Yes I Am Ugly Quotes

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Hopefully as you get older, you start to learn how to live with your demon. It’s hard at first. Some people give their demon so much room that there is no space in their head or bed for love. They feed their demon and it gets really strong and then it makes them stay in abusive relationships or starve their beautiful bodies. But sometimes, you get a little older and get a little bored of the demon. Through good therapy and friends and self-love you can practice treating the demon like a hacky, annoying cousin. Maybe a day even comes when you are getting dressed for a fancy event and it whispers, “You aren’t pretty,” and you go, “I know, I know, now let me find my earrings.” Sometimes you say, “Demon, I promise you I will let you remind me of my ugliness, but right now I am having hot sex so I will check in later.
Amy Poehler (Yes Please)
how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
Sometimes we whisper it quietly and other times we shout it out loud in front of a mirror. I hate how I look. I hate how my face looks my body looks I am too fat or too skinny or too tall or too wide or my legs are too stupid and my face is too smiley or my teeth are dumb and my nose is serious and my stomach is being so lame. Then we think, “I am so ungrateful. I have arms and legs and I can walk and I have strong nail beds and I am alive and I am so selfish and I have to read Man’s Search for Meaning again and call my parents and volunteer more and reduce my carbon footprint and why am I such a self-obsessed ugly asshole no wonder I hate how I look! I hate how I am!
Amy Poehler (Yes Please)
Perhaps once we might be able to sneak a death past him. Immortal, yes, but not indestructible. I saw that when AM withdrew from my mind, and allowed me the exquisite ugliness of returning to consciousness with the feeling of that burning neon pillar still rammed deep into the soft gray brain matter. He withdrew, murmuring to hell with you. And added, brightly, but then you're there, aren't you.
Harlan Ellison (I Have No Mouth & I Must Scream)
Do you think about how I look when you kiss me?" "Yes." His voice was raspy. "I think about your long red hair and you sweet mouth, and the way you little body feels when its pressed up against me, and I just want to put my hands on you. Everywhere. And I forget that I am ugly and alone and confused as hell.
Amy Harmon (Making Faces)
Yes, I am an author. I have written some beautiful love stories and witnessed some ugly relationships.
Nitin Kumar
You are the joy in my life. I am a mess but I will be the joy in yours … When you touch me, you feel through me, through the ugliness beneath my skin, you make me feel, you hold me together, you push my skin back into its proper place. When you see me next, I will be wearing your ring on my left finger. I will say yes. You will hear me.
Roxane Gay (Difficult Women)
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
Veronica Roth (Divergent (Divergent, #1))
Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.” “Yes, ma’am,” I whispered.
Kim Michele Richardson (The Book Woman of Troublesome Creek)
I am not at all sure that the majority of the human race have not been ugly, and even among those "lords of their kind," the British, squat figures, ill-shapen nostrils, and dingy complexions are not startling exceptions. Yet there is a great deal of family love amongst us. I have a friend or two whose class of features is such that the Apollo curl on the summit of their brows would be decidedly trying; yet to my certain knowledge tender hearts have beaten for them, and their miniatures—flattering, but still not lovely—are kissed in secret by motherly lips. I have seen many an excellent matron, who could have never in her best days have been handsome, and yet she had a packet of yellow love-letters in a private drawer, and sweet children showered kisses on her sallow cheeks. And I believe there have been plenty of young heroes, of middle stature and feeble beards, who have felt quite sure they could never love anything more insignificant than a Diana, and yet have found themselves in middle life happily settled with a wife who waddles. Yes! Thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty—it flows with resistless force and brings beauty with it.
George Eliot (Adam Bede)
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Sometimes you say, “Demon, I promise you I will let you remind me of my ugliness, but right now I am having hot sex so I will check in later.
Amy Poehler (Yes Please)
The Beast turned back to me. I could look at him fairly steadily this time. After a moment he said harshly: “I am very ugly, am I not?” “You are certainly, uh, very hairy,” I said. “You are being polite,” he said. “Well, yes,” I conceded. “But then you called me beautiful, last night.” He made a noise somewhere between a roar and a bark, and after an anxious minute, I decided it was probably a laugh. “You do not believe me then?” he inquired. “Well’—no,” I said, hesitantly, wondering if this might anger him. “Any number of mirrors have told me otherwise.” “You will find no mirrors here,” he said, “for I cannot bear them: nor any quiet water in ponds. And since I am the only one who sees you, why are you not then beautiful?
Robin McKinley (Beauty: A Retelling of the Story of Beauty and the Beast)
Do you know how a tree changes shape to grow around an obstruction ?' she asked, her voice hollow. 'How it develops an unnatural bent, or ugly bulges ?' 'I have seen these trees, yes.' 'I'm wondering how misshapen I am,' she whispered. 'I wonder how bent out of shape I am from these attempts to exist around some fear, instead of just growing, straight and up, as I should have.
Evie Dunmore (The Gentleman's Gambit (A League of Extraordinary Women, #4))
I think I am trying to clear my head of all the junk in there—the assholes, the flags, the underpants. Yes—there is a picture in this book of underpants. I'm throwing out characters from my other books, too. I'm not going to put on any more puppet shows. I think I am trying to make my head as empty as it was when I was born onto this damaged planet fifty years ago. I suspect that this is something most white Americans, and nonwhite Americans who imitate white Americans, should do. The things other people have put into my head, at any rate, do not fit together nicely, are often useless and ugly, are out of proportion with one another, are out of proportion with life as it really is outside my head. I have no culture, no humane harmony in my brains. I can't live without a culture anymore.
