“
Actually that’s my secret — I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
New friends can often have a better time together than old friends.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
You're the only girl I've seen for a long time that actually did look like something blooming.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I don't ask you to love me always like this, but I ask you to remember. Somewhere inside me there'll always be the person I am tonight
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Later she remembered all the hours of the afternoon as happy -- one of those uneventful times that seem at the moment only a link between past and future pleasure, but turn out to have been the pleasure itself.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Strange children should smile at each other and say, "Let's play.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
If you spend your life sparing people’s feelings and feeding their vanity, you get so you can’t distinguish what should be respected in them.
”
”
F. Scott Fitzgerald (Tender is the Night / The Last Tycoon)
“
In any case you mustn't confuse a single failure with a final defeat.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I want to give a really BAD party. I mean it. I want to give a party where there’s a brawl and seductions and people going home with their feelings hurt and women passed out in the cabinet de toilette. You wait and see.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Someday I'm going to find somebody and love him and love him and never let him go.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
People living alone get used to loneliness.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Well, you never knew exactly how much space you occupied in people's lives. Yet from this fog his affection emerged--the best contacts are when one knows the obstacles and still wants to preserve a relation.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She smiled at him, making sure that the smile gathered up everything inside her and directed it toward him, making him a profound promise of herself for so little, for the beat of a response, the assurance of a complimentary vibration in him.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Well, you never knew exactly how much space you occupied in people's lives.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He was so terrible that he was no longer terrible, only dehumanized.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
My God,' he gasped, 'you're fun to kiss.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She smiled, a moving childish smile that was like all the lost youth in the world.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Somewhere inside me there’ll always be the person I am to-night
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I am tired of knowing nothing and being reminded of it all the time.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Hard to sit here and be close to you, and not kiss you.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
You will walk differently alone, dear, through a thicker atmosphere, forcing your way through the shadows of chairs, through the dripping smoke of the funnels. You will feel your own reflection sliding along the eyes of those who look at you. You are no longer insulated; but I suppose you must touch life in order to spring from it.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Most people think everybody feels about them much more violently than they actually do; they think other people's opinions of them swing through great arcs of approval or disapproval.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
In the dead white hours in Zurich staring into a stranger's pantry across the upshine of a street-lamp, he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I am a woman and my business is to hold things together.
My business is to tear them apart.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Good manners are an admission that everybody is so tender that they have to be handled with gloves. Now, human respect—you don't call a man a coward or a liar lightly, but if you spend your life sparing people's feelings and feeding their vanity, you get so you can't distinguish what should be respected in them.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
When you're older you'll know what people who love suffer. The agony. It's better to be cold and young than to love. It's happened to me before but never like this - so accidental - just when everything was going well.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Sometimes it is harder to deprive oneself of a pain than of a pleasure and the memory so possessed him that for the moment there was nothing to do but to pretend.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
But I suppose you must touch life in order to spring from it.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
They were still in the happier stage of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered. They both seemed to have arrived there with an extraordinary innocence as though a series of pure accidents had driven them together, so many accidents that at last they were forced to conclude that they were for each other. They had arrived with clean hands, or so it seemed, after no traffic with the merely curious and clandestine.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
the best contacts are when one knows the obstacles and still wants to preserve a relation.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The strongest guard is placed at the gateway to nothing. Maybe because the condition of emptiness is too shameful to be divulged.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I like France, where everybody thinks he's Napoleon--down here everybody thinks he's Christ.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
If he had to bring all the bitterness and hatred of the world into his heart, he was not going to be in love with her again.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
If you're in love it ought to make you happy. You ought to laugh.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He looked at her and for a moment she lived in the bright blue worlds of his eyes, eagerly and confidently.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I want to die violently instead of fading out sentimentally.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I'm not much like myself any more.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She knew few words and believed in none.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
But you can love more than just one person, can't you?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Either you think--or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Often a man can play the helpless child in front of a woman, but he can almost never bring it off when he feels most like a helpless child.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
When she saw him face to face their eyes met and brushed like birds’ wings. After that everything was all right, everything was wonderful, she knew that he was beginning to fall in love with her.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
When I see a beautiful shell like that I can't help feeling a regret about what's inside it.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Kiss me now, love me now.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Very well then, better a sane crook than a mad puritan.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Who would not be pleased at carrying lamps helpfully through the darkness?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Dick walked beside her, feeling her unhappiness, and wanting to drink the rain that touched her cheek.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
you once liked me, didn't you?, he asked.
