Workshop Best Quotes

You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.

Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of--something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possesed your soul have been but hints of it--tantalizing glimspes, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest--if there ever came an echo that did not die away but swelled into the sound itself--you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.' We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the things we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.

The horrible thing about all legal officials, even the best, about all judges, magistrates, barristers, detectives, and policeman, is not that they are wicked (some of them are good), not that they are stupid (several of them are quite intelligent), it is simply that they have got used to it. Strictly they do not see the prisoner in the dock; all they see is the usual man in the usual place. They do not see the awful court of judgment; they only see their own workshop.

You can Transform into a Super-Soul! If you align your physical and mental (logical/emotional) self with your core self (or soul being), then you will know your personal path, and find ways to follow it to fulfillment. You can learn how to best nurture your body, plus train your mind as an empowering tool to enhance your overall balance, strength, and unique skills, so that you achieve your goals, as well as optimise your well-being.

But, to write well it is entirely necessary to read widely and deeply. Good poems are the best teachers. Perhaps they are the only teachers. I would go so far as to say that, if one must make a choice between reading or taking part in a workshop, one should read.

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions.

The Enemy does his best work in the darkness of our ignorance and speculation. He hammers away with what-ifs in the workshop of thoughts we are too afraid to face.

I was never happier than on the nights we stayed home, lying on the living room rug. We talked about classes and poetry and politics and sex. Neither of us were in love with the Iowa Writers' Workshop, but it didn't really matter because we had no place else to go. What we had was the little home we made together, our life in the ugly green duplex. We lived next door to a single mother named Nancy Tate who was generous in all matters. She would drive us to the grocery store and give us menthol cigarettes and come over late at night after her son was asleep to sit in our kitchen and drink wine and talk about Hegel and Marx. Iowa City in the eighties was never going to be Paris in the twenties, but we gave it our best shot.

More speech can be the best way to reach out to individuals, changing what they think and not merely what they do.” —2011 UN Expert Workshop on the Prohibition of National, Racial, or Religious Hatred

The best way to prepare for life is a combination of formal traditional education, reading, seminars, and workshops, coupled with experience as well as tapping into the knowledge of experienced people.

In recent decades, our welfare states have come to look increasingly like surveillance states. Using Big Brother tactics, Big Government is forcing us into a Big Society. Lately, developed nations have been doubling down on this sort of “activating” policy for the jobless, which runs the gamut from job-application workshops to stints picking up trash, and from talk therapy to LinkedIn training. No matter if there are ten applicants for every job, the problem is consistently attributed not to demand, but to supply. That is to say, to the unemployed, who haven’t developed their “employment skills” or simply haven’t given it their best shot.

The council works for the best interest of the whole. Decisions from past councils are weighed to carefully consider the effect of any new proposal, following the self-governing tenets of the Cherokee Indian tribe in eastern America, which made no decision until the effects of that decision were considered for seven generations into the future. The Gathering itself is a participatory workshop in self-government.

My ideal was contained within the word beauty, so difficult to define despite all the evidence of our senses. I felt responsible for sustaining and increasing the beauty of the world. I wanted the cities to be splendid, spacious and airy, their streets sprayed with clean water, their inhabitants all human beings whose bodies were neither degraded by marks of misery and servitude nor bloated by vulgar riches; I desired that the schoolboys should recite correctly some useful lessons; that the women presiding in their households should move with maternal dignity, expressing both vigor and calm; that the gymnasiums should be used by youths not unversed in arts and in sports; that the orchards should bear the finest fruits and the fields the richest harvests. I desired that the might and majesty of the Roman Peace should extend to all, insensibly present like the music of the revolving skies; that the most humble traveller might wander from one country, or one continent, to another without vexatious formalities, and without danger, assured everywhere of a minimum of legal protection and culture; that our soldiers should continue their eternal pyrrhic dance on the frontiers; that everything should go smoothly, whether workshops or temples; that the sea should be furrowed by brave ships, and the roads resounding to frequent carriages; that, in a world well ordered, the philosophers should have their place, and the dancers also. This ideal, modest on the whole, would be often enough approached if men would devote to it one part of the energy which they expend on stupid or cruel activities; great good fortune has allowed me a partial realization of my aims during the last quarter of a century. Arrian of Nicomedia, one of the best minds of our time, likes to recall to me the beautiful lines of ancient Terpander, defining in three words the Spartan ideal (that perfect mode of life to which Lacedaemon aspired without ever attaining it): Strength, Justice, the Muses. Strength was the basis, discipline without which there is no beauty, and firmness without which there is no justice. Justice was the balance of the parts, that whole so harmoniously composed which no excess should be permitted to endanger. Strength and justice together were but one instrument, well tuned, in the hands of the Muses. All forms of dire poverty and brutality were things to forbid as insults to the fair body of mankind, every injustice a false note to avoid in the harmony of the spheres.

Oh, but it is!" said Dot. "You see, I've taken many, many writing workshops. You'd be surprised how many." No I wouldn't, thought Amy, although she would be surprised if any of the other classes had actually encouraged critical reading. Dot was ideal prey for the sort of writing guru who praised everybody's use of metaphor whenever a metaphor, however exhausted, was actually used. No doubt Dot had been told more than once that her work was publishable, and Dot, hearing identical assurances given to others, had believed in her heart of hearts that she was the only one not being patronized. There was a local industry devoted to Dots: weekend writing conferences, during which the Dots could pay extra to have a real-live literary agent actually read one of their paragraphs; expensive weeklong retreats in Anza-Borrego or Julian or Ensenada, where the Dots could locate their inner voices; and at least three annual fiction-writing contests which the Dots could enter at will, for a hefty fee. Amy was willing to bet that in Dot's living room an entire wall was devoted to framed literary awards, including Third Runner-Up Best Unpublished Romance Manuscript.

