looking up at the billboard. Disappear Here.
"I don't know if any other person I've been with has been really there, either ... but at least they tried."
I finger the menu; put the cigarette out.
"You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it."
I watch the cars pass by on Sunset.
"It's hard to feel sorry for someone who doesn't care."
"Yeah?" I ask.
"What do you care about? What makes you happy?"
"Nothing. Nothing makes me happy. I like nothing," I tell her.
"Did you ever care about me, Clay?"
I don't say anything, look back at the menu.
"Did you ever care about me?" she asks again.
"I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care."
"I cared about you for a little while."
I don't say anything.
She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up.
"Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me.
"Have to meet someone for lunch."
"But what about us?"
"What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?"
I look up and put my sunglasses on and try to smile. "Yeah.
”
”
Bret Easton Ellis (Less Than Zero)
“
I have been a little embarrassed always. But less so the last time. It will all disappear. You have such a delicious sense of humor--I adore that in you. I want always to see you laughing. It belongs to you. I have been thinking of places we ought to go together--little obscure places, here and there, in Paris. Just to say--here I went with Anais--here we ate or danced or got drunk together. Ah, to see you really drunk sometime, that would be a treat! I am almost afraid to suggest it--but Anais, when I think of how you press against me, how eagerly you open your legs and how wet you are, God, it drives me mad to think what you would be like when everything falls away.
”
”
Henry Miller
“
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
”
”
Jeannette Walls (Half Broke Horses)
“
This is, to me, the loveliest and saddest landscape in the world. It is the same as that on the preceding page, but I have drawn it again to impress it on your memory. It is here that the little prince appeared on Earth, and disappeared.
Look at it carefully so that you will be sure to recognise it in case you travel some day to the African desert. And, if you should come upon this spot, please do not hurry on. Wait for a time, exactly under the star. Then, if a little man appears who laughs, who has golden hair and who refuses to answer questions, you will know who he is. If this should happen, please comfort me. Send me word that he has come back.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
Love
My soul was a light-blue gown, sky-coloured;
I left it on a cliff by the sea
and naked I came to you, resembling a woman.
And like a woman I sat at your table
and drank a toast with wine and breathed in the scent of several roses.
You found me beautiful, resembling something you'd seen dreaming,
I forgot everything, I forgot my childhood and my homeland,
I knew only that your caresses held me captive.
And, smiling, you took up a mirror and bade me look.
I saw that my shoulders were made of dust and crumbled away,
I saw that my beauty was sick and had no desire other than to - disappear.
Oh, hold me close in your arms, so tightly that I need nothing.
”
”
Edith Södergran (Poems)
“
... and I realise the only way to tell the others
is through the way my voice can take these broken words
and turn it into music.
Turn it into poetry.
And I sing to make myself come alive,
but also for you,
because I’d like this to mean something.
To not disappear with the dark I will enter one day
and so now I will tell.
If not for you, then for my own heart,
because it tells me to,
and I'm learning to listen.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
I looked at Emma and realised that she was grinning – actually grinning – directly at me. ‘Love you, Jamie,’ she said. I fought back a sudden prickling of tears, then told her that I loved her too. And for that moment, nothing more was required. It was, in its way, perfect. I felt safe, and strangely optimistic. My worries had disappeared, like rain on summer earth. I took a deep breath, savoured the feeling for a few seconds more. Then, with a final smile, I turned from the room, secure in the knowledge that even the most difficult times contained moments that made a person feel truly alive.
”
”
Andy Marr (Hunger for Life)
“
No matter how many movies you watch, songs you listen to, and friends you talk to, you will never understand heartbreak. You want to disappear, crying feels like bleeding, the world is spinning. You watch a movie you have seen ten times, a song you’ve listened to a hundred times and a friend you’ve been talking to for a thousand days and suddenly it’s like your hearing everything for the first time. For the first time you’ve opened your heart and your mind, you want to listen, you want to heal others. For the first time you feel destroyed. The word pain cannot do what you are feeling justice. It is beyond pain, beyond fury, beyond sadness. You feel everything but nothing at once. Shocked. Numb. Empty. But I had also felt compassion that day, empathy for a heart that I had once broke. Love for all of those who had not broken my heart. Appreciation for all of those who had mended hearts. Happiness for all who had secured their hearts. The day that I first met heartbreak, the day that I got my heart snatched away from me, happens to be the day that I first found my heart as well.
”
”
Everance Caiser
“
If you can sustain your interest in what you’re doing, you’re an extremely fortunate person. What you see very frequently in people’s professional lives, and perhaps in their emotional life as well, is that they lose interest in the third act. You sort of get tired, and indifferent, and, sometimes, defensive. And you kind of lose your capacity for astonishment — and that’s a great loss, because the world is a very astonishing place.
What I feel fortunate about is that I’m still astonished, that things still amaze me. And I think that that’s the great benefit of being in the arts, where the possibility for learning never disappears, where you basically have to admit you never learn it.
”
”
Milton Glaser
“
Now, you and I both know that I’ll wait a lifetime for you – remember, Butterfly Weeds never give up – so take your time down there. And tonight, as you watch that big, orange sun disappear into the earth and your world gradually grow dark, I’ll help God turn on the stars, and I’ll wait for my dawn – when you return to me, Julia Stephens.
I love you, My Butterfly. You’ll always be my endless song.
Love always and forever,
Your one and only Butterfly Weed, Will
”
”
Laura Miller (Butterfly Weeds (Butterfly Weeds, #1))
“
I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.
”
”
Kathleen Glasgow (Girl in Pieces)
“
Has the dark shadow really disappeared?
Or is it inside me, concealed, waiting for its chance to reappear?
Like a clever thief hidden inside a house, breathing quietly, waiting until everyone’s asleep. I have looked deep inside myself, trying to detect something that might be there. But just as our consciousness is a maze, so too is our body. Everywhere you turn there’s darkness, and a blind spot. Everywhere you find silent hints, everywhere a surprise is waiting for you.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
I sometimes wonder what I'd see if I could hold your heart in my hands," I told him. "I imagine it fitting perfectly in my palms, soft and slippery, like gelatin that hasn't quite set. It might wobble at the slightest touch, but I sense I'd need to hold it carefully, so it wouldn't slip through my fingers. I also imagine the warmth of the thing. It's usually hidden deep inside, so it's much warmer than the rest of me. I close my eyes and sink into that warmth, and when I do, the sensations of all the things that have disappeared come back to me. I can feel all the things you remember, there in my hands. Doesn't that sound marvelous?