LIKED you- I LOVED you. Everybody loved you. You could've had anybody you wanted for the asking.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Her beauty climbed the rolling slope, it came into the room, rustling ghost-like through the curtains...
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
We all must try to be good.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
...there seemed some necessity of taking all or nothing; it was as if for the remainder of his life he was condemned to carry with him the egos of certain people, early met and early loved, and to be only as complete as they were complete themselves. There was some element of loneliness involved--so easy to be loved--so hard to love.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He had possessed the arrogance of a tall member of a short race, with no obligation save to be tall.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
As he took her hand she saw him look her over from head to foot, a gesture she recognized and that made her feel at home, but gave her always a faint feeling of superiority to whoever made it. If her person was property she could exercise whatever advantage was inherent in its ownership.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
But some day I'm going to find somebody and love him and love him and never let him go.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
When you get drunk you don't tear anything apart except yourself.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
They talked aimlessly back and forth, each speaking for the other.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Intermittently she caught the gist of his sentences and supplied the rest from her subconscious, as one picks up the striking of a clock in the middle with only the rhythm of the first uncounted strokes lingering in the mind.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Nicole's world had fallen to pieces, but it was only a flimsy and scarcely created world; beneath it her emotions and instincts fought on.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Women are necessarily capable of almost anything in their struggle for survival and can scarcely be convicted of such man-made crimes as “cruelty.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The voice fell low, sank into her breast and stretched the tight bodice over her heart as she came up close. He felt the young lips, her body sighing in relief against the arm growing stronger to hold her. There were now no more plans than if Dick had arbitrarily made some indissoluble mixture, with atoms joined and inseparable; you could throw it all out but never again could they fit back into atomic scale. As he held her and tasted her, and as she curved in further and further toward him, with her own lips, new to herself, drowned and engulfed in love, yet solaced and triumphant, he was thankful to have an existence at all, if only as a reflection in her wet eyes.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Often people display a curious respect for a man drunk, rather like the respect of simple races for the insane. Respect rather than fear. There is something awe-inspiring in one who has lost all inhibitions, who will do anything. Of course we make him pay afterward for his moment of superiority, his moment of impressiveness.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
It was pleasant to drive back to the hotel in the late afternoon, above a sea as mysteriously colored as the agates and cornelians of childhood, green as green milk, blue as laundry water, wine dark.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I never understood what common sense mean applied to a complicated problems.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The truth was that for some months he had been going through that partitioning of the things of youth wherein it is decided whether or not to die for what one no longer believes.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
It is not necessarily poverty of spirit that makes a woman surround herself with life—it can be a superabundance of interest...
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Rosemary felt that this swim would become the typical one of her life, the one that would always pop up in her memory at the mention of swimming.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She was a mischief, and that was a satisfaction; no longer was she a huntress of corralled game
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I guess I'm the Black Death,' he said slowly. 'I don't seem to bring people happiness any more.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Her love had reached a point where now at last she was beginning to be unhappy, to be desperate.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She had somehow given over the thinking to him, and in his absences her every action seemed automatically governed by what he would like, so that now she felt inadequate to match her intentions against his. Yet think she must; she knew at last the number on the dreadful door of fantasy, the threshold to the escape that was no escape; she knew that for her greatest sin now and in the future was to delude herself. It had been a long lesson but she had learned it. Either you think—or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Don't you know you can't do anything about people?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The price for his intactness was incompleteness.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
How do you do, Captain,” she said, unfastening her eyes from his with difficulty, as though they had become entangled.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
God, am I like the rest after all?"—So he used to think starting awake at night—"Am I like the rest?
”
”
F. Scott Fitzgerald (Tender is the Night)
“
I think they're very attractive,' Abe agreed. 'I just don't think they're attractive, that's all.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Talk English to me, Tommy.
Parlez francais avec moi, Nicole.
But the meanings are different-- in French you can be heroic and gallant with dignity, and you know it. But in English you can't be heroic and gallant without being a little absurd, and you know that too.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
They were still in the happier stages of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He was in love with every pretty woman he saw now, their forms at a distance, their shadows on the walls.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
There was a hint in the air that the earth was hurrying on toward other weather; the lush midsummer moment outside of time was already over.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
But Dick had come away for his soul's sake, and he began thinking about that. He had lost himself--he could not tell the hour when, or the day or the week, the month or the year.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
You will feel your own reflection sliding along the eyes of those who look at you. You are no longer insulated; but I suppose you must touch life in order to spring from it.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
How good to have things like this, to be worshipped again, to pretend to have a mystery!
