Yips Quotes

We've searched our database for all the quotes and captions related to Yips. Here they are! All 100 of them:

Words make you think. Music makes you feel. A song makes you feel a thought.
E.Y. Harburg
Ready to put your claws where your mouth is, or are you going to cringe behind the big boys and yip all day?" His eyes flared yellow "Is that a challenge?" "Yes it is.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
I let out a laugh that sounded more like the yip of a startled poodle. "Superp-powers? I wish. My powers aren't winning me a slot on the Cartoon Network anytime soon... except as a comic relief. Ghost Whisperer Junior. Or Ghost Screamer, more like it. Tune in, every week, as Chloe Saunders runs screaming from yet another ghost looking for her help." Okay, superpower might be pushing it.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
Tattoos are a right of passage. They're a marker of bravery, of maturity, of cultural acceptance. The tattoo represents not only a willingness to accept pain - to endure it - but a need to actively embrace it. Because life is painful - beautiful but painful.......
Nicola Barker (The Yips)
All the heroes of tomorrow are the heretics of today.
E.Y. Harburg
I was performing my ritual of sipping tea, shooting flirtatious glances and planning murder
Mingmei Yip (Peach Blossom Pavilion)
Poems are made by fools like me, But only God can make a tree; And only God who makes the tree Also makes the fools like me. But only fools like me, you see, Can make a God, who makes a tree.
E.Y. Harburg
Live while you’re living, friends.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
Conscience is like a pet: If you spoil it by too much attention it'll start yipping at the most inopportune times.
Connie Brockway (The Bridal Season (Bridal Stories, #1))
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
I had a dream about you last night.. You were in the amazon rain forest yipping like a dog.
Amy Sommers (I Had a Dream About You)
Dying has taught me a great deal about living—about facing hard truths consciously, about embracing the suffering as well as the joy.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
Believe what you need to believe in order to find comfort and peace with the inevitable fate that is common to every living thing on this planet. Death awaits us all; one can choose to run in fear from it or one can face it head-on with thoughtfulness, and from that thoughtfulness peace and serenity.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes about in this life. Living is an exercise in navigating within them.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
Kasadya Levourne, what in heaven’s name have you done?!” Chax yelled at me. I cringed, taking in his anger. Yip big freaking trouble.
Karen Swart (Hellhound Awakened (Kasadya, #1))
Dogs have hair. Cats, fur. Dogs whine, yip, howl, bark. Cats purrr. I say: No contest.
Lee Wardlaw (Won-Ton: A Cat Tale Told in Haiku)
Arf, arf, arf.” I yipped back at it. “Princess,” Victor grumbled behind me. “Please stop barking at the neighbors.” Stone, C. L. (2014-01-19). Drop of Doubt: The Ghost Bird Series: #5 (Kindle Locations 1721-1722). Arcato Publishing. Kindle Edition.
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
The worth of a person’s life lies not in the number of years lived; rather it rests on how well that person has absorbed the lessons of that life, how well that person has come to understand and distill the multiple, messy aspects of the human experience.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
I washed my hands every day, Jojo. But that damn blood ain't never come out. Hold my hands up to my face, I can smell it under my skin. Smelled it when the warden and sergeant cam up on us, the dogs yipping and licking blood from they muzzles. They'd torn his throat out, hamstringed him. Smelled it when the warden told me I'd done good. Smelled it the day they let me out on account I'd led the dog that caught and killed Richie. Smelled it when I finally found his mama after weeks of searching, just so I could tell her Richie was dead and she could look at me with a stone face and shut the door on me. Smelled it when I made it home in the middle of the night, smelled it over the sour smell of the bayou and the salt smell of the sea, smelled it years later when I climbed into bed with Philomene, put my nose in your grandmother's neck, and breathed her in like the scent of her could wash the other away. But it didn't. When Given died, I thought I'd drown in it. Drove me blind, made me so crazy I couldn't speak. Didn't nothing come close to easing it until you came along.
Jesmyn Ward (Sing, Unburied, Sing)
Where is the dog tag you found?” “What?” Shelton yipped. “We…lost it.” “Where?” “In the woods. After we ran.” “Where in the woods? Ran from what?” “Oh, uh…Tory dropped the tag when we ran from…whatever.” “From whatever?” Hi hammered. “Did you see men with guns or not?” “Um, no. I guess not.” “You guess?” “It was dark.” Shelton struggled. “I realize now that nobody was there.” “Then what did you hear?” “Uh, er…pops. Like sticks breaking?” Shelton’s responses were growing increasingly feeble. “How many? From which direction?” “Lots. Like, from everywhere.” Hi’s eyebrows shot up. “You heard ‘lots’ of ‘pops like sticks’ coming from everywhere? That’s your story?” “Wait, no, not everywhere. From the…left?
Kathy Reichs (Virals (Virals, #1))
He looked at me and a small amount of simpathy came into view, but was quickly replaced with the pissed off look. Yip, same old Chax, emotions are so overrated.
Karen Swart (Kasadya - Hellhound Twisted)
That does it. I leaned forward. “Hey, you. Either put your claws where your mouth is or shut the fuck up. Nobody wants to hear you yip.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Her white fox fur was coarse and smooth at the same time, and she made little yipping snarls every time he pushed himself deeper inside her. He never wanted to stop.
Lev Grossman (The Magicians (The Magicians, #1))
Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?
Irvine Welsh (Trainspotting)
It's a Barnum and Bailey world, just as phony as it can be. But it wouldn't be make-believe if you believed in me
Billy Rose
I think God is beyond what my little, limited, human brain can fathom. But, perhaps, something my limitless soul can just being to grasp in my moments of utmost clarity.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
The winds shook off in unison and yipped beneath the gleaming stars. She gave him her lips. They kissed. And she was in love with the thunder.
