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Yayoi Kusama at the Brata Gallery, 89 East 10th Street, is a young Japanese painter currently working in New York. Her paintings are puzzling in their dry, obsessional repetitions. They are huge white canvases, lightly scored with gray dots and partly washed over again with a white film. The results are infinitely extending compositions utterly dependent on the viewerβs patient scrutiny of the subtle transitions in tone. Her exhibition is without question a striking tour de force, but disturbing none the less in its tightly held austerity.
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