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
When you're older you'll know what people who love suffer. The agony. It's better to be cold and young than to love.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Then he put in a call for Nicole in Zurich, remembering so many things as he waited, and wishing he had always been as good as he had intended to be.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Do you mind if I pull down the curtain?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I’m afraid I’m in love with you and that’s not the best thing that could happen.
”
”
F. Scott Fitzgerald (Tender is the Night)
“
Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He cared only about people; he was scarcely conscious of places except for their weather, until they had been invested with color by tangible events.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
but they were frightened at his survivant will, once a will to live, now become a will to die.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She had an air of seeming to wait, as if for a man to get through with something more important than herself, a battle or an operation, during which he must not be hurried or interfered with. When the man had finished she would be waiting, without fret or impatience, somewhere on a highstool, turning the pages of a newspaper.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
he had made his choice, chosen Ophelia, chosen the sweet poison and drunk it. Wanting above all to brave and kind, he had wanted, even more than that, to be loved. So it had been. So it would ever be…
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
I think one thing today and another tomorrow. That is really all that's the matter with me, except a crazy defiance and a lack of proportion.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She had achieved the elusiveness that gives hidden significance to the least significant remarks.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
That’s going to be your trouble — judgment about yourself.
(Tender is the Night)
”
”
F. Scott Fitzgerald
“
She hated the beach, resented the places where she had played planet to Dick's sun.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The reaction came when he realized the waste and extravagance involved. He somtimes looked back with awe at the carnivals of affection he had given, as a general might gaze upon a massacre he had ordered to satisfy an impersonal blood lust.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Like so many men he had found that he had only one or two ideas - that his little collection of pamphlets now in its fiftieth German edition contained the germ of all he would ever think or know.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Of course I've got one--a man can't live without a moral code. Mine is that I'm against the burning of witches. Whenever they burn a witch I get all hot under the collar.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Trouble is when you’re sober you don’t want to see anybody, and when you’re tight nobody wants to see you.
”
”
F. Scott Fitzgerald (Tender is the Night)
“
Dick tried to plunge over the Alpine crevasse between the sexes.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He had long been outside of the world of simple desires and their fulfillments, and he was inept and uncertain.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Simultaneously the whole party moved toward the water, super-ready from the long, forced inaction, passing from the heat to the cool with the gourmandise of a tingling curry eaten with chilled white wine.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Her hair, drawn back off her ears, brushed her shoulders in such a way that the face seemed to have just emerged from it, as if this were the exact moment when she was coming from a wood into clear moonlight. The unknown yielded her up; Dick wished she had no background, that she was just a girl lost with no address save the night from which she had come.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
If you don't like nice people, try the ones who aren't nice, and see how you like that!
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
You like to help everybody, don't you?
I only pretend to.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Receding from a grief, it seems necessary to retrace the same steps that brought us there.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The logic of the suggestion fitted gradually into Abe’s pitch – he grew rather enthusiastic about being cared for, or rather about prolonging his state of irresponsibility.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The war spirit's getting into me again. I have a hundred years of Ohio love behind me and I'm going to bomb out this trench.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
her real depths are Irish and romantic and illogical
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
When people have so much for outsiders didn't it indicate a lack of inner intensity?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Afterwards, he just sat, happy to live in the past. The drink made past happy things contemporary with the present, as if they were still going on, contemporary even with the future as if they were about to happen again.
”
”
F. Scott Fitzgerald
“
NO MUSE IS GOOD MUSE
To be an Artist you need talent, as well as a wife
who washes the socks and the children,
and returns phone calls and library books and types.
In other words, the reason there are so many more
Men Geniuses than Women Geniuses is not Genius.
It is because Hemingway never joined the P.T.A.
And Arthur Rubinstein ignored Halloween.
Do you think Portnoy's creator sits through children's theater
matinees--on Saturdays?
Or that Norman Mailer faced 'driver's ed' failure,
chicken pox or chipped teeth?
Fitzgerald's night was so tender because the fender
his teen-ager dented happened when Papa was at a story conference.
Since Picasso does the painting, Mrs. Picasso did the toilet training.
And if Saul Bellow, National Book Award winner, invited thirty-three
for Thanksgiving Day dinner, I'll bet he had help.
I'm sure Henry Moore was never a Cub Scout leader,
and Leonard Bernstein never instructed a tricycler
On becoming a bicycler just before he conducted.