Kurt Vonnegut Jr. (Breakfast of Champions)
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.” She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?” “All of it. I can’t have those things with you. You know what I am.” “Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.” “But the other part—” “What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips. “A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.” She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?” He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.” The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.” “Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
Shelby Reed (The Fifth Favor)
I fell back against the wall and he came up to me, grinding his teeth, and, as I fell upon my knees, he hissed mad, incoherent words and curses at me. Leaning over me, he cried, ‘Look! You want to see! See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik’s face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like! Oh, you women are so inquisitive! Well, are you satisfied? I’m a very good-looking fellow, eh? … When a woman has seen me, as you have, she belongs to me. She loves me for ever. I am a kind of Don Juan, you know!’ And, drawing himself up to his full height, with his hand on his hip, wagging the hideous thing that was his head on his shoulders, he roared, ‘Look at me! I AM DON JUAN TRIUMPHANT!’ And, when I turned away my head and begged for mercy, he drew it to him, brutally, twisting his dead fingers into my hair.” “Enough! Enough!” cried Raoul. “I will kill him. In Heaven’s name, Christine, tell me where the dining-room on the lake is! I must kill him!” “Oh, be quiet, Raoul, if you want to know!” “Yes, I want to know how and why you went back; I must know! … But, in any case, I will kill him!” “Oh, Raoul, listen, listen! … He dragged me by my hair and then … and then … Oh, it is too horrible!” “Well, what? Out with it!” exclaimed Raoul fiercely. “Out with it, quick!” “Then he hissed at me. 'Ah, I frighten you, do I? … I dare say! … Perhaps you think that I have another mask, eh, and that this … this … my head is a mask? Well,’ he roared, 'tear it off as you did the other! Come! Come along! I insist! Your hands! Your hands! Give me your hands!’ And he seized my hands and dug them into his awful face. He tore his flesh with my nails, tore his terrible dead flesh with my nails! … 'Know,’ he shouted, while his throat throbbed and panted like a furnace, 'know that I am built up of death from head to foot and that it is a corpse that loves you and adores you and will never, never leave you! … Look, I am not laughing now, I am crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again! … As long as you thought me handsome, you could have come back, I know you would have come back … but, now that you know my hideousness, you would run away for good… So I shall keep you here! … Why did you want to see me? Oh, mad Christine, who wanted to see me! … When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask!’ - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
I don’t believe it!Are you telling me that these ugly creepers have left the Land of Maradonia? And… they are now in their old world?” King Apollyon, ruler of the Underworld, stood with his two sons, Abbadon and Plouton, in the empty cave of the unicorns and anger aroused within him. Prince Abbadon shivered fearfully. His red rimmed eyes gaped wide. He looked so frightful, so pitiful and gestured wildly with both hands. Then he took a deep shuddering breath when he said: “Yes, but we know where they might be. We have information from our outposts telling us that Maya and Joey have reached their world in a region which is called Oceanside. Yes, Father, the discouraging truth is that the teenagers disappeared and it is very difficult to pinpoint them again, because they slipped into a different world.
Gloria Tesch
Yes, I have seen a great many things in this world. I attend the greatest disasters and work for the greatest villains. But then there are other moments. There’s a multitude of stories (a mere handful, as I have previously suggested) that I allow to distract me as I work, just as the colors do. I pick them up in the unluckiest, unlikeliest places and I make sure to remember them as I go about my work. The Book Thief is one such story. When I traveled to Sydney and took Liesel away, I was finally able to do something I’d been waiting on for a long time. I put her down and we walked along Anzac Avenue, near the soccer field, and I pulled a dusty black book from my pocket. The old woman was astonished. She took it in her hand and said, “Is this really it?” I nodded. With great trepidation, she opened The Book Thief and turned the pages. “I can’t believe …” Even though the text had faded, she was able to read her words. The fingers of her soul touched the story that was written so long ago in her Himmel Street basement. She sat down on the curb, and I joined her. “Did you read it?” she asked, but she did not look at me. Her eyes were fixed to the words. I nodded. “Many times.” “Could you understand it?” And at that point, there was a great pause. A few cars drove by, each way. Their drivers were Hitlers and Hubermanns, and Maxes, killers, Dillers, and Steiners …. I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn’t already know? I wanted to explain that I am constantly overestimating and underestimating the human race—that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant. None of those things, however, came out of my mouth. All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you. A LAST NOTE FROM YOUR NARRATOR I am haunted by humans.
Markus Zusak (The Book Thief)
A mocker? You mean I am malicious? Well, yes, perhaps I am a little,” said Settembrini. “My great complaint is that it is my fate to spend my malice upon such insignificant objects. I hope, Engineer, you have nothing against malice? In my eyes, it is reason’s keenest dart against the powers of darkness and ugliness. Malice, my dear sir, is the animating spirit of criticism; and criticism is the beginning of progress and enlightenment.” And he began to talk about Petrarch, whom he called the father of the modern spirit.
Thomas Mann (The Magic Mountain)
I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living- a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter- they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship- but the loneliness of the would in its appalling self-consciousness, is horrible and overpowering-
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I think I am trying to clear my head of all the junk in there – the assholes, the flags, the underpants. Yes – there is a picture in this book of underpants. I´m throwing out characters from my other books, too. I´m not going to put on any more puppet shows. I think I am trying to make my head as empty as it was when I was born onto this damaged planet fifty years ago. I suspect that this is something most white Americans, and nonwhite Americans who imitate white Americans, should do. The things other people have put into my head, at any rate, do not fit together nicely, are often useless and ugly, are out of proportion with one another, are out of proportion with life as it really is outside my head. I have no culture, no humane harmony in my brains. I can´t live without a culture anymore. So this book is a sidewalk strewn with junk, trash which I throw over my shoulders as I travel in time back to November eleventh, nineteen hundred and twenty-two.
Kurt Vonnegut Jr. (Breakfast of Champions)
Dear nineteen-year-old self, I hear you whispering to that flashing black star. yes, you are ugly in that nightgown. you are ugly in that silver moon night, crookedly holding a margarita. you are as ugly as the day you were born. as ugly as a field of tulips bursting red as ugly as glittering snow on evergreens as ugly as laughter. mary, do you understand what I am saying? you are a creation, a gift. tell them you were born for this life. tell them your heart is a bludgeoned castle, tell them you’ve got room, you’ve got safe stone. when they say that you laugh too much, tell them that your laughter is a skeleton key. you laugh because you’ve seen so much dying. you laugh because living is an absurd joy. to laugh is to be grateful for salt for sweat, for crying. you know this. mary, I know that the kitchen linoleum feels like an answer to a puzzle. I know you lay on it, chain-smoking, wishing you were a supporting actor in someone else’s life or at the very least, a chipping floor. something that stays in place; something not girl. mary, stop trying to die
Mary Lambert (Shame Is an Ocean I Swim Across)
That I commit to a life of opening and learning, that I commit to learning at a speed that is vigilant and awake, that I commit to knowing where my empathies lean and why they lean there, that I become increasingly familiar with the why of what raises my voice, that I become increasingly familiar with the why of what lulls me to silence, that I be haunted by the ghosts of who my silences have harmed, that I acknowledge that haunting is love, that I trust love lives in whatever points at the dark, that I acknowledge that shame would likely be my laziest gesture, that I stop denying I am a whole person, and my wholeness is often unlovable, and my wholeness is often lovable, that I own the possibility that there isn't a thing one could say about the person I am that I could wholeheartedly deny; All of it-yes, all of the ugly - yes, all of the beauty-, yes, I have failed and will continue to fail, I have loved and will continue to love, I am committed to leaning and opening, I want people around me who are committed to learning and opening, people who are failing and loving, people who are stalking their own vigilance, the speed of their own compassion saying, 'FASTER FASTER FASTER.