OUR ANCESTORS UNDERSTOOD origins by extrapolating from their own experience. How else could they have done it? So the Universe was hatched from a cosmic egg, or conceived in the sexual congress of a mother god and a father god, or was a kind of product of the Creator’s workshop—perhaps the latest of many flawed attempts. And the Universe was not much bigger than we see, and not much older than our written or oral records, and nowhere very different from places that we know. We’ve tended in our cosmologies to make things familiar. Despite all our best efforts, we’ve not been very inventive.

Here are three things I know for sure: 1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown. 2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train. 3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing. Here's one more thing that I know for sure is true. On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.

During a workshop in San Francisco, I’d spent the night at the house of a lawyer named Anne. On her nightstand there was a thin book by a guy named Joel Kramer. Unable to sleep, I picked it up and leafed through the pages. He explained the emotions Caroline and I were feeling best: We have this idea that love is supposed to last forever. But love isn’t like that. It’s a free-flowing energy that comes and goes when it pleases. Sometimes it stays for life; other times it stays for a second, a day, a month, or a year. So don’t fear love when it comes simply because it makes you vulnerable. But don’t be surprised when it leaves, either. Just be glad you had the opportunity to experience it. I’m

research psychologist named Hans Eysenck hypothesized that human beings seek “just right” levels of stimulation—not too much and not too little. Stimulation is the amount of input we have coming in from the outside world. It can take any number of forms, from noise to social life to flashing lights. Eysenck believed that extroverts prefer more stimulation than introverts do, and that this explained many of their differences: introverts enjoy shutting the doors to their offices and plunging into their work, because for them this sort of quiet intellectual activity is optimally stimulating, while extroverts function best when engaged in higher-wattage activities like organizing team-building workshops or chairing meetings.

Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.

So acquire the habit of being present at this activity of the material and moral universe. Learn to look; compare what is before you with your familiar or secret ideas. Do not see in a town merely houses, but human life and history. Let a gallery or a museum show you something more than a collection of objects, let it show you schools of art and of life, conceptions of destiny and of nature, successive or varied tendencies of technique, of inspiration, of feeling. Let a workshop speak to you not only of iron and wood, but of man's estate, of work, of ancient and modern social economy, of class relationships. Let travel tell you of mankind; let scenery remind you of the great laws of the world; let the stars speak to you of measureless duration; let the pebbles on your path be to you the residue of the formation of the earth; let the sight of a family make you think of past generations; and let the least contact with your fellows throw light on the highest conception of man. If you cannot look thus, you will become, or be, a man of only commonplace mind. A thinker is like a filter, in which truths as they pass through leave their best substance behind.

Most exciting, the growth mindset can be taught to managers. Heslin and his colleagues conducted a brief workshop based on well-established psychological principles. (By the way, with a few changes, it could just as easily be used to promote a growth mindset in teachers or coaches.) The workshop starts off with a video and a scientific article about how the brain changes with learning. As with our “Brainology” workshop (described in chapter 8), it’s always compelling for people to understand how dynamic the brain is and how it changes with learning. The article goes on to talk about how change is possible throughout life and how people can develop their abilities at most tasks with coaching and practice. Although managers, of course, want to find the right person for a job, the exactly right person doesn’t always come along. However, training and experience can often draw out and develop the qualities required for successful performance. The workshop then takes managers through a series of exercises in which a) they consider why it’s important to understand that people can develop their abilities, b) they think of areas in which they once had low ability but now perform well, c) they write to a struggling protégé about how his or her abilities can be developed, and d) they recall times they have seen people learn to do things they never thought these people could do. In each case, they reflect upon why and how change takes place. After the workshop, there was a rapid change in how readily the participating managers detected improvement in employee performance, in how willing they were to coach a poor performer, and in the quantity and quality of their coaching suggestions. What’s more, these changes persisted over the six-week period in which they were followed up. What does this mean? First, it means that our best bet is not simply to hire the most talented managers we can find and turn them loose, but to look for managers who also embody a growth mindset: a zest for teaching and learning, an openness to giving and receiving feedback, and an ability to confront and surmount obstacles. It also means we need to train leaders, managers, and employees to believe in growth, in addition to training them in the specifics of effective communication and mentoring. Indeed, a growth mindset workshop might be a good first step in any major training program. Finally, it means creating a growth-mindset environment in which people can thrive. This involves: • Presenting skills as learnable • Conveying that the organization values learning and perseverance, not just ready-made genius or talent • Giving feedback in a way that promotes learning and future success • Presenting managers as resources for learning Without a belief in human development, many corporate training programs become exercises of limited value. With a belief in development, such programs give meaning to the term “human resources” and become a means of tapping enormous potential.

