Ws Quotes

Separation Your absence has gone through me Like thread through a needle. Everything I do is stitched with its color.

Poetry is a way of looking at the world for the first time.

mencintaimu adalah bahagia & sedih; bahagia karna memilikimu dalam kalbu; sedih karena kita sering berpisah

To sit in solemn silence on a dull, dark dock in a pestilential prison with a life-long lock awaiting the sensation of a short, sharp shock from a cheap and chippy chopper on a big, black block.

Through all of youth I was looking for you without knowing what I was looking for

We are asleep with compasses in our hands.

The story of each stone leads back to a mountain.

part memory part distance remaining mine in the ways that I learn to miss you

I'm really very sorry for you all, but it's an unjust world, and virtue is triumphant only in theatrical performances.

Send me out into another life lord because this one is growing faint I do not think it goes all the way

come back believer in shade believer in silence and elegance believer in ferns believer in patience believer in the rain

They will say you are on the wrong road, if it is your own.

How beautiful you must be to have been able to lead me this far with only the sound of your going away

from what we cannot hold the stars are made

we travel far and fast and as we pass through we forget where we have been

Tell me what you see vanishing and I will tell you who you are

Plus, humor ws a good way to hide the pain. And if that didn't work, there was always Plan B. Run aaway. Over and over.

I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write

You grieve Not that heaven does not exist but That it exists without us

Allah! Betapa indahnya sepiring nasi panas Semangkuk sup dan segelas kopi hitam

Kemarin dan esok adalah hari ini bencana dan keberuntungan sama saja Langit di luar, Langit di badan, Bersatu dalam jiwa

A BIRTHDAY Something continues and I don't know what to call it though the language is full of suggestions in the way of language but they are all anonymous and it's almost your birthday music next to my bones these nights we hear the horses running in the rain it stops and the moon comes out and we are still here the leaks in the roof go on dripping after the rain has passed smell of ginger flowers slips through the dark house down near the sea the slow heart of the beacon flashes the long way to you is still tied to me but it brought me to you I keep wanting to give you what is already yours it is the morning of the mornings together breath of summer oh my found one the sleep in the same current and each waking to you when I open my eyes you are what I wanted to see.

I needed my mistakes in their order to get me here

It struck her that adult life ws endlessly harsh and exciting, something to be overwhelmed by again and again, like a wave beating her down as she tried to stand.

My words are the garment of what I shall never be Like the tucked sleeve of a one-armed boy.

turning the pages patiently in search of meanings

Poetry is like making a joke. If you get one word wrong at the end of a joke, you've lost the whole thing.

Utterance" Sitting over words Very late I have heard a kind of whispered sighing Not far Like a night wind in pines or like the sea in the dark The echo of everything that has ever Been spoken Still spinning its one syllable Between the earth and silence

Modern poetry, for me, began not in English at all but in Spanish, in the poems of Lorca.

So this is what I am Pondering his eyes that could not Conceive that I was a creature to run from I who have always believed too much in words

I am an abyss that I am trying to cross.

Merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative.

Oh, dry the glistening tear that dues that marshal cheek Thy loving childern here in them thy comfort seek With sympathetic care their arms around the creep, For oh they can not bear to see their father weep

I try to hear you remembering that we are not separate to find you who cannot be lost or elsewhere or incomplete

They were flinty, dull, with inscriptions depicting each of the five Ws of Journalism (What? What! What!? What. Why?).

with the night falling we are saying thank you we are stopping on the bridge to bow from the railings we are running out of the glass rooms with our mouths full of food to look at the sky and say thank you we are standing by the water looking out in different directions back from a series of hospitals back from a mugging after funerals we are saying thank you after the news of the dead whether or not we knew them we are saying thank you in a culture up to its chin in shame living in the stench it has chosen we are saying thank you over telephones we are saying thank you in doorways and in the backs of cars and in elevators remembering wars and the police at the back door and the beatings on stairs we are saying thank you in the banks that use us we are saying thank you with the crooks in office with the rich and fashionable unchanged we go on saying thank you thank you with the animals dying around us our lost feelings we are saying thank you with the forests falling faster than the minutes of our lives we are saying thank you with the words going out like cells of a brain with the cities growing over us like the earth we are saying thank you faster and faster with nobody listening we are saying thank you we are saying thank you and waving dark though it is

What I remember I cannot tell though it is there in all that I say

I offer you what I have my Poverty

When the ball that was my heart ws broken,... laughter fell out".

