Wreck Quotes

We've searched our database for all the quotes and captions related to Wreck. Here they are! All 100 of them:

So, you wrecked Alcatraz Island, made Mount St. Helens explode, and displaced half a million people, but at least you're safe." "Yep, that pretty much covers it.
Rick Riordan
Don't wreck a sublime chocolate experience by feeling guilty. Chocolate isn't like premarital sex. It will not make you pregnant. And it always feels good.
Lora Brody
I was warned about you, you know." And with that half-smile that wrecked me, Noah said, "But you're here anyway.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Mama, Mama, help me get home I'm out in the woods, I am out on my own. I found me a werewolf, a nasty old mutt It showed me its teeth and went straight for my gut. Mama, Mama, help me get home I'm out in the woods, I am out on my own. I was stopped by a vampire, a rotting old wreck It showed me its teeth and went straight for my neck. Mama, Mama, put me to bed I won't make it home, I'm already half-dead. I met an Invalid, and fell for his art He showed me his smile, and went straight for my heart. -From "A Child's Walk Home," Nursery Rhymes and Folk Tales
Lauren Oliver (Delirium (Delirium, #1))
You try to be faithful And sometimes you're cruel. You are mine. Then, you leave. Without you, I can't cope. And when you take the lead, I become your footstep. Your absence leaves a void. Without you, I can't cope. You have disturbed my sleep, You have wrecked my image. You have set me apart. Without you, I can't cope.
Jalal ad-Din Muhammad ar-Rumi (Love: The Joy That Wounds: The Love Poems of Rumi)
We are all wonderful, beautiful wrecks. That's what connects us--that we're all broken, all beautifully imperfect.
Emilio Estevez
But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.
Donna Tartt (The Goldfinch)
Love and I once had a great relationship, but I fear we've broken up. It cheated on me, wrecked my heart, and then went on to date other people. A lot of other people. And I can't stand to watch it, since love's going to cheat on them too.
David Levithan
And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
Donna Tartt (The Goldfinch)
Shut up…let me tell you, LET ME. Every time I look at your face or even remember it, it wrecks me. And the way you are with me and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough...I don’t even think about women anymore. I think about you.
Louis C.K.
Sometimes you're the one speeding along in a panic, doing too much, not paying attention, wrecking things you don't mean to. And sometimes life just happens to you, and you can't dodge it. It crashes into you because it wants to see what you're made of.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I really wonder what gives us the right to wreck this poor planet of ours.
Kurt Vonnegut Jr.
The psychologist, Paul Rozin, an expert on disgust, observed that a single cockroach will completely wreck the appeal of a bowl of cherries, but a cherry will do nothing at all for a bowl of cockroaches.
Daniel Kahneman (Thinking, Fast and Slow)
Did he just rip out the engine?" I asked. "Yes", Saiman said. "And now he is demolishing the Maserati with it." Ten seconds later Curran hurled the twisted wreck of black and orange that used to be the Maserati into the wall. The first melodic notes of an old song came from the computer. I glanced at Saiman. He shrugged. "It begged for a soundtrack.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
The sea is not less beautiful in our eyes because we know that sometimes ships are wrecked by it.
Simone Weil (Waiting for God)
There are certain shades of limelight that can wreck a girl's complexion.
Audrey Hepburn
You wreck me.
S.C. Stephens (Thoughtless (Thoughtless, #1))
Love will wreck your heart like a derailed train. So choo-choose your partner wisely.
Jarod Kintz (This Book Has No Title)
How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living.
Annie Dillard (The Writing Life)
I hope you never hear those words. Your mom. She died. They are different than other words. They are too big to fit in your ears. They belong to some strange, heavy, powerful language that pounds away at the side of your head, a wrecking ball coming at you again and again, until finally, the words crack a hole large enough to fit inside your brain. And in so doing, they split you apart.
Mitch Albom (For One More Day)
When you're wrecked, that's the only thing you can do, right? Hold on to whatever you can. Hold on hard.
Lili St. Crow (Strange Angels (Strange Angels, #1))
Every book is the wreck of a perfect idea.
Iris Murdoch
I am doomed to remember a boy with a wrecked voice. Not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God. I am a Christian because of Owen Meany.
John Irving (A Prayer for Owen Meany)
Sometimes if you want something badly enough, you can make it happen. If you miss someone so desperately that it wrecks your insides, you say their name over and over until you conjure then. It's called sympathetic magic and you just have to believe in it to make it work.
