Yips Quotes

Words make you think. Music makes you feel. A song makes you feel a thought.

Ready to put your claws where your mouth is, or are you going to cringe behind the big boys and yip all day?" His eyes flared yellow "Is that a challenge?" "Yes it is.

I let out a laugh that sounded more like the yip of a startled poodle. "Superp-powers? I wish. My powers aren't winning me a slot on the Cartoon Network anytime soon... except as a comic relief. Ghost Whisperer Junior. Or Ghost Screamer, more like it. Tune in, every week, as Chloe Saunders runs screaming from yet another ghost looking for her help." Okay, superpower might be pushing it.

Tattoos are a right of passage. They're a marker of bravery, of maturity, of cultural acceptance. The tattoo represents not only a willingness to accept pain - to endure it - but a need to actively embrace it. Because life is painful - beautiful but painful.......

All the heroes of tomorrow are the heretics of today.

I was performing my ritual of sipping tea, shooting flirtatious glances and planning murder

Poems are made by fools like me, But only God can make a tree; And only God who makes the tree Also makes the fools like me. But only fools like me, you see, Can make a God, who makes a tree.

Conscience is like a pet: If you spoil it by too much attention it'll start yipping at the most inopportune times.

Live while you’re living, friends.

I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )

I had a dream about you last night.. You were in the amazon rain forest yipping like a dog.

Dying has taught me a great deal about living—about facing hard truths consciously, about embracing the suffering as well as the joy.

Believe what you need to believe in order to find comfort and peace with the inevitable fate that is common to every living thing on this planet. Death awaits us all; one can choose to run in fear from it or one can face it head-on with thoughtfulness, and from that thoughtfulness peace and serenity.

Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes about in this life. Living is an exercise in navigating within them.

Dogs have hair. Cats, fur. Dogs whine, yip, howl, bark. Cats purrr. I say: No contest.

Kasadya Levourne, what in heaven’s name have you done?!” Chax yelled at me. I cringed, taking in his anger. Yip big freaking trouble.

Arf, arf, arf.” I yipped back at it. “Princess,” Victor grumbled behind me. “Please stop barking at the neighbors.” Stone, C. L. (2014-01-19). Drop of Doubt: The Ghost Bird Series: #5 (Kindle Locations 1721-1722). Arcato Publishing. Kindle Edition.

The worth of a person’s life lies not in the number of years lived; rather it rests on how well that person has absorbed the lessons of that life, how well that person has come to understand and distill the multiple, messy aspects of the human experience.

I washed my hands every day, Jojo. But that damn blood ain't never come out. Hold my hands up to my face, I can smell it under my skin. Smelled it when the warden and sergeant cam up on us, the dogs yipping and licking blood from they muzzles. They'd torn his throat out, hamstringed him. Smelled it when the warden told me I'd done good. Smelled it the day they let me out on account I'd led the dog that caught and killed Richie. Smelled it when I finally found his mama after weeks of searching, just so I could tell her Richie was dead and she could look at me with a stone face and shut the door on me. Smelled it when I made it home in the middle of the night, smelled it over the sour smell of the bayou and the salt smell of the sea, smelled it years later when I climbed into bed with Philomene, put my nose in your grandmother's neck, and breathed her in like the scent of her could wash the other away. But it didn't. When Given died, I thought I'd drown in it. Drove me blind, made me so crazy I couldn't speak. Didn't nothing come close to easing it until you came along.

Where is the dog tag you found?” “What?” Shelton yipped. “We…lost it.” “Where?” “In the woods. After we ran.” “Where in the woods? Ran from what?” “Oh, uh…Tory dropped the tag when we ran from…whatever.” “From whatever?” Hi hammered. “Did you see men with guns or not?” “Um, no. I guess not.” “You guess?” “It was dark.” Shelton struggled. “I realize now that nobody was there.” “Then what did you hear?” “Uh, er…pops. Like sticks breaking?” Shelton’s responses were growing increasingly feeble. “How many? From which direction?” “Lots. Like, from everywhere.” Hi’s eyebrows shot up. “You heard ‘lots’ of ‘pops like sticks’ coming from everywhere? That’s your story?” “Wait, no, not everywhere. From the…left?

Her white fox fur was coarse and smooth at the same time, and she made little yipping snarls every time he pushed himself deeper inside her. He never wanted to stop.

That does it. I leaned forward. “Hey, you. Either put your claws where your mouth is or shut the fuck up. Nobody wants to hear you yip.

He looked at me and a small amount of simpathy came into view, but was quickly replaced with the pissed off look. Yip, same old Chax, emotions are so overrated.

Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?

It's a Barnum and Bailey world, just as phony as it can be. But it wouldn't be make-believe if you believed in me

The winds shook off in unison and yipped beneath the gleaming stars. She gave him her lips. They kissed. And she was in love with the thunder.

I think God is beyond what my little, limited, human brain can fathom. But, perhaps, something my limitless soul can just being to grasp in my moments of utmost clarity.

