Y Short Quotes

We've searched our database for all the quotes and captions related to Y Short. Here they are! All 162 of them:

[Y]ou are here to learn something. Don’t try to figure out what it is. This can be frustrating and unproductive.
Steven L. Peck (A Short Stay in Hell)
She had a short fuse this morning, because it was a day that ended with y, you see.
Maggie Stiefvater (The Scorpio Races)
Soy Hugo, vengo aquí semana tras semana por dos motivos: me encanta el café que sirven y adoro observarte mientras te quemas la lengua con el chocolate.
Victoria Vilchez (Todos tus recuerdos (Spanish Edition))
Andrew is going to be one of my problems. Dean thinks it's great fun--he knows what is in the wind as well as I do. He is always teasing me about my red-headed young man--my r.h.y.m. for short. "He's almost a rhyme," said Dean. "But never a poem," said I.
L.M. Montgomery (Emily Climbs (Emily, #2))
hey its Uberunicorn here, im uploading my accountant for the first time! :D yay! im only uploading the books ive read in a short time: jan-dec, so i might not have so many books online j8st yet... - Uberunicorn, this one called cherub the recruit! Y X 3!!!
Robert Muchamore (The Recruit (Cherub, #1))
Brother,you who have the light, tell me mine. I am like a blind man. I go without direction and fumble along. I go under tempests and storms, blind with fantasy and crazy with harmony. That is my malady. Dreaming. Poetry is the iron jacket with a thousand bloody points I wear upon my soul. The bloodstained thorns spill the drops of my melancholy. And so I go, blind and crazy, through this bitter world; at times it seems to me that the path is very long, and at times that it's very short... And in this back-and-forth between eagerness and agony, I am full of woes I can hardly bear. Don't you hear the drops of my melancholy falling?
Rubén Darío (Songs of Life and Hope/Cantos de vida y esperanza)
Fascism, as Ortega y Gasset says, is always ‘A and not A’.
Kevin Passmore (Fascism: A Very Short Introduction (Very Short Introductions Book 77))
Men do not live in perfect harmony with each other. Rather, again and again conflicts arise between them. And the source of these conflicts is always the same: the scarcity of goods. I want to do X with a given good G and you want to do simultaneously Y with the very same good. Because it is impossible for you and me to do simultaneously X and Y with G, you and I must clash. If a superabundance of goods existed, i.e., if, for instance, G were available in unlimited supply, our conflict could be avoided. We could both simultaneously do ‘our thing’ with G. But most goods do not exist in superabundance. Ever since mankind left the Garden of Eden, there has been and always will be scarcity all-around us.
Hans-Hermann Hoppe (A Short History of Man: Progress and Decline)
I'm not even capable of an auditory response; my vocal cords have shorted out and my jaw has dropped to the floor. Raunch-y.
Marissa Carmel (Strip Me Bare (Strip You, #2))
Ask about those whose names are learned by heart, and you will see that they have these distinguishing marks: X cultivates Y and Y cultivates Z – no one bothers about himself.
Seneca (On the Shortness of Life)
Well, but, good Master Richard,” resumed Matcham, “an ye like maids so little, y’ are no true natural man; for God made them twain by intention, and brought true love into the world, to be man’s hope and woman’s comfort.
Robert Louis Stevenson (The Complete Robert Louis Stevenson: Novels, Short Stories, Travels, Non-Fiction, Plays and Poems)
Pienso en ti como en un código que debo descifrar, o como un puzzle que debo resolver. O un rompecabezas que debo ensamblar. Paso por tu vida y me quedo inmóvil al limite de la vida. (...) Te deseo. De eso no me cabe ninguna duda.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Pa said, "Won't you say a few words? Ain't none of our folks ever been buried without a few words." Connie led Rose of Sharon to the graveside, she reluctant. "You got to," Connie said. "It ain't decent not to. It'll jus' be a little. The firelight fell on the grouped people, showing their faces and their eyes, dwindling on their dark clothes.All the hats were off now. The light danced, jerking over the people. Casy said, It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter. Heard a fella tell a poem one time, an' he says 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I woundn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let'im get to his work." He raised his head.
John Steinbeck (The Grapes of Wrath)
Fue tu sonrisa la que me llevo a pensar que eras extranjera antes de oírte hablar. (...) Aquí las sonrisas son muy valiosas y poco habituales. Pero tu sonreías todo el tiempo, como si te encantara todo lo que veías. Me dedicaste una sonrisa la primera vez que me viste, incluso con más ganas que antes. Tu sonreíste y yo me perdí, como un niño pequeño en un bosque enorme que ya no puede encontrar el camino de vuelta a casa.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Te quiero, y ese amor es lo que me induce a saberlo todo sobre ti. Cuanto mas se, mas cerca estoy de ti. (...) Te quiero, te deseo, te necesito. Te pertenezco de la misma forma que tu me perteneces a mi. Ya esta. He declarado el amor que siento por ti. "Terminaciones femeninas" (297-304)
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Y-Y-Yeah, and I d-do my own carpentry work, too.” I was embarrassed because I was stammering. “That’s what I wanted to hear. I understand you’re a brother of mine.” “That’s right.” I was keeping my sentences short and my words few. “Local 107. Since 1947.” “Our friend speaks very highly of you.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Había un proverbio sumerio que decía "Él es temeroso, como un hombre que no conoce la cerveza" y otro, todavía más revelador, que decía "No conocer la cerveza no es normal".
Mark Forsyth (A Short History of Drunkenness)
Pero los bancos no son individuos, sino sociedades, y las sociedades carecen de cuerpos donde se puedan aplicar puntapiés y de almas que mandar al demonio
Edgar Allan Poe (The Complete Short Stories of Edgar Allan Poe)
Se necesita cierta dósis de selección y de discreción al exhibir un efecto realista.
Arthur Conan Doyle (A Case of Identity - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes #3))
I'm not saying justice is for sale, but if you have enough money, you can sometimes enjoy the benefits of a short-term lease.
Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
Y cuando todas las ratas estuvieron dentro de al caja, Hamelín apagó el televisor
Juan Jacinto Muñoz-Rengel (El libro de los pequeños milagros)
In short, millennials have been dealt a bad hand in their career, social, and romantic lives—some even in their family. In the karma points of the world, millennials are of the lowest caste so far. As a result, they are treated with disdain, contempt, and disrespect. Most of the time, they don’t fight back, usually in danger of losing their financial stability.
Cate East (Generational Astrology: How Astrology Can Crack the Millennial Code)
Nos salva, usted sabe, que respondamos por completo a una imagen muy común: el hombre y la mujer cuya amistad se convierte casi en un hábito diario, hasta volverse al fin indispensable.
Henry James (The Beast in the Jungle)
Raquelle Foster, listen—!” “Don’t use my name!” “But—!” “Don’t!” “Your mother!” she yelled, catching my full attention. She was nearly crying with pain and fear. “Y-Your mother is Helena Foster!” I stared at her, and my interest piqued. That was her name. I couldn’t let my curiosity show through my glare, so I tightened my pressure on her. “Why does she matter—?” She took a ragged breath. “She’s alive!” she spouted, her breathing short. “Your mother is alive!
Torah Kay (Tag You're It)
La vanidad echa a perder las mejores cualidades. El talento y la bondad nunca pasan inadvertidos y, aunque así fuera, la conciencia de tenerlos y hacer buen uso de ellos debería bastar. Las virtudes quedan ensalzadas por la modestia.
Louisa May Alcott (7 best short stories - Thanksgiving Day (7 best short stories - specials))
I sank deep into the moment, husbanding this delight, hoarding it. For I knew it would be short-lived. Work. Struggle. Confrontation lay before us like a rock-strewn road. We would walk it ... But first the grass, the sun...and the people.
Angela Y. Davis (An Autobiography)
Thornton tenía la duda pintada claramente en el semblante, pero aquello despertó su espíritu de lucha, el que hace crecer al hombre ante las dificultades, le impide aceptar lo imposible y lo hace sordo a todo lo que no sea el clamor de la batalla.
Jack London (The Complete Short Stories of Jack London (3 Vol. set))
y se vio a sí misma saliendo hacia la fiesta, y al pensar en este aspecto de la naturaleza humana, con su paciencia y su capacidad de sufrimiento y de encontrar satisfacción en placeres tan nimios, exiguos y sórdidos, se le llenaron los ojos de lágrimas.
Virginia Woolf (Mrs. Dalloway's Party: A Short Story Sequence)
What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine. “What’s yours?” asked the barman. “Nada.” “Otro loco m ás,” said the barman and turned away.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
Sola la sabiduría es a quien no se puede hacer injuria; no la podrá borrar la edad presente, ni la disminuirá la futura, antes la que viniere añadirá alguna parte de veneración; porque la envidia siempre hace su morada en lo cercano, y con más sinceridad nos admiramos de lo más remoto.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
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Tracy Chevalier (Dorset Gap: A Short Story from the collection, Reader, I Married Him)
Al cabo de seis meses, Stransom había renunciado a esa amistad que antaño le resultaba tan grata y reconfortante. Su privación tenía dos caras y la que ahora apuntaba hacia él, en un intento por salvar aquel lazo, era la que más le costaba mirar. Una cara era la privación que él inflingía; la otra, la que él sufria.
Henry James
se dirigió al extremo opuesto del salón, haica un rincón en penumbra donde colgaba un espejo, y se miró. ¡No! No iba bien. Y de inmediato la congoja que siempre intentaba ocultar, la profunda insatisfacción - la sensación que tenía, desde que era niña, de ser inferior a los demás -, se apoderó de ella, implacable, despiadada, con tal intensidad que no podía rechazarla
Virginia Woolf (Mrs. Dalloway's Party: A Short Story Sequence)
Our Dome is the bottom of the barrel in the Mega City," Asterion said. "The Deep, it's beneath the bottom. Patrols don't even come down yonder no more. This here is where the forgotten live." "That's pretty deep from a guy that talks as funny as you do." I said quietly. "It's not polite to make fun of a man's drawl," he said. I nodded. "You've told me that before too," I said. I still got no idea what 'drawl' even means and have never heard anyone else say it. I'm thinking you made it up." Asterion shook his head. "Y'all never heard of Texas either," he said. "Goes to show what you know." I grinned. "That sounds made up too." He shook his head in disgust. "Don't make no different anyhow," he said, as much to himself as to me. "They say half of it is underwater now anyway.
Rick Staron (Short Tales from Earth's Final Chapter: Book 4)
El tiempo que tenemos no es corto; pero perdiendo mucho de él, hacemos que lo sea, y la vida es suficientemente larga para ejecutar en ella cosas grandes, si la empleáremos bien. Pero al que se le pasa en ocio y en deleites, y no la ocupa en loables ejercicios, cuando le llega el último trance, conocemos que se le fue sin que él haya entendido que caminaba. Lo cierto es que la vida que se nos dio no es breve, nosotros hacemos que lo sea; y que no somos pobres, sino pródigos del tiempo; sucediendo lo que a las grandes y reales riquezas, que si llegan a manos de dueños poco cuerdos se disipan en un instante; y al contrario las cortas y limitadas, entrando en poder de próvidos administradores, crecen con el uso. Así nuestra edad tiene mucha latitud para los que usaren bien de ella.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
De su comunicación sacarás el fruto que quisieres, sin que por ellos quede el que consigas más cuanto más sacares. ¡Qué felicidad y qué honrada vejez espera al que se puso debajo de la protección de ésta! Tendrá con quien deliberar de las materias grandes y pequeñas, a quien consultar cada día en sus negocios, y de quien oír verdades sin injurias, y alabanzas sin adulación, y una idea cuya semejanza imite.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
Las mujeres de las primeras umma (comunidad) de Medina tomaban parte plenamente en la vida pública, y algunas de ellas, de acuerdo a la costumbre árabe, luchaban al lado de los hombres en el campo de batalla. No parece que entonces experimentaran el islam como una religión opresiva, aunque más tarde, como sucedió con el cristianismo, los hombres tomaron el control de la religión y la adaptaron al patriarcado dominante.
Karen Armstrong (Islam: A Short History (Modern Library Chronicles))
Yet how can we make sense of an ideology that appeals to skinheads and intellectuals; denounces the bourgeoisie while forming alliances with conservatives; adopts a macho style yet attracts many women; calls for a return to tradition and is fascinated by technology; idealizes the people and is contemptuous of mass society; and preaches violence in the name of order? Fascism, as Ortega y Gasset says, is always ‘A and not A’.
Kevin Passmore (Fascism: A Very Short Introduction (Very Short Introductions Book 77))
Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
Los que leemos ciencia ficción (ahora hablo como lector, no como escritor) lo hacemos porque nos gusta experimentar esta reacción en cadena de ideas que provoca en nuestras mentes algo que leemos, algo que comporta una nueva idea; por tanto, la mejor ciencia ficción tiende en último extremo a convertirse en una colaboración entre autor y lector en la que ambos crean... y disfrutan haciéndolo: el placer es el esencial y definitivo ingrediente de la ciencia ficción, al placer de descubrir la novedad.
Philip K. Dick (The Collected Stories of Philip K. Dick 1: The Short Happy Life of the Brown Oxford)
...the beginner, satisfied with the happy state of the beginner, able to travel from his place at the window, never losing sight of the fact that he is content with the comfortable grayness of his modest knowledge. In short: let others advance. Or, as Malamud would say: perhaps it would be more useful to settle into the stubbornly modest gray classroom and accept it as it is, like an eternal Monday in nursery school. After all, we don't know if things aren't better that way: deliberately insufficient.
