Tow Life Quotes

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It's funny how, even long after you've accepted the grief of losing someone you love and truly have gotten on with your life, every once in a while something comes up that plays "gotcha," and for a moment or tow the car tissue seperates and the wound is raw again.
Mary Higgins Clark (The Second Time Around)
Mum looks like someone has told her that Santa will be shortly arriving with that guy from Pride and Prejudice in tow.
Melissa Keil (Life in Outer Space)
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up--that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.
Ayn Rand (Atlas Shrugged)
to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind’s full capacity is to cut your motor and sentence yourself to another kind of motion: decay - that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live - that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road - that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up - that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.
Ayn Rand (Atlas Shrugged)
Every woman who enters the sea carries a coffin on her back,” she warned the gathering. “In this world, in the undersea world, we tow the burdens of a hard life. We are crossing between life and death every day.
Lisa See (The Island of Sea Women)
Do you believe that every story must have a beginning and an end? In ancient times a story could end only in tow ways: having passed all the tests, the hero and the heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.
Italo Calvino (If on a Winter’s Night a Traveler)
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this: 1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
Life is perphas after all simply this thing and then the next. We are all of us improvising. We find a careful balance only to discover that gravity or stasis or love or dismay or illness or some other force suddenly tows us in an unexpected direction. We wake up to find that we have changed abruptly in a way that is perculiar and inexplicable. We are constanly adjusting, making it up, feeling our way forward, figuring out how to be and where to go next. We work it out, how to be happy, but sooner or later comes a change-sometimes something small, sometimes everything at once- and we have to start over again, feeling our way back to a provisional state of contentment.
Anne Giardini (The Sad Truth About Happiness)
They got a manure machine in there,” Keller said. He went up to the barn and peeked through a hole between tow boards. “On wheels. It’s fun to ride sometimes, when you don’t care how you smell.
Sandra Neil Wallace
Don’t allow anyone to pressure you into taking a job in a field that doesn’t feel right in your gut. You are the one who has to live your life every day, so make sure you’re happy with the choices you make. Once you identify the plan that’s right for you, pursue it wholeheartedly. Then, whether you’re raking in dough or you’re a full-time mom with a baby in tow, you will be happy.
Alison James
Every woman who enters the sea carries a coffin on her back,” she warned the gathering. “In this world, in the undersea world, we tow the burdens of a hard life. We are crossing between life and death every day.” These traditional words were often repeated on Jeju, but we all nodded somberly as though hearing them for the first time. “When we go to the sea, we share the work and the danger,” Mother added. “We harvest together, sort together, and sell together, because the sea itself is communal.
Lisa See (The Island of Sea Women)
My problem is while I wasted five minutes of my life getting to know you, my car was towed.” “You sure?” “No. I never have any idea where I park my car. I just leave them everywhere and buy new ones when I can’t find them.
Lucy Score (Things We Never Got Over (Knockemout, #1))
Oh, hey, he’d figured out how to work the stupid ramp mechanism. It’d have been nice to have done that before he was forced to steal some guy’s tow truck, but that was how every single possible thing had gone so far in this situation. Just a little bit behind the curve, a little slow to figure out the right thing. Story of his fucking life.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
What started as a longing to be loved and seen for my physical beauty digressed into the warped belief that the illness itself was what drew the attention I so craved. I towed the line between longing for perfection and longing for pity. Using my body as a signaling flag, oscillating between peacocking in times where I felt beautiful, and waving distress calls in the depths of my sickness. I never used my words, and I didn’t know how to. I used my body.
Rachel Havekost (Where the River Flows: A memoir of loss, love & life with an Eating Disorder)
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
If a pastor's activity in the church is merely a once-a-week attempt to tow the congregation's cargo ship a little closer to eternity, the whole thing comes to nothing. A human life, unlike a cargo ship, cannot lie in the same place until the next Sunday.
Søren Kierkegaard (Concluding Unscientific Postscript to Philosophical Fragments, Volume 2)
I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus again, if only in their minds, when they are unable to attend it physically, I relay it through printed words on crumpled newsprint, words that they can read again and again. returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? -Friedrick Thiessen, 1898" Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd tow'rs, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissiolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on; and our little life Is rounded with a sleep. _Prosper, THE TEMPEST, ACT IV, SCENE 1
Erin Morgenstern (The Night Circus)
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers. 'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm. It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity. The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart. Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Can we help you?” “Nope.” “Do you need a tow?” And what do you say? The truth? “Thanks, but we’re just so poor my mom makes her kid push the car”? That was some of the most embarrassing shit in my life, pushing the car to school like the fucking Flintstones. Because the other kids were coming in on that same road to go to school. I’d take my blazer off so that no one could tell what school I went to, and I would bury my head and push the car, hoping no one would recognize me.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
I remember it was frowned upon. Considered frivolous, or dangerous, or unbecoming—one of those terms that the moribund use to keep the adventurous in tow.
Colin Higgins (Harold and Maude)
Reputation is what other people know about you. Honor is what you know about yourself.... The friction tends to arise when the tow are not the same....There is no more hollow feeling than to stand with your honor shattered at your feet while soaring public reputation wraps you in rewards. that's soul destroying. The other way around is merely very, very irritating.
Lois McMaster Bujold (Miles in Love (Vorkosigan Omnibus, #6))
Let us not envy those who stand higher than we do: what look like towing heights are precipices. ... Indeed there are many who are forced to cling to their pinnacle because they cannot descend without falling; but they must bear witness that this in itself is their greatest burden, that they are forced to be a burden to others, and that they are not so much elevated as impaled.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
He [Wallace] sent a quick note to his friend [Franzen] explaining his behavior. "the bold fact is that I'm a little afraid of you right now,"[...] "all I can tell you is that I may have been that [a worthy opponent] for you a couple/ three years ago, and maybe 16 months or tow or 5 or 10 years hence, but right now I am a pathetic and very confused man, a failed writer at 28, who is so jealous, so sickly searing envious of you and Vollmann and Mark Leyner and even David Fuckward Leavitt and any young man who is right now producing pages with which he can live and even approving them off some base-clause of conviction about the entrprise's meaning and end that I consider suicide a reasonable- if not at this point a desirable- option with respect to the whole wretched problem.