CHALLENGES TO YOUNG POETS Invent a new language anyone can understand. Climb the Statue of Liberty. Reach for the unattainable. Kiss the mirror and write what you see and hear. Dance with wolves and count the stars, including the unseen. Be naïve, innocent, non-cynical, as if you had just landed on earth (as indeed you have, as indeed we all have), astonished by what you have fallen upon. Write living newspaper. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance level for hot air. Write and endless poem about your life on earth or elsewhere. Read between the lines of human discourse. Avoid the provincial, go for the universal. Think subjectively, write objectively. Think long thoughts in short sentences. Don't attend poetry workshops, but if you do, don't go the learn "how to" but to learn "what" (What's important to write about). Don't bow down to critics who have not themselves written great masterpieces. Resist much, obey less. Secretly liberate any being you see in a cage. Write short poems in the voice of birds. Make your lyrics truly lyrical. Birdsong is not made by machines. Give your poem wings to fly to the treetops. The much-quoted dictum from William Carlos Williams, "No ideas but in things," is OK for prose, but it lays a dead hand on lyricism, since "things" are dead. Don't contemplate your navel in poetry and think the rest of the world is going to think it's important. Remember everything, forget nothing. Work on a frontier, if you can find one. Go to sea, or work near water, and paddle your own boat. Associate with thinking poets. They're hard to find. Cultivate dissidence and critical thinking. "First thought, best thought" may not make for the greatest poetry. First thought may be worst thought. What's on your mind? What do you have in mind? Open your mouth and stop mumbling. Don't be so open minded that your brains fall out. Questions everything and everyone. Be subversive, constantly questioning reality and status quo. Be a poet, not a huckster. Don't cater, don't pander, especially not to possible audiences, readers, editors, or publishers. Come out of your closet. It's dark there. Raise the blinds, throw open your shuttered windows, raise the roof, unscrew the locks from the doors, but don't throw away the screws. Be committed to something outside yourself. Be militant about it. Or ecstatic. To be a poet at sixteen is to be sixteen, to be a poet at 40 is to be a poet. Be both. Wake up and pee, the world's on fire. Have a nice day.

After 30 years of coaching and teaching stand-up comedy to thousands, both in my workshops (longest continuous in LA) and private coachings; I finally wrote the book! It covers 1-Discovering your Comedic Character; 2- an 80-page workbook using the best joke formulas from over 25 years in my workshops: 3- How to put it all together, deal with audiences, clubs, and the biz.

Our Skirt (by Kathy Boudin) You were forty-five and I was fourteen when you gave me the skirt. ¨It's from Paris!¨ you said as if that would impress me who at best had mixed feelings about skirts. But I was drawn by that summer cotton with splashes of black and white--like paint dabbed by an eager artist. I borrowed your skirt and it moved like waves as I danced at a ninth grade party. Wearing it date after date including my first dinner with a college man. I never was much for buying new clothes, once I liked something it stayed with me for years. I remember the day I tried ironing your skirt, so wide it seemed to go on and on like a western sky. Then I smelled the burning and, crushed, saw that I had left a red-brown scorch on that painting. But you, Mother, you understood because ironing was not your thing either. And over the years your skirt became my skirt until I left it and other parts of home with you. Now you are eighty and I almost fifty. We sit across from each other in the prison visiting room. Your soft gray-thin hair twirls into style. I follow the lines on your face, paths lit by your eyes until my gaze comes to rest on the black and white on the years that our skirt has endured.

At the beginning of each session, I asked each person to write down on an index card one word that described what frustrated them most about their job. Then on the other side of the card, they each wrote one word that best captured what inspired them most and gave them joy about working at the embassy. We collected the cards and used them to create a word cloud. Despite the question being totally open-ended, the answers were the same at all twenty workshops. By far, the word most commonly written for frustration was bureaucracy. The most common for what inspired them: community.

What if, upon completion of this course, participants: »​Engage in a supportive arts community »​Study one another’s writing to enhance their appreciation of the genre(s) »​Select readings from a living archive of multicultural texts that best inform their individual projects »​Curate their own literary anthologies with texts that appeal to their aesthetic preferences

Encouraging youths to be creative is preventing so many unhealable disasters out there in the world. A writer for example will focus on their writing, a poet will do their poems just like a sculptor or musician - always finding ways to be the best in their craft. An idle mind is the devil's workshop but a creative mind is a gold mine!

Dad went back to the front, taking Jovie with him, and Kye cornered me. Backing me up until my ass bumped into one of the workshop tables. “You have no sense of personal space, do you?” Not that I minded. Especially when he trapped me there, planting soft kisses against my throat and shoulder. “We could try for a workshop-table-baby.” His laughter rumbled in his chest, making my toes curl. “How about it?” It took an extreme amount of willpower to not let his kisses distract me. “First, we’re not trying for any kind of baby while Dad’s here.” He grunted, twisting the ends of my hair around his fingers. “We could come back after hours.” My brows hiked into my hairline. “Why would we come all the way back into town when we have a perfectly comfortable bed. And kitchen. And living room. And the armchair that we still have yet to christen.” We shared a wicked smirk before I gave him a quick, chaste kiss and whispered, “I don’t want a chisel poking my ass while you fuck me. Not sexy.” “Armchair baby it is,” he sighed, like he was accepting the next best option. “Should I at least buy you a drink first? Soften you up a bit?” “Hmmm,” I hummed, reaching up to tap his chin with my index finger. “Well, if you insist. How about hot cocoa?” He shook his head, laughter dancing in his eyes, and I had to keep myself from getting swept away by his gaze. “I know just the place.” Kye donned his coat and slid his hand into mine. We made our way to The Bowl, ordered our drinks, and met at the windows where, almost exactly one year ago, I’d dabbed whipped cream off his nose. I reached up now to do the same after he took his first sip, because he still didn’t have the skills to drink The Bowl’s monstrosity properly. “I’m starting to think you do it on purpose,” I accused, balling up the napkin. I’d never openly admit it was one of my favorite things. “Holly?” “Yes?” “Shut up and forking kiss me.” And I did. I forking kissed the big, Krampus-looking, kindhearted, funny, foul-mouthed, available all-months-of-the-year alien. It just happened to be another one of my favorite things.

This copper engraving by Matthäus Merian the Elder from 1632 depicts a printing workshop. Merian is best known for his townscapes, but here it is the interior world of books that receives his attention. Printing was the German art and it was Germans who introduced it almost everywhere

Timclad Ltd (York Timber) design and craft the very best timber garden furniture for your space, regardless of size, appearance or particular personal needs.Whether you are looking for a garden shed, a garden office, a child’s playhouse, the all important potting shed or timber workshops we at Timclad Ltd (York Timber) can say Yes!

