Exquisite Girl Quotes

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She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey smooth and sweet and terribly sticky.
Patrick Süskind (Perfume: The Story of a Murderer)
Women waste so much time wearing no perfume. As for me, in every step that I have taken in life, I have been accompanied by an exquisite perfume!
C. JoyBell C.
I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot of contamination must be an exquisite treasure-an inexhaustible source of pure refreshment: is it not?
Charlotte Brontë (Jane Eyre)
An exquisite flower for my exquisite girl.
R.K. Lilley (Bad Things (Tristan & Danika, #1))
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
Victor Hugo (Les Misérables)
Nerd Girl Problem # 235 That unexplainable crush you have on fictional characters.
Ella Frank (Exquisite (Exquisite, #1))
I knew a girl and she felt like art. Sometimes colorful, sometimes dull, Sometimes with bright, hopeful eyes, Sometimes only black and white, But she was always a piece of exquisite art.
Melanie Sargsian (Lovember: A Collection of Short Love Stories)
He turned his dark eyes on the girl whom he had dreamed of so often over the previous months. Beside him, at that very moment of existence, at the heart of torrential downpour, she was exquisitely real, and she, too, seemed content to go on sitting there forever.
Anna Godbersen (Splendor (Luxe, #4))
This is the beauty I want. Beauty has got to be astonishing, astounding-- it's got to burst in on you like a dream, like the exquisite eyes of a girl.
F. Scott Fitzgerald (Flappers and Philosophers)
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
J. Ruth Gendler (The Book of Qualities)
Trust me," Cameron cut in, "there ain't a thing wrong with those two unless you count the unusual and exquisite length of their legs. Brooklyn turned a tight-lipped smile on him. "Thanks so much for that penis-driven observation.
Darynda Jones (Death and the Girl Next Door (Darklight, #1))
I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!
C. JoyBell C.
Well, I’ve had my fun; I’ve had it, he thought, looking up at the swinging baskets of pale geraniums. And it was smashed to atoms—his fun, for it was half made up, as he knew very well; invented, this escapade with the girl; made up, as one makes up the better part of life, he thought—making onself up; making her up; creating an exquisite amusement, and something more. But odd it was, and quite true; all this one could never share—it smashed to atoms.
Virginia Woolf (Mrs. Dalloway)
And the boys were all clean, their faces freshly and brutally shaved, their hair painstakingly gelled into exquisite apparent carelessness, with this electric feeling inside of them, which matched the feelings in the girls, that they were all ascending, moving into a future that could only improve them, and I wondered what it was like - the miracle, the stupidity of feeling that.
Peter Cameron (Someday This Pain Will Be Useful to You)
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.
Patrick Süskind (Perfume: The Story of a Murderer)
I wonder who else in the world was having such an exquisite dawn.
Hope Jahren (Lab Girl)
I think, Charlie, you have talent. I do. But I don't think you'll get far until you examine yourself and study.Until you let yourself be your subject. That's the exquisiteness of youth: you are allowed the luxury of vanity, of self-examination. Take it! Don't be ashamed of yourself.
Kathleen Glasgow (Girl in Pieces)
Melanin is an incomparable beauty. From the lightest to the darkest skin tone, Black women and Black girls are exquisite beauty in every shade. Yes, Black females have that special something that just can’t be ignored. We are Melanin Queens, beautifully created! Respect the complexion.
Stephanie Lahart
Black Girls… Beautiful in EVERY shade and size. We’ve got that special something! Our melanin is exquisitely beautiful! Love & embrace the skin that you’re in. Our skin tones represent beauty. Light, brown, and dark skinned girls are equally gorgeous!
Stephanie Lahart
this is the beauty I want. Beauty has got to be astonishing, astounding—it’s got to burst in on you like a dream, like the exquisite eyes of a girl.
F. Scott Fitzgerald (Flappers and Philosophers)
Girls don’t want beauty. Girls want power and sometimes beauty is the closest substitute
Laura Steven (Every Exquisite Thing)
You see, this is the beauty I want. Beauty has got to be astonishing, astounding--it's got to burst in on you like a dream, like the exquisite eyes of a girl.
F. Scott Fitzgerald (The Offshore Pirate)
I am a Black Woman… An Unapologetic Exquisite Black Queen… Respect is Mandatory!
Stephanie Lahart
Little girl, a memory without blot or contamination must be an exquisite treasure-an inexhaustible source of pure refreshment:is it not?
Charlotte Brontë (Jane Eyre)
The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?