Ali Shaw (The Man Who Rained)
When I lost my possessions, I found my creativity,” said E. Y. “Yip” Harburg, the lyricist behind The Wizard of Oz. “I felt I was being born for the first time.”11
Mary Gabriel (Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art (LITTLE, BROWN A))
Are you guys arguing?” Jess asked. “Are we?” I asked. “Maybe a little but that’s okay. Couples argue. We’ll figure it out and we can have make-up sex later,” Braden said, and Bruno yipped. “Hey, I think the dog knows that word,” Mark said, studying Bruno curiously. “Look who his parents are,” Adam said dryly. “God knows what he’s been exposed to. He probably needs psychoanalysis.
N.M. Silber (The Law of Attraction (Lawyers in Love, #1))
Wolf hated the female tailless. He'd hated her from the first moment he'd smelt her, as she pointed the long claw that flies at his pack brother. What a thing to do! As if Tall Tail-less was some kind of prey!...Didn't she know that he was the lead wolf? She was so sharp and disrespectful when she yipped at him in tail-less talk. Why didn't Tall Tail-less just snarl and chase her away?
Michelle Paver (Wolf Brother (Chronicles of Ancient Darkness, #1))
She raised the dagger and plunged it into Cath’s chest. Catherine gasped, and though there were screams in the courtroom, she barely heard them over the cackle of the Three Sisters. Cold seeped into her from the blade, colder than anything she had ever known. It leached into her veins, crackling like winter ice on a frozen lake. It was so cold it burned. Lacie pulled out the blade. A beating heart was skewered on its tip. It was broken, cut almost clean in half by a blackened fissure that was filled with dust and ash. “It has been bought and paid for,” said the Sister. Then she yipped and launched herself back to the courtroom floor. She was joined by her sisters, cackling and crowding around the Queen’s heart. A moment later, a Fox, a Raccoon, and an Owl were skittering out the door, leaving behind the echo of victorious laughter. CHAPTER 54 CATH STARED AT THE DOORS still thrust wide open, her body both frozen and burning, her chest a hollow cavity. Empty and numb. She no longer hurt. That broken heart had been killing her, and it was gone. Her sorrow. Her loss. Her pain, all gone. All that was left was the rage and the fury and the desperate need for vengeance that would soon, soon be hers.
Marissa Meyer (Heartless)
The trigger has been squeezed, the deathly mechanism has been enabled, the fatal course of a bullet has been set. No amount of bleating or praying or wailing of cajoling can halt it or stall it or call it back.
Nicola Barker (The Yips)
I can’t help it: I laugh. I don’t mean too, it just kinda comes out on its own. I smoosh my hands against my mouth to block the sound, but this causes me to snort, and snot comes out of my nose. I try to cover it up and jerk my left hand up, but it bounces off my nose and I poke myself in the eye. My eyes water as I hiss and knuckle my eyeball, but I’ve still got snot on my hand and gets all up in there, making it burn even more. Ow. I want to turn and run, but I’m temporarily blinded by my own devices and I know, I just know, that this big kid is probably some popular jock and I am forever going to be stuck with the nick-name Booger Eye Snot Face. I ask God quietly if he wouldn’t mind opening the ground beneath my feet and allow me to fall down a chasm to save me from myself. The ground doesn’t open. I’m still laughing, but it’s that high-pitched thing I do when I find something really funny. I hate that laugh. It always sounds like a clan of female hyenas all going into labor at the same time. Yip! Yip! Ayyyyyyyy! Yip! Yip! Ayyyyyyyy
T.J. Klune
A few moments later the man was with us, looking so brainy and intelligent that my heart leaped up as if I had beheld a rainbow in the sky. 'Oh, Jeeves,' I yipped. 'Oh, Jeeves,' yipped Aunt Dahlia, dead heating with me.
P.G. Wodehouse (Jeeves and the Feudal Spirit (Jeeves, #11))
So much of life’s hardship becomes more bearable when you are able to build and lean on a network of loyalty, support, and love, and gather around you people...who will stand by you and help you. But the thing is you have to let them in; you have to let them see the heartache, pain, and vulnerability, and not cloak those things in a shameful darkness, and then you have to let those people who care about you help you.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
My dog, Willy, died a few years ago, but one of my great memories of him is watching him play in the front yard of our house at dusk. He was a puppy then, and in the early evenings he would contract a case of the zoomies. He ran in delighted circles around us, yipping and jumping at nothing in particular, and then after a while, he'd get tired, and he'd run over to me and lie down. And then he would do something absolutely extraordinary: He would roll over onto his back, and present his soft belly. I always marveled at the courage of that, his ability to be so absolutely vulnerable to us. He offered us the place ribs don't protect, trusting that we weren't going to bite or stab him. It's hard to trust the world like that, to show it your belly. There's something deep within me, something intensely fragile, that is terrified of turning itself to the world. I’m scared to even write this down, because I worry that having confessed this fragility, you know now where to punch. I know that if I’m hit where I am earnest, I will never recover.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Each of us has a story. Each of us has experiences from which we can draw strength and that can serve as the basis of our faith. It is just a matter of whether we are willing to dwell in often unpleasant memories, to extract the lessons of our history, to find the secrets of the journeys of our souls.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
I used this method to store the first 10,000 digits of pi. A friend of mine Dr. Yip Swee Chooi remembered the entire Oxford dictionary, 1774 pages, word-for-word with this method.
Kevin Horsley (Unlimited Memory: How to Use Advanced Learning Strategies to Learn Faster, Remember More and be More Productive (Mental Mastery, #1))
Chloe, music is very powerful. It's a gift we share with others. When we do, listeners understand. The music speaks through us to them.