D.T. Max (Every Love Story Is a Ghost Story: A Life of David Foster Wallace)
(Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend’s five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew—every woman, too, which is depressing—would
Lionel Shriver (We Need to Talk About Kevin)
You didn’t cut her out, she cut you out. But sure, good for you for keeping your dignity instead of backsliding. That doesn’t mean you can stand there acting all high and mighty as if you’ve never done anything wrong in your life. You—towed—my fucking—car”—my voice is shaking now, and tears are falling from my eyes—“because you used to be just like Charlotte, picking on people simply because you could. That doesn’t make you better than me. That doesn’t even make you better than her—
Kelly Quindlen (She Drives Me Crazy)
Our family was starting. We kept on moving with our young lives, shortly afterward and took Ben Young with us everywhere. But pretty soon Pegi started noticing that Ben was not doing the things some other babies were doing. Pegi was wondering if something was wrong. She was young, and nothing had ever gone wrong in her life. People told us kids grow at different rates and do things at different times. But as Ben reached six months old, we found ourselves sitting in a doctor's office. He glanced at us and offhandedly said, "Of course. Ben has cerebral palsy." I was in shock. I walked around in a for for weeks. I couldn't fathom how I had fathered two children with a rare condition that was not supposed to be hereditary, with tow different mothers. I was so angry and confused inside, projecting scenarios in my mind where people said something bad about Ben or Zeke and I would just attack them, going wild. Luckily that never did happen, but there was a root of instability inside me for a while. Although it mellowed with time, I carried that feeling around for years. Eventually Pegi and I, wanting to have another child after Ben, went to se an expert of the subject. That was Pegi's idea. Always organized and methodical in her approach to problems, Pegi planned an approach to our dilemma with her very high intelligence. We both loved children but were a little gun-shy about having another, to say the least. After evaluating our situation and our children, the doctor told us that probably Zeke dis not actually have CP-he likely had suffered a stroke in utero. The symptoms are very similar. Pegi and I weighed this information. To know someone like her and to make a decision about a subject as important as this with her was a gift beyond anything I have ever experienced. It was her idea, and she had guided us to this point. We made a decision together to go forward and have another child.
Neil Young (Waging Heavy Peace: A Hippie Dream)
No one wants to die or even plans to die, at least not when you are young and living life on top of everything, stepping on gold, running the miles with hot chicks on tow, but even if I wasn’t a rock star, and just a normal civilian, I still wouldn’t plan to die young. Death is so boring.
Sofea Shah
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
Jane Jacobs (The Death and Life of Great American Cities)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole pointed prow, death glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!
Herman Melville (Moby-Dick or, The Whale)
Was it not the chief mistake and also the hopeless futility of Pharisaism to meddle with the minute affairs of life, and to lay down what a man should do at every turn? It was not therefore an education of conscience, but a bondage of conscience; it did not bring men to their full stature by teaching them to face their own problems of duty and to settle them, it kept them in a state of childhood, by forbidding and commanding in every particular of daily life. Pharisaism, therefore, whether Jewish or Gentile, ancient or modern, which replaces the moral law by casuistry, and the enlightened judgment of the individual by the confessional, creates a narrow character and mechanical morals. Freedom is the birthright of the soul, and it is by the discipline of life the soul finds itself. It were a poor business to be towed across the pathless ocean of this world to the next; by the will of God and for our good we must sail the ship ourselves, and steer our own course. It is the work of the Bible to show us the stars and instruct us how to take our reckoning
Ralph Waldo Trine (The Higher Powers of Mind and Spirit)
Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell’s heart I stab at thee; for hate’s sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!
Herman Melville (Moby-Dick or, The Whale)
Henry had never felt so happy. Freshperson year had been one thing, an adventure, an exhilaration, all in all a success, but it had also been exhausting, a constant struggle and adjustment and tumult. Now he was locked in. Every day that summer had the same framework, the alarm at the same time, meals and workouts and shifts and SuperBoost at the same times, over and over, and it was that sameness, that repetition, that gave life meaning. He savored the tiny variations, the incremental improvements--tuna fish on his salad instead of turkey; tow extra reps on the bench press. Every move he made had purpose.
Chad Harbach (The Art of Fielding)
Life is perhaps after all simply this thing and then the next. We are all of us improvising. We find a careful balance only to discover that gravity or stasis or love or dismay or illness or some other force suddenly tows us in an unexpected direction. We wake up to find that we have changed abruptly in a way that is peculiar and inexplicable. We are constantly adjusting, making it up, feeling our way forward, figuring out how to be happy, but sooner or later comes a change-sometimes something small, sometimes everything at once-and we have to start over again, feeling our way back to a provisional state of contentment.
Anne Giardini (The Sad Truth About Happiness)
How it was that they so aboundingly responded to the old man's ire, by what evil magic their souls were possessed, that at times his hate seemed almost theirs; the White Whale as much their insufferable foe as his; how all this came to be—what the White Whale was to them, or how to their unconscious understandings, also, in some dim, unsuspected way, he might have seemed the gliding great demon of the seas of life,—all this to explain, would be to dive deeper than Ishmael can go. The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick? Who does not feel the irresistible arm drag? What skiff in tow of a seventy-four can stand still? For one, I gave myself up to the abandonment of the time and the place; but while yet all a-rush to encounter the whale, could see naught in that brute but the deadliest ill.
Herman Melville (Moby-Dick or, The Whale)
As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)
Erving Goffman (Stigma: Notes on the Management of Spoiled Identity)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,—death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!
Herman Melville (Moby-Dick or, The Whale)
I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!
Herman Melville (Mobs Dick or The Whale)
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live—that productive work is the process by which man’s consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one’s purpose, of translating an idea into physical form, of remaking the earth in the image of one’s values—that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others—that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human—that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind’s full capacity is to cut your motor and sentence yourself to another kind of motion: decay—that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live—that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road—that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up—that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction. “Pride
Ayn Rand (Atlas Shrugged)
With the fishermen and the life on the river, the beautiful barges with their own life on board, the tugs with their smokestacks that folded back to pass under the bridges, pulling a tow of barges, the great elms on the stone banks of the river, the plane trees and in some places the poplars, I could never be lonely along the river. With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason. In
Ernest Hemingway (A Moveable Feast)
The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!