Timclad Ltd (York Timber) design and craft the very best timber garden furniture for your space, regardless of size, appearance or particular personal needs. Whether you are looking for a garden shed, a garden office, a child’s playhouse, the all important potting shed or timber workshops we at Timclad Ltd (York Timber) can say Yes!

On my first road trip after the pandemic, I had a nervous breakdown. I felt like I'd forgotten how to take pictures. To calm myself, I'd reread the advice Allen Ginsberg gave to students in the photography workshop he ran with Robert Frank: Ordinary mind Includes eternal perceptions. Observe what's vivid. Notice what you notice. Catch yourself thinking. Vividness is self-selecting. Frist thought, best thought. Subject is known by what she sees. Others can measure their vision by what we see. Candor ends paranoia.

Good poems are the best teachers. Perhaps they are the only teachers. I would go so far as to say that, if one must make a choice between reading or taking part in a workshop, one should read.

He continued in French "Normally, I do not show customers the workshop, but I detect you are interested in fashion. Are you planning to become a fashion designer someday?" I responded shyly, "Oui, je suis. Yes, I want to grow up to be like you, designing haute couture." This seemed to tickle his interest. "Well, in that case I will make an exception and show you. I like to feel that, in some small capacity, I am educating the next generation of designers. Give me a moment and I will take you upstairs." I was completely enamored when it came time for the tour. I had many questions to ask Mr. Bohan, which he answered to the best of his ability. I was so determined to enroll in a prestigious fashion school, as my mentor recommended.

I don’t want you transferred, lad. I’m thinking what’s best for you. You do your work, sure,” he said. “But an engineer doesn’t stop there. He’s always fixing, building … you’re on a warp-driven starship, one o’ the best workshops you could ever ask for. And now I hear you’re sittin’ around worrying about what people are saying about you.” I looked at the man in awe.

Books and workshops and gurus are great, but the very best teacher for your mind is, and will always be, your heart.

Get a large tarp, at least 16 × 16-feet, and open it near your garden where you have all your boxes built and located. Make sure you have them in their final resting place—check with the boss one more time and ask, “Are you sure this is where you want all the boxes, dear?” All of the three ingredients are dusty when dry, so do this when there is no wind. Don’t do it in the garage, or you’ll get dust all over your nice new car or workshop. Wear a painter’s mask and have a hose ready with a very fine spray. Don’t forget to have a few mixing tools ready like a snow shovel, a hoe, or a steel rake. Count out the bags and boxes, do the math one more time and start opening the bags and pouring the contents out on the tarp without walking on the ingredients. Roughly mix the three ingredients as best you can as you pour it. Then drag two corners of the tarp to the opposite two corners. You’ll see the material roll over, mixing itself. When you’ve pulled the tarp so that the mixture is almost to the edge, move 90 degrees and pull those two corners over. You just work your way around the tarp and repeat pulling corners together until your Mel’s Mix is uniformly mixed. It’s finished when you don’t see any single material or one color. Use the hose with a fine mist or spray to wet down any dust, but don’t spray so much you make puddles or wet the ingredients so the mixture becomes too heavy to move easily. Don’t let the kids play in the mixture, or they will crush the large particles of vermiculite. (By the way, I’d save a small plastic bag of vermiculite for seed starting. We’ll get to seed starting in the next chapter.) The next step is to fill the boxes, wetting down the mixed-in layers only as you fill it. Once the box is full and the top leveled off, don’t pack it down. It will settle just right by itself.

She is the author of The Happy Kid Handbook: How to Raise Joyful Children in a Stressful World. She offers four strategies for helping your children pursue their passions.2 Know your child’s unique interests. Avoid plugging her into the local soccer program or Chinese class because that’s what all of your neighbors are doing. Watch instead (especially when she is playing) for signs of serious interests in particular pursuits. Think outside the box. Passion is not limited to playing fields and theatrical stages. It can exist in the kitchen, in the workshop, in the woods outside your back door, or in any number of other places. Parents are understandably anxious to offer enrichment to their children, but enrichment doesn’t automatically equate with large, organized programs. Nurture optimism. “Optimistic kids are more willing to take healthy risks, become better problem-solvers and experience positive relationships,” she notes. Since failure is a fact of life and your children will certainly have their share of setbacks, help them look optimistically at what they do. Avoid judgment. When you offer a negative judgment of your child’s expressed area of interest, you run the risk of stealing much of the joy from that pursuit. Not only is your child unique and different from every other child in the world, he is also unique from you. If you stomp on his potential passions or push him toward a pursuit he doesn’t particularly like, you’re likely to cause him a great deal of internal conflict.

Every time a new client hires me for a keynote, workshop, or coaching session, the first questions I ask them are, “What are the 3 top challenges your organization is dealing with? What are your goals? What problems would you like for me to help solve?” Using their own answers, I am able to design a program that is customized specifically around their needs. It takes the focus off of Susan and centers my complete attention toward making them feel important.

The modelers are starting to map out the possible climate states of exoplanets. I’ve participated in some workshops about this and have found it fascinating watching astronomers and terrestrial climate modelers try to talk to one another. There is a huge gulf in scale and perspective. Our knowledge of exoplanets is so sparse. Each of these worlds is known to us as, at best, a few numbers: mass, distance from a star, and in some cases vague inferences about temperature

Then a stray memory would drop into my mind, like a tiny thread that falls from a skirt hem onto the floor, alone, singular, and I would re-remember Samone in his workshop at the back of the garage, sitting on his red stool, bending over, sanding a piece of wood he'd found on a hunting trip, lifting its grain up and out and leaving its ego on the floor in tiny piles of sawdust. It hurt so much to hear the loudness of the tap of the string in my mind and the crash of the sawdust falling rhythmically over it to make a mountain of memories best kept in the garage.