Christine Isley-Farmer (Finding My Yip (Boomer's Tales 1))
Here is a lesson worth attending to - no one or thing comes into this world whole and it is in the search of what is gone missing that our lives do find their meaning.
Paddy Crewe (My Name Is Yip)
It is in the acceptance of truth that real wisdom and peace come. It is in the acceptance of truth that real living begins. Conversely, avoidance of truth is the denial of life.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
But I do know that there is incredible value in pain and suffering, if you allow yourself to experience it, to cry, to feel sorrow and grief, to hurt. Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes abound in this life. Living is an exercise in navigating within them.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
They call to one another in their particular argot: pure Home Counties cut with Teen American. A lot of yips, heys, elongated vowels. They swing bags through the air. Hair is flicked, stroked, tossed. Trousers are worn tight but low; shoes unlaced. The females link arms with their chosen peers; the males perform mock violence upon those they recognize as their tribe.
Maggie O'Farrell (This Must Be the Place)
It is always an advantage being big and strong and having a lot of strength even when relaxed. So people with a small build should be even more clever in the use of energy and should become more agile.
Yip Chun (Wing Chun Martial Arts Principles & Techniques)
Well,” Altair said with forced cheer. “It’s just the two of us again, and my, what a couple we make.” Nasir gifted him a look that could wither crops. “Keep up your endless yipping and only one of us will be left.
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
Dying has taught me a great deal about living — about facing hard truths consciously, about embracing the suffering as well as the joy. Wrapping my arms around the hard parts was perhaps the great liberating experience of my life.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
I have no ideas, myself! Not a one! there's nothing more vulgar, more common, more disgusting than ideas! libraries are loaded with them! and every sidewalk cafe!...the impotent are bloated with ideas!...they dazzle youth with ideas! they play the pimp!...and youth is ever ready, as you know, Professor, to gobble up anything, to go OOH! and AAH! by the numbers! How those pimps have an easy job of it! the passionate years of youth are spent getting a hard on and gargling ideeaas!...philosophies, if you prefer!...yes sir, philosophies! youth loves sham just as young dogs love those sticks, like bones, that we throw and they run after! they race forward, yipping away, wasting their time, that's the main thing!
Louis-Ferdinand Céline (Conversations with Professor Y (French Literature Series))
It is a Barnum and Bailey world, just as phony as it can be, But it would not be make-believe if you believed in me ............................It is Only a Paper Moon Billy Rose and E. Y. "Yip" Harburg.....(opening page of 1Q84 by Haruki Murakami)
Haruki Murakami
Chewie hugs him and purrs. “I’ll be back. We’re not done, you and I. We’ll see each other again. I’m gonna be a father and no way my kid won’t have you in his life.” One more bark and yip as Chewie pets his head. “Yeah, pal. I know.” He sighs. “I love you, too.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
If you challenge someone, we can’t interfere,” Barabas murmured. “Remember, don’t provoke them.” I kicked the door open and walked in. Fourteen pairs of eyes glared at me from around the table. Beyond the alpha, fourteen other shapeshifters waited—the betas of each clan, invited as a courtesy. I looked from face to face. “What the fuck do you think you’re doing?” the male voice said. Third man on the left. Tall, wiry. Sontag. I looked at him. “Ready to put your claws where your mouth is, or are you going to cringe behind the big boys and yip all day?” His eyes flared with yellow. “Is that a challenge?” “Yes, it is.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Life is not fair. You would be foolish to expect fairness, at least when it comes to matters of life and death, matters outside the scope of the law, matters that cannot be engineered or manipulated by human effort, matters that are distinctly the domain of God or luck or fate or some other unknowable, incomprehensible force.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
A pack of coyotes set up a sudden racket near the house, yipping and howling, so close by they sounded like they had us surrounded. When a hunting pack corners a rabbit they go into a blood frenzy, making human-sounding screams. The baby sighed and stirred in his crib. At seven months, he was just the size of a big jackrabbit--the same amount of meat. The back of my scalp and neck prickled. It's an involuntary muscle contraction that causes that, setting the hair follicles on edge; if we had manes they would bristle like a growling dog's. We're animals. We're born like every other mammal and we live our whole lives around disguised animal thoughts.
Barbara Kingsolver
Oh, aren’t you the cutest? Yes, you are! You’re the sweetest thing since cotton candy,” Nan was saying. The pups yipped and crawled over each other in an attempt to lick the glass window where her hand rested. Before long, a cute red-haired employee named Greg, spotted Nan’s interest and offered to bring the puppies to the viewing pen.
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
You don’t really believe I intend harm, do you?” If he intended to marry her, she considered that great harm indeed. But Flora the housemaid couldn’t say that. Bill rose and gave himself a good shake before he trotted forward to investigate the stranger’s boots. Bite him, Bill. Lord Lyle clicked his elegant fingers. And Bill, the rotten traitor, yipped in delight and rolled over to offer his pink belly for a scratch. “Nice
Anna Campbell (Stranded with the Scottish Earl)
At a farewell dinner, the editors gave [S.R. Nathan] a porcelain bowl. For the day before he joined us, the PM had told him: "Nathan, I am giving you The Straits Times. It has 140 years of history. It's like a bowl of china. You break it, I can piece it together, but it will never be the same." I was struck by the way the PM made his point – he knew the value and place of The Straits Times in Singapore's past, present and future.