Herman Melville (Moby Dick)
Sentenced to a nineteen-year term of hard labor for the crime of stealing bread, Jean Valjean gradually hardened into a tough convict. No one could beat him in a fistfight. No one could break his will. At last Valjean earned his release. Convicts in those days had to carry identity cards, however, and no innkeeper would let a dangerous felon spend the night. For four days he wandered the village roads, seeking shelter against the weather, until finally a kindly bishop had mercy on him. That night Jean Valjean lay still in an overcomfortable bed until the bishop and his sister drifted off to sleep. He rose from his bed, rummaged through the cupboard for the family silver, and crept off into the darkness. The next morning three policemen knocked on the bishop’s door, with Valjean in tow. They had caught the convict in flight with the purloined silver, and were ready to put the scoundrel in chains for life. The bishop responded in a way that no one, especially Jean Valjean, expected. “So here you are!” he cried to Valjean. “I’m delighted to see you. Had you forgotten that I gave you the candlesticks as well? They’re silver like the rest, and worth a good 200 francs. Did you forget to take them?” Jean Valjean’s eyes had widened. He was now staring at the old man with an expression no words can convey. Valjean was no thief, the bishop assured the gendarmes. “This silver was my gift to him.
Philip Yancey (What's So Amazing About Grace?)
1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid’s insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn’t say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I’m a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend’s five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew—every woman, too, which is depressing—would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother could feel rewarded for her trouble by the fact that at last her daughter’s life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
And don’t get me started on Canadians. It’s a whole thing. Remember when the feds busted in on that Mormon polygamist cult in Texas a few years back? And the dozens of wives were paraded in front of the camera? And they all had this long mouse-colored hair with strands of gray, no hairstyle to speak of, no makeup, ashy skin, Frida Kahlo facial hair, and unflattering clothes? And on cue, the Oprah audience was shocked and horrified? Well, they’ve never been to Seattle. There are two hairstyles here: short gray hair and long gray hair. You go into a salon asking for hair color, and they flap their elbows and cluck, “Oh, goody, we never get to do color!” But what really happened was I came up here and had four miscarriages. Try as I might, it’s hard to blame that one on Nigel Mills-Murray. Oh, Paul. That last year in L.A. was just so horrible. I am so ashamed of my behavior. I’ve carried it with me to this day, the revulsion at how vile I became, all for a stupid house. I’ve never stopped obsessing about it. But just before I completely self-immolate, I think about Nigel Mills-Murray. Was I really so bad that I deserved to have three years of my life destroyed for some rich prick’s practical joke? So I had some cars towed, yes. I made a gate out of trash doorknobs. I’m an artist. I won a MacArthur grant, for fuck’s sake. Don’t I get a break? I’ll be watching TV and see Nigel Mills-Murray’s name at the end. I’ll go nuts inside. He gets to keep creating, and I’m the one who’s still in pieces?
Maria Semple (Where'd You Go, Bernadette)
The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
Herman Melville (Moby Dick or The Whale)
In fact, properly speaking, no parish priest has any convictions on politics. At the back of his mind, he regards the state as an enemy that has usurped the temporal power of the Pope. Being an enemy, the state must be exploited as much as possible and without any qualms of conscience. Because of this innate and perhaps unconscious hostility to the state as an institution, the parish priest cannot see that it is the duty of a citizen to endeavour to make political life as morally clean as possible. He cannot see that the community as a whole must always come into the forefront of every citizen's political consciousness and that personal interests must be sacrificed to the interests of the nation. No. The parish priest regards himself as the commander of his parish, which he is holding for His Majesty the Pope. Between himself and the Pope there is the Bishop, acting, so to speak, as the Divisional Commander. As far as the Civil Power is concerned, it is a semi-hostile force which must be kept in check, kept in tow, intrigued against and exploited, until that glorious day when the Vicar of Christ again is restored to his proper position as the ruler of the earth and the wearer of the Imperial crown. This point of view helps the parish priest to adopt a very cold-blooded attitude towards Irish politics. He is merely either for or against the government. If he has a relative in a government position, he is in favour of the government. If he has a relative who wants a position and cannot get it, then he is against the government. But his support of the government is very precarious and he makes many visits to Dublin and creeps up back stairs into ministerial offices, cajoling and threatening. He is most commonly seen making a cautious approach to the Education Office, where he has all sorts of complaints to lodge and all sorts of suggestions to make. Every book recommended by the education authorities for the schools is examined by him, and if he finds a single idea in any of them that might be likely to inspire thought of passion, then he is up in arms at once. Like an army of black beetles on the march, he and his countless brothers invade Dublin and lay siege to the official responsible. Woe to that man.
Liam O'Flaherty (A Tourist's Guide to Ireland)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
Every man has two educations – that which is given to him, and the other, that which he gives to himself. Of the tow kinds, the latter is by far the most valuable. Indeed all that is most worthy in a man, he must work out and conquer for himself. It is that, that constitutes our real and best nourishment. What we are merely taught, seldom nourishes the mind like that which we teach ourselves.
Richter
In the only picture Brennan ever did for the legendary director John Ford, the character actor worked well beside Ford stalwarts such as Ward Bond, playing one of Earp’s brothers. Indeed, what is most remarkable about this film is the contrast between Clanton and his boys and Earp and his congenial brothers, the youngest of whom is killed when the Clanton gang rustles cattle the Earps have been driving to California. Brennan personifies the authority of evil, as he does in Brimstone (August 15, 1949), where he again bullies his boys into driving out homesteaders. It is almost as if in each subsequent film—especially in Westerns—Brennan is building a persona that is like a suit subjected to constant alteration without ever losing its basic contours. He would essay yet another version of the dominating father with sons in tow in Shoot Out at Big Sag (June 1, 1962), an independent production organized by his son Andy, in which Walter plays a pusillanimous preacher who has let down his wife and family by not defending them. But he ultimately redeems himself when he realizes he has lost the respect of everyone, including his daughter, who in the end proves to be his salvation owing to her unwillingness to accept her family’s defeatist mentality.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
Shit or Get Off the Pot "Shit or get off the pot," was the ultimatum of my lover. Knowing not what to do, my ass stood frozen in a hover. I guess to 'shit' meant to marry her, and 'get off the pot', meant no more pussy. I was too tired to find new strange to purr, I'd grown fat and become a wussy. And so, I shat and I did marry her, when I could've gotten off the pot. Now we no time to bullshit of ships or sealing-wax with two kids in tow and income tax. Has my life all has been for naught? Perhaps, I should've got off the pot.