Oh...God...Letting go meant you accepted what couldn't be changed. You didn't try to hold on to hope in order to coerce a change in fortune...nor did you battle against the superior forces of fate and try to make them capitulate to your will...nor did you beg for salvation because you assumed you knew better. Letting go meant you stared at what was before you with clear eyes, recognizing that unfettered choice was the exception and destiny the rule. No bargaining. No trying to control. You gave up and saw that the one you loved was in fact not your future, and there ws nothing you could do about it.

I got a head start and ws already hanging upside down when he caught up. All the blood was rushing to my head, making me feel dizzy. "I can't stay like this much longer," I told him."Head rush." He leaned down and stuck his face next to mine, gifting me with a beautiful smile."I know the feeling," he said. "You give me a head rush all the time.

It's love that makes the world go round.

Certain words now in our knowledge we will not use again, and we will never forget them. We need them. Like the back of the picture.

When everyone is somebody, then no one’s anybody.

Obviously a garden is not the wilderness but an assembly of shapes, most of them living, that owes some share of its composition, it’s appearance, to human design and effort, human conventions and convenience, and the human pursuit of that elusive, indefinable harmony that we call beauty. It has a life of its own, an intricate, willful, secret life, as any gardener knows. It is only the humans in it who think of it as a garden. But a garden is a relationship, which is one of the countless reasons why it is never finished.

I have no way of telling what I miss I am the only one who misses it

I will take with me the emptiness of my hands. What you do not have you find everywhere

the dead are not separate from the living each has one foot in the unknown and cannot speak for the other

He wanted to leave the past a few hundred miles down the road, shake it off like dust. But that ws the problem with the past. It kept finding him.

<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>

It occured to her that pleasure, no matter how deep, was a ghostly, ephemeral thing. Love might make the world go round, but she was convinced it ws the cries of the badly wounded andf deeply afflicted which spun the universe on the great glass pole of it's axis.

A garden is made of hope.

After an age of leaves and feathers someone dead thought of the mountain as money and cut the trees that were here and the wind and the rain at night. It is hard to say it.

where will the meanings be when the words are forgotten will I see again where you are

My cradle was a shoe.

When I was me I remembered I could remember what was not there but may have been there once

In my youth I believed in somewhere else I put my faith in travel now I am becoming my own tree

As though it had always been forbidden to remember each of us grew up knowing nothing about the beginning

all these years I have looked through your limbs to the river below and the roofs and the night and you were the way I saw the world

For a Coming Extinction Gray whale Now that we are sending you to The End That great god Tell him That we who follow you invented forgiveness And forgive nothing I write as though you could understand And I could say it One must always pretend something Among the dying When you have left the seas nodding on their stalks Empty of you Tell him that we were made On another day The bewilderment will diminish like an echo Winding along your inner mountains Unheard by us And find its way out Leaving behind it the future Dead And ours When you will not see again The whale calves trying the light Consider what you will find in the black garden And its court The sea cows the Great Auks the gorillas The irreplaceable hosts ranged countless And fore-ordaining as stars Our sacrifices Join your word to theirs Tell him That it is we who are important

I am an acquired taste.

Let us always love the best in others—and never fear their worst.

Capitalism, too, ws forged in blood and tears; it is just that it has survived long enough to forget about much of this horror.

The poor girl ws keeping that student's letter as a precious treasure, and had run to fetch it, her only treasure, because she did not want me to go away without knowing that she, too, was honestly and genuinely loved; that she, too, was addressed respectfully. No doubt that letter was destined to lie in her box and lead to nothing. But none the less, I am certain that she would keep it all her life as a precious treasure, as her pride and justification, and now at such a minute she had thought of that letter and brought it with naive pride to raise herself in my eyes that I might see, that I, too, might think well of her.

