Bench Love Quotes

We've searched our database for all the quotes and captions related to Bench Love. Here they are! All 100 of them:

And I learned what is obvious to a child. That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.
Nicholas Sparks
your letters got sadder. your lovers betrayed you. kid, I wrote back, all lovers betray. it didn't help. you said you had a crying bench and it was by a bridge and the bridge was over the river and you sat on the crying bench every night and wept for the lovers who had hurt and forgotten you.
Charles Bukowski (Love Is a Dog from Hell)
God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn't. In this trial He makes us occupy the dock, the witness box, and the bench all at once. He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.
C.S. Lewis (A Grief Observed)
Tatiana: I found my true love on Ulita Saltykov-Schedrin, while I sat on a bench eating ice cream. Alexander: You didn't find me. You weren't even looking for me. I found you. Long pause. Tatiana: Alexander, we're you .... looking for me ? Alexander: All my life.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Come! Come sit by me. It’s a nice bench. Nice and lovely on the butt.” “You’re drunk.” “Yeah, and you’re ugly, but do I complain about it? No! Because I don’t complain about things that I can’t change. That’s called intelligence.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
Tears stung her eyes. She sank her knees next to the sleeping bench and gently raked strands of golden hair from him forehead. "Don't you die. don't you dare. I forbid it." As if Han Alister had ever listened to anything she said.
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
Making benches is no walk in the park. It takes one a lot of love to make a bench, and then it takes two to make love on that bench.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Marry me. Nay, marriage will cost us precious moments together. Let us make sweet, passionate love right here. Let me bear your children.” A primal growl signaled Miss Lynn getting over her shock at being thus addressed. She lunged forward; Jack deftly rolled off the bench, jumping up out of her reach. “Goodness, I didn’t expect you to be quite this enthusiastic about my advances. If I don’t play hard to get, how will I ever know whether or not you respect me?
Kiersten White (Supernaturally (Paranormalcy, #2))
Thunder crashed, lightning ripped across the sky, and we stayed on the bench with our arms around each other even though rain fell in heavy drops around us. I didn't mind getting soaked because it felt as if Blake needed me, and I wanted him to.
Lorraine Zago Rosenthal (Other Words for Love)
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
She awaits the rain like a writer embraces metaphors, A drizzle isn't for the child who dances in the storm. Of rain that washes away the petrichor it brings, A downpour of a hail of bullets, and she calls it spring.
Sanhita Baruah (The Farewell and other poems)
that we must suffer, suffer into truth. We cannot sleep, and drop by drop at the heart the pain of pain remembered comes again and we resist, but ripeness comes as well. From the gods enthroned on the awesome rowing-bench there comes a violent love.
Aeschylus (Agamemnon (Oresteia, #1))
I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.
Charles de Lint (Moonlight and Vines (Newford, #6))
NINA Think of me sometimes. TRIGORIN I shall never forget you. I shall always remember you as I saw you that bright day--do you recall it?--a week ago, when you wore your light dress, and we talked together, and the white seagull lay on the bench beside us.
Anton Chekhov (The Seagull)
I sunk down onto the bench in the middle of the car. So Alex had loved me the whole time, from the moment we'd seen each other again? All that time I'd been freaking out about Rachel? All that time I'd spent inches away from him, sleeping in his bed by myself; sitting opposite him at dinner, smashing plates; clinging to him on the back of his bike; sneaking peeks at him through a half-ajar bathroom door - and all the time he'd been in love with me? We'd wasted all that time when we could have been kissing? And he'd had to wait until two seconds before leaving me until he told me? If the Unit didn't kill him, I was going to.
Sarah Alderson (Hunting Lila (Lila, #1))
Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked. “No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?
Jeanette Watts (My Dearest Miss Fairfax)
Love is what makes two people sit in the middle of a bench when there is plenty of room at both ends.
Barbara Johnson
We stood up and bade each other farewell, but love and despair stood between us like two ghosts, one stretching his wings with his fingers over our throats, one weeping and the other laughing hideously. As I took Selma's hand and put it to my lips, she came close to me and placed a kiss on my forehead, then dropped on the wooden bench. She shut her eyes and whispered softly, "Oh, Lord God, have mercy on me and mend my broken wings!
Kahlil Gibran (Broken Wings (mobi))
Tania, I was spellbound by you from the first moment I saw you. There I was, living my dissolute life, and war had just started. My entire base was in disarray, people were running around, closing accounts, taking money out, grabbing food out of stores, buying up the entire Gostiny Dvor, volunteering for the army, sending their kids to camp—” He broke off. “And in the middle of my chaos, there was you!” Alexander whispered passionately. “You were sitting alone on this bench, impossibly young, breathtakingly blonde and lovely, and you were eating ice cream with such abandon, such pleasure, such mystical delight that I could not believe my eyes. As if there were nothing else in the world on that summer Sunday.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I write our names on the page. What of it, if the paper will be burned? I write our names in the sand. What of it, if the shore will be washed by waves? I write our names on trees that will be cut and benches that will be painted, but what of it? I will keep on writing our names because in this world of ephemera, You and I are the only constant.
Kamand Kojouri
I was only going to say that heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung my out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy. That will do to explain my secret, as well as the other. I've no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he's handsome, but because he's more myself than I am. What ever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.' Ere this speech ended, I became sensible of Heathcliff's presence. Having noticed a slight movement, I turned my head, and saw him rise from the bench, and steal out noiselessly. He had listened till he heard Catherine say it would degrade her to marry him, and then he stayed to hear no further.
Emily Brontë (Wuthering Heights)
I love you. I've never met anyone that affects me the way you do. I feel like I could conguer the world, bench press a bus, and run a marathon when I'm with you. You make me feel alive and so happy I can't even think straight.
Marie Coulson (Bound Together (Bound Together, #1))
And there was something indescribably lovely about this, the baby who’d once jabbed with restless knees at your internal organs sitting beside you on a park bench and benevolently giving you shit, and it occurred to her that it was moments like these that made being alive feel worth it, little blips of contentment amid the mayhem and status quo.