Beryl Dov
the American journalist Martha Gellhorn wrote after trekking across much of China in 1940. No worse luck could befall a human being than to be born and live there, unless by some golden chance you happened to be born one of the .00000099 percent who had power, money, privilege (and even then, even then). I pitied them all, I saw no tolerable future for them, and I longed to escape away from what I had escaped into: the age-old misery, filth, hopelessness and my own claustrophobia inside that enormous country. Skinny, sweaty rickshaw pullers strained at their large-wheeled contraptions to provide transportation to the rich. The scenes of nearly naked coolies towing barges up canals and rivers, leaning so far against their harnesses as to be almost horizontal to the ground, were an emblem, picturesque and horrible at the same time, of the unrelenting strain of everyday life in China, as were such other standard images as the women with leathery skin barefoot in the muck planting and weeding, the farmers covered in sweat at the foot pumps along fetid canals or carrying their loads of brick or straw on balancing poles slung over their shoulders or moving slowly and patiently behind water buffalo pulling primitive plows. The fly-specked hospitals, the skinny, crippled beggars, the thousands and thousands of villages made of baked mud whose houses, as one visitor described them, were “smoky, with gray walls and black tiled roofs; the inhabitants, wearing the invariable indigo-dyed cloth … moving about their business in an inextricable confusion of scraggy chickens, pigs, dogs, and babies.
Richard Bernstein (China 1945: Mao's Revolution and America's Fateful Choice)
This is good and hot." "I remember you used to say that about someone I know." He shakes his head. "Give it up, Scotts. That boat sailed, sank, and got towed." "But..." "No. It ain't going to happen." He sits down next to me and I curl up next to him. "Nicky, it's hard being a child of your divorce and probably the reason somebody is dead." Nick raises my head with his hands and looks at me and smiles. "Life bites, baby girl." "...and sucks." Amen.
Angela Johnson
But I had been commanded to tow him through the stormy waters of my life in forensics, and so tow I must. And
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
We lost so many artists along the way So many creatives, many inventors. Under suppressed thoughts Of laid down systems We were told to follow We lose our paths towing that one same line Because we don't ask ourselves the questions we need to Walk your way, Believe.
Margaret Sitawa
Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kitten were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kittens were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The question why there is evil in existence is the same as why there is imperfection, or in other words, why there is creation at all. We must take it for granted that it could not be otherwise, that creation must be imperfect, must be gradual, and that it is futile to ask the question, ‘Why are we?’ But this is the real question we ought to ask: Is this imperfection the final truth? Is evil absolute and ultimate? The river has its boundaries, its bank, but is a river all banks or are the banks the final facts about the river? Do not these obstructions themselves give its water an onward motion? The towing rope binds a boat, but is bondage its meaning? Does it not at the same time draw the boat forward? The current of the world has its boundaries, otherwise it could have no existence, but its purpose is not shown in the boundaries which restrain it, but in its movement which is towards perfection. The wonder is not that there should be obstacles and sufferings in this world, but that there should be law and order, beauty and joy, goodness and love. The idea of God that man has in his being is the wonder of all wonders. He has felt in the depths of his life that what appears as imperfect is the manifestation of the perfect. Just as a man who has an ear for music realises the perfection of a song, while in fact he is only listening to a succession of notes. Man has found out the great paradox that what is limited is not imprisoned within its limits; it is ever moving, and therewith shedding its finitude every moment. In fact, imperfection is not a negation of perfectness. Finitude is not contradictory to the infinity. They are but completeness manifested in parts; infinity revealed within bounds.
Rabindranath Tagore (Sadhana)
while you can't really 'choose' who the heart falls for next, you can certainly understand the dysfunctional forces and life patterns that keep towing your life around from one 'special' person to another... and that realization is always something to appreciate.
Dmitry Dyatlov
I learned, after the NDE, that I have a choice all the time as to how I want to structure my experience, and I can follow any path I want. It doesn't matter once we cross over to the other side. It simply does not count for ANYTHING.... ever. So why choose a harsh life experience? We don't have to…We use far too much energy trying to live our earthly lives in a way we believe constitutes happiness, but it is such an illusion. I experienced the ease of living without money, status, time,
D.J. Kadagian (The Crossover Experience / Life after Death is Real)
Soon after the American left, things changed. The government, desperate for tax dollars, levied a series of boating, gaming, and license fees: To continue fishing, the Mexican must pay $400 for a fishing license, a $200 environmental fee, a $350 game endorsement, and $1,800 in mooring fees. If he doesn’t pay ASAP, the Mexican will be barred from fishing. Unfortunately, after paying all the fees, the Mexican has little money left to insure and license his boat. Unable to legally operate at his favorite coastal town, the Mexican fisherman drives three hours south to another town, where the quality of the fish is poor. The long drive takes its toll on the Mexican’s car, where it ultimately breaks down. In order to fix his car, he needs $200 for a water pump and $400 for a radiator. This is after he pays $600 to get his car towed back to his village. But this story is about to get worse. When the Mexican fails to pay the mooring fees to the harbor master, he loses his boat. The Mexican fisherman who spent most of his days in a state of unpreparedness and merriment—strumming around with his friends, sipping wine—is now unable to support his family. His wife divorces him. The Mexican now sings a different tune with his amigos … something along the lines of “Money can buy happiness.