Lisi Harrison (Monster High (Monster High, #1))
What you are lies with you. If you are lazy, and accept your lot, you may live in it. If you are willing to work, you can write your name anywhere you choose, among the only ones who live beyond the grave in this world, the people who write books that help, make exquisite music, carve statues, paint pictures, and work for others. Never mind the calico dress, and the coarse shoes. Work at you books, and before long you will hear yesterday's tormentors boasting that they were once classmates of yours.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
Poets represent love as sculptors design beauty, as musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature. There lived, it is said, at Athens a great number of beautiful girls; Praxiteles drew them all one after another; then from these diverse types of beauty, each one of which had its defects, he formed a single faultless beauty and created Venus. The man who first created a musical instrument, and who gave to harmony its rules and its laws, had for a long time listened to the murmuring of reeds and the singing of birds. Thus the poets, who understand life, after knowing much of love, more or less transitory, after feeling that sublime exaltation which real passion can for the moment inspire, eliminating from human nature all that degrades it, created the mysterious names which through the ages fly from lip to lip: Daphnis and Chloe, Hero and Leander, Pyramus and Thisbe. To try to find in real life such love as this, eternal and absolute, is but to seek on public squares a woman such as Venus, or to expect nightingales to sing the symphonies of Beethoven.
Alfred de Musset (The Confession of a Child of the Century)
Every man has his weakness." "I know they do." She lifted an eyebrow. "I'm still looking for yours." Cheeky girl. She had to know she took his breath away. God, she was lovely in the moonlight. She was lovely in sunlight, for that matter, and in the pouring rain. Gabe suspected that even in total darkness, she would be radiant. Because though her features were exquisite, and her lips the pinkish hue of rose petals, her most beautiful feature by far was her heart.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Your master is weak because he loves. You are strong because you hate. In the end you are winner, jinni-girl.
Heather Demetrios (Exquisite Captive (Dark Caravan Cycle, #1))
She was an extravagantly slender girl. Her ribs showed. The conspicuous knobs of her hipbones framed a hollowed abdomen, so flat as to belie the notion of "belly." Her exquisite bone structure immediately slipped into a novel - became in fact the secret structure of that novel, besides supporting a number of poems.
Vladimir Nabokov (The Original of Laura)
There’s no reason for you to be jealous, envious, and/or intimidated by her. Step your game up, and be confident in yourself! Unapologetic Exquisite Black Queens aren’t intimidated by another woman’s confidence, beauty, or success. We don’t see them as a threat; We root for our Sistas, because that’s what phenomenal Black women do!
Stephanie Lahart
Somehow I cannot help being reminded of a frail, consumptive girl, at whom one sometimes looks with compassion, sometimes with sympathetic love, whom sometimes one simply does not notice; though suddenly in one instant she becomes, as though by chance, inexplicably lovely and exquisite, and, impressed and intoxicated, one cannot help asking oneself what power made those sad, pensive eyes flash with such fire? What summoned the blood to those pale, wan cheeks? What bathed with passion those soft features? What set that bosom heaving? What so suddenly called strength, life and beauty into the poor girl's face, making it gleam with such a smile, kindle with such bright, sparkling laughter? You look round, you seek for some one, you conjecture.... But the moment passes, and next day you meet, maybe, the same pensive and preoccupied look as before, the same pale face, the same meek and timid movements, and even signs of remorse, traces of a mortal anguish and regret for the fleeting distraction.... And you grieve that the momentary beauty has faded so soon never to return, that it flashed upon you so treacherously, so vainly, grieve because you had not even time to love her....
Fyodor Dostoevsky (White Nights)
I’m an Exquisite Black Queen! I like, love, and celebrate myself. I don’t fit society’s beauty standards, but I’m beautiful to me. I know my worth and I respect who I am as a woman. I’ve got beauty on the inside and that makes me empowered and powerful. I’m fearless and comfortable in my own skin. I’ve got flaws, but I’m still confident! This Queen right here is flawed yet phenomenal, valuable and unique!
Stephanie Lahart
Natural Hair is an Exquisite Crown. It’s a wonder and fascination to many. But to the confident Black girl or Black woman who’s rockin’ it, they know what they’ve been born and blessed with. A head full of unique, healthy beauty. NATURAL BEAUTY.
Stephanie Lahart
Tis true what Hemingway says--if we're lucky enough to live our dreams in youth, as Ernest Hemingway did in 1920's Paris and I did with the Beat poets, then youth's dreams become a moveable feast you take wherever you go--youthful love remains the repast plentiful; exquisite, substantive and good. You can live on happy memories. Eat of them forever.
Alison Winfield-Burns (Ivy League Bohemians (A Girl Among Boys): Bliss Book of Columbia University's Pariah Artists)
Educated Exquisite Black Queen.
Stephanie Lahart
For the girls who were born hungry.
Laura Steven (Every Exquisite Thing)
I’m an Unapologetic Exquisite Black Queen!
Stephanie Lahart
Black Girls and Black Women… Respect the Complexion! Our skin tones are exquisitely beautiful in EVERY shade!
Stephanie Lahart
I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.