”
”
Yōko Ogawa (The Memory Police)
“
I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can't tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn't so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
I feel like I’m the only one who feels the things I feel, or thinks the way I think. I’m worried that I’m taking everything too seriously, or not seriously enough. Sometimes I want you to see me, and sometimes I want to disappear. I don’t know if I’ve ever truly felt like the ground beneath me was firm. Things always feel like they’re moving and I never get the chance to catch up to them and when I do, it feels like it all goes too quickly. I am nice to people I don’t like because I don’t know what else to do. I feel like I’m waiting for something but I don’t know what it is. I often walk past people in the street, and I wonder if anyone else is waiting too. I don’t know if I’m ever, really, “Here.” So I'm fine.* *I'm not fine.
”
”
Iain S. Thomas (Every Word You Cannot Say)
“
I am thirsty, and very susceptible to flattery... you could talk me into anything..."
"So much for fighting the good fight," I observed dryly. "He'll have a harem within a week."
Bones watched Juan disappear down the hall, nuzzling the blonde's neck in a manner that didn't speak only of hunger. "He's a fine bloke. He'll learn."
"Learn what?" At least he can't get or pass diseases anymore, I thought. That's one advantage turning Juan into a vampire did for womankind.
Bones put an arm around me as we headed toward the exit of the flesh feast. "He'll learn that many women can satisfy for a short period of time, but when he falls in love, only one will sustain him forever."
I cast him a sideways glance "Are you trying to seduce me?"
His lips curled with promise. "Absolutely.
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
I wanted to dash myself against your rocks like a wave, to obliterate my old self and see what rose shining and new from the sea foam. The only words I had to describe you in those early days were plunging cliffside or primordial sea, crystal-cold stars or a black expanse of sky. I dove down deep into your psyche, turning over every world you gave me like a jewel. Looking for meaning, seeking out the mysteries of you. I didn’t care if I lost myself in the process. I wanted to be brought by the hand into your world and disappear into your kiss until us two could no longer be told apart.
”
”
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
“
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.”
The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.”
Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
”
”
Catherynne M. Valente (Deathless)
“
The voice called his name again and it came through a lot of throat. Steven twisted quickly on his stool.
Just a white wall and, down near the floor, the ventilation grille. Then movement behind the grille and Steven was on his knees, peering through it, pressing his face against the mesh. In there, in the shadows beyond the spill of light from the hall, the outline of an anvil-shaped head swayed gently.
Two eyes blinked limpidly, insolent in their slowness. A dark mass moved forward into the light.
“That Cripps man is going to fuck you up, dude.”
It was a cow. Most of the body was below floor level but Steven could tell it was a full grown animal. A sienna Guernsey. He looked closely at the flawless sandy curves of forehead and cheek, at the chocolate darkening of the mouth and nostrils, at the badger rings around the eyes. For an absurd second he thought that if he looked hard enough at it the thing might phase back into his head and disappear.
But it was real and it stayed.
“What … ?”
“Yeah, I’m a cow, man. Touch me.”
Steven stuck his fingers through the grille. The cow was a cow, warm and solid.
”
”
Matthew Stokoe (Cows)
“
Gavin, I can’t talk to you here. People will call me crazy."
My imaginary friend smirked. "But you’re already talking to me."
"Well, I have to stop."
His smirk grew cocky. "I doubt you can resist."
And he was right. There was nothing I wanted more than to give my full attention to an imagined shadow and ignore those who ignored me in the real world. I wanted to talk out loud to Gavin―to play and laugh boisterously with him. In a dream I could justify such behavior, but to succumb to hallucinations while wide awake would only prove me insane.
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
Anna Petrovna: Kolya, my dearest, stay at home.
Ivanov: My love, my unhappy darling, I beg you, don't stop me going out in the evenings. It's cruel and unjust on my part, but let me commit that injustice. It's an agony for me at home. As soon as the sun disappears, my spirit begins to be weighed down by depression. What depression! Don't ask why. I myself don't know. I swear by God's truth I don't know. Here I'm in anguish, I go to the Lebedevs and there it's still worse; I return from there and here it's depression again, and so all night... Simply despair!
”
”
Anton Chekhov (Ivanov (Plays for Performance Series))
“
Every time I came to the end of a block and stepped off the goddam curb, I had this feeling that I'd never get to the other side of the street. I thought I'd just go down, down, down, and nobody'd ever see me again. Boy, did it scare me. You can't imagine. I started sweating like a bastard – my whole shirt and underwear and everything. Then I started doing something else. Every time I'd get to the end of a block I'd make believe I was talking to my brother Allie. I'd say to him, "Allie, don't let me disappear. Allie, don't let me disappear. Allie, don't let me disappear. Please, Allie." And then when I'd reach the other side of the street without disappearing, I'd thank him.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Words for everyday showers of prettiness, and the kind of misty loveliness that disappears whenever you try to grasp it. Beauty that’s heralded by impressive thunder, but turns out to be all flash. And beyond all these, there’d be this word . . . a word that even the most grizzled, wizened elders might have uttered twice in their lifetimes, and in hushed, fearful tones at that. A word for a sudden, cataclysmic torrent of beauty with the power to change landscapes. Make plains out of valleys and alter the course of rivers and leave people clinging to trees, alive and resentful, shaking their fists at the heavens.” A hint of sensual frustration roughened his voice. “And I will curse the gods along with them, Min. Some wild monsoon raged through me as I looked at you just now. It’s left me rearranged inside, and I don’t have a map.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
And it was then I began to realize for the first time that there are two distinct sides to a writer of fiction. First, there is the side he displays to the public, that of an ordinary person like anyone else, a person who does ordinary things and speaks ordinary language. Second, there is the secret side, which comes out in him only after he has closed the door of his workroom and is completely alone. It is then that he slips into another world altogether, a world where his imagination takes over and he finds himself actually living in the places he is writing about at that moment. I myself, if you want to know, fall into a kind of trance, and everything around me disappears. I see only the point of my pencil moving over the paper, and quite often two hours go by as though they were a couple of seconds.