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
Eat- Yō Sandwich (Lunch) It is a foot long; Ha- better than six inches, said Maddie. Karly- Suck on your meatballs… ‘You should know you’ve done both.’ Some girl down the table- said. Let’s talk about books, said Olivia. God just shot me in the head, so I can die, ha- hey see the sped? Nice- book’s- Maddie- ha! Karly- I think movies like Twilight freaking suck, (Throwing both middle fingers in the air making a skilling face.) The sporting actress made fame, what it is. Look at her and the look at that, what is- that, I love Anna Kendrick? Teach walking by saying that a mother-week Barns. Liv- I think she would have made a better Bella, than the girl with no personality, yet that’s the book I read that thing and it was painful. I guess that my assignment in life is over my Karly kiss my ass where it is brown and holy! And that another one, sure it is… Suck my clit. No! Yes, you want to! (Sexy eyes) That's it- you're expelled- Good now I can party and have some fun sleeping and not doing this crap, so you're going to punish me by not being here, freak yeah! The towing sickness of a teacher whose name is Mr. Abdèlaziz Okay smart-ie, in-school suspension, then right. Karly- Freaking-, ho-bag, psycho, b*tch, p*ssy-tart- cunt! Under her breath. (She gets taken out by her hair, by the officer what’s his name, roughly, I might add.) Like who paints a room all black, and faces the desks at the wall, where you could only piss two times… no air to speak of and some fat ass smelling like crap farting up and down the five by thirdly long skinny room, next to you is what… I got six out of seven freaking hours, all week I might add. ~*~ (Flashback) I love bands that are not cool so what do you do here? Freak yeah, at least I made it as one of our dumb ho’s… in a short skirt that shows nothing under it, to think I made it, wow good to think… you think I am good enough to be the same look, and size or whatever, yet you can’t say the N-word or a knotty little swore ward… Yet- yet- teachers can call me every name you can think of… in the urban book of crap, like I cannot even wear a tank… without a bra in the halls, yet, this girl can… do you see all the bouncing, and nipples pointing, at you, I sure do?
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
The Grand Tour was at its last gasp by 1900 but their trips to France and Italy, both then and later in my grandmother's life, exactly reflected the Tour's purpose and aspirations. You went abroad to look at art and architecture; such travel was essential education and improvement. I caught a last whiff of it myself in the late 1940s, towed round the Romanesque churches of central and southern France, my aunt determinedly seeking out every remote crumbling edifice, and my grandmother equipped with a supply of Ryvita, sandwich spread, Marmite and Ovaltine for the point when she could no longer endure unremitting French cuisine.
Penelope Lively (A House Unlocked)
Time to go, kid,” Ham said. His eyes examined Kelsier one last time, as if to quash any lingering hope that his friend’s broken body still retained a spark of life. Then he towed her away. Vin continued to struggle weakly, but she was growing numb. In the back of her mind, she heard Reen’s voice. See. I told you he would leave you. I warned you. I promised you.…
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
They shared about the beautiful and unique plans that God has for each individual. Up until recently, I hadn’t had many hopes or plans. My life had been like a car stuck in a snowy ditch in the middle of the night. I knew I was stuck, but I didn’t know how to get out of it. When these guys came along, they had a tow truck, chains, and a spotlight that shed light on all the problem areas. They didn’t make me feel guilty about my problems; instead, they jumped out into the cold and helped me start digging. Not only that, but they were teaching me to see the hopes and plans that God had for others, they were teaching me to jump out in the snow and start digging as well.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
Before she could say more, she looked up to find Cade towering over her. "Do you think they could do one song without us so I might have the pleasure of the next dance?" he asked formally. Lily looked startled and Whitaker frowned, but Anna had just arrived and offered shyly, "I'll play for you, Mrs. Brown. What would you like to hear?" It was settled. Feeling a quiver of excitement, Lily took Cade's hand and rose from the bench. "Do you know 'Molly Cotton-tail'?" It was an easy song, one every child learned, but great fun for dancing. Lily smiled at the child's eager nod. She would finally have a chance to try dancing. Lily's excitement was irresistible. Ignoring the fact that he would most likely get his head blown off for daring to lay a hand to a white woman, Cade led her out to join the dancers. Langton and his wife were there, and they joined the circle beside them. Cade hid his surprise as Maria haughtily joined them, towing one of Lily's farmhands behind her. Maria was a whore at heart, but she hadn't denied him her bed as many another had done before. Cade wouldn't begrudge this offer of friendship now. Unaware that a small cadre of friends and neighbors were forming a protective circle around them, Lily laughed and took Cade's hand as the music began. She had waited for this moment all her life, and she expected to enjoy it to the fullest. She no longer pictured a dream man to sweep her off her feet. She merely wanted to enjoy the music. Cade watched in amazement as Lily spread her wings and flew. She didn't need anyone's protection. The sheer delight on her face as she swung from arm to arm around the circle, her feet scarcely touching the floor, was enough to stop even the hardest heart from treading on her happiness. Cade almost half-believed that life had some meaning beyond mere existence as he watched her. He wouldn't need liquor if he could always feel that kind of joy, even secondhand. Lily collapsed, laughing, into his arms as the music ended. For a moment, Cade was supporting her slenderness against him while she recovered her breath. He had no right being aroused by innocence incarnate, but while Lily laughed, Cade burned. The
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
The optimal human diet is not something that should have to require overly careful formulation by calories or percentages, much less by blood type. A person should not need a calorie counter, a percentages guide, or any sort of manual in tow when going to the market to buy food. No one should need a blood test to determine blood type in order to know how to eat. Such tools, though they provide a seductive sense of structure and security, can be unnecessarily confusing and do not ultimately constitute a sound, principle-based, commonsense approach. Long term, these approaches tend to lack sustainability. Fundamentally,
Nora T. Gedgaudas (Primal Body, Primal Mind: Beyond Paleo for Total Health and a Longer Life)