Cheong Yip Seng (OB Markers: My Straits Times Story)
The following week I stayed home. After spending many hours of meditation and practice, I gave up and went sailing alone in a junk. On the sea I thought of all my past training and got mad at myself and punched the water! Right then—at that moment—a thought suddenly struck me; was not this water the very essence of gung fu? Hadn’t this water just now illustrated to me the principle of gung fu? I struck it but it did not suffer hurt. Again I struck it with all of my might—yet it was not wounded! I then tried to grasp a handful of it but this proved impossible. This water, the softest substance in the world and what could be contained in the smallest jar, only seemed weak. In reality, it could penetrate the hardest substance in the world. That was it! I wanted to be like the nature of water. Suddenly a bird flew by and cast it’s reflection on the water. Right then as I was absorbing myself with the lesson of the water, another mystic sense of hidden meaning revealed itself to me; should not the thoughts and emotions I had when in front of an opponent pass like the reflection of the bird flying over the water? This was exactly what Professor Yip meant by being detached—not being without emotion or feeling, but being one in whom feeling was not sticky or blocked. Therefore in order to control myself I must first accept myself by going with and not against my nature. I lay on the boat and felt that I had united with Tao; I had become one with nature. I just laid there and let the boat drift freely according to its own will. For at that moment I had achieved a state of inner feeling in which opposition had become mutually cooperative instead of mutually exclusive, in which there was no longer any conflict in my mind. The whole world to me was as one.
Bruce Lee (Bruce Lee The Tao of Gung Fu: Commentaries on the Chinese Martial Arts)
You’re fed up and you’re exhausted, and no one is listening to your pleas for help. Anger in that case is very much appropriate.” The patient sighed begrudgingly. “I don’t know that I agree, but say it’s true. I still don’t want to go around breaking things.” “No,” Tina agreed, “that’s not a productive outlet for your anger, though it is one less dish to wash.” The patient let out a yip of involuntary laughter, and the man in front of me turned to his friend and inquired casually about lunch.
Jessica Knoll (Bright Young Women)
As a child I had loved the legend of the cowherd and the spinning girl. They were so in love that they neglected their work and so the God of Heaven placed them in the sky as constellations, separated by the Silver River of Heaven—the Milky Way. Once a year, on the seventh evening of the seventh month, a flock of magpies, taking pity on the lovesick couple, fly to the sky and form a bridge so that they can meet. On this night all over China, women make offerings to these stars, hoping for love.
Mingmei Yip (Peach Blossom Pavillion)
Singapore and China did not have diplomatic relations at that time [1976]. Communism is banned in Singapore, and nobody could visit China without official approval. The Singapore government had prohibited travel there for fear that Singaporeans would be subverted and converted to the communist cause. . .The travel ban was lifted after Lee Kuan Yew's visit. He realised that nobody could experience life there and be seduced by their system. Indeed, they would better appreciate what Singapore offered.
Cheong Yip Seng (OB Markers: My Straits Times Story)
For me, raging and raging like a wild, irrational beast, denying one’s own mortality, clinging to delusion and false hopes, pursuing treatment at the cost of living in the moment, sacrificing one’s quality of life for the sake of quantity, none of this is graceful or dignified, and all of it denies us our contemplative and evolved humanity; such acts do not cultivate an invincible spirit; such acts are not testaments to inner strength and fortitude. For me, true inner strength lies in facing death with serenity, in recognizing that death is not the enemy but simply an inevitable part of life.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
Hammacher Schlemmer is selling a shelter, worthy of Kubla Khan's Xanadu dome; Plushy and swanky, with posh hanky panky that affluent Yankees can really call home. Hammacher Schlemmer is selling a shelter, a push-button palace, fluorescent repose; Electric devices for facing a crisis with frozen fruit ices and cinema shows. Hammacher Schlemmer is selling a shelter all chromium kitchens and rubber-tiled dorms; With waterproof portals to echo the chortles of weatherproof mortals in hydrogen storms. What a great come-to-glory emporium! To enjoy a deluxe moratorium, Where nuclear heat can beguile the elite in a creme-de-la-creme crematorium.
E.Y. Harburg
We’ve told you before—rollwhen you land a fancy jump,” Wilford squinted in the sunlight as he yelled. “Use your shoulder to take the brunt of your fall and move with it, or you’re going to twist an ankle or break a wrist one of these days!” Tari—impressively—managed to sound like an angry bear as she translated it into Elvish. Gwendafyn nodded as she stood and gave her sword a test twirl, then yipped when her opponent wrapped a meaty hand around her left ankle and pulled it out from under her. “Stay aware of your surroundings,” Thad instructed as he narrowed his eyes. “No opponent is going to stop and let you catch your breath!” Gwendafyn kicked like a jackrabbit, yanking her leg free, then rolled away from the soldier. “For the love of Lady Tari’s favorite lemon bars,” Grygg grumbled. “What part of ‘fight dirty’ isn’t translating correctly?” “Don’t hold back, Princess,” Wilford advised. “We know you’ve got the edge—you’ve broken Grygg’s nose three times. That’s a new record. Phelps, here, could use a little bone re-arrangement, too.” “Shut up, Wilford!” Gwendafyn’s opponent—Phelps, apparently—growled as he staggered to his feet. Gwendafyn crisply nodded when Tari finished translating, then promptly turned and flung her wooden practice sword at Phelps with deadly accuracy. The soldier swore and had to throw himself to the ground to avoid it. Gwendafyn closed the distance between them with the blink of an eye, extended her elbow, and rammed the soldier in the spine with the hardest bone of her elbow. All of Phelps’ air left him in a painful-sounding exhale, and for a moment, he went limp. “Ouch,” Grygg winced in sympathy. “That had to hurt.
K.M. Shea (Royal Magic (The Elves of Lessa, #2))
One late afternoon, we crossed a creek and came upon a thicket of trees in the middle of a pasture quite a ways from Marlboro Man’s homestead. As I looked more closely, I saw that the trees were shrouding a small white house. A white picket fence surrounded the lot, and as we drove closer to the property, I noticed movement in the yard. It was a large, middle-aged woman, with long, gray hair cascading down her shoulders. She was pushing a lawn mower around her yard, and two wagtail dogs yipped and followed her every step. Most notably, she was wearing only underwear and what appeared to be a late model Playtex bra. And as we passed by her house, she glanced up at us for a moment…then kept on mowing. Trying to appear nonchalant, I asked Marlboro Man, “So…who was that?” Maybe this could be the start of another story. He looked at me and replied, “I have absolutely no idea.” We never spoke of her again.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.
