X And Y Quotes

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If A is a success in life, then A equals x plus y plus z. Work is x; y is play; and z is keeping your mouth shut
Albert Einstein
We have to create culture, don't watch TV, don't read magazines, don't even listen to NPR. Create your own roadshow. The nexus of space and time where you are now is the most immediate sector of your universe, and if you're worrying about Michael Jackson or Bill Clinton or somebody else, then you are disempowered, you're giving it all away to icons, icons which are maintained by an electronic media so that you want to dress like X or have lips like Y. This is shit-brained, this kind of thinking. That is all cultural diversion, and what is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears. And we are told 'no', we're unimportant, we're peripheral. 'Get a degree, get a job, get a this, get a that.' And then you're a player, you don't want to even play in that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
Terence McKenna
I tried all kinds of approaches: sexy, friendly, intimidating—nothing worked. I’m starting to think there’s an invisible force field that prevents honest communication between X and Y chromosomes.
Jody Gehrman (Babe in Boyland)
Thanks to the redundancy of language, yxx cxn xndxrstxnd whxt x xm wrxtxng xvxn xf x rxplxcx xll thx vxwxls wxth xn "x" (t gts lttl hrdr f y dn't vn kn whr th vwls r)
Steven Pinker
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.
Vladimir Nabokov (Lolita)
I'm an equation that only she solves, these X's and Y's by other names called. My way of dividing is desperately flawed as I multiply the days without her" - Page 165
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
I've never really understood the desire people have to quantify a baby. "He's X big and Y long," As if the baby is a fish you're not sure you're going to keep. Or some prize potato you're hoping will win a prize at the county fair.
Patrick Rothfuss
I am an equation that only she solves, These X's and Y's by other names called, My way of division is desperatley flawed, while I multiply days without her.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Steve Jobs gave a small private presentation about the iTunes Music Store to some independent record label people. My favorite line of the day was when people kept raising their hand saying, "Does it do [x]?", "Do you plan to add [y]?". Finally Jobs said, "Wait wait — put your hands down. Listen: I know you have a thousand ideas for all the cool features iTunes could have. So do we. But we don't want a thousand features. That would be ugly. Innovation is not about saying yes to everything. It's about saying NO to all but the most crucial features.
Derek Sivers
What grinds me the most is we're sending kids out into the world who don't know how to balance a checkbook, don't know how to apply for a loan, don't even know how to properly fill out a job application, but because they know the quadratic formula we consider them prepared for the world` With that said, I'll admit even I can see how looking at the equation x -3 = 19 and knowing x =22 can be useful. I'll even say knowing x =7 and y= 8 in a problem like 9x - 6y= 15 can be helpful. But seriously, do we all need to know how to simplify (x-3)(x-3i)?? And the joke is, no one can continue their education unless they do. A student living in California cannot get into a four-year college unless they pass Algebra 2 in high school. A future psychologist can't become a psychologist, a future lawyer can't become a lawyer, and I can't become a journalist unless each of us has a basic understanding of engineering. Of course, engineers and scientists use this shit all the time, and I applaud them! But they don't take years of theater arts appreciation courses, because a scientist or an engineer doesn't need to know that 'The Phantom of the Opoera' was the longest-running Broadway musical of all time. Get my point?
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.
Edward Gorey
The male is a biological accident: the Y (male) gene is an incomplete X (female) gene, that is, it has an incomplete set of chromosomes. In other words, the male is an incomplete female, a walking abortion, aborted at the gene stage. To be male is to be deficient, emotionally limited; maleness is a deficiency disease and males are emotional cripples.
Valerie Solanas (SCUM Manifesto)
You have three chromosomes, Bryson. X, Y, and Fuckhead." -- Katz
Bill Bryson
It seems very American to expect grief to change something. Like a token you cash in. A formula. Grieve x amount, receive y amount of comfort. Work a day in the grief mines and get paid in tickets to the company store.
Kaveh Akbar (Martyr!)
The only part of an argument that really matters is what we think of the people arguing. X claims a, Y claims b. They make arguments to support their claims with any number of points. But when their listeners remember the discussion, what matters is simply that X believes a and Y believes b. People then form their judgment on what they think of X and Y.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
Carnal embrace is sexual congress, which is the insertion of the male genital organ into the female genital organ for purposes of procreation and pleasure. Fermat’s last theorem, by contrast, asserts that when x, y and z are whole numbers each raised to power of n, the sum of the first two can never equal the third when n is greater than 2.
Tom Stoppard (Arcadia)
For centuries architects have been taught to sketch, model and build in three static dimensions - x, y and z. But the natural world offers contexts that are much more dimensionally complex and dynamic.
Neri Oxman
It doesn't matter, whether it is an x, y or z country, every penny spends for nuclear weapons strengthen the hands of the evil force.
Amit Ray (Nuclear Weapons Free World - Peace on the Earth)
On Algebra - "We're a month into it, and I'm planning to start a real protest movement, one to have X and Y removed from the alphabet. Z is also suspect as far as I'm concerned...Damn it! They put a man on the moon; can't they find some way to end the scourge of Algebra?
Huston Piner (My Life as a Myth)
The guy was sexy with a capital S-E-X-Y. Yes, that’s right, all of his letters deserved to be capitalized.
R.S. Grey (The Duet)
If ghost, if whore, if virgin—same origin story: because X was a face too lovely, Y was a corpse in the lake.
Emily Skaja (Brute: Poems)
In America, on the ordinate plane of faith versus reason, the x-axis of faith intersects with the y-axis of reason at the zero point of "I don't give a damn what you think".
Sarah Vowell (Unfamiliar Fishes)
Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
David Levithan (Boy Meets Boy)
Doubt is a storm. We either ride it out, or we change our course. Neither is right or wrong--to stay or go. Twenty years ago, should you have really married X, or Y? This college, or that? A life-changing decision one makes becomes the right decision by the fact of simply having been made.
T.M. McNally
The difference between the who and the what at the heart of love, separates the heart. It is often said that love is the movement of the heart. Does my heart move because I love someone who is an absolute singularity, or because I love the way that someone is? Often love starts with some type of seduction. One is attracted because the other is like this or like that. Inversely, love is disappointed and dies when one comes to realize the other person doesn’t merit our love. The other person isn’t like this or that. So at the death of love, it appears that one stops loving another not because of who they are but because they are such and such. That is to say, the history of love, the heart of love, is divided between the who and what. The question of being, to return to philosophy, because the first question of philosophy is: What is it to be? What is “being”? The question of being is itself always already divided between who and what. Is “Being” someone or something? I speak of it abstractly, but I think that whoever starts to love, is in love or stops loving, is caught between this division of the who and the what. One wants to be true to someone—singularly, irreplaceably—and one perceives that this someone isn’t x or y. They didn’t have the properties, the images, that I thought I’d loved. So fidelity is threatened by the difference between the who and the what.
