Wwi Quotes

If you can walk with the crowd and keep your virtue, or walk with Kings-nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute with 60 seconds worth of distance run- Yours is the earth and everything that's in it, And-which is more-you'll be a man my son.

I know. I was there. I saw the great void in your soul, and you saw mine.

I’m reminded of Orville Tethington, inventor of the world’s first steam-powered fog machine. He’s also the guy who, after the Germans invented the flame thrower in WWI, decided to counteract it with his own creation, the candle thrower. The candle thrower was only battle tested once, and after fifteen minutes the war zone was littered with lit candles. Upon returning home after the war, some of the soldiers suffered such extreme and bizarre cases of PTSD that anytime a civilian lit a match or used their lighter, the soldiers would hit the ground and start singing “Happy Birthday.

Nothing so comforts the military mind as the maxim of a great but dead general.

There’s nothing funny about war. Well, aside from this joke Orafoura told me: What did WWI say to WWII? I wish I could tell you the punch line, but the restaurant was so noisy that I didn’t hear it. But I laughed anyway, because I’ll bet it was pretty funny.

It is as if Quincey has replaced the sun in my universe and it is around him that I spin.

World War I was the most colossal, murderous, mismanaged butchery that has ever taken place on earth. Any writer who said otherwise lied, So the writers either wrote propaganda, shut up, or fought.

We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad.

... We had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through.

This book is not about heroes. English poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity.

So you're met Finn. He's a dash, isn't he? If I weren't older than dirt and ugly as sin, I'd climb that like a French alp.

And when Franz Ferdinand pays, everybody pays!

I stand there and wonder whether, when I am twenty, I shall have experienced the bewildering emotions of love.

We'd been through something our parents hadn't. The war made us older than our parents. And when you're older than your parents, what are you going to do? Who's going to show you how to live?

Mute in that golden silence hung with green, Come down from heaven and bring me in your eyes Remembrance of all beauty that has been, And stillness from the pools of Paradise.

But the old man would not so, but slew his son, And half the seed of Europe, one by one.

In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable.

We had come from lecture halls, school desks and factory workbenches, and over the brief weeks of training, we had bonded together into one large and enthusiastic group. Grown up in an age of security, we shared a yearning for danger, for the experience of the extraordinary. We were enraptured by war.

Throughout the war, it was always my endeavour to view my opponent without animus, and to form an opinion of him as a man on the basis of the courage he showed. I would always try and seek him out in combat and kill him, and I expected nothing else from him. But never did I entertain mean thoughts of him. When prisoners fell into my hands, later on, I felt responsible for their safety, and would always do everything in my power for them.

Retreat, hell we just got here!

The master class has always declared the wars; the subject class has always fought the battles.

Only one thought can comfort, and that is that he died, not for war, but for peace.

The bargaining position of the victor always diminishes with time. Whatever is not exacted during the shock of defeat becomes increasingly difficult to attain later.

What a waste Sandys' last days had been, thought Gaunt. Pathetically attempting to overcome a grief that would never have time to heal.

I keep such music in my brain No din this side of death can quell; Glory exulting over pain, And beauty, garlanded in hell.

Its magnificence was indescribable, and its magnitude was inconceivable. She felt overwhelmed in the presence of its greatness. Pg 87

When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.

It had been a war of kingly poisons, in the air, in the memory, in the blood.

If I should come out of this war alive, I will have more luck than brains. I like to fly, not to kill.

War…next to love, has most captured the world’s imagination” – Eric Partridge, famous lexicographer and author who served in the Australian Imperial Force during WWI

Belgium, where there occurred one of the rare appearances of the hero in history, was lifted above herself by the uncomplicated conscience of her King and, faced with the choice to acquiesce or resist, took less than three hours to make her decision, knowing it might be mortal.

It is a confession of the weakness of our own faith in the righteousness of our cause when we attempt to suppress by law those who do not agree with us." Alfred E. Smith, governor of New York after WWI

The rocket was beautiful. In conception it had been shaped by an artist to break a chain that had bound the human race ever since we first gained consciousness of earth's gravity and all it's analogs in suffering, failure and pain. It was at once a prayer sent heavenward and the answer to that prayer: Bear me away from this awful place.

Irony is the attendant of hope and the fuel of hope is innocence.

A man dreams of a miracle and wakes up to loaves of bread.

For they were unseasoned, nor inured, not knowing this to be much less than the beginning of sorrow.