Tell me again my anatomy is not necessarily my destiny,
tell me my hang-up is a personal and not a universal quandary,
and I'll tell you no muse is a good muse
unless she also helps with the laundry.
”
”
Rochelle Distelheim
“
As he held her and tasted her, and she curved in further and further toward him, with her own lips, new to herself, drowned and engulfed in love, yet solaced and triumphant, he was thankful to have an existence at all, if only as a reflection in her wet eyes.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.”
“Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —”
“That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.”
“General Grant invented this kind of battle at Petersburg in sixty- five.”
“No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
”
”
F. Scott Fitzgerald (Tender is the Night)
“
There is something awe-inspiring in one who has lost all inhibitions, who will do anything. Of course we make him pay afterward for his moment of superiority, his moment of impressiveness.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
she wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson…" "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway—a really dishonest man, the closet-everything. Not Thomas Wolfe—all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it.
”
”
Truman Capote (Portraits and Observations: The Essays of Truman Capote)
“
It'd be a good setting to jump overboard,' said Dick mildly.
'Wouldn't it?' agreed Nicole hastily. 'Let's borrow life-preservers and jump over. I think we should do something spectacular. I feel that all our lives have been too restrained.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
His voice, with some faint Irish melody running through it, wooed the world, yet she felt the layer of hardness in him, of self-control and of self-discipline, her own virtues. Oh, she chose him, and Nicole, lifting her head saw her choose him, heard a little sigh at the fact that he was already possessed.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Maybe we'll have more fun this summer but this particular fun is over. I want it to die violently instead of fading out sentimentally-- that's why I gave this party.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
the heterogeneous indistinguishable mass of college boys, interested only in love at first sight,...
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
What was the promise with the head sick?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
New friends,” he said, as if it were an important point, “can often have a better time together than old friends.” With
”
”
F. Scott Fitzgerald (Tender Is the Night (Centaur Classics))
“
She plucked a twig and broke it, but she found no spring in it.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
we are seldom sorry for those who need and crave our pity—we reserve this for those who, by other means, make us exercise the abstract function of pity.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Sometimes it is harder to deprive oneself of a pain than of a pleasure
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
He used to think that he wanted to be goos, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
”
”
F. Scott Fitzgerald (Tender Is the Night)
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Her fine high forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. Her eyes were bright, big, clear, wet and shining, the colour of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood -- she was almost eighteen, nearly complete, but the dew was still on her.
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F. Scott Fitzgerald (Tender is the Night (The F. Scott Fitzgerald Collection))
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Most people think everybody feels about them much more violently than they actually do--they think other people's opinions of them swing through great arcs of approval or disapproval.
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F. Scott Fitzgerald (Tender is the Night)
“
Unlike lovers they possessed no past; unlike man and wife, they possessed no future; yet up to in this morning Nicole had liked Abe better than anyone except Dick--and he had been heavy, belly-frightened, with love for her for years.
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F. Scott Fitzgerald (Tender Is the Night)
“
Oh, such a shame, such a shame. Oh, such a shame. What’s it all about anyhow?”
“I’ve wondered for a long time.”
“But why bring it to me?”
“I guess I’m the Black Death,” he said slowly. “I don’t seem to bring people happiness any more.
”
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F. Scott Fitzgerald (Tender Is the Night)
“
This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.
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F. Scott Fitzgerald (Tender Is the Night)
“
Her face, the face of a saint, a viking Madonna, shone through the faint motes that snowed across the candlelight, drew down its flush from the wine-colored lanterns in the pine. She was still as still.
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F. Scott Fitzgerald (Tender Is the Night)
“
Daddy's girl. Was it a 'itty-bitty bravekins and did it suffer? Oooooo-tweet, de tweetest thing, wasn't she dest too tweet? Before her tiny fist the forces of lust and corruption rolled away; nay, the very march of destiny stopped; inevitably became inevitable, syllogism, dialectic, all rationality fell away
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F. Scott Fitzgerald (Tender Is the Night)
“
She had achieved the elusiveness that gives hidden significance to the least significant remarks.
“Is it like you felt toward me in Paris?”
“I feel comfortable and happy when I’m with you. In Paris it was different. But you never know how you once felt. Do you?
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
As an indifference cherished, or left to atrophy, becomes an emptiness, to this extent he had learned to become empty of Nicole, serving her against his will with negations and emotional neglect. One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick, but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.