When I lost my possessions, I found my creativity,” said E. Y. “Yip” Harburg, the lyricist behind The Wizard of Oz. “I felt I was being born for the first time.”11

Are you guys arguing?” Jess asked. “Are we?” I asked. “Maybe a little but that’s okay. Couples argue. We’ll figure it out and we can have make-up sex later,” Braden said, and Bruno yipped. “Hey, I think the dog knows that word,” Mark said, studying Bruno curiously. “Look who his parents are,” Adam said dryly. “God knows what he’s been exposed to. He probably needs psychoanalysis.

The trigger has been squeezed, the deathly mechanism has been enabled, the fatal course of a bullet has been set. No amount of bleating or praying or wailing of cajoling can halt it or stall it or call it back.

I can’t help it: I laugh. I don’t mean too, it just kinda comes out on its own. I smoosh my hands against my mouth to block the sound, but this causes me to snort, and snot comes out of my nose. I try to cover it up and jerk my left hand up, but it bounces off my nose and I poke myself in the eye. My eyes water as I hiss and knuckle my eyeball, but I’ve still got snot on my hand and gets all up in there, making it burn even more. Ow. I want to turn and run, but I’m temporarily blinded by my own devices and I know, I just know, that this big kid is probably some popular jock and I am forever going to be stuck with the nick-name Booger Eye Snot Face. I ask God quietly if he wouldn’t mind opening the ground beneath my feet and allow me to fall down a chasm to save me from myself. The ground doesn’t open. I’m still laughing, but it’s that high-pitched thing I do when I find something really funny. I hate that laugh. It always sounds like a clan of female hyenas all going into labor at the same time. Yip! Yip! Ayyyyyyyy! Yip! Yip! Ayyyyyyyy

She raised the dagger and plunged it into Cath’s chest. Catherine gasped, and though there were screams in the courtroom, she barely heard them over the cackle of the Three Sisters. Cold seeped into her from the blade, colder than anything she had ever known. It leached into her veins, crackling like winter ice on a frozen lake. It was so cold it burned. Lacie pulled out the blade. A beating heart was skewered on its tip. It was broken, cut almost clean in half by a blackened fissure that was filled with dust and ash. “It has been bought and paid for,” said the Sister. Then she yipped and launched herself back to the courtroom floor. She was joined by her sisters, cackling and crowding around the Queen’s heart. A moment later, a Fox, a Raccoon, and an Owl were skittering out the door, leaving behind the echo of victorious laughter. CHAPTER 54 CATH STARED AT THE DOORS still thrust wide open, her body both frozen and burning, her chest a hollow cavity. Empty and numb. She no longer hurt. That broken heart had been killing her, and it was gone. Her sorrow. Her loss. Her pain, all gone. All that was left was the rage and the fury and the desperate need for vengeance that would soon, soon be hers.

Wolf hated the female tailless. He'd hated her from the first moment he'd smelt her, as she pointed the long claw that flies at his pack brother. What a thing to do! As if Tall Tail-less was some kind of prey!...Didn't she know that he was the lead wolf? She was so sharp and disrespectful when she yipped at him in tail-less talk. Why didn't Tall Tail-less just snarl and chase her away?

So much of life’s hardship becomes more bearable when you are able to build and lean on a network of loyalty, support, and love, and gather around you people...who will stand by you and help you. But the thing is you have to let them in; you have to let them see the heartache, pain, and vulnerability, and not cloak those things in a shameful darkness, and then you have to let those people who care about you help you.

Each of us has a story. Each of us has experiences from which we can draw strength and that can serve as the basis of our faith. It is just a matter of whether we are willing to dwell in often unpleasant memories, to extract the lessons of our history, to find the secrets of the journeys of our souls.

My dog, Willy, died a few years ago, but one of my great memories of him is watching him play in the front yard of our house at dusk. He was a puppy then, and in the early evenings he would contract a case of the zoomies. He ran in delighted circles around us, yipping and jumping at nothing in particular, and then after a while, he'd get tired, and he'd run over to me and lie down. And then he would do something absolutely extraordinary: He would roll over onto his back, and present his soft belly. I always marveled at the courage of that, his ability to be so absolutely vulnerable to us. He offered us the place ribs don't protect, trusting that we weren't going to bite or stab him. It's hard to trust the world like that, to show it your belly. There's something deep within me, something intensely fragile, that is terrified of turning itself to the world. I’m scared to even write this down, because I worry that having confessed this fragility, you know now where to punch. I know that if I’m hit where I am earnest, I will never recover.

Chloe, music is very powerful. It's a gift we share with others. When we do, listeners understand. The music speaks through us to them.

It is in the acceptance of truth that real wisdom and peace come. It is in the acceptance of truth that real living begins. Conversely, avoidance of truth is the denial of life.

I used this method to store the first 10,000 digits of pi. A friend of mine Dr. Yip Swee Chooi remembered the entire Oxford dictionary, 1774 pages, word-for-word with this method.