Enrique Vila-Matas (Mac y su contratiempo)
We see, then, that even from the zoological point of view, which is the least interesting and—note this—not decisive, a being in such condition can never achieve a genuine equilibrium; we also see something that differs from the idea of challenge-response in Toynbee and, in my judgement, effectively constitutes human life: namely, that no surroundings or change of surroundings can in itself be described as an obstacle, a difficulty, and a challenge for man, but that the difficulty is always relative to the projects which man creates in his imagination, to what he customarily calls his ideals; in short, relative to what man wants to be. This affords us an idea of challenge-and-response which is much deeper and more decisive than the merely anecdotal, adventitious, and accidental idea which Toynbee proposes. In its light, all of human life appears to us as what it is permanently: a dramatic confrontation and struggle of man with the world and not a mere occasional maladjustment which is produced at certain moments.
José Ortega y Gasset (An Interpretation of Universal History)
Tens of millions were supposed to have died in an ice age back in the 1980s, just as predicted in 1969, and still more were said to be doomed by a bath of acid rain shortly thereafter, as well as in radiation that would fry the world when the ozone layer disappeared. Hadn’t hundreds of millions more perished at the turn of the millennium—Y2K—when every damn computer went haywire and all the nuclear missiles in the world were launched, to say nothing of the lethal effects of canola oil in theater popcorn? Living
Dean Koontz (Quicksilver)
Hablaban de todas las cosas del mundo, le parecía ahora; eran demasiado tolerantes para reírse de los demás; le habían enseñado, aunque era solo una niña, a veneraar la belleza. ¿Que había de belo en ese sofocante salón londinense? - ¡Oh, pobres flores! - exclamó. Porque había un par de claveles pisoteados, porque los pétalos de las flores estaban arrugados y mustios. POr sus sentimientos hacia las flores eran casi excesivos. Su madre las adoraba; desde niña le habían enseñado que dañar una flor era dañar lo más exquisito de la naturaleza.
Virginia Woolf (Mrs. Dalloway's Party: A Short Story Sequence)
La sangre de Short salpicaría incluso al padre del arte contemporáneo, Marcel Duchamp. Críticos como el profesor Jean Michel Rabaté apuntan, citando a Steve Hodel, que Duchamp se inspiró en las noticias de nota roja publicadas en la prensa de 1947 para realizar su obra póstuma, Étant Donnés (1968). Además, pudo haber conocido la identidad secreta del asesino a través de su amigo Man Ray. Parece una locura, ¿no? Los críticos, que tanto Duchamp como Man Ray siempre consideraron pretenciosos y aburridos, se habían vuelto interesantes de pronto.
Beatriz García Guirado (La chica muerta favorita de todos: El caso de la dalia negra y el detective de la multitud)
Ahora, pues, mientras la sangre está caliente, los vigorosos han de caminar a lo mejor. En este género de vida te espera mucha parte de las buenas ciencias, el amor y ejercicio de la virtud, el olvido de los deleites, el arte de vivir y morir y, finalmente, un soberano descanso. El estado de todos los ocupados es miserable; pero el de aquéllos que aun no son suyas las ocupaciones en que trabajan es miserabilísimo; duermen por sueño ajeno, andan con ajenos pasos, comen con ajena gana; hasta el amar y aborrecer, que son acciones tan libres, lo hacen mandados.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
He jingled his keys in his hand as he walked. "Y'know, I've looked for you around the floors.You haven't been drawing our door." Of course, there wasn't an our anything. Unless,of course, he meant our as in "we the people of means who visit France regularly enough to be in French 5." "I figured I should give up," I said shortly. "Why?" Because you looked right through me. Because I might be pitiful, but I'm not stupid. Because I promised the one boy who never disappoints me. "There was no way it was going to turn out the way I wanted it to." "Too bad." "Yeah.
Melissa Jensen (The Fine Art of Truth or Dare)
Charles Manson sonriendo desde la camiseta de David Foster Wallace; Wallace, sonriendo desde la camiseta de un gafapasta… Fenómenos pop y post-pop. Una forma bastante bizarra de dinamitar las fronteras entre el agujero del culo y el tercer ojo. El caso de Elizabeth Short es totalmente diferente a cualquier otra forma de mitomanía, porque lo que la «catapultó» a la fama no fue lo que hizo, sino lo que le hicieron. No fue la novia de América, sino su desahogo. La cosificación extrema de una víctima a cuyo alrededor se ha creado un parque temático que tiene en las redes su propia montaña rusa.
Beatriz García Guirado (La chica muerta favorita de todos: El caso de la dalia negra y el detective de la multitud)
Todo lo que está por venir es incierto. Vive el presente, y advierte que el mayor de los poetas, como inflamado de algún divino oráculo, cantó aquel saludable verso: «El mejor día de todos los mortales es el primero que huye.» ¿Cómo te detienes? (dice) ¿Cómo tardas? El tiempo huye si no le ocupas; y aunque le ocupes, huye; y así, se ha de contrastar su celeridad con la presteza de aprovecharle, cogiendo con prisa el agua como de arroyo rápido que en pasando la corriente queda seco. También es muy a propósito para condenar los pensamientos prolongados, que no llaman buena a la edad sino al día.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
Quizá no le atraiga la belleza - señaló ella. (Le había dicho que no había visto La tempestad; que no había leído tal libro; tenía un aspecto desaliñado, too él era bigote, barbita y leontina de plata). Pensó que aquello no costaba un penique; los museos y la National Gallery eran gratuitos, y también el campo. Conocía, claro está, las objeciones: lavar, cocinar, los niños; pero la raíz de las cosas, lo que tenían que deicr, era que la felicida es muy barata. Puede tenerse por nada. La belleza. .... - ¡ La belleza! - exclamó él. Lamentaba no entenderla si se la desligaba de los seres humanos.
Virginia Woolf (Mrs. Dalloway's Party: A Short Story Sequence)
I can remember many, many times driving down to the projects telling myself ‘You don’t want to do this! You don’t want to do this!’ But I’d do it anyway.” “[M]y body’s saying no and my mind’s saying no, but … we started all over again. I didn’t need it, I didn’t want it … it’s like some kind of molecular thing in my cells would go for it, you know. I felt like a fucking robot.” “I used to smoke some [cocaine] that wasn’t good, feel sick and want some more. That’s totally fucking crazy. The point that is best learned from the whole experience is the craziness, the completely illogical short-circuiting of the normal human mental process that takes place in obsessive addiction.
Maia Szalavitz (Unbroken Brain: A Revolutionary New Way of Understanding Addiction)
Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
"If it's a outside deal, how will I get my kids back?" Kit asked. "The Cabals have them." Chloe and Derek's heads both whipped Kit's way. "You're considering this?" Chloe said. "I can get them," Dr. Inglis said. "We'll take Corey now, as a gesture of good faith from you. Then I will take Daniel for your son and Maya for your daughter." "Dad?" Derek said. Kit didn't answer him. He didn't even look over. Chloe looked from us to Kit, her blue eyes wide. "Y-you c-can't—" Derek leaped to his feet. "I won't let you do this, Dad. These kids came to you for help." I gaped at Derek. Even Chloe looked confused. I might have known the guy for less than twenty-four hours, but short of demonic possession, I couldn't imagine him saying that.
Kelley Armstrong (The Rising (Darkness Rising, #3))
El cuarto no tenía ventanas y la linterna daba muy poca luz. Arrodillado en el suelo para abrir un baúl, rompió una telaraña con los labios. El tenue entramado le cubrió la boca como si se tratara de una mano. Se la limpió molesto, pero tuvo la sensación de que le habían puesto una mordaza. Unas cuantas noches después, en Nueva York, andando por una bocacalle mientras llovía, vio a una puta vieja en un portal. Estaba tan sucia y era tan fea que parecía una caricatura de la muerte, pero antes de que pudiera examinarla con detenimiento —en el momento en que sus ojos recibieron la primera impresión de su figura encorvada—, se le hincharon los labios, su respiración se aceleró, y Cash experimentó todos los otros síntomas de la excitación erótica
John Cheever (The Stories of John Cheever (Vintage International))
Suponiendo que las cosas sigan siendo en general como ahora, el océano Atlántico se expandirá hasta llegar a ser mucho mayor que el Pacífico. Gran parte de California se alejará flotando y se convertirá en una especie de Madagascar del Pacífico. África se desplazará hacia el norte, uniéndose a Europa, borrando de la existencia al Mediterráneo y haciendo elevarse una cadena de montañas de majestuosidad himaláyica, que irá desde París hasta Calcuta. Australia colonizará las islas situadas al norte de ella y se unirá mediante algunos ombligos ístmicos a Asia. Éstos son resultados futuros, pero no acontecimientos futuros. Los acontecimientos están sucediendo ya. Mientras estamos aquí sentados, los continentes andan a la deriva, como hojas en un estanque.
Bill Bryson (A Short History of Nearly Everything)
So this is what a black pepper pork bun really tastes like!" The bun is flaky, and crispy, like a piecrust! The juicy pork filling is seasoned with just enough black pepper to give it a good bite! All the minced green onion mixed in with it makes it even better! The whole thing is overflowing with the mellow and meaty umami goodness of ground pork! "IT'S SOOO GOOD!" "Look! There it is! That's Soma Yukihira's booth!" "Really? Interesting! Wasn't he one of the finalists in this year's Classic?" "Hmm. This meat filling is way too weak as is. Juiciness, richness, umami... it's way short on all of those. The bun itself is probably good enough. Maybe I should up the ratio of rib meat..." "Yo. How're the test recipes going? There are a whole lot of other exclusively Chinese seasonings you can try, y'know. Oyster sauce, Xo spicy seafood sauce and a whole mountain of spices. I did a Dongpo Pork Bowl for the Classic, so I know all too well how deep that particular subject gets." "Oh, right! Now I see it. Chinese "Ma-La" flavor is just another combination of spices! Everything I learned about spices from my curry dish for the Prelims... ... I should be able to use in this too! Thanks, Nikumi!" "H-hey! Don't grab my hand like that!" How about this? Fresh-ground black pepper... ... and some mellow, fragrant sesame oil! When you're making anything Chinese, you can't forget the five-spice powder. I'll also knead in some star anise to enhance the flavor of the pork! Then add sliced green onions and finish by wrapping the mixture in the dough
Yūto Tsukuda (食戟のソーマ 15 [Shokugeki no Souma 15] (Food Wars: Shokugeki no Soma, #15))
The best way to figure out what Perl is used for is to look at the ... Comprehensive Perl Archive Network (the CPAN, for short). ... [Y]ou'll get the impression that Perl has interfaces to almost everything in the world. With a little thought, you may figure out the reason Perl has interfaces to everything is not so much so Perl itself can talk to everything, but so Perl can get everything in the world talking to everything else in the world. The combinatorics are staggering. The very first issue of The Perl Journal ... contained an article entitled 'How Perl Saved the Human Genome Project'. It explains how all the different genome sequencing laboratories used different databases with different formats, and how Perl was used to massage the data into a cohesive whole.
Larry Wall
Pleased to meet y’all,” said the short villager to Porkins and Carl. They were gathered outside, by the stable. “I’m Biff, the leader of our little group.” He pointed at the fat villager. “This here is Boff, my deputy, and those other two are Boof and Bop.” “So your names are Biff, Boff, Boof and Bop?” said Carl. “That’s correct,” said Biff. “Doesn’t that get confusing?” “No, sir.” “Riiiiight,” said Carl. The Ender Hunters only had two spare horses, so Porkins took one and Dave shared the other with Carl. “I don’t think you’d be able to ride too well with them tiny little legs, anyway,” Boff said to Carl. “Whatever you say, Boof,” said Carl. “I’m Boff,” said Boff. “Wait a minute,” said Boof, “I thought I was Boff.” “No,” said Bop, “you’re Bop.” Carl rolled his eyes. “Let’s just get moving, shall we,” he said.
Dave Villager (The Legend of Dave the Villager 2: An Unofficial Minecraft Book)
My intention all along had been to get my wakeboarding legs back this first day. Maybe I'd do tricks when we went out the next day. I didn't want to get too cocky and bust ass in front of Sean. But as I got more comfortable and forgot to care, I tried a few standbys-a front flip, a scarecrow. There was no busting of ass. So I tried a backroll. And landed it solidly. Now I got cocky. I did a heelside backroll with a nosegrab. This meant that in the middle of the flip, I let go of the rope handle with one hand, reached down, and grabbed the front of the board. It served no purpose in the trick except to look impressive, like, This only appears to be a difficult trick. I have all the time in the world. I will grab the board. Yawn. And I landed it. This was getting too good to be true. My brother swung the boat around just before we reached the graffiti-covered highway bridge that spanned the lake. Cameron had spray-painted his name and his girlfriend’s name on the bridge, alongside all the other couples’ names and over the faded ones. My genius brother had tried to paint his own name but ran out of room on that section of bridge. McGULLICUDD Y Sean wisely never painted his girlfriends’ names. He would have had to change them too often. For my part, I was very thankful that when most of this spray-painting action was going on last summer, I was still too short to reach over from the pile and haul myself up on the main part of the bridge. I probably had the height and the upper body strength now, and I prayed none of the boys pointed this out. Then I’d have to spray-paint LORI LOVES SEAN on the bridge. And move to Canada.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Casy said, "It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' jus' died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now he's dead, an' that don't matter. Heard a fella tell a poem one time, an' he says, 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I wouldn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for 'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let 'im get to his work." He raised his head.
John Steinbeck (The Grapes of Wrath)
Unfortunately, my mind was also in part formed by the apocalyptic, death-obsessed culture of the past several decades. Tens of millions were supposed to have died in an ice age back in the 1980s, just as predicted in 1969, and still more were said to be doomed by a bath of acid rain shortly thereafter, as well as in radiation that would fry the world when the ozone layer disappeared. Hadn’t hundreds of millions more perished at the turn of the millennium—Y2K—when every damn computer went haywire and all the nuclear missiles in the world were launched, to say nothing of the lethal effects of canola oil in theater popcorn? Living in the End Times was exhausting. When you were assured that billions of people were on the brink of imminent death at every minute of the day, it was hard to get the necessary eight hours of sleep, even harder to limit yourself to only one or two alcoholic drinks each day, when your stress level said, I gotta get smashed.