Jacques Derrida
Hey, y'know what money can buy? A solid gold gun. That shoots diamond bullets. I call it "The Compensator". Whatta ya think?
Daniel Way (Deadpool, Volume 3: X Marks the Spot)
I'm not entirely sure there is a formula for this,' I say. But I wish there were. I would have followed it, plugging in all my data for x and all of Ethan's for y. And I would have worked out the results before involving my emotions, and I wouldn't feel as I feel now--like I've been dumped for real by an imaginary guy.
Erin McCahan (Love and Other Foreign Words)
X and Y the Co-ordinates of Zen Navigation X = the limited time you have on the road, in a life Y = the eternity you have in every hour, every day Z = Each step you take is a once-in-a-lifetime infinite thing
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Y.O.L.O= You Obviously Love Oreos Take that Drake! X3
Moii
There is history the way Tolstoy imagined it, as a great, slow-moving weather system in which even tsars and generals are just leaves before the storm. And there is history the way Hollywood imagines it, as a single story line in which the right move by the tsar or the wrong move by the general changes everything. Most of us, deep down, are probably Hollywood people. We like to invent “what if” scenarios--what if x had never happened, what if y had happened instead?--because we like to believe that individual decisions make a difference: that, if not for x, or if only there had been y, history might have plunged forever down a completely different path. Since we are agents, we have an interest in the efficacy of agency.
Louis Menand
There’s a fascinating frailty of the human mind that psychologists know all about, called “argument from ignorance.” This is how it goes. Remember what the “U” stands for in “UFO”? You see lights flashing in the sky. You’ve never seen anything like this before and don’t understand what it is. You say, “It’s a UFO!” The “U” stands for “unidentified.” But then you say, “I don’t know what it is; it must be aliens from outer space, visiting from another planet.” The issue here is that if you don’t know what something is, your interpretation of it should stop immediately. You don’t then say it must be X or Y or Z. That’s argument from ignorance. It’s common. I’m not blaming anybody; it may relate to our burning need to manufacture answers because we feel uncomfortable about being steeped in ignorance.
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
Jack stares at me blankly. ‘A what?’ he asks. I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’ ‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’ I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’ Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says. Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
Sarah Alderson (Losing Lila (Lila, #2))
Smagu operuoti skaičiais. 24 035 į Sibirą. Smagu. 47 žuvo lėktuvo katastrofoje. Smagu. Parduotos 7 038 456 adatos. Smagu. Šiąnakt Mister X buvo laimingas 3 kartus. Smagu. Šiandien Miss Y mirė 1 kartą. Smagu. Šiuo metu esu vienas ir prarysiu vieną tabletę. Ir man bus smagiau.
Antanas Škėma (Balta drobulė)
hey its Uberunicorn here, im uploading my accountant for the first time! :D yay! im only uploading the books ive read in a short time: jan-dec, so i might not have so many books online j8st yet... - Uberunicorn, this one called cherub the recruit! Y X 3!!!
Robert Muchamore (The Recruit (Cherub, #1))
The dismal fact is that self-respect has nothing to do with the approval of others — who are, after all, deceived easily enough; has nothing to do with reputation, which, as Rhett Butler told Scarlett O’Hara, is something people with courage can do without. To do without self-respect, on the other hand, is to be an unwilling audience of one to an interminable documentary that deals with one’s failings, both real and imagined, with fresh footage spliced in for every screening. There’s the glass you broke in anger, there’s the hurt on X’s face; watch now, this next scene, the night Y came back from Houston, see how you muff this one. To live without self-respect is to lie awake some night, beyond the reach of warm milk, the Phenobarbital, and the sleeping hand on the coverlet, counting up the sins of commissions and omission, the trusts betrayed, the promises subtly broken, the gifts irrevocably wasted through sloth or cowardice, or carelessness. However long we postpone it, we eventually lie down alone in that notoriously uncomfortable bed, the one we make ourselves. Whether or not we sleep in it depends, of course, on whether or not we respect ourselves.
Joan Didion
What someone may lack in talent can be more than made up for in self-motivation, self-direction, and follow-through.
Miles Anthony Smith (Becoming Generation Flux: Why Traditional Career Planning is Dead: How to be Agile, Adapt to Ambiguity, and Develop Resilience)
An equation commonly contains one or more so-called unknowns, often represented by x, y, z, etc.
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
Then he is a monster!" the Prince crowed, "and I must slay him at once. The Formula works!" "Your Formula must result in a great deal of fighting," I mused. "Oh, yes, when applied correctly mighty and noble battles result! Of course I always win—the value of Prince X is a constant. It cannot be lesser than that of Monster Y—this is the Moral Superiority Hypothesis made famous five hundred years ago by my ancestor Ethelred, the Mathematician-King. We have never seen his equal, in all these centuries.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
This computer-generated pangram contains six a's, one b, three c's, three d's, thirty-seven e's, six f's, three g's, nine h's, twelve i's, one j, one k, two l's, three m's, twenty-two n's, thirteen o's, three p's, one q, fourteen r's, twenty-nine s's, twenty-four t's, five u's, six v's, seven w's, four x's, five y's, and one z.
Douglas R. Hofstadter (Metamagical Themas: Questing for the Essence of Mind and Pattern)
…but his problem was infinity; his problem was time running along the x-axis versus stress running along the y-axis, and there never seemed to be time without stress. Stress was a constant.
Andrew Barrett (The Third Rule - The Complete Story)
Seamos sinceros, una persona feliz no deja de comer durante x cantidad de días.Una persona feliz y despreocupada, una persona “normal” no cuenta cada caloría: simplemente come. Y en última instancia, si engorda hace dieta NORMAL y tema acabado. Como ya se habrán enterado, normal no es una palabra que pegue mucho conmigo.
Cielo Latini (Abzurdah)
You stop noticing pain, is the thing. You notice it when it’s really bad, or when it’s different, but… on the rare occasion someone asks me what it’s like to live with RA, I don’t ever know what to say. They ask me if its painful, and I say yes because I know intellectually it must be, because the idea of doing some of the things that other people do without thinking fills me with dread and panic, but I always think about it mechanically. I can’t do x. I don’t want to do y. I don’t continue the thought into I can’t do that because it would hurt. I don’t want to do that because then I would be in pain. You can’t live like that. There’s only so much you can carry quietly by yourself, so you turn an illness into a list of rules instead of a list of symptoms, and you take pills that don’t help, and you do stretches, and you think instead of feeling. You think.