This, it seems, is what you get for sleeping with an American, all this up-front goodwill. You wouldn't catch a decent British woman marching in here after a one-night stand. We understand that these things are, on the whole, best forgotten. But I suppose Marie wants to talk about it, explore what went wrong; there's probably some group-counseling workshop she wants us to go to, with lots of other couples who spent a misguided one-off Saturday night together. We'll probably have to take our clothes off and reenact what happened, and I'll get my sweater stuck round my head.

error,” and it is the best way to seek out a great result that fulfills your client’s business need.

My model, such as it is, is a mentorship model, which is to say that I care personally, and I involve myself personally/emotionally with the work of each student, and I try to make it such that they want to reach for more, do better, risk more, try new things, abandon limited objectives, individuate, and so on. For me it is personal, to the best of my ability, and it is about making more of the writer and of the writer’s task in each case. I also think it’s possible to do this, to teach in this way, in a classroom free of rancor and backbiting and competitive jostling. So: my class should be a place of peace, a place where anything is possible, where the code of realism is in disrepute, and the worst thing you can say, the absolutely verboten thing, is the phrase: The New Yorker.

The Pretense That MFA Candidates Are Already Full-Blown Artists. MFA candidates are not full-blown artists in control of their craft. Many of them are unaware of their craft, on any level. Many of them are merely talented or have had the good or bad luck to write one piece interesting enough to impress a member of the admissions committee. Why is this pretense a flaw? Because it enables lazy teaching by promoting the idea that manuscripts submitted are fully considered representations of the best a particular writer has to offer, instead of what they most often are: desperate first drafts whipped off the night or morning before their workshop due date. Amazingly (and sadly), despite the fact that this is the nature of many workshop submissions, many participants still invest a lot of emotion in how well their stories are received by the workshop. And if the manuscripts are treated as if they're anything more than exercises in the training process, the responses can be damaging.

And how do you make your way from beginning to end? You can be guided at every step by only one intuition: your own sense of rightness. But the sense of rightness can come only after you have been guided away from ten thousand wrong turns by your sense for what is wrong. The sense of rightness and the sense of what is wrong have no independent existence: Each is the other's reverse side. Most good stories die before they are born simply because their authors fail to understand this. That little voice inside says to them, “This is wrong, all wrong,” and they panic, they think they have failed, and they quit. They think that inner voice—wrong; this is wrong—is a reason for stopping. In fact, it is your art's best friend, the other voice of rightness. You must listen to them both, trusting that your intellect is capable of responding to their cues and discerning at least many of their mute meanings. They will be in play every hour you spend at your desk, and they alone can guide you on your path from perplexity, complexity, and conflict to the inevitable. That movement from the improbable to the inevitable is the truest course of a story, and it defines your path.

irony here is kind of cringe-inducing, too. If I try to put the effect of that earliest workshop into less bromidic words, the best I can do is this: it was like having my world turned upside-down, and then realizing that, in fact, the world had always been upside-down, and I had just come right-side up. There was a sense of relief in knowing that all those things that had looked so wrong—the injustice of violence against women, the limits placed on us because of our gender, the fear of losing our mothers, our sisters, ourselves—were, in fact, wrong. That I was right to be angry about them. Empowerment-based self-defense training left me with a completely new way of looking at self-defense—a perspective diametrically opposed to mainstream approaches to safety.

We Are Provides Acting classes offers a variety of acting workshops, programs, and activities designed to provide the skills any young actor needs to master the craft. So Join Moonlights And Sucess Your Dreams.

Havelock tried to remember what they’d said in the workshop about talking with people who’d been traumatized. There was a list. Four things. The mnemonic was BEST. He couldn’t remember what any of the letters stood for.

The next generation of engineers and scientists are not going to be the ones who are the best “students” who memorize a given week’s lists of tables and equations before heading off to history class where they do the same with historical figures and dates. In fact, it will be a failing graduate school that draws from this lot. The next generation of engineers and scientists will be the ones who are skipping the class but painfully and meticulously gathering the building blocks in their secret workshop and putting together something unprecedented.

Exercise 1: How to Invigorate Your Relationship with Your Romantic Partner STEP 1: Privately, each person should think about time spent with their partner. Without talking about it, each of you should make a list of the shared times together that could best be described as “very pleasant” or “exciting.” Think about things you do at home, for work, in the community, for leisure, on vacation, or anywhere else where you did something with your partner that made you feel excited. For instance, think about when the two of you: Went to a concert or a club Played or watched a sport or games of some kind Shopped Learned a new skill Talked Volunteered Solved a problem Took care of other people, animals, or things Went to a spiritual or religious event/workshop/meeting Played music Had sex (the more details, the better) Worked out Relaxed Spent time in a different environment than you are usually in (beach versus mountains, suburbs versus city, noisy versus quiet, teeming with people versus sparsely populated) Engaged in strenuous physical and/or mental exercise Joined an organization that you both believed in Pursued a hobby Worked on the house, the yard, the car, the boat Cooked new recipes Went to the movies Sat in the same room and did your own thing, like read, did needlework, or worked crossword puzzles Planned the family budget Took a class Something else (the sky is the limit—add any activities that fueled you)

Englishmen of Whiggish persuasion were convinced that, after decades and centuries of thought and travail, the British constitution had come to represent the best way to achieve that goal. Drawing heavily from Greek and Roman thinkers who had affirmed the need of mixed government in order to achieve balance and harmony among social classes, the English had achieved such a balance of social power among king, lords, and commons that a political balance of power would be counterpoised among these powerful estates. Social equilibrium in short would produce political equilibrium, which in turn would prevent the kind of immoderate government that might interfere in men’s liberties. This elaborate edifice was based on the theory that men, being naturally selfish, irrational, aggressive, greedy, and lustful, had to be not only protected in their liberty from government but protected from one another by government. The “Interest of Freedom,” Marchamont Nedham had written in the mid-1650s, “is a Virgin that everyone seeks to deflower.” Paine and his fellow radicals rejected this view of human nature and the Whiggish apparatus that went with it. Perhaps the people of the Old World, divided into unequal estates and corrupted by their rulers, were prone to depravity and unreason, they granted, but Americans were different. Farmers and mechanics and all others who wore “leathern aprons,” being more equal and fraternal and less grasping and competitive, were more reasonable and virtuous. Because of his faith in human nature and the perfectibility of man, as Eric Foner has said, “Paine could reject the need for governmental checks and balances.