Andrea Gibson (Take Me With You)
Michelle Obama, spoke to supporters in rural Iowa about why she agreed to let her husband run. “Barack and I talked long and hard about this decision. This wasn’t an easy decision for us,” she explained, “because we’ve got two beautiful little girls and we have a wonderful life and everything was going fine, and there would have been nothing that would have been more disruptive than a decision to run for president of the United States. “And as more people talked to us about it, the question came up again and again, what people were most concerned about. They were afraid. It was fear. Fear again, raising its ugly head in one of the most important decisions that we would make. Fear of everything. Fear that we might lose. Fear that he might get hurt. Fear that this might get ugly. Fear that it would hurt our family. Fear. “You know the reason why I said ‘Yes’? Because I am tired of being afraid. I am tired of living in a country where every decision that we have made over the last ten years wasn’t for something, but it was because people told us we had to fear something. We had to fear people who looked different from us, fear people who believed in things that were different from us, fear one another right here in our own backyards. I am so tired of fear, and I don’t want my girls to live in a country, in a world, based on fear.” May her words reverberate well into the future.
Barry Glassner (The Culture of Fear: Why Americans Are Afraid of the Wrong Things: Crime, Drugs, Minorities, Teen Moms, Killer Kids, Muta)
I did not come here to tell you about Sphinx. Yes, I am looking for a way to your heart, I freely admit that. I am looking for it day and night, here and yon… Can I kiss you? Just as I thought. No one is ever allowed to do what they want most in the world. In heaven, maybe. Or is it that in heaven you stop wanting for anything? “I am not a maniac. I simply love you. I want to be with you, always and forever, I want to feel you next to me when I sleep, I want to kiss your mouth and your forehead and your fingers, and the patches on your jeans, and that silly print on your shirt. I want to always carry you in my arms and make love to you everywhere I could, I want a dozen kids with you, all of them gingers, wild and free, with scraped knees and snubbed noses, with the souls that no one would ever be allowed to drive spikes through. Except none of this will happen, so why are you so mad at me for saying it? “Did you know that your ears are almost transparently red when you stand in front of a window? No, I told you, I am serious, I’ve never been more serious in my life. What do you mean, ugly? You’re ugly? You’ve got to be kidding. You have the blackest eyes in the world, your eyelashes could burn, your hair shines like a small sun. You are a flaming flower on a slender stalk, you… “Sorry. Sorry. I’m not shouting, I’m whispering, I’m barely audible. And I’m not leaning, I am simply drawn forward. It is unbearably hot in here. It’s not? Well, it definitely is warm. I’m fine, I’m not ill, it’s just this place is hot. Or warm, whatever. And the sweater is scratchy. Does this mean I can’t come anymore? Yes, I’ve ruined everything myself, I understand. I’m sorry. So when can I come again?
Mariam Petrosyan (Дом, в котором...)
Insanity is an inability to come to terms with reality. Don Quixote was definitely insane, because he couldn't come to terms. But there was a reason: the reality in which Don Quixote lived was a sordid and ugly reality … Don Quixote didn't want that. He wanted to live in a world where there was truth, and human dignity, and, yes, love.… Instead of giving up on it, he imposed his reality onto the real world. Where other people saw a filthy country hostel, he saw a castle! Where other people saw a flock of sheep, he saw a mighty army! Where other people saw a windmill, he saw a dragon. Yes, Don Quixote was a crazy old fool. But, you know, he was more honest about his dream than most people, and for that, I honor him. [...] I have committed myself, I have dedicated myself, to the pursuit of the dragon. And having made that commitment … all of a sudden, I can see him! There he is, right in front of me, clear as day.… You're so much bigger than I ever imagined, and I'm, I'm not so sure I like this. I mean, yes, you're glorious and beautiful, but you're ugly, too. Your breath reeks of death!… Am I so pitiful that you can sneer in my face like that? Yes, yes, you frighten me! You hurt me! I've felt your claws ripping through my soul! But I'm going to die someday, and before I can do that, I've got to face you, eyeball to eyeball. I've got to look you right in the eye, and see what's inside, but I'm not good enough to do that yet. I'm not experienced enough, so I'm going to have to start learning. Today. Here. Now. Come, dragon, I will fight you. Sancho Panza, my sword! (He picks up a sword from the desk behind him, which he unsheaths from its scabbard.) For truth! For beauty! For art! Charge!