”
”
Roald Dahl (The Wonderful Story of Henry Sugar and Six More)
“
Many governments employ torture but this was the first time that the element of Saturnalia and pornography in the process had been made so clear to me. If you care to imagine what any inadequate or cruel man might do, given unlimited power over a woman, then anything that you can bring yourself to suspect was what became routine in ESMA, the Navy Mechanics School that became the headquarters of the business. I talked to Dr. Emilio Mignone, a distinguished physician whose daughter Monica had disappeared into the precincts of that hellish place. What do you find to say to a doctor and a humanitarian who has been gutted by the image of a starving rat being introduced to his daughter's genitalia? Like hell itself the school was endorsed and blessed by priests, in case any stray consciences needed to be stilled.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
He hopped lightly from the stairs and jogged off to join his friends. “Wish me luck!” he called over his shoulder. “Good luck,” I said automatically and then wanted to kick myself. Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together. I sat frozen on the steps, watching them disappear down the path, still feeling the warm pressure of Mal’s hand in mine. Oh well, I thought as I got to my feet. Maybe he’ ll fall into a ditch on his way there. I
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
I'm not going to say I can at least collect DNA samples," he muttered, "because every time I open my mouth, the evidence disappears."
With a little sigh, he watched te droplets of blood absorb into the wood and the window reform. "I have to tell you, I've seen some freaky shit around you girls, but nothing like this. I have just one question. Have you told your fiancées about this? Because quiet frankly it scares the hell out of me."
"You never have to be afraid, Jonas," Hannah assured. "The house judges intent."
"Hannah. Honey. Half the time my intent is to strangle you. And I don't doubt whoever ends up with Joley or Elle will want to do worse than that.
”
”
Christine Feehan (Safe Harbor (Drake Sisters, #5))
“
Have you ever felt as if your dreams were more memorable, more alive, than what you knew to be reality? Have your dreams ever seemed so tangible as to make you question upon waking if you’d truly only dreamt them? Have they at times been addictive enough to consume your waking hours; blurring actuality and pretend together until your wishes and passions stare back at you with open eyes?
If only dreams could be reality, that beautiful garden of sweet-smelling roses we all long for. But reality for me is no such bed of roses. It is nothing but a field of unwanted dandelions."
- From the thoughts of Annabelle Fancher
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
Though I think the real question is, who would have guessed that the solemn Captain of the Guard could be so passionate?” She lay down beside Celaena, also smiling. “I’m happy for you, my friend.”Celaena smiled back. “I think … I think I’m happy for me, too.”
And she was. For the first time in years, she was truly happy. The feeling curled around every thought, a tendril of hope that grew with each breath. She was afraid to look at it for too long, as though acknowledging it would somehow cause it to disappear. Perhaps the world would never be perfect, perhaps some things would never be right, but maybe she stood a chance of finding her own sort of peace and freedom.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That's what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bt of machinery with my own hands. When you wind it up, it can do something I'm sure no other automaton in the world can do. It can tel you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can wrote, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words.
THE END
”
”
Brian Selznick (The Invention of Hugo Cabret)
“
Let me know when you're ready to talk." She stopped and glanced at them both over her shoulder. "Maybe then I'd be ready to discuss your sexual twists and my own little abnormal desires. You never know what we all might learn that we haven't already."
With that, she turned and moved back into the house, closing the door behind her and disappearing out of sight. And Cam found his back slammed against the side of Ian's Hummer, his brother in his face.
Lust and irritation flared in his brother's eyes. "You better start talking," he grated. "Because you know what she just did?"
"She just dared us, Cam. And I don't know about you, but the thought of 'abnormal desires' dancing through her mind is going to drive me fucking crazy. Now, fix it.
”
”
Lora Leigh (Wicked Pleasure (Bound Hearts, #9))
“
The game is a dominance game called I Must Impress This Woman. Failure makes the active player play harder. Wear a hunched back or a withered arm; you will then experience the invisibility of the passive player. I'm never impressed -- no woman ever is -- it's just a cue that you like me and I'm supposed to like that. If you really like me, maybe I can get you to stop. Stop; I want to talk to you! Stop; I want to see you! Stop; I'm dying and disappearing!
SHE: Isn't it just a game?
HE: Yes, of course.
SHE: And if you play the game, it means you like me, doesn't it?
HE: Of course.
SHE: Then if it's just a game and you like me, you can stop playing. Please stop.
HE: No.
SHE: Then I won't play.
HE: Bitch! You want to destroy me. I'll show you. (He plays harder)
SHE: All right. I'm impressed.
HE: You really are sweet and responsive after all. You've kept your femininity. You're not one of those hysterical feminist bitches who wants to be a man and have a penis. You're a woman.
SHE: Yes. (She kills herself)
”
”
Joanna Russ (The Female Man)
“
I turned my face into Japhrimel's shoulder. "You're going to disappear," I said into his coat, not even caring that I knew what it was made of. "Just stay for a moment, just please just for a minute, a second—"
"Dante." His fingers came up, tangled in my already-tangled hair. "I heard you calling me. I tried to answer."
"Just for a few seconds." I buried my face in his coat, his other arm closed around me. I inhaled the smell of cinnamon, of amber musk, the deadly smoky nonphysical fragrance of demons. Filled my lungs with the breath of life. "Before I have to burn this whole fucking place down."
"Be still," he answered. "I am here, I have never left your side. I told you, you will not leave me to
wander the earth alone.
”
”
Lilith Saintcrow (Dead Man Rising (Dante Valentine, #2))
“
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.'
I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world."
[Shakespeare & Company, archived statement]
”
”
George Whitman
“
Did I never explain to you about love, Reva?' Pa asked. I gave him a look, and he laughed uncomfortably. 'I guess not. Let me put it in a way you'll understand. Love is like stinging nettles. Only they prick from the inside out, starting at your heart and bursting on around. It's worse when it gets here'--he rubbed the bridge of his nose--'then your vision goes a little strange. But eventually the nettles stop stinging--once she agrees to kiss you. But they start right back up again when she agrees to marry you--'
'Pa,' I interrupted, 'that's not love, that's fear.'