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F. Scott Fitzgerald (Tender Is the Night)
“
McKisco's contacts with the princely classes in America had impressed upon him their uncertain and fumbling snobbery, their delight in ignorance and their deliberate rudeness, all lifted from the English with no regard paid to factors that make English philistinism and rudeness purposeful, and applied in a land where a little knowledge and civility buy more than they do anywhere else - an attitude which reached its apogee in the "Harvard manner" of about 1900.
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F. Scott Fitzgerald (Tender Is the Night)
“
She did not want him to be like other men, yet here were the same exigent demands, as if he wanted to take some of herself away, carry it off in his pocket.
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”
F. Scott Fitzgerald (Tender is the Night (Annotated))
“
Her face, ivory gold against the blurred sunset that strove through the rain…
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”
F. Scott Fitzgerald (Tender Is the Night)
“
the sensuous heat of early afternoon made blinding freckles on the checkered luncheon cloth.
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”
F. Scott Fitzgerald (Tender Is the Night)
“
best contacts are when one knows the obstacles and still wants to preserve a relation.
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”
F. Scott Fitzgerald (Tender Is the Night)
“
الاحترام الإنساني يجعلنا لا نتهم إنسانا بأنه جبان أو كاذب ، ولكن إذا قضيت حياتك تحافظين على مشاعر الناس وزهوهم الشخصي فلن يمكنك معرفة ما يجب احترامه فيهم.
”
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F. Scott Fitzgerald (Tender Is the Night)
“
لا يمكن للمرء على أية حال أن يعرف بالضبط المساحة التي يحتلها في حياة الآخرين.
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”
F. Scott Fitzgerald (Tender Is the Night)
“
إما أن تفكر أو سيفكر الآخرون لك وتكون لهم السلطة عليك ويسلبونك قوتك
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”
F. Scott Fitzgerald (Tender Is the Night)
“
It's always a delusion when I see what you don't want to see (Nicole to Dick).
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”
F. Scott Fitzgerald (Tender Is the Night)
“
It's always a delusion when I see what you don't want me to see.
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F. Scott Fitzgerald (Tender Is the Night)
“
They were both overwhelmed by the sudden flatness that comes over American travellers in quiet foreign places. No stimuli worked upon them, no voices called them from without, no fragments of their own thoughts came suddenly from the minds of others.
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F. Scott Fitzgerald (Tender Is the Night)
“
They looked at each other at last, murmuring names that were a spell. Softly the two names lingered on the air, died away more slowly than other words, other names, slower than music in the mind.
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F. Scott Fitzgerald (Tender Is the Night)
“
Their point of resemblance to each other and their difference from so many American women, lay in the fact that they were all happy to exist in a man's world--they preserved their individuality through men and not by opposition to them. They would all three have made alternatively good courtesans or good wives not by the accident of birth but through the greater accident of finding their man or not finding him.
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F. Scott Fitzgerald (Tender Is the Night)
“
She walked rather quickly; she liked to be active, though at times she gave an impression of repose that was at once static and evocative. This was because she knew few words and believed in none, and in the world she was rather silent, contributing just her share of urbane humor with a precision that approached meagreness. But at the moment when strangers tended to grow uncomfortable in the presence of this economy she would seize the topic and rush off with it, feverishly surprised with herself-- then bring it back and relinquish it abruptly, almost timidly, like an obedient retriever, having been adequate and something more.
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F. Scott Fitzgerald (Tender Is the Night)
“
The table seemed to have risen a little toward the sky like a mechanical dancing platform, giving the people around it a sense of being alone with each other in the dark universe, nourished by its only food, warmed by its only lights.
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F. Scott Fitzgerald (Tender Is the Night)
“
On either side the fields were beneficently tranquil; the space through which the cavalcade moved was high and limitless. In the country there was less noise as though they were all listening atavistically for wolves in the wide snow.
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F. Scott Fitzgerald (Tender Is the Night)
“
They were so sorry, dear; they went down to meet each other in a taxi, honey; they had preferences in smiles and had met in Hindustan, and shortly afterward they must have quarrelled, for nobody knew and nobody seemed to care - yet finally one of them had gone and left the other crying, only to feel blue, to feel sad.
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F. Scott Fitzgerald (Tender Is the Night)
“
But after dark all that is most satisfactory in French life swims back into the picture—the sprightly tarts, the men arguing with a hundred Voilàs in the cafés, the couples drifting, head to head, toward the satisfactory inexpensiveness of nowhere.
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F. Scott Fitzgerald (Tender is the Night)
“
It was consoling, though, when Nicole remarked, apropos of a distraught saleswoman: "Most people think everybody feels about them much more violently than they actually do - they think other people's opinions of them swing through great arcs of approval or disapproval.