Here is a lesson worth attending to - no one or thing comes into this world whole and it is in the search of what is gone missing that our lives do find their meaning.

They call to one another in their particular argot: pure Home Counties cut with Teen American. A lot of yips, heys, elongated vowels. They swing bags through the air. Hair is flicked, stroked, tossed. Trousers are worn tight but low; shoes unlaced. The females link arms with their chosen peers; the males perform mock violence upon those they recognize as their tribe.

It is always an advantage being big and strong and having a lot of strength even when relaxed. So people with a small build should be even more clever in the use of energy and should become more agile.

Well,” Altair said with forced cheer. “It’s just the two of us again, and my, what a couple we make.” Nasir gifted him a look that could wither crops. “Keep up your endless yipping and only one of us will be left.

A few moments later the man was with us, looking so brainy and intelligent that my heart leaped up as if I had beheld a rainbow in the sky. 'Oh, Jeeves,' I yipped. 'Oh, Jeeves,' yipped Aunt Dahlia, dead heating with me.

Dying has taught me a great deal about living — about facing hard truths consciously, about embracing the suffering as well as the joy. Wrapping my arms around the hard parts was perhaps the great liberating experience of my life.

I have no ideas, myself! Not a one! there's nothing more vulgar, more common, more disgusting than ideas! libraries are loaded with them! and every sidewalk cafe!...the impotent are bloated with ideas!...they dazzle youth with ideas! they play the pimp!...and youth is ever ready, as you know, Professor, to gobble up anything, to go OOH! and AAH! by the numbers! How those pimps have an easy job of it! the passionate years of youth are spent getting a hard on and gargling ideeaas!...philosophies, if you prefer!...yes sir, philosophies! youth loves sham just as young dogs love those sticks, like bones, that we throw and they run after! they race forward, yipping away, wasting their time, that's the main thing!

But I do know that there is incredible value in pain and suffering, if you allow yourself to experience it, to cry, to feel sorrow and grief, to hurt. Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes abound in this life. Living is an exercise in navigating within them.

It is a Barnum and Bailey world, just as phony as it can be, But it would not be make-believe if you believed in me ............................It is Only a Paper Moon Billy Rose and E. Y. "Yip" Harburg.....(opening page of 1Q84 by Haruki Murakami)

Chewie hugs him and purrs. “I’ll be back. We’re not done, you and I. We’ll see each other again. I’m gonna be a father and no way my kid won’t have you in his life.” One more bark and yip as Chewie pets his head. “Yeah, pal. I know.” He sighs. “I love you, too.

If you challenge someone, we can’t interfere,” Barabas murmured. “Remember, don’t provoke them.” I kicked the door open and walked in. Fourteen pairs of eyes glared at me from around the table. Beyond the alpha, fourteen other shapeshifters waited—the betas of each clan, invited as a courtesy. I looked from face to face. “What the fuck do you think you’re doing?” the male voice said. Third man on the left. Tall, wiry. Sontag. I looked at him. “Ready to put your claws where your mouth is, or are you going to cringe behind the big boys and yip all day?” His eyes flared with yellow. “Is that a challenge?” “Yes, it is.

Life is not fair. You would be foolish to expect fairness, at least when it comes to matters of life and death, matters outside the scope of the law, matters that cannot be engineered or manipulated by human effort, matters that are distinctly the domain of God or luck or fate or some other unknowable, incomprehensible force.

A pack of coyotes set up a sudden racket near the house, yipping and howling, so close by they sounded like they had us surrounded. When a hunting pack corners a rabbit they go into a blood frenzy, making human-sounding screams. The baby sighed and stirred in his crib. At seven months, he was just the size of a big jackrabbit--the same amount of meat. The back of my scalp and neck prickled. It's an involuntary muscle contraction that causes that, setting the hair follicles on edge; if we had manes they would bristle like a growling dog's. We're animals. We're born like every other mammal and we live our whole lives around disguised animal thoughts.

Oh, aren’t you the cutest? Yes, you are! You’re the sweetest thing since cotton candy,” Nan was saying. The pups yipped and crawled over each other in an attempt to lick the glass window where her hand rested. Before long, a cute red-haired employee named Greg, spotted Nan’s interest and offered to bring the puppies to the viewing pen.

You don’t really believe I intend harm, do you?” If he intended to marry her, she considered that great harm indeed. But Flora the housemaid couldn’t say that. Bill rose and gave himself a good shake before he trotted forward to investigate the stranger’s boots. Bite him, Bill. Lord Lyle clicked his elegant fingers. And Bill, the rotten traitor, yipped in delight and rolled over to offer his pink belly for a scratch. “Nice

At a farewell dinner, the editors gave [S.R. Nathan] a porcelain bowl. For the day before he joined us, the PM had told him: "Nathan, I am giving you The Straits Times. It has 140 years of history. It's like a bowl of china. You break it, I can piece it together, but it will never be the same." I was struck by the way the PM made his point – he knew the value and place of The Straits Times in Singapore's past, present and future.