Pa shook his head, looking off admiringly in the direction where Lacrimora had disappeared. 'Same thing, in my case.
”
”
Merrie Haskell (The Princess Curse)
“
My task is to explain to you as quickly as possible my essence, that is, what sort of man I am, what I believe in, and what I hope for, is that right? And therefore I declare that I accept God pure and simple. But this, however, needs to be noted: if God exists and if he indeed created the earth, then, as we know perfectly well, he created it in accordance with Euclidean geometry, and he created human reason with a conception of only three dimensions of space. At the same time there were and are even now geometers and philosophers, even some of the most outstanding among them, who doubt that the whole universe, or, even more broadly, the whole of being, was created purely in accordance with Euclidean geometry; they even dare to dream that two parallel lines, which according to Euclid cannot possibly meet on earth, may perhaps meet somewhere in infinity. I, my dear, have come to the conclusion that if I cannot understand even that, then it is not for me to understand about God. I humbly confess that I do not have any ability to resolve such questions, I have a Euclidean mind, an earthly mind, and therefore it is not for us to resolve things that are not of this world. And I advise you never to think about it, Alyosha my friend, and most especially about whether God exists or not. All such questions are completely unsuitable to a mind created with a concept of only three dimensions. And so, I accept God, not only willingly, but moreover I also accept his wisdom and his purpose, which are completely unknown to us; I believe in order, in the meaning of life, I believe in eternal harmony, in which we are all supposed to merge, I believe in the Word for whom the universe is yearning, and who himself was 'with God,' who himself is God, and so on and so forth, to infinity. Many words have been invented on the subject. It seems I'm already on a good path, eh? And now imagine that in the final outcome I do not accept this world of God's, created by God, that I do not accept and cannot agree to accept. With one reservation: I have a childlike conviction that the sufferings will be healed and smoothed over, that the whole offensive comedy of human contradictions will disappear like a pitiful mirage, a vile concoction of man's Euclidean mind, feeble and puny as an atom, and that ultimately, at the world's finale, in the moment of eternal harmony, there will occur and be revealed something so precious that it will suffice for all hearts, to allay all indignation, to redeem all human villainy, all bloodshed; it will suffice not only to make forgiveness possible, but also to justify everything that has happened with men--let this, let all of this come true and be revealed, but I do not accept it and do not want to accept it! Let the parallel lines even meet before my own eyes: I shall look and say, yes, they meet, and still I will not accept it.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.
One day the two came upon each other on the corner of a street.
“This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”
“And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.
As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?
And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”
“Yes,” she said, “that is exactly what we should do.”
And so they parted, she to the east, and he to the west.
The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.
One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.
They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.
Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.
One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:
She is the 100% perfect girl for me.
He is the 100% perfect boy for me.
But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.
A sad story, don’t you think?
”
”
Haruki Murakami (The Elephant Vanishes)
“
I was about to reach in the basket to take one when a horse that had been grazing nearby suddenly charged at another horse. Kaden grabbed me and pulled me out of its path. We stumbled back, unable to regain our footing, and both tumbled to the ground. He rolled over me in a protective motion, hovering in case the horse came closer, but it was already gone.
The world snapped to silence. The tall grass waved above us, hiding us from view. He gazed down at me, his elbows straddling my sides, his chest brushing mine, his face inches away.
I saw the look in his eyes. My heart pounded against my ribs.
“Are you all right?” His voice was low and husky.
“Yes,” I whispered.
His face hovered closer to mine. I was going to push away, look away, do something, but I didn’t, and before I knew what was happening, the space between us disappeared. His lips were warm and gentle against mine, and his breath thrummed in my ears. Heat raced through me. It was just as I had imagined that night with Pauline back in Terravin so long ago. Before—
I pushed him away.
“Lia—”
I got to my feet, my chest heaving, busying myself with a loose button on my shirt. “Let’s forget that happened, Kaden.”
He had jumped to his feet too. He grabbed my hand so I had to look at him. “You wanted to kiss me.”
I shook my head, denying it, but it was true. I had wanted to kiss him.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body....
Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them.
Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
”
”
Linda Hogan (Dwellings: A Spiritual History of the Living World)
“
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins.
Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went.
Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
”
”
Tim Tharp (The Spectacular Now)
“
Knock it off, you two.’ Annabeth handed her scroll to Sadie. ‘Carter, let’s trade. I’ll try your khopesh ; you try my Yankees cap.’
She tossed him the hat.
‘I’m usually more of a basketball guy, but …’ Carter put on the cap and disappeared. ‘Wow, okay. I’m invisible, aren’t I?’
Sadie applauded. ‘You’ve never looked better, brother dear.’
‘Very funny.’
‘If you can sneak up on Setne,’ Annabeth suggested, ‘you might be able to take him by surprise, get the crown away from him.’
‘But you told us Setne saw right through your invisibility,’ Carter said.
‘That was me ,’ Annabeth said, ‘a Greek using a Greek magic item. For you, maybe it’ll work better – or differently, at least.’
‘Carter, give it a shot,’ I said. ‘The only thing better than a giant chicken man is a giant invisible chicken man.
”
”
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
“
Something snaps.
I hear a gasp.
I spin around.
I jump up, alert, searching for the sound. It seemed close by. Someone saw me. Someone—
A civilian. She’s already darting away, her body pressed against the wall of a nearby unit.
“Hey!” I shout. “You there—”
She stops. Looks up.
I nearly collapse.
Juliette.
She’s staring at me. She’s actually here, staring at me, her eyes wide and panicked. My legs are suddenly made of lead. I’m rooted to the ground, unable to form words. I don’t even know where to start. There’s so much I want to say to her, so much I’ve never told her, and I’m just so happy to see her—God, I’m so relieved—
She’s disappeared.
I spin around, frantic, wondering whether I’ve actually begun to lose my grip on reality. My eyes land on the little dog still sitting there, waiting for me, and I stare at it, dumbfounded, wondering what on earth just happened. I keep looking back at the place I thought I saw her, but I see nothing.
Nothing.