I wish those people who write so glibly about this being a holy War, and the orators who talk so much about going on no matter how long the War lasts and what it may mean, could see a case--to say nothing of 10 cases--of mustard gas in its early stages--could see the poor things burnt and blistered all over with great mustard-coloured suppurating blisters, with blind eyes--sometimes temporally, sometimes permanently--all sticky and stuck together, and always fighting for breath, with voices a mere whisper, saying that their throats are closing and they know they will choke.

They wouldn't, if they realized that socialist "freedom" involved killing anyone who held a different view. That was no freedom. That was the worst form of tyranny - the kind that lied about what it was.

Confession is good for the soul even after the soul has been claimed” (p. 381).

Why are you perpetuating a childhood you grew up despising?

I have always been considerably addicted to my own company.

We have yielded no more than a few hundred yards of it as a prize to the enemy. But on every yard there lies a dead man.

They died in splendour, these who claimed no spark Of glory save the light in a friend's eye.

In short, the war got off to a pretty good start, with the help of chaos.

In the last decades of the nineteenth century, the life of a secondary schoolmaster was as miserable as it has ever been,

But how intolerable bright the morning is where we who are alive and remain, walk lifted up, carried forward by an effective word.

France is to me the heroine in the romance of all the nations of all time. This feeling was born in me years ago when I read how her noble sons had defended America in its cradle. Today I am proud that I am one of the millions who will come to save our heroine from the clutches of the villain from across the Rhine.

These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape.

I breathe deeply and say over to myself: - 'You are at home. You are at home.' But a sense of strangeness will not leave me, I cannot feel at home amongst these things . . . I am not myself there. There is a distance, a veil between us.

In a curious failure of comprehension, I looked alertly about me for possible targets for all this artillery fire, not, apparently, realizing that it was actually ourselves that the enemy gunners were trying for all they were worth to hit.

At the sight of the Neckar slopes wreathed with flowering cherry trees, I had a strong sense of having come home. What a beautiful country it was, and eminently worth our blood and our lives. Never before had I felt its charm so clearly. I had good and serious thoughts, and for the first time I sensed that this war was more than just a great adventure.

The birds chattered merrily on the wet brown branches. Daffodils sunned out among the headstones. How alive it all seemed, and how gracious-to die in an era when your death bought you a brief moment at the centre of something. To be important, rather than one of millions.

The corpses in the wasteland of past and present haunt us. We are still in Eliot's land of the dead, imprisoned in Kafka's penal colony, running from the unexplained rage of the golem, listening to Lovecraft's drumbeat of horror, and shivering in the chilly shadow of Grau and Murnau's Nosferatu. We cannot awaken from history.

I am a messenger who will bring back word from the men who are fighting (WWI) to those who want the war to go on forever. Feeble, inarticulate will be my message, but it will have a bitter truth and may it burn their lousy souls.

(On WWI:) A man of importance had been shot at a place I could not pronounce in Swahili or in English, and, because of this shooting, whole countries were at war. It seemed a laborious method of retribution, but that was the way it was being done. ... A messenger came to the farm with a story to tell. It was not a story that meant much as stories went in those days. It was about how the war progressed in German East Africa and about a tall young man who was killed in it. ... It was an ordinary story, but Kibii and I, who knew him well, thought there was no story like it, or one as sad, and we think so now. The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all. But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. ... He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight. He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant. But of course it meant something to Kibii and me, because the tall young man was Kibii's father and my most special friend. Arab Maina died on the field of action in the service of the King. But some said it was because he had forsaken his spear.

Men were snoring, twitching and whimpering, struggling with nightmares less terrible than reality.

The dead lie unburied and unconsecrated above ground, while the living cower deep beneath the surface of the earth. The world, upside down.” Lucie – THE VINEYARDS OF CHAMPAGNE

They bright whiten all this sepulchre with powdered chloride of lime. It's a perfectly sanitary war.

We must be still - not our hands and feet, but our minds. And know that He is God. That He has not changed. That the same Lord who loved us when all is well loves us still when all is lost. His promises are as true today as they were yesterday. He has been enough to see people through the worst since the dawn of time. We must trust that His love is enough to see us through now.

The landscape had been so maimed by this new kind of warfare it was as if human architects of great genius had sat down to plan hell, since no two of them could agree on the design of heaven.

During the conflict that was placed before them, they not only gained the gratitude of many in their own generation but they proved, for the first time on a global scale, the enormous value of a woman’s contribution, paving the way for future generations of women to do the same.

Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is no smooth road into the future: but we go round, or scramble over the obstacles. We've got to live, no matter how many skies have fallen.

Tell the innocent visitor from another world that two people were killed at Sarajevo, and that the best that Europe could do about it was to kill eleven million more.

Who said I was dead. Send me the mortars and a thousand hand grenades.

And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are!

This is War. Things like this also happen in peace time, but not so obviously.

History will be kind to me for I intend to write it.” Winston Churchill

And this I know: all these things that now, while we are still in the war, sink down in us like a stone, after the war shall waken again, and then shall begin the disentanglement of life and death.

…it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not.

No lack of time, strength or money shall prevent me from doing anything that I want to do,” was Sarah Macnaughtan’s lifelong motto, first uttered in her younger years. A compassionate and daring woman ahead of her time who stood barely over 5 feet tall, Sarah let no obstacles become roadblocks in her life.

He had volunteered early, rather than waiting to be conscripted, for he felt a duty and an obligation to serve, and believed that ... being willing to fight for his country and the liberty it represented, would make some small difference. ... His idealism was one of the casualties of the carnage [of Verdun].

For a time, the word Weltpolitik seemed to capture the mood of the German middle classes and the national-minded quality press. The word resonated because it bundled together so many contemporary aspirations. Weltpolitik meant the quest to expand foreign markets (at a time of declining export growth); it meant escaping from the constraints of the continental alliance system to operate on a broader world arena. It expressed the appetite for genuinely national projects that would help knit together the disparate regions of the German Empire and reflected the almost universal conviction that Germany, a late arrival at the imperial feast, would have to play catch-up if it wished to earn the respect of the other great powers. Yet, while it connoted all these things, Weltpolitik never acquired a stable or precise meaning. Even Bernhard von Bulow, widely credited with establishing Weltpolitik as the guiding principle of German foreign policy, never produced a definitive account of what it was. His contradictory utterances on the subject suggest that it was little more than the old policy of the "free hand" with a larger navy and more menacing mood music. "We are supposed to be pursuing Weltpolitik," the former chief of the General Staff General Alfred von Waldersee noted grumpily in his diary in January 1900. "If only I knew what that was supposed to be.

If, as I have reason to believe, I have disintegrated the nucleus of the atom, this is of greater significance than the war. [Apology to the international anti-submarine committee for being absent from several meetings during World War I.]

Her unique observations are about how the war impacted people—from the thrill-seekers going to battlefields for fun, to the nurses working among the wounded in darkness, and London society women venturing into foreign lands to work near dangerous enemy lines.

In the First World War we lost in all about three million killed. In the Second we lost twenty million (so Khrushchev said; according to Stalin it was only seven million. Was Nikita being too generous? Or couldn't Iosif keep track of his capital?) All those odes! All those obelisks and eternal flames! Those novels and poems! For a quarter of a century all Soviet literature has been drunk on that blood!

And as I went up to him and took his hands, I felt that I had made no mistakes; and although I knew that, in a sense which could never be true of him, I was linked with the past that I had yielded up, inextricably and for ever, I found it not inappropriate that the years of frustration and grief and loss, of work and conflict and painful resurrection, should have led me through their dark and devious ways to this new beginning.

We are like those abandoned fields full of shell holes in France, no less peaceful than other ploughed lands about them, but in them are lying still the buried explosives, and until these shall have been dug out and cleared away, to plough will be a danger both to the plougher and the ploughed.

It brings a lump into the throat to see how they go over, and run and fall. A man would like to spank them, they are so stupid, and to take them by the arm and lead them away from here where they have no business to be. They wear grey coats and trousers and boots, but for most of them the uniform is far too big, it hangs on their limbs, their shoulders are too narrow, their bodies too slight; no uniform was ever made to these childish measurements.

Hauriou, became a crown witness for us when he confirmed this connection in 1916, in the midst of WWI: “The revolution of 1789 had no other goal than absolute access to the writing of legal statutes and the systematic destruction of customary institutions. It resulted in a state of permanent revolution because the mobility of the writing of laws did not provide for the stability of certain customary institutions, because the forces of change were stronger than the forces of stability. Social and political life in France was completely emptied of institutions and was only able to provisionally maintain itself by sudden jolts spurred by the heightened morality.

He saw the delicate blades of grass which the bodies of his comrades had fertilized; he saw the little shoots on the shell-shocked trees. He saw the smoke-puffs of shrapnel being blown about by light breezes. He saw birds making love in the wire that a short while before had been ringing with flying metal. He heard the pleasant sounds of larks up there, near the zenith of the trajectories. He smiled a little. There was something profoundly saddening about it. It all seemed so fragile and so absurd.