Robin Craig Clark (Heart of the Earth: A Fantastic Mythical Adventure of Courage and Hope, Bound by a Shared Destiny)
Lydia the Tattooed Lady" Oh Lydia, oh Lydia, say have you met Lydia? Lydia, the Tattooed Lady She has eyes that folks adore so And a torso even more so Lydia, oh Lydia, that encyclopydia Oh Lydia the Queen of Tattoo On her back is the Battle of Waterloo Beside it the wreck of the Hesperus, too And proudly above waves the red, white, and blue You can learn a lot from Lydia La, La, La La, La, La When her robe is unfurled, she will show you the world If you step up and tell her where For a dime you can see Kankakee or Paris Or Washington crossing the Delaware La, La, La La, La, La Oh Lydia oh Lydia, say have you met Lydia? Oh Lydia the Tattooed Lady When her muscles start relaxin' Up the hill comes Andrew Jackson Lydia oh Lydia, that encyclopydia Oh Lydia the queen of them all For two bits she will do a mazurka in jazz With a view of Niagara that nobody has And on a clear day you can see Alcatraz You can learn a lot from Lydia La, La, La La, La, La Come along and see Buff'lo Bill with his lasso Just a little classic by Mendel Picasso Here is Captain Spaulding exploring the Amazon Here's Godiva but with her pajamas on La, La, La La, La, La Here is Grover Whalen unveilin' the Trilon Over on the West Coast we have Treasure Island Here's Najinsky a-doin' the rhumba Here's her social security numba Oh Lydia, oh Lydia that encyclopydia Oh Lydia the champ of them all She once swept an Admiral clear off his feet The ships on her hips made his heart skip a beat And now the old boy's in command of the fleet For he went and married Lydia I said Lydia (He said Lydia) They said said Lydia (We said Lydia) Groucho Marx, At the Circus (1939) Written by Yip Harburg and Harold Arlen
Groucho Marx
After dinner, as we had so many times during our months and months together, Marlboro Man and I adjourned to his porch. It was dark--we’d eaten late--and despite my silent five-minute battle with the reality of my reproductive system, there was definitely something special about the night. I stood at the railing, breathing in the dewy night air and taking in all the sounds of the countryside that would one day be my home. The pumping of a distant oil well, the symphony of crickets, the occasional moo of a mama cow, the manic yipping of coyotes…the din of country life was as present and reassuring as the cacophony of car horns, traffic sounds, and sirens had been in L.A. I loved everything about it. He appeared behind me; his strong arms wrapped around my waist. Oh, it was real, all right--he was real. As I touched his forearms and ran the palms of my hands from his elbows down to his wrists, I’d never been more sure of how very real he was. Here, grasping me in his arms, was the Adonis of all the romance-novel fantasies I clearly never realized I’d been having; they’d been playing themselves out in steamy detail under the surface of my consciousness, and I never even knew I’d been missing it. I closed my eyes and rested my head back on his chest, just as his impossibly soft lips and subtle whiskers rested on my neck. Romancewise, it was perfection--the night air was still--almost imperceptible. Physically, viscerally, it was almost more than I could stand. Six babies? Sure. How ’bout seven? Is that enough? Standing there that night, I would have said eight, nine, ten. And I could have gotten started right away. But getting started would have to wait. There’d be plenty of time for that. For that night, that dark, perfect night, we simply stayed on the porch and locked ourselves in kiss after beautiful, steamy kiss. And before too long, it was impossible to tell where his arms ended and where my body began.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Financial Times commentator Martin Wolf concluded in 2010: "We already know that the earthquake of the past few years has damaged Western economies, while leaving those of emerging countries, particularly Asia, standing. It has also destroyed Western prestige. The West has dominated the world economically and intellectually for at least two centuries. That epoch is now over. Hitherto, the rulers of emerging countries disliked the West's pretensions, but respected its competence. This is true no longer. Never again will the West have the sole word." I was reminded of the Asian financial crisis in 1997. When Asian economies were devastated by similarly foolish borrowing the West – including the International Monetary Fund and World Bank – prescribed bitter medicine. They extolled traditional free market principles: Asia should raise interest rates to support sagging currencies, while state spending, debt, subsidies should be cut drastically. Banks and companies in trouble should be left to fail, there should be no bail-outs. South Korea, Thailand, Indonesia were pressured into swallowing the bitter medicine. President Suharto paid the ultimate price: he was forced to resign. Anger against the IMF was widespread. I was in Los Angeles for a seminar organised by the Claremont McKenna College to discuss, among other things, the Asian crisis. The Thai speaker resorted to profanity: F-- the IMF, he screamed. The Asian press was blamed by some Western academics. If we had the kind of press freedoms the West enjoyed, we could have flagged the danger before the crisis hit. Western credibility was torn to shreds when the financial tsunami struck Wall Street. Shamelessly abandoning the policy prescriptions they imposed on Asia, they decided their banks and companies like General Motors were too big to fail. How many Asian countries could have been spared severe pain if they had ignored the IMF? How vain was their criticism of the Asian press, for the almost unfettered press freedoms the West enjoyed had failed to prevent catastrophe.