Hannah Moskowitz (Sick Kids in Love)
Finding fault with yourself is also the key to overcoming the hypocrisy and judgmentalism that damage so many valuable relationships. The instant you see some contribution you made to a conflict, your anger softens—maybe just a bit, but enough that you might be able to acknowledge some merit on the other side. You can still believe you are right and the other person is wrong, but if you can move to believing that you are mostly right, and your opponent is mostly wrong, you have the basis for an effective and nonhumiliating apology. You can take a small piece of the disagreement and say, “I should not have done X, and I can see why you felt Y.” Then, by the power of reciprocity, the other person will likely feel a strong urge to say, “Yes, I was really upset by X. But I guess I shouldn’t have done P, so I can see why you felt Q.” Reciprocity amplified by self-serving biases drove you apart back when you were matching insults or hostile gestures, but you can turn the process around and use reciprocity to end a conflict and save a relationship.
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
To Mr. Jones, she said, imagine you're looking up at a blue sky, and imagine a tiny airplane skywriting the letter Z. Then let the wind erase the letter. Then imagine the plane writing the letter Y. Let the wind erase it. Then the letter X. Erase it. Then the letter W. Let the wind erase it.
Chuck Palahniuk (Choke)
Men do not live in perfect harmony with each other. Rather, again and again conflicts arise between them. And the source of these conflicts is always the same: the scarcity of goods. I want to do X with a given good G and you want to do simultaneously Y with the very same good. Because it is impossible for you and me to do simultaneously X and Y with G, you and I must clash. If a superabundance of goods existed, i.e., if, for instance, G were available in unlimited supply, our conflict could be avoided. We could both simultaneously do ‘our thing’ with G. But most goods do not exist in superabundance. Ever since mankind left the Garden of Eden, there has been and always will be scarcity all-around us.
Hans-Hermann Hoppe (A Short History of Man: Progress and Decline)
Y That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? Me with my arms outstretched, feet in first position. The chromosome half of us don't have. Second to last in the alphabet: almost there. Coupled with an L, let's make an adverb. A modest X, legs closed. Y or N? Yes, of course. Upside-down peace sign. Little bird tracks in the sand. Y, a Greet letter, joined the Latin alphabet after the Romans conquered Greece in the first century -- a double agent: consonant and vowel. No one used adverbs before then, and no one was happy.
Marjorie Celona (Y)
Science [is] that wonderfully convenient personification of the opinions, at a certain date, of Professors X, Y, and Z....
Aldous Huxley (Brave New World Revisited)
Y añade: 'Las peliculas X, en general, están producidas y dirigidas por hombres y destinadas a un público masculino, por lo cual se centran en unos códigos muy particulares: cosificación y humillación de las mujeres, centralizando siempre la importancia del placer musculino y no en el placer femenino'.
Erika Lust (Good Porn: A Woman's Guide)
If Mike convinces a woman to date him because he is dominant, the resulting relationship will be entirely different than if he had inspired this same woman to date him by convincing her that, through dating him, she could improve herself (though such dynamics might be ameliorated through therapy). One of the core reasons why people either end up in one bad relationship after another—or come to believe that all members of a certain gender have very constrained behavior patterns—is that they do not understand how different lures function (in male communities, this often manifests in the saying “AWALT,” which stands for “all women are like that”). These people do not realize that the lure they are using is creating those relationship dynamics and/or constrained behavior patterns. Talking with individuals who say guys or girls always act like X or Y feels like talking to a fisherman who insists that all fish have whiskers. When you point out that all the lures in his tackle box are designed specifically to only catch catfish, he just turns and gives you a quizzical look saying, “what's your point?
Simone Collins (The Pragmatist's Guide to Relationships)
Reading people's bio feels like reading specifications of an assembled computer: X memory, Y processor, Z display... We are born unique but useless for society. Then we have to acquire and assemble some common things to become useful for the society.
Shunya
..ser una mujer es tener piel de mujer, dos cromosomas X y la capacidad de concebir y alimentar a las crías que engendra el macho de la especia. Y nada más, porque todo lo demás es cultura.
Almudena Grandes (Malena es un nombre de tango)
If everything really does get better, the way everyone claims, then happiness should be graphable. You draw up an X axis and a Y axis, where a positive slope represents a positive attitude, plot some points, and there you go. But that's crap, because better isn't quantifiable.
Robyn Schneider (The Beginning of Everything)
Many people—particularly the young—have been persuaded that such a search is futile. They have been told from their preschool days on that one person’s opinion is as good as another’s, that each person can pick his or her own truth from a multicultural smorgasbord. If one choice proves unsavory, pick another, and so on, until, in a consumerist fashion, we pick the truth we like best. I think the despair of Generations X, Y, and now E comes from this fundamental notion that there’s no such thing as reality or the capital-T truth. Almost every new movie I see these days features a bright, good-looking, talented young man who is so downright sad, he can barely lift his head. I want to scream, “What’s wrong with this guy?” Then I feel a profound compassion because his generation has been forbidden the one thing that makes life such a breathtaking challenge: truth.
Charles W. Colson (The Good Life)
The very idea that you can somehow make your life alright by attaining primitive material goals – whether it’s getting the ideal relationship, the ideal job, a beautiful Berber rug or forty quids’ worth of smack – the underlying idea, ‘if I could just get X, Y, Z, I would be okay’, is consistent and it is quite wrong.
Russell Brand (Recovery: Freedom From Our Addictions)
Give yourself a gift: the present moment. People out for posthumous fame forget that the Generations To Come will be the same annoying people they know now. And just as mortal. What does it matter to you if they say x about you, or think y?
Marcus Aurelius (Meditations)
Give yourself a gift: the present moment. People out for posthumous fame forget that the Generations To Come will be the same annoying people they know now. And just as mortal. What does it matter to you if they say -x- about you, or think -y-?
Marcus Aurelius (Meditations)
In fact, we are most in agreement when we are silent with each other, because then our assumptions about how we are in agreement are able to fully unfurl themselves, but all it takes is someone breaking that silence and stating the contents of their mind, for the assumption of our shared reality to completely collapse upon us. Because it turns out, you know, I think it's one way, you think it's another, I believe we're doing X, you think we're doing Y, I think we're serving so and so, and you think we're serving somebody else. And this is why I think great relationships are built in silence, because then nobody ever finds out what's really going on.