Claire Lombardo (The Most Fun We Ever Had)
I think I’d want to be a tree,” I told him, finally. “A tree? Why’s that?” “Because. Everyone loves a tree.” “Ah.” He nodded. “I see.” “So, what about you? What would you want to be?” “Well, considering your answer, I suppose I’d want to be a boy, sitting on park bench somewhere beside a tree named Nicole.
Jennifer DeLucy (Whisper of Light (Light, #2))
{Calpurnia)"My mother…she’s desperate for a daughter she can dress like a porcelain doll. Sadly, I shall never be such a child. How I long for my sister to come out and distract the countess from my person." He joined her on the bench, asking, "How old is your sister?" "Eight," she said, mournfully. "Ah. Not ideal." "An understatement." She looked up at the star-filled sky. "No, I shall be long on the shelf by the time she makes her debut." "What makes you so certain you’re shelf-bound?" She cast him a sidelong glance. "While I appreciate your chivalry, my lord, your feigned ignorance insults us both." When he failed to reply, she stared down at her hands, and replied, "My choices are rather limited." "How so?" "I seem able to have my pick of the impoverished, the aged, and the deadly dull.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
He was seated on the bench now. He had his left elbow on his knee, his right arm across his lap, his shoulders hunched, his head bowed. White face, red hair: snow and fire, like something from an old tale. The book I had noticed earlier was on the bench beside him, its covers shut. Around Anluan's feet and in the birdbath, small visitors to the garden hopped and splashed and made the most of the day that was becoming fair and sunny. He did not seem to notice them. As for me, I found it difficult to take my eyes from him. There was an odd beauty in his isolation and his sadness, like that of a forlorn prince ensorcelled by a wicked enchantress, or a traveller lost forever in a world far from home.
Juliet Marillier (Heart's Blood)
I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in. I scowled at the world. And the world scowled back...And to be honest: I wasn't really angry. Not anymore. I had left my anger somewhere long ago. Put it down on a park bench and walked away. And yet. It had been so long. I didn't know any other way of being.
Nicole Krauss (The History of Love)
There are boys lying awake, hating themselves. There are boys screwing for the right reasons and boys screwing for the wrong ones. There are boys sleeping on benches and under bridges, and luckier unlucky boys sleeping in shelters, which feel like safety but not like home. There are boys so enraptured by love that they can't get their hearts to slow down enough to get some rest, and other boys so damaged by love that they can't stop picking at their pain. There are boys who clutch secrets at night in the same way they clutch denial in the day. There are boys who do not think of themselves at all when they dream. There are boys who will be woken in the night. There are boys who fall asleep with phones to their ears.
David Levithan (Two Boys Kissing)
The Ripe Fig Now that You live here in my chest, anywhere we sit is a mountaintop. And those other images, which have enchanted people like porcelain dolls from China, which have made men and women weep for centuries, even those have changed now. What used to be pain is a lovely bench where we can rest under the roses. A left hand has become a right. A dark wall, a window. A cushion in a shoe heel, the leader of the community! Now silence. What we say is poison to some and nourishing to others. What we say is a ripe fig, but not every bird that flies eats figs.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
[Concerning the Word preached:] Do we prize it in our judgments? Do we receive in into our hearts? Do we fear the loss of the Word preached more than the loss of peace and trade? Is it the removal of the ark that troubles us? Again, do we attend to the Word with reverential devotion? When the judge is giving the charge on the bench, all attend. When the Word is preached, the great God is giving us his charge. Do we listen to it as to a matter of life and death? This is a good sign that we love the Word.
Thomas Watson
Sometimes I forget that the world is not on the same schedule as I. That everything is not dying, or that if it is dying it will return to life, what with a little sun and the usual encouragement. Sometimes I think: I am older than this tree, older than this bench, older than the rain. And yet. I'm not older than the rain. It's been falling for years and after I go it will keep on falling.
Nicole Krauss (The History of Love)
When the finally pulled apart, Rishi's mouth tingling still, Dimple smiled shyly and looked down at their hands, entwined between them on the bench. "So," she said softly. "That was unexpected." He leaned over and kissed her forehead, like it was the most natural thing to do. Was this going to be their thing now, casual kissing? He hoped so. "Unexpected but awesome." Rishi paused. "Right?" She laughed and looked up at him. "Definitely." He grinned, his heart soaked in happy.
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
I sat on the bench outside of class today and talked to Jon. I read to him from my journal, it was the part about the accordian player I was watching on the street last weekend. He said that an accordian is such a perfect metaphor for Love, because you are always opening, and closing, shifting, and getting air, and that's how the music happens. True.
Sabrina Ward Harrison (The True and the Questions: A Journal)
It’s easy to fall in love online with someone you’d slide away from on a bus stop bench. A little too damn easy.
Michael Makai (Domination & Submission: The BDSM Relationship Handbook)
People who didn’t love New York could just fuck all the way off. Look at this place! Look at these benches, at these cobblestones, at these taxicabs and horses side by side! Whatever happened, she had this.