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F. Scott Fitzgerald (Tender Is the Night)
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Sembra che per sfuggire al dolore dobbiamo ripercorrere gli stessi passi che ci hanno portati lì.
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Francis Scott Fitzgerald (Tender Is the Night)
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Similarly we are seldom sorry for those who need and crave our pity--we reserve this for those who, by other means, make us exercise the
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F. Scott Fitzgerald (Tender is the Night)
“
She had magic in her pink palms and her cheeks lit to a lovely flame, like the thrilling flush of children after their cold baths in the evening.
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F. Scott Fitzgerald (Tender is the Night)
“
He was remembering too vividly the youth and freshness of her lips.
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F. Scott Fitzgerald (Tender Is the Night)
“
Nothing had ever felt so young as her lips.
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F. Scott Fitzgerald (Tender Is the Night)
“
She seems hopeful and normally hungry for life — even rather romantic.
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F. Scott Fitzgerald (Tender Is the Night)
“
Ne gariptir, acıdan kaçınmaya çalışırken, bazen bizi o noktaya getiren ayak izlerinin bir bir üzerinden geçmek gerekebilir.
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”
F. Scott Fitzgerald (Tender Is the Night)
“
Like most women she liked to be told how she should feel,
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F. Scott Fitzgerald (Tender is the Night (Serapis Classics))
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Oh-oh-oh-oh
Other flamingos than me
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F. Scott Fitzgerald (Tender Is the Night)
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Smart men play close to the line because they have to--some of them can't stand it, so they quit.
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F. Scott Fitzgerald (Tender Is the Night)
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Rosemary pojechała do Monte Carlo zgnębiona - na miarę swoich możliwości - wprost bezgranicznie.
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F. Scott Fitzgerald (Tender Is the Night)
“
Cloaked by the erotic darkness she exhausted the future quickly, with all the eventualities that might lead up to a kiss, but with the kiss itself as blurred as a kiss in pictures.
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F. Scott Fitzgerald (Tender Is the Night)
“
He never had time to read on the outside, but here he joins a book club where they discuss The Great Gatsby and The Beautiful and Damned and Tender Is The Night with a fervent young professor who seems unaware that anyone other than F. Scott Fitzgerald has ever written a book.
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Emily St. John Mandel (The Glass Hotel)
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You were brought up to work - not especially to marry. Now you've found your first nut to crack and it's a good nut - go ahead and put whatever happens down to experience. Wound yourself or him - whatever happens it can't spoil you because economically you're a boy, not a girl.
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F. Scott Fitzgerald (Tender Is the Night)
“
Goodnight, child. This is a damn shame. Let's drop it out of the picture." He gave her two lines of hospital patter to go to sleep on. "So many people are going to love you and it might be nice to meet your first love all intact, emotionally too. That's an old-fashioned idea, isn't it?
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F. Scott Fitzgerald (Tender Is the Night)
“
Attractive women of nineteen and of twenty-nine are alike in their breezy confidence; on the contrary, the exigent womb of the twenties does not pull the outside world centripetally around itself.
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Tender Is the Night
“
He desired her and, so far as her virginal emotions went, she contemplated a surrender with equanimity. Yet she knew she would forget him half an hour after she left him - like an actor kissed in a picture.
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F. Scott Fitzgerald (Tender Is the Night)
“
One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of the individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye.
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F. Scott Fitzgerald (Tender Is the Night)
“
Gondold csak el, mennyire szeretsz most – suttogta Nicole. – Nem kérem, hogy mindig így szeress, csak azt akarom, hogy ezt sose felejtsd el. Valahol bennem mindig ott él majd az a személy, aki ma este vagyok.
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F. Scott Fitzgerald (Tender Is the Night)
“
Te mondod folyton, hogy az embernek egyre több dolgot kell megismernie, és ha ezt abbahagyja, olyan lesz, mint a többi ember, és hogy addig kell elérnie valamit, míg ezt a folytonos megismerést abba nem hagyja.
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F. Scott Fitzgerald (Tender Is the Night)
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Évszázadok telnek még el, mire egy amazon végre képes lesz fölfogni azt a tényt, hogy a férfi kizárólag a büszkeségében sebezhető meg, de ha ezt egyszer megrobbantják, törékeny lesz az egész ember, akár a tojás.