The trip had been a dream for almost two decades, relegated to the back of the line behind an ever-growing list of responsibilities. Each passing moment brought a new list of reasons for putting it off. One day, Julie realized that if she didn’t do it now, she would never do it. The rationalizations, legitimate or not, would just continue to add up and make it harder to convince herself that escape was possible. One year of preparation and one 30-day trial run with her husband later, they set sail on the trip of a lifetime. Julie realized almost as soon as the anchor lifted that, far from being a reason not to travel and seek adventure, children are perhaps the best reason of all to do both. Pre-trip, her three little boys had fought like banshees at the drop of a hat. In the process of learning to coexist in a floating bedroom, they learned patience, as much for themselves as for the sanity of their parents. Pre-trip, books were about as appealing as eating sand. Given the alternative of staring at a wall on the open sea, all three learned to love books. Pulling them out of school for one academic year and exposing them to new environments had proven to be the best investment in their education to date. Now sitting in the plane, Julie looked out at the clouds as the wing cut past them, already thinking of their next plans: to find a place in the mountains and ski all year long, using income from a sail-rigging workshop to fund the slopes and more travel. Now that she had done it once, she had the itch.

Once I called a friend to say I couldn't go on teaching at the prestigious workshop I was visiting because I could not stand the torturing voices in my head, 24 hours a day, saying I was no good, stupid, not as smart as the others, not as respected or loved, that I had no value, that I was there only because I was black, that I had done or said the wrong thing, that I wasn't really a poet, my friend said, 'Why not ask the torturing voices for where they get their information?' I did, and without hesitation they answered, 'From your mother.' Things had changed by then, so I flipped back, 'You haven't got the latest information!' 50, Toi Derricotte

Write in order to achieve their best work »​Manage their ongoing development through regular self-assessment and reflection opportunities »​Pursue creative writing topics of their own choosing »​Experiment with narrative techniques most important to them »​Grow in confidence as writers

So often, the girls had no respect for her personal boundaries, expecting her to be all things to them – a surrogate mother, a therapist, a best friend. It was too overwhelming so now she just told them there was an online workshop that supported addicts on Shakti.com

It’s easy to assume that the person closest to the problem you hope to solve is the one most suited to lead the workshop. This is never the case. Instead, the best workshop facilitators are individuals who can lead a discussion, keep a conversation on track, and ask provocative questions without bias. They also expertly summarize the discussion, recapping any action items and ensuring that everyone who spent their precious time participating understands what they collectively achieved and what needs to happen next.

thumb sideways, or three fingers, is the consensus threshold. Any option that has that level of support (or higher) from every person in the workshop is good to go. Everybody doesn’t have to like that option, but everyone will accept and support it. That’s what consensus means. This type of consensus voting usually reveals the best option quite clearly.

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Here we not only use static security but also dynamic security,” he tells me. Static security is the traditional methodology of correctional facilities, made up of physical measures (high walls, alarm systems, bars) and also monitoring practices (cameras, observation, supervised visitation, cell and body searches, prisoner counts). Dynamic security, in contrast, is based in the interpersonal relationships and interactions between prisoners and prison employees. Høidal points to a prison officer and an inmate working together on a piece of furniture, the officer holding the base of a chair while the prisoner fits a leg onto it. “The relationship between staff and inmates is the most important part. “The prison officers and the prisoners are together all day,” Høidal explains. “Officers are in the workshops and in the living units, but everyone also eats meals together. They take leisure together. They do activities together.” In addition, 50 percent of the prison officers at Halden are female. And not one of them—male or female—is armed. “Knowing the inmates is the best security,” he continues. That way officers can be on alert if a man is behaving oddly—if he appears to be agitated or is becoming angry, they notice it, because they know that man. Know what it looks like when he is calm and know what it looks like when he begins to rev up.

All I’m saying is that to liberate the potential of your mind, body and soul, you must first expand your imagination. You see, things are always created twice: first in the workshop of the mind and then, and only then, in reality. I call the process ‘blueprinting’ because anything that you create in your outer world began as a simple blueprint in your inner world, on the lush picture screen of your mind. When you learn to take control of your thoughts and vividly imagine all that you desire from this worldly existence in a state of total expectancy, dormant forces will awaken inside you. You will begin to unlock the true potential of your mind to create the kind of magical life that I believe you deserve. From tonight onwards, forget about the past. Dare to dream that you are more than the sum of your current circumstances. Expect the best. You will be astonished at the results.