Emma Straub (This Time Tomorrow)
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
Before I grad her book and mine, I go sit next to her on the organ bench and she gives me a big grandma hug - her special version, made from strong arms, old-fashioned perfume, and years of practice. The kind that makes you think you've won the best prize in the world. For love and safety, find your grandma. (76)
Kirstin Cronn-Mills (The Sky Always Hears Me: And the Hills Don't Mind)
It embarrasses me to admit this, but on the first day of school, I sat on a bench, next to one of the new kids. I crossed my fingers, hoping he’d talk to me. Either he didn’t notice me or thought I wasn’t very popular. I’m not. So, maybe the word has gotten out.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
I see you drinking at a fountain with tiny blue hands, no, your hands are not tiny they are small, and the fountain is in France where you wrote me that last letter and I answered and never heard from you again. you used to write insane poems about ANGELS AND GOD, all in upper case, and you knew famous artists and most of them were your lovers, and I wrote back, it’ all right, go ahead, enter their lives, I’ not jealous because we’ never met. we got close once in New Orleans, one half block, but never met, never touched. so you went with the famous and wrote about the famous, and, of course, what you found out is that the famous are worried about their fame –– not the beautiful young girl in bed with them, who gives them that, and then awakens in the morning to write upper case poems about ANGELS AND GOD. we know God is dead, they’ told us, but listening to you I wasn’ sure. maybe it was the upper case. you were one of the best female poets and I told the publishers, editors, “ her, print her, she’ mad but she’ magic. there’ no lie in her fire.” I loved you like a man loves a woman he never touches, only writes to, keeps little photographs of. I would have loved you more if I had sat in a small room rolling a cigarette and listened to you piss in the bathroom, but that didn’ happen. your letters got sadder. your lovers betrayed you. kid, I wrote back, all lovers betray. it didn’ help. you said you had a crying bench and it was by a bridge and the bridge was over a river and you sat on the crying bench every night and wept for the lovers who had hurt and forgotten you. I wrote back but never heard again. a friend wrote me of your suicide 3 or 4 months after it happened. if I had met you I would probably have been unfair to you or you to me. it was best like this.
Charles Bukowski
The empty mug in a coffee shop, that empty bench in a park. The sound of rain in a lonesome night, that gentle breeze on a seashore. Everything reminded him of her. And none ever could fill those voids, but her.
Akshay Vasu (Between the Abyss and Paradise)
There's something very enticing about an empty bench under a tree. And if it's facing a river, that's the bench for me.
Joyce Rachelle
An hour sitting with a pretty girl on a park bench passes like a minute, but a minute sitting on a hot stove seems like an hour.
Albert Einstein
But her body, seated a few inches from mine on the wooden bench, had manifested no unease. Not even her voice, which had been sure and clear: no. Not a single sign that might lead me to think that she was lying. Thus I had no doubt. She was lying.
Elena Ferrante (Troubling Love)
If Love’s testimony is corroborated, there will be indictments. Do you understand me? If you want to have me recused, go for it! Know this, however. You will have an enemy on the Wayne Circuit Court bench for life!” “Your Honor, I’ve changed my mind,” Walsh capitulated. “I have confidence in your ability to render a fair and impartial decision in the obstruction matter.
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
I found my true love on the banks of the river Kama,” whispered Alexander, staring at her. “I found my true love on Ulitsa Saltykov-Schedrin, while I sat on a bench eating ice cream.” “You didn’t find me. You weren’t even looking for me. I found you.” Long pause. “Alexander, were you…looking for me?” “All my life.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
At teenage parties he was always wandering into the garden, sitting on a bench in the dark . . . staring up at the constellations and pondering all those big questions about the existence of God and the nature of evil and the mystery of death, questions which seemed more important than anything else in the would until a few years passed and some real questions had been dumped into your lap, like how to earn a living, and why people fell in and out of love, and how long you could carry on smoking and then give up without getting lung cancer.
Mark Haddon (A Spot of Bother)
It was not until the year 1808 that Great Britain abolished the slave trade. Up to that time her judges, sitting upon the bench in the name of justice, her priests, occupying her pulpits, in the name of universal love, owned stock in the slave ships, and luxuriated upon the profits of piracy and murder. It was not until the same year that the United States of America abolished the slave trade between this and other countries, but carefully preserved it as between the States. It was not until the 28th day of August, 1833, that Great Britain abolished human slavery in her colonies; and it was not until the 1st day of January, 1863, that Abraham Lincoln, sustained by the sublime and heroic North, rendered our flag pure as the sky in which it floats. Abraham Lincoln was, in my judgment, in many respects, the grandest man ever President of the United States. Upon his monument these words should be written: 'Here sleeps the only man in the history of the world, who, having been clothed with almost absolute power, never abused it, except upon the side of mercy.' Think how long we clung to the institution of human slavery, how long lashes upon the naked back were a legal tender for labor performed. Think of it. With every drop of my blood I hate and execrate every form of tyranny, every form of slavery. I hate dictation. I love liberty.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
I look at you And I want to build things Four walls A roof A room with a view I look at you And I want to build things A stack of logs A roaring fire A starlit night with you I look at you And I want to build things Hike a secret trail where the world cannot find us A bench built for two Picture this - lightning and thunder Picture this- my telephone number Picture this- discovery and wonder Picture this- the moon as we slumber I look at you And I want to build things I just need my hands Your smile And for you to want this too
José N. Harris
i think of that spring morning, just before dawn. how she appeared at my side on the bench. how i felt so suddenly alive with possibility. saw in her a wondrous world, an open hand, a person i knew in my bones would be someone i’d love. how i had no idea. how the not knowing was the most wonderful and terrible thing. maybe i could do it again. imagine her back. live on the roofs and trees of my mind with another her beside me forever. take her mesh hand in mine and this time never let go.
Mona Awad (Bunny)
That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.
Nicholas Sparks (The Notebook (The Notebook, #1))
I always like to imagine being a South African policeman who likely couldn’t tell the difference between Chinese and Japanese but whose job was to make sure that people of the wrong color weren’t doing the wrong thing. If he saw an Asian person sitting on a whites-only bench, what would he say? “Hey, get off that bench, you Chinaman!” “Excuse me. I’m Japanese.” “Oh, I apologize, sir. I didn’t mean to be racist. Have a lovely afternoon.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
hand twirling my bracelet. It was Ivan that answered as he shifted around on the bench. “Four hours at four in the morning at the LC, and a three hour workout at one in the afternoon.” Shit. That would only leave me four hours to work and that was going to be cutting it
Mariana Zapata (From Lukov with Love)
don’t build a park bench if you secretly love Frisbee.
Jon Acuff (Start: Punch Fear in the Face, Escape Average and Do Work That Matters)
You can bench me if that’s what you feel you need to do, but I love this girl,” I said, squeezing her hand. “And I’m not backing down.