Jenny Downham (You Against Me)
Time is a river...and books are boats. Many volumes start down that stream, only to be wrecked and lost beyond recall in its sands. Only a few, a very few, endure the testings of time and live to bless the ages following.
Joseph Fort Newton (The Lost Symbol (Robert Langdon, #3))
You have no idea what you do to me," he said as he stood. "I could barely keep my hands off you last night, even after seeing what you'd been through this week. Even after knowing how wrecked you were when you told me. And I"m going to spend an eternity in hell for that dream I had about you on your birthday. But if I could call it up again, I'd spend it twice.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
For him, I had done this-for him I'd gladly wrecked myself and my immortal soul. And now I had an eternity to live with it.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There are certain shades of limelight that can wreck a girl's complexion.
Truman Capote
See, people come into your life for a reason. They might not know it themselves, why. You might not know it. But there's a reason. There has to be
Joyce Carol Oates (After the Wreck, I Picked Myself Up, Spread My Wings, and Flew Away)
I’m not a romantic, I’m a half-wit. Only stupid people would think I’m smart. I’m not something anyone should know. I’m a lunatic wandering around for scraps, I’m like every single miserable moron I’ve scorned and pretended I didn’t recognize. I’m all of them, every last ugly thing in a bad last-minute costume. I’m not different, not at all, not different from any other speck of a thing. I’m a blemished blemish, a ruined ruin, a stained wreck so failed I can’t see what I used to be.
Daniel Handler (Why We Broke Up)
Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.
Tana French (The Likeness (Dublin Murder Squad, #2))
Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
Ray Bradbury (Fahrenheit 451)
How long are you going to wait before you demand the best for yourself and in no instance bypass the discriminations of reason? You have been given the principles that you ought to endorse, and you have endorsed them. What kind of teacher, then, are you still waiting for in order to refer your self-improvement to him? You are no longer a boy, but a full-grown man. If you are careless and lazy now and keep putting things off and always deferring the day after which you will attend to yourself, you will not notice that you are making no progress, but you will live and die as someone quite ordinary. From now on, then, resolve to live as a grown-up who is making progress, and make whatever you think best a law that you never set aside. And whenever you encounter anything that is difficult or pleasurable, or highly or lowly regarded, remember that the contest is now: you are at the Olympic Games, you cannot wait any longer, and that your progress is wrecked or preserved by a single day and a single event. That is how Socrates fulfilled himself by attending to nothing except reason in everything he encountered. And you, although you are not yet a Socrates, should live as someone who at least wants to be a Socrates.
Epictetus
Congratulations, then. You wanted to be ruined? Well, you did yourself one better because you wrecked me, too, Sunshine. Now we’re both worth shit.
Katja Millay (The Sea of Tranquility)
Ozymandias" I met a traveller from an antique land Who said: "Two vast and trunkless legs of stone Stand in the desert. Near them on the sand, Half sunk, a shattered visage lies, whose frown And wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these words appear: 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away.
Percy Bysshe Shelley (Rosalind and Helen: A Modern Eclogue With Other Poems)
Who the hell would attack the Steel Horse anyway? What was the thinking behind that? “Here is a bar full of psychotic killers who grow giant claws and people who pilot the undead for a living. I think I’ll go wreck the place.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
My wife and I tried to breakfast together, but we had to stop or our marriage would have been wrecked.
Winston S. Churchill
Yea, and if some god shall wreck me in the wine-dark deep, even so I will endure… For already have I suffered full much, and much have I toiled in perils of waves and war. Let this be added to the tale of those.
Homer (The Odyssey)
Paracelsus At times I almost dream I too have spent a life the sages’ way, And tread once more familiar paths. Perchance I perished in an arrogant self-reliance Ages ago; and in that act a prayer For one more chance went up so earnest, so Instinct with better light let in by death, That life was blotted out — not so completely But scattered wrecks enough of it remain, Dim memories, as now, when once more seems The goal in sight again.
Robert Browning
VOTE, n. The instrument and symbol of a freeman's power to make a fool of himself and a wreck of his country.
Ambrose Bierce
When politicians start talking about large groups of their fellow Americans as 'enemies,' it's time for a quiet stir of alertness. Polarizing people is a good way to win an election, and also a good way to wreck a country.
Molly Ivins
If we are not willing to let go knotty and prickly issues in time, our mental frame can be wrecked before long. One must be prepared to get the monkey off the back, eventually. ( « Les choses avaient enfin perdu leur pesanteur » )
Erik Pevernagie
Check thyself before thy wreck thyself.