Wanda Bone Bouvier had that thing that makes a hound leap against its cage. It ws a quality that was partly a bonus from nature and partly learned from cheesecake calendars and Tanya Tucker albums.

where will the meanings be when the words are forgotten

I think there's a kind of desperate hope built into poetry now that one really wants, hopelessly, to save the world. One is trying to say everything that can be said for the things that one loves while there's still time.

...The silence of a place where there were once horses is a mountain and I have seen by lightning that ever mountain once fell from the air ringing like the chime of an iron shoe...

apparently we believe in the words and through them but we long beyond them for what is unseen what remains out of reach what is kept covered

CHORUS What, never? CAPTAIN No, never! CHORUS What, never? CAPTAIN Well, hardly ever!

Cintamu padaku tak pernah kusangsikan, Tapi cinta cuma nomor dua. Nomor satu carilah keselamatan.

Aku bertanya, tetapi pertanyaanku membentur jidat penyair – penyair salon yang bersajak tentang anggur dan rembulan, sementara ketidakadilan terjadi disampingnya. Dan delapan juta kanak – kanak tanpa pendidikan termangu – mangu di kaki dewi kesenian.

I have come back through the years to this stone hollow encrypted in its own stillness I hear it without listening

we trust without giving it a thought that we will always see it as we see it once and that what we know is only a moment of what is ours and will stay we believe it as the moment slips away as lengthening shadows merge in the valley and a window kindles there like a first star what we see again comes to us in secret

Aku bertanya, tetapi pertanyaan-pertanyaanku membentur meja kekuasaan yang macet. Dan papan tulis papan tulis para pendidik yang terlepas dari persoalan kehidupan. Apakah artinya berpikir bila terpisah dari masalah kehidupan?

Going too fast for myself I missed more than I think I can remember almost everything it seems sometimes and yet there are chances that come back that I did not notice when they stood where I could have reached out and touched them

he suggested I pray to the Muse get down on my knees and pray right there in the corner and he said he meant it literally

...and I was looking up out of a time of late blessings

The Six W’s: Work will win when wishing won’t

No one can have a higher opinion of him than I have, and I think he's a dirty little beast.

A visitor to a garden sees the successes, usually. The gardener remembers mistakes and losses, some for a long time, and imagines the garden in a year, and in an unimaginable future.

Gilbert's response to being told they (the words 'ruddy' and 'bloody') meant the same thing was: "Not at all, for that would mean that if I said that I admired your ruddy countenance, which I do, I would be saying that I liked your bloody cheek, which I don't.

We begin to say something that cannot be said. When you see on the front page a woman in Iraq who's just seen her husband blown up, you see her there, her mouth wide open, you know the sound coming out of her, a howl of grief and pain -- that's the beginning of language. Trying to express that, it's inexpressible, and poetry is really to say what can't be said. And that's why people turn to it in these moments. They don't know how to say this, [but] part of them feels that maybe a poem will say it. It won't say it, but it'll come closer to saying it than anything else will. I think there are always two sides, and one of them is the unsayable. The utterly singular. Who you are; who you can never tell anybody. And on the other hand, there is what you can express. How do we know about this thing we talk about? Because we talk about it. We're using words. And the words never say it, but the words are all we have to say it.

August was almost over. The first cool touch of autumn moved slowly through the town and there was a softening and the first gradual burning fever of color in every tree, a faint flush and coloring in the hills, and the color of lions in the wheat fields. Now the pattern of days was familiar and repeated like a penman beautifully inscribing again and again, in practice, a series of it’s and w’s and m’s, day after day the line repeated in delicate rills.

Traveling Together" If we are separated, I will try to wait for you on your side of things your side of the wall and the water and of the light moving at its own speed even on leaves that we have seen I will wait on one side while a side is there

If nothing else, my analysis of George W.’s oratory style had taught me that a sincere countenance and a confident stance were sufficient to distract your audience from the fact that you were talking rubbish.