Marlena de Blasi (A Thousand Days in Tuscany: A Bittersweet Adventure)
No, I’m NOT Team Light Skin. No, I’m NOT Team Dark Skin. No, I’m NOT Team Brown Skin. I’m Team Melanin because we are one! I’m a Black Queen that celebrates ALL shades of Black beauty. Black women and Black girls are equally beautiful in EVERY shade. Our skin tones are Exquisite Beauty. Respect the complexion!
Stephanie Lahart
My Blackness is just too much for some people to handle. I’m a confident, intelligent, beautiful, and powerful Black woman with greatness inside my DNA. I’m also straightforward, authentic, and unapologetic. I’m a driven, resilient Black woman with integrity, and I gladly take on challenges with my head held high. I’m not afraid to use my voice, I’m not afraid to be uniquely me, I’m not afraid to stand alone, and I’m not afraid to step outside of my comfort zone. I’m a Black Queen that doesn’t make excuses, I find solutions. I won’t apologize for being exquisite!
Stephanie Lahart
The two girls used to meet several times a day, and every time they met, Kitty's eyes said: "Who are you? What are you? Are you really the exquisite creature I imagine you to be? But for goodness' sake don't suppose," her eyes added, "that I would force my acquaintance on you, I simply admire you and like you." "I like you too, and you're very, very sweet. And I should like you better still, if I had time," answered the eyes of the unknown girl.
Leo Tolstoy (Anna Karenina)
.... she was like a flower. And suddenly, for a vivid minute, Hercule Poirot had a new conception of the dead girl. In that halting rustic voice the girl Mary lived and bloomed again. "She was like a flower." There was suddenly a poignant sense of loss, of something exquisite destroyed. In his mind phrase after phrase succeeded each other. Peter Lord's "She was a nice kid." Nurse Hopkins's "She could have gone on the films any time." Mrs. Bishop's venomous "No patience with her airs and graces." And now last, putting to shame, laying aside those other views, the quiet, wondering, "She was like a flower.
Agatha Christie (Sad Cypress (Hercule Poirot, #22))
Well?" she teased in turn. "What do you think?" The gray eyes that finally lifted to hers were flaming, but instead of answering, he flicked his burning gaze down her length again. He hesitated, and then said abruptly, "I think that the dress fits you perfectly." Lauren burst out laughing. "Don't ever let anyone tell you that you have a way with flattery, because you don't." "Is that right?" he mocked, his eyes challenging. "In that case, I'll you exactly what I think: I think that you're exquisitely lovely, and that you have the fascinating ability to look like an extremely sexy, sophisticated young woman and an utterly angelic girl at one and the same time. And I wish to hell that we weren't trapped here with a hundred other people for the next few hours, because whenever I look at you I become...uncomfortably eager...to find out how you're going to feel in my arms tonight.
Judith McNaught (Double Standards)
The exquisite art of idleness is one of the most important things that any university can teach. —OSCAR WILDE
Jerramy Fine (The Regal Rules for Girls: How to Find Love, a Life --and Maybe Even a Lord -- in London)
That chap looks as if he ate a girl's kidney last night.
Poppy Z. Brite (Exquisite Corpse)
Girls don’t want beauty. Girls want power. And sometimes beauty is the closest substitute.
Laura Steven (Every Exquisite Thing)
Black is Exquisite Beauty in EVERY Shade!
Stephanie Lahart
Team Light Skin? No. Team Dark Skin? No. Team Brown Skin? No. TEAM MELANIN… Black Women and Black Girls are Exquisite Beauty in EVERY Shade.
Stephanie Lahart
Bae: Black and Exquisite.
Stephanie Lahart
I’m a Queen. My Black is Exquisite Beauty.
Stephanie Lahart
Black Women and Black Girls are Exquisite Beauty in EVERY Shade.
Stephanie Lahart
I shine bright like an excellent cut round brilliant diamond, D in color, and flawless clarity.
Stephanie Lahart
My complexion is exquisite!
Stephanie Lahart
My skin tone is exquisite!
Stephanie Lahart
Surely such a pure, perfect sound could not be coming from the skinny little girl in the dreadful pink dress? But as he watched Rosanna, he no longer saw her sallow skin, or the way she seemed to be all arms and legs. Instead, he saw her huge, expressive brown eyes and noticed a hint of colour appear in her cheeks as her exquisite voice soared to a crescendo.
Lucinda Riley (The Italian Girl)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Bella’s lips were exquisitely soft and full. Robyn had kissed lots of boys. That was not what kisses were supposed to be like. They were harder, urgent. Bella’s mouth was cushiony and sweet; she wanted to sink into it.