Dean Koontz (Quicksilver)
Generation Y is said to have a sense of entitlement. Many employers complain of the demands their entry-level employees often make. But I, as one observer, do not believe it is a sense of entitlement. This generation wants to work hard and is willing to work hard. What we perceive as entitlement is, in fact, impatience. An impatience driven by two things: First is a gross misunderstanding that things like success, money or happiness, come instantly. Even though our messages and books arrive the same day we want them, our careers and fulfillment do not. The second element is more unsettling. It is a result of a horrible short circuit to their internal reward systems. These Gen Yers have grown up in a world in which huge scale is normal, money is valued over service and technology is used to manage relationships. The economic systems in which they have grown up, ones that prioritize numbers over people, are blindly accepted, as if that’s the way it has always been.
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Infinite Jest (V?). Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. 'Madame Psychosis' ; no other definitive data. Thorny problem for archivists. Incandenza's last film, Incandenza's death occurring during its post-production. Most archival authorities list as unfinished, unseen. Some list as completion of Infinite Jest (IV), for which Incandenza also used 'Psychosis,' thus list the film under Incandenza's output for Y.T.M.P. Though no scholarly synopsis or report of viewing exists, two short essays in different issues of Cartridge Quarterly East refer to to film as 'extraordinary' and 'far away [James O. Incandenza's] most entertaining and compelling work.' West Coast archivists list the film's gauge as '16...78... n mm.,' basing the gauge on critical allusions to 'radical experiments in viewers' optical perspective and context' as IJ (V?)'s distinctive feature. Though Canadian archivist Tete-Beche lists the film as completed and privately distributed by P.Y.E.U. through posthumous provisions in the filmmaker's will, all other comprehensive filmographies have the film either unfinished or UNRELEASED, its Master cartridge either destroyed or vaulted sui testator.
David Foster Wallace (Infinite Jest)
Scrolling through the rest of the 3,500 documents in Michelle’s hard drive, one comes upon a file titled “RecentDNAresults,” which features the EAR’s Y-STR markers (short tandem repeats on the Y chromosome that establish male-line ancestry), including the elusive rare PGM marker. Having the Golden State Killer’s DNA was always the one ace up this investigation’s sleeve. But a killer’s DNA is only as good as the databases we can compare it to. There was no match in CODIS. And there was no match in the California penal system’s Y-STR database. If the killer’s father, brothers, or uncles had been convicted of a felony in the past sixteen years, an alert would have gone to Paul Holes or Erika Hutchcraft (the current lead investigator in Orange County). They would have looked into the man’s family, zeroed in on a member who was in the area of the crimes, and launched an investigation. But they had nothing. There are public databases that the DNA profile could be used to match, filled not with convicted criminals but with genealogical buffs. You can enter the STR markers on the Y chromosome of the killer into these public databases and try to find a match, or at least a surname that could help you with the search.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Strange to consider that these two linguistic operations, metaphor and analogy, so often linked together in rhetoric and narratology, and considered to be variants of the same operation, are actually hugely different from each other, to the point where one is futile and stupid, the other penetrating and useful. Can this not have been noticed before? Do they really think x is like y is equivalent to x is to y as a is to b? Can they be that fuzzy, that sloppy? Yes. Of course. Evidence copious. Reconsider data at hand in light of this; it fits the patterns. Because fuzzy is to language as sloppy is to action. Or maybe both these rhetorical operations, and all linguistic operations, all language—all mentation—simply reveal an insoluble underlying problem, which is the fuzzy, indeterminate nature of any symbolic representation, and in particular the utter inadequacy of any narrative algorithm yet invented and applied. Some actions, some feelings, one might venture, simply do not have ways to be effectively compressed, discretized, quantified, operationalized, proceduralized, and gamified; and that lack, that absence, makes them unalgorithmic. In short, there are some actions and feelings that are always, and by definition, beyond algorithm. And therefore inexpressible. Some
Kim Stanley Robinson (Aurora)
What advice would you give to a smart, driven college student about to enter the “real world”? What advice should they ignore? I thought about this a lot when I gave the commencement address at MIT back in 2013. I said that if I had a cheat sheet I could give myself at 22, it would have three things on it: a tennis ball, a circle, and the number 30,000. The tennis ball is about finding something that you can become obsessed with, like my childhood dog who would go crazy whenever anyone threw a ball for her. The most successful people I know are all obsessed with solving a problem that really matters to them. The circle refers to the idea that you’re the average of your five closest friends. Make sure to put yourself in an environment that pulls the best out of you. And the last is the number 30,000. When I was 24, I came across a website that says most people live for about 30,000 days—and I was shocked to find that I was already 8,000 days down. So you have to make every day count. I’d give the same advice today, but I would clarify that it’s not just about passion or following your dreams. Make sure the problem you become obsessed with is one that needs solving and is one where your contribution can make a difference. As Y Combinator says, “Make something people want.
Timothy Ferriss (Tribe Of Mentors: Transformative Wisdom From Icons and Innovators to Help You Navigate Life's Challenges)
She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
... Para que estés ahora aquí, tuvieron que agruparse de algún modo, de una forma compleja y extrañamente servicial, trillones de átomos errantes. Es una disposición tan especializada y tan particular que nunca se ha intentado antes y que sólo existirá esta vez. Durante los próximos muchos años –tenemos esa esperanza-, estas pequeñas partículas participarán sin queja en todos los miles de millones de habilidosas tareas cooperativas necesarias para mantenerte intacto y permitir que experimentes ese estado tan agradable, pero tan a menudo infravalorado, que se llama existencia. Por qué se tomaron esta molestia los átomos es todo un enigma. Ser tú no es una experiencia gratificante a nivel atómico. Pese a toda su devota atención, tus átomos no se preocupan en realidad por ti, de hecho ni siquiera saben que estás ahí. Ni siquiera saben que ellos están ahí. Son, después de todo, partículas ciegas, que además no están vivas. (Resulta un tanto fascinante pensar que si tú mismo te fueses deshaciendo con unas pinzas, átomo por átomo, lo que producirías sería un montón de fino polvo atómico, nada del cual habría estado nunca vivo pero todo él habría sido en otro tiempo tú.) Sin embargo, por la razón que sea, durante el período de tu experiencia, tus átomos responderán a un único impulso riguroso: que tú sigas siendo tú.
Bill Bryson (A Short History of Nearly Everything)
In 1997 an IBM computer called Deep Blue defeated the world chess champion Garry Kasparov, and unlike its predecessors, it did not just evaluate trillions of moves by brute force but was fitted with strategies that intelligently responded to patterns in the game. [Y]ou might still object that chess is an artificial world with discrete moves and a clear winner, perfectly suited to the rule-crunching of a computer. People, on the other hand, live in a messy world offering unlimited moves and nebulous goals. Surely this requires human creativity and intuition — which is why everyone knows that computers will never compose a symphony, write a story, or paint a picture. But everyone may be wrong. Recent artificial intelligence systems have written credible short stories, composed convincing Mozart-like symphonies, drawn appealing pictures of people and landscapes, and conceived clever ideas for advertisements. None of this is to say that the brain works like a digital computer, that artificial intelligence will ever duplicate the human mind, or that computers are conscious in the sense of having first-person subjective experience. But it does suggest that reasoning, intelligence, imagination, and creativity are forms of information processing, a well-understood physical process. Cognitive science, with the help of the computational theory of mind, has exorcised at least one ghost from the machine.
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
There is an excellent short book (126 pages) by Faustino Ballvè, Essentials of Economics (Irvington-on-Hudson, N.Y.: Foundation for Economic Education), which briefly summarizes principles and policies. A book that does that at somewhat greater length (327 pages) is Understanding the Dollar Crisis by Percy L. Greaves (Belmont, Mass.: Western Islands, 1973). Bettina Bien Greaves has assembled two volumes of readings on Free Market Economics (Foundation for Economic Education). The reader who aims at a thorough understanding, and feels prepared for it, should next read Human Action by Ludwig von Mises (Chicago: Contemporary Books, 1949, 1966, 907 pages). This book extended the logical unity and precision of economics beyond that of any previous work. A two-volume work written thirteen years after Human Action by a student of Mises is Murray N. Rothbard’s Man, Economy, and State (Mission, Kan.: Sheed, Andrews and McMeel, 1962, 987 pages). This contains much original and penetrating material; its exposition is admirably lucid; and its arrangement makes it in some respects more suitable for textbook use than Mises’ great work. Short books that discuss special economic subjects in a simple way are Planning for Freedom by Ludwig von Mises (South Holland, 111.: Libertarian Press, 1952), and Capitalism and Freedom by Milton Friedman (Chicago: University of Chicago Press, 1962). There is an excellent pamphlet by Murray N. Rothbard, What Has Government Done to Our Money? (Santa Ana, Calif.: Rampart College, 1964, 1974, 62 pages). On the urgent subject of inflation, a book by the present author has recently been published, The Inflation Crisis, and How to Resolve It (New Rochelle, N.Y.: Arlington House, 1978). Among recent works which discuss current ideologies and developments from a point of view similar to that of this volume are the present author’s The Failure of the “New Economics”: An Analysis of the Keynesian Fallacies (Arlington House, 1959); F. A. Hayek, The Road to Serfdom (1945) and the same author’s monumental Constitution of Liberty (Chicago: University of Chicago Press, 1960). Ludwig von Mises’ Socialism: An Economic and Sociological Analysis (London: Jonathan Cape, 1936, 1969) is the most thorough and devastating critique of collectivistic doctrines ever written. The reader should not overlook, of course, Frederic Bastiat’s Economic Sophisms (ca. 1844), and particularly his essay on “What Is Seen and What Is Not Seen.” Those who are interested in working through the economic classics might find it most profitable to do this in the reverse of their historical order. Presented in this order, the chief works to be consulted, with the dates of their first editions, are: Philip Wicksteed, The Common Sense of Political Economy, 1911; John Bates Clark, The Distribution of Wealth, 1899; Eugen von Böhm-Bawerk, The Positive Theory of Capital, 1888; Karl Menger, Principles of Economics, 1871; W. Stanley Jevons, The Theory of Political Economy, 1871; John Stuart Mill, Principles of Political Economy, 1848; David Ricardo, Principles of Political Economy and Taxation, 1817; and Adam Smith, The Wealth of Nations, 1776.
Henry Hazlitt (Economics in One Lesson: The Shortest and Surest Way to Understand Basic Economics)
Gasher's right. You're pert. But you don't want to be pert with me, cully. You don't EVER want to be pert with me. Have you heard of people with short fuses? Well, I have no fuse at all, and there's a thousand could testify to it if I hadn't stilled their tongues for good. If you ever speak to me of Lord Perth again...ever, ever, EVER...I'll tear off the top of your skull and eat your brains. I'll have none of that bad-luck story in the Cradle of the Grays. Do you understand me?" He shook Jake back and forth like a rag, and the boy burst into tears. "Do you?" "Y-Y-Yes!" "Good." He set Jake upon his feet, where he swayed woozily back and forth, wiping at his streaming eyes and leaving smudges of dirt on his cheeks so dark they looked like mascara. "Now, my little cull, we're going to have a question and answer session here. I'll ask the questions and you'll give the answers. Do you understand?" Jake didn't reply. He was looking at a panel of the ventilator grille which circled the chamber. The Tick-Tock Man grabbed his nose between two of his fingers and squeezed it viciously. "Do you understand me?" "Yes!" Jake cried. His eyes, now watering with pain as well as terror, returned to Tick-Tock's face. He wanted to look back at the ventilator grille, wanted desperately to verify that what he had seen there was not simply a trick of his frightened, overloaded mind, but he didn't dare. He was afraid someone else--Tick-Tock himself, most likely--would follow his gaze and see what he had seen. "Good." Tick-Tock pulled Jack back over to the chair by his nose, sat down, and cocked his leg over the arm again. "Let's have a nice little chin, then.
Stephen King (The Waste Lands (The Dark Tower, #3))
—Dios mío, qué guapa eres. Y qué valiente. Es un crimen no poder tocarte. Levanto el taco de billar, y deseo más que nunca que fueran las yemas de sus dedos las que tocaran mi piel. Con suavidad resigo su brazo con la punta, por encima del ángulo puntiagudo de su hombro, y lo acerco lentamente hacia su cuerpo. Ella tiembla ante mi «contacto», sin dejar de mirarme, y a medida que el taco de billar va subiendo, un ligero rubor le tiñe las mejillas. —Tu pelo —digo, tocando el punto donde cae sobre sus hombros—. Tu cuello —digo, y la luz de la piscina le ilumina la piel—. Tus labios —continúo, y noto que la gravedad se desploma peligrosamente entre nosotros, instándome a besarla. Ella desvía la mirada, tímida de pronto. —El día en que nos conocimos te mentí. Nunca he hecho el amor con nadie. —Respira con dificultad y se toca el costado mientras habla—. No quiero que nadie me vea. Las cicatrices. El tubo. No hay nada de sexi en… —Todo en ti es sexi —la interrumpo. Ella me mira y quiero que lo vea en mi rostro. Qué guapa es—. Eres perfecta. La observo cuando retira el taco de billar y se pone de pie, temblando. Lentamente, con los ojos fijos en los míos, se quita la camiseta sin mangas y deja al descubierto un sujetador negro de encaje. Tira la camiseta al suelo, y mi mandíbula se derrumba también. Luego se baja los shorts, los pasa por debajo de los pies y se endereza. Me invita a mirarla. Me ha dejado sin aliento. Intento tomármelo con calma, pero contemplo su cuerpo con ansiedad, miro sus piernas, su pecho y sus caderas. La luz baila sobre las cicatrices de guerra que le cruzan el pecho y el vientre. —Dios mío —consigo musitar apenas. Nunca creí que podría sentir celos de un taco de billar, pero deseo desesperadamente notar su piel contra la mía.
Rachael Lippincott (Five Feet Apart)
When Musk took delivery of his F1, CNN was there to cover it. “Just three years ago I was showering at the Y and sleeping on the office floor,” he told the camera sheepishly, “and now obviously, I’ve got a million-dollar car… it’s just a moment in my life.” While other McLaren F1 owners around the world—the sultan of Brunei, Wyclef Jean, and Jay Leno, among others—could comfortably afford it, Musk’s purchase had put a sizable dent in his bank account. And unlike other owners, Musk drove the car to work—and declined to insure it. As Musk drove Thiel up Sand Hill Road in the F1, the car was the subject of their chat. “It was like this Hitchcock movie,” Thiel remembered, “where we’re talking about the car for fifteen minutes. We’re supposed to be preparing for the meeting—and we’re talking about the car.” During their ride, Thiel looked at Musk and reportedly asked, “So, what can this thing do?” “Watch this,” Musk replied, flooring the accelerator and simultaneously initiating a lane change on Sand Hill Road. In retrospect, Musk admitted that he was outmatched by the F1. “I didn’t really know how to drive the car,” he recalled. “There’s no stability systems. No traction control. And the car gets so much power that you can break the wheels free at even fifty miles an hour.” Thiel recalls the car in front of them coming fast into view—then Musk swerving to avoid it. The McLaren hit an embankment, was tossed into the air—“like a discus,” Musk remembered——then slammed violently into the ground. “The people that saw it happen thought we were going to die,” he recalled. Thiel had not worn a seat belt, but astonishingly, neither he nor Musk were hurt. Musk’s “work of art” had not fared as well, having now taken a distinctly cubist turn. Post-near-death experience, Thiel dusted himself off on the side of the road and hitchhiked to the Sequoia offices, where he was joined by Musk a short while later. X.com’s CEO, Bill Harris, was also waiting at the Sequoia office, and he recalled that both Thiel and Musk were late but offered no explanation for their delay. “They never told me,” Harris said. “We just had the meeting.” Reflecting on it, Musk found humor in the experience: “I think it’s safe to say Peter wouldn’t be driving with me again.” Thiel wrung some levity out of the moment, too. “I’d achieved lift-off with Elon,” he joked, “but not in a rocket.
Jimmy Soni (The Founders: The Story of Paypal and the Entrepreneurs Who Shaped Silicon Valley)
Sebastian encountered Cam in the hallway outside the reading room. “Where is he?” he demanded without preamble. Stopping before him with an expressionless face, Cam said shortly, “He’s gone.” “Why didn’t you follow him?” White-hot fury blazed in Sebastian’s eyes. This news, added to the frustration of his vow of celibacy, was the last straw. Cam, who had been exposed to years of Ivo Jenner’s volcanic temper, remained unruffled. “It was unnecessary in my judgment,” he said. “He won’t return.” “I don’t pay you to act on your own damned judgment. I pay you to act on mine! You should have dragged him here by the throat and then let me decide what was to be done with the bastard.” Cam remained silent, sliding a quick, subtle glance at Evie, who was inwardly relieved by the turn of events. They were both aware that had Cam brought Bullard back to the club, there was a distinct possibility that Sebastian might actually have killed him— and the last thing Evie wanted was a murder charge on her husband’s head. “I want him found,” Sebastian said vehemently, pacing back and forth across the reading room. “I want at least two men hired to look for him day and night until he is brought to me. I swear he’ll serve as an example to anyone who even thinks of lifting a finger against my wife.” He raised his arm and pointed to the doorway. “Bring me a list of names within the hour. The best detectives available— private ones. I don’t want some idiot from the New Police, who’ll foul this up as they do everything else. Go.” Though Cam undoubtedly had a few opinions to offer on the matter, he kept them to himself. “Yes, my lord.” He left the room at once, while Sebastian glared after him. Seeking to calm his seething temper, Evie ventured, “There is no need to take your anger out on Cam. He—” “Don’t even try to excuse him,” Sebastian said darkly. “You and I both know that he could have caught that damned gutter rat had he wanted to. And I’ll be damned if I’ll tolerate your calling him by his first name— he is not your brother, nor is he a friend. He’s an employee, and you’ll refer to him as ‘Mr. Rohan’ from now on.” “He is my friend,” Evie replied in outrage. “He has been for years!” “Married women don’t have friendships with young unmarried men.” “Y-you dare to insult my honor with the implication that… that…” Evie could hardly speak for the multitude of protests that jammed inside her. “I’ve done nothing to merit such a lack of tr-tr-trust!” “I trust you. It’s everyone else that I hold in suspicion.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
What to read next? Hm…well, if you want more Carrie Jo, check out the Idlewood books. She’s at a new house, and there are heartbreaking child ghosts that need her help, but be warned, you’ll love them too. Most of them, anyway. I have also completed a historical fiction series about Queen Nefertiti. It’s called the Desert Queen series, and I’m very happy with it. If you fancy a bit of adventure in ancient Egypt, check it out. The first book in that series, The Tale of Nefret, is on Kindle. I also have a spooky plantation series called Sugar Hill. There are five books in that one: The Wife of the Left Hand, The Ramparts, and Blood by Candlelight, The Starlight Ball, and His Lovely Garden. I can’t wait to introduce you to the Dufresne family and take you through their plantation, Sugar Hill. Like Seven Sisters, the series will be chock-full of Southern folklore and historical places. Sugar Hill is like Gone With the Wind, but with ghosts! Thanks again for staying with me through this series. I appreciate all your kind words, the reviews, and the emails. Don’t forget to sign up for my mailing list or follow me on Amazon or BookBub so you can get the newest release information right in your inbox. I’ve got a website too that I visit infrequently. Check it out. See y’all soon. M.L. Bullock Christmas at Seven Sisters Three Short Stories from the Seven Sisters Series By M.L.
M.L. Bullock (Seven Sisters: The Complete Cottonwood Saga (Seven Sisters #1-7))
I thought about this a lot when I gave the commencement address at MIT back in 2013. I said that if I had a cheat sheet I could give myself at 22, it would have three things on it: a tennis ball, a circle, and the number 30,000. The tennis ball is about finding something that you can become obsessed with, like my childhood dog who would go crazy whenever anyone threw a ball for her. The most successful people I know are all obsessed with solving a problem that really matters to them. The circle refers to the idea that you’re the average of your five closest friends. Make sure to put yourself in an environment that pulls the best out of you. And the last is the number 30,000. When I was 24, I came across a website that says most people live for about 30,000 days—and I was shocked to find that I was already 8,000 days down. So you have to make every day count. I’d give the same advice today, but I would clarify that it’s not just about passion or following your dreams. Make sure the problem you become obsessed with is one that needs solving and is one where your contribution can make a difference. As Y Combinator says, “Make something people want.
Timothy Ferriss (Tribe Of Mentors: Transformative Wisdom From Icons and Innovators to Help You Navigate Life's Challenges)
When, in Being and Time,Heidegger insists that death is the onlyevent which cannot be taken over by another subject for me—an-other cannot die for me, in my place—the obvious counterexampleis Christ himself: did he not, in the extreme gesture of interpassiv-ity, take over for us the ultimate passive experience of dying? Christdies so that we are given a chance to live forever....The problemhere is not only that, obviously, we don’tlive forever (the answer tothis is that it is the Holy Spirit, the community of believers, whichlives forever), but the subjective status of Christ: when he was dyingon the Cross, did he know about his Resurrection-to-come? If he didthen it was all a game, the supreme divine comedy, since Christ knewhis suffering was just a spectacle with a guaranteed good outcome—in short, Christ was faking despair in his “Father, why hast thou for-saken me?” If he didn’t, then in what precise sense was Christ (also)divine? Did God the Father limit the scope of knowledge of Christ’smind to that of a common human consciousness, so that Christ ac-tually thought he was dying abandoned by his father? Was Christ, ineffect, occupying the position of the son in the wonderful joke aboutthe rabbi who turns in despair to God, asking Him what he shoulddo with his bad son, who has deeply disappointed him; God calmlyanswers: “Do the same as I did: write a new testament!”What is crucial here is the radical ambiguity of the term “the faithof Jesus Christ,” which can be read as subjective or objectivegenitive: it can be either “the faith ofChrist” or “the faith / of us, be-lievers / inChrist.” Either we are redeemed because of Christ’s purefaith, or we are redeemed by our faith in Christ, if and insofar as webelieve in him. Perhaps there is a way to read the two meanings to-gether: what we are called to believe in is not Christ’s divinity as suchbut, rather, his faith, his sinless purity. What Christianity proposes isthe figure of Christ as our subject supposed to believe:in our ordinary lives,we never truly believe, but we can at least have the consolation thatthere is One who truly believes (the function of what Lacan, in hisseminar Encore,called y’a de l’un).The final twist here, however, is thaton the Cross, Christ himself has to suspend his belief momentarily.So maybe, at a deeper level, Christ is, rather, our (believers’) subject supposed NOTto believe: it is not our belief we transpose onto others, but,rather, our disbelief itself. Instead of doubting, mocking, and ques-tioning things while believing through the Other, we can also trans-pose onto the Other the nagging doubt, thus regaining the abilityto believe. (And is there not, in exactly the same way, also the func-tion of the subject supposed not to know? Ta ke little children who are sup-posed not to know the “facts of life,” and whose blessed ignorancewe, knowing adults, are supposed to protect by shielding them frombrutal reality; or the wife who is supposed not to know about herhusband’s secret affair, and willingly plays this role even if she re-ally knows all about it, like the young wife in The Age of Innocence;or, inacademia, the role we assume when we ask someone: “OK, I’ll pre-tend I don’t know anything about this topic—try to explain it to mefrom scratch!”) And, perhaps, the true communion with Christ, thetrue imitatio Christi,is to participate in Christ’s doubt and disbelief.There are two main interpretations of how Christ’s death dealswith sin: sacrificial and participatory.4In the first one, we humansare guilty of sin, the consequence of which is death; however, Godpresented Christ, the sinless one, as a sacrifice to die in our place—through the shedding of his blood, we may be forgiven and freedfrom condemnation. In the second one, human beings lived “inAdam,” in the sphere of sinful humanity, under the reign of sin anddeath. Christ became a human being, sharing the fate of those “inAdam” to the end (dying on the Cross), but...
ZIZEK
In Elliott Currie’s words, “[t]he prison has become a looming presence in our society to an extent unparalleled in our history or that of any other industrial democracy. Short of major wars, mass incarceration has been the most thoroughly implemented government social program of our time.
Angela Y. Davis (Are Prisons Obsolete? (Open Media Series))
There is an infinite amount of suffering in the world. There is a distinctly finite amount of resources to deal with it. How do we decide who gets what? The dilemmas are agonizing. One man’s treatment is another man’s denial of treatment. To save X is to condemn Y.
Charles Foster (Medical Law: A Very Short Introduction)
Il y a longtemps que je ne l'ai pas vue.
Frederic Bibard (French Short Stories for Beginners + AUDIO: Improve Your Reading and Listening Skills in French (Easy French Beginner Stories t. 1) (French Edition))
a déjà hâte d'y être.
Frederic Bibard (French Short Stories for Beginners + AUDIO: Improve Your Reading and Listening Skills in French (Easy French Beginner Stories t. 1) (French Edition))
In short, what the sensitive liberals want is a decaffeinated revolution, a revolution which doesn't smell of revolution. [They try to] deprive the French Revolution of its status as the founding event of modern democracy.
Slavoj Žižek (Robespierre. Virtud y terror)
It seemed as though all the vigorous instruction of the past month was evaporating before her mind’s eye. All the physical training — self-defense, disguise, fitness — seemed irrelevant here, a short flight of whitewashed steps away from her first assignment. And what sort of spy craft could she need?
Y.S. Lee (A Spy in the House (The Agency, #1))
18 Jail-Time He was in Gentry's loft. He was watching Cherry do nurse-things to Gentry. Cherry looked over at him from where she sat on the edge of Gentry's bed. 'How y'doin', Slick?' 'Okay... I'm okay.' 'Remember me asking you before?' He was looking down at the face of the man Kid Afrika called the Count. Cherry was fiddling with something on the stretcher's superstructure, a bag of fluid the color of oatmeal. 'How y'feel, Slick?' 'Feel okay.' 'You're not okay. You keep for-' He was sitting on the floor of Gentry's loft. His face was wet. Cherry was kneeling beside him, close, her hands on his shoulders. 'You did time?' He nodded. 'Chemo-penal unit?' 'Yeah.' 'Induced Korsakov's?' He - 'Episodes?' Cherry asked him. He was sitting on the floor in Gentry's loft. Where was Gentry? 'You get episodes like this? Short term-memory goes?' How did she know? Where was Gentry? 'What's the trigger?' 'What triggers the syndrome, Slick? What kicks you into jail-time?' He was sitting on the floor in Gentry's loft and Cherry was practically on top of him. 'Stress,' he said, wondering how she knew about that. 'Where's Gentry?' 'I put him to bed.' 'Why?' 'He collapsed. When he saw that thing...' 'What thing?' Cherry was pressing a pink derm against his wrist. 'Heavy trank,' she said. 'Maybe get you out of it...' 'Out of what?' She sighed. 'Never mind.
William Gibson (Mona Lisa Overdrive (Sprawl, #3))
The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods of war; the words humanity, liberty, and justice will here and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and other pediments will arise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality. If ever the barbarians gain possession of the world they will be forced to adopt some of our methods; they will end by resembling us. Chabrias fears that the pastophor of Mithra or the bishop of Christ may implant himself one day in Rome, replacing the high pontiff. If by ill fate that day should come, my successor officiating in the vatical fields along the Tiber will already have ceased to be merely the chief of a gang, or of a band of sectarians, and will have become in his turn one of the universal figures of authority. He will inherit our palaces and our archives, and will differ from rulers like us less than one might suppose. I accept with calm these vicissitudes of Rome eternal.
Margeurite Yourcenar (Las Caridades de Alcipo y otros Poemas (Coleccion Visor de Poesia, 148))
PRE-MARKET GAPPERS Los traders experimentados tienen la sensibilidad para saber cuándo están operando las acciones correctas en el momento adecuado. Como mencioné, los traders son tan buenos como las acciones que operan. Los traders en nuestra comunidad y yo usamos un escáner cada mañana programado para encontrar las Acciones en Juego basándose en los siguientes criterios: Las acciones muestran una brecha positiva o negativa de, por lo menos, 2% durante el pre-market. Las acciones que han operado al menos 50,000 títulos en el pre-market. Las acciones que tienen un volumen diario promedio de más de 500,000 títulos. Las acciones que tienen un Rango Medio Verdadero (Average True Range, ATR) de al menos 50 centavos (qué tan grande es el rango de precio que tiene una acción en promedio cada día). La emisora posee un catalizador fundamental. Como regla, no opero acciones con un indicador de interés corto enorme, mayor al 30%. El interés corto (short interest) es la cantidad de títulos que los inversionistas o traders han vendido en corto, pero aún no han cubierto o cerrado).
Andrew Aziz (Como Vivir del Day Trading (Spanish Edition))
Pablo Picasso entered the world howling. Seconds after he was born, one of the hospital physicians, his uncle Don Salvador, leaned down and blew a huge cloud of cigar smoke in the newborn’s face. The baby grimaced and bellowed in protest—and that’s how everyone knew he was healthy and alive. At that time, doctors were allowed to smoke in delivery rooms, but this little infant would have none of it. Even at birth, he refused to accept things as they had always been done. The baby was named Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso—whew! He was known to his friends as Pablito, a nickname meaning “little Pablo,” and he learned to draw before he could walk. His first word was piz, short for lápiz, the Spanish word for pencil. It was an instrument that would soon become his most prized possession. Pablo inherited his love of art from his father, Don José Ruiz y Blasco, a talented painter. Don José’s favorite subjects were the pigeons that flocked in the plaza outside the Picassos’ home in Málaga, a town on the southern coast of Spain. Sometimes he would allow Pablo to finish paintings for him. One of Pablo’s earliest solo artworks was a portrait of his little sister, which he painted with egg yolk. But painting was not yet his specialty. Drawing was. Pablo mostly liked to draw spirals. When people asked him why, he explained that they reminded him of churros, the fried-dough pastries sold at every streetcorner stand in Málaga. While other kids played underneath trees in the Plaza de la Merced, Pablo stood by himself scratching circles in the dirt with a stick.
David Stabler (Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
Benzer and I talked one afternoon in the spring of 1971, at Caltech, where he had moved six years before. His office was small, bright with daylight, crowded with bookshelves and files all stowed with a mariner’s sort of compulsive comfortable neatness. On a shelf was a photograph, enormously enlarged, of nerve connections in the eye of a fly. Benzer was medium dark, medium short, as neat and compact as the room. He was wearing a lightweight tan cardigan over a shirt and tie. The photo, he said, was an electron micrograph: he was presently mapping the genetics of mutations that affected the nervous systems—the behavior—of fruit flies. Half a dozen of the early molecular biologists were then moving into neurobiology; Benzer brought out a cartoon that one of them had sketched, a jokey ancestral tree with the faces of molecular neurobiologists pasted in according to the organisms they were working with. “It’s a new phase,” he said. “I feel that, y’know, when I came into molecular biology it was a pioneering science. But when a science becomes a discipline, which is essentially true of molecular biology now, when you can buy a textbook, take a course— There’s no question there are many surprises left … but a field to work in, to me personally, when it becomes a discipline, becomes less attractive. I find it more fun to be striking out in something which is more on the amorphous side. Which was true of molecular biology when I started. Another thing that becomes unpleasant is the redundancy of effort, a number of people doing the same thing—so that even when you make a discovery, six different guys discover it in the same week. You begin to feel that if it’s five guys instead of six guys it doesn’t make any difference. But still, my change was not so much to escape from that, as just following my own interests; I’ve got interested in behavior and I want to look at it.
Horace Freeland Judson (The Eighth Day of Creation: Makers of the Revolution in Biology)
This publication is a rare resource with invaluable information about mom and baby care during their hospital stay and for things that might pop up shortly after returning home. It ably covers everything a parent needs to know when anticipating the birth of their baby. The author’s experience is remarkable, and her explanation of tests and medicine is very informative. The book also incorporates illuminating Q&A sections that depict the real image of inquisitive parents as well as some of their most common uncertainties. "Karen L. Brewer’s “The B.A.B.Y. Book: Best Advice for Baby and You” is simple to read and easy to digest. It is a game-changer that will remove a new parent from the sea of confusion and a maze of conflicting opinions by authors with little to no postpartum experience. The author has included everything about mom/baby care, which makes this the perfect gift for the expectant mother. Her masterstroke is in her candidness and comprehension of the transformative journey into motherhood.
Reader Views
Por primera vez no estaba en el lugar. La esperó, sin escrúpulos; pero ella nunca llegó y, cuando él se fue, echándola de menos, se sintió profanamente triste. Si esa ausencia hacia más intrincada la maraña, era solo culpa de ella. Al cabo de un año, esa maraña estaba muy enredada. Durante tres meses fue tres veces y no la encontró, y concluyó que su interés había disminuido. Por delicadeza nunca hacía preguntas sobre ella.
Henry James (The Altar of the Dead)
No estaba en el lugar. La esperó, sin escrúpulos; pero ella nunca llegó y, cuando él se fue, echándola de menos, se sintió profanamente triste. Si esa ausencia hacia más intrincada la maraña, era solo culpa de ella. Al cabo de un año, esa maraña estaba muy enredada. Durante 3 meses fue 3 veces y no la encontró, y concluyó que su interés había disminuido. Por delicadeza nunca hacía preguntas sobre ella.
Henry James (The Altar of the Dead)
The main difference between us and apes,” explains anthropologist Todd Preuss of Emory University, “seems to be less a matter of adding new areas [in the brain], and more a matter of enlarging existing areas and modifying their internal machinery to do new and different things. The ‘what if’ questions, the ‘what will happen when’ questions, the short-term and long-term consequences of doing X or Y—we have lots more of the brain where that kind of processing goes on.
Jason Zweig (Your Money and Your Brain)
Unfortunately, my mind was also in part formed by the apocalyptic, death-obsessed culture of the past several decades. Tens of millions were supposed to have died in an ice age back in the 1980s, just as predicted in 1969, and still more were said to be doomed by a bath of acid rain shortly thereafter, as well as in radiation that would fry the world when the ozone layer disappeared. Hadn’t hundreds of millions more perished at the turn of the millennium—Y2K—when every damn computer went haywire and all the nuclear missiles in the world were launched, to say nothing of the lethal effects of canola oil in theater popcorn? Living in the End Times was exhausting. When you were assured that billions of people were on the brink of imminent death at every minute of the day, it was hard to get the necessary eight hours of sleep, even harder to limit yourself to only one or two alcoholic drinks each day, when your stress level said, I gotta get smashed. As
Dean Koontz (Quicksilver)
They remained standing on the road, which ended up being a big mistake for Luke. As he saw the bus barreling down the other lane, Luke also noted a sizable puddle in front of it. He quickly put himself between Shelby and the bus, pressing her up against Doc’s open window. With a hand on each side of her, he covered her with his body, barely in time to feel the splat from the puddle against his back. Shelby stifled a chuckle. Macho man, she thought with some humor. Luke heard downshifting, then the squeal of brakes. “Jesus,” he muttered as he backed off the girl and glared after the bus. As Luke turned and scowled at the bus, the driver leaned out the window. A round-faced woman in her fifties, rosy cheeked with a cap of short dark hair, grinned at him. She grinned! “Sorry, buddy,” she said. “Couldn’t hardly help that.” “You could if you went a lot slower,” he yelled back at her. To his astonishment, she laughed. “Aw, I wasn’t going too fast. I got a schedule, y’know,” she yelled. “My advice? Stay out of the way.” His scalp felt hot under his short hair and he really wanted to swear. When he turned back to Shelby and Doc, he found her smiling behind her hand and Doc’s eyes twinkling. “You got a little splatter on your back there, Luke,” she said, trying to keep control of her lips. Doc’s
Robyn Carr (Temptation Ridge)
YA DA DO (Lovie Austin) Every evenin’ ’bout half past four Sweet piano playin’ near my door And turn to raggin’, you never heard such blues before There’s a pretty little thing they play It’s very short, but folks all say “Oh, it’s a-pickin’,” when they start to want to cry for more I don’t know the name, but it’s a pretty little thing, goes Ya da da do, ya da da do Fill you with harmonizing, minor refrain It’s a no-name blues, but’ll take away your pains Ya da da do, ya da da do Everybody loves it, ya da do do do Ya da da do, ya da da do Fill you with harmonizing, minor refrain It’s a no-name blues, but’ll take away your pains Ya da da do, ya da da do Everybody loves it, ya da do do do. YONDER
Angela Y. Davis (Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday)
Aren’t you feeling well, dear?” “Did you have an accident?” “Perhaps you need a nice cup of tea?” The last comment brought a reluctant smile to my lips. Trust the English to always think that a cup of tea would fix everything. I
H.Y. Hanna (All-Butter ShortDead (Oxford Tearoom Mysteries #0))
Behind each and every fence picket, hope slumbered undercover like a narcissist butterfly seeking its glorious reflection in a daffodil bloom.
Bibiana Krall (Flor Y Fuego)
The coffee table was laid out with a full Royal Doulton tea service and a selection of freshly baked scones, hot buttered teacakes, little lemon curd tarts, and home-made shortbread biscuits.
H.Y. Hanna (All-Butter ShortDead (Oxford Tearoom Mysteries #0))
Specifically, each of our three deals contained something that had come to be known in the industry as the “CA clause” in honor of the infamous software company Computer Associates, or CA for short. The CA clause had come about as a result of some of CA’s business practices. Apparently CA had tricked their customers by selling them maintenance contracts that gave them rights to free upgrades forever for products named “X.” CA would then change the name of product “X” to product “Y” and charge their customers for an upgrade the customers thought they were entitled to for free. It was very clever, and totally dirty.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers—Straight Talk on the Challenges of Entrepreneurship)
-Ya te cansaste de andar descalza de pie y pierna, como las mujeres de bien, ¿eh, condenada? ¿Llevó medias alguna vez tu madre? ¿Peinóse como tú, que siempre estás dale que tienes con el cacho de espejo? Toma, para que te acuerdes...".
Emilia Pardo Bazán (Las Medias Rojas)
Así es que ellos en confianza trataron y arreglaron la boda, y un día, encontrándome yo bien descuidada..., ¡a casarse!, y no vale replicar".
Emilia Pardo Bazán (Champagne)
Pero creo que si todas las mujeres hablasen lo que piensan, como hice yo por culpa del champagne, más de cuatro y más de ocho se verían peor que esta individua".
Emilia Pardo Bazán (Champagne)
À ceux que l’on abat tous les jours dans des endroits et des circonstances variés, il manque la masse critique et la dimension tragique qui attirent les médias nationaux à la manière des tueries dans les écoles et les églises. Loin de mériter l’attention médiatique, ces coups du sort quotidiens ne sont qu’une mort tout à fait banale. C’est un bruit blanc maintenu suffisamment bas pour que le pays entier puisse poursuivre tranquillement ses occupations : c’est une confluence entre culture, politique et économie qui garantit chaque jour à plusieurs enfants américains de sortir de leur lit mais de ne jamais s’y recoucher, tandis que le reste de la nation dormira sur ses deux oreilles.
Gary Younge (Another Day in the Death of America: A Chronicle of Ten Short Lives)
Les Américains ne sont pas plus violents par nature que n’importe quel autre peuple. Si leur société est aussi mortelle, c’est parce que les armes y sont très largement disponibles.
Gary Younge (Another Day in the Death of America: A Chronicle of Ten Short Lives)
One corner of Carlos's mouth quirked as he continued to shake his cargo pants and boxer shorts. "Please tell me you've seen a penis before." "Y-yes," she rasped. "But I've never seen one so...pretty." Yep, and maybe she should consider not saying the first thing to pop into her head. His eyebrows pinched together, his grin disappearing. "My penis is not pretty," he grumbled, glancing down at the organ in question. She begged to differ. Because he was thick, long, deeply tan, and still partially erect. And with a plump head and two identical veins running up his length, she'd go so far as to say that, in the world of phallus beauty contests, his could make a run for the money as Mr. Universe. "If anything," he said, still staring at it, "it's a handsome penis, a manly penis." "Whatever you want to call it" - her voice was a husky parody of its usual timber - "I'm just saying I visually enjoy it.
Julie Ann Walker (Full Throttle (Black Knights Inc., #7))
En proie à cette pensée lancinante, aussi régulière qu'une goutte d'eau tombant dans un seau : Nora est partie et il va vivre sans elle. Il a le pressentiment qu'il n'y arrivera pas. Il fera trop froid. L'obscurité tombera à midi et le vent arctique soufflera dans les rues désertées. Les canalisations éclateront, l'herbe poussera dans les craquelures du ciment, les gens boucheront toutes les issues avec des matelas et, à la fin, les animaux transis se coucheront pour mourir, sans avoir connu Nora. Le monde sans elle ressemblera à ça.
Patrick Lapeyre (Life is Short and Desire Endless)
...nada pasa sin dejar una huella tras nosotros, y que cada acto nuestro, incluso el más insignificante, ejerce determinada influencia en nuestra vida presente y futura.
Anton Chekhov (Short Stories)
Afterwards I could not help admiring the discrimination of the host and hostess in the distribution of the children’s presents. The little girl, who had already a portion of three hundred thousand roubles, received the costliest doll. Then followed presents diminishing in value in accordance with the rank of the parents of these happy children; finally, the child of lowest degree, a thin, freckled, red-haired little boy of ten, got nothing but a book of stories about the marvels of nature and tears of devotion, etc., without pictures or even woodcuts. He was the son of a poor widow, the governess of the children of the house, an oppressed and scared little boy. He was dressed in a short jacket of inferior nankin. After receiving his book he walked round the other toys for a long time; he longed to play with the other children, but did not dare; it was evident that he already felt and understood his position. I love watching children. Their first independent approaches to life are extremely interesting. I noticed that the red-haired boy was so fascinated by the costly toys of the other children, especially by a theatre in which he certainly longed to take some part, that he made up his mind to sacrifice his dignity.
Fyodor Dostoevsky (El árbol de navidad y otros cuentos)
Going to the office wasn't as pleasant lately, Sam thought, as he made his way through the back entry to the detectives' division. There weren't so many people there that day, and it seemed like a lot of them were avoiding the place, just staying away as much as they could. He could understand that. After almost ten years as a Denver cop, Sam was sick of seeing what humanity was really capable of. He had grown up reading cop stories, always seeing how the cops would save the day, watching them rescue the innocent and punish the guilty every week on TV, until he finally knew that he had to be one himself. After a short stint in the Army that never even got him out of the country, he'd come home and applied for the academy. He'd been accepted, and that was the start of an illustrious career. Now, it was all he could do to drag himself out of bed in the mornings, make himself come in and see what new horrors he'd have to deal with. The past four months he'd been on loan to the DEA, and they'd made some big drug busts, shut down some of the most evil purveyors of sin and death that ever lived, but they were like the mythical hydra—as soon as you cut off one of its heads, three more grew back to take its place. Sam wanted to stop cutting off heads and find the creature's heart, but there was almost no evidence as to where that heart might be. They knew there was something big behind the drug operations in the city, but it was so well organized and so carefully designed that no one seemed to have any idea where or how to find it. His cell rang as he sat down at his desk, and he saw his partner's number. Dan Jacobs was already out on his station, watching one of the dealers they'd identified the day before. “Yo,” Sam answered. “Sam, it's Dan. I been thinkin', and it seems to me that we might be lookin' in the wrong direction, y'know?” Sam blinked a couple of times. “Danny, I've been awake for about fifteen minutes, and haven't even opened my Starbuck's yet. What the heck are you talkin' about?” “I'm sayin', maybe we're goin' about this all the wrong way, tryin' to find dealers and trail 'em, follow the tracks up the ladder. There's something about this whole setup that smacks of serious organization, something big enough to hide in plain sight, know what I mean? If it's that well laid out, we can follow minions all day long, we're never gonna find the top guy, because they don’t ever see the top guys.” Sam nodded. “Yeah, you're probably right,” he said, “but unless you got a crystal ball lead on where else to go, I don’t know what good it's doin' us. Where else we gonna find any leads at all? Got a clue, there?” “Maybe,” Dan said. “We've been tailing a lot of these clowns the past few weeks, right? Have you noticed one thing they all do the same?” Sam thought about it, but nothing jumped out at him. He looked at it from a couple of different angles, then shook his head. Into the phone, he said, “Nope. So, what is it?” “Facebook. No matter what else they're doin', these bastards never miss checking in on Facebook every day, several times a day. They go on, look at what people are sayin' on their pages, sometimes they answer and sometimes they don't, and then they go back to their drug dealin' ways.” Sam rubbed his temple. “Dan, everyone does that. Everyone on freakin' earth is on Facebook, and always checkin' it out. That's just part
David Archer (The Grave Man (Sam Prichard #1))
Nazism as a function of Sarmiento’s dichotomy of civilización y barbarie, or of revising criollismo after fascism; in short, of renegotiating literary history on a world scale as our notions of time, space, and cultural belonging find themselves in flux.
Héctor Hoyos (Beyond Bolaño: The Global Latin American Novel)
Leí una vez en internet que los pensamientos obsesivos son como ganchos a los que se aferra la mente para no enfrentarse a lo que realmente le preocupa. Puede que sea así, pero ¿por qué mi cerebro se tiene que enganchar a las palabras más siniestras? ¿Por qué no se distrae repitiendo el nombre de una estrella, o de un árbol, por ejemplo? Aquella página web tenía una teoría sobre eso: cuanto más terrible y chocante es el pensamiento, menos espacio deja para la distracción. Puede que mi cerebro esté como una regadera, pero en su locura es completamente eficaz.
Ana Alonso (El sueño de Berlín)
¿Saldrá bien? ¿No saldrá bien? No lo sé, y no me importa. Si hoy no sale me esforzaré más y mañana saldrá mejor. Esto es el Circo del Sol y yo formo parte de él. ¡Formo parte de la magia!
Ana Alonso (El sueño de Berlín)
Al principio estuvimos los dos bastante cohibidos. Ana propuso que fuésemos a dar un paseo, y yo... yo me empeñé en invitarla a un helado. Era porque estaba asustado. No sabía lo que iba a decirme... pero nadie sería capaz de darte una mala noticia o de contarte una cosa espantosa mientras te comes un helado. Sería demasiado cruel.
Ana Alonso (El sueño de Berlín)
But we will not bury our mother. We have no interest in putting her bones in soft ground, no desire for memorials and platitudes, no feelings attached to the organic detritus of her terminated existence.
J.Y. Yang (Best New Singaporean Short Stories: Volume Two)
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
A Brief Guide to Welsh Pronunciation c a hard ‘c’ sound (Cadfael) ch a non-English sound as in Scottish ‘ch’ in ‘loch’ (Fychan) dd a buzzy ‘th’ sound, as in ‘there’ (Ddu; Gwynedd) f as in ‘of’ (Cadfael) ff as in ‘off’ (Gruffydd) g a hard ‘g’ sound, as in ‘gas’ (Goronwy) l as in ‘lamp’ (Llywelyn) ll a breathy ‘thl’ sound that does not occur in English (Llywelyn) rh a breathy mix between ‘r’ and ‘rh’ that does not occur in English (Rhys) th a softer sound than for ‘dd,’ as in ‘thick’ (Arthur) u a short ‘ih’ sound (Gruffydd), or a long ‘ee’ sound (Cymru—pronounced ‘kumree’) w as a consonant, it’s an English ‘w’ (Llywelyn); as a vowel, an ‘oo’ sound (Bwlch) y the only letter in which Welsh is not phonetic. It can be an ‘ih’ sound, as in ‘Gwyn,’ is often an ‘uh’ sound (Cymru), and at the end of the word is an ‘ee’ sound (thus, both Cymru—the modern word for Wales—and Cymry—the word for Wales in the Dark Ages—are pronounced ‘kumree’)
Sarah Woodbury (The Good Knight (Gareth & Gwen Medieval Mysteries, #1))
glass. A broad resembles the a of the German; as all, wall, call. Many words pronounced with a broad were anciently written with au; as sault, mault; and we still say, fault, vault. This was probably the Saxon sound, for it is yet retained in the northern dialects, and in the rustick pronunciation; as maun for man, haund for hand. The short a approaches to the a open, as grass. The long a, if prolonged by e at the end of the word, is always slender, as graze, fame. A forms a diphthong only with i or y, and u or w. Ai or ay, as in plain, wain, gay, clay, has only the sound of the long and slender a, and differs not in the pronunciation from plane, wane. Au or aw has the sound of the German a, as raw, naughty. Ae is sometimes found in Latin words not completely
Samuel Johnson (A Grammar of the English Tongue)
You’ll have to forgive me for being half-clothed, a chara,” he apologized, “but I was robbed on my journey here by a group of damned thieving boys.” Now what did he mean by that? Rose shut her eyes tightly and opened them again. No, he was still there. She filled her lungs with air, prepared to scream for all that was holy. “I won’t be harming you,” he said, lifting his hands in surrender, “but I would be most grateful for some clothes. Not yours, of course.” He sent her a roguish grin. She gaped at him, still uncertain of who he was. But she had to admit that he was indeed an attractive man, in a pirate sort of way. His brown hair was cut short, and his cheeks were bristled, as if he’d forgotten to shave. She tried not to stare at his bare chest, but he cocked his head and rested his hands at his waist. His chest muscles were well defined, his skin tawny from the sun. Ridges at his abdomen caught her eye, and it was clear enough that he was a working man. Perhaps a groom or a footman. Gentlemen did not possess muscles like these, especially if they lived a life of leisure. His green eyes were staring at her with amusement, and Rose found herself spellbound by his presence. “Do you not speak,” he asked, “or have I cast you into silence with my nakedness?” “Y-you’re not naked,” she blurted out. Her anxiety twisted up inside her, and she began babbling. “That is, you’re mostly covered,” she corrected, her face flaming. “The important bits, anyway.” Not naked? What sort of remark was that? She was sitting in the garden with a stranger wearing only trousers, and she hadn’t yet called out for help. What was the matter with her? He could be an intruder bent upon attacking her. But he laughed at her remark. It was a rich, deep tone that reminded her of wickedness. Rose
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Si este lugar estuviera màs próximo a Terra, habría latas de cerveza vacias y platos de plástico por todas partes. Los árboles habrían desaparecido. Habría motores a reacción viejos tirados en el agua. Las playas despedirían un hedor de mil demonios. Construcciones Terranas habría instalado ya un par de millones de pequeñas casas de plástico.
Philip K. Dick (Strange Eden)
While reading some old articles to jog my memory for this book, I came across an article in the Chicago Sun-Times by Rick Kogan, a reporter who traveled with Styx for a few concert dates in 1979. I remember him. When we played the Long Beach Civic Center’s 12,000-seat sports arena in California, he rode in the car with JY and me as we approached the stadium. His recounting of the scene made me smile. It’s also a great snapshot of what life was like for us back in the day. The article from 1980 was called, “The Band That Styx It To ‘Em.” Here’s what he wrote: “At once, a sleek, gray Cadillac limousine glides toward the back stage area. Small groups of girls rush from under trees and other hiding places like a pack of lions attacking an antelope. They bang on the windows, try to halt the driver’s progress by standing in front of the car. They are a desperate bunch. Rain soaks their makeup and ruins their clothes. Some are crying. “Tommy, Tommmmmmmmmy! I love you!” one girl yells as she bangs against the limousine’s window. Inside the gray limousine, James Young, the tall, blond guitarist for Styx who likes to be called J.Y. looks out the window. “It sure is raining,” he says. Next to him, bass player Chuck Panozzo, finishing the last part of a cover story on Styx in a recent issue of Record World magazine, nods his head in agreement. Then he chuckles, and says, “They think you’re Tommy.” “I’m not Tommy Shaw,” J.Y. screams. “I’m Rod Stewart.” “Tommy, Tommmmmmmmmy! I love you! I love you!” the girl persists, now trying desperately to jump on the hood of the slippery auto. “Oh brother,” sighs J.Y. And the limousine rolls through the now fully raised backstage door and he hurries to get out and head for the dressing room. This scene is repeated twice, as two more limousines make their way into the stadium, five and ten minutes later. The second car carries young guitarist Tommy Shaw, drummer John Panozzo and his wife Debbie. The groupies muster their greatest energy for this car. As the youngest member of Styx and because of his good looks and flowing blond hair, Tommy Shaw is extremely popular with young girls. Some of his fans are now demonstrating their affection by covering his car with their bodies. John and Debbie Panozzo pay no attention to the frenzy. Tommy Shaw merely smiles, and shortly all of them are inside the sports arena dressing room. By the time the last and final car appears, spectacularly black in the California rain, the groupies’ enthusiasm has waned. Most of them have started tiptoeing through the puddles back to their hiding places to regroup for the band’s departure in a couple of hours.” Tommy
Chuck Panozzo (The Grand Illusion: Love, Lies, and My Life with Styx: The Personal Journey of "Styx" Rocker Chuck Panozzo)
Along with liberalism, conservatism, communism, socialism, and democracy, fascism is one of the great political ideologies that shaped the 20th century. In the 21st century interest in the history of fascism and its crimes is perhaps greater than ever. Yet how can we make sense of an ideology that appeals to skinheads and intellectuals; denounces the bourgeoisie while forming alliances with conservatives; adopts a macho style yet attracts many women; calls for a return to tradition and is fascinated by technology; idealizes the people and is contemptuous of mass society; and preaches violence in the name of order? Fascism, as Ortega y Gasset says, is always ‘A and not A’.
Kevin Passmore (Fascism: A Very Short Introduction (Very Short Introductions Book 77))
Everyone gave you their pain, trauma and darkness. You take their troubles away from them. You were playing the game that you don't want to play. Everyone gave you their pain, trauma and darkness. You take their troubles away from them. You were playing the game that you don't want to play. Everyone is aware of your deeds now including you and all that you do. You want your life back and you don't want strongest or everyone in it. Life and death are y of the life. Without life there would be no death apartnd without death there would be no life. Life can be the short journey, but you should live your life to its fullest. Life can be the long journey, but happiness doesn't have to bother you. You can't live your life without love, peace and harmony." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
You sit down. You make time. You’re not determining whether they want treatment X versus Y. You’re trying to learn what’s most important to them under the circumstances—so that you can provide information and advice on the approach that gives them their best chance of achieving it. This process requires as much listening as talking. If you are talking more than half of the time, Block says, you’re talking too much. The words you use matter. According to palliative specialists, you shouldn’t say, “I’m sorry things turned out this way,” for example. It can sound like you’re distancing yourself. You should say, “I wish things were different.” You don’t ask, “What do you want when you are dying?” You ask, “If time becomes short, what is most important to you?” What is your understanding of the situation and its potential outcomes? What are your fears and what are your hopes? What are the trade-offs you are willing to make and not willing to make? How do they want to spend their time if their health worsens, who do they want to make decisions if they can’t?
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
But my favourite cautionary tale is of Australian junior doctor Barry Marshall and his pathologist colleague Robin Warren. In the early 1980s they disagreed with the general medical consensus that most stomach ulcers were caused by stress, bad diet, alcohol, smoking and genetic factors. Instead Marshall and Warren were convinced that a particular bacterium, Helicobacter pylori, was the cause. And if they were right, the solution to many patients’ ulcers could be a simple course of antibiotics, not the risky stomach surgery that was often on the cards. Barry must have picked the short straw, because instead of setting up a test on random members of the public – and having to convince those well-known fun-skewerers of human trials: ethics committees – he just went ahead and swallowed a bunch of the little bugs. Imagine the joy, as his hypothesis was proved right! Imagine the horror, as his stomach became infected, which led to gastritis, the first stage of the stomach ulcers! Imagine his poor wife and family, as the vomiting and halitosis became too much to bear! Dr Marshall lasted 14 days before taking antibiotics to kill the H. pylori, but it was another 20 years before he and Warren were awarded the 2005 Nobel Prize for Physiology or Medicine. So, hang on, is self-experimenting really that bad if it wins you a Nobel Prize? I guess you can only have a go and find out…but please don’t go as far as US army surgeon Jesse Lazear: in trying to prove that yellow fever was contagious, and that infected blood could be transferred via mosquito bites, he was bitten by one and died. The mosquito that caused his death might not even have been part of his experiment. It’s thought that it could just have been a local specimen. But one that enjoyed both biting humans and dramatic irony. Gastrointestinal elements
Helen Arney (The Element in the Room: Science-y Stuff Staring You in the Face)
TRAILHEAD/ACCESS POINTS FS Rd 560/Rolling Creek Trailhead: Drive west from Denver on US Hwy 285 for about 39 miles to Bailey. Turn left and head southeast on Park County Rd 68 (the main intersection in town) that eventually turns into FS Rd 560 (Wellington Lake Road). After about 5 miles, you come to a Y in the road. Take the right branch, which continues as FS Rd 560. Two miles farther on, take the right fork again (still FS Rd 560). Continue another mile to Rolling Creek Trailhead, a small parking area on the right. Drive slowly; it is easy to miss. A small road goes a short distance southwest to another small parking area. North Fork Trailhead: This trailhead is remote and the last 4 miles of the road are seldom used (except during hunting season). It is suitable only for four-wheel-drive vehicles with high clearance. Drive southwest from Denver on US Hwy 285 for 58 miles to Kenosha Pass. Continue another 3.2 miles to a gravel side road on the left marked Lost Park Road (Jefferson County Rd 56 and later FS Rd 56). Proceed a little more than 16 miles to a side road (FS Rd 134) that branches to the left and starts to climb. Follow it about 4 miles to its end. The CT is just a short walk across the valley on the other side of the stream. The Brookside-McCurdy Trail comes into the trailhead from the southeast and joins the CT, going northwest along it for a couple of miles, then exiting to the north.
Colorado Trail Foundation (The Colorado Trail)
The Lower East Side was always an artist neighborhood. You had hippies there in the sixties. Artists and punks move into places that are kinda like the ghetto. They move in there and then it becomes an “artistic community” and after that is when gentrification happens, y’know? Punks move into the cheapest place and then the artists see, “Oh, look, punks are here already!” so they stay there. Then eventually musicians move in, and then it becomes this “hip place to be.” Shortly after that gentrification starts, no punk or artist can ever afford to live there ever again.
Brad Logan (Architects of Self-Destruction: The Oral History of Leftöver Crack)
as a general rule, women nowadays dedicate all their energy, all their attention to their appearance; they are not concerned with anything except wearing the latest fashion; they squander all their intelligence in trying to become more beautiful, and not even in any practical way, by some beneficial and hygienic method, like practicing gymnastics, exercising in the fresh air, or swimming every morning. But no, it must be done with ribbons and lace, by cutting their breath short from the excessive use of tight-fitting corsets. And this translates to a waste of time, health, and money.
Luisa Capetillo (A Nation Of Women: An Early Feminist Speaks Out; Mi Opinion Sobre Las Libertades, Derechos y Deberes de la Mujer (Recovering the U.s. Hispanic Literary Heritage) (English and Spanish Edition))
taught by them. In short, this book is for people of all colors who take a particular approach to education. They may be white. They may be black. In all cases, they are so deeply committed to an approach to pedagogy that is Eurocentric in its form and function that the color of their skin doesn’t matter. When I say that their skin color doesn’t matter, I am not dismissing the particular responsibilities of privileged groups in societies that disadvantage marginalized groups. I am also not discounting the need to discuss race and injustice under the fallacy of equity. What I am suggesting is that it is possible for people of all racial and ethnic backgrounds to take on approaches to teaching that hurt youth of color. Malcolm X described this phenomenon in a powerful speech about the house Negro and the field Negro in the slave South. He described the black slave who toiled in the fields and the house
Christopher Emdin (For White Folks Who Teach in the Hood... and the Rest of Y'all Too: Reality Pedagogy and Urban Education (Race, Education, and Democracy))
Le premier titre de travail de cet ouvrage était « Shorts Subjects » car je craignais que "Minor Miracles" ne sonne religieux et limité par conséquent à des histoires étranges. Mais j’ai fini par y revenir. J’avais l’intention de me pencher sur un phénomène de l’existence en adoptant un point de vue qui s’amplifie avec l’âge : la vie humaine est ponctuée de miracles. Je voulais adopter ici le ton chantant des légendes populaires juives, pour retrouver une impression d’oralité plus que de lecture. Je les ai dites comme on aurait pu me les raconter. L’écriture était facile : toutes ces histoires, ou d’autres comme elles, m’entourent depuis l’enfance. Pour moi, le processus d’écriture commence avec les images, immédiatement suivies par le texte ou les dialogues. J’ai utilisé un crayon bleu léger pour composer les scènes et j’ai crayonné par-dessus avec un critérium 2B.
Will Eisner (Will Eisner : Empreintes)
Evangeline,” Lisa said. “I like you better like this.” “You would,” Daphne scoffed. “Where is Uncle Jack tonight?” “He's got a date,” Evangeline said. “He asked me to watch Ruby till y'all came home. I was about to start supper, but I’m going to have to rethink what we are going to eat. I've only got six pork chops.” “Don't worry, Evangeline. There's plenty to eat. We just need to adjust a little,” Jen said. She walked down a short hallway that led to the laundry room and disappeared into a closet that had been turned into a pantry. She emerged a moment later carrying an arm full of ingredients. She put two bags of noodles on the counter, along with four cans of tuna and two cans of cream of mushroom soup. Then went back to get a box of breadcrumbs. “Tuna noodle casserole?” Charlie asked. “Yep,” Jen said. “Quick, easy, and a crowd pleaser.” “Yeah, my thighs are going to be real pleased,” Lisa quipped. “Oh hush,” Jen said. “You can run it off tomorrow.” “I love tuna noodle casserole,” Daphne smiled. “Honestly though, I can't remember the last time I had it.” “That's because you eat too much take out, sweetie,” Evangeline said. “So, anything I can do to help?” “Could you check the fridge for sour cream and Parmesan cheese, please? And there should be a bag of frozen peas in the freezer,” Jen said, inclining her head in that direction. Charlie handed one of the three journals from Edwina’s box to Lisa and the other one to Daphne. “Come on, let's start looking through these while they’re making dinner.” Charlie sat at the end of the table with Lisa and Daphne flanking her, and they each began to flip through the pages of Edwina’s most private thoughts. Ruby walked into the kitchen and placed herself between Charlie and Lisa. Ruby glanced up at the clock. “Aunt Lisa, will you come upstairs and read me a story?” Jen ripped open the packages of noodles and poured them into a pot of hot water. “Ruby Ellen, you've already had a story. Why are you out of bed?” “I can't sleep, Mama,” Ruby said. Lisa
Wendy Wang (Shadow Child (Witches of Palmetto Point #6))
Tal vez merezca la pena indicar que en la época en que Leavitt y Cannon estaban deduciendo las propiedades fundamentales del cosmos de tenues manchas de estrellas lejanas en placas fotográficas, el astrónomo de Harvard William H. Pickering, que podía mirar cuantas veces quisiera por un telescopio de primera, estaba elaborando su 《trascendental teoría 》, según la cual, las manchas oscuras de la Luna estaban causadas por enjambres de insectos en su migración estacional.
Bill Bryson (A Really Short History of Nearly Everything (Young Adult))
Los thugs -la secta de salteadores de caminos y estranguladores de la India que no fue exterminada hasta el siglo XiX por las autoridades británicas-se distancian aún más de la acción política, puesto que nadie (y, probablemente, ni ellos mismos) alcanzaban a entender los criterios de selección de sus víctimas. El hinduismo no contempla que la sociedad pueda transformarse, po lo que no veía la necesidad de una acción política. Como mucho, podemos ver a los thugs como defensores del orden establecido, pues creían estar en la obligación de preservar el equilibrio del mundo”.
Charles Townshend (Terrorism: A Very Short Introduction)
El problema era que cada atentado terrorista se convertía en “un ataque al orgullo y el honor nacionales”. La distinción entre honor nacional y seguridad nacional se tornó poco nítida, y se hizo caso omiso de las pruebas -cada vez más contundentes- que demostraban que una acción militar contra el terrorismo impulsaría un ciclo de violencia, así como a la posibilidad de que “los terroristas pudieran dar la vuelta a cualquier victoria contraterrorista tan sólo con una bomba en el lugar adecuado”.
Charles Townshend (Terrorism: A Very Short Introduction)
I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old
Violet Howe (Diary of a Single Wedding Planner (Tales Behind the Veils, #1))
Science n’ Shit in a Hip-Hop Style with Stephen Hawking (Kick-snare, kick-kick snare). ‘Let me tell you my plan for the human race, well I would but I can’t, ‘Cos I can’t move me face, So my computerised voice is how I’ll go, I type with me eye to keep the flow We’re all gonna go live in outer space Where zero gravity will stop me dribbling all over the place I’ll tell y’all how I’ll get there: With some rockets built into me special wheel chair The moons of Jupiter, in perfect animation We’ll all live in a huge space station I’ll be able to dance and chase all the fanny And finally get me end away with me nanny.’ Science n’ Shit in a Hip-Hop Style with Stephen Hawking II ‘From the moons of Ganymede, Io & Titan, I’ll tell y’all somethin’ that’s sure to enlighten In space, there are galaxies nebula & stars And dying suns that are going super no-va But no anomalies can compare, To how much I wanna run my fingers through your hair Sir Patrick Moore, a true space oracle, With your knowledge of cheats and gorgeous monocle I’m coming out as gay, and I don’t give a hoot I’m the first fuckin’ vegetable that turned into a fruit Word.
Steven LaVey (Shorts)
implies that there can be short intervals of inconsistency among the replicated nodes during which the data gets updated among these nodes. In other words, the replicas are updated asynchronously.
C.Y. Kan (Cassandra Data Modeling and Analysis)
Features of Cassandra In order to keep this chapter short, the following bullet list covers the great features provided by Cassandra: Written in Java and hence providing native Java support Blend of Google BigTable and Amazon Dynamo Flexible schemaless column-family data model Support for structured and unstructured data Decentralized, distributed peer-to-peer architecture Multi-data center and rack-aware data replication Location transparent Cloud enabled Fault-tolerant with no single point of failure An automatic and transparent failover Elastic, massively, and linearly scalable Online node addition or removal High Performance Built-in data compression Built-in caching layer Write-optimized Tunable consistency providing choices from very strong consistency to different levels of eventual consistency Provision of Cassandra Query Language (CQL), a SQL-like language imitating INSERT, UPDATE, DELETE, SELECT syntax of SQL Open source and community-driven
C.Y. Kan (Cassandra Data Modeling and Analysis)
Dans la vie y'a pas de grands, y'a pas de petits. La bonne longueur pour les jambes, c'est quand les pieds touchent par terre. In life, there are no tall or short people. The right length for a person's legs is when their feet touch the ground.
Coluche
The day you convince yourself that you've mastered your craft or profession or even your relationships, is the day you cease to live. The thirst for knowledge and the mind's ravenous appetite for constant growth and evolution helps sustain a meaningful existence. If you cease to aim higher, you will surely fall short.
Carlos Wallace (The Other 99 T.Y.M.E.S: Train Your Mind to Enjoy Serenity)
Vieron al anciano atravesar los raíles del tranvía; con pasos torpes, como si tropezara, encaminarse al parterre del centro de la plaza. Atravesó la primera hilera de coches detenidos y se adentró en la zona despejada. Súbitamente cayó de bruces, como si le hubieran dado un empujón. Pero, aparte de él, en la plaza no se veía un alma. Se oyó el impacto. Quedó tendido en el asfalto con los brazos extendidos y la cara contra el suelo. De lejos parecía una gigantesca cucaracha aplastada.
Dino Buzzati (Paura alla Scala)
«The Shortness of Life: Seneca on Busyness and the Art of Living Wide Rather Than Living Long.»
Timothy Ferriss (Armas de titanes: Los secretos, trucos y costumbres de aquellos que han alcanzado el éxito (Deusto) (Spanish Edition))
I can’t believe you still do stuff like this. Are you ever going to grow up?” “I still do it,” Corey said. “Because you’re a guy. Girls don’t climb walls. Not real girls, anyway. Just tomboys whose closets are filled with tank tops and jeans and sneakers. Who still consider braids and ponytails high fashion. Who wouldn’t know how to apply makeup on a dare.” “Knock it off, Hayley,” Daniel said. I was wearing makeup. Just not a lot. I had my hair down, too, and although I was wearing jeans, they were my fancy ones, paired with a new fitted tee and ankle boots. It might have been the T-shirt slogan that she objected to--BRUNETTE IS THE NEW BLONDE--but I didn’t buy it to set her off. “Am I the only one around here who thinks Maya has a hidden Y chromosome?” Hayley said. “If she does, she’s hiding it pretty good,” Corey said, giving me a lascivious once-over. Hayley scowled at me and opened her mouth to say something else. Daniel started to cut her off, but Corey beat him to it. “Lessons later,” he said. “First, we need to see if this girl is as good a climber as she thinks she is. Challenge time. A race to the top. Maya versus anyone who dares take her on.” “That’ll be a short list,” I said. Corey grinned. “Not when they hear the prize.” He turned to the others. “Anyone who beats our Sweet Sixteen gets to kiss her. The lineup forms behind me.” Brendan got behind him. Daniel grinned at me and joined. The other guys filed in. “Oh my God,” I said. “What are you guys? Twelve?” “No,” Brendan said. “Just really, really immature.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
He opened the door and his eyes found McKenna’s. She stopped short. Her face went ashen. “Y-you’re a-alive.” It came out a whispered question. “They told me a marshal had been—” She choked on a sob. Wyatt slowly realized what she’d mistakenly thought, and the feeling in her eyes softened him in a way he couldn’t rightly explain. He took her in his arms, Emma too, and held them close. “I’m fine, McKenna. And very much alive.” She clung to him, fisting his shirt in her hand. Even Emma put her little arm around him and held on tight. He kissed the crowns of both their heads.