Hi, Dale, it’s Gabby...Clay’s girlfriend.”  It felt weird giving myself that title, but I pushed it aside.  Bigger issues to deal with.  “If he’s there, can I talk to him?” Dale chuckled.  “Sure, but I don’t imagine it’d be much of a conversation.” I heard him call out to Clay.  A moment later, a husky voice said, “Hello?” After not talking to me for so long, hearing his voice startled and annoyed me slightly.  He would talk to a perfect stranger, but not me?  I opened my mouth to say something about it, but the pain in my head insistently prodded me to get on with the important news. “Clay, I did it again.  I’m at the diner where we had breakfast.  I need you to come get me before it gets worse.” He didn’t say anything for so long that I looked at the phone to see if I still had a signal.  The screen said disconnected.  Would it have killed him to say “Okay” or maybe even “Bye” before hanging up?  His hello had been too shocking to recall the sound of his voice. I sighed and put my cell away.  With Sam’s frequent calls and Rachel’s occasional texts, my remaining minutes dipped into the double digits.  I needed to adjust my budget to buy more airtime.  Did life really need to throw me this many curveballs?  And all at once? I forced myself to eat more of my mostly untouched meal so the waitress wouldn’t bother me as I waited. The last of the waves hit me.  Only determination and a hand over my mouth kept me from whimpering.  After about ten minutes, I settled the bill and watched out the window for Clay, barely checking the need to curl into a ball and lie down on the padded bench.  The waitress kept a close eye on me, probably thinking she would need to clean up barf soon.  She might. Dale’s huge tow truck pulled into the parking lot.  Clay opened his door and leapt out while it still rolled to a stop.  Through the window, he spotted me.  His eyes never left me as he strode in and Dale pulled away. Clay still wore his greasy coveralls, and with his hair pulled back, he looked like an angel—a grimy one—coming to save me.  Again. “Hi,
Melissa Haag (Hope(less) (Judgement of the Six #1))
brothers in tow at five in the evening (my curfew was six o’clock and my parents were disinclined to relax it this once even if I strongly felt it was the acme of my social life) and took a seat at the best table in the thoroughly empty restaurant that was just setting up for the evening crowd. I would like to express here, my intense love for my brothers. I like to (rightly) give them a great deal of grief for the many horrors they perpetrated against my childhood dignity, but I’ll hand them one thing — they never laughed in my face when I made a fool of myself. They’d always wait until they’d made a fool of me so it didn’t hurt my feelings, only my ego. There can’t be a lot of teenagers/twenty-somethings who would willingly indulge their pesky little sister’s nutty desires when they have a good idea of the horrors in store for them. Like Chinese food at five in the evening. Make that: Chinese food they absolutely did not want at five in the evening. Cousin (reading menu): What shall we eat then? Me (magnanimously patting
Jack Canfield (CHICKEN SOUP FOR THE INDIAN SOUL : CELEBRATING BROTHER AND SISTER)
that the human brain expects permanence. The cup is where you put it. The car is where you parked it (if it hasn’t been towed away). The wine is still in the refrigerator where you left it. It’s only people, the most complex, important, influential, life-changing elements of our lives, who are there and then are shockingly not-there. And it’s surprisingly hard to get one’s brain around that. So
Nick Alexander (Let the Light Shine)
One must bear in mind, that those who have the true modern spirit need not modernise, just as those who are truly brave are not braggarts. Modernism is not in the dress of the Europeans; or in the hideous structures, where their children are interned when they take their lessons; or in the square houses with flat straight wall-surfaces, pierced with parallel lines of windows, where these people are caged in their lifetime; certainly modernism is not in their ladies' bonnets, carrying on them loads of incongruities. These are not modern, but merely European. True modernism is freedom of mind, not slavery of taste. It is independence of thought and action, not tutelage under European schoolmasters. It is science, but not its wrong application in life,—a mere imitation of our science teachers who reduce it into a superstition absurdly invoking its aid for all impossible purposes. Science, when it oversteps its limits and occupies the whole region of life, has its fascination. It looks so powerful because of its superficiality,—as does a hippopotamus which is very little else but physical. Science speaks of the struggle for existence, but forgets that man's existence is not merely of the surface. Man truly exists in the ideal of perfection, whose depth and height are not yet measured. Life based upon science is attractive to some men, because it has all the characteristics of sport; it feigns seriousness, but is not profound. When you go a-hunting, the less pity you have the better; for your one object is to chase the game and kill it, to feel that you are the greater animal, that your method of destruction is thorough and scientific. Because, therefore, a sportsman is only a superficial man,—his fullness of humanity not being there to hamper him,—he is successful in killing innocent life and is happy. And the life of science is that superficial life. It pursues success with skill and thoroughness, and takes no account of the higher nature of man. But even science cannot tow humanity against truth and be successful; and those whose minds are crude enough to plan their lives upon the supposition, that man is merely a hunter and his paradise the paradise of sportsman, will be rudely awakened in the midst of their trophies of skeletons and skulls.
Rabindranath Tagore (The Spirit of Japan)
Lord God Almighty, I entrust myself and all that I do in Your Holy Name. Having wakened to a brand new day, please guide me to walk God’s path where all my actions and thoughts be made in accordance to Your will. I beg Your indulgence O Lord, to give me enlightenment to start the day that has You in mind; and in joyous supplication, of your benevolence and mercy towards all Your creations. My Lord, I beg Your continued assistance, your holy angels and all the saints in heaven to make me tow the straight and narrow path; and be kept away from sins
Simon H. Louis (57 prayers for strength: Overcoming any obstacle in life with the power of prayer)
Life doesn’t go in a straight line from leaving school, to making money, to having a family and retiring. And because of this—because of how we thought our lives would go and what we felt entitled to—we feel like we’re doing things wrong, like we’ve made a mistake. Things are not working out, and it’s our fault. But that’s a trap. And it’s totally demoralizing and unmotivating. You’re riding a wave between storms, not climbing the stairway to heaven. Got it?