Tyler Oakley
Their love for me was both a myth and a torture and so I wrecked everything. I hurt them, and I left them hurting.
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
I have to go to her, Lucan. For my own sanity, if nothing else. If I stay here, I'm not sure what good I'd be, to tell you the truth. She's the only thing that's held me together in a very long time. I'm a wreck for this woman, my friend. She owns me now.
Lara Adrian (Midnight Rising (Midnight Breed, #4))
What is it about childhood that never lets you go, even when you're so wrecked it's hard to believe you ever were a child?
Mitch Albom (For One More Day)
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
Jerome K. Jerome (Three Men in a Boat)
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
All the pent up, helpless rage formed a wrecking ball inside of me. Maintaining human form was near impossible. I wanted to hit something—destroy something. I needed to. “Daemon, no one—” “Shut up,” I said, turning to where Matthew sat in the corner of the room. Right this moment I wanted to destroy him. “Just shut the hell up.
Jennifer L. Armentrout (Origin (Lux, #4))
I talk about going to [George W. Bush's] Inauguration and crying when he took the oath, 'cause I was so afraid he was going to wreck the economy and muck up the drinking water'... the failure of my pessimistic imagination at that moment boggles my mind now.
Sarah Vowell
Yeah, I understood that last night at the wreck. Nothing says I love you like a dead body.
Jennifer Echols (Going Too Far)
In a lifeworld, where we can be what we are, and not what people expect us to be, we can escape a blank and void existence, which is linked to wrecking ennui. Boredom often slips into revulsion and nausea, for not being able to find an identity and not succeeding in acquiring individuality with the quality of authenticity. ("Like a frozen image")
Erik Pevernagie
Roarke: You'd enjoy flying more if you'd learn the controls. Eve: I'd rather pretend I'm on the ground. Roarke: And how many vehicles have you wrecked, had blown up, or destroyed in the last, oh, two years? Eve: Think about that, then imagine it happening when I'm at the wheel at thirty thousand feet. Roarke: Good point. I'll do the flying.
J.D. Robb (Kindred in Death (In Death, #29))
Love is the great test of the human. The human is tested by our ability to withstand love. Love is so difficult, it is so challenging, it demands of us that we wreck it with ourselves. It demands of us an honesty that few of us could sustain.
Junot Díaz
I don't trust them but I'm learning to use them.
Adrienne Rich (Diving Into the Wreck)
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It's not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don't know its happening until one day you feel you've lost something but you're not sure what it is. It's like smiling at a pretty girl and she calls you 'sir'. It just happens.
Robert McCammon (Boy's Life)
If you like books with happy endings then put this book down immediately.
Lemony Snicket (The Complete Wreck)
When you came after me at the tavern, you nearly died." He looked wrecked at the memory. "You nearly died, and then who would I have argued with?" "You'd have found someone." "No." He stepped toward her. "I only want to argue with you.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wondering awed about on a splintered wreck I've come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them...
Annie Dillard (Pilgrim at Tinker Creek)
...you look at me like an emergency
Adrienne Rich (Diving Into the Wreck)
And on the pedestal these words appear:
 'My name is Ozymandias, king of kings:
 Look on my works, ye Mighty, and despair!' 
Nothing beside remains. Round the decay
 Of that colossal wreck, boundless and bare
 The lone and level sands stretch far away.
Percy Bysshe Shelley (Ozymandias)
I felt a Funeral, in my Brain, And Mourners to and fro Kept treading – treading – till it seemed That Sense was breaking through – And when they all were seated, A Service, like a Drum – Kept beating – beating – till I thought My Mind was going numb – And then I heard them lift a Box And creak across my Soul With those same Boots of Lead, again, Then Space – began to toll, As all the Heavens were a Bell, And Being, but an Ear, And I, and Silence, some strange Race Wrecked, solitary, here – And then a Plank in Reason, broke, And I dropped down, and down – And hit a World, at every plunge, And Finished knowing – then –
Emily Dickinson (The Complete Poems of Emily Dickinson)
You see, evil always contains the seeds of its own destruction. It is ultimately negative, and therefore encompasses its downfall even at its moments of apparent triumph. No matter how grandiose, how well-planned, how apparently foolproof of an evil plan, the inherent sinfulness will by definition rebound upon its instigators. No matter how apparently successful it may seem upon the way, at the end it will wreck itself. It will founder upon the rocks of iniquity and sink headfirst to vanish without trace into the seas of oblivion.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Relationships may become wrecked by a quirky syndrome: the “Ain't broke, don't fix”-syndrome. When there is no interaction in the neural network and no breakthrough into the mind but only a shallow skin experience, living together might be very torturous. If a heartfelt bond has not been molded, nothing can be broken and thus nothing needs to be fixed. (“I wonder what went wrong.”)