Kandi Steiner (Quarterback Sneak (Red Zone Rivals, #3))
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The hard things break. The soft things bend. The stubborn ones batter themselves against all that is immovable. The flexible adapt to what is before them. Of course, we are all hard and soft, stubborn and flexible, and so we all break until we learn to bend and are battered until we accept what is before us. This brings to mind the Sumerian tale of Gilgamesh, the stubborn, hard king who sought to ask the Immortal One the secret of life. He was told that there would be stones on his path to guide him. But in his urgency and pride, Gilgamesh was annoyed to find his path blocked, and so smashed the very stones that would help him. In his blindness of heart, he broke everything he needed to discover his way. With the same confusion, we too break what we need, push away those we love, and isolate ourselves when we need to be held most. There have been many times in my life when I have been too proud to ask for help or too afraid to ask to be held, and in the frenzy of my own isolation, like Gilgamesh, I have smashed the window I was trying to open, have split the bench I was trying to hammer, and have made matters worse by bruising the one I meant to be tender with. The live bough bends. The dead twig snaps. We are humbled to soften from our griefs, or else, in brittle time, become the next thing grieved.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
ll we want is to succumb to a single kiss that will contain us like a marathon with no finish line, and if so, that we land like newspapers before sunrise, halcyon mornings arrived like blue martinis. I am learning the steps to a foreign song: her mind was torpedo, and her body was storm, a kind of Wow. All we want is a metropolis of Sundays, an empire of hand-holding and park benches? She says, "Leave it all up to me.
Major Jackson (Holding Company: Poems)
She straightened and crossed her arms. “I can’t sleep with you,” she blurted. … “As you please.” “As you please?” She stepped back, the rough wood of the bench bumping her upper calf. She’d braced herself for a battle and now felt oddly deflated. “You aren’t going to try to talk me into it?” “I need not talk women into lying with me.
Angela Quarles (Must Love Chainmail (Must Love, #2))
Here’s the thing you need to know about surveillance: it’s boring. Sure, sometimes we blow stuff up and jump off buildings and/or moving trains, but most of the time we just hang around waiting for something to happen (a fact that almost never makes it into the movies), so I might have felt pretty silly if I were a normal girl and not a highly trained secret-agent-type person as I sat on that park bench, trying to act normal when, by definition, I’m anything but.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
The grassy park was lined with dozens of kissing booths. Twinkle lights draped back-and-forth between tall trees, making a canopy of stars above the red and pink tables below. People were lined up at each booth, applying lipstick and perfume as they readied for their purchased kisses. Behind the booths stood a large white gazebo housing a group of musicians. As a love song filled the air, couples intertwined their bodies and swayed to the melody. Here and there, children ran about wearing red hats and eating lip-shaped chocolates, while women waited impatiently for quickie makeovers under a flashy pink tent. The park was littered with couples kissing behind trees and making out on park benches. And paper stars were everywhere; in trees, on the ground, above heads, inside mouths…. It was like Valentine’s Day. On crack.
Chelsea Fine
Anyone who loves books the way Homer does, loves libraries, too. It doesn't matter if the library has fancy red leather chairs and gold-plated shelves that reach to a vaulted ceiling, or if the library has splintery wooden benches and shelves made of old milk crates. it's the scent that sets the book lover at ease. It's better than grandma's perfume, or freshly baked chocolate chip cookies, or even toast. It's a scent derived from paper, mildew, dust, and human endeavors.
Suzanne Selfors (Smells Like Dog (Smells Like Dog, 1))
Jack fell to his knees on the bench,his eyes rolling back in ecstasy as he clutched both hands to his heart. "Oh, heavens above,to have seen such beauty with my own eyes! It's more than I ever hoped for. But how can I live now, knowing that you're not mine? Please." He crawled forward to the edge of the bench. "Marry me. Nay,marriage will cost us precious moments together. Let us make sweet, passionate love right here.Let me bear your children." A primal growl signaled Miss Lynn getting over her shock at being thus addressed. She lunged forward; Jack deftly rolled off the bench, jumping up out of her reach. "Goodness, I didn't expect you to be quite this enthusiastic about my advances. If I don't play hard to get, how will I ever know whether or not you respect me?" Another growl,this one sounding like "you!" Or prehaps "eew!" because that's certainly how I felt about the whole exchange. Everyone stopped laughing and watched, wide-eyed with horror, unsure whether to stay or distance themselves from the inevitable outcome, which would quite possibly involve jack's dismemberment. I didn't know who to root for.
Kiersten White (Supernaturally (Paranormalcy, #2))
Tatiana turns to him, looks up at him, and smiles. “Do you know what a happy ending is to a Russian?” she says. “When the hero, at the end of his own story, finally learns the reason for his suffering.” Taking another swig of Coke, Alexander says, “Your jokes are getting so lame.” He knocks into her with his stretched-out leg. She takes hold of his hand. “What?” he asks. “Nothing, soldier,” says Tatiana. He is thinking of sailboats in distant oceans, the desert from dimmest childhood, the ghost of fortune, the girl on the bench. When he saw her, he saw something new. He saw it because he wanted to see it, because he wanted to change his life. He stepped off the curb and out of the deadfall. To cross the street. To follow her. And she will give your life meaning, she will save you. Yes, yes—to cross. “We’ll meet again in Lvov, my love and I ...” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young.  
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Love is available at all times. waiting for you in the glorious land that exists beyond the insanity of this world. The place where you go whenever, either out of exhaustion or conscious choice, once you leave your toys of separation and choose to look within, effortlessly receiving the essence of love. This essence is solid as a stone bench, with always ample space for you to sit.