Terence McKenna
Now and again, one could detect in a childless woman of a certain age the various characteristics of all the children she had never issued. Her body was haunted by the ghost of souls who hadn't lived yet. Premature ghosts. Half-ghosts. X's without Y's. Y's without X's. They applied at her womb and were denied, but, meant for her and no one else, they wouldn't go away. Like tiny ectoplasmic gophers, they hunkered in her tear ducts. They shone through her sighs. Often to her chagrin, they would soften the voice she used in the marketplace. When she spilled wine, it was their playful antics that jostled the glass. They called out her name in the bath or when she passed real children in the street. The spirit babies were everywhere her companions, and everywhere they left her lonesome - yet they no more bore her resentment than a seed resents uneaten fruit. Like pet gnats, like phosphorescence, like sighs on a string, they would follow her into eternity.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Can machines think?"... The new form of the problem can be described in terms of a game which we call the 'imitation game." It is played with three people, a man (A), a woman (B), and an interrogator (C) who may be of either sex. The interrogator stays in a room apart front the other two. The object of the game for the interrogator is to determine which of the other two is the man and which is the woman. He knows them by labels X and Y, and at the end of the game he says either "X is A and Y is B" or "X is B and Y is A." The interrogator is allowed to put questions to A and B... We now ask the question, "What will happen when a machine takes the part of A in this game?" Will the interrogator decide wrongly as often when the game is played like this as he does when the game is played between a man and a woman? These questions replace our original, "Can machines think?
Alan M. Turing (Computing machinery and intelligence)
In the letters he sends to his friend, Werther recounts both the events of his life and the effects of his passion; but it is literature which governs the mixture. For if I keep a journal, we may doubt that this journal relates, strictly speaking, to events. The events of amorous life are so trivial that they gain access to writing only by an immense effort: one grows discouraged writing what, by being written, exposes its own platitude: "I ran into X, who was with Y" "Today X didn't call me" "X was in a bad mood," etc.: who would see a story in that? The infinitesimal event exists only in its huge reverberation: Journal of my reverberations (of my wounds, my joys, my interpretations, my rationalizations, my impulses): who would understand anything in that? Only the Other could write my love story, my novel.
Roland Barthes (A Lover's Discourse: Fragments)
Why we ask questions: Questions are the basis of human freedom. Our mind, as a part of our  self experience, is curious and always challenging that part of us that can think about the essence of things. We interpret our lives all the time - with unconscious deep conceptualization - and these conceptualization raise questions. Why did I feel the way I felt yesterday when I spoke with X? What is the meaning of my answer? Why I chose to spend time in X's company and not Y's? And how it changed my attitude toward Y? (Interesting paragraph I translated from the Hebrew edition)
Christopher Bollas (The Infinite Question)
Since September, I sat one seat behind Anna in algebra. Passed papers to her every day. Studied for tons of tests together. Though it often seemed impossible, Eventually, We always found the unknown for X. But not this time. This equation Bounces against my brain. And sneers at all attempted answers. I know I'll re-examine the variables, And reanalyze the unknowns, maybe forever. But It won't matter. Because, Anna- I know I'll never figure out Y. Y you didn't want to live- And Y I never noticed.
Terri Fields (After the Death of Anna Gonzales)
TIL KINGDOM COME you'll be the one. FOR YOU theres NO MORE KEEPING MY FEET ON THE GROUND. My head is in the clouds NOW MY FEET WONT TOUCH THE GROUND. LIFE IS FOR LIVING and i cant live until i have stolen a spot in your heart. HURTS LIKE HEAVEN and feels like hell to know your in ANOTHERS ARMS. This is no PARADISE. DONT LET IT BREAK YOU HEART i tell my self. Your BEAUTIFUL WORDS always IN MY HEAD i cant stop my self. THINGS I DONT UNDERSTAND would be you and me. LOST in your X&Y. I feel like i was SWALLOWED IN THE SEA, LOST and unseen, not a WISPER or a weep. I cry in my sleep, EVERY TEARDROP IS A WATERFALL. Should have seen the WARNING SIGNS, they were always there like a WISPER in my ear. Every time you say hello were back at SQUARE ONE, a smile my face. SUCH A RUSH i get when i talk to you. My heart beats as fast as a HIGH SPEED race. Every second i wait for your reply like CLOCK ticking by. DAYLIGHT nears as the SLEEPING SUN is UP IN FLAMES. What if its US AGAINST THE WORLD? What if HOW YOU SEE THE WORLD is how i see it too? WHAT IF?
Rhyan Roads
The reasons why anthropologists haven’t been able to come up with a simple, compelling story for the origins of money is because there’s no reason to believe there could be one. Money was no more ever “invented” than music or mathematics or jewelry. What we call “money” isn’t a “thing” at all; it’s a way of comparing things mathematically, as proportions: of saying one of X is equivalent to six of Y. As such it is probably as old as human thought.
David Graeber (Debt: The First 5,000 Years)
Don't look so forlorn. You're making the right decision. Cole once ate a pound of rusty nails and claimed it tasted like unicorn tears mixed with fairy dust. True story. I was there." Reeve nodded encouragingly. "I wasn't there, but I can believe it. I once saw him body slam a teacher for daring to ask him the meaning of X minus Y." "He put the guy in the hospital for three months," Poppy said, tapping a fingernail against her chin. "Or was that a student he body slammed for daring to give an answer different than his?" "Probably both. He's body slammed enough people to start a new country. And there could be a neighboring city for the people he's punched in the throat.
Gena Showalter
State philosophy reposes on a double identity: of the thinking subject, and of the concepts it creates and to which it lends its own presumed attributes of sameness and constancy. The subjects, its concepts, and also the objects in the world to which the concepts are applied have a shared, internal essence: the self-resemblance at the basis of identity. Representational thought is analogical; its concern is to establish a correspondence between these symmetrically structured domains. The faculty of judgment is the policeman of analogy, assuring that each of these terms is honestly itself, and that the proper correspondences obtain. In thought its end is truth, in action justice. The weapons it wields in their pursuit are limitive distribution (the determination of the exclusive set of properties possessed by each term in contradistinction to the others: logos, law) and hierarchical ranking (the measurement of the degree of perfection of a term’s self-resemblance in relation to a supreme standard, man, god, or gold: value, morality). The modus operandi is negation: x = x = not y. Identity, resemblance, truth, justice, and negation. The rational foundation for order. The established order, of course: philosophers have traditionally been employees of the State. The collusion between philosophy and the State was most explicitly enacted in the first decade of the nineteenth century with the foundation of the University of Berlin, which was to become the model of higher learning throughout Europe and in the United States. The goal laid out for it by Wilhelm von Humboldt (based on proposals by Fichte and Schleiermacher) was the ‘spiritual and moral training of the nation,’ to be achieved by ‘deriving everything from an original principle’ (truth), by ‘relating everything to an ideal’ (justice), and by ‘unifying this principle and this ideal to a single Idea’ (the State). The end product would be ‘a fully legitimated subject of knowledge and society’ – each mind an analogously organized mini-State morally unified in the supermind of the State. More insidious than the well-known practical cooperation between university and government (the burgeoning military funding of research) is its philosophical role in the propagation of the form of representational thinking itself, that ‘properly spiritual absolute State’ endlessly reproduced and disseminated at every level of the social fabric.
Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)
Where the piano is, there is one's treasure, as far as I am concerned....nothing, surely, is more delightful than sitting down at the piano on a summer day, and playing Chopin or Debussy while the natural sunlight drifts over one's shoulders through the vines outside, creating a filigree of shadow in the printed page...a shifting pattern of ghostly leaf and blossom that dances to the mood of the music.
Beverley Nichols (Beverley Nichols' Cats' X. Y. Z.)
Tú dices que todo esto es culpa de mi boca. Porque tenía hambre, porque era callada. pero ¿y la boca tuya? Cómo tus labios son grapas que me perforan rápido y fuerte. Y las palabras que nunca dije quedan mejor muertas en mi lengua porque solamente hubieran chocado contra la puerta cerrada de tu espalda. Tu silencio amuebla una casa oscura. Pero aun a riesgo de quemarse, la mariposa nocturna siempre busca la luz
Elizabeth Acevedo (The Poet X)
Hospitals are filled with caring staff, but resilience and determination are prized as highly as empathy. In the vernacular, it comes down to whether someone’s “got the balls” to make x, y, or z happen. The contrast between the empathy we’re supposed to have and constant talk of “growing a set” or “who’s got the cojones to . . .” can be jarring, but a big rock, no kidding, needs a nurse with the stones to move it.
Theresa Brown (The Shift: One Nurse, Twelve Hours, Four Patients' Lives)
- Me odias x lo q dije anoche? - Yo no quiero—puedo odiarte. Te quiero. Stas lista para hablar? - No. No más hablar. - Lo haremos. Estoy en camino. Y Vamos a hablar, esta vez con MSH PSH. - NO!! NO!! Basta de hablar. EEEP. SB! SB! - Traduce: EEEP y BS? X favor. No entiendo. Al abrir completamente la puerta, mi teléfono vibra y suena de nuevo. Leo su respuesta mientras corro. - EEEP = Estoy En El Porche. SB = Solo Besarse. Entonces podemos hablar.
Anne Eliot (Almost)
Critics of ideological indoctrination in schools and colleges often attack the particular ideological conclusions, but that is beside the point educationally. Even if we were to assume, for the sake of argument, that all the conclusions reached by all the various “studies” are both logically and factually valid, that still does not get to the heart of the educational issue. Even if students were to leave these “studies” with 100 percent correct conclusions about issues A, B and C, that would in no way equip them intellectually with the tools needed to confront very different issues X, Y and Z that are likely to arise over the course of their future years. For that they would need knowledge and experience in how to analyze and weigh conflicting viewpoints.
Thomas Sowell (Intellectuals and Society)
8But do not overlook this one fact, beloved, that with the Lord one day is as a thousand years, and  t a thousand years as one day. 9 u The Lord is not slow to fulfill his promise  v as some count slowness, but  w is patient toward you, [1]  x not wishing that any should perish, but  y that all should reach repentance. 10But  z the day of the Lord will come like a thief, and then  a the heavens will pass away with a roar, and  b the heavenly bodies [2] will be burned up and dissolved, and the earth and the works that are done on it will be exposed. [3] 11Since all these things are thus to be dissolved,  c what sort of people ought you to be in lives of holiness and godliness, 12 d waiting for and hastening the coming of the day of God, because of which the heavens will be set on fire and dissolved, and  e the heavenly bodies will melt as they burn! 13But according to his promise we are waiting for  f new heavens and a new earth  g in which righteousness dwells.
Anonymous (Holy Bible: English Standard Version (ESV))
Is that dog shit on the bottom of your shoe?’ I sat up a fraction. ‘What?’ ‘Is that dog shit on the bottom of your shoe?’ ‘I don’t know, the lab report’s not back yet,’ I replied drily. ‘I’m serious, is that dog shit?’ ‘How should I know?’ Katz leaned far enough forward to give it a good look and a cautious sniff. ‘It is dog shit,’ he announced with an odd tone of satisfaction. ‘Well, keep quiet about it or everybody’ll want some.’ ‘Go and clean it off, will ya? It’s making me nauseous.’ And here the bickering started, in intense little whispers. ‘You go and clean it off.’ ‘It’s your shoes.’ ‘Well, I kind of like it. Besides, it kills the smell of this guy next to me.’ ‘Well, it’s making me nauseous.’ ‘Well, I don’t give a shit.’ ‘Well, I think you’re a fuck-head.’ ‘Oh, you do, do you?’ ‘Yes, as a matter of fact. You’ve been a fuck-head since Austria.’ ‘Well, you’ve been a fuck-head since birth.’ ‘Me?’ A wounded look. ‘That’s rich. You were a fuck-head in the womb, Bryson. You’ve got three kinds of chromosomes: X, Y and fuck-head.
Bill Bryson (Neither Here nor There: Travels in Europe)
Notre génération est trop superficielle pour le mariage. On se marie comme on va au MacDo. Après, on zappe. Comment voudriez-vous qu'on reste toute sa vie avec la même personne dans la société du zapping généralisé? Dans l'époque où les stars, les hommes politiques, les arts, les sexes, les religions n'ont jamais été aussi interchangeables? Pourquoi le sentiment amoureux ferait-il exception à la schizophrénie générale? Et puis d'abord, d'où nous vient donc cette curieuse obsession: s'escrimer à tout prix pour être heureux avec une seule personne? Sur 558 types de sociétés humaines, 24 % seulement sont monogames. La plupart des espèces animales sont polygames. Quant aux extraterrestres, n'en parlons pas: il y a longtemps que la Charte Galactique X23 a interdit la monogamie dans toutes les planètes de type B#871. Le mariage, c'est du caviar à tous les repas: une indigestion de ce que vous adorez, jusqu'à l'écœurement. “ Allez, vous en reprendrez bien un peu, non? Quoi? Vous n'en pouvez plus? Pourtant vous trouviez cela délicieux il y a peu, qu'est-ce qui vous prend? Sale gosse, va!” La puissance de l'amour, son incroyable pouvoir, devait franchement terrifier la société occidentale pour qu'elle en vienne à créer ce système destiné à vous dégoûter de ce que vous aimez.