Erik Pevernagie
And you are? (Xypher) Pissed off. You wrecked my car, shoved me around, and are a complete and utter dickhead! (Simone) Dear God, what a mouthful – your mom must have really wanted a son. Mind if I call you ‘Pissed’ for short? The rest of that is just too much to say every time I want your attention. (Xypher)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
Rowww!” Bast wailed. The wrecking ball rolled straight over her, but she didn’t appear hurt. She leaped off and pounced aain. Her knives sliced through the metal like wet clay. Within seconds, the wrecking ball was reduced to a mound of scraps. Bast sheathed her blades. “Safe now.” “You saved us from a metal ball,” Sadie said. “You never know,” Bast said. “It could’ve been hostile.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I am not one of those who believe - broadly speaking - that women are better than men. We have not wrecked railroads, nor corrupted legislatures, nor done many unholy things that men have done; but then we must remember that we have not had the chance.
Jane Addams
And then I laugh, because it's so ridiculous and so gorgeous and it's all I an do to not melt into a fit of giggles. So what if I'm ninety-three? So what if I'm ancient and cranky and my body's a wreck? If they're willing to accept me and my guilty conscience, why the hell shouldn't I run away with the circus? It's like Charlie told the cop. For this old man, this IS home.
Sara Gruen
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
Robert McCammon (Boy's Life)
The bookstore was a wreck. That much hadn't been a dream. I began to stand and stopped, realizing there was a sheet of paper taped to my coat. Dazedly, I pulled it off. If you leave this bookstore and make me track you, I will make you regret it to the end of your days. ~ Z I began to laugh and cry at the same time. I sat, clutching the paper to my chest, elated. He was alive!.
Karen Marie Moning (Shadowfever (Fever, #5))
Every one of us is called upon, perhaps many times, to start a new life. A frightening diagnosis, a marriage, a move, loss of a job...And onward full-tilt we go, pitched and wrecked and absurdly resolute, driven in spite of everything to make good on a new shore. To be hopeful, to embrace one possibility after another--that is surely the basic instinct...Crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is.
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
Now behind the eyes and secrets of the dreamers in the streets rocked to sleep by the sea, see the titbits and topsyturvies, bobs and buttontops, bags and bones, ash and rind and dandruff and nailparings, saliva and snowflakes and moulted feathers of dreams, the wrecks and sprats and shells and fishbones, whale-juice and moonshine and small salt fry dished up by the hidden sea.
Dylan Thomas (Under Milk Wood)
And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, - we need never read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications?
Henry David Thoreau (Walden)
If people challenge the vagaries of life, in a world where conflicting powers are outlining our fate, it may be ill-advised to actuate wrecking high-wire acts without a safety net. If they need a new swing in their reality, they cannot count on sheer luck. Whatever their exploit may be, reflection and action must be ingrained allies, on all accounts.("Ruling the waves" )
Erik Pevernagie
The hocus-pocus phantasm of a God like another Cerberus, with one body and three heads, had its birth and growth in the blood of thousands and thousands of martyrs... In fact, the Athanasian paradox that one is three, and three but one, is so incomprehensible to the human mind, that no candid man can say he has any idea of it, and how can he believe what presents no idea? He who thinks he does, only deceives himself. He proves, also, that man, once surrendering his reason, has no remaining guard against absurdities the most monstrous, and like a ship without a rudder, is the sport of every wind. With such persons, gullibility which they call faith, takes the helm from the hand of reason, and the mind becomes a wreck. [Letter to James Smith discussing Jefferson's hate of the doctrine of the Christian trinity, December 8 1822]
Thomas Jefferson (Letters of Thomas Jefferson)
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Ralph Wreck-it-Ralph
…. ‘George said he needed a break. And there was something about Jonathan taking over …’   ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’   ‘Women! What women? Jonathan’s not like that …’   ‘Not like that huh! He’s flesh and blood like the rest of us.’  ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
If you keep doing that, you’ll be turning in another wrecked PT Cruiser.” “You said you wanted to drive,” Taylor whispered teasingly as she nibbled at his neck. “Because I’m the man.” “Fine. I’ll stop then, if that’s really what you want . . .” The car careened wildly as it took the next corner. “Fuck it,” Jason groaned. “I’ll buy you a new car.