Cheong Yip Seng (OB Markers: My Straits Times Story)
Do you remember that I said I have something to show you?" Back when they were entering the house. Before she'd seen Hugh. Before their argument. "Yes?" He pushed open the door to her bedroom. "Look." She went inside and saw Valente sitting on the floor in front of her fireplace with a basket. He had a silly grin on his face. She glanced over her shoulder to Raphael. "What-?" Her husband tilted his chin toward Valente and the basket. "Go and see." At the same time she heard an animal whimper. Her lips parted and she picked up her skirts to hurry to the basket. It was lined with a soft blanket and inside was the sweetest little blond puppy, looking very sorry for itself. Iris stared, torn. Did Raphael think a 'puppy' would be an adequate substitution for him? The moment the puppy saw her it began whimpering and yipping, trying to climb from its wicker prison, but its legs were too short to make the attempt and it ended by falling backward, revealing that it was female. It was hardly the puppy's fault that she was angry with Raphael. "Oh," Iris breathed, sinking to her knees on the carpet opposite Valente. "She's perfect." Somehow the words made tears start in her eyes again. She picked up the puppy, which wriggled in Iris's hands until she held the small animal against her chest. The puppy promptly began licking Iris's chin with a tiny pink tongue. Iris looked up at Raphael through her tears. "What is her name?" He shook his head. "She has none that I know of. You must give her one." Iris stood, cradling the still-squirming puppy carefully, and went to her husband. "Thank you." She stood on tiptoe and kissed him on the lips, trying to convey all she'd said before. All he'd pushed aside. 'Stay. Stay. Stay.' Raphael took her arms gently and kissed her, angling his face over hers. He embraced her as if she were a lifeline. As if he wished to remain with her forever. The puppy yelped and he took a step back, breaking the kiss. Drawing away from her without effort. He walked out of the bedroom. Iris closed her eyes to keep her sorrow and tears in. She kissed the top of the puppy's silky head and whispered in her ear, "Tansy.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Reaching out, Andrew crooked his little finger with mine. “If I live, I’ll find a way to let you know, Drew,” he promised. “I owe you that much--and a whole lot more.” After a little silence, Andrew’s face brightened. “You don’t suppose you could stay, do you? Just think of the fun we’d have playing tricks on Edward and Mrs. Armiger.” He laughed at his own thoughts. “Why, we’d make their heads spin, Drew. They wouldn’t know one of us from the other.” For a moment, it seemed possible. My mother and father were away, they wouldn’t miss me. As for Aunt Blythe--well, we’d think of some way to let her know I was all right. We were bouncing on the bed, singing “Yip-I-Addy-I-Ay,” when the door opened and Mama appeared. It was Andrew she looked at, not me. “Why are you still awake?” she asked. “I told you to go to sleep.” As Mama approached the bed, Andrew flung his arms around her. “You can see me, Mama,” he cried. “Oh, thank the Lord! It’s me, your own true son, back again for keeps.” She stared at him, perplexed. “What nonsense is this? Of course I can see you. Of course it’s you. Who else would it be, you silly goose?” I slid off the bed and ran to her side. “Me,” I shouted, “it could be me.” When Mama didn’t even blink, I tugged at her nightgown. “Look at me,” I begged. “I’m here too, we both are. Andrew and me. Can’t you see us both?” I hugged her, but all she did was shiver. “No wonder this room is so drafty,” she murmured. “The attic door is wide open.” Andrew and I stared at each other, his face reflecting my disappointment. He was visible, I was invisible. Like the design on his quilt, the pattern had reversed. Sadly I released Mama. As I turned away, Andrew whispered, “We’ll meet again, Drew. I swear it.” Mama looked at him. “What did you say?” “Oh, nothing.” Hiding his face from his mother, Andrew winked at me and said, “I was just talking to myself, Mama.” I took one long last look at Andrew. Much as I wanted to stay, it was time to leave. When Mama reached out to close the attic door, I slipped through it like a ghost. The door shut behind me. I was alone at the bottom of the dark stairs with nowhere to go but home.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Sadie hopped in the car, twisting the key in the ignition and checking her makeup in the visor's mirror at the same time. Not enough eye shadow, she mused. Or maybe just a brighter shade... She'd pick up a festive color when she had a chance. “What do you think, Coco?” Sadie reached into the tote bag and pulled out the squirming ball of fluff, holding Coco up against her face so they could look in the mirror together. “C’mon, now, one yip for an exotic color around the eyes, two yips for brighter lipstick.” Instead of yipping an answer, the Yorkie gave Sadie’s cheek a canine kiss. Sadie reciprocated with a pat on the head. “I know, Coco, you love me just as I am. I feel the same way. Besides, I don’t think you’d care for lipstick unless it tasted like peanut butter.” Sadie adjusted the velvet pillow in the tote bag, placed the dog back inside and adjusted the seatbelt harness that held the bag in place. “Let’s go check out this inn of Tina’s. What do you say to that?” She smiled at the immediate yip of approval. It was rare she didn’t gain Coco’s enthusiasm when the word “go” turned up anywhere in a sentence.
Deborah Garner (A Flair for Chardonnay (Sadie Kramer Flair, #1))
Well, I'm here to play the game, and I choose not to live or die by what the odds-makers say. I choose not to put faith in percentages that were assembled by some anonymous researcher looking at a bunch of impersonal data points. Instead, I choose to put faith in me, in my body, mind, and spirit. In those parts of me that are already so practiced in the art of defying the odds.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
While she prayed, she listened--for Hunter, for some telltale sound that he was indeed out there, as she sensed he was. She knew, as surely as if Hunter had told her, that he was watching over her. She knew as long as the white men did her and Amy no harm, he was content to ride shotgun, watching over them from a distance. On the last night out, Loretta’s faith in Hunter was rewarded. As everyone settled down to sleep, a coyote yipped nearby, his voice lifting in a mournful call that shivered along her spine and made the hair on her nape prickle. She rolled onto her side, back to the fire so she could scan the darkness. A shadow moved beyond the firelight. The coyote yipped again. Warmth spread through her. As unobtrusively as she could, she linked her forefingers in the sign of friendship. If Hunter was out there, he would see and know the song her heart sang.