Amanda Steinberg (Worth It: Your Life, Your Money, Your Terms)
NEXT day was fine and warm. 'We can go across to the island this morning,' said Aunt Fanny. 'We'll take our own food, because I'm sure Uncle Quentin will have forgotten we're coming.' 'Has he a boat there:' asked George. 'Mother hasn't taken my boat, has he?' 'No, dear,' said - her mother. 'He's got another boat. I was afraid he would never be able to get it in and out of all those dangerous rocks round the island, but he got one of the fishermen to take him, and had his own boat towed behind, with all its stuff in/' 'Who built the tower?' asked Julian. 'Oh, he made out the plans himself, and some men were sent down from the Ministry of Research to put the tower up for him,' said Aunt Fanny 'It was all rather hush-hush really. The people here were most curious about it, but they don't know any more than I do! No -local man helped in the building, but one or two fishermen were hired to take the material to the island, and to land the men and soon.' 'It's all very mysterious,' said Julian. 'Uncle Quentin -leads-rather an exciting life, really, doesn't he? I wouldn't mind being a scientist myself. I want to be something really worthwhile when I grow up I'm not just
Enid Blyton (Five On Kirrin Island Again (Famous Five Book 6))
Olaf’s casket was carefully placed on canvas straps across the open grave, ready to be lowered with hand cranks. At the head stood the young minister who I felt certain, couldn’t wait until all of this was over. He mumbled a few unintelligible words that ended with “forever and ever, amen.” When he finished, I nodded to the two men to start lowering the casket on its final descent. All went well until halfway down one of the straps suddenly snapped, and with a thud Olie dropped headlong into the place of his eternal rest. The canvas strap had rotted and now the casket was jammed at an awkward angle in the grave. Fortunately there was a tow-rope in the pick-up. I leaned over and balanced myself with one foot on the tilted casket and managed to pass the rope under it. Then with everyone’s cooperation and strength, we managed to level the casket and properly lower Olaf into his grave. Although happy may not be the right word, all of us were pleased to have this behind us. Before leaving, Captain Duffy suggested we go to the new hotel on the beach owned by a Belgian couple. Now with the money already set aside by the company for this occasion, the mood quickly changed from one of mourning to a celebration of Olaf’s life.
Hank Bracker
God Almighty, I entrust myself and all that I do in Your Holy Name. Having wakened to a brand new day, please guide me to walk God’s path where all my actions and thoughts be made in accordance to Your will. I beg Your indulgence O Lord, to give me enlightenment to start the day that has You in mind; and in joyous supplication, of your benevolence and mercy towards all Your creations. My Lord, I beg Your continued assistance, your holy angels and all the saints in heaven to make me tow the straight and narrow path; and be kept away from sins
Simon H. Louis (57 prayers for strength: Overcoming any obstacle in life with the power of prayer)
Construction of the SS Morro Castle was begun by the Newport News Shipbuilding and Dry Dock Company in January of 1929 for the New York and Cuba Mail Steam Ship Company, better known as the Ward Line. The ship was launched in March of 1930, followed in May by the construction of her sister ship the SS Oriente. Both ships were 508 feet long and had a breath of almost 80 feet and weighed in at 11,520 gross tons (GRT). The ships were driven by General Electric turbo generators, which supplied the necessary electrical current to two propulsion motors. Having twin screws both ships could maintain a cruising speed of 20 knots. State of the art, each ship was elegantly fitted out to accommodate 489 passengers and had a complement of 240 officers and crew. It is estimated that the ships cost approximately $5 million each, of which 75% was given to the company as a low cost government loan to be repaid over twenty years. The SS Morro Castle was named for the fortress that guards the entrance to Havana Bay. On the evening of September 5, 1934 Captain Robert Willmott had his dinner delivered to his quarters. Shortly thereafter, he complained of stomach trouble and shortly after that, died of an apparent heart attack. With this twist of fate the command of the ship went to the Chief Mate, William Warms. During the overnight hours, with winds increasing to over 30 miles per hour, the ship continued along the Atlantic coast towards New York harbor. Early on September 8, 1934 the ship had what started as a minor fire in a storage locker. With the increasing winds, the fire quickly intensified causing the ship to burn down to the waterline, killing a total of 137 passengers and crew members. Many passengers died when they jumped into the water with the cork life preservers breaking their necks and killing them instantly on impact. Only half of the ships 12 lifeboats were launched and then losing power the ship drifted, with heavy onshore winds and a raging sea the hapless ship ground ashore near Asbury Park. Hard aground she remained there for several months as a morbid tourist attraction. On March 14, 1935 the ship was towed to Gravesend Bay, New York and then to Baltimore, MD, where she was scrapped. The Chief Mate Robert Warms and Chief Engineer Eban Abbott as well as the Ward Line vice-president Henry Cabaud were eventually indicted on various charges, including willful negligence. All three were convicted and sent to jail, however later an appeals court later overturned the ship’s officers convictions and instead placed much of the blame on the dead Captain Willmott. Go figure….
Hank Bracker
Breaking the surface, he gulped in a breath, released his hold on the hair, and taking a firm grip on the man’s arm, tried to tow him to shore. Unfortunately, the man didn’t seem to be receptive to that idea and immediately began fighting him, which had Bram tightening his grip. “Stop . . . trying . . . to drown me,” he heard the man rasp in an unexpectedly high voice between bobs of his head lifting and sinking through the water. “I’m trying to save you.” “Is that what you call this?” Intending to reassure the obviously distressed and certainly panicked man, Bram opened his mouth, but soon found himself incapable of speech, a direct result of suddenly finding himself underneath the water. Taken completely by surprise by the idea the man had dunked him, he dodged the man’s kicking legs, as well as a few dog paws, and sputtered his way back to the surface, discovering as he did so that the man he’d thought was drowning was swimming his way quite competently to shore. Striking out after him with his dogs paddling on either side of him, Bram soon reached the side of the moat. Clawing his way up the dirt bank, he flopped onto the grass and turned his head, his attention settling on the man he’d been trying to save. That man was already on his feet, but the longer Bram watched the man, the more it became clear he was no man at all. He, or rather she, had lost her greatcoat in the moat, and her wet clothing was currently plastered against a form that was . . . curvaceous. When she shoved a hunk of long hair away from her face, exposing whiskers, of all things, Bram suddenly found it very difficult to breath because . . . Standing only feet away from him was none other than Miss Lucetta Plum, one of the most intriguing ladies to ever grace the stage, and a lady who had captured his very great esteem. She was looking a little worse for wear, especially since she had mud on her face mixed in with the whiskers, and she also had clumps of algae in her hair, but even in such a sorry state, she was beautiful. She was also the lady he’d been slightly in love with ever since he’d first seen her take to the stage a few years back. Her delicate and refined nature had pulled at his very soul, and the very idea that such a fragile creature was forced to eke out a living on her own had been unfathomable. That was what had prompted Bram to set into motion ways to improve Miss Plum’s circumstance in life, those ways including . . . A
Jen Turano (Playing the Part (A Class of Their Own, #3))
Every woman who goes into the sea carries a coffin on her back. In this world, in the undersea world, we tow the burdens of this hard life.” Then I added a few words of my own. “Please be careful today and every day.