Franco Santoro
Jack?" "Mmmm?" The band was playing a softer song, mellow and slow. "Why did you ask me out when you did?" I tried to sound casual. "What do you mean?" "I mean,did something specific happen to make you ask me out?" "Yes," he said. "What was it?" Had I thrown myself at Jack Caputo? Had I done something to get in Lacey's way? "You remember the first game of the season?" "Yeah," I said. It was Jack's first game as starting quarterback, the youngest starter in school history. I remembered sitting in the second row, directly behind the team bench. "After I threw for the first touchdown of the game?" "Yes." I still couldn't figure out where he was going with this.Had I flashed him or something,and blocked it out of my memory? I was pretty sure I wasn't holding up any large signs declaring my love or anything. "Our defense took the field, and I was on the bench.When I turned around to look at the fans..." He paused. Oh,no. "What did I do?" He smiled. "You looked at me.Not the game." He sighed,as if reliving the memory. I felt my face scrunch up in confusion. "That's it?" "That's it." He shrugged. "It was the first time I thought there might be a chance. I asked Jules about it." I bit my lip. "Apparently she doesn't understand that trusty sidekicks aren't supposed to spill secrets." In a flash,I was suspended in air, the back of my head inches from the ground, Jack's face a breath away from mine, his lips in a wicked grin. I gasped,more from surprise at the sudden dip than from fear. "There are no secrets between us,Becks." His smile remained,but his eyes were intense.
Brodi Ashton (Everneath (Everneath, #1))
As they ate and played, and talked and told jokes, as they fished and wrestled, as they walked in the woods practicing Tatiana’s English and swam naked across the river and back, as he helped her with their laundry and the laundry of four old women, as he carried the water from the well for her and her milk pails, as he brushed her hair each morning and made love to her many times a day, never tiring, never ceasing to be aroused by her, Alexander knew that he was living the happiest days of his life. He held no illusions. Lazarevo was not going to come again, neither for him nor for her. Tatiana held those illusions. And he thought—it was better to have them. Look at him. And look at her. Tatiana so ceaselessly and happily did for him, so constantly smiled and touched him and laughed—even as their twenty-nine moon-cycle days spun faster around the loop of grief—that Alexander had to wonder if she ever even thought about the future. He knew she sometimes thought about the past. He knew she thought about Leningrad. She had a stony sadness around her edges that she had not had before. But for the future, Tatiana seemed to harbor a rosy hope, or at the very least a sense of humming unconcern. What are you doing? she would ask him when he was sitting on the bench and smoking. Nothing, Alexander would reply. Nothing but growing my pain. He smoked and wished for her.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
He said the difference between the male and female modes of thought were easily illustrated by the thoughts of a boy and girl, sitting on a park bench, looking at the full moon. The boy thinks of the universe, its immensity and mystery; the girl thinks, "I must wash my hair." When I read this I was frantically upset; I had to put the magazine down. It was clear to me at once that I was not thinking as a girl thought; the full moon would never as long as I lived remind me to wash my hair. I knew if I showed it to my mother she would say, "Oh it is just that maddening male nonsense, women have no brains." That would not convince me; surely a New York psychiatrist must know. And women like my mother were in the minority, I could see that. Moreover I did not want to be like my mother, with her virginal brusqueness, her innocence. I wanted men to love me, and I wanted to think of the universe when I looked at the moon. I felt trapped, stranded; it seemed there had to be a choice where there couldn't be a choice.
Alice Munro (Lives of Girls and Women)
I realise I would like to solve the mystery of her just as much as she wants to solve the mystery of me and she nestles a little into me and I put my arm around her. Right there. On the park bench. Maybe that is what it takes to love someone. Finding a happy mystery you would like to unravel for ever.
Matt Haig (How to Stop Time)
Strangely, though, I like helos. During this workup, my platoon worked with MH-6 Little Birds. Those are very small, very fast scout-and-attack helicopters adapted for Special Operations work. Our versions had benches fitted to each side; three SEALs can sit on each bench. I loved them. True, I was scared
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
Lumpini Park at night: love at its cheapest, but the incidence of HIV is said to be over 60 per cent. In the darkness: furtive movement on benches and on the grass, muted moans and whispers, rustlings of large animals in heat, the intensity of the atomic fusion of sec and death (highly addictive, they say).
John Burdett (Bangkok Tattoo (Sonchai Jitpleecheep, #2))
He thought dawdling, protective thoughts, sitting under the lamp, but he knew that pretty soon his name would be called and he would have to go up before the bench with himself as judge and his own crimes as jurors. And his name was called, shrilly in his ears. His mind walked in to face the accusers: Vanity, which charged him with being ill dressed and dirty and vulgar; and Lust, slipping him the money for his whoring; Dishonesty, to make him pretend to talent and thought he did not have; Laziness and Gluttony arm in arm. Tom felt comforted by these because they screened the great Gray One in the back seat, waiting—the gray and dreadful crime. He dredged up lesser things, used small sins almost like virtues to save himself. There were Covetousness of Will’s money, Treason toward his mother’s God, Theft of time and hope, sick Rejection of love. Samuel spoke softly but his voice filled the room. “Be good, be pure, be great, be Tom Hamilton.” Tom ignored his father. He said, “I’m busy greeting my friends,” and he nodded to Discourtesy and Ugliness and Unfilial Conduct and Unkempt Fingernails. Then he started with Vanity again. The Gray One shouldered up in front. It was too late to stall with baby sins. This Gray One was Murder.
John Steinbeck (East of Eden)
Regret crossing the street for me, soldier?” Taking her hand into both of his, Alexander said, “Tania, I was spellbound by you from the first moment I saw you. There I was, living my dissolute life, and war had just started. My entire base was in disarray, people were running around, closing accounts, taking money out, grabbing food out of stores, buying up the entire Gostiny Dvor, volunteering for the army, sending their kids to camp—” He broke off. “And in the middle of my chaos, there was you!” Alexander whispered passionately. “You were sitting alone on this bench, impossibly young, breathtakingly blonde and lovely, and you were eating ice cream with such abandon, such pleasure, such mystical delight that I could not believe my eyes. As if there were nothing else in the world on that summer Sunday. I give you this so that if you ever need strength in the future and I’m not there, you don’t have to look far. You, with your high-heeled red sandals, in your sublime dress, eating ice cream before war, before going who knows where to find who knows what, and yet never having any doubt that you would find it. That’s what I crossed the street for, Tatiana. Because I believed that you would find it. I believed in you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Start with a girl whose blood has been steeped in Korea for generations, imprinted with Confucianism and shamanism and war. Extract her from the mountains. Plant her in wheat fields between the Red River and the Mississippi. Baptize her. Indoctrinate her. Tell her who she is. Tell her what is real. See what happens. Witness a love affair with freaks, a fascination with hermaphrodites and conjoined twins, a fixation on Pisces and pairs of opposites. Trace a dream that won't die: a vision of an old woman slumped on a bench, her spirit sitting straight out of the body, joined to the corpse at the waist.