I run a hand through my hair, so confused, so horrified and angry with myself that I’m tempted to rip it out of my head.
What is happening to me.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
So? If I die, then I die! The loss to the world won’t be great. Yes, and I’m fairly bored with myself already. I am like a man who is yawning at a ball, whose reason for not going home to bed is only that his carriage hasn’t arrived yet. But the carriage is ready . . . farewell!
I run through the memory of my past in its entirety and can’t help asking myself: Why have I lived? For what purpose was I born? . . .
There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . .
But I didn’t divine this calling. I was carried away with the baits of passion, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life.
Since then, how many times have I played the role of the ax in the hands of fate! Like an instrument of execution, I fell on the head of doomed martyrs, often without malice, always without regret . . .
My love never brought anyone happiness, because I never sacrificed anything for those I loved: I loved for myself, for my personal pleasure.
I was simply satisfying a strange need of the heart, with greediness, swallowing their feelings, their joys, their suffering—and was never sated. Just as a man, tormented by hunger, goes to sleep in exhaustion and dreams of sumptuous dishes and sparkling wine before him. He devours the airy gifts of his imagination with rapture, and he feels easier. But as soon as he wakes: the dream disappears . . . and all that remains is hunger and despair redoubled!
And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong.
Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!
”
”
Mikhail Lermontov (A Hero of Our Time)
“
My job is not to sell the books - my father does that - but to look after them. Every so often I take out a volume and read a page or two. After all, reading is looking after in a manner of speaking. Though they're not old enough to be valuable for their age alone, nor improtant enough to be sought after by collectors, my charges are dear to me, even as often as not, they are as dull on the inside as on the outside. No matter how banal the contents, there is always something that touches me. For someone now dead once thought these words significant enough to write them down.
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the boooks they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
As one tends the graves of the dead, so I tend the books. I clean them, do minor repairs, keep them in good order. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so. For it must be very lonely being dead.
”
”
Diane Setterfield (The Thirteenth Tale)
“
Reader — supposing this book has readers some day — I am not clever and I don't possess the vivid style, the living power, that is needed to describe this immense feeling of self-respect — no, of rehabilitation, or even a new life. This figurative baptism, this bath of cleanliness, this raising of me above filth I had sunk in, this way of bringing me overnight face to face with true responsibility, quite simply changed my whole being. I had been a convict, a man who could hear his chains even when he was free and who always felt that someone was watching over him; I had been all the things that had urged me to become a marked, evil man, dangerous at all times, superficially docile yet terribly dangerous when he broke out: but all this had vanished — disappeared as though by magic. Thank you Mr. Bowen, barrister in His Majesty's courts of law, thank you for having made another man of me in so short a time!
”
”
Henri Charrière (Papillon)
“
People didn't like having to come up with something smart or helpful or sensitive to say, and they weren't intelligent enough to realize that all we wanted, all I wanted, was to be treated the same as I had been three months before. I wanted to be ignored because of my eccentricities, not because of my brother. And I wanted to be offered help from people because they cared about me, not because they felt some strange social obligation to do so. I wanted the world to sit back, listen up, and let me explain to it that when someone is sad and hopeless, the last thing they need to feel is that they are the only ones in the world with that feeling. So, if you feel sorry for someone, don't pretend to be happy. Don't pretend to care only about their problems. People aren't stupid. Not all of us, anyway. If someone's little brother disappears, don't give him a free hamburger to make him feel better-- it doesn't work. It's a good burger, sure, but it means nothing. It means something only to the Mr. Burkes of the world. Offering free meals, free stays in condos in Florida, even free plumbing. And we let them. We let them because they need it, not us. We didn't let them help us because we needed it, we let them help us because inside of humans is this thing, this unnamed need to feel as if we were useful in the world. To feel as if we have something significant to contribute. So, old ladies, make your casseroles and set them on doorsteps. And old men, grill your burgers and give them to teenagers with cynical worldviews. The world can't be satisfied, but that need to fix it all can.
”
”
John Corey Whaley (Where Things Come Back)
“
I paid you five thousand instead and promised the balance only if you made the match. As it turns out, this is your lucky day because I've decided to write you the full check, whether the match comes from you or from Portia. As long as I have a wife and you've been part of the process, you'll get your money." He toasted her with his beer mug. "Congratulations."
She put down her fork. "Why would you do that?"
"Because it's efficient."
"Not as efficient as having Powers handle her own introductions. You're paying her a fortune to do exactly that."
"I'd rather have you."
Her pulse kicked. "Why?"
He gave her the melty smile he must have been practicing since the cradle, one that made her feel as though she was the only woman in the world. "Because you're easier to bully. Do we have a deal or not?"
"You don't want a matchmaker. You want a lackey."
"Semantics. My hours are erratic, and my schedule changes without warning. It'll be your job to cope with all that. You'll soothe ruffled feathers when I need to cancel at the last minute. You'll keep my dates company when I'm going to be late, entertain them if I have to take a call. If things are going well, you'll disappear. If not, you'll make the woman disappear. I told you before. I work hard at my job. I don't want to have to work hard at this, too."
"Basically, you expect me to find your bride, court her, and hand her over at the altar. Or do I have to come on the honeymoon, too?"
"Definitely not." He gave her a lazy smile. "I can take care of that all by myself.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
GONE TO STATIC
it sounds better than it is,
this business of surviving,
making it through
the wrong place
at the wrong time
and living
to tell.
when the talk shows and movie credits
wear off, it's just me and my dumb
luck. this morning
I had that dream again:
the one where I'm dead.
I wake up and nothing's
much different. everything's gone
sepia, a dirty bourbon glass
by the bed, you're
still dead.
I could stumble
to the shower,
scrub the luck of breath off my skin
but it's futile.
the killer always wins.
it's just a matter
of time.
and I have
time. I have grief and liquor to
fill it. tonight, the liquor and I are
talking to you. the liquor says, 'remember'
and I fill in the rest, your hands, your smile.
all those times. remember.
tonight the liquor and I
are telling you about our day.
we made it out of bed. we miss you.
we were surprised by the blood between
our legs. we miss you. we made it to the video
store, missing you. we stopped
at the liquor store
hoping the bourbon would stop
the missing. there's always more
bourbon, more missing
tonight, when we got home,
there was a stray cat
at the door.
she came in.
she screams to be touched.
she screams
when I touch her.
she's right
at home.
not me.
the whisky is open
the vcr is on.