The following week I stayed home. After spending many hours of meditation and practice, I gave up and went sailing alone in a junk. On the sea I thought of all my past training and got mad at myself and punched the water! Right then—at that moment—a thought suddenly struck me; was not this water the very essence of gung fu? Hadn’t this water just now illustrated to me the principle of gung fu? I struck it but it did not suffer hurt. Again I struck it with all of my might—yet it was not wounded! I then tried to grasp a handful of it but this proved impossible. This water, the softest substance in the world and what could be contained in the smallest jar, only seemed weak. In reality, it could penetrate the hardest substance in the world. That was it! I wanted to be like the nature of water. Suddenly a bird flew by and cast it’s reflection on the water. Right then as I was absorbing myself with the lesson of the water, another mystic sense of hidden meaning revealed itself to me; should not the thoughts and emotions I had when in front of an opponent pass like the reflection of the bird flying over the water? This was exactly what Professor Yip meant by being detached—not being without emotion or feeling, but being one in whom feeling was not sticky or blocked. Therefore in order to control myself I must first accept myself by going with and not against my nature. I lay on the boat and felt that I had united with Tao; I had become one with nature. I just laid there and let the boat drift freely according to its own will. For at that moment I had achieved a state of inner feeling in which opposition had become mutually cooperative instead of mutually exclusive, in which there was no longer any conflict in my mind. The whole world to me was as one.

You’re fed up and you’re exhausted, and no one is listening to your pleas for help. Anger in that case is very much appropriate.” The patient sighed begrudgingly. “I don’t know that I agree, but say it’s true. I still don’t want to go around breaking things.” “No,” Tina agreed, “that’s not a productive outlet for your anger, though it is one less dish to wash.” The patient let out a yip of involuntary laughter, and the man in front of me turned to his friend and inquired casually about lunch.

As a child I had loved the legend of the cowherd and the spinning girl. They were so in love that they neglected their work and so the God of Heaven placed them in the sky as constellations, separated by the Silver River of Heaven—the Milky Way. Once a year, on the seventh evening of the seventh month, a flock of magpies, taking pity on the lovesick couple, fly to the sky and form a bridge so that they can meet. On this night all over China, women make offerings to these stars, hoping for love.

Singapore and China did not have diplomatic relations at that time [1976]. Communism is banned in Singapore, and nobody could visit China without official approval. The Singapore government had prohibited travel there for fear that Singaporeans would be subverted and converted to the communist cause. . .The travel ban was lifted after Lee Kuan Yew's visit. He realised that nobody could experience life there and be seduced by their system. Indeed, they would better appreciate what Singapore offered.

For me, raging and raging like a wild, irrational beast, denying one’s own mortality, clinging to delusion and false hopes, pursuing treatment at the cost of living in the moment, sacrificing one’s quality of life for the sake of quantity, none of this is graceful or dignified, and all of it denies us our contemplative and evolved humanity; such acts do not cultivate an invincible spirit; such acts are not testaments to inner strength and fortitude. For me, true inner strength lies in facing death with serenity, in recognizing that death is not the enemy but simply an inevitable part of life.

Hammacher Schlemmer is selling a shelter, worthy of Kubla Khan's Xanadu dome; Plushy and swanky, with posh hanky panky that affluent Yankees can really call home. Hammacher Schlemmer is selling a shelter, a push-button palace, fluorescent repose; Electric devices for facing a crisis with frozen fruit ices and cinema shows. Hammacher Schlemmer is selling a shelter all chromium kitchens and rubber-tiled dorms; With waterproof portals to echo the chortles of weatherproof mortals in hydrogen storms. What a great come-to-glory emporium! To enjoy a deluxe moratorium, Where nuclear heat can beguile the elite in a creme-de-la-creme crematorium.

We’ve told you before—rollwhen you land a fancy jump,” Wilford squinted in the sunlight as he yelled. “Use your shoulder to take the brunt of your fall and move with it, or you’re going to twist an ankle or break a wrist one of these days!” Tari—impressively—managed to sound like an angry bear as she translated it into Elvish. Gwendafyn nodded as she stood and gave her sword a test twirl, then yipped when her opponent wrapped a meaty hand around her left ankle and pulled it out from under her. “Stay aware of your surroundings,” Thad instructed as he narrowed his eyes. “No opponent is going to stop and let you catch your breath!” Gwendafyn kicked like a jackrabbit, yanking her leg free, then rolled away from the soldier. “For the love of Lady Tari’s favorite lemon bars,” Grygg grumbled. “What part of ‘fight dirty’ isn’t translating correctly?” “Don’t hold back, Princess,” Wilford advised. “We know you’ve got the edge—you’ve broken Grygg’s nose three times. That’s a new record. Phelps, here, could use a little bone re-arrangement, too.” “Shut up, Wilford!” Gwendafyn’s opponent—Phelps, apparently—growled as he staggered to his feet. Gwendafyn crisply nodded when Tari finished translating, then promptly turned and flung her wooden practice sword at Phelps with deadly accuracy. The soldier swore and had to throw himself to the ground to avoid it. Gwendafyn closed the distance between them with the blink of an eye, extended her elbow, and rammed the soldier in the spine with the hardest bone of her elbow. All of Phelps’ air left him in a painful-sounding exhale, and for a moment, he went limp. “Ouch,” Grygg winced in sympathy. “That had to hurt.