Jane Jeong Trenka
So what to do? Rycca knew perfectly well. The problem lay in convincing Dragon. Every time she tried to bring up the subject, he cut her off, which made her suspect he already knew what was in her mind. That he did this by drawing her into his arms and dazzling her with his lovemaking was beside the point.Or at least it was after she recovered enough to think again. "Some place with no bed," she murmured to herself, "no pile of straw, no mossy riverbank, no chair, bench, or table, no field, or tree,or..." She sighed and tried hard not to smile, without success. Loving Dragon and being loved by him put all the world, even Wolscroft, in a different perspective.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Romance was different in her world. In our world. She believed it lived all around us. In the trees, the blue sky hiding behind rain clouds, snow flakes clinging to windshields, squirrels hiding their food, blades of grass catching drops from a misty morning, and in every person to walk the earth. Ella loved to sit on city benches and make up stories about passing strangers. Since meeting her my entire world changed. I always turned life into strands of color on an empty canvas. People blurred by like flashes of light. Just blurs. Then Ella walked into my life and everything slowed down. The blurs of color became people with stories. People with hearts. People. Like me.
Marilyn Grey (Down from the Clouds (Unspoken #2))
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening: 'And then the Master of the house came to him and said: "I won't let you go, I'll tie you up and bind you tight and you'll rot under the fallen branches!"' That's the way to make people wary of anomalous phenomena! Kids sense that, you know–it's no wonder they love telling stories about the Black Han and the Coffin on Wheels. But modern literature, and especially the movies, it all just dilutes that instinctive horror. How can you feel afraid of Dracula, if he's been killed a hundred times? How can you be afraid of aliens, if our guys always squelch them? Yes, Hollywood is the great luller of human vigilance. A toast–to the death of Hollywood, for depriving us of a healthy fear of the unknown!
Sergei Lukyanenko (Twilight Watch (Watch, #3))
There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in. I scowled at the world. And the world scowled back ... And to be honest: I wasn’t really angry. Not anymore. I had left my anger somewhere long ago. Put it down on a park bench and walked away. And yet. It had been so long, I didn’t know any other way of being. One day I woke up and said to myself: It’s not too late. The first days were strange. I had to practice smiling in front of the mirror. But it came back to me. It was as if a weight had been lifted. I let go, and something let go of me.
Nicole Krauss (The History of Love)
Nell walks what feels like the length of Paris. She walks through the numbered arrondissements, meandering through a food market, gazing at the glossy produce, both familiar and not at the same time, accepting a plum at a stallholder's urging and then buying a small bag in lieu of breakfast and lunch. She sits on a bench by the Seine, watching the tourist boats go by, and eats three of the plums, thinking of how it felt to hold the tiller, to gaze onto the moonlit waters. She tucks the bag under her arm as if she does this all the time and takes the Metro to a brocante recommended in one of her guidebooks, allowing herself an hour to float among the stalls, picking up little objects that someone once loved, mentally calculating the English prices, and putting them down again. And as she walks, in a city of strangers, her nostrils filled with the scent of street food, her ears filled with an unfamiliar language, she feels something unexpected wash through her. She feels connected, alive.
Jojo Moyes (Paris for One)
Martyrs of a sort they were, these children, along with the town drunk, in his basketball sneakers and buttonless overcoat, draining blackberry brandy from a paper bag as he sat on his bench in Kazmierczak Square, risking nightly death by exposure; martyrs too of a sort were the men and women hastening to adulterous trysts, risking disgrace and divorce for their fix of motel love—all sacrificing the outer world to the inner, proclaiming with this priority that everything solid-seeming and substantial is in fact a dream, of less account than a merciful rush of feeling.
John Updike (The Witches of Eastwick)
Pat sat on the garden bench until dawn came over the Hill of the Mist. The day had begun in a pale windless morning . . . the day on which mother was to go. Would she ever return? That old hymn she had hated . . . "change and decay in all around I see." Change was what she had always dreaded. "Oh, Thou who changest not abide with me." It was not a hateful hymn after all . . . it was a hymn to be loved. How wonderful to feel that there was something that never changed . . . a Power under and above and around on which you could depend. Peace seemed to flow into her.
L.M. Montgomery (Pat of Silver Bush (Pat of Silver Bush, #1))
I sat on a bench and did what, as a girl, I had done whenever I needed to calm myself: instead of pressing the button with the number 4 on it, I let myself go up to the sixth floor. That space had been empty and dark for many years, ever since the lawyer who had his office there had left, taking with him even the light bulb from the landing. When the elevator stopped, I let my breath glide into my stomach and then return slowly to my throat. As always, after a few seconds, the light in the elevator went out, too. I thought of reaching my hand out to one of the door handles: you had only to pull it and the light would return. But I didn't move and continued to send my breath deep into my body. The only sound was that of the woodworms eating into the panelled walls. Just a few months earlier (five, six?), on a sudden impulse, I had revealed to my mother, during one of my brief visits, that as an adolescent I used to retreat to that secret place, and I brought her up there, to the top. Maybe I wanted to try to establish an intimacy that there had never been, maybe I wanted to let her know in some confused way that I had always been unhappy. But she seemed to me only amused by the fact that I had sat suspended in the void, in a dilapidated elevator.