I look for you my curl of sleep my breathing wave on the night shore my star in the fog of morning I think you can always find me I call to you under my breath I whisper to you through the hours all your names my ear of shadow I think you can always hear me I wait for you my promised day my time again my homecoming my being where you wait for me I think always of you waiting

The wind lifts the whole branch of the poplar carries it up and out and holds it there while each leaf is the whole tree reaching from its roots in the dark earth out through all its rings of memory to where it has never been

Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.

To Paula in Late Spring" Let me imagine that we will come again when we want to and it will be spring we will be no older than we ever were the worn griefs will have eased like the early cloud through which the morning slowly comes to itself and the ancient defenses against the dead will be done with and left to the dead at last the light will be as it is now in the garden that we have made here these years together of our long evenings and astonishment

I believe in the ordinary day that is here at this moment and is me I do not see it going its way but I never saw how it came to me it extends beyond whatever I may think I know and all that is real to me it is the present that it bears away where has it gone when it has gone from me there is no place I know outside today except for the unknown all around me the only presence that appears to stay everything that I call mine it lent me even the way that I believe the day for as long as it is here and is me

...his sleep, though deep as death itself, was not dreamless this time, but threaded with ghostly wisps of dreams. These wisps were clearly recognizable as scraps of odors. At first they merely floated in thin threads past Grenouille's nose, but then they grew thicker, more cloudlike. And now it seemed as if he were standing in the middle of a moor from which fog was rising. The fog slowly climbed higher. Soon Grenouille was completely wrapped in fog, saturated with fog, and it seemed he could not get his breath for the foggy vapor. If he did not want to suffocate, he would have to breathe the fog in. And the fog was, as noted, an odor. And Grenouille knew what kind of odor. The fog ws his own odor. His, Grenouille's, own body odor was the fog. And the awful thing was that Grenouille, although he knew that his odor was his odor, could not smell it. Virtually drowning in himself, he could not for the life of him smell himself!

Place" On the last day of the world I would want to plant a tree what for not for the fruit the tree that bears the fruit is not the one that was planted I want the tree that stands in the earth for the first time with the sun already going down and the water touching its roots in the earth full of the dead and the clouds passing one by one over its leaves

The universe is a great unknown wonderful place, and we know nothing, really, to speak of about it. I think that either depresses and frightens one or is exhilarating. We are very important, and we’re not important in quite the way we think we are. Each one of us is unique, and we can find out a whole lot just by examining ourselves. I think that’s the essential thing. Not paying attention to how you’re going to make money, just paying attention to whatever is around you. Each one of those seconds is your only chance. It’s your life. And it’s wonderful. The more attention that we pay to our ordinary lives leads to a real elation that we’re here at all.

Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.

When I think of the patience I have had back in the dark before I remember or knew it was night until the light came all at once at the speed it was born to with all the time in the world to fly through not concerned about ever arriving and then the gathering of the first stars unhurried in their flowering spaces and far into the story the planets cooling slowly and the ages of rain then the seas starting to bear memory the gaze of the first cell at its waking how did this haste begin this little time at any time this reading by lightning scarcely a word this nothing this heaven

Berryman" I will tell you what he told me in the years just after the war as we then called the second world war don't lose your arrogance yet he said you can do that when you're older lose it too soon and you may merely replace it with vanity just one time he suggested changing the usual order of the same words in a line of verse why point out a thing twice he suggested I pray to the Muse get down on my knees and pray right there in the corner and he said he meant it literally it was in the days before the beard and the drink but he was deep in tides of his own through which he sailed chin sideways and head tilted like a tacking sloop he was far older than the dates allowed for much older than I was he was in his thirties he snapped down his nose with an accent I think he had affected in England as for publishing he advised me to paper my wall with rejection slips his lips and the bones of his long fingers trembled with the vehemence of his views about poetry he said the great presence that permitted everything and transmuted it in poetry was passion passion was genius and he praised movement and invention I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write