Julie James (Just the Sexiest Man Alive)
Do you really expect me to fall apart every time another woman throws herself at you? Because, if that's so, I'll be a nervous wreck before the honeymoon's over. Although, if they do it in front of me..." He went still. "Did you just propose to me?" She bristled. "Do you have a problem with that?" The scoreboard lit up, and he gave the world a high five. "God, I love you.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair. But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you. That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
Donna Tartt (The Goldfinch)
Tomorrow isn’t guaranteed so I might as well make today my bitch.
Lauren Asher (Wrecked (Dirty Air, #3))
To some it might’ve seemed callous, the way she boxed up her pain and set it aside, but I knew her well enough now to understand. She had a heart the size of France, and the lucky few whom she loved with it were loved with every square inch—but its size made it dangerous, too. If she let it feel everything, she’d be wrecked. So she had to tame it, shush it, shut it up. Float the worst pains off to an island that was quickly filling with them, where she would go to live one day.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
Treat your career like a bad boyfriend. Here's the thing. Your career won't take care of you. It won't call you back or introduce you to its parents.Your career will openly flirt with other people while you are around. It will forget you birthday and wreck your car. Your career will blow you off if you call it too much. It's never going to leave its wife.Your career is fucking other people and everyone knows but you. Your career will never marry you. (...) If your career is a bad boyfriend, it is healthy to remember you can always leave and go sleep with somebody else
Amy Poehler (Yes Please)
She pushed the bathroom door open to discover Magnus lurking on the other side, clutching a towel in one hand and his glittery hair in the other. He must have slept on it, she thought, because one side of the glittered spikes looked dented in. “Why does it take girls so long to shower?” he demanded. “Mortal girls, Shadowhunters, female warlocks, you’re all the same. I’m not getting any younger waiting out here.” Clary stepped aside to let him pass. “How old are you, anyway?” she asked curiously. Magnus winked at her. “I was alive when the Dead Sea was just a lake that was feeling a little poorly.” Clary rolled her eyes. Magnus made a shooing moving. “Now move your petite behind. I need to get in there; my hair is a wreck.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Tell me about a complicated man. Muse, tell me how he wandered and was lost when he had wrecked the holy town of Troy, and where he went, and who he met, the pain he suffered in the storms at sea, and how he worked to save his life and bring his men back home. He failed to keep them safe; poor fools, they ate the Sun God’s cattle, and the god kept them from home. Now goddess, child of Zeus, tell the old story for our modern times. Find the beginning.
Emily Wilson (The Odyssey)
Pamela, I’m in love with you. Yeah, it’s that bad. You’re so beautiful to me. Shut up! Lemme tell you. Let me. Every time I look at your face or even remember it, it wrecks me - and the way you are with me - and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough. I feel like I’m going to live a thousand years cause that’s how long it’s gonna take me to have one thought about you which is that I’m crazy about you, Pamela. I don’t wanna be with anybody else. I don’t. I really don’t. I don’t think about women anymore. I think about you. I had a dream the other night that you and I were on a train. We were on this train and you were holding my hand. That’s the whole dream. You were holding my hand and I felt you holding my hand. I woke up and I couldn’t believe it wasn’t real. I’m sick in love with you, Pamela. It’s like a condition. It’s like polio. I feel like I’m gonna die if I can’t be with you. And I can’t be with you. So I’m gonna die - and I don’t care cause I was brought into existence to know you and that’s enough. The idea that you would want me back it’s like greedy.
Louis C.K.
God...this was who he loved, he thought. And always would. It was the thrust of that stubborn jaw, and the dark, slashing eyebrows, and those piercings up his ear and in his full lower lip. It was that thick, glossy black hair and the golden skin and that heavily muscled body. It was the way he laughed and the fact that he never, ever cried. It was the scars on his inside no one knew about and the conviction that he would always be the first to run into a burning building or a bloody fight or a car wreck. It was all the things Qhuinn had been and was ever going to be.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up--that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.
Ayn Rand (Atlas Shrugged)
The corporations that profit from permanent war need us to be afraid. Fear stops us from objecting to government spending on a bloated military. Fear means we will not ask unpleasant questions of those in power. Fear permits the government to operate in secret. Fear means we are willing to give up our rights and liberties for promises of security. The imposition of fear ensures that the corporations that wrecked the country cannot be challenged. Fear keeps us penned in like livestock.