Lucy Clarke (One of the Girls)
Swirling furiously among the stairs and corridors of her exquisite home like a small and angry white bat Sybilla, Dowager Lady Culter, was not above spitting at her unfortunate son when he chose to sit down in his own great hall to take his boots off. ‘If Madge Mumblecrust comes down those stairs once again for a morsel of fowl’s liver with ginger, or pressed meats with almond-milk, I shall retire to a little wicker house in the forest and cast spells which will sink Venice into the sea for ever, and Madame Donati with it. The Church,’ said Sybilla definitely, ‘should excommunicate girls who do not replace lids on sticky jars and wash their hair every day with the best towels.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
But unlike the person with exquisite taste in painting or perfume, the movie nerd is classless as well. Grasping the genius of Russ Meyer or George Romero or Herschell Gordon Lewis carries no cultural cachet and gets no one laid, believe me.
David Gordon (Mystery Girl)
TED” HAD SURFACED, allowed himself to be seen in broad daylight, and approached at least a half dozen young women, beyond the missing pair. He’d given his name. His true name? Probably not, but for the media who pounced on the incredible disappearances it was something to headline. Ted. Ted. Ted. Indeed, the dogged pursuit of reporters seeking something new to write was going to interfere mightily with the police investigation. The frantic families of the missing girls from Lake Sammamish were besieged by some of the most coercive tactics any reporter can use. When families declined to be interviewed, there were some reporters who hinted that they might have to print unsavory rumors about Janice and Denise unless they could have interviews, or that, even worse, families’ failure to tell of their exquisite pain in detail might mean a lessening of publicity needed to find their daughters. It was ugly and cruel, but it worked. The grieving parents allowed themselves to be photographed and gave painful interviews.
Ann Rule (The Stranger Beside Me)
She slid her free hand over his shoulder, soft breasts crushing against his chest. All his blood rushed down to his groin, taking with it the last vestiges of his rational thought. He locked his arms around her, pulling her so close he could feel each gentle breath as an exquisite stroke on his cock. Raw desire coursed through his veins as his hands skimmed over the sweet softness of her curves. "Someone is watching us through the window," she murmured, her breath warm on his cheek. "All the more reason to put on a good show." With one hand on her nape, he tipped back her head and covered her mouth with his own. A moan escaped her lips, filling his head with thoughts of tangled sheets, banging headboards, sweat-slicked skin, and the realization of a fantasy that had consumed him night after sleepless night since she'd turned sixteen and he'd realized she wasn't a little girl anymore. He parted her lips with the gentle slide of his tongue, touching, tasting, savoring, pausing between heady sips to let her essence dance over his taste buds. With every breath he inhaled the fresh scent of wildflowers in a rain-soaked meadow, the grassy lawn where they'd played catch in the summer sun. He'd known she was smart and fun and beautiful. But this kiss. These feelings. The throbbing heat of desire. It was all completely new.
Sara Desai (The Dating Plan (Marriage Game, #2))
Consider the exquisite torture of all those little girls never allowed to eat dancing as costumed Sugar Plums, as fat Bonbons gushing cherry slicks. Tutus like ribbon candy, boys spinning great hoops of peppermint, and everywhere black slathers of licorice and marzipan glistening like snow.
Megan Abbott (The Turnout)
She was exquisite. She tasted, smelled, and felt right in every way to him, but as they collapsed into bed, sated and finally ready to sleep, it was the shy girl who had entered his arms. It was she who caressed his cheek while kissing him deeply and softly, her delicate fingers exploring his arms and back, sending shivers through him that always hit his heart. The china doll. It was she who fell asleep upon his chest with her arms wrapped around him. There was a want inside her, and he had felt it in every way. The last thought of his night was simply that he wanted to be the one to know her. To free her.
Elizabeth Morgan (Razel Dazzle)
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
If you are lazy, and accept your lot, you may live in it. If you are willing to work, you can write your name anywhere you choose, among the only ones who live beyond the grave in this world, the people who write books that help, make exquisite music, carve statues, paint pictures, and work for others. Never mind the calico dress, and the coarse shoes.
Gene Stratton-Porter (A Girl of the Limberlost)
She slid her arms around me and kissed me back, and I was overwhelmed by a tingling warmth that flooded my brain and a sudden sensation of being out of my body, like I had floated up to the ceiling and was looking down on the soft, beautiful face of this amazing girl and my friends and the whole scene, and I wondered how it was that such an exquisite moment had appeared in my life.
Ransom Riggs (A Map of Days (Miss Peregrine's Peculiar Children, #4))
But Beatrice Blaine! There was a woman! Early pictures taken on her father's estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent—an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy—showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had—her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O'Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.