Elena Ferrante (Troubling Love)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
As I sat next to him on the piano bench, I said, “What if I’d never walked into the music store . . .” Sam smiled gently and looked at me as he played the keys on the piano ever so softly. And then he said, “But you did.” I decided that was my answer to questions of fate. I could go around asking myself what if x hadn’t happened, and the answer would always be, “But it did.” What if Jesse hadn’t gotten on that helicopter? But he did. I decided to no longer wonder what would have happened if things had worked out differently. And instead, I would focus on what was in front of me. I would focus on reality instead of asking myself questions about fictions.
Taylor Jenkins Reid (One True Loves)
One of them stepped from the crowd. It was Zeebo, the garbage collector. “Mister Jem,” he said, “we’re mighty glad to have you all here. Don’t pay no ’tention to Lula, she’s contentious because Reverend Sykes threatened to church her. She’s a troublemaker from way back, got fancy ideas an’ haughty ways—we’re mighty glad to have you all.” With that, Calpurnia led us to the church door where we were greeted by Reverend Sykes, who led us to the front pew. First Purchase was unceiled and unpainted within. Along its walls unlighted kerosense lamps hung on brass brackets; pine benches served as pews. Behind the rough oak pulpit a faded pink silk banner proclaimed God Is Love, the church’s only decoration except a roto-gravure print of Hunt’s The Light of the World.
Harper Lee (To Kill a Mockingbird)
Nothing in my life had prepared me for this.Not one single thing.I feel like a lad rat stuck in some horrible experiment meant to measure how I adapt to brutal forms of social segregation and weirdness.And the sad news is,I'm producing way below average results. I stand to the side of the lunchroom or cafeteria,or whatever they call it.The vegetarian lunch Paloma packed with great love and care tightly clutched in my fist,though I've no clue as to where I'm supposed to go eat it. Having already committed the most heinous crime of all by sitting at the wrong table, I'm not sure I'm up for trying again.I'm still shaken by the way those girls acted-so self-righteous and territorial,so burdened by my presence at the end of their bench. It's the seniors' table, I was told. I have no right to sit there. Ever. And that includes holidays and weekends. "Duly noted," I replied, grabbing my lunch and standing before them. "I'll do my best to steer clear of it on Christmas.Easter as well.Though Valentine's Day is a wild card I just can't commit to." And though it felt good at the time,I've no doubt it was a reckless act that only made things worse.
Alyson Noel (Fated (Soul Seekers, #1))
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
In the evening we shall be examined on love.” –St. John of the Cross And it won’t be multiple choice, though some of us would prefer it that way. Neither will it be essay, which tempts us to run on when we should be sticking to the point, if not together. In the evening there shall be implications our fear will change to complications. No cheating, we’ll be told, and we’ll try to figure out the cost of being true to ourselves. In the evening when the sky has turned that certain blue, blue of exam books, blue of no more daily evasions, we shall climb the hill as the light empties and park our tired bodies on a bench above the city and try to fill in the blanks. And we won’t be tested like defendants on trial, cross-examined till one of us breaks down, guilty as charged. No, in the evening, after the day has refused to testify, we shall be examined on love like students who don’t even recall signing up for the course and now must take their orals, forced to speak for once from the heart and not off the top of their heads. And when the evening is over and it’s late, the student body asleep, even the great teachers retired for the night, we shall stay up and run back over the questions, each in our own way: what’s true, what’s false, what unknown quantity will balance the equation, what it would mean years from now to look back and know we did not fail.
Thomas Centolella (Lights & Mysteries)
The two sat quietly on the park bench, and Dove liked it. If she sat perfectly still, neither could ruin the moment. He seemed to feel the change as well as they watched two squirrels bound about in front of them. The squirrels were adorable and brave, jumping close to Dove and Johnson—maybe because they were motionless. Dove wanted to comment on the Disneyesque scene in front of them but kept her words on the tip of her tongue, not wanting to spoil the quiet. The two squirrels sat side by side, each a mirror of the other, munching on acorns in their paws. With their fuzzy faces and sweet, black eyes, they reminded Dove of exactly why she loved the park. Next to her, Johnson sighed in contentment. The male squirrel dropped his nut and jumped quickly behind the female squirrel. Oh dear God! Don’t do it. You horny little bastard! The male squirrel refused to read Dove’s mind and started climbing on the female squirrel. Dove heard Johnson’s groan of disgust as the male began the motions of copulation. She shook her head. Fucking figures. The tender new feelings between Dove and this handsome man were now spoiled with the obscene visual of the hairy rodents humping. Johnson had to comment. “Wow. Squirrels usually engage in some style of MATING dance.” He looked around the park for other examples to prove his point. “Much like humans, they’re attracted to the smell of the GENITALS and fancy tail motions.” Dove tried to figure out where she belonged in this conversation that he apparently thought was acceptable small talk. The obscene, public intercourse ended with one final, furry pump. The female never even dropped her nut. “Well, I guess that was a dinner date.” Dove covered her mouth and shook her head. She prayed for a flock of hungry hawks to swoop in and eat the little Snow White porn stars so she and Mr. Gorgeouspants could just stop talking about nether regions for a minute. “This time of the year, NUTS are more important than anything else.
Debra Anastasia (Fire Down Below (Gynazule #1))
But you know what? They all grinned at me in welcome,and Josh even scooted over to make room for me on the bench. At least I knew who my true friends were. Feeling grateful and loved,I sat down THPPPPTHPPPPTHPPPPT! I farted. Or so it seemed. The boys died laughing.I pulled the whoopee cushion out from under me and flung it on the table,which only sent them into another paroxysm. "Nick-Kriger-is-behind-you," Josh gasped between giggles. "He totally heard it over Galaga.Do you still want us to look without looking like we're looking?" This sent them into yet another laughing fit. "But don't worry," one of his friends said. "We'll act like we think you're hot." They all snorted and dabbed at their eyes faux-girlishly with paper napkins from the holder. Then,as if on cue, they started their rythmic heavy breathing,and I knew one of Josh's raps was coming. The people in the booths around us turned to look, if they weren't already staring at us outright because of the whoopee cushion.