Chris Crawford
Amy, listen to me.  Listen to me.  Don't you ever let them tell you you're ugly!  Don't ever let them tell you you're dirty.  You're a beautiful person, inside and out, thoughtful, sensitive and kind.  I don't care what Sylvanus says, or what anyone else thinks.  You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles.  No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry.  I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own.  Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake.  A big mistake.  But to stop now would crush her. "Ah, Amy.  How can you think you're ugly?  Your skin is so soft that it feels like roses after a morning rain." "It's too dark.  Bronzy.  Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent.  "And look at these cheekbones!  I know women — aristocratic women, mind you — who'd kill for cheekbones like these.  High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose.  He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't.  Close your eyes." She did.  He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown?  Brown like conkers?  Brown like nutmeg?  Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair.  It was straight, he could tell that much.  Shiny like glass, as soft as a fern.  He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No.  Brown like black.  And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really.  It's just hair." "Just hair.  Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her.  "Oh, Amy." He
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
I made a long speech in bad French in which I admitted that I was no critic, that I was always passionate and prejudiced, that I had no reverence for anything except what I liked. I told them that I was an ignoramus, which they tried to deny vigorously. I saidl would rather tell them stories. I began—about a bum who had tried to hit me up for a dime one evening as I was walking towards the Brooklyn Bridge. I explained how I had said No to the man automatically and then, after I had walked a few yards it suddenly came to me that a man had asked me for something and I ran back and spoke to him. But instead of giving him a dime or a quarter, which I could easily have done, I told him that I was broke, that I had wanted to let him know that, that was all. And the man had said to me—"do you mean that, buddy? Why, if that's the way it is, I'll be glad to give you a dime myself." And I let him give it to me, and I thanked him warmly, and walked off. They thought it a very interesting story. So that's how it was in America? Strange country ... anything could happen there. "Yes," I said, "a very strange country," and I thought to myself that it was wonderful not to be there any more and God willing I'd never return to it. "And what is it about Greece that makes you like it so much?" asked someone. I smiled. "The light and the poverty," I said. "You're a romantic," said the man. "Yes," I said, "I'm crazy enough to believe that the happiest man on earth is the man with the fewest needs. And I also believe that if you have light, such as you have here, all ugliness is obliterated. Since I've come to your country I know that light is holy: Greece is a holy land to me." "But have you seen how poor the people are, how wretchedly they live?" "I've seen worse wretchedness in America," I said. "Poverty alone doesn't make people wretched." "You can say that because you have sufficient …." "I can say it because I've been poor all my life," I retorted. "I'm poor now," I added. "I have just'enough to get back to Athens. When I get to Athens I'll have to think how to get more. It isn't money that sustains me—it's the faith I have in myself, in my own powers. In spirit I am a millionaire—maybe that's the best thing about America, that you believe you'll rise again." "Yes, yes," said Tsoutsou, clapping his hands, "that's the wonderful thing about America: you don't know what defeat is." He filled the glasses again and rose to make a toast "To America!" he said, "long may it live!" "To Henry Miller!" said another, "because he believes in himself.
Henry Miller (The Colossus of Maroussi)
It’s not always so easy, it turns out, to identify your core personal projects. And it can be especially tough for introverts, who have spent so much of their lives conforming to extroverted norms that by the time they choose a career, or a calling, it feels perfectly normal to ignore their own preferences. They may be uncomfortable in law school or nursing school or in the marketing department, but no more so than they were back in middle school or summer camp. I, too, was once in this position. I enjoyed practicing corporate law, and for a while I convinced myself that I was an attorney at heart. I badly wanted to believe it, since I had already invested years in law school and on-the-job training, and much about Wall Street law was alluring. My colleagues were intellectual, kind, and considerate (mostly). I made a good living. I had an office on the forty-second floor of a skyscraper with views of the Statue of Liberty. I enjoyed the idea that I could flourish in such a high-powered environment. And I was pretty good at asking the “but” and “what if” questions that are central to the thought processes of most lawyers. It took me almost a decade to understand that the law was never my personal project, not even close. Today I can tell you unhesitatingly what is: my husband and sons; writing; promoting the values of this book. Once I realized this, I had to make a change. I look back on my years as a Wall Street lawyer as time spent in a foreign country. It was absorbing, it was exciting, and I got to meet a lot of interesting people whom I never would have known otherwise. But I was always an expatriate. Having spent so much time navigating my own career transition and counseling others through theirs, I have found that there are three key steps to identifying your own core personal projects. First, think back to what you loved to do when you were a child. How did you answer the question of what you wanted to be when you grew up? The specific answer you gave may have been off the mark, but the underlying impulse was not. If you wanted to be a fireman, what did a fireman mean to you? A good man who rescued people in distress? A daredevil? Or the simple pleasure of operating a truck? If you wanted to be a dancer, was it because you got to wear a costume, or because you craved applause, or was it the pure joy of twirling around at lightning speed? You may have known more about who you were then than you do now. Second, pay attention to the work you gravitate to. At my law firm I never once volunteered to take on an extra corporate legal assignment, but I did spend a lot of time doing pro bono work for a nonprofit women’s leadership organization. I also sat on several law firm committees dedicated to mentoring, training, and personal development for young lawyers in the firm. Now, as you can probably tell from this book, I am not the committee type. But the goals of those committees lit me up, so that’s what I did. Finally, pay attention to what you envy. Jealousy is an ugly emotion, but it tells the truth. You mostly envy those who have what you desire. I met my own envy after some of my former law school classmates got together and compared notes on alumni career tracks. They spoke with admiration and, yes, jealousy, of a classmate who argued regularly before the Supreme Court. At first I felt critical. More power to that classmate! I thought, congratulating myself on my magnanimity. Then I realized that my largesse came cheap, because I didn’t aspire to argue a case before the Supreme Court, or to any of the other accolades of lawyering. When I asked myself whom I did envy, the answer came back instantly. My college classmates who’d grown up to be writers or psychologists. Today I’m pursuing my own version of both those roles.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
at the seat. Instead of blowing his top, he picked me up in his arms and said, "You did it?" I nodded, "Yes I did it!" "But, look son." He tried to explain, "I can't go out with a bottomless pajama — I am a man". I whispered, "And so am I". He just stared, and embraced me. And from that day I got proper pajamas to wear. Dad was a great friend, a very understanding and loving person. Time flies fast — my father's leave was almost over, but the construction work still remained incomplete. He had to go back to Amritsar to resume his duties, and my mother badly needed more money. Two days before his departure he took a loan of Rs. 1,500 from a friend, a Zargar (ornament maker), to somehow finish the construction work, and mortgaged our part of the haveli for this amount. This Rs. 1,500 brought a lot of trouble and hardship to the family as the interest for the loan went on adding. My father resigned his job as a postman and searched for a new clerical job. He did his best to pay off the loan; he but could not. Destiny's smile had changed into a fearsome frown. Soon my little sister Guro was born. While my father slogged in Amritsar to support the family and pay the monthly interest, my mother and grandmother somehow managed to survive. I fell sick, very very sick and the chubby child was soon a bundle of bones. The fair skin was tarnished and looked quite dusky. The handsome Kidar Nath became an ugly urchin. Lack of nourishment also made me a dull boy. The only thought that kept me alive was that my father was my best friend, and that I must stand by my best friend and help him to surmount his difficulties. Having found a tenant for the rebuilt Haveli, we all moved to Amritsar. Across our house lived a shop-keeper known for being a miser. He called a carpenter to fix the main door to his dwelling, because the top of the frame had cracked. A robust argument ensued because the shop-keeper would pay only half a rupee, while the carpenter wanted one. His reason being that an appropriate piece of wood had to be cut to match the area being repaired and then he would have to level the surfaces at a very awkward angle. But the owner was adamant and said, "Just nail the piece of wood, do not level it or do any fancy work, because I shall pay you only half a rupee", as he walked away in a huff.