Frédéric Beigbeder (L'amour dure trois ans - Le roman suivi du scénario du film)
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —
Blake Crouch (Dark Matter)
I was taken to a villa to meet Sabri al-Banna, known as 'Abu Nidal' ('father of struggle'), who was at the time emerging as one of Yasser Arafat's main enemies. The meeting began inauspiciously when Abu Nidal asked me if I would like to be trained in one of his camps. No thanks, I explained. From this awkward beginning there was a further decline. I was then asked if I knew Said Hammami, the envoy of the PLO in London. I did in fact know him. He was a brave and decent man, who in a series of articles in the London Times had floated the first-ever trial balloon for a two-state solution in Israel/Palestine. 'Well tell him he is a traitor,' barked my host. 'And tell him we have only one way with those who betray us.' The rest of the interview passed as so many Middle Eastern interviews do: too many small cups of coffee served with too much fuss; too many unemployed heavies standing about with nothing to do and nobody to do it with; too much ugly furniture, too many too-bright electric lights; and much too much faux bonhomie. The only political fact I could winnow, from Abu Nidal's vainglorious claims to control X number of 'fighters' in Y number of countries, was that he admired the People's Republic of China for not recognizing the State of Israel. I forget how I got out of his office.
Christopher Hitchens (Hitch 22: A Memoir)
Indeed, election data show it is true that the candidate who spends more money in a campaign usually wins. But is money the cause of the victory? It might seem logical to think so, much as it might have seemed logical that a booming 1990s economy helped reduce crime. But just because two things are correlated does not mean that one causes the other. A correlation simply means that a relationship exists between two factors — let’s call them X and Y—but it tells you nothing about the direction of that relationship. It’s possible that X causes Y; it’s also possible that Y causes X; and it may be that X and Y are both being caused by some other factor, Z. Think about this correlation: cities with a lot of murders also tend to have a lot of police officers. Consider now the police/murder correlation in a pair of real cities. Denver and Washington, D.C., have about the same population — but Washington has nearly three times as many police as Denver, and it also has eight times the number of murders. Unless you have more information, however, it’s hard to say what’s causing what. Someone who didn’t know better might contemplate these figures and conclude that it is all those extra police in Washington who are causing the extra murders. Such wayward thinking, which has a long history, generally provokes a wayward response. Consider the folktale of the czar who learned that the most disease ridden province in his empire was also the province with the most doctors. His solution? He promptly ordered all the doctors shot dead.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
It’s the Very Good Reason you cannot pursue your goal. Perfectionism will tell you, “If you’re going to do it, you might as well do it right.” And when we leave the idea of “right” undefined, it tends to get complicated, usually in one of two ways. In the first kind of noble obstacle, perfectionism sneakily tells you that you cannot move toward your goal until you do something else: “I can’t do X until Y.” In the second kind, perfectionism tells you that reaching your goal could actually produce bad results or make you a bad person. Would-be entrepreneurs often express fear that they’ll become workaholics
Jon Acuff (Finish: Give Yourself the Gift of Done)
Notre génération est trop superficielle pour le mariage. On se marie comme on va au MacDo. Après, on zappe. Comment voudriez-vous qu'on reste toute sa vie avec la même personne dans la société du zapping généralisé? Dans l'époque où les stars, les hommes politiques, les arts, les sexes, les religions n'ont jamais été aussi interchangeables? Pourquoi le sentiment amoureux ferait-il exception à la schizophrénie générale? Et puis d'abord, d'où nous vient donc cette curieuse obsession: s'escrimer à tout prix pour être heureux avec une seule personne? Sur 558 types de sociétés humaines, 24 % seulement sont monogames. La plupart des espèces animales sont polygames. Quant aux extraterrestres, n'en parlons pas: il y a longtemps que la Charte Galactique X23 a interdit la monogamie dans toutes les planètes de type B#871.
Frédéric Beigbeder (L'amour dure trois ans - Le roman suivi du scénario du film)
What I’m about to tell you,” Elliott told me, “ninety-nine percent of people in the world will never understand.” For the first time all week, it was just the two of us. Elliott had told Austin he wanted to talk to me one-on-one. We were standing on a rooftop lounge during sunset, looking out at the Manhattan skyline. “You see, most people live a linear life,” he continued. “They go to college, get an internship, graduate, land a job, get a promotion, save up for a vacation each year, work toward their next promotion, and they just do that their whole lives. Their lives move step by step, slowly and predictably. “But successful people don’t buy into that model. They opt into an exponential life. Rather than going step by step, they skip steps. People say that you first need to ‘pay your dues’ and get years of experience before you can go out on your own and get what you truly want. Society feeds us this lie that you need to do x, y, and z before you can achieve your dream. It’s bullshit. The only person whose permission you need to live an exponential life is your own. “Sometimes an exponential life lands in your lap, like with a child prodigy. But most of the time, for people like you and me, we have to seize it for ourselves. If you actually want to make a difference in the world, if you want to live a life of inspiration, adventure, and wild success—you need to grab on to that exponential life—and hold on to it with all you’ve got.
Alex Banayan (The Third Door: The Wild Quest to Uncover How the World's Most Successful People Launched Their Careers)
She liked numbers and sums. She devised a game in which each number was a family member and the “answer” made a family grouping with a story to it. Naught was a babe in arms. He gave no trouble. Whenever he appeared you just “carried” him. The figure 1 was a pretty baby girl just learning to walk, and easy to handle; 2 was a baby boy who could walk and talk a little. He went into family life (into sums, etc.) with very little trouble. And 3 was an older boy in kindergarten, who had to be watched a little. Then there was 4, a girl of Francie’s age. She was almost as easy to “mind” as 2. The mother was 5, gentle and kind. In large sums, she came along and made everything easy the way a mother should. The father, 6, was harder than the others but very just. But 7 was mean. He was a crotchety old grandfather and not at all accountable for how he came out. The grandmother, 8, was hard too, but easier to understand than 7. Hardest of all was 9. He was company and what a hard time fitting him into family life! When Francie added a sum, she would fix a little story to go with the result. If the answer was 924, it meant that the little boy and girl were being minded by company while the rest of the family went out. When a number such as 1024 appeared, it meant that all the little children were playing together in the yard. The number 62 meant that papa was taking the little boy for a walk; 50 meant that mama had the baby out in the buggy for an airing and 78 meant grandfather and grandmother sitting home by the fire of a winter’s evening. Each single combination of numbers was a new set-up for the family and no two stories were ever the same. Francie took the game with her up into algebra. X was the boy’s sweetheart who came into the family life and complicated it. Y was the boy friend who caused trouble. So arithmetic was a warm and human thing to Francie and occupied many lonely hours of her time.
Betty Smith (A Tree Grows in Brooklyn)
If Kris could play enough of these, in the right order, without stopping, she could block out everything: the dirty snow that never melted, closets full of secondhand clothes, overheated classrooms at Independence High, mind-numbing lectures about the Continental Congress and ladylike behavior and the dangers of of running with the wrong crowd and what x equals and how to find for y and what the third person plural for cantar is and what Holden Caulfield's basement glove symbolizes and what the whale symbolizes and what the green light symbolizes and what everything in the world symbolizes, because apparently nothing is what it seems and everything is a trick.