Seonggok jagung di kamar dan seorang pemuda yang kurang sekolahan. Memandang jagung itu, sang pemuda melihat ladang; ia melihat petani; ia melihat panen; dan suatu hari subuh, para wanita dengan gendongan pergi ke pasar ……….. Dan ia juga melihat suatu pagi hari di dekat sumur gadis-gadis bercanda sambil menumbuk jagung menjadi maisena. Sedang di dalam dapur tungku-tungku menyala. Di dalam udara murni tercium kuwe jagung Seonggok jagung di kamar dan seorang pemuda. Ia siap menggarap jagung Ia melihat kemungkinan otak dan tangan siap bekerja Tetapi ini : Seonggok jagung di kamar dan seorang pemuda tamat SLA Tak ada uang, tak bisa menjadi mahasiswa. Hanya ada seonggok jagung di kamarnya. Ia memandang jagung itu dan ia melihat dirinya terlunta-lunta . Ia melihat dirinya ditendang dari diskotik. Ia melihat sepasang sepatu kenes di balik etalase. Ia melihat saingannya naik sepeda motor. Ia melihat nomor-nomor lotre. Ia melihat dirinya sendiri miskin dan gagal. Seonggok jagung di kamar tidak menyangkut pada akal, tidak akan menolongnya. Seonggok jagung di kamar tak akan menolong seorang pemuda yang pandangan hidupnya berasal dari buku, dan tidak dari kehidupan. Yang tidak terlatih dalam metode, dan hanya penuh hafalan kesimpulan, yang hanya terlatih sebagai pemakai, tetapi kurang latihan bebas berkarya. Pendidikan telah memisahkannya dari kehidupan. Aku bertanya : Apakah gunanya pendidikan bila hanya akan membuat seseorang menjadi asing di tengah kenyataan persoalannya ? Apakah gunanya pendidikan bila hanya mendorong seseorang menjadi layang-layang di ibukota kikuk pulang ke daerahnya ? Apakah gunanya seseorang belajat filsafat, sastra, teknologi, ilmu kedokteran, atau apa saja, bila pada akhirnya, ketika ia pulang ke daerahnya, lalu berkata : “ Di sini aku merasa asing dan sepi !

Old Man At Home Alone in the Morning" There are questions that I no longer ask and others that I have not asked for a long time that I return to and dust off and discover that I’m smiling and the question has always been me and that it is no question at all but that it means different things at the same time yes I am old now and I am the child I remember what are called the old days and there is no one to ask how they became the old days and if I ask myself there is no answer so this is old and what I have become and the answer is something I would come to later when I was old but this morning is not old and I am the morning in which the autumn leaves have no question as the breeze passes through them and is gone

Nora Ephron is a screenwriter whose scripts for Silkwood, When Harry Met Sally, and Sleepless in Seattle have all been nominated for Academy Awards. Ephron started her career as a journalist for the New York Post and Esquire. She became a journalist because of her high school journalism teacher. Ephron still remembers the first day of her journalism class. Although the students had no journalism experience, they walked into their first class with a sense of what a journalist does: A journalists gets the facts and reports them. To get the facts, you track down the five Ws—who, what, where, when, and why. As students sat in front of their manual typewriters, Ephron’s teacher announced the first assignment. They would write the lead of a newspaper story. The teacher reeled off the facts: “Kenneth L. Peters, the principal of Beverly Hills High School, announced today that the entire high school faculty will travel to Sacramento next Thursday for a colloquium in new teaching methods. Among the speakers will be anthropologist Margaret Mead, college president Dr. Robert Maynard Hutchins, and California governor Edmund ‘Pat’ Brown.” The budding journalists sat at their typewriters and pecked away at the first lead of their careers. According to Ephron, she and most of the other students produced leads that reordered the facts and condensed them into a single sentence: “Governor Pat Brown, Margaret Mead, and Robert Maynard Hutchins will address the Beverly Hills High School faculty Thursday in Sacramento. . .blah, blah, blah.” The teacher collected the leads and scanned them rapidly. Then he laid them aside and paused for a moment. Finally, he said, “The lead to the story is ‘There will be no school next Thursday.’” “It was a breathtaking moment,” Ephron recalls. “In that instant I realized that journalism was not just about regurgitating the facts but about figuring out the point. It wasn’t enough to know the who, what, when, and where; you had to understand what it meant. And why it mattered.” For the rest of the year, she says, every assignment had a secret—a hidden point that the students had to figure out in order to produce a good story.