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F. Scott Fitzgerald (Tender Is the Night)
“
But to be included in Dick Diver’s world for a while was a remarkable experience: people believed he made special reservations about them, recognizing the proud uniqueness of their destinies, buried under the compromises of how many years. He won everyone quickly with an exquisite consideration and a politeness that moved so fast and intuitively that it could be examined only in its effect. Then, without caution, lest the first bloom of the relation wither, he opened the gate to his amusing world. So long as they subscribed to it completely, their happiness was his preoccupation, but at the first flicker of doubt as to its all- inclusiveness he evaporated before their eyes, leaving little communicable memory of what he had said or done.
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F. Scott Fitzgerald (Tender Is the Night)
“
She was a thin, a thin burning flame, colorless yet fresh. Her smile came first slowly, shy and bold, as if all the life of that little body had gathered for a moment around her mouth and the rest of her was a wisp that the least wind would blow away. She was a changeling whose lips were the only point of contact with reality.
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F. Scott Fitzgerald (Tender is the Night)
“
She was about twenty-four, Rosemary guessed - her face could have been described in terms of conventional prettiness, but the effect was that it had been made first on the heroic scale with strong structure and marking, as if the features and vividness of brow and coloring, everything we associate with temperament and character had been molded with a Rodinesque intention, and then chiseled away in the direction of prettiness to a point where a single slip would have irreparably diminished its force and quality. With the mouth the sculptor had taken desperate chances - it was the cupid's bow of a magazine cover, yet it shared the distinction of the rest.
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F. Scott Fitzgerald (Tender Is the Night)
“
Durante il fragoroso decollo Dick si sentì intorpidito, rendendosi conto di quanto fosse stanco. Un’enorme persuasiva tranquillità s’impossessò di lui, e lasciò la malattia ai malati, il rumore ai motori, la direzione ai piloti.
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F. Scott Fitzgerald (Tender Is the Night)
“
She was a brave, hopeful woman and she was following her husband somewhere, changing herself to this kind of person or that, without being able to lead him a step out of his path, and sometimes realizing with discouragement how deep in him the guarded secret of her direction lay. And yet an air of luck clung about her, as if she were a token...
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F. Scott Fitzgerald (Tender Is the Night)
“
Many times he had tried unsuccessfully to let go his hand on her. They had many fine times together, fine talks between the loves of the white nights, but always when he turned away from her into himself he left her holding Nothing in her hands and staring at it, calling it many names, but knowing it was only the hope that he would come back soon.
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F. Scott Fitzgerald (Tender Is the Night)
“
In the square, as they came out, a suspended mass of gasoline exhaust cooked slowly in the July sun. It was a terrible thing - unlike pure heat it held no promise of rural escape by suggested only roads choked with the same four asthma.
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F. Scott Fitzgerald (Tender Is the Night)
“
A mile from the sea, where pines give way to dusty poplars, is an isolated railroad stop, whence one June morning in 1925 a victoria brought a woman and her daughter down to Gausse's Hotel. The mother's face was of a fading prettiness that
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F. Scott Fitzgerald (Tender is the Night (Serapis Classics))
“
Only the image of a third person, even a vanished one, entering into his relation with Rosemary was needed to throw him off his balance and send through him waves of pain, misery, desire, desperation. The vividly pictured hand on Rosemary's cheek, the quicker breath, the white excitement of the event viewed from outside, the inviolable secret wamrth within.
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F. Scott Fitzgerald (Tender Is the Night)
“
She was beautiful, but not like those girls in magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul.
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F. Scott Fitzgerald (Tender Is the Night)
“
Rosemary bubbled with delight at the trunks. Her naivete responded whole-heartedly to the expensive simplicity of the Divers, unaware of its complexity and its lack of innocence, unaware that it was all a selection of quality rather than quantity from the run of the world's bazaar; and that the simplicity of behavior also, the nursery-like peace and good will, the emphasis on the simpler virtues, was part of a desperate bargain with the gods and had been attained through struggles she could not have guessed at.
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F. Scott Fitzgerald (Tender Is the Night)
“
Then the storm came swiftly, first falling from the heavens, then doubly falling in torrents from the mountains and washing loud down the roads and stone ditches; with it came a dark, frightening sky and savage filaments of lightning and world-splitting thunder, while ragged, destroying clouds fled along past the hotel. Mountains and lake disappeared - the hotel crouched amid tumult, chaos and darkness.
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F. Scott Fitzgerald (Tender Is the Night)
“
God, am I like the rest after all?” — So he used to think starting awake at night — “Am I like the rest?”