Grady Hendrix (We Sold Our Souls)
Mr. Today’s Clue: FOLLOW THE DOTS AS THE TRAVELING SUN, MAGNIFY, FOCUS, EVERY ONE. STAND ENROBED WHERE YOU FIRST SAW ME, UTTER IN ORDER; REPEAT TIMES THREE. SAM & LANI’S TAP SYSTEM: A=1 TAP B=2 TAPS C=3 TAPS D=4 TAPS E=5 TAPS OR 1 SLAP F=6 TAPS OR 1 SLAP 1 TAP G=7 OR 1 SLAP 2 TAPS H=8 OR 1 SLAP 3 TAPS I=9 OR 1 SLAP 4 TAPS J=10 OR 2 SLAPS K=11 OR 2 SLAPS 1 TAP L=12 OR 2 SLAPS 2 TAPS M=13 OR 2 SLAPS 3 TAPS N=14 OR 2 SLAPS 4 TAPS 0=15 OR 3 SLAPS p=16 OR 3 SLAPS 1 TAP Q=17 OR 3 SLAPS 2 TAPS R=18 OR 3 SLAPS 3 TAPS S=19 OR 3 SLAPS 4 TAPS T=20 OR 4 SLAPS U=21 OR 4 SLAPS 1 TAP V=22 OR 4 SLAPS 2 TAPS W=23 OR 4 SLAPS 3 TAPS X=24 OR 4 SLAPS 4 TAPS Y=25 OR 5 SLAPS Z=26 OR 5 SLAPS 1 TAP
Lisa McMann (Island of Fire (Unwanteds, #3))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
A Plan for the Improvement of English Spelling For example, in Year 1 that useless letter "c" would be dropped to be replased either by "k" or "s", and likewise "x" would no longer be part of the alphabet. The only kase in which "c" would be retained would be the "ch" formation, which will be dealt with later. Year 2 might reform "w" spelling, so that "which" and "one" would take the same konsonant, wile Year 3 might well abolish "y" replasing it with "i" and Iear 4 might fiks the "g/j" anomali wonse and for all. Jenerally, then, the improvement would kontinue iear bai iear with Iear 5 doing awai with useless double konsonants, and Iears 6-12 or so modifaiing vowlz and the rimeining voist and unvoist konsonants. Bai Iear 15 or sou, it wud fainali bi posibl tu meik ius ov thi ridandant letez "c", "y" and "x" -- bai now jast a memori in the maindz ov ould doderez -- tu riplais "ch", "sh", and "th" rispektivli. Fainali, xen, aafte sam 20 iers ov orxogrefkl riform, wi wud hev a lojikl, kohirnt speling in ius xrewawt xe Ingliy-spiking werld.
Mark Twain
I am puzzled. Yesterday, at the very moment when I thought. everything was untangled, and that all the X's were at last found, new unknowns appeared in my equation. The origin of the coordinates of the whole story is of course the Ancient House. From this center the axes of all the X's, Y's, and Z's radiate, and recently they have entered into the formation of my whole life. I walked along the X-axis (Avenue 59) toward the center. The whirlwind of yesterday still raged within me: houses and people upside down; my own hands torturingly foreign to me; glimmering scissors; the sharp sound of drops dripping from the faucet; all this existed, all this existed once! All these things were revolving wildly, tearing my flesh,· rotating wildly beneath the molten surface, there where the "soul" is located.
Yevgeny Zamyatin (We)
Hud would love his child the way his mother had loved him: actively, every day, and without ambiguity. And maybe twenty-five years from now, all of them plus a whole new generation of Rivas would be right here on this very beach. And maybe there would be another reckoning. Perhaps his children would tell him he’d been too permissive or he’d been too strict, he’d put too much emphasis on x when it should have been y. He smiled to think of it, the ways in which he would mess this whole thing up. It was inevitable, wasn’t it? The small mistakes and heartbreaks of guiding a life? His mother had screwed up almost as much as she’d succeeded. But the one thing he knew in his bones was that he would not leave. His child—his children, if he was lucky—would know, from the day they were born, that he was not going anywhere. • • •
Taylor Jenkins Reid (Malibu Rising)
I'm an inclusionist. I've always divided up (very, very broadly, I admit) the artistic instincts into the inclusionist and the exclusionist. The exclusionist is Raccine. The inclusionist is Shakespeare. I've always felt like I'd prefer to throw 45 things into the pot and hope that maybe 36 of them will taste good. You may choke on 9 of them. I'd rather do that than only have half that number of elements and each one perfect. That's because I know that people choke on different things.... I think that when I was a kid, the experience of things, the experience of just finding words for things, of finding somebody else's world and being able to leap into it and, like any world, you pick up the geography instantly. You expected the thing to unfold, you expected there to be valleys that upon entering that world you were barely aware of. For me a novel, particularly a large novel, one you put down at the end and think, 'Hell, that was interesting. I'm not sure I understood Chapters X, Y and Z, but maybe next time I read it or talk to someone about it, I will'... that's a very different experience to the immaculately formed, beautifully honed, finished 'art' thing.
Clive Barker
From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.
J.M.G. Le Clézio (Mondo et autres histoires)
Jealousy is a fever that arises from a stupid, baseless excitement in our unthinking brain. Jealousy is a phenomenon of auto-suggestion. The woman you love has gone to bed with X. You hate X, you hate her, and you have perpetually before your eyes the vision of your loved one and X embracing in an act that fills you with horror. But you too in your time have deceived the woman you love and have done with Y what X did in bed with woman you love. Well, what remains in your skin ,your mind of Mrs Y? Nothing whatever. No more than X left with your woman. In other words, auto suggestion. Do you want evidence of that? Well, then, if you don't know the man, you imagine him to be hateful, offensive, repulsive, and you feel that if you met him you'd kill him. But, if you happen to see his photograph, you begin to realize that it's possible to look at him without horror; and believe me, if you were actually introduced to him you'd approach him with a cordial smile on your lips, look him in the eye without trembling and, if you have reached my degree of perfection, you'd actually be capable of cheerfully patting him on the back and telling him he's a good chap. In a not too distant future, reason and education will have driven home the lesson of the futility of jealousy.