The kings, who are the most set on destroying the feudal baronies, are also the best friends of the merchants, the bankers and the master manufacturers. A shipowner is not the chieftain of a gang of sailors whom he abstracts from Power's clutch, but rather an employer of labour who on the contrary, makes them available to power when the time comes for it to require them; In this way, it is explained the favour shown by Francis I, to take one instance towards, Ango. A banker is not after political power - he is after wealth. His function is to build a sort of store-house on which, when the when the time is ripe, Power will draw to transmute this wealth into strength. A mercantile aristocracy, then, so far from abstracting anything from the state's resources, makes potential additions to them which will, when circumstances so require, be realized. This is the only aspect under which, for many years, Power saw the money power. But in the end the overthrow of every other social domination of whatever kind left financial domination master of the field. At that stage it was seemed to be the formative source of fresh cells. That showed itself clearly enough in the case of the industrial employers. Not only was the employer the law in his factory, but quite often he would put up nearby a township for his workers in which he had the position of prince. A point was reached at some of the states of the USA, at which the manufacturer, owning as he did the land on which the factory had been built, allowed on it no other police than his own. In its jealousy of any and every command, however small, which was not its own, Power could not tolerate such independence. Moreover, as in every other battle which it had fought with aristocratic formations, it soon found itself appealed to by the underlings. Then it made its way not only into the employer's township but into his workshop as well; there it introduced its own law, its own police and its own factory regulations. If its earlier aggressions against closed aristocratic formations were not our old friends, we might be tempted to see in this one nothing more than a result of the popular character of the modern state, and of socialist ideas. These factors played, no doubt, their part, but no more was needed, than that Power should be itself - a thing naturally tending to shut out the intervention of all other authorities. The financial cell is less visible to the eye than the industrial cell. But its hold on money, and above all by its disposal of vast amounts of private savings, finance has been able to build up a vast structure and impose on the ever growing number of its subjects and authority which is ever plainer on the planer to the view on the empires of finance, also, power made war. The signal for battle was not given by a socialist state, the natural enemy of the barons of capital. It came from Theodore Roosevelt, himself a man of Power, and therefore the enemy of all private authorities. In this way, a new alliance was sealed - an alliance no less natural than that of the Power of early days with the prisoners of the clan-cells, than that of the monarchy with the subjects of the feudal barons - that of the modern state with the men exploited by capitalist industry, with the men dominated by the financial trusts. The state has often waged this particular war half-heartedly, thereby making the extent to which it has turned its back on itself and has renounced its role of Power. And renunciation was in this case favoured by the internal weakness of modern Power; the precariousness of its tenure encouraged its phantom tenants to betray it in favor of the financial aristocracies. But Power has natural charms for those who desire it for its use. It was a certain that anti-capitalists would come to occupy the public offices of the bourgeois state, as it was certain that anti-feudalists would come to occupy those of the monarchial state.

In other words, negative self-talk cannot be overcome with more negative self-talk. For example, at my workshops and lectures, people in the past have approached me with a look of consternation and said something like, “I'm so disappointed in myself. I can't believe I have been on the Toltec path for years and I am still taking things personally.” Implicit in the comment is the idea that the speaker is failing in their practice, and you can hear the sneaky voice of the parasite in the background. Were this statement coming through the eyes of unconditional self-love, this person would approach me with a smile instead and say, “You know, I have been on the Toltec path for years, and I notice that I still take things personally sometimes. I am doing my best, but do you have any thoughts on overcoming this hurdle?” The change in the latter is apparent, as the ally is talking instead of the parasite.

Julia is the co-founder of the Center for Applied Rationality, a nonprofit that runs workshops on improving reasoning and decision-making.

Beyond One-Way ANOVA The approach described in the preceding section is called one-way ANOVA. This scenario is easily generalized to accommodate more than one independent variable. These independent variables are either discrete (called factors) or continuous (called covariates). These approaches are called n-way ANOVA or ANCOVA (the “C” indicates the presence of covariates). Two way ANOVA, for example, allows for testing of the effect of two different independent variables on the dependent variable, as well as the interaction of these two independent variables. An interaction effect between two variables describes the way that variables “work together” to have an effect on the dependent variable. This is perhaps best illustrated by an example. Suppose that an analyst wants to know whether the number of health care information workshops attended, as well as a person’s education, are associated with healthy lifestyle behaviors. Although we can surely theorize how attending health care information workshops and a person’s education can each affect an individual’s healthy lifestyle behaviors, it is also easy to see that the level of education can affect a person’s propensity for attending health care information workshops, as well. Hence, an interaction effect could also exist between these two independent variables (factors). The effects of each independent variable on the dependent variable are called main effects (as distinct from interaction effects). To continue the earlier example, suppose that in addition to population, an analyst also wants to consider a measure of the watershed’s preexisting condition, such as the number of plant and animal species at risk in the watershed. Two-way ANOVA produces the results shown in Table 13.4, using the transformed variable mentioned earlier. The first row, labeled “model,” refers to the combined effects of all main and interaction effects in the model on the dependent variable. This is the global F-test. The “model” row shows that the two main effects and the single interaction effect, when considered together, are significantly associated with changes in the dependent variable (p < .000). However, the results also show a reduced significance level of “population” (now, p = .064), which seems related to the interaction effect (p = .076). Although neither effect is significant at conventional levels, the results do suggest that an interaction effect is present between population and watershed condition (of which the number of at-risk species is an indicator) on watershed wetland loss. Post-hoc tests are only provided separately for each of the independent variables (factors), and the results show the same homogeneous grouping for both of the independent variables. Table 13.4 Two-Way ANOVA Results As we noted earlier, ANOVA is a family of statistical techniques that allow for a broad range of rather complex experimental designs. Complete coverage of these techniques is well beyond the scope of this book, but in general, many of these techniques aim to discern the effect of variables in the presence of other (control) variables. ANOVA is but one approach for addressing control variables. A far more common approach in public policy, economics, political science, and public administration (as well as in many others fields) is multiple regression (see Chapter 15). Many analysts feel that ANOVA and regression are largely equivalent. Historically, the preference for ANOVA stems from its uses in medical and agricultural research, with applications in education and psychology. Finally, the ANOVA approach can be generalized to allow for testing on two or more dependent variables. This approach is called multiple analysis of variance, or MANOVA. Regression-based analysis can also be used for dealing with multiple dependent variables, as mentioned in Chapter 17.