Jennifer Echols (The Ex Games)
Stop it. Right now. Why torture yourself Layla? It’s not as many as you think. If I had to give you a number, which by the way I find a little unsettling, it would be…sixty, approximately. I started having sex when I was sixteen Layla. So when you think about it, that’s ten women per year. Not that many is it? And that’s including you. But none of them even matter because I’m with you. You’re the only woman I want in my bed, shower, tub, dining table, counter top, sofa and anywhere else I can throw you over. You, Layla Jennings are the only woman I will sleep with from now till the day I die. And I bet I know the next question and the answer is no. I didn’t love them. I never knew what love was. I cared about them sure and I wanted to make them happy but I didn’t love them. I love you. I’ve never met anyone that affects me the way you do. I feel like I could conquer the world, bench press a bus and run a marathon when I’m with you. You make me feel alive and so happy I can’t even think straight.
Marie Coulson (Bound Together (Bound Together, #1))
JANUARY 25 Loving Yourself I begin to realize that in inquiring about my own origin and goal, I am inquiring about something other than myself…. In this very realization I begin to recognize the origin and goal of the world. —MARTIN BUBER In loving ourselves, we love the world. For just as fire, rock, and water are all made up of molecules, everything, including you and me, is connected by a small piece of the beginning. Yet, how do we love ourselves? It is as difficult at times as seeing the back of your head. It can be as elusive as it is necessary. I have tried and tripped many times. And I can only say that loving yourself is like feeding a clear bird that no one else can see. You must be still and offer your palmful of secrets like delicate seed. As she eats your secrets, no longer secret, she glows and you lighten, and her voice, which only you can hear, is your voice bereft of plans. And the light through her body will bathe you till you wonder why the gems in your palm were ever fisted. Others will think you crazed to wait on something no one sees. But the clear bird only wants to feed and fly and sing. She only wants light in her belly. And once in a great while, if someone loves you enough, they might see her rise from the nest beneath your fear. In this way, I've learned that loving yourself requires a courage unlike any other. It requires us to believe in and stay loyal to something no one else can see that keeps us in the world—our own self-worth. All the great moments of conception—the birth of mountains, of trees, of fish, of prophets, and the truth of relationships that last—all begin where no one can see, and it is our job not to extinguish what is so beautifully begun. For once full of light, everything is safely on its way—not pain-free, but unencumbered—and the air beneath your wings is the same air that trills in my throat, and the empty benches in snow are as much a part of us as the empty figures who slouch on them in spring. When we believe in what no one else can see, we find we are each other. And all moments of living, no matter how difficult, come back into some central point where self and world are one, where light pours in and out at once. And once there, I realize—make real before me—that this moment, whatever it might be, is a fine moment to live and a fine moment to die.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In An Instant)
Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.
Billy Collins (Aimless Love: New and Selected Poems)
Yes, you do hate Switzerland. And," doctor Messerli paused for effect, "you love it. You love it and you hate it. What you don't feel is apathy. You're not indifferent. You're ambivalent." Anna had thought about this before, when nights came during which she could do nothing but wander Dietlikon's sleeping streets or hike the hill behind her house to sit upon the bench where most often she went to weep. She'd considered her ambivalence many, many times, and in the end, she's diagnosed herself with a disease that she'd also invented. Switzerland syndrome. Like Stockholm syndrome. But instead of my captors, I'm attached to the room in which I'm held captive. It's the prison I'm bound to, not the warden. Anna was absolutely right. It was the landscape. it was the geography. The fields, the streams, the lakes, the forests. And the mountains. On exceptionally clear days when the weather was right, if you walked south on Dietlikon's Bahnhofstrasse you could see the crisp outlines of snow-capped Alps against a blazing blue horizon eighty kilometers away. On these certain days it was something in the magic of the atmosphere that made them tangible and moved them close. The mutability of those particular mountains reminded Anna of herself. And it wasn't simply the natural landscape that she attached herself to emotionally. It was the cobblestone roads of Zürich's old town and the spires of this church and the towers of that one. And the trains, the trains, the goddamn trains. She could take the train anywhere she wanted to go.
Jill Alexander Essbaum
I hope Peter’s still out there. I don’t want to lose my nerve. So I quicken my pace and that’s when I spot him, alone in the hot tub, his head tipped back with his eyes closed. “Hi,” I say, and my voice echoes into the woods. His eyes fly open. Nervously, he looks over my shoulder. “Lara Jean! What are you doing out here?” “I came to see you,” I say, and my breath comes out in white puffs. I start taking off my boots and socks. My hands are shaking, and not because I’m cold. I’m nervous. “Uh…what are you doing?” Peter’s looking at me like I’m crazy. “I’m getting in!” Shivering, I unzip my puffy coat and set it on the bench. Steam is rising out of the water. I dip my feet in and sit down on the ledge of the hot tub. It’s hotter than a bath, but it feels nice. Peter’s still watching me warily. My heart is racing out of control and it’s difficult to look him in the eyes. I’ve never been so scared in my life. “That thing you brought up earlier…you caught me off guard, so I didn’t know what to say. But…well, I like you too.” It comes out so fumbly and uncertain, and I wish I could start over and say it smoothly and confidently. I try again, louder. “I like you, Peter.” Peter blinks, and he looks so young all of a sudden. “I don’t understand you girls. I think I have you figured out, and then…and then…” “And then?” I hold my breath as I wait for him to speak. I’m so nervous; I keep swallowing, and it sounds loud to my ears. Even my breathing sounds loud, even my heartbeat. His pupils are dilated he’s looking at me so hard. He’s staring at me like he’s never seen me before. “And then I don’t know.” I think I stop breathing when I hear him say “I don’t know.” Did I screw things up that badly that now he doesn’t know? It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.” “I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.” “Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.” Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.” “His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?” “It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter. “Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)