Pitigrilli (Cocaine)
Ho notato spesso che siamo inclini a dotare i nostri amici della stabilità tipologica che nella mente del lettore acquistano i personaggi letterari. Per quante volte possiamo riaprire Re Lear, non troveremo mai il buon re che fa gazzarra e picchia il boccale sul tavolo, dimentico di tutte le sue pene, durante un'allegra riunione con tutte e tre le figlie e i loro cani da compagnia. Mai Emma si riavrà, animata dai sali soccorrevoli contenuti nella tempestiva lacrima del padre di Flaubert. Qualunque sia stata l'evoluzione di questo o quel popolare personaggio fra la prima di e la quarta di copertina, il suo fato si è fissato nella nostra mente, e allo stesso modo ci aspettiamo che i nostri amici seguano questo o quello schema logico e convenzionale che noi abbiamo fissato per loro. Così X non comporrà mai la musica immortale che stonerebbe con le mediocri sinfonie alle quali ci ha abituato. Y non commetterà mai un omicidio. In nessuna circostanza Z potrà tradirci. Una volta predisposto tutto nella nostra mente, quanto più di rado vediamo una particolare persona, tanto più ci dà soddisfazione verificare con quale obbedienza essa si conformi, ogni volta che ci giungono sue notizie, all'idea che abbiamo di lei. Ogni diversione nei fatti che abbiamo stabilito ci sembrerebbe non solo anomala, ma addirittura immorale. Preferiremmo non aver mai conosciuto il nostro vicino, il venditore di hot-dog in pensione, se dovesse saltar fuori che ha appena pubblicato il più grande libro di poesia della sua epoca.
Vladimir Nabokov (Lolita)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)
You need an argument, and the nature of any argument is that its validity doesn't depend on who you are. [...] When talking about violence, again, the facts are whatever they are – how many people got shot, how many died, what was the color of their skin, who shot them, what was the color of their skin. Getting a handle on these facts does not require one to say, 'As a black man, I know x, y, and z .' The color of your skin simply isn't relevant information. When talking about the data – that is, what is happening throughout a whole society – your life experience isn't relevant information. And the fact that you think it might be is a problem. [...] Now this isn't to say that a person's life experience is never relevant to a conversation [...] it can be used to establish certain kinds of facts. I mean, if someone says to you, 'Catholics don't believe in hell', it's perfectly valid to resort, 'Actually my mom is a Catholic, and she believes in hell'. Of course there's a larger question of what the Catholic doctrine actually is – but if a person is making a statement about a certain group of people and you are a member of the group, you might very well be in a position to falsify his claim on the basis of your experience. But a person's identity and life experience often aren't relevant when talking about facts. And they're usually invoked in ways that are clearly fallacious.
Sam Harris
Conocí a una chica en un camión de mudanzas. Una chica hermosa Y me enamoré de ella. Me enamoré fuertemente. Por desgracia, a veces la vida se interpone en el camino. La vida definitivamente se interpuso en mi camino. Se interpuso completamente en mi maldito camino, la vida bloqueó la puerta con una pila de 2x4 de madera que está clavada y unida a una pared concreta de quince pulgadas detrás de una fila de barras sólidas de acero, atornilladas a un marco de titanio que por muy fuerte que empuje contra ella— No lograría moverla. A veces la vida no se mueve. Simplemente se interpone completamente en tu maldito camino. Bloqueó mis planes, mis sueños, mis propósitos, mis deseos, mis anhelos, mis necesidades. Bloqueó a esta hermosa chica de la que estaba tan fuertemente enamorado. La vida trata de decirte que es lo mejor para ti Que debería ser más importante para ti Qué debería venir primero O segundo O tercero. He intentado tan duro mantener todo organizado, alfabetizado, apilado en orden cronológico, cada cosa en su espacio perfecto, su lugar perfecto. Pensé que eso era lo que la vida quería que yo hiciera. Esto es lo que la vida necesita que yo haga. ¿Cierto? ¿Mantenerlo todo en secuencia? A veces, la vida se interpone en tu camino. Se interpone completamente en tu maldito camino. Pero no se interpone completamente en tu maldito camino porque quiere que te des por vencido y le dejes tomar el control. La vida se interpone completamente en tu maldito camino, porque sólo quiere que le entregues todo y te dejes llevar. La vida quiere que luches contra ella. Aprendas a hacerte por ti mismo. Quiere que agarres un hacha y cortes a través de la madera. Quiere que consigas un martillo y rompas el hormigón. Quiere que tomes una antorcha y quemes a través del metal y del acero hasta que puedas alcanzarlo y agarrarlo. La vida quiere que agarres todo lo organizado, lo alfabetizado, lo cronológico, lo ordenado. Quiere que juntes todo, lo remuevas, lo mezcles. La vida no quiere que dejes que te digan que tu hermano menor debería ser lo único que va en primer lugar. La vida no quiere que dejes que te digan que tu carrera y tu educación debería ser lo único que queda en segundo lugar. Y definitivamente, la vida no quiere que deje que se me diga que la chica que conocí, La chica hermosa, fuerte, increíble, resistente de la que me enamoré tan fuertemente debería venir en tercer lugar. La vida sabe. La vida está tratando de decirme que la chica que amo, ¿La chica de la que me enamoré tan fuertemente? Hay sitio para ella en primer lugar. La voy a poner en primer lugar
Colleen Hoover (Slammed (Slammed, #1))
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity "This." But "what's in a name?" asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r-n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word "god" and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.
Jack Kerouac
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (Holy Bible: English Standard Version (ESV))
In Austria il patriottismo era un argomento tutto particolare. A differenza della Germania, dove i bambini imparavano semplicemente a disprezzare le guerre dei bambini austriaci, e si insegnava loro che i bambini francesi sono i nipoti di fiacchi libertini che, fossero anche in mille, se la danno a gambe non appena incontrano un soldato tedesco della milizia territoriale dotato di una folta barba. E, scambiati i ruoli e apportate le opportune modifiche, si insegnavano esattamente le stesse cose ai bambini francesi, russi e inglesi, che vantavano anche loro parecchie vittorie. Ora, i bambini sono dei fanfaroni, amano giocare a guardie e ladri e, qualora ne facciano parte, sono sempre pronti a ritenere la famiglia Y, residente nella grande via X, la più importante famiglia del mondo. È dunque facile conquistarli al patriottismo. In Austria invece la faccenda era un po’ più complicata. Gli austriaci infatti avevano sì vinto tutte le guerre della loro storia, ma dopo la maggior parte di esse avevano dovuto cedere qualche territorio. Una circostanza, questa, che induce alla riflessione, e Ulrich, nel suo componimento sull’amor di patria, scrisse che un vero patriota non deve mai reputare la propria patria la migliore di tutte; anzi, in un lampo di genio che gli parve particolarmente bello, benché fosse piuttosto abbagliato dal suo splendore che non consapevole del suo effettivo contenuto, a quella frase sospetta ