Y Bother Quotes

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Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know.
Irvine Welsh
Ask about those whose names are learned by heart, and you will see that they have these distinguishing marks: X cultivates Y and Y cultivates Z – no one bothers about himself.
Seneca (On the Shortness of Life)
Something-something not all men," muttered Callum, who couldn't be bothered to defend his Y chromosome at the moment.
Olivie Blake (The Atlas Paradox (The Atlas, #2))
Why bother with Mr. Right when Mr. Right Now is gorgeous, available, and asking me to dance?
Cristiane Serruya (Not A Book)
‘Dad,’ said Jack one day. ‘When you’re on the telly, d’you think people are laughing with you or at you?’ The question had obviously been bothering him for a while. ‘Y’know what,’ I said to him, ‘as long as they’re laughing, I don’t care.’ ‘But why, Dad? Why would you want to be a clown?’ ‘Because I’ve always been able to laugh at myself, Jack. Humour has kept me alive over all these years.’ And it’s true, y’know.
Ozzy Osbourne (I Am Ozzy)
The more we make the more we (think we) need, and the more we (think we) need means the more we must work and the more we must work means the more time we spend away from the home we're killing ourselves to pay for but it's a home we're never in except maybe on the weekends and then we're so exhausted we don't want to be bothered with the family we say we're providing a better life.
Kathy Y. Wilson (Your Negro Tour Guide: Truths in Black and White)
Ah suppose man, ah’m too much ay a perfectionist, ken? It’s likesay, if things go a bit dodgy, ah jist cannae be bothered, y’know? Ah git good vibes aboot this interview the day though man, ken?
Irvine Welsh (Trainspotting (Mark Renton, #2))
What’s wrong?” Billy’s question had me looking up. My second-oldest brother was already  dressed for work in his suit and tie. “And shouldn’t you be fishing with Hank?” “I cancelled. I have an errand to run.” Grabbing a coffee cup from the cabinet, I tossed a thumb over my shoulder. “The toilet is acting funny.” “Like what? You mean satire?” This question came from Cletus, not bothering to glance away from where he was reading at the table. He was still in his pajamas, his curly hair a mess.Nevertheless, I was surprised to see him up so early. “No, I mean—” “I hope it’s a dark comedy,” he added, still not removing his attention from the newspaper. “Cletus. That’s disgusting.”Sitting across from Cletus, Duane’s tone was reprimanding. Finally, Cletus tore his eyes from the paper. “What?” “Dark comedy?” My twin lifted his eyebrows.“Meaning poop?” “No, Duane.” Cletus paired this with a suffering sigh. “That would make it a shitty comedy,” I piped in, adding fuel to the conversation fire as I was prone to do, feeling more myself as I smiled. “Y’all are a bunch of toilets,” Billy mumbled under his breath. We all turned our attention to our older brother, with Cletus speaking for us, “Let me guess, because toilets in this house actfunny?” Billy tilted his cup toward Cletus. “Exactly.” I grinned, the rawness in me settling. Being around my brothers was a salve and a good reminder. We had all lived through dark times—sometimes together, sometimes separately—yet here we were, making toilet jokes on a Wednesday before 7:00 AM.
Penny Reid (Beard in Mind (Winston Brothers, #4))
It doesn’t bother you that you weigh only x or y pounds and not three hundred. Why should it bother you that you have only x or y years to live and not more? You accept the limits placed on your body. Accept those placed on your time.
Marcus Aurelius (Meditations)
49. It doesn’t bother you that you weigh only x or y pounds and not three hundred. Why should it bother you that you have only x or y years to live and not more? You accept the limits placed on your body. Accept those placed on your time.
Marcus Aurelius (Meditations)
Hiro and Y.T. have eaten a lot of junk food together in different joints all over L.A. -- doughnuts, burritos, pizza, sushi, you name it -- and all Y.T. ever talks about is her mother and the terrible job that she has with the Feds. The regimentation. The lie-detector tests. The fact that for all the work she does, she really has no idea what it is that the government is really working on. It's always been a mystery to Hiro, too, but then, that's how the government is. It was invented to do stuff that private enterprise doesn't bother with, which means that there's probably no reason for it; you never know what they're doing or why. Hackers have traditionally looked upon the government's coding sweatshops with horror and just tried to forget that all of that shit ever existed. But they have thousands of programmers. The programmers work twelve hours a day out of some twisted sense of personal loyalty. Their software-engineering techniques, while cruel and ugly, are very sophisticated. They must have been up to something.
Neal Stephenson (Snow Crash)
The same things are true of theme. Writing and literature classes can be annoyingly preoccupied by (and pretentious about) theme, approaching it as the most sacred of sacred cows, but (don’t be shocked) it’s really no big deal. If you write a novel, spend weeks and then months catching it word by word, you owe it both to the book and to yourself to lean back (or take a long walk) when you’ve finished and ask yourself why you bothered—why you spent all that time, why it seemed so important. In other words, what’s it all about, Alfie? When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest. Not every book has to be loaded with symbolism, irony, or musical language (they call it prose for a reason, y’know), but it seems to me that every book—at least every one worth reading—is about something. Your job during or just after the first draft is to decide what something or somethings yours is about. Your job in the second draft—one of them, anyway—is to make that something even more clear. This may necessitate some big changes and revisions. The benefits to you and your reader will be clearer focus and a more unified story. It hardly ever fails.
Stephen King (On Writing: A Memoir of the Craft)
She hadn't gotten his expression quite right in her imagination, because the stunned, vacant expression on Shane's face when she started down the stairs was even better than fantasy. His mouth actually dropped open. Next to him, Michael turned around, and although she hadn't counted on it, there was a warm fuzzy to making a hot golden-angel vampire blink and give her a quick, involuntary once-over. Claire stopped on the steps above them and did a tentative hip-shimmy. "Okay?" she asked. Shane's mouth shut with a snap, and Michael actually cleared his throat. "Fine," Michael said. "Fine?" That was Eve, coming down the stairs behind Claire. She moved around the roadblock and punched Michael in the arm. "She looks amazing. I'm not half g*y and I think she's hot." Shane wasn't saying anything. Claire felt warm and a little dizzy, the way he was looking at her. She resisted the urge to check to see if her skirt was straight -- she'd done it a dozen times already --and forced herself to meet his gaze and smile. "You sure this is smart?" Shane asked, which was not what she'd expected, not at all. "You look fantastic." "Thanks -- " He interrupted her. "Fantastic in this town pops you to the top of the take-out menu." She held up her left hand and pointed to her wrist. The gold bracelet was clearly visible. "I'll be okay," she said. "The vamps won't bother me." "Not even talking about the vamps. You're going to be drawing every guy there who's looking to get off.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
It’s not the thing with the dimples again, is it?” he asked innocently. “I don’t know what it is with girls, the way y’all love his--” “Why are you here?” Gage asked. Getting to his feet, he pointed toward the restrooms. “I’ll be right back. You can leave the tip.” “I was going to anyway.” “No, I’m paying for my own.” Miranda picked up the tab, but Etienne’s hand came firmly down on hers. “Gage and me, we are nothing if not true southern gentlemen. And a lady never pays on her first date.” Now Miranda was flustered. “It’s not a date. We really were talking about that building.” “I know that.” Shrugging, he yanked a napkin from the metal holder. “I also know Beth, your waitress. She’s the one who heard you teasing Gage.” “You are so bad.” With a vague frown, Miranda settled back to watch him eat. Unlike Gage, it didn’t seem to bother him, being the object of her scrutiny. She could only marvel at his focus.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
I'll let you know when it bothers me.
E.Y. Laster (Of Captivity & Kings)
This was what bothered her: the presumption of the expatriates in Hong Kong. It is unspoken, except by the most obnoxious, but it is there, in their actions.
Janice Y.K. Lee (The Expatriates)
I d-duh-don’t know wh-why you even b-buh -bother b-buh-because in s-six y-yuh-years y-you’re g-guh-going to be j-juh-just l-like—”“Don’t say that.”Something inside me went cold. “I’m never going to be like him.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
These Things I've Done (Part 1) I have emptied the cup that overflowes, From the garden clipped the finest rose... Interrupted the poet with my praise, Smothered butterflies - Then pinned them in collector's trays... Made the silent initiate shout in frustration, Brought a child to tears with my intonation... These Things I've Done (Part ll) I have drunk the last of the rationed water; And struck the last match to light a cigar; Thrown the baby out with the bath; And didn't bother to check my math... I didn't look - I just leapt, And just like Sagittarius - Aiming right, looking left - Gazed at stars, at the mercy of puddles: Deep in quicksand, I struggled... These Things I've Done (Part lll) I've accepted the fact that einmal ist keinmal, And disregarded the family motto: Did the things that one ought not to: Again, once more, y a infinito... "Yes, I've done these things," said I. "Well - you should be an addict - why! - "At the very least, dead! "None should bear those things you carry..." or, So the doctor said.
Woody Johnson
Slowly she became aware that the tiny compartment was filled with a sharp, spicy scent. It was like nothing she had ever smelled before—wild and somehow completely masculine. Mmm, nice. Her nose twitched—it seemed to be coming from Sylvan. But when did he have time to put on cologne? “Are you wearing aftershave?” she asked dreamily. “Aftershave?” He sounded confused. “You know—cologne. Perfume. A scent you put on your skin to make you smell good. Don’t the Kindred have anything like that?” “No, we have a very enhanced sense of smell. We don’t like anything that covers up our natural scent.” “Then what smells so good?” She was rubbing her cheek against the warm, hard wall of his chest in a way that would have seemed terminally wrong and uncomfortable just a few minutes ago. Yet now it seemed perfectly natural and right. Why was that? And why didn’t she want to let him go? She could feel the hard ridge of his cock branding her belly, just as it had during the Luck Kiss but even that didn’t alarm her. Instead, she felt herself responding. Her nipples were suddenly tight and achy and the small pair of bikini underwear she had on under her green bridesmaid’s dress felt too tight. Their lace crotch seemed to rub against her in a way that was both irritating and pleasurable. She took another deep breath. “Mmm…smells like…I don’t know what, but incredible,” she murmured, still rubbing against him like a cat. Sylvan stiffened against her. “Sophia, you’re not acting like yourself. This scent…you say it smells extremely good?” “Yes, can’t you smell it? I—” She looked up as she spoke and saw that he was looking down at her again. There was a troubled look in his pale blue eyes, but it wasn’t his eyes that bothered her—it was his mouth. His fangs were out. Long and sharp and prominent, they gleamed in the dim light of the tube like daggers ready to pierce flesh. My flesh! she realized in a flash. “Oh!” She jumped away from him and would have fallen backwards out of the transport tube if he hadn’t caught her by the arm. “Let me go!” She pulled away from his hand and took another step back. Her kitten heels made clattering echoes in the vast open space of the docking bay. “What? What’s wrong?” Sylvan frowned at her as he unfolded himself from the small space and stepped out of the tube. “Y-your fangs.” Sophie pointed with a trembling finger. With a muffled curse he clapped a hand over his mouth. A look of painful concentration crossed his face and then he took his palm away from his lips and she saw that his fangs were back to their normal length. “Forgive me.” He spoke as though it hurt to get the words out. “I didn’t…didn’t realize…” “It’s okay.” She shifted uncomfortably, not sure what to do or say. It was clear she’d offended him by pointing out his fangs.
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
home. Not that that bothered
H.Y. Hanna (A Scone to Die For (Oxford Tearoom Mysteries #1))
I do not bother with oversea holdings, nor am I concerned about asset or sector allocation - I am focused on particular stocks. Let me explain my reasons. If you're a manager of large institutional funds you'll usually aim for X% in the USA, Y% in South East Asia, Z% in Europe, etc., and similarly a certain percentage in banks and financial stocks, another in media, and yet another in healthcare, etc., and this is the right approach. But I believe that the private investor should forget about all this for their more modestly sized portfolios. I like UK-headquartered and quoted businesses which operate internationally anyway as they seek world markets for their products or services.
John Lee (How to Make a Million – Slowly: Guiding Principles from a Lifetime of Investing (Financial Times Series))
Could there exist true happiness in a marriage when the man is the only one who can regularly exercise his free will and satisfy his desires, without caring whether or not his wife agrees? Accustomed to the passive obedience of women, he does not bother to find out whether or not she is satisfied with his conduct. And if she is not, he does not attempt to please her, nor to adapt his conduct to a new way of life. How can the holy priestess of the hearth preserve the sacred fire of love in the home when she has to officiate alone? Where is the principal object of her devotion? Look for him outside the home at those times when he should be at the side of his companion. Will a solid foundation for domestic happiness be established by this behavior? No. Men have the right to do or undo, without his companion. He goes to a masked ball or not, to the casino, to gamble, or chases other women.... and meanwhile, poor woman! A sad scenario for domestic bliss! She is subjected to a sad solitude for days and nights on end, orphaned of love, of sweet attentions and joys while the above-mentioned companion gambles, dances... or falls in love.
Luisa Capetillo (A Nation Of Women: An Early Feminist Speaks Out; Mi Opinion Sobre Las Libertades, Derechos y Deberes de la Mujer (Recovering the U.s. Hispanic Literary Heritage) (English and Spanish Edition))
Blue!" The boy shrieked. Yas followed the toddler's pointing finger. The ocean around them rippled with their movement. The water was not pink. Nor lavender. It did not glimmer. Pooling in swirls around her ankles were ribbons of aqua and teal. Threads of silver and gold. "Raf?" she whispered. "You see it, don't you?" "I... Y-yes, I do." From the shoreline, Ernie stared with his jaw parted at the ripples of color. Not bothering to roll up his pajama bottoms, he walked into the water, the sea sloshing around his feet. Spirals of daffodil yellow puddled around his ankles. "What... what is happening?" he whispered. Others stepped into the water. They winced at the shards pricking at their feet. The shards. Yas kneeled in the water. She pulled out a jagged, cracked shell fragment from the ocean floor and cradled it in her palm---the salt water dripping from it trailed rivulets of color down her hands, which glimmered beneath the still-dark sky. "It's the shells." Yas leaned down and scooped out more. She raised her hand and opened her palm---the crowd gasped as gold and red trailed down her arm. "The color is..." Oscar's voice trailed off. "It's leaking out of the broken shells?
Aisha Saeed (Forty Words for Love)
Everyone gave you their pain, trauma and darkness. You take their troubles away from them. You were playing the game that you don't want to play. Everyone gave you their pain, trauma and darkness. You take their troubles away from them. You were playing the game that you don't want to play. Everyone is aware of your deeds now including you and all that you do. You want your life back and you don't want strongest or everyone in it. Life and death are y of the life. Without life there would be no death apartnd without death there would be no life. Life can be the short journey, but you should live your life to its fullest. Life can be the long journey, but happiness doesn't have to bother you. You can't live your life without love, peace and harmony." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
Yukihira." "Yo. So, uh, what're you doin' out here, Nakiri?" "Hm? Oh, nothing much. Just enjoying the night air. What about you?" "Huh? Me? Um, I was, uh... wait, why did I come out here again?" "Hee hee! Really? Forgetful much? *giggle*" "Y'know? You should laugh more often. You're prettier when you do." "W-WHAAAAA?! I expect such talk from Yoshino, but now you of all people?!"It's just that I'm so used to seeing you looking all scowly or snapping in anger all the time, y'know?" "Ugh! Enough of this already. You're the last person I want to hear any of that romance nonsense from, Yukihira. We're students. Our job is to study- to cook! We're too busy with important things to bother with trivialities like love!" "Yeah, you said it! Eesh! I mean, right now I've gotta focus on passing this darn test." "Oh, I'm sure you'll be all right, Yukihira. You can overcome every obstacle put in front of you. You always have... and you always will." "Heh heh! You got that right! And once that's outta the way, I'll get right back to challenging you!" "Bring it on. Come at me with all that you have, and I will crush you as I always do." "Nya ha haha! You haven't changed a bit! Even now that you're Dean, you're still the old you." "Wha?! O-of course I am! Who else would I be?
Yūto Tsukuda (食戟のソーマ 32 [Shokugeki no Souma 32] (Food Wars: Shokugeki no Soma, #32))
The Things I've Done (Woody Johnson) "These things I've done," said I to him, In his office that day, by way of confession: "I have emptied the cup that overflows, "From the garden I clipped the finest rose... "Interrupted the poet with my praise, "Smothered butterflies - "Then pinned them in collectors' trays... "Made the silent initiate shout in frustration, "Brought a child to tears with my intonation..." "I have drunk the last of the rationed water; "Struck the last match to light my cigar, sir; "Thrown the baby out with the bath; "And never bothered to check my math... "I did not look - I just leapt, "And just like Sagittarius - "I aimed right while looking left, "Resulting in disatrous." "I've accepted the fact that einmal ist keinmal, "And disregarded the family motto: "Did the things that one ought not to: "Again, once more, y a infinito... "Yes, I've done these things," said I. And he replied: "Well - you should be an addict - why! - "At the very least, in jail - or dead, sir! "None should have borne such ills you've bred!" Yes - that is what the doctor said.
Woody Johnson