I'm running
the film backwards
and one by one
you come back to me,
all of you.
your pulses stutter to a begin
your eyes go from fixed to blink
the knives come out of your chests, the chainsaws
roar out
from your legs
your wounds seal over
your t-cells multiply, your tumors shrink
the maniac killer
disappears
it's just you and me
and the bourbon and the movie
flickering together
and the air breathes us and I
am home, I am
lucky
I am right
before everything
goes black
”
”
Daphne Gottlieb (Final Girl)
“
you really not know the reason why I came? I came back for you. I’ll always come back for you.” He pressed his forehead to hers. His nearness tickled her senses, and she couldn’t help but hold him even tighter. Jared gently tipped Mina’s chin up, and he leaned down to press his lips to hers in a soft kiss that quickly turned into desire. So many pent-up emotions and unsaid words spilled out between them in a kiss to top all kisses. Never before had she lost all sense of time and place as her lips sought after those of her protector, her friend and her Fae prince. All thoughts of Brody disappeared as her world encompassed Jared and Jared only. He pulled away, and he was visibly shaking from the intensity of their kiss. “Mina, I want you to know that I’ve felt alone for a very long time. I was incomplete, and nothing could fill that void. Until I met you. I’ve known for a long time, but I wasn’t sure how you felt about me. At times I thought you hated me, but I wanted to tell you that I, uh, Mina, I lo—aaaarrgh!
”
”
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
“
God likes to play hide-and-seek, but because there is nothing outside of God, he has no one but himself to play with! But he gets over this difficulty by pretending that he is not himself. This is his way of hiding from himself. He pretends that he is you and I and all the people in the world, all the animals, plants, all the rocks, and all the stars. In this way he has strange and wonderful adventures, some of which are terrible and frightening. But these are just like bad dreams, for when he wakes up they will disappear.
Now when God plays "hide" and pretends that he is you and I, he does it so well that it takes him a long time to remember where and how he hid himself! But that's the whole fun of it-just what he wanted to do. He doesn't want to find himself too quickly, for that would spoil the game. That is why it is so difficult for you and me to find out that we are God in disguise, pretending not to be himself. But- when the game has gone on long enough, all of us will WAKE UP, stop pretending, and REMEMBER that we are all one single Self- the God who is all that there is and who lives forever and ever.
You may ask why God sometimes hides in the form of horrible people, or pretends to be people who suffer great disease and pain. Remember, first, that he isn't really doing this to anyone but himself. Remember too, that in almost all the stories you enjoy there have to be bad people as well as good people, for the thrill of the tale is to find out how the good people will get the better of the bad. It's the same as when we play cards. At the beginning of the game we shuffle them all into a mess, which is like the bad things in the world, but the point of the game put the mess into good order, and the one who does it best is the winner. Then we shuffle the cards and play again, and so it goes with the world.
”
”
Alan W. Watts (A. Book)
“
Though she would have preferred long ago to have died, fled, gotten it all over with, the body--Jesus, how the body!--took its time. It possessed its own wishes and nostalgias. You could not just turn neatly into light and slip out the window. You couldn't go like that. Within one's own departing but stubborn flesh, there was only the long, sentimental, piecemeal farewell. Sir? A towel. Is there a towel? The body, hauling sadness, pursued the soul, hobbled after. The body was like a sweet, dim dog trotting lamely toward the gate as you tried slowly to drive off, out the long driveway. Take me, take me, too, barked the dog. Don't go, don't go, it said, running along the fence, almost keeping pace but not quite, its reflection a shrinking charm in the car mirrors as you trundled past the viburnium, past the pin grove, past the property line, past every last patch of land, straight down the swallowing road, disappearing and disappearing. Until at last it was true: you had disappeared.
”
”
Lorrie Moore (Birds of America: Stories)
“
It Hurts To Be Alive and Obsolete:
Often when men are attracted to me, they feel ashamed and conceal it. They act as if it were ridiculous. If they do become involved, they are still ashamed and may refuse to appear publicly with me. Their fear of mockery is enormous. There is no prestige attached to having sex with me.
Since we are all far more various sexually than we are supposed to be, often, in fact, younger men become aware of me sexually. Their response is similar to what it is when they find themselves feeling attracted to a homosexual: they turn those feelings into hostility and put me down.
Listen to me! Think what it is like to have most of your life ahead and be told you are obsolete! Think what it is like to feel attraction, desire, affection towards others, to want to tell them about yourself, to feel that assumption on which self-respect is based, that you are worth something, and that if you like someone, surely he will be pleased to know that. To be, in other words, still a living woman, and to be told that every day that you are not a woman but a tired object that should disappear. That you are not a person but a joke. Well, I am a bitter joke. I am bitter and frustrated and wasted, but don’t you pretend for a minute as you look at me, forty-three, fat, and looking exactly my age, that I am not as alive as you are and that I do not suffer from the category into which you are forcing me.
”
”
Zoe Moss (Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement)
“
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason."
I nod and try to believe him.
"The others won't be as jealous if you show some vulnerability. Even if it isn't real."
"You think I have to pretend to be vulnerable?" I ask, raising an eyebrow.
"Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt.
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
"You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down."
The idea nauseates me.
"I don't think I can do that," I say hollowly. I lift my eyes to his.
"You have to."
"I don't think you get it." Heat rises into my face. "They touched me."
His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold.
"Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost."
I look away.
He is silent and still for so long that eventually,I have to say something.
"What is it?"
"I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?"
His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears.
I nod.
"But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them."
I laugh shakily. "You're a little scary, Four."
"Do me a favor," he says, "and don't call me that."
"What should I call you,then?"
"Nothing." He takes his hand from my face. "Yet.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
It’s okay to kill a man if someone else deems him unfit to live.
What I really want to say is who the hell are you and who are you to decide who gets to die. Who are you to decide who should be killed. Who are you to tell me which father I should destroy and which child I should orphan and which mother should be left without her son, which brother should be left without a sister, which grandmother should spend the rest of her life crying in the early hours of the morning because the body of her grandchild was buried in the ground before her own.