..my feelings for the countryside…the beauty and the wildness, the enchantment of so much colour and life and warmth of the sun. Most people are restless in the country, they feel a vacancy, and want to get back to the shops and pavements and traffic; what they call life. Sometimes this war seems to have come directly out of that restlessness.

He wants me to tell him about the front; he is curious in a way that I find stupid and distressing; I no longer have any real contact with him. There is nothing he likes more than just hearing about it. I realize he does not know that a man cannot talk of such things; I would do it willingly, but it is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them. What would become of us if everything that happens out there were quite clear to us?

. . . men will not understand us - for the generation that grew up before us, though it has passed these years with us already had a home and a calling; now it will return to its old occupations, and the war will be forgotten - and the generation that that has grown up after us will be strange to us and push us aside. We will be superfluous even to ourselves, we will grow older, a few will adapt themselves, some others will merely submit, and most will be bewildered; - the years will pass by and in the end we shall fall into ruin.

…we saw a lion take down a gazelle – I mean at close quarters. It quite took my breath away. It was as if something happened to the gazelle at the moment of capture, something awe-inspiringly terrible and wonderful at the same time – as if, in knowing the gazelle was to die a dreadful death, ripped apart by the jaws of the lion, the Creator had given the captive a reprieve by taking her soul before she was dead, so that no pain would be felt because the essence had gone already… And I saw the eyes of the gazelle again in France [during WWI], and it struck me that perhaps a heartsick God had looked down and taken up a soul, leaving only the shell of a man.” [of those who developed PTSD and/or “war neuroses”]

It was such a heavenly dream: dreamed between the reality of war and the reality of hereditary madness.

Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV

Memories. They are like matryoshka dolls, yes?" [Lily] looked at Mr. Martin again, brows knit. "What kind of dolls?" He cupped his hands, then brought them closer together. "They...nest. Nesting dolls? You know them by this name, perhaps?" "Oh! Yes, of course. ...Memories /are/ like that, to be sure. As soon as you peek at one, another reveals itself, and then another.

History conditioned you for epic-scale calamity. Once, when she was studying the death tolls of battles in World War I, she'd caught herself thinking, Only eight thousand men died here. Well, that's not many. Because next to, say, the million who died at the Somme, it wasn't. The stupendous numbers deadened you to the merely tragic, and history didn't average in the tame days for balance. On this day, no one in the world was murdered. A lion gave birth. Ladybugs launched on aphids. A girl in love daydreamed all morning, neglecting her chores, and wasn't even scolded.

So it comes about that the war [World War I] seems, to us, to have been fought less over territory than the way it would be remembered, that the war’s true subject is remembrance. Indeed the whole war — which was being remembered even as it was fought, whose fallen were being remembered before they fell — seems not so much to be tinted by retrospect as to have been fought retrospectively.

The implicit optimism of the [field service post card] is worth noting—the way it offers no provision for transmitting news like “I have lost my left leg” or “I have been admitted into hospital wounded and do not expect to recover.” Because it provided no way of saying “I am going up the line again,” its users had to improvise. Wilfred Owen had an understanding with his mother that when he used a double line to cross out “I am being sent down to the base,” he meant he was at the front again. Close to brilliant is the way the post card allows one to admit to no state of health between being “quite” well, on the one hand, and, on the other, being so sick that one is in hospital.

William Stoner entered the University of Missouri as a freshman in the year 1910, at the age of nineteen. Eight years later, during the height of World War I, he received his Doctor of Philosophy degree and accepted an instructorship at the same University, where he taught until his death in 1956. He did not rise above the rank of assistant professor, and few students remembered him with any sharpness after they had taken his courses. When he died his colleagues made a memorial contribution of a medieval manuscript to the University library. This manuscript may still be found in the Rare Books Collection, bearing the inscription: 'Presented to the Library of the University of Missouri, in memory of William Stoner, Department of English. By his colleagues.' An occasional student who comes upon the name may wonder idly who William Stoner was, but he seldom pursues his curiosity beyond a casual questions. Stoner's colleagues, who held him in no particular esteem when he was alive, speak of him rarely now; to the older ones, his name is a reminder of the end that awaits them all, and to the younger ones it is merely a sound which evokes no sense of the past and no identity with which they can associate themselves or their careers.

I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age . . . throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing; - it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?