F. Scott Fitzgerald (This Side of Paradise)
The name Gilberte passed close by me, evoking all the more forcibly her whom it labelled in that it did not merely refer to her, as one speaks of a man in his absence, but was directly addressed to her; it passed thus close by me, in action, so to speak, with a force that increased with the curve of its trajectory and as it drew near to its target;—carrying in its wake, I could feel, the knowledge, the impression of her to whom it was addressed that belonged not to me but to the friend who called to her, everything that, while she uttered the words, she more or less vividly reviewed, possessed in her memory, of their daily intimacy, of the visits that they paid to each other, of that unknown existence which was all the more inaccessible, all the more painful to me from being, conversely, so familiar, so tractable to this happy girl who let her message brush past me without my being able to penetrate its surface, who flung it on the air with a light-hearted cry: letting float in the atmosphere the delicious attar which that message had distilled, by touching them with precision, from certain invisible points in Mlle. Swann's life, from the evening to come, as it would be, after dinner, at her home,—forming, on its celestial passage through the midst of the children and their nursemaids, a little cloud, exquisitely coloured, like the cloud that, curling over one of Poussin's gardens, reflects minutely, like a cloud in the opera, teeming with chariots and horses, some apparition of the life of the gods; casting, finally, on that ragged grass, at the spot on which she stood [....]
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Harry, you are dreadful! I don't know why I like you so much." "You will always like me, Dorian," he replied. "Will you have some coffee, you fellows? Waiter, bring coffee, and fine-champagne, and some cigarettes. No, don't mind the cigarettes--I have some. Basil, I can't allow you to smoke cigars. You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want? Yes, Dorian, you will always be fond of me. I represent to you all the sins you have never had the courage to commit." "What nonsense you talk, Harry!" cried the lad, taking a light from a fire-breathing silver dragon that the waiter had placed on the table. "Let us go down to the theatre. When Sibyl comes on the stage you will have a new ideal of life. She will represent something to you that you have never known." "I have known everything," said Lord Henry, with a tired look in his eyes, "but I am always ready for a new emotion. I am afraid, however, that, for me at any rate, there is no such thing. Still, your wonderful girl may thrill me. I love acting. It is so much more real than life. Let us go. Dorian, you will come with me. I am so sorry, Basil, but there is only room for two in the brougham. You must follow us in a hansom.
Oscar Wilde (The Picture of Dorian Gray)
I started, or rather was thrust on a wrong tack at the age of one and twenty, and have never recovered the right course since: but I might have been very different; I might have been as good as you-wiser, almost as stainless. I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure,-an inexhaustible source of pure refreshment: is it not?
Charlotte Brontë (Jane Eyre)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Whether they realized it or not, these boys were in love with some idea of me as a tragic, wounded girl, that when they looked at me they saw a sort of double exposure—me and the sister I had lost, a second self whose presence they could sense whenever they were with me, and that it was she, not me, they were really after, that as they kissed and licked and squeezed me they were trying to draw themselves closer to her, to touch the infinite, exquisite void of a beautiful, lost girl.
Alexis Schaitkin (Saint X)
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
have a war memorial of my own at Greenway. In the library, which was their mess-room, an artist has done a fresco round the top of the walls. It depicts all the places where that flotilla went, starting at Key West, Bermuda, Nassau, Morocco, and so on, finally ending with a slightly glorified exaggeration of the woods of Greenway and the white house showing through the trees. Beyond that again is an exquisite nymph, not quite finished–a pin-up girl in the nude–which I have always supposed to represent the hopes of houris at journey’s end when the
Agatha Christie (Agatha Christie: An Autobiography)
My Blackness is just too much for some people to handle. I’m a confident, intelligent, beautiful, and powerful Black woman with greatness inside my DNA. I’m also straightforward, authentic, and unapologetic. I’m a driven, resilient Black woman with integrity and I gladly take on challenges with my head held high. I’m not afraid to use my voice, I’m not afraid to be uniquely me, I’m not afraid to stand alone, and I’m not afraid to step outside of my comfort zone. I’m a Black Queen that doesn’t make excuses, I find solutions. I won’t apologize for being exquisite!
Stephanie Lahart
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
It was raining outside. It wasn’t heavy, but it left droplets on the windows, making it look like the window was covered in glitter which gleamed and shone in the candlelight. There was something outlandish about the place. It wasn’t only the grand rooms and the exquisite décor and not even the sheer size of the building; there was more to it. It was a feeling. She felt enveloped in it day and night. It wasn’t unpleasant or choking, but it wasn’t cosy and welcoming either. It was just there, like a straitjacket. She hoped that there could have been a bit more glitter and glamour to her days. She wasn’t exactly a sparkly kind of girl, but she missed… something.
Pamela Harju (A World Other Than Her Own)
How beautiful the old Glen was, in its August ripeness, with its chain of bowery old homesteads, tilled meadows and quiet gardens. The western sky was like a great golden pearl. Far down the harbour was frosted with a dawning moonlight. The air was full of exquisite sounds—sleepy robin whistles, wonderful, mournful, soft murmurs of wind in the twilit trees, rustle of aspen poplars talking in silvery whispers and shaking their dainty, heart-shaped leaves, lilting young laughter from the windows of rooms where the girls were making ready for the dance. The world was steeped in maddening loveliness of sound and colour. He would think only of these things and of the deep, subtle joy they gave him.