One late afternoon, we crossed a creek and came upon a thicket of trees in the middle of a pasture quite a ways from Marlboro Man’s homestead. As I looked more closely, I saw that the trees were shrouding a small white house. A white picket fence surrounded the lot, and as we drove closer to the property, I noticed movement in the yard. It was a large, middle-aged woman, with long, gray hair cascading down her shoulders. She was pushing a lawn mower around her yard, and two wagtail dogs yipped and followed her every step. Most notably, she was wearing only underwear and what appeared to be a late model Playtex bra. And as we passed by her house, she glanced up at us for a moment…then kept on mowing. Trying to appear nonchalant, I asked Marlboro Man, “So…who was that?” Maybe this could be the start of another story. He looked at me and replied, “I have absolutely no idea.” We never spoke of her again.

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.

Lydia the Tattooed Lady" Oh Lydia, oh Lydia, say have you met Lydia? Lydia, the Tattooed Lady She has eyes that folks adore so And a torso even more so Lydia, oh Lydia, that encyclopydia Oh Lydia the Queen of Tattoo On her back is the Battle of Waterloo Beside it the wreck of the Hesperus, too And proudly above waves the red, white, and blue You can learn a lot from Lydia La, La, La La, La, La When her robe is unfurled, she will show you the world If you step up and tell her where For a dime you can see Kankakee or Paris Or Washington crossing the Delaware La, La, La La, La, La Oh Lydia oh Lydia, say have you met Lydia? Oh Lydia the Tattooed Lady When her muscles start relaxin' Up the hill comes Andrew Jackson Lydia oh Lydia, that encyclopydia Oh Lydia the queen of them all For two bits she will do a mazurka in jazz With a view of Niagara that nobody has And on a clear day you can see Alcatraz You can learn a lot from Lydia La, La, La La, La, La Come along and see Buff'lo Bill with his lasso Just a little classic by Mendel Picasso Here is Captain Spaulding exploring the Amazon Here's Godiva but with her pajamas on La, La, La La, La, La Here is Grover Whalen unveilin' the Trilon Over on the West Coast we have Treasure Island Here's Najinsky a-doin' the rhumba Here's her social security numba Oh Lydia, oh Lydia that encyclopydia Oh Lydia the champ of them all She once swept an Admiral clear off his feet The ships on her hips made his heart skip a beat And now the old boy's in command of the fleet For he went and married Lydia I said Lydia (He said Lydia) They said said Lydia (We said Lydia) Groucho Marx, At the Circus (1939) Written by Yip Harburg and Harold Arlen

After dinner, as we had so many times during our months and months together, Marlboro Man and I adjourned to his porch. It was dark--we’d eaten late--and despite my silent five-minute battle with the reality of my reproductive system, there was definitely something special about the night. I stood at the railing, breathing in the dewy night air and taking in all the sounds of the countryside that would one day be my home. The pumping of a distant oil well, the symphony of crickets, the occasional moo of a mama cow, the manic yipping of coyotes…the din of country life was as present and reassuring as the cacophony of car horns, traffic sounds, and sirens had been in L.A. I loved everything about it. He appeared behind me; his strong arms wrapped around my waist. Oh, it was real, all right--he was real. As I touched his forearms and ran the palms of my hands from his elbows down to his wrists, I’d never been more sure of how very real he was. Here, grasping me in his arms, was the Adonis of all the romance-novel fantasies I clearly never realized I’d been having; they’d been playing themselves out in steamy detail under the surface of my consciousness, and I never even knew I’d been missing it. I closed my eyes and rested my head back on his chest, just as his impossibly soft lips and subtle whiskers rested on my neck. Romancewise, it was perfection--the night air was still--almost imperceptible. Physically, viscerally, it was almost more than I could stand. Six babies? Sure. How ’bout seven? Is that enough? Standing there that night, I would have said eight, nine, ten. And I could have gotten started right away. But getting started would have to wait. There’d be plenty of time for that. For that night, that dark, perfect night, we simply stayed on the porch and locked ourselves in kiss after beautiful, steamy kiss. And before too long, it was impossible to tell where his arms ended and where my body began.