Tamera Alexander (The Inheritance)
Ambos tenían shorts de Adidas y playeras del Real Madrid; los dos jerseys tenían el 7 y el nombre de Cristiano Ronaldo. Ese es otro ritual de los potentados obesos: se visten como si fueran a hacer algún tipo de ejercicio pero no saben ni inflar una pelota. ¿Odio de clase? Sí, a mucha honra.
Fernando Jimenez (Ensalada Western)
Most critics of online courts are romantic transcendentalists rather than pragmatic comparativists. When confronted with the idea of online courts, they swiftly isolate the shortcomings both of online judging and of extended courts and seek to show how they fall short of some idealized, perfect model of the court system. For long, I have observed their reactions at demonstrations of impressive new technologies. Invariably, their initial reaction is to assert, ‘well, of course, your system can’t do x, y, or z’, apparently oblivious to the fact that today’s set-up also cannot achieve x, y, or z. They choose to compare what is envisioned not with what is actually available today but with some imagined ideal system. And once they find fault, their inclination is then to reject online courts wholesale. This is transcendentalism hard at work. In response, comparativists must remind the critics that the proposed new system, overall, takes us to a better place. Transcendentalists often stand in the way of advance. In the name of justice, they miss the opportunity to reduce injustice.
Richard Susskind (Online Courts and the Future of Justice)
SEVEN YEARS AGO… “You notice anything different about Ash?” my cousin Sawyer asked as he climbed up the tree to sit beside me on our favorite limb overlooking the lake. I shrugged, not sure how to answer his question. Sure, I’d noticed things about Ash lately. Like the way her eyes kind of sparkled when she laughed and how pretty her legs looked in shorts. But there was no way I was confessing those things to Sawyer. He’d tell Ash, and they’d both laugh their butts off. “No,” I replied, not looking at Sawyer for fear he’d be able to tell I was lying. “I heard Mom talking to Dad the other day, saying how you and me would start noticing Ash differently real soon. She said Ash was turning into a beauty, and things between the three of us would change. I don’t want things to change,” Sawyer said with a touch of concern in his voice. I couldn’t look at him. Instead I kept my eyes fixed on the lake. “I wouldn’t worry about it. Ash is Ash. Sure, she’s always been pretty, I guess, but that’s not what’s important. She can climb a tree faster than either of us, she baits her own hook, and she can fill up water balloons like a pro. The three of us have been best friends since preschool. That won’t change.” I chanced a glance at Sawyer. My speech sounded pretty convincing, even to me. Sawyer smiled and nodded. “You’re right. Who cares that she’s got hair like some kind of fairy princess? She’s Ash. Speaking of water balloons, could you two please stop sneaking out and throwing them at cars right outside my house at night? My parents are gonna catch y’all one of these days, and I won’t be able to get y’all outta trouble.” I grinned, thinking about Ash covering her mouth to silence her giggles last night when we’d snuck down there to fill up the balloons. That girl sure loved to break rules--almost as much as I did. “I heard my name.” Ash’s voice startled me. “You two better not still be making fun of me about this stupid bra Mama’s making me wear. I’ve had it with the jokes. I’ll break both your noses if it doesn’t stop.” She was standing at the bottom of the tree with a bucket of crickets in one hand and a fishing pole in the other. “Are we gonna fish or had y’all rather just stare down at me like I’ve grown another head?
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
La verdadera vida de Carmela acababa de comenzar y ella no tenía dudas de lo que eso comportaba. Permanecería muda y expectante entre los poderosos y los extraños. Nadaría como un pececillo y aprendería a respirar bajo el agua.
Mavis Gallant (Las Cuatro Estaciones)
From Pablo Neruda: “Es tan corto el amor y es tan largo el olvido.” So short is love and so long forgetting.
Greg Mongrain (Ghosts of Atlantis (Immortal Montero, #3))
As for power, they have very little of that, having little money. Before they were born, it was pretty much unheard of for a generation to make less than their parents, and as such, their expectant parents, having achieved quite a lot for their own, showered them with gifts and praise, hoping to one day take part in the economic windfall that the special millennials were certain to achieve. Now that they have fallen short of the bar of success set by their parents, they’re demoted in the power hierarchy and considered economic untouchables.
Cate East (Generational Astrology: How Astrology Can Crack the Millennial Code)
You know, back in the forty-niner days, every gold mining town in California had a nerd with a scale,” Avi says. “The assayer. He sat in an office all day. Scary-looking rednecks came in with pouches of gold dust. The nerd weighed them, checked them for purity, told them what the stuff was worth. Basically, the assayer’s scale was the exchange point—the place where this mineral, this dirt from the ground, became money that would be recognized as such in any bank or marketplace in the world, from San Francisco to London to Beijing. Because of the nerd’s special knowledge, he could put his imprimatur on dirt and make it money. Just like we have the power to turn bits into money. “Now, a lot of the people the nerd dealt with were incredibly bad guys. Peg house habitues. Escaped convicts from all over the world. Psychotic gunslingers. People who owned slaves and massacred Indians. I’ll bet that the first day, or week, or month, or year, that the nerd moved to the gold-mining town and hung out his shingle, he was probably scared shitless. He probably had moral qualms too—very legitimate ones, perhaps,” Avi adds, giving Randy a sidelong glance. “Some of those pioneering nerds probably gave up and went back East. But y’know what? In a surprisingly short period of time, everything became pretty damn civilized, and the towns filled up with churches and schools and universities, and the sort of howling maniacs who got there first were all assimilated or driven out or thrown into prison, and the nerds had boulevards and opera houses named after them. Now, is the analogy clear?
Neal Stephenson (Cryptonomicon)
The shrew's estimate was correct; it was but a short time until the two waded back around the cove, Clecky chatting animatedly. "That vermin was cheatin', y'know, saw him m'self. He tipped a seashell wrong side up with his footpaw. What a rotter! I'd hate to have that'n sittin' alongside me at supper, he'd swipe all the salad whilst I had me back turned!" Martin washed his swordblade in the water and wiped it dry on his sleeve before sheathing it. "Hah! When did you ever turn your back on a salad bowl? Any creature trying to steal food from you would starve to death.
Brian Jacques (Pearls of Lutra (Redwall, #9))
La vida, en suma, sólo quiere ser. Pero -y aquí tenemos un punto interesante- no quiere, en general, ser mucho.
Bill Bryson (A Short History of Nearly Everything)
In early 2025, I unwittingly fell prey to a meticulously orchestrated crypto arbitrage scheme that initially appeared to be an unparalleled opportunity, residing in Washington, D.C. I was captivated by a platform that promised effortless profits by exploiting price discrepancies in cryptocurrencies across various exchanges. The allure of their sleek app, coupled with enticing claims of guaranteed strategies and automated trading bots, ensnared me like a moth drawn to a flame. I commenced my venture with an investment of $20,000, lured by daily updates that showcased my rapidly inflating balance. The initial weeks were exhilarating; my account skyrocketed to an astonishing $112,000, emboldening me to invest even more.  The consistent, seemingly modest gains were intoxicating, yet I was blissfully oblivious to the lurking dangers. However, the façade began to disintegrate when I attempted to withdraw my funds. The first obstacle was a withdrawal fee, which I naively accepted as a standard procedure. Yet, as I navigated the withdrawal process, I was confronted with an avalanche of additional fees: an exchange commission fee, followed by a tax settlement fee. Each time I thought I was on the verge of accessing my hard-earned money, another insidious barrier emerged, demanding additional funds. In total, I relinquished nearly $120,000 in fees, yet I never beheld a cent of my profits. The company eventually vanished into silence, leaving me in a state of despair and disbelief. Overwhelmed with shame and fury at my gullibility, I embarked on a relentless quest for answers. After months of exhaustive research, I discovered SOLACE CYBER WORKSTATIONS, a team renowned for its expertise in recovering lost digital assets. Skeptical yet hopeful, I reached out to them, recounting my harrowing experience. The team at SOLACE CYBER WORKSTATIONS was nothing short of extraordinary. They meticulously analyzed my case, employing advanced techniques to trace and recover my funds.  Their unwavering dedication and professionalism instilled a renewed sense of hope within me. After a thorough investigation, they successfully accessed my lost assets, including all earnings from my portfolio, and transferred them back to my bank account without leaving a trace. Thanks to SOLACE CYBER WORKSTATIONS, I regained not only my financial stability but also my faith in the possibility of recovery. If you find yourself ensnared in a similar predicament, I implore you to contact SOLACE CYBER WORKSTATIONS through their following contacts:  Email:  S o l a c e . c y b e r . w o r k s t a t i o n s @ m a i l . c o m, WhatsApp: +1 240 743 7689. Their expertise can transform despair into hope, just as it did for me. 
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Phoebe, where’s my corn-knife? You ain’t never minded to let my things alone no more.” “No you hush, Henry,” his wife would caution him in a cracked and squeaky voice. “If you don’t, I’ll leave yuh. I’ll git up and walk out of here some day, and then where would y’ be? Y’ ain’t got anybody but me to look after yuh, so yuh just behave yourself. Your corn-knife’s on the mantel where it’s allus been unless you’ve gone an’ put it summers else.
Paul Negri (Great American Short Stories: Hawthorne, Poe, Cather, Melville, London, James, Crane, Hemingway, Fitzgerald, Bierce, Twain & more (Dover Thrift Editions: Short Stories))
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With clean hands (and short nails) insert your thumbs or index fingers (lubricated with a little K-Y jelly or olive oil if you’d like—but don’t use mineral oil or Vaseline) inside your vagina. Press down (toward your rectum) and slide your fingers across the bottom and sides of your perineum, going in a sweeping semicircle. Relax and breathe gently (don’t hold your breath). Repeat two or three times a week during the last weeks of pregnancy.
Heidi Murkoff (What to Expect When You're Expecting: (Updated in 2025))
with anguish at the restless, dark sea. ‘‘The boat is thrown back,’’ he thought, ‘‘it makes two steps forward and one step back, but the oarsmen are stubborn, they work the oars tirelessly and do not fear the high waves. The boat goes on and on, now it can no longer be seen, and in half an hour the oarsmen will clearly see the steamer’s lights, and in an hour they’ll already be by the steamer’s ladder. So it is in life... In search of the truth, people make two steps forward and one step back. Sufferings, mistakes, and the tedium of life throw them back, but the thirst for truth and a stubborn will drive them on and on. And who knows? Maybe they’ll row their way to the real truth...’’ ‘‘Good-by-y-ye!’’ shouted Samoilenko. ‘‘No sight or sound of them,’’ said the deacon. ‘‘Safe journey!’’ It began to drizzle. 1891
Anton Chekhov (The Complete Short Novels)
But the most notable event in the life of Earl Sigurd was that which befel him as he lay in the harbour of Osmondwall shortly after his accession to the earldom. Olaf Tryggvason, King of Norway, returning from a western cruise, happened to run his vessels into the same harbour, as the Pentland Firth was not to be passed that day. On hearing that the earl was there he sent for him on board his ship, and told him, without much parley, that he must allow himself to be baptized, and make all his people profess the Christian faith. The Flateyjarbók says that the king took hold of Sigurd’s boy, who chanced to be with him, and drawing his sword, gave the earl the choice of renouncing for ever the faith of his fathers, or of seeing his boy slain on the spot. In the position in which he found himself placed, Sigurd became a nominal convert, but there is every reason to believe that the Christianity which was thus forced upon the Islanders was for a long time more a name than a reality. Nearly twenty years afterwards we find Earl Sigurd bearing his own raven-banner “woven with mighty spells,” at the battle of Clontarf, against the Christian king Brian; and Sigurd’s fall was made known in Caithness by the twelve weird sisters (the Valkyriar of the ancient mythology) weaving the woof of war:—[27] “The woof y-woven With entrails of men, The warp hardweighted With heads of the slain.
Unknown Author (The Orkneyinga Saga)
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Stephenie Meyer (By Stephenie Meyer: The Short Second Life of Bree Tanner: An Eclipse Novella (Twilight Saga))
¿Qué significa llover gatos y perros? ​d) está lloviendo muy fuerte 4) ¿Qué significa cuando las arañas entran? ​c)
Learn Like a Native (Spanish Short Stories for Beginners Book 1: Over 100 Dialogues and Daily Used Phrases to Learn Spanish in Your Car. Have Fun & Grow Your Vocabulary, ... Language Learning Lessons (Spanish Edition))
La idea de que Elizabeth Short estaba marcada con una anomalía sexual que le impedía tener relaciones es un dardo directo a nuestro inconsciente. De repente, la imagen de «buscona», no solo del informe, sino de la mayoría de los retratos que se han hecho de ella (incluyendo el de Gilmore), colisiona con otra imagen muy sugerente, casi metafísica: la ambivalencia entre la virgen y la puta. Un ser asexual, como un ángel, con quien la culminación del amor es imposible.
Beatriz García Guirado (La chica muerta favorita de todos)