L.M. Montgomery (The Complete Anne of Green Gables Collection)
Perhaps a necklace of tears to weep so that she won't have to? A pin of teeth to bite annoying husbands? No.' He continues to walk through the small space. He lifts a ring. 'To bring on a child?' And then, seeing my face, lifts a pair of earrings, one in the shape of a crescent moon and the other in the shape of a star. 'Ah, yes. Here. This is what you want.' 'What do they do?' I ask. He laughs. 'They are beautiful- isn't that enough?' I give him a skeptical look. 'It would be enough, considering how exquisite they are, but I bet it isn't all.' He enjoys that. 'Clever girl. They are not only beautiful, but they add to beauty. They make someone more lovely than they were, painfully lovely. Her husband will not leave her side for quite some time.' The look on his face is a challenge. He believes I am too vain to give such a gift to my sister. How well he knows the selfish human heart. Taryn will be a beautiful bride. How much more do I, her twin, want to put myself in her shadow? How lovely can I bear her to be? And yet, what better gift for a human girl wedded to the beauty of the Folk? 'What would you take for them?' I ask. 'Oh, any number of little things. A year of your life. The luster of your hair. The sound of your laugh.' 'My laugh is not such a sweet sound as all that.' 'Not sweet, but I bet it's rare,' he says, and I wonder at his knowing that. 'What about my tears?' I ask. 'You could make another necklace.' He looks at me, as though evaluating how often I weep. 'I will take a single tear,' he says finally. 'And you will take an offer to the High King for me.
Holly Black (The Wicked King (The Folk of the Air, #2))
In the very beginning of life, you were acquainted with the exquisite natural resources of your breath, body, and inner life. You breathed deeply into your belly. You loved your body. You were in touch with the wisdom within your own life. Over time, however, the girl-child becomes disconnected from the “home” within her. Caught in the swirls of others, twisted in the shapes of others, depleted by the demands of others, she becomes outer-directed and loses touch with herself. Her breath becomes shallow. She ignores her body. She looks to saviors outside of herself for salvation and validation, forgetting the rich resources within her. In the fullness of time, we become dizzy from swirling; our lives ache from being twisted out of shape; and our spirits become depleted from servicing others with our energy and attention. Weary, we reach out to a counselor, spiritual community, or self-help group. We are offered information, insight, and tools of support. We are inspired by the experience, strength, and hope of others who are turning toward their own lives with vulnerability, courage, and truth. Insight, information, and camaraderie point us in the right direction, but the journey begins as we turn toward our own lives and look within to re-connect to our natural resources: breath, woman-body, and inner life. Home is always waiting. It is as near as a conscious breath, conscious contact with your woman-body, and a descent into the abundant resources of your inner life. The meaning, recovery, and transformation you seek ‘out there’ is found within your own heart, mind, body, and life. It is accessed in the present moment and released into your experience with each mindful breath. Return home often—you have everything you need there.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
Behind the last door is oblivion. Standing before it, one can go forwards or backwards; but beside it are not the places of exquisite pleasure: the faces of pure ones confined to pavilions, reclining on green cushions and beautiful carpets amid thornless lote-trees and banana trees, one over another; for these have gone with the smoke of the opium. What remains, four years afterwards, are the haunted rooms of the departed: of a young, vigorous man with red hair and an old man left in his blood in a bothy; of a henchman dragged from his horse with an arrow in him, and another, darker of skin, dead of fighting in a Greek courtyard. Of a man returning from perilous seas to drown, seeking his son, near his homeland; of a girl dying blind behind yellow silk curtains, and another burning at night in an African pavilion. And a child, a son … an only son … playing with shells at the feet of the father who shortly would kill it. One does not, of set purpose, linger long on such a threshold. Sooner or later, the chains must give way; the accusing, querulous voices cease; and the insistent, imperious summons, saying over and over, ‘Aucassins, damoisiax, sire! Ja sui jou li vostre amie, Et vos ne me haés mie!