Kidar Sharma (The One and Lonely Kidar Sharma: An Anecdotal Autobiography)
This was the big advantage of “Oriental“ campaign excavations: whereas in Europe they were forced by their budgets to dig them selves, archaeologists in Syria, like their glorious predecessors, could delegate the lowly tasks. As Bilger said, quoting The Good, the Bad and the Ugly”: “you see, in this world there’s two kinds of people, my friend: those with loaded guns and those who dig.” So the European archaeologists had acquired an extremely specialized and technical Arabic vocabulary: dig here, clear there, with a shovel, a pickax, a small pick, a trowel — the brush was the privilege of Westerners. Dig gently, clear quickly, and it was not rare to overhear the following dialogue: “Go one meter down here.” “Yes boss. With an excavation shovel?” “Um, big shovel… Big shovel no. Instead pickax.” “With the big pickax?” “Big pickax no. Little pick.” “So, we should dig down to  one meter with the little pick?” “Na’am, na’am. Shwia shwia, Listen, don’t go smashing in the whole world to finish more quickly, OK?” In these circumstances there were obviously misunderstandings that led to irreparable losses for science: a number of walls and stylobates fell victim to the perverse alliance of linguistics and capitalism, but on the whole the archaeologists were happy with their personnel, whom they trained, so to speak, season after season....[I am] curious to know what these excavations represent, for these workers. Do they have the feeling that we are stripping them of their history, that Europeans are stealing something from them, once again? Bilger had a theory: he argued that for these workmen whatever came before Islam does not belong to them, is of another order, another world, which falls into the category of the qadim jiddan, the “very old”; Bilger asserted that for a Syrian, the history of the world is divided into three periods: jadid, recent; qadim, old; qadim jiddan, very old, without it being very clear if it was simply his own level of Arabic that was the cause for such a simplification: even if his workers talked to him about the succession of Mesopotamian dynasties, they would have had to resort, lacking a common language that he could understand, to the qadim jiddan. 
Mathias Énard (Compass)
This was the big advantage of “Oriental“ campaign excavations: whereas in Europe they were forced by their budgets to dig themselves, archaeologists in Syria, like their glorious predecessors, could delegate the lowly tasks. As Bilger said, quoting The Good, the Bad and the Ugly”: “you see, in this world there’s two kinds of people, my friend: those with loaded guns and those who dig.” So the European archaeologists had acquired an extremely specialized and technical Arabic vocabulary: dig here, clear there, with a shovel, a pickax, a small pick, a trowel — the brush was the privilege of Westerners. Dig gently, clear quickly, and it was not rare to overhear the following dialogue: “Go one meter down here.” “Yes boss. With an excavation shovel?” “Um, big shovel… Big shovel no. Instead pickax.” “With the big pickax?” “Big pickax no. Little pick.” “So, we should dig down to  one meter with the little pick?” “Na’am, na’am. Shwia shwia, Listen, don’t go smashing in the whole world to finish more quickly, OK?” In these circumstances there were obviously misunderstandings that led to irreparable losses for science: a number of walls and stylobates fell victim to the perverse alliance of linguistics and capitalism, but on the whole the archaeologists were happy with their personnel, whom they trained, so to speak, season after season....[I am] curious to know what these excavations represent, for these workers. Do they have the feeling that we are stripping them of their history, that Europeans are stealing something from them, once again? Bilger had a theory: he argued that for these workmen whatever came before Islam does not belong to them, is of another order, another world, which falls into the category of the qadim jiddan, the “very old”; Bilger asserted that for a Syrian, the history of the world is divided into three periods: jadid, recent; qadim, old; qadim jiddan, very old, without it being very clear if it was simply his own level of Arabic that was the cause for such a simplification: even if his workers talked to him about the succession of Mesopotamian dynasties, they would have had to resort, lacking a common language that he could understand, to the qadim jiddan. 
Mathias Énard
You’ve been paying close attention, haven’t you?” she asks, like she just read my mind. But she’s not talking about me looking at her face. “I like to observe people,” I say slyly. “Maybe you were cut out for Candor, Four, because you’re a terrible liar.” I set my hand down next to hers and lean closer. “Fine.” Her long, narrow nose is no longer swollen from the attack, and neither is her mouth. She has a nice mouth. “I watched you because I like you. And…don’t call me ‘Four,’ okay? It’s…nice. To hear my name again.” She looks momentarily bewildered. “But you’re older than I am…Tobias.” It sounds so good when she says it. Like it’s nothing to be ashamed of. “Yes, that whopping two-year gap really is insurmountable, isn’t it?” “I’m not trying to be self-deprecating,” she says stubbornly. “I just don’t get it. I’m younger. I’m not pretty. I--” I laugh, and kiss her temple. “Don’t pretend,” she says, sounding a little breathless. “You know I’m not. I’m not ugly, but I am certainly not pretty.” The word “pretty,” and all that it represents, seems so completely useless right now that I have no patience for it. “Fine. You’re not pretty. So?” I move my lips to her cheek, trying to work up some courage. “I like how you look.” I pull back. “You’re deadly smart. You’re brave. And even though you found out about Marcus…you aren’t giving me that look. Like I’m…a kicked puppy, or something.” “Well,” she says factually. “You’re not.” My instincts were right: She is worth trusting. With my secrets, with my shame, with the name that I abandoned. With the beautiful truths and the awful ones. I know it. I touch my lips to hers. Our eyes meet, and I grin, and kiss her again, this time more sure of it. It’s not enough. I pull her closer, kiss her harder. She comes alive, putting her arms around me and leaning into me and it’s still not enough, how can it be?