What I really want to say is who the hell do you think you are to tell me that it’s awesome to be able to kill a living thing, that it’s interesting to be able to ensnare another soul, that it’s fair to choose a victim simply because I’m capable of killing without a gun. I want to say mean things and angry things and hurtful things and I want to throw expletives in the air and run far, far away; I want to disappear into the horizon and I want to dump myself on the side of the road if only it will bring me toward some semblance of freedom but I don’t know where to go. I have nowhere else to go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
In the deserted forest, Firestar crouched beside Spottedleaf's trembling body. Blood welled at her neck, soaking Firestar's cheek as he pressed against her. "Spottedleaf! Please don't go". Dovewing heard a sob in his mew. "You promised you'd be there to welcome me".
Spottedleaf gave a tiny shake of her head. "That was never going to happen my love. I cannot journey with you anymore. I'm so sorry".
Firestar pawed at her. "No! I still need you!"
"Let her go" A she-cat shimmered into view, her gray fur long and matted.
"Yellowfang?" Firestar looked at her, his green eyes pleading. "Don't let her disappear. Please."
"This was her destiny." Yellowfang touched her muzzle to Firestar's head. "Let her follow it."
"But she said she'd wait for me in StarClan!" Firestar's mew caught in his throat.
Spottedleaf looked up at him and opened her mouth as if she wanted to say something. A small gasp escaped her; then she fell limp. Her fur started to blur, leaving a faint outline and then nothing but bloodstained grass. Firestar's head drooped.
”
”
Erin Hunter
“
This afternoon I walked through the city, making for a café where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.
”
”
Susanna Clarke (Piranesi)
“
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him.
But not as much as when I punched him.
I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me.
“Stay the fuck out of my life, or I will destroy you,” I hissed.
Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!”
I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his.
“Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.”
That wiped the smirk off Niphon’s face.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
Why do I know I exist if I also know I will not? Why was I given access to logical space and the mathematical structure of the world? Just to lose them when my body is destroyed? Why do I wake up in the night with the thought that I will die, why do I sit up, drenched in sweat, and scream and slap myself and try to suppress the thought that I will disappear for all eternity, that I will never be again, to the end of time? Why will the world end with me? We age: we stand quietly in line with those condemned to death. We are executed one after the other in a sinister extermination camp. We are first stripped of our beauty, youth, and hope. We are next wrapped in the penitential robe of illness, weariness, and decay. Our grandparents die, our parents are executed in front of us, and suddenly time gets short, you suddenly see your reflection in the axeblade.
And only then do you realize you are living in a slaughterhouse, that generations are butchered and swallowed by the earth, that billions are pushed down the throat of hell, that no one, absolutely no one escapes. That not one person that you see coming out of the factory gates in a Mélies film is still alive. That absolutely everyone in an eighty-year-old sepia photograph is dead. That we all come into this world from a frightening abyss without our memories, that we suffer unimaginably on a speck of dust, and that we then perish, all in a nanosecond, as though we had never lived, as though we had never been.
”
”
Mircea Cărtărescu (Solenoid)
“
…Hey, Yoo Joonghyuk."
He stopped his actions when I spoke up.
"You probably know this already, but I'm not a prophet. No, I am as far removed from such a being as you can get."
Ever since we got into a tussle back on the Dongho Bridge, I had never introduced myself properly once. To Yoo Joonghyuk, I was the prophet, a man with a mysterious background.
"I'm not the 'Demon King of Salvation'."
[Story, 'Demon King of Salvation', has stopped its storytelling.]
"I'm also not the 'King of a Kingless World'."
[Story, 'King of a Kingless World', has stopped its storytelling.]
One by one, my Stories stopped their stories. Excluding my own, everything else became dead still.
"My name is Kim Dokja."
The wings on my back disappeared, and the ballooned-up muscles shrunk back, too.
"Twenty-eight… No, wait. I was twenty-eight, and I was an employee of a game company.
My hobby was reading web novels…"
As if I was talking to someone I met for the first time, I continued to tell my own story.
"It's pathetic, right? Well, this is who I am… Yoo Joonghyuk, who are you?"
To me, Yoo Joonghyuk was someone I 'knew' since from a long time ago. To be more specific, he was someone I read about all by myself.
That was why I had never heard about his story in his own words.
He finally opened his mouth.
"I am Yoo Joonghyuk."
His blade slowly moved and cut me down.
"Yoo Joonghyuk, a former Regressor.
”
”
singNsong
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.
”
”
Carlos Castaneda (The Active Side of Infinity)
“
Connection terminated.
I'm sorry to interrupt you, Elizabeth. If you still even remember that name.
But I'm afraid you've been misinformed.
You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called.
You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune.
A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near.
Yet somehow out of reach.
But, you will never find them. None of you will.
This is where your story ends.
And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be.
I am remaining as well. I am nearby.
This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should.
And to you monsters trapped in the corridors. Be still. And give up your spirits.
They don't belong to you.
As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears.
Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend.
My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours.
And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then.
So, let me save you now. It's time to rest, for you, and for those you have carried in your arms...
This ends.
For all of us.
End communication.
”
”
Scott Cawthon
“
First I need to do something.’ He pulled me closer towards him until our lips were almost touching.
‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet.
‘Swim,’ he said, grinning at me. ‘Come on.’
‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me.
Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack.
My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt.
I reassessed the swimming option. I could definitely do swimming.
He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by.
The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water.
I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression.
‘I’m just trying to protect your honour,’ he said, guessing it anyway.
I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
”
”
Alice Sebold
“
Then someone else appeared from the crowd, and Annabeth's vision tunneled.
Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular.
Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared.
During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again...
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought-"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn.
"Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Jason cleared his throat. "So, yeah…It's good to be back…"
"And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.”
He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.”
I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again.
I spoke to him softly, “Ren? I’m here. Don’t give up.”
He raised his head as if he’d heard me.
“Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared.
I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes.
I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him.
He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?”
“Well, I’m no maggoty corpse, if that’s what you mean.”
He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.”
I countered, “Well, how do I know it’s really you?”
He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response.
When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.”
He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.”