Do you remember that I said I have something to show you?" Back when they were entering the house. Before she'd seen Hugh. Before their argument. "Yes?" He pushed open the door to her bedroom. "Look." She went inside and saw Valente sitting on the floor in front of her fireplace with a basket. He had a silly grin on his face. She glanced over her shoulder to Raphael. "What-?" Her husband tilted his chin toward Valente and the basket. "Go and see." At the same time she heard an animal whimper. Her lips parted and she picked up her skirts to hurry to the basket. It was lined with a soft blanket and inside was the sweetest little blond puppy, looking very sorry for itself. Iris stared, torn. Did Raphael think a 'puppy' would be an adequate substitution for him? The moment the puppy saw her it began whimpering and yipping, trying to climb from its wicker prison, but its legs were too short to make the attempt and it ended by falling backward, revealing that it was female. It was hardly the puppy's fault that she was angry with Raphael. "Oh," Iris breathed, sinking to her knees on the carpet opposite Valente. "She's perfect." Somehow the words made tears start in her eyes again. She picked up the puppy, which wriggled in Iris's hands until she held the small animal against her chest. The puppy promptly began licking Iris's chin with a tiny pink tongue. Iris looked up at Raphael through her tears. "What is her name?" He shook his head. "She has none that I know of. You must give her one." Iris stood, cradling the still-squirming puppy carefully, and went to her husband. "Thank you." She stood on tiptoe and kissed him on the lips, trying to convey all she'd said before. All he'd pushed aside. 'Stay. Stay. Stay.' Raphael took her arms gently and kissed her, angling his face over hers. He embraced her as if she were a lifeline. As if he wished to remain with her forever. The puppy yelped and he took a step back, breaking the kiss. Drawing away from her without effort. He walked out of the bedroom. Iris closed her eyes to keep her sorrow and tears in. She kissed the top of the puppy's silky head and whispered in her ear, "Tansy.

Reaching out, Andrew crooked his little finger with mine. “If I live, I’ll find a way to let you know, Drew,” he promised. “I owe you that much--and a whole lot more.” After a little silence, Andrew’s face brightened. “You don’t suppose you could stay, do you? Just think of the fun we’d have playing tricks on Edward and Mrs. Armiger.” He laughed at his own thoughts. “Why, we’d make their heads spin, Drew. They wouldn’t know one of us from the other.” For a moment, it seemed possible. My mother and father were away, they wouldn’t miss me. As for Aunt Blythe--well, we’d think of some way to let her know I was all right. We were bouncing on the bed, singing “Yip-I-Addy-I-Ay,” when the door opened and Mama appeared. It was Andrew she looked at, not me. “Why are you still awake?” she asked. “I told you to go to sleep.” As Mama approached the bed, Andrew flung his arms around her. “You can see me, Mama,” he cried. “Oh, thank the Lord! It’s me, your own true son, back again for keeps.” She stared at him, perplexed. “What nonsense is this? Of course I can see you. Of course it’s you. Who else would it be, you silly goose?” I slid off the bed and ran to her side. “Me,” I shouted, “it could be me.” When Mama didn’t even blink, I tugged at her nightgown. “Look at me,” I begged. “I’m here too, we both are. Andrew and me. Can’t you see us both?” I hugged her, but all she did was shiver. “No wonder this room is so drafty,” she murmured. “The attic door is wide open.” Andrew and I stared at each other, his face reflecting my disappointment. He was visible, I was invisible. Like the design on his quilt, the pattern had reversed. Sadly I released Mama. As I turned away, Andrew whispered, “We’ll meet again, Drew. I swear it.” Mama looked at him. “What did you say?” “Oh, nothing.” Hiding his face from his mother, Andrew winked at me and said, “I was just talking to myself, Mama.” I took one long last look at Andrew. Much as I wanted to stay, it was time to leave. When Mama reached out to close the attic door, I slipped through it like a ghost. The door shut behind me. I was alone at the bottom of the dark stairs with nowhere to go but home.

Kartą mokydamas, kaip tapyti lotosą mano tapybos mokytojas ponas Vu aiškino: Ši graži gėlė auga iš nešvarumų. Mes sakome: "išaugęs iš purvo, bet nesusitepęs", taip ir kai kurie žmonės gyvena blogio apsuptyje, bet išlieka dori.

Niekados nesišaipyk iš žmogaus, kurį myli ir kuris dar labiau myli tave, ir niekados jam nepriekaištauk! Tikrą meilę patiri tik kartą per visą inkarnaciją.

represented the emperor’s presence and power, so anyone who possessed it other

YIP YIP HURRAY City dog fans cheer Pope on hound heaven 374 words BY DALE W. EISINGER and LARRY McSHANE NEW YORK DAILY NEWS

Thomas Yip saw that the 1855 Classification was perfect for the Chinese market because it satisfied a deep cultural itch: the need to save and display “face,” particularly the forms of face known as gei mianzi and liu mianzi. Gei mianzi was the Chinese belief that you gave face or honored someone by showing him or her respect. The most frequent example was offering a gift appropriate to a person’s status. Liu mianzi was the belief that you gained face by avoiding mistakes. Wise action reinforced your honor and reputation.

He whined again. “If you want to talk you should shift back to human. So you can actually talk.” He huffed. “What? It’s against the rules?” He yipped.