Catherine Anderson (Comanche Moon (Comanche, #1))
Live a life worth living. Live thoroughly and completely, thoughtfully, gratefully, courageously, and wisely. Live!
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
Sleep was a bumpy road for Willie that night. In between dozing and leaning out the window to plead with Booboo to be quiet, Willie was kept awake by his dog’s howls, yowls, whines, whimpers, barks, yips, and moans. Booboo’s range of loud noises was impressive.
C.S. Adler (Willie, the Frog Prince)
incredible value in pain and suffering, if you allow yourself to experience it, to cry, to feel sorrow and grief, to hurt. Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes abound in this life. Living is an exercise in navigating within them.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
The sugar content in this cereal’s too high for Willie. You know the doctor said sugar’s bad for him. No wonder he ends up under the teacher’s desk. Can’t you cook him a proper breakfast, Judy? Oatmeal and toast and scrambled eggs, that’s what he needs.” “He’s not going to lift bricks, Harold.” “Mental exercise uses up calories, too--which is why I eat an egg and an English muffin before going to work.” As mom was agreeing that Dad always did eat sensibly, Willie looked up from pouring his juice and saw through the kitchen window that his bus was rounding the corner. Looking down, he saw he’d poured a puddle that was dripping onto the floor. Dad noticed, of course. Dad noticed everything. “Willie, you klutz! Now look what you’ve done.” “I’ve gotta go,” Willie said. “Not before you eat your breakfast.” “Then I’ll miss the bus.” Booboo ambled into the kitchen, wagged a greeting to everyone, and barked to be let out. Willie moved to open the door for him. “Hold it right there!” Dad said. He probably thought Willie meant to leave, too. “You sit down and eat your cereal. After you mop up the juice. QUIET, BOOBOO!” Booboo yipped pathetically as if asking what he’d done wrong. Mom slipped over to the door. “The dog has to go out, Harold,” she said. “Unless you want him to do his business on the floor?” As if on command, Booboo squatted and made a second puddle. “I thought he got up pretty early for him,” Willie said. “I guess he had to go.” Willie’s bus driver waited for him a few seconds and then took off. “I missed my bus,” Willie said. He got the squeegee mop out to clean up both accidents. Dad was holding his head. “Do you have a headache, Dad?” Willie asked.
C.S. Adler (Willie, the Frog Prince)
She breathed in slowly; this was what she had, the beauty of this awful night. She listened for small yips in the distance, something to put in her heart besides the lost phoebes and the dread of another full moon rising with no more small celebrations from her body ever again. She kept herself still and tried to think of coyote children emerging from the forest’s womb with their eyes wide open while the finite possibilities of her own children closed their eyes, finally, on this world.
Barbara Kingsolver (Prodigal Summer)
See through roller shutters are used in a wide range of applications and are one of the most popular styles of roll up shutters. And if you're planning to install them in your home, call SP Shutters, as they are the number one manufacturer of roller shutters and doors in Melbourne.
sarah yip
Inside, the animals greeted her. A parrot that had arrived that week, cage and all, squawked at her. The dogs---four of them now---launched into happy yips. One of the cats that had shown up on the porch rubbed itself against her legs. "Oh God, I'm Dr. Dolittle," Leeda said out loud.
Jodi Lynn Anderson (Love and Peaches (Peaches, #3))
A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
Peter Bogdanovich (Paper Moon)
At least our ducks and geese live in backyard pens, though trudging outside to fill their plastic swimming pools involves a trip through the basement, where two convalescing turkeys yip pathetically if I don't coo and hand-feed them grain.
Bob Tarte (Enslaved by Ducks)
He whined again. “If you want to talk you should shift back to human. So you can actually talk.” He huffed. “What? It’s against the rules?” He yipped.
Aileen Erin (Becoming Alpha (Alpha Girl, #1))
The prime minister was provoked by what he considered to be unfriendly or inept coverage, or both, over many months. He concluded that the editors had lost control of the newsroom. . .What was probably the last straw for him was coverage of Israeli president Chaim Herzog's visit. When the Foreign Ministry announced the visit, fury flared across the Causeway. The Malaysian prime minister, Dr Mahathir Mohamad, recalled his high commissioner to Singapore and demanded the visit be cancelled. For Singapore to do so after the visit was announced would inflict serious damage on its sovereignty. Demonstrations erupted in many parts of Malaysia, and at the Malaysian end of the Causeway more than 100 demonstrators tried to stop a Singapore-bound train. Singapore flags were burnt. There were threats to cut off the water supply from Johor. Malaysia saw the visit as an insult. It did not recognise Israel, and had expected Singapore to be sensitive to its feelings. Singapore, however, could not refuse the Israeli request for its head of state to make a stopover visit in Singapore, the tail end of his three-week tour of Australia, New Zealand, Fiji and the Philippines, the first visit to this part of the world by an Israeli leader. Singapore could hardly forget the crucial assistance Israel had provided the Singapore Armed Forces in the early days of independence, when other friendly countries like Egypt and India had declined to help. What angered Lee Kuan Yew was our coverage of the Malaysian reactions to the visit. He felt it was grossly inadequate. . .Coverage in the Malaysian English press was restrained, but in their Malay press, Singapore was condemned in inflammatory language, and accused of being Israel's Trojan horse in Southeast Asia. A threat to target Singapore Airlines was prominently reported. . .And by depriving Singaporeans of the full flavour of what the Malaysian Malay media was reporting, an opportunity was lost to educate them about the harsh reality of life in the region, with two large Muslim-majority neighbours.