I smiled gaily back at him. “No problem.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
My name is CRPS, or so they say
But I actually go by; a few different names.
I was once called causalgia,
nearly 150 years ago
And then I had a new name It was RSD, apparently so.
I went by that name because the burn lived inside of me.
Now I am called CRPS, because I have so much to say I struggle to be free.
I don't have one symptom and this is where I change, I attack the home of where I live; with shooting/burning pains.
Depression fills the mind of the body I belong, it starts to speak harsh to self, negativity growing strong.
Then I start to annoy them; with the issues with sensitivity,
You'd think the pain enough; but no, it wants to make you aware of its trembling disability.
I silently make my move; but the screams are loud and clear, Because I enter your physical reality and you can't disappear.
I confuse your thoughts; I contain apart of your memory,
I cover your perspective, the fog makes it sometimes unbearable to see.
I play with your temperature levels, I make you nervous all the time -
I take away your independance and take away your pride.
I stay with you by the day & I remind you by the night,
I am an awful journey and you will struggle with this fight.
Then there's a side to me; not many understand,
I have the ability to heal and you can be my friend.
Help yourself find the strength to fight me with all you have, because eventually I'll get tired of making you grow mad.
It will take some time; remember I mainly live inside your brain,
Curing me is hard work but I promise you,
You can beat me if you feed love to my pain.
Find the strength to carry on and feed the fears with light; hold on to the seat because, like I said, it's going to be a fight.
But I hope to meet you, when your healthy and healed, & you will silenty say to me - I did this, I am cured is this real?
That day could possibly come; closer than I want-
After all I am a disease and im fighting for my spot.
I won't deny from my medical angle, I am close to losing the " incurable " battle.
”
”
Nikki Rowe
“
It's not that your mother didn't love you,' the boy named Crow says from behind me. 'She loved you very deeply. The first thing you have to do is believe that. That's your starting point.'
'But she abandoned me. She disappeared, leaving me alone where I shouldn't be. I'm finally beginning to understand how much that hurt. How could she do it if she really loved me?'
'That's the reality of it. It did happen,'the boy named Crow says. 'You were hurt badly, and those scars will be with you forever. I feel sorry for you, I really do. But think of it like this: It's not too late to recover. You're young, you're tough. You're adaptable. You can patch up your wounds, lift your head, and move on. But for her that's not an option. The only thing she'll ever be is lost. It doesn't matter whether somebody judges this as good or bad- that's not the point. You're the one who has the advantage. You ought to consider that.'
I don't respond.
'It all really happened, you can't undo it,' Crow tells me. 'She shouldn't have abandoned you then, and you shouldn't have been abandoned. But things in the past are like a plate that's shattered to pieces. You can never put it back together like it was, right?'
I nod. You can never put it back together like it was. He's hit the nail on the head.
The boy named Crow continues. 'Your mother felt a gut-wrenching kind of fear and anger inside her, okay? Just like you do now. Which is why she had to abandon you.'
'Even though she loved me?'
'Even though she loved you, she had to abandon you. You need to understand how she felt then, and learn to accept it. Understand the overpowering fear and anger she experienced, and feel it as your own- so you won't inherit it and repeat it. The main thing is this: You have to forgive her. That's not going to be easy, I know, but you have to do it. That's the only way you can be saved. There's no other way!'
- pg 398-99
”
”
Haruki Murakami (Kafka on the Shore)
“
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
”
”
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
“
Justin: I am falling so in love with you.
Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words.
Justin: I lose myself and find myself at the same time with you.
Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have.
Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense.
Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems.
Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place.
Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want.
Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss.
Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport.
Ten minutes went by. He had said not to reply, so she hadn’t.
Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now.
Justin: God, I hope you aren’t… aren’t… something bad.
Celeste: Hey, Justin?
Justin: I TOLD YOU NOT TO REPLY!
Justin: I know, I know. But I’m happy you did because I lost it there for a minute.
Celeste: HEY, JUSTIN?
Justin: Sorry… Hey, Celeste?
Celeste: I am, unequivocally and wholly falling in love with you, too.
Justin: Now I’m definitely speeding. I will see you soon.
”
”
Jessica Park (Flat-Out Celeste (Flat-Out Love, #2))
“
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with?
America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag.
And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail.
Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead?
In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning.
Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything.
We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground.
Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are you done?” “Almost,” Harding said. “Hang on.” “And believe me, it’ll be fast. If you map complex systems on a fitness landscape, you find the behavior can move so fast that fitness can drop precipitously. It doesn’t require asteroids or diseases or anything else. It’s just behavior that suddenly emerges, and turns out to be fatal to the creatures that do it. My idea was that dinosaurs—being complex creatures—might have undergone some of these behavioral changes. And that led to their extinction.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
You going to the game tonight?"
I was about to answer,but another voice rang out from just behind me.
"She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it.
"Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever.
But now he was here. It was my waist he held. It didn't seem real.
"I can't carry the team to victory without you," he said. "You're my rabbit's foot."
I craned my neck around to look at him. "I've always dreamed of some guy saying that to me."
He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered.
"It doesn't take much. We're in the middle of the hallway."
"You want to know what else I love?" His tone was playful.
"No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered.
"That."
I could feel his smile against my ear. Jack was always smiling.It was what made him so likable.
By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk.
Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us.
"Uh-oh," I said.
Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback.
"Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?"
I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal.
We hadn't even been together then.
It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing.
Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine).
Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism.
Tell me about it. Everything you know. I gotta know something about metahemeralism.'
'I'm sorry. I don't know what that is.'
'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing.
'Donne. Walton. Metahemeralism. That's the problem as I see it.'
'Bunny, I don't think "metahemeralism" is even a word.'
'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.'
'Is it in the dictionary?'
'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?'
And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.
He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.
'This is a nice paper, Bun -,' Charles said cautiously.
'Thanks, thanks.'
'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?'
'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.'
Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?'
'Triple-spaced it,' said Bunny proudly.
'These lines are about an inch apart.'
'Looks kind of like free verse, doesn't it?'
Henry made a funny little snorting noise through his nose.
'Looks kind of like a menu,' he said.
All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
”
”
Donna Tartt (The Secret History)
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Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
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Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))