In rich detail, Ken told us that on the second hole of the opening round, Hogan got stuck while standing over a putt. Hogan had the yips. “I can’t take it back, Ken,” Hogan said. “Nobody gives a shit, Ben,” Ken said back. That bit of wise-guy humor was evidently all Hogan needed to hear: At age fifty-three and playing barely any tournament golf, he finished twelfth. Venturi finished three shots behind. Palmer was leading by seven with nine holes left and lost to Billy Casper in a playoff. Ken

Therefore, when Ziqi died, Boya, realizing that no one else would understand his music as well as his friend, smashed his qin at Ziqi’s grave and sighed, “Why play the qin when there’s no more zhiyin to understand my music!” From then on, the term zhiyin had been used to describe soul mates. “Precious Orchid,” Qing Zhen looked at me intently while a solitary bird soared behind him in the vast sky, “you realize how lucky we are? Most people search all their life for a zhiyin but never find one. We’re not only lovers; we’re also zhiyin.” Though I was used to compliments from men and usually did not take them seriously, this one from Qing Zhen touched a silk string in my heart.

His 1968 film of Finian’s Rainbow, a fanciful 1947 Broadway blast from the left by Fred Saidy, E. Y. “Yip” Harburg and Burton Lane, is a guidebook to other movies and musicals. Coppola packs his film with intrusive references that proclaim the artifices of filmusical style and the tension between credible storytelling and musical convention. The editing of an arrival by train comes directly from Hallelujah; a dance with laundry on a clothesline from Dames; the aerial floating on that clothing from Mary Poppins; the spray of fire hoses on a burning church from Strike; the passing of water pails, “Keep the water coming,” from Our Daily Bread; the use of blackface from two decades of filmusicals between The Jazz Singer and The Jolson Story.

Well, I’m here to play the game, and I choose not to live and die by what the oddsmakers say. I choose not to put faith in percentages that were assembled by some anonymous researcher looking at a bunch of impersonal data points. Instead, I choose to put faith in me, in my body, mind, and spirit, in those parts of me that are already so practiced in the art of defying the odds. Coach Taylor always told his ragtag Dillon High School Panther football team on Friday Night Lights, “Clear eyes, full hearts, can’t lose!” I have clear eyes and a full heart.

Anyone who raises young children understands the oftentimes soul-crushing monotony of life’s routines, of battling through fatigue to get up every morning, of rushing the kids off to school, of withstanding the stresses of the oh-so-necessary paying job, of cooking healthy dinners that will likely go uneaten by picky children, of relentlessly negotiating with the kids over when to brush teeth and what clothes to wear the next day and what treats they can have if they eat tomorrow’s lunch.

What in the Dan Tucker you think you’re doin’ here?” Grandpa growled. Rebel yipped out a soft bark and waved his tail hesitantly. His big brown eyes pleaded for understanding. “I orta take a brush to you and wear you out. Sneakin’ off and waylayin’ us like this.” Old Rebel didn’t drop his eyes, not even once. He whined way down deep in his throat and it sounded just like he was saying, “I wanta go.” “Sure, you wanta go.” Grandpa cut his eye up to see if Toby and Jim were taking in this intelligent conversation. Old Dave looked around at Rebel and whickered. “You stay out of this,” Grandpa spoke shortly to his mule. Turning back to Rebel, he went on, “I don’t like it, don’t like it a tall, but it looks like you got us where the wool’s short.

You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes abound in this life. Living is an exercise in navigating within them.

Following dinner, we tidied up and Mom and Dad went straight to bed at about eight o’clock. The house was dark and spooky on Sunday nights. Dad said he had to go to bed early on Sundays because he had “the yips.” Eventually I took that to mean he was hungover and had to get his sleep to be ready for another week of work.

Coyotes began yipping, their chorus of cries echoing into the distant Marble mountains.

Remembering the great Revolutionary Lyricist Yip Harberg, let us enjoy his famous song called "Somewhere Over the Rainbow".

So you do healing?” “Of course. What do you think witches do? As I said, we heal, cast spells, tell fortunes, connect with nature. We celebrate life . . . and of course death as well, the other side of the coin.” She downed more wine, then added, “We’re women of power and we’ll make you one too.” Women