This was poor material for a socialist but good material for those who do much of the world’s rarest work. The truth was that for some months he had been going through that partitioning of the things of youth wherein it is decided whether or not to die for what one no longer believes. In the dead white hours in Zurich staring into a stranger's pantry across the upshine of a street-lamp, he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
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F. Scott Fitzgerald (Tender Is the Night)
“
I've got one more record. - Have you heard "So Long, Letty"? I suppose you have.'
'Honestly, you don't understand - I haven't heard a thing.'
Nor known, nor smelt, nor tasted he might have added; only hot cheeked girls in hot secret rooms. The young maidens he had known at New Haven in 1914 kissed men saying 'There!' hands at the man's chest to push him away. Now there was this scarcely saved waif of disaster bringing him the essence of a continent...
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F. Scott Fitzgerald (Tender Is the Night)
“
Yet in the awful majesty of her pain he went out to her unreservedly, almost sexually. He wanted to gather her up in her arms, as he so often had Nicole, and cherish even her mistakes, so deeply were they part of her. The orange light through the drawn blind, the sarcophagus of her figure on the bed, the spot of face, the voice searching in the vacuity of her illness and finding only remote abstractions.
As he arose the tears fled lava-like into her bandages.
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F. Scott Fitzgerald (Tender Is the Night)
“
He had slowed up to avoid the inevitable end of his thought:
"--the frontiers of consciousness." The frontiers that artists must explore were not for her, ever. She was fine-spun, inbred--eventually she might find rest in some quiet mysticism. Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit.
--Not for you, he almost said. It's too tough a game for you.
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F. Scott Fitzgerald (Tender Is the Night)
“
She looked up at him as he took a step toward the door; she looked at him without the slightest idea as to what was in his head, she saw him take another step in slow motion, turn and look at her again, and she wanted for a moment to hold him and devour him, wanted his mouth, his ears, his coat collar, wanted to surround him and engulf him.
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F. Scott Fitzgerald (Tender Is the Night)
“
Already he felt her absence from these skies: on the beach he could only remember the sun-torn flesh of her shoulder; at Tarmes he crushed out her footprints as he crossed the garden; and now the orchestra launching into the Nice Carnival Song, an echo of last year's vanished gaieties, started the little dance that went on all about her. In a hundred hours she had come to possess all the world's dark magic; the blinding belladonna, the caffein converting physical into nervous energy, the mandragora that imposes harmony.
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F. Scott Fitzgerald
“
Only the image of a third person, even a vanished one, entering into his relation with Rosemary was needed to throw him off his balance and send through him waves of pain, misery, desire, desperation. The vividly pictured hand on Rosemary's cheek, the quicker breath, the white excitement of the event viewed from outside, the inviolable secret warmth within.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
A jó modor annak beismerése, hogy minden ember törékeny, és így csak kesztyűs kézzel szabad bánni vele. Na mármost, az emberi tisztelet… az ember nem könnyen mond egy másik embert gyávának vagy hazugnak, de ha valaki azzal tölti az életét, hogy mások érzelmeit kíméli, a mások hiúságát táplálja, végleg elveszti minden érzékét ahhoz, hogy felismerje, mit kell valóban tisztelnie bennük.
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”
F. Scott Fitzgerald (Tender Is the Night)
“
It was not so much fun. His work became confused with Nicole’s problems; in addition, her income had increased so fast of late that it seemed to belittle his work. Also, for the purpose of her cure, he had for many years pretended to a rigid domesticity from which he was drifting away, and the pretence became more arduous in this effortless immobility, in which he was inevitably subjected to microscopic examination. When Dick could no longer play what he wanted to play on the piano, it was an indication that life was bring refined down to a point. He stayed in the big room a long time, listening to the buzz of the electric clock, listening to time.
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”
F. Scott Fitzgerald (Tender Is the Night)
“
First was a lone cyclist, in a red jersey, toiling intent and confident out of the westering sun, passing to the melody of a high chattering cheer. Then three together in a harlequinade of faded colour, legs caked yellow with dust and sweat, faces expressionless, eyes heavy and endlessly tired.
Tommy faced Dick, saying: 'I think Nicole wants a divorce - I suppose you'll make no obstacles?'
A troupe of fifty more swarmed after the first bicycle racers, strung out over two hundred yards; a few were smiling and self-conscious, a few obviously exhausted, most of them indifferent and weary. A retinue of small boys passed, a few defiant stragglers, a light truck carried the victims of accident and defeat.
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F. Scott Fitzgerald (Tender Is the Night)