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
That we never allowed," answered Somel quietly. "Allowed?" I queried. "Allowed a mother to rear her own children?" "Certainly not," said Somel, "unless she was fit for that supreme task." This was rather a blow to my previous convictions. "But I thought motherhood was for each of you--" "Motherhood--yes, that is, maternity, to bear a child. But education is our highest art, only allowed to our highest artists." "Education?" I was puzzled again. "I don't mean education. I mean by motherhood not only child-bearing, but the care of babies." "The care of babies involves education, and is entrusted only to the most fit," she repeated. "Then you separate mother and child!" I cried in cold horror, something of Terry's feeling creeping over me, that there must be something wrong among these many virtues. "Not usually," she patiently explained. "You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands--even our own." "But a mother's love--" I ventured. She studied my face, trying to work out a means of clear explanation. "You told us about your dentists," she said, at length, "those quaintly specialized persons who spend their lives filling little holes in other persons' teeth--even in children's teeth sometimes." "Yes?" I said, not getting her drift. "Does mother-love urge mothers--with you--to fill their own children's teeth? Or to wish to?" "Why no--of course not," I protested. "But that is a highly specialized craft. Surely the care of babies is open to any woman --any mother!" "We do not think so," she gently replied. "Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it--I assure you we have the very best." "But the poor mother--bereaved of her baby--" "Oh no!" she earnestly assured me. "Not in the least bereaved. It is her baby still--it is with her--she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child's sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland, The Yellow Wall-Paper, and Selected Writings)
A school-girl may be found in every school who attracts and influences all the others, not by her virtues, nor her beauty, nor her sweetness, nor her cleverness, but by something that can neither be described nor reasoned upon. It is the something alluded to in the old lines:— 'Love me not for comely grace, For my pleasing eye and face; No, nor for my constant heart,— For these may change, and turn to ill, And thus true love may sever. But love me on, and know not why, So hast thou the same reason still To dote upon me ever.' A woman will have this charm, not only over men but over her own sex; it cannot be defined, or rather it is so delicate a mixture of many gifts and qualities that it is impossible to decide on the proportions of each. Perhaps it is incompatible with very high principle; as its essence seems to consist in the most exquisite power of adaptation to varying people and still more various moods; 'being all things to all men.' At any rate, Molly might soon have been aware that Cynthia was not remarkable for unflinching morality; but the glamour thrown over her would have prevented Molly from any attempt at penetrating into and judging her companion's character, even had such processes been the least in accordance with her own disposition.
Elizabeth Gaskell (Wives and Daughters)
It's only that... well, if Olivia cannot be with the man she loves, as he has vanished like a bloody 'cowardly'..." She stopped talking abruptly. Yanking herself back like a dog on a leash. Which was a pity, as the words had acquired a fascinating whiff of venom and had begun to escalate in volume. She would have done some squeaking of her own. Genevieve Eversea was beginning to interest him. "If she cannot be with the man she loves..." he prompted. "I do believe she can only to be with someone... impressive." "Impressive..." He pretended to ponder this. "I hope you do not think I presume, but I cannot help but wonder if you're referring to me. Given my rank and fortune, some might describe me as such. And I'm flattered indeed, given that there really are so many other words you could have chosen to describe me." A pause followed. The girl was most definitely a 'thinker.' "We have only just become acquainted, Lord Moncrieffe. I might elect to use other words to describe you should I come to know you better." Exquisite and refined as convent lace, her manners, her delivery. And still he could have sworn she was having one over on him. She seemed to be watching her feet now. The scenery didn't interest her, or it caused her discomfort. And as he watched her, something unfamiliar stirred. He was... 'genuinely' interested in what she might say next.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Eventually, the men’s talk of politics turned to poetry. The recitations could begin with a quatrain from Omar Khayyam’s Rubaiyat: I need a jug of wine and a book of poetry, Half a loaf for a bite to eat, Then you and I, seated in a deserted spot, Will have more wealth than a Sultan’s realm. To which a voice might answer with a poem by Rumi: My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer. These gatherings went on for hours, with one guest after another reciting poems of the Persian masters—Rumi, Khayyam, Sa’adi, snd Hafez. That my father, the Colonel, who could make us cower with a single sidelong glance, produced the most skillful recitations both bewildered and fascinated me. His voice had a deep timbre perfectly suited to reciting verse, and the frequent cries of “Lovely!” and “Exquisite!” roused him to ever more passionate declamation. I listened from behind the window, enraptured by the music of a language that can sometimes sound like susurrations of a lover and sometimes like the reed’s plaintive song. The words hooked into me and wouldn’t let me go. Rivers, oceans, and deserts, the nightingale and the rose—the perennial symbols of Persian poetry first grew familiar to me through these late-night scenes in the garden, and even though I was still a young girl, only just a child, the verses called me away to different lands.