A coyote wailed, the sound sending a shiver up Loretta’s spine. She cocked an ear, listening. “I hope that’s what it sounds like and not an Injun,” Mrs. Cortwell whispered. “It’s likely a coyote,” Mrs. Spangler replied. “Look at that there moon, would ya? Of course, it’s a good moon for killin’, too. A Comanche moon, my man calls it.” The fire popped, and Mrs. Shaney leaped. “Lawzy, my nerves is frayed.” The coyote yipped again, his cry trailing skyward, mournful and lonely. Loretta stood up, her heartbeat quickening. “What is it?” Mrs. Spangler cried. Mrs. Cortwell pressed a hand to her throat. “Oh, Lord. It is Injuns!” She jumped to her feet. “Matthew! Matthew Cortwell, where’d you git off to? There’s Injuns out there!” “They won’t hurt you,” Loretta said softly. “Just stay calm, Mrs. Cortwell.” “It’s fine for you to say, you Comanche slut!” Loretta spun on her heel and left the fire. Alerted by Mrs. Cortwell’s cries, Uncle Henry came out from the buckboard and intercepted her. “Don’t even think it, Loretta Jane.” “That’s Hunter out there, Uncle Henry.” “You don’t know that. You wanna part with you hair, girl?” He seized her arm. “Not only that, but you gotta think about us and how it looks.” Several other men gathered around. Loretta glanced at their taut faces, feeling trapped. She heard the coyote again. Hunter. “I’m going. He’s out there calling me, and I’m going.

While she prayed, she listened--for Hunter, for some telltale sound that he was indeed out there, as she sensed he was. She knew, as surely as if Hunter had told her, that he was watching over her. She knew as long as the white men did her and Amy no harm, he was content to ride shotgun, watching over them from a distance. On the last night out, Loretta’s faith in Hunter was rewarded. As everyone settled down to sleep, a coyote yipped nearby, his voice lifting in a mournful call that shivered along her spine and made the hair on her nape prickle. She rolled onto her side, back to the fire so she could scan the darkness. A shadow moved beyond the firelight. The coyote yipped again. Warmth spread through her. As unobtrusively as she could, she linked her forefingers in the sign of friendship. If Hunter was out there, he would see and know the song her heart sang.

A rock jabbed Hunter in the belly, but he scarcely felt it. Pressing low to the earth, he kept his attention on the glow of firelight and the small woman who lay by the flames, her face turned in his direction. In his mind he was beside her, cupping her cheek in his hand, whispering his love to her. He wished now that he had taught her how to recognize his animal calls so she would know he was with her, that he had been for over six days. Hunter leaned his head back and yipped again, letting the cry trail skyward. When he lowered his gaze, Loretta was smiling. She linked her fingers, her eyes fixed on where he lay. She had recognized his call. Perhaps he had taught her more than he knew. Pain lashed him, a pain so sharp and so deep that he couldn’t breathe. The sign of friendship. In a few short days her heart would never sing a song of friendship for him again.

The Hottentot Venus was well known in her time and even after. In the 1939 cinematic version of The Wizard of Oz, Bert Lahr as the Cowardly Lion asks in song, “What makes the Hottentot so hot?” He answers his own question with the word courage. The correct answer, though it is not said in the film, would most logically be: her derrière. Or perhaps Wizard of Oz songwriters Yip Harburg and Harold Arlen meant that it took a certain measure of courage to live through such degradation.

To my shame, I let out a pain-filled yip that was part Pomeranian and part five-year-old girl. Although, I guess I could say I howled like a shape-shifting girl who sometimes morphs into a Pomeranian. There. I made that noise. That’s more manly.

The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.

The lyricist Yip Harburg, author of many classics including “Over the Rainbow,” said it simply: “Words make you think a thought. Music makes you feel a feeling. But a song makes you feel a thought.”22 Feel a thought. For me, that captures the essence of artistic truth.

In the process, he created the image of himself he wanted future generations to embrace. Much of what Yip has said, quoted throughout this book, in fact, is a result of the numerous public appearances and radio and television interviews he participated in during the 1970s.

Most important, in late 1980, Yip joined Leonard Bernstein, Arthur Laurents, and Sheldon Harnick at a news conference announcing the creation of a new musical theater program at New York University’s Tisch School of the Arts, a program that has gained international renown.

Herausforderer, die von Nah und Fern herbeieilten, wurden alle besiegt.

At least our ducks and geese live in backyard pens, though trudging outside to fill their plastic swimming pools involves a trip through the basement, where two convalescing turkeys yip pathetically if I don't coo and hand-feed them grain.

Percy wasn’t having any of it. He backed up as Oliver circled, yipping vigorously. “Don’t be rude.” Oliver was saying. “Don’t be rude. This way. Come on, back we go. This way.

A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.

Too excited to hold it in, Sarah blurted out, “We’re going to Vegas to get married!” “Congratulations!” Handing the carrier over to Hugh, Grace hurried up the steps and hugged Sarah. “When?” “Now.” “Now?” At the echo of their previous conversation, Sarah laughed. “Yes, now. The pass is open, so we’re leaving while Gordon is still willing to watch Bean and Hortense.” “That’s great.” Hugh shook Otto’s hand and gave Sarah a one-armed hug as the puppies yipped in their carrier. At four weeks old, the pups were getting big—and even more adorable. “We could go, too.” Hugh gave Grace a hungry look. “Have a double wedding.” She made a big show of pretending to consider it and then shook her head. “I’m having too much fun dating you.” “C’mon, then, girlfriend.” Hugh ushered Grace into the house. “Let’s leave the lovebirds alone.