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
I watched you because I like you. And…don’t call me ‘Four,’ okay? It’s…nice. To hear my name again.” She looks momentarily bewildered. “But you’re older than I am…Tobias.” It sounds so good when she says it. Like it’s nothing to be ashamed of. “Yes, that whopping two-year gap really is insurmountable, isn’t it?” “I’m not trying to be self-deprecating,” she says stubbornly. “I just don’t get it. I’m younger. I’m not pretty. I--” I laugh, and kiss her temple. “Don’t pretend,” she says, sounding a little breathless. “You know I’m not. I’m not ugly, but I am certainly not pretty.” The word “pretty,” and all that it represents, seems so completely useless right now that I have no patience for it. “Fine. You’re not pretty. So?” I move my lips to her cheek, trying to work up some courage. “I like how you look.” I pull back. “You’re deadly smart. You’re brave. And even though you found out about Marcus…you aren’t giving me that look. Like I’m…a kicked puppy, or something.” “Well,” she says factually. “You’re not.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Not Your Stereotypical Southern Belle By Betsy Shearon, George Grits I grew up being more interested in scoring touchdowns than wearing tiaras. I never particularly wanted to get married and was well into my thirties before I even got engaged. And although I am a devoted aunt, the call of motherhood for me has always sounded strangely similar to the “Warning Will Robinson!” cry on the old Lost in Space television show. Still, I consider myself a true Southern Girl, simply because, as we say in the South, my mama done raised me right. I say, “yes, ma’am,” “no, sir,” “please” and “thank you.” I am respectful of my elders, even my great-aunt Ida Mable, whose food we were never allowed to eat at family reunions. (Suffice it to say that eccentricity not only runs in my family, it pretty much gallops.) I always wear clean underwear in case I am in an accident. And I always leave the house clean before I go on a trip in case I get killed and strangers have to come into my house to get my funeral wear (this is despite the fact that I have yet to read an obituary that said, “she left a husband, two children, and an immaculate house.”) And I know things that only Southern girls know, such as the fact that it is possible to “never talk to strangers and at the same time greet everyone you meet with a smile and a hello. I know that it is possible to “always tell the truth,” but to always answer “fine” when someone asks how you are--even if your hair is on fire at the time. It is this knowledge that allows us to turn the other cheek when people say ugly things like “Southern girls are stupid, barefoot and pregnant.” Southern girls realize that, given the swollen feet and ankles that accompany pregnancy, going barefoot when possible is actually a very smart and sensible thing to do--and that the Yankees who say things like that probably wouldn’t talk so ugly if their feet didn’t hurt, bless their hearts.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
UnForgiven" I've forgiven myself for all my pasts' wrongs, And others for what they may & have done. And I've forgiven my kids' spermdonor for all the hell he put me through, No I'll definitlie never forget, But I can admit that yes I had to forgive because I wanted to move on, Move on within myself & with my life, I see it this way- I made all the choices that have led me to where I am in my life So therefor I take full responsibility for it all and I've accepted consequences as well as experienced Joy. And am very elated to say that Im at the happiest an best place I've ever been in my life,Forgiving him made it possible for me to accept, appreciate and fully experience the love of my husband, Yea theres things that were ugly but I chose to find the beauty and keep steppin on, I've learned an continue to learn that every single moment has a purpose, every decision we make has an outcome and as long as we refuse to give up, We ( I ) can literally live happy because happiness is a way of life Not a thought. Its when people make choices after they've thought and or talked about. Its finding positivity when ur surrounded by negativity refusing to give in and be beaten, So many of my experiences have led me to my deep values on the pricelessness of life, So those that dont learn to forgive will never feel how great of a relief that you get from forgiving and will remain unforgivin.
Jessica Hudson
Then we think, “I am so ungrateful. I have arms and legs and I can walk and I have strong nail beds and I am alive and I am so selfish and I have to read Man’s Search for Meaning again and call my parents and volunteer more and reduce my carbon footprint and why am I such a self-obsessed ugly asshole no wonder I hate how I look! I hate how I am!
Amy Poehler (Yes Please)
Nurses must be ugly.” Dev closed his eyes. “Mistresses must be pretty. Housekeepers are not supposed to be pretty, but then we have your Mrs. Seaton.” “Hands off.” “My hands off?” Dev raised his head and eyed Westhaven. “My hands off your housekeeper?” “Yes, Dev. Hands off, and this is not a request.” “Getting into the ducal spirit, are you?” Dev closed his eyes again and folded his hands on his chest. “Well, no need to issue a decree. I’ll behave, as she is a female employed by a Windham household.” “Devlin St. Just.” Westhaven’s boots hit the floor with a thump. “Weren’t you swiving your housekeeper while she was engaged to some clueless simian in Windsor?” “Very likely.” Dev nodded peacefully, eyes closed. “And I put away that toy when honor required it.” “What sort of honor is this? I comprehend what is expected of a gentleman, generally, but must have missed the part about how we go on when swiving housekeepers.” “You were going on quite enthusiastically,” Dev said, opening one eye, “when I came down here last night to find a book.” “I see.” “On the sofa,” Dev added, “if that pinpoints my interruption of your orgy.” “It wasn’t an orgy.” “You were what?” Dev frowned. “Trying to keep her warm? Counting her teeth with your tongue? Teaching her how to sit the trot riding astride? Looked to me for all the world like you were rogering the daylights out of dear Mrs. Seaton.” “I wasn’t,” Westhaven spat, getting up and pacing to the hearth. “The next thing to it, but not quite the act itself.” “I believe you,” Dev said, “and that makes it all better. Even though it looked like rogering and sounded like rogering and probably tasted like it, too.” “Dev…” “Gayle…” Dev got up and put a hand on his brother’s shoulder. “I am the last person to begrudge you your pleasures, but if I can walk in on you, and I’ve only been underfoot a day, then anybody else can, too.” Westhaven nodded, conceding the point. “I don’t care that you and Mrs. Seaton are providing each other some slap-and-tickle, but if you’re so far gone you forget to lock the door, then I am concerned.” “I didn’t…” Westhaven scrubbed a hand over his face. “I did forget to lock the door, and we haven’t made a habit out of what you saw. I don’t intend to make a habit of it, but if I do, I will lock the door.” “Good plan.” Dev nodded, grinning. “I have to approve of the woman on general principles, you know, if she has you spouting such inanities and dropping your pants for all the world to see.” “I thought in my own library at nigh midnight I could have privacy,” Westhaven groused. Dev’s expression became serious. “You cannot assume you have privacy anywhere. The duke owns half your staff and can buy the other half, for one thing. For another, you are considered a most eligible bachelor. If I were you, I would assume I had no privacy whatsoever, not even in your own home.” “You’re right.” Westhaven blew out a breath. “I know you’re right, but I don’t like it. We will be careful.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
But since the day you came back into my life I have not once stopped thinking about you. You consume my thoughts. You consume everything about me. I was lost without you, floating…. drifting…. completely bored and without purpose. Which, by the way, it’s really hard to get that way when you’re King. And then there was you. You walked into my life and stole that part of me. You took whatever ugliness I had become and you reminded me of the man I could be, the man I was supposed to be. You are this beacon of light, this destination I will fight to get to. You are everything I need and want and want to become. I have fallen completely in love with you, Amelia. So yes, I do want a beach and rum, but most of all I want to give you a ring, because when I visualize my future, every scenario I come up with includes you. You are my life now and I will fight with everything I am to end this conflict and give you the life you deserve.