Lisa See (The Island of Sea Women)
now and had a merry smile on his face. ‘Well, goddammit, boys! If I ain’t just remembered! There’s a whorehouse open all night long just outside Pens’cola! You’re sure you won’t come with me?’ We were sure. He dropped us at the main gate of the station with cheery shouts of farewell and drove off about 1.30 in the morning to ‘round off his evening’. We were soon to learn that certain ‘Southern gentlemen’ dropped in to the local brothel with the easy nonchalance Englishmen pop into their local pub—but without their wives, of course! Generally speaking, it was rare for us to leave the station other than at weekends. Our working hours were long and our leisure hours short; so we had to find our entertainment within the station. However, almost every day we found time to swim in the lagoon which separates the mainland from Santa Rosa Island, where the big flying-boats taxied in and out, the deep rumble of their Pratt and Whitneys music to our ears. We became expert with surf-boards—rectangles of wood about the size of a large tea-tray with a pair of rope reins, towed behind a fast motor-boat. Was it the fore-runner of water-skis? The technique seems to have been virtually the same. But, whatever one’s leisure activities, life
Norman Hanson (Carrier Pilot: A Gripping WWII Pilot's Memoir)
Your odds are better without me,” came the calm observation. “I’m not going to leave you in here, you arse-witted bastard.” Devon gripped Winterborne’s wrist and pulled it across his shoulders. “If you’re afraid you’ll owe me a favor after saving your life…” With effort, he towed him toward the open doorway. “…you’re right. A huge favor.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Coughing from the smoke-glazed air, Devon ducked back into the carriage. He found Winterborne pulling shards of glass from his hair, his eyes still closed, his face scored with a mesh of bloody scratches. “I’m going to pull you outside and guide you to the river’s edge,” Devon said. “What’s your condition?” Winterborne asked, sounding remarkably lucid for a man who’d just been blinded and had his leg broken. “Better than yours.” “How far are we from solid ground?” “About twenty feet.” “And the current? How strong is it?” “It doesn’t bloody matter: We can’t stay here.” “Your odds are better without me,” came the calm observation. “I’m not going to leave you in here, you arse-witted bastard.” Devon gripped Winterborne’s wrist and pulled it across his shoulders. “If you’re afraid you’ll owe me a favor after saving your life…” With effort, he towed him toward the open doorway. “…you’re right. A huge favor.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
When we camped in the field, we had a regular routine. First, we’d work out: I had my weight plates and bars and exercise bench all stowed in compartments on top of the tank, where tools were usually kept. Three, four, or five other guys from the platoon would join me, and we’d exercise for an hour and a half before getting something to eat. Some nights the drivers had to stay with their tanks while the other guys went to the sleeping tent. We’d bed down by digging a shallow hole, putting down a blanket, and parking the tank overhead. The idea was to protect ourselves from wild boars. We were not allowed to kill them, and they roamed freely in the training area because I think they knew that. We also posted sentries who would stand on top of the tanks so the boars couldn’t get at them. One night we were camped near a stream, and I woke up with a start because I thought I heard the boars. Then I realized there was nothing on top of me. My tank was gone! I looked around and found it twenty or thirty feet away, sticking tail-up in the water. The nose was submerged, and the cannon was stuck down into the mud. I’d forgotten to apply the big brake, it turned out, and the ground was sloped just enough that the tank had slowly rolled away as we slept. I tried to get it out, but the treads just spun in the mud. We had to bring in an eighty-ton towing unit, and it took hours to pull out my tank. Then we had to get it to the repair depot. The turret had to be taken off. The cannon had to be sent out to be specially cleaned. I had to sit in confinement for twenty-four hours for that one.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
There is a place called 'heaven' where the good here unfinished is completed; and where the stories unwritten, and the hopes unfulfilled, are continued. We may laugh together yet... 55 Cecil Roth...himself came and called me at 10 to 7; so that I could go to Communion! It seemed like a fleeting glimpse of an unfallen world...the incursion of this gentle Jew, and his sombre glance at my rosary by my bed, settled it. 67 How stupid everything is!, and war multiplies the stupidity by 3 and its power by itself: so one's precious days are days are ruled by (3x)^2 when x=normal human crassitude (and that's bad enough). 73 Do 'ramble on'. Letters need not be only about exterior events (though all details are welcome). What you are thinking is just as important. 96 [H]e [Frodo] had... reached the conclusion that physical fighting is actually less ultimately good than most (good) men think it! Actually I am a Christian, and indeed a Roman Catholic, so that I do not expect 'history' to be anything but a 'long defeat'-though it contains... some samples or glimpses of final victory. 255 I do not feel quite 'real' or whole, and in a sense there is no one to talk to...we had shared all joys and griefs, and all opinions (in agreement or otherwise), so that I still often find myself thinking 'I must tell E. about this'-then suddenly I feel like a castaway left on a barren island under a heedless sky... 416 The... Fellowes' Garden looks like the foreground of a pre-Raphaelite picture: blazing green starred like the Milky Way with blue anemones, purple/white/yellow crocuses, and final surprise, clouded-yellow, peacock, and tortoiseshell butterflies flitting about...I have a faint hope that perhaps you and your wife could soon pick a fine day and visit me. Excuse scrawl. 417 [I]f lit. teaches us anything at all, it is this: that we have in us an eternal element, free from care and fear, which can survey things that in 'life' we call evil with serenity (that is not...appreciating their quality, but without any disturbance of our spiritual equilibrium)...in some such way, we shall doubtless survey our own story when we know it (and a great deal more of the Whole Story). 126-127.
J.R.R. Tolkien