      •   Include links to community events, newly published books by colleagues, and writing workshops you plan to attend.

#writetip / #writingtip — If you don’t have time to take a workshop, trying using these tags to learn more about your craft. #writing / #editing – These terms are also used, but aren’t nearly as popular as #amwriting and #amediting. #writingblitz – This one is used to let your followers know that today you are writing as fast as you can and locking your internal editor into a closet. #writingfiction – Fiction writers use this hashtag to meet each other or to share their books, goals, or ideas on writing fiction. #writingprompt — Is it hard to get started on the next chapter of your novel? Well, worry no more. Log on to Twitter, search for this tag, and you’ll find a great prompt to get those creative juices bubbling. #ww / #writerwednesday – Is there a writer you would like to introduce to your followers? Use this hashtag and introduce your colleague to your Twitter tribe.

The best tested are Elevate, Lumosity, Fit Brains, Brain HQ, and Brain Workshop. Many are effective in as little as ten to twenty minutes per day, five times per week, and four of the five (at time of publication) can be downloaded and used on your smartphone.

On Stage was a groundbreaking dramatic series capping the radio careers of Cathy and Elliott Lewis. It came in what might have been a watershed era but was instead radio’s last hurrah. The Lewises reached the crest as the ship began to sink, though in a strange way it was a time of peace. The war with television had been lost in a single season, and the big money had gone, as it always does, with the winner. What was left on radio fell into several broad categories, none ruled by money as they had been in the old days. Agencies and producers still had radio budgets, but the tide had irrevocably turned. The end of big-time radio had for its best artists a liberating effect. “I can do things now that I wouldn’t dare to do two or three years ago,” said Elliott Lewis in Newsweek in mid-1953. As producer-director of Suspense, he had just aired a two-part adaptation of Shakespeare’s Othello, which would have been unthinkable for the thrill show in 1945. Network people paid less attention, and if money was tighter, there was no lack of talent to prove it. People still wanted to work in radio: they remained because it was a dear first love, terminally ill and soon to disappear. Jack Benny and Jack Webb were still on the air; Gunsmoke was in its first year, and just ahead were more frugal but extremely creative shows—X-Minus One, Frontier Gentleman, and The CBS Radio Workshop. These were produced and enacted by people who loved what they were doing: some would mourn its final loss so deeply that they spoke of it reluctantly even two decades later. It was in this time that the Lewises produced On Stage, by some accounts the best radio anthology ever heard.

Leandro did his best to rein his impatience in. He reminded himself that it was Priscilla who had given him his second chance with Bobby. He should at least attempt to listen to her. The only problem was that she always attended new classes and workshops all the time, and all of them seemed to be a waste of money as far as he was concerned. “So I just wanted to ask, now that everything seems to be going well with Uncle Orion, is it okay if I clear things up? You see, according to my New Age Spirituality professor, I need to cleanse myself and purify my conscience…” “Whatever you think is best,” he said, his attention mostly focused on reading

14 – Would anyone like to have a little look down into the secret of how ideals are fabricated on this earth? Who has enough pluck? . . . Come on! Here we have a clear glimpse into this dark workshop. Just wait one moment, Mr Nosy Daredevil: your eyes will have to become used to this false, shimmering light . . . There! That’s enough! Now you can speak! What’s happening down there? Tell me what you see, you with your most dangerous curiosity – now I am the one who’s listening. – – ‘I cannot see anything but I can hear all the better. There is a guarded, malicious little rumour-mongering and whispering from every nook and cranny. I think people are telling lies; a sugary mildness clings to every sound. Lies are turning weakness into an accomplishment, no doubt about it – it’s just as you said.’ – – Go on! – ‘and impotence which doesn’t retaliate is being turned into “good- ness”; timid baseness is being turned into “humility”; submission to people one hates is being turned into “obedience” (actually towards someone who, they say, orders this submission – they call him God). The 27 On the Genealogy of Morality inoffensiveness of the weakling, the very cowardice with which he is richly endowed, his standing-by-the-door, his inevitable position of having to wait, are all given good names such as “patience”, also known as the virtue; not-being-able-to-take-revenge is called not-wanting-to-take-revenge, it might even be forgiveness (“for they know not what they do – but we know what they are doing!”).33 They are also talking about “loving your enemies” – and sweating while they do it.’ – Go on! – ‘They are miserable, without a doubt, all these rumour-mongers and clandestine forgers, even if they do crouch close together for warmth – but they tell me that their misery means they are God’s chosen and select, after all, people beat the dogs they love best; perhaps this misery is just a preparation, a test, a training, it might be even more than that – some- thing that will one day be balanced up and paid back with enormous inter- est in gold, no! in happiness. They call that “bliss”.’ – Go on! – ‘They are now informing me that not only are they better than the powerful, the masters of the world whose spittle they have to lick (not from fear, not at all from fear! but because God orders them to honour those in authority)34 – not only are they better, but they have a “better time”, or at least will have a better time one day. But enough! enough! I can’t bear it any longer. Bad air! Bad air! This workshop where ideals are fabricated – it seems to me just to stink of lies.’ – No! Wait a moment! You haven’t said anything yet about the master- pieces of those black magicians who can turn anything black into white- ness, milk and innocence: – haven’t you noticed their perfect raffinement, their boldest, subtlest, most ingenious and mendacious stunt? Pay atten- tion! These cellar rats full of revenge and hatred – what do they turn revenge and hatred into? Have you ever heard these words? Would you suspect, if you just went by what they said, that the men around you were nothing but men of ressentiment? . . .

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