Chris Hedges (The Death of the Liberal Class)
Nietzsche was the one who did the job for me. At a certain moment in his life,the idea came to him of what he called 'the love of your fate.' Whatever your fate is, whatever the hell happens, you say, 'This is what I need.' It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment--not discouragement--you will find the strength is there. Any disaster you can survive is an improvement in your character, your stature, and your life. What a privilege! This is when the spontaneity of your own nature will have a chance to flow. Then, when looking back at your life, you will see that the moments which seemed to be great failures followed by wreckage were the incidents that shaped the life you have now. You’ll see that this is really true. Nothing can happen to you that is not positive. Even though it looks and feels at the moment like a negative crisis, it is not. The crisis throws you back, and when you are required to exhibit strength, it comes.
Joseph Campbell (A Joseph Campbell Companion: Reflections on the Art of Living)
And here one of the most soul-crushing things about the Trump era reveals itself: to get through it with any psychological stability—to get through it without routinely descending into an emotional abyss—a person’s best strategy is to think mostly of himself, herself. As wealth continues to flow upward, as Americans are increasingly shut out of their own democracy, as political action is constrained into online spectacle, I have felt so many times that the choice of this era is to be destroyed or to morally compromise ourselves in order to be functional—to be wrecked, or to be functional for reasons that contribute to the wreck.
Jia Tolentino (Trick Mirror)
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances. They build their houses with sand, and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds. They know not how to swim, they know not how to cast nets. Pearl-fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets. The sea surges up with laughter, and pale gleams the smile of the sea-beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby’s cradle. The sea plays with children, and pale gleams the smile of the sea-beach. On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships are wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
Rabindranath Tagore (Gitanjali)
Belize: Hell or heaven? [Roy indicates "Heaven" through a glance] Belize: Like San Francisco. Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit. Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens. Roy Cohn: Isaiah. Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths. Roy Cohn: And a dragon atop a golden horde. Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there. Roy Cohn: And Heaven? Belize: That was Heaven, Roy.
Tony Kushner (Angels in America)
The day I bought my cane, I realized I was through with the burden of feet. Instead, I am going to become a mermaid. I have always liked the ocean, the promise of depth. I am tired of this dry world, all of this dust and sickness, these barren fields. I want to dive without drowning. I want to kiss sharks. I want men to carve me into the bows of their ships like a prayer, before I lure them into the depths with my fishnet mouth. I want the beauty, the gorgeous mutation, the fairytale of half body. All the wisdom of a woman, without the failures of sex. I am plunging. I am not coming up for air. I do not want all this human, my legs move like they resent being legs, my body is wrecked by all this gravity. I cannot face another morning waking up with no hope of a fairytale. Here on land, I am always drowning. Here on land, I cannot move.
Clementine von Radics
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
Elizabeth Wurtzel (Prozac Nation)
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
I want to breathe, I hate this night I want to wake up, I hate this dream I’m trapped inside of myself and I’m dead Don’t wanna be lonely Just wanna be yours Why is it so dark where you’re not here It’s dangerous how wrecked I am Save me because I can’t get a grip on myself Listen to my heartbeat It calls you whenever it wants to Because within this pitch black darkness You are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Save me, save me Today the moon shines brighter on the blank spot in my memories It swallowed me, this lunatic, please save me tonight (Please save me tonight, please save me tonight) Within this childish madness you will save me tonight I knew that your salvation Is a part of my life and the only helping hand that will embrase my pain The best of me, you’re the only thing I have Please raise your voice so that I can laugh again Play on Listen to my heartbeat, it calls you whenever it wants to Because within this pitch black darkness, you are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Thank you for letting me be me For helping me fly For giving me wings For straightening me out For waking me from being suffocated For waking me from a dream which was all I was living in When I think of you the sun comes out So I gave my sadness to the dog (Thank you. For being ‘us’) Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall
BTS
Arobynn continued to pin her with that lover’s gaze. “Nothing is without a price.” He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, “Tell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before … before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for me—and let me lay the world at your feet.” Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here … Had it been for information, to test her, or some grotesque way to assure himself of his dominance? “There is nothing—” “No—not yet,” he said, stepping away. “Don’t say it yet. Sleep on it. Though, before you do—perhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person you’re looking for.” She kept her face still—bored even—as she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. “If you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.) Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future.
David Mitchell (Cloud Atlas)