Jasmin Darznik (Song of a Captive Bird)
She had a big, beautiful man at her mercy, and she wasn't going to relinquish control. Oh, she was under no illusions that she had him physically overpowered. He could have flipped their places at any instant. She hadn't taken the reins. He'd given her the reins. And that made it all the better. She decided how to begin, when to stop. Whether to tease them both with grazing friction or grind her hips. She set the pace. It was hers to grant or deny him mercy when he pleaded in a whisper. "Faster." With every motion- slow or quick, form or gentle- her pleasure spiraled higher. Her breathing grew uneven, and she flushed with heat. She fell forward to kiss him, searching his mouth. Exploring. As their tongues tangled, his whiskers scraped her lips and chin. Her nipples puckered to knots, exquisitely sensitive. With every movement, they kissed the hard planes of his chest. Bliss rushed at her from all sides, propelling her toward that distant promise of satisfaction. Her rhythm lost all elegance. Her hips jerked and bounced as her urgency grew. "Yes." His voice was strained. "Hold nothing back. I want to feel you come against me. I want to hear the sounds you make." His words of encouragement had the opposite effect. For the first time, she felt a moment's trepidation. She'd never climaxed with another person. It had taken her years to feel comfortable with herself, let alone a man. When the pleasure broke, she would be bared to him. More naked than naked.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I know you don’t want to feel superior, but it is so easy to control us.” He snorted his disagreement. “I have failed to control you at every turn. You have no idea how often I wanted to force your obedience when you placed yourself in danger. I should have gone with my instincts…but no, I allowed you to go back to the inn.” “Your love for me caused you to pull back.” She reached out to touch his hair. “Isn’t that how it should be between two people? If you really love who I am, and you want me to be happy, then you know I have to do what comes naturally to me, what I feel is right.” His finger traced down her throat, through the deep valley between her breasts, making her shiver with sudden heat. “That is true, little one, but that is also true of my needs. You can do no other than to make me happy. My happiness is completely dependent on whether or not you are safe.” Raven couldn’t help smiling. “Somehow I think your devious nature is showing. Perhaps you need to examine human ingenuity. You rely heavily on your gifts, Mikhail, but humans must find other ways. We are uniting two worlds. If we decide to have a child…” He stirred restlessly, his dark eyes glittering. She caught the imperious Carpathian decree before he could censor his thoughts. You must. “If we decide someday to have a child,” she persisted, ignoring his authority, “if it is male, he will be raised in both worlds. And if it is a girl, she will be raised with free will and a mind of her own. I mean it, Mikhail. I will never, ever, consent to bringing a child into this world to be a broodmare for one of these men. She will know her own power and choose her own life.” “Our women make their choices,” he said quietly. “I’m sure there’s some ritual that ensures that she wants to choose the right man,” Raven guessed. “You will give me your word you will agree to my terms, or I will not bear a child.” His fingertips brushed her face with exquisite tenderness. “More than anything I want your happiness. I would also want my children to be happy. We have years to decide these things, lifetimes, but yes, when we have learned to balance the two worlds and we know the time is right, I agree absolutely to your terms.” “You know I’ll hold you to it,” she warned. He laughed softly, cupping the side of her face in his palm. “As the years go by, your strength and power will grow. You already terrify me, Raven. I do not know if my heart will be able to stand the coming years.
Christine Feehan (Dark Prince (Dark, #1))
She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.
Melanie Benjamin (The Swans of Fifth Avenue)
He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.
Hugo
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
With his height, Caleb looked over their heads toward his cousin and…his throat tightened. There in a yellow dress that emphasized the elegant line of her shoulders and a new hair cut that accentuated the shape of her face stood the most exquisite girl to have ever graced the Dodge Cove elite with her presence.
Kate Evangelista (No Love Allowed (Dodge Cove, #1))
Girls leave school crammed full of interesting historical facts and elegant Spanish subjunctives, so proud of their ability to study hard and get the best grades. But somewhere between the classroom and the cubicle, the rules change and they don't understand it. They slam into a world of work that doesn't reward them for perfect spelling and exquisite manners.
Katty Kay
She ignored the boy’s protest and kept walking. He shouldn’t be watching street fights at his age, impressionable as he was. Uncle and Auntie Yin had enough to complain about without her being a bad influence on her little cousin. The swordsman caught up with her easily, keeping an arm’s length between them while they walked together down the dusty street. There was none of the posturing and swagger she’d come to expect from Zhou’s lackeys. From outward appearances, they could have been joining one another for an afternoon stroll. “Those are exquisite.” He was talking about the swords. Twin blades; short, light and quick. Many called them butterfly swords, but there was nothing delicate about them. They were ideal weapons for a woman fighting a larger opponent. Heaven forbid he’d look at her with the same interest. She sniffed, but a thread of doubt worked loose inside her. He was the first to be interested in her skill rather than the novelty of this odd girl who dared to challenge men. “You don’t seem like one of Zhou’s thugs,” she said.
Jeannie Lin (The Taming of Mei Lin (Tang Dynasty, #.5))
She had no idea what a forbidden fruit she was. A peach. A pale, peach, promising the most exquisite sweet nectar. A dirty, vivacious girl, in an innocent and fragile shell.
Jade West (Teach Me Dirty)
That’s the exquisiteness of youth: you are allowed the luxury of vanity, of self-examination. Take it! Don’t be ashamed of yourself.
Kathleen Glasgow (Girl in Pieces)
Sometimes an exquisite gift is actually a vessel utilized to issue a warning shot.
Greer Hendricks (An Anonymous Girl)
To be fair, Kenzie didn’t look fourteen. She was exquisitely beautiful. More beautiful than 99 percent of all grown women out there. Most people don’t understand what it’s like, to have all these beautiful young girls throwing themselves at you year in and year out. I’m not made of stone.
Freida McFadden (The Teacher)
For all the melancholy girls... you are exquisite. & For everyone who wants their vampires less glittery and more bitey.
Kat Blackthorne (Dragon (The Halloween Boys, #2))