When World War II was over, and the communists were still very much alive, THE SAME CORPORATIONS AND MULTINATIONAL COMPANIES THAT ARMED GERMANY AFTER WWI sent the Nazis and war criminals with their loot, counterfeit or otherwise, to the USA, Middle East, Asia, Africa and South America. Allen Dulles, Wall Street attorney, made arrangements for the Nazis’ exit. He became the first director of the CIA in 1947. The divisions and decoys we fall into, all the categories of conflict, never follow history or documents day-by-day to understand why we have so many assassinations and cover-ups. Over 600 Nazis were brought to our defense industries, universities and hospitals from 1945-1952 under Project Paperclip.

When Adolf Hitler heard of the Japanese attack on Pearl Harbor, he slapped his hands together in glee and exclaimed, “Now it is impossible to lose the war. We now have an ally, Japan, who has never been vanquished in three thousand years.” Germany and Japan were threatening the world with massive land armies. But Hitler and Hirohito had never taken the measure of the man in the White House. A former assistant secretary of the navy, Franklin D. Roosevelt had his own ideas about the shape and size of the military juggernaut he would wield. FDR’s military experts told him that only huge American ground forces could meet the threat. But Roosevelt turned aside their requests to conscript tens of millions of Americans to fight a traditional war. The Dutchman would have no part in the mass WWI-type carnage of American boys on European or Asian killing fields. Billy Mitchell was gone, but Roosevelt remembered his words. Now, as Japan and Germany invested in yesterday, FDR invested in tomorrow. He slashed his military planners’ dreams of a vast 35-million-man force by more than half. He shrunk the dollars available for battle in the first and second dimensions and put his money on the third. When the commander in chief called for the production of four thousand airplanes per month, his advisers wondered if he meant per year. After all, the U.S. had produced only eight hundred airplanes just two years earlier. FDR was quick to correct them. The

I had realized that it was not the courage and generosity of the dead which had brought about this chaos of disaster, but the failure of courage and generosity on the part of the survivors… Perhaps, after all, the best that we who were left could do was to refuse to forget, and to teach our successors what we remembered, in the hope that they, when their own day came, would have more power to change the state of the world than this bankrupt, shattered nation. If only, somehow, the nobility which in us had been turned toward destruction could be used in them for creation, if the courage which we had dedicated to war could be employed, by them, on behalf of peace, then the future might indeed see the redemption of man instead of his further descent into chaos.

Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?

This book is not about heroes. English poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity. Yet these elegies are to this generation in no sense consolatory. They may be to the next. All a poet can do today is to warn. That is why the true Poets must be truthful.

There were thousands of Kantoreks, all of whom were convinced that they were acting for the best—in a way that cost them nothing. And that is why they let us down so badly. …in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a more humane wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness the first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the dying. While they taught that duty to one’s country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards—they were very free with all these expressions. We loved our country as much as they; we went courageously into every action; but also we distinguished the false from true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through.

It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating.

Because we were duped, I tell you, duped as even yet we hardly realize; because we were misused, hideously misused. They told us it was for the Fatherland, and meant the schemes of annexation of a greedy industry. They told us it was for Honour, and meant the quarrels and the will to power of a handful of ambitious diplomats and princes. They told us it was for the Nation, and meant the need for activity on the part of out-of-work generals!... Can't you see? They stuffed out the word Patriotism with all the twaddle of their fine phrases, and their desire for glory, their will to power, their false romanticism, their stupidity, their greed of business, and then paraded it before us a shining ideal! And we thought they were sounding a bugle summoning us to a new, a more strenuous, a larger life. Can't you see man? But we were making war against ourselves without knowing it! Every shot that struck home, struck one of us! Can't you see? Then listen and I will bawl it into your ears. The youth of the world rose up in every land, believing that it was fighting for freedom! And in every land they were duped and misused; in every land they have been shot down, they have exterminated each other! Don't you see now? There is only one fight, the fight against the lie, the half-truth, compromise, against the old order. But we let ourselves be taken in by their phrases; and instead of fighting against them, we fought for them. We thought it was for the Future. It was against the Future. Our future is dead; for the youth is dead that carried it. We are merely the survivors the ruins. But the other is alive still - the fat, the full, the well content, that lies on, fatter and fuller, more contented than ever! And why? Because the dissatisfied, the eager, the storm troops have died for it. But think of it! A generation annihilated! A generation of hope, of faith, of will, of strength, ability, so hypnotised that they have shot down one another, though over the whole world they all had the same purpose!