Rachel Higginson (The Reluctant King (Star-Crossed #5))
I’m not saying shit because I regret saying it, Reed. Yes, I fucking meant it. I love you so badly, I can hardly stand it. But I didn’t mean to put that on you when you’re going through so much.” “You don’t try and influence or control me. You want me to be who I am. And Mason, I want that for you too. The good, the bad, the ugly; I hope you know I accept all of it. I accept all of you.” “I’m not good enough for you, Reed.” “You are. Just like I’m good enough for you, even if I didn’t believe that when I first came here. And do you want to know why?” He nods, words not getting out, and I’ve never seen him this vulnerable. “Because yes… we’re both fractured and still healing, but we don’t bring out the pain in each other. We bring out the good. You bring out my good, Mason. And that’s all I want to do for you.
Eva Simmons (Word to the Wise (Twisted Roses #4))
Multiple Warning Survivors Anonymous Please don’t warn me of things that won’t happen, Like: the man who just sold me some land Might in fact have a vat Of the plague in his hat And a new black death minutely planned. Please don’t mention unlikely disasters That you think I’d be wise to avoid: Getting stalked in a tent, Or inhaling cement... Yes, my life could be swiftly destroyed But it won’t be, so no need to summon Your great ally, the spectre of doom – Babies, injured or dead! Dearest friend, axe in head! – While I’m safe, sitting still in a room. I am sure I’ll avoid strangulation By a dangling invisible thread, But my life’s in bad shape If I cannot escape From these horrors you plant in my head. Can I tell you what I think is likely? And I hope this is not out of line: Yes, there is a small chance I’ll be stabbed by Charles Dance But I strongly suspect I’ll be fine, Or I would be, if only you’d zip it. No, I won’t wear a bullet-proof vest When I go to Ikea.Don’t troll me with fear. Here’s a warning: just give it a rest Or I’ll certainly spend most of Sunday Thinking you’re an assiduous scourge – Sure as peas grow in pods. Please consider those odds When you next feel the dread-warning urge. If one day I am crushed by a hippo Then my agent will give you a ring. If you like you can mourn me, But please, please – don’t warn me. Your warning’s my only bad thing.
Sophie Hannah (Marrying the Ugly Millionaire: New and Collected Poems)
Tell me something: why is it, as though on purpose, that at the exact, yes, at the very exact moments when I might be most conscious of the intricacies of 'all that is beautiful and elevated' (as they used to say in these parts), it seems that I am not conscious of them, and I do such ugly deeds, which... well, yes, in short, everyone does, but which, to make things worse, occur to me just when I am most conscious of the fact that I should absolutely not do them? The more I was conscious of goodness and of that is 'beautiful and elevated,' the deeper I sank into my mire and the more able I was to get completely stuck in it.
Fyodor Dostoevsky (Notes from Underground)
You’re at the captain’s table, so to speak. The Berkeleys are here, as well as the big donors and some from the administration.” When Holly heard the name Berkeley, her heart sank. Just my luck, she fumed, can I never get my time in the sun without Ivy stealing all the limelight? As she sat down, she noticed she was seated directly opposite Ivy. Ivy was already enjoying the soup, and Holly looked at her with chagrin. She looked breathtakingly beautiful in a dark blue dress with large diamond drop earrings. As she looked up to her father to tell him how much she enjoyed her soup, Holly caught sight of her face. She had on the most flawless makeup, far more advanced than Holly’s attempt earlier. Next to Ivy, Holly felt like a grubby orphan who hadn’t seen a washcloth in years. “She even has on lip liner,” Holly said under her breath in a mixture of admiration and bitterness. “Holly, Holly. Earth to Holly. Holly, the server wants to know your drink order, baby. Please tell him.” She realized the server must have asked her a question, and she was so lost in thought about Ivy that she hadn’t heard. “Iced tea, please, light ice, thank you.” “Yes, ma’am.” Holly waited until the server left, and then whispered into William’s ear. “I feel so ugly. She’s so beautiful. This is the worst thing that could happen. Being seated opposite her, and so now you’ll be admiring her perfection all dinner long. Just kill me now,” Holly finished with a sigh. “Where’s Ivy?” “She’s right across from me, silly!” “Where? I don’t see her?” “She’s over . . .” Holly broke off and looked into William’s eyes. His eyes told her everything she needed to know. They were warm and loving, and she knew he was trying to let her know that he only had eyes for her. “I don’t care about Ivy. Not one microscopic millimeter. It’s you I love. So, please try to enjoy yourself and forget about her. It’s a big night here, and I have a lot to do with the donors later. Please don’t make me distracted and worried about you and your jealousy of her. I am yours, and that’s the end of it.” She gave him a loving smile of thanks and decided to eliminate Ivy from her thoughts. She turned to her left and was delighted to find Heather sitting next to her.