Cheong Yip Seng (OB Markers: My Straits Times Story)
Soon after [George Yeo] became a politician, he made a famous speech, and for the first time, the term "OB markers" was used in political discourse. He was using golfing language to vividly make the point that Singapore needed OB markers to demarcate areas of public life that should remain out of bounds to social activism and the media. Otherwise, society paid an unacceptably high price. His essential point was that Singaporeans worked better if the cover of the banyan tree did not remain so broad. He was signalling that the state should pull back and give the people more free play.
Cheong Yip Seng (OB Markers: My Straits Times Story)
I just couldn't stand that goddamned yip yip yip.
William Gay (I Hate to See That Evening Sun Go Down: Collected Stories)
The pug owner continued, “Not to be a Grinch, I only ask because I’d forgotten how much work dogs are. They have to be walked several times a day, and it’s holy murder crawling out of bed early on a dark winter morning to take Poppy out. But she yips and yaps and scratches at the bed until I do. Then there’s the matter of chewing. I can’t tell you how many leather shoes Poppy’s ruined. And she’s not even a big dog, certainly not one of those eternally hungry dogs like yellow Labs who will eat anything, even the contents of wastebaskets, no matter how much you feed them.
Nancy Thayer (An Island Christmas)
Thomas Yip saw that the 1855 Classification was perfect for the Chinese market because it satisfied a deep cultural itch: the need to save and display “face,” particularly the forms of face known as gei mianzi and liu mianzi. Gei mianzi was the Chinese belief that you gave face or honored someone by showing him or her respect. The most frequent example was offering a gift appropriate to a person’s status. Liu mianzi was the belief that you gained face by avoiding mistakes. Wise action reinforced your honor and reputation.
Suzanne Mustacich (Thirsty Dragon: China's Lust for Bordeaux and the Threat to the World's Best Wines)
antidote to choking or the yips is always the same: focus on this moment, this point, this delivery and nothing else.
Mark Rowlands (Running with the Pack)
To assure him, Peter Lim decided that the newsroom adopt this approach: it was better to produce the best story than the first story. He had good reason. Finding scoops in a Singapore with many OB markers carried a real risk: the story was sometimes incomplete or, as in the case of the bus fare increase, premature. For completeness, you sometimes incomplete or, as in the case of the bus fare increase, premature. For completeness, you sometimes had to rely on official spokesmen. But once they knew you were on the story, they either prevailed on the editors to hold it until the time was right to release it, or gave it to every newspaper. The edict went against the grain. No journalist could resist the temptation to be first with the news.
Cheong Yip Seng (OB Markers: My Straits Times Story)
Higher salaries were not the only way the government strove to staunch the bleeding. In the past, before admin salaries were raised, government leaders intervened when officers they considered key were targeted. Dr Goh Keng Swee, then still in the Cabinet, once told me: "We only let you take those we were prepared to release." In one celebrated case, in the early 1960s, he personally stepped in to stop one important hire. The paper's British management had recruited Herman Hochstadt, a rising young officer who later became permanent secretary. The morning he was to start work, even before he could settle in his chair at Times House, he found that Dr Goh had demanded his return to the civil service.
Cheong Yip Seng (OB Markers: My Straits Times Story)
Helen paused in the tickling of the three little chins. She blinked, and the dogs yipped for more. "Oh," she replied blankly. "Okay. I guess it's not every day that a girl gets to pet the three-headed hound that guards the gates of the Underworld.
Cait Reynolds (Downcast (Olympus Falling #1))
The Hottentot Venus was well known in her time and even after. In the 1939 cinematic version of The Wizard of Oz, Bert Lahr as the Cowardly Lion asks in song, “What makes the Hottentot so hot?” He answers his own question with the word courage. The correct answer, though it is not said in the film, would most logically be: her derrière. Or perhaps Wizard of Oz songwriters Yip Harburg and Harold Arlen meant that it took a certain measure of courage to live through such degradation.
Rion Amilcar Scott (Insurrections)
Remembering the great Revolutionary Lyricist Yip Harberg, let us enjoy his famous song called "Somewhere Over the Rainbow".
Yip Harberg
The first sensation she registered upon waking was the warmth of a body pressed against hers. Robbie? She turned toward the heat and pulled the blankets off her head. A blast of rancid breath popped her eyes open. A tongue lolled inches away from her mouth. A short yip signaled Avery’s happiness she was awake, and he licked her across her lips and cheek. She wiped the doggy saliva off her cheek. Getting nearly frenched by a dog was a unique way to wake up. She laughed and rubbed Avery behind the ears.
Laura Trentham (Slow and Steady Rush (Falcon Football, #1))
So you do healing?” “Of course. What do you think witches do? As I said, we heal, cast spells, tell fortunes, connect with nature. We celebrate life . . . and of course death as well, the other side of the coin.” She downed more wine, then added, “We’re women of power and we’ll make you one too.” Women
Mingmei Yip (The Witch's Market)
Niekados nesišaipyk iš žmogaus, kurį myli ir kuris dar labiau myli tave, ir niekados jam nepriekaištauk! Tikrą meilę patiri tik kartą per visą inkarnaciją.
Mingmei Yip (Peach Blossom Pavilion)
Kartą mokydamas, kaip tapyti lotosą mano tapybos mokytojas ponas Vu aiškino: Ši graži gėlė auga iš nešvarumų. Mes sakome: "išaugęs iš purvo, bet nesusitepęs", taip ir kai kurie žmonės gyvena blogio apsuptyje, bet išlieka dori.
Mingmei Yip (Peach Blossom Pavilion)
Budistų įsitikinimu, vyras ir moteris turi tobulėti tūkstantį metų, tik tada juodu sudarys karmą,leidžiančią padėti galvas ant tos pačios pagalvės.
Mingmei Yip