Kira Seamon (Dead Cereus)
Having spent so much time navigating my own career transition and counseling others through theirs, I have found that there are three key steps to identifying your own core personal projects. First, think back to what you loved to do when you were a child. How did you answer the question of what you wanted to be when you grew up? The specific answer you gave may have been off the mark, but the underlying impulse was not. If you wanted to be a fireman, what did a fireman mean to you? A good man who rescued people in distress? A daredevil? Or the simple pleasure of operating a truck? If you wanted to be a dancer, was it because you got to wear a costume, or because you craved applause, or was it the pure joy of twirling around at lightning speed? You may have known more about who you were then than you do now. Second, pay attention to the work you gravitate to. At my law firm I never once volunteered to take on an extra corporate legal assignment, but I did spend a lot of time doing pro bono work for a nonprofit women’s leadership organization. I also sat on several law firm committees dedicated to mentoring, training, and personal development for young lawyers in the firm. Now, as you can probably tell from this book, I am not the committee type. But the goals of those committees lit me up, so that’s what I did. Finally, pay attention to what you envy. Jealousy is an ugly emotion, but it tells the truth. You mostly envy those who have what you desire. I met my own envy after some of my former law school classmates got together and compared notes on alumni career tracks. They spoke with admiration and, yes, jealousy, of a classmate who argued regularly before the Supreme Court. At first I felt critical. More power to that classmate! I thought, congratulating myself on my magnanimity. Then I realized that my largesse came cheap, because I didn’t aspire to argue a case before the Supreme Court, or to any of the other accolades of lawyering. When I asked myself whom I did envy, the answer came back instantly. My college classmates who’d grown up to be writers or psychologists. Today I’m pursuing my own version of both those roles.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Bright, beautiful, brilliant, billowy, blighted, blind, thought Jennifer as she meandered home, looking straight ahead with unseeing eyes. Yes, I'm all these things, I am so many things, so many of them good, some of them wonderful. I should know: I've been told nothing else my entire life, so how can it not be true? Yet it is as I have always suspected. All those things mean shit, for the world is full of beautiful people, full of beautiful, brilliant, billowy people. And so what? Ugliness is now inside me. Beau-tiful! What does beautiful have to do with anything? He does not want me. Everyone told me he was worthless and I was precious, but this worthless guy did not want precious me. So if he was so worthless and still did not want me, how in this world could anyone worthwhile want me?
Paullina Simons (Tully)
(Home) ‘This land is beautiful, but the people are horrible.’ The people took this beautiful land and raped it, and put up a bunch of ugly boxes, however, my home is in the Victorian-style and it is old and has a handcrafted personality. There is an ancient oak tree outside my window, sometimes I step out my window then onto the roof of the porch, and sit in the tree branch that hangs over, and watches all the stars as they appear to turn on and off. Yes, I have wished upon a shooting star, that things will change, and that the towers will be no more. Looking straight ahead, I can see all the lights that go on the horizon, some days the sunsets are blazing before the lights turn on. Then there are some days that the window is shut because it is cold windy while everything is chilled with the color of blue. (Frame of mind) My mood can change just like this and that it seems. Yes, just like all the summer turns into winter, and the winters turn into spring, and all of these thoughts running in my mind fall like the leaves through my brain, and they most likely do not mean a thing. I guess you could blame it on my ADD, ADHD, dyslexia, bipolar disorder, or OCD. I do not have any of these… I do not have anything wrong with me. But, if you are like one of the sisters or someone from my school, you would say my mood changes are because of my- STD’s, HIV, or being as they say GAY or BI, and LEZ-BO. They have also said, I am a pedophile and a child stocker, and I get moody if I do not get some from them. That is why I am so sober at times, or so they say. Whatever…! They also have said that I am a schizophrenic- psycho and that I could not even buy love. I would not try that anyways. I think that having money does not give you happiness; I am okay being a humble farm- girl, the guy that finds me… needs to be happy with that also. I am sure there are more things they say. However, those are just some of them that I can dredge up as of now, off the top of my head. They have murdered me and my life, in so many ways. So now, do you wonder as to why I am afraid of talking to people or even looking at them? You know you and they can try to destroy me, and my life. However, I do not have any of those listed either; none of these random arrangements of letters defines me as the person I truly am. (Sight) Looking out the windows, I can see the golden hayfields of ecstasy, I see the windmills that twist and tumble. I can see the abandoned railroad track that lies not far from my home. I can hear the cries of the swing as the wind gusts in spurts. But yet I am still in my room, but that is just okay with me. Because I know that there will someday soon be someone there for me. (Household) My room is a land of peace and tranquility without all the gloom, with a bed and a canopy overhead but still, I am not truly happy? There is nothing- like the sounds of the crickets speaking up often in the cool August night breeze. It is relaxing to me, however; it is a reminder to me of how the last glimmers of summer are ending. Besides the sounds slowly fade away, yes- I can hear this music from my bedroom window. It is just like in the spring the birds sing in the morning and leave in the cool gusts to come. It is just like the hummingbirds that flutter by, and then before I know it, all has changed; so, it seems by the time I walk out my bedroom door, to start my day. ‘Life goes in cycles of tunes it seems, and nature is its synchronization in its symphony you just have to listen.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
You’re a leader here. Obviously your skills are far superior to mine. I don’t think I could ever fit into your life. I’m a loner, not the first lady.” “I have great responsibilities, yes. My people count on me to keep our businesses running smoothly, to hunt down the assassins murdering our people. They even believe I will singlehandedly find out why we lose so many of our children in their first year of life. There is nothing special about me, Raven, except that I have a will of iron and I am willing to shoulder these burdens. But I have nothing for myself. I never have had. You give me a reason to go on. You are my heart, my soul, the very air I breathe. Without you, I have nothing but darkness, emptiness. Just because I have power, because I am strong, that does not mean I cannot feel utterly alone. It is cold and ugly to exist alone.” Raven pressed a hand to her stomach. The apple juice seemed a hard knot sitting in her stomach, but so far, it was staying down. Mikhail looked so remote, so alone. She hated the way he stood silent, straight and proud, waiting for her to rip his heart out. She had to comfort him, and he knew it. He read her mind; he knew she couldn’t bear that loneliness in his eyes. She crossed the distance separating them. Raven didn’t say anything. What could she say? She simply laid her head over his heart and slipped her arms around his waist. Mikhail closed his arms around her. He had taken her life away from her, without her knowledge. She was comforting him, yet she didn’t know of his crime. She was bound to him, could not be away from him for long. He had no words to explain it to her without giving away more about their species than he could safely do. She thought she couldn’t live up to his position. She made him feel humble and ashamed of himself. His hand cupped her face, his thumb caressing the delicate line of her jaw. “Listen to me, Raven.” He brushed a kiss on the top of her silky head. “I know I do not deserve you. You think you are somehow less than what I am, but in truth, you are so far above me, I have no right even to reach for you.
Christine Feehan (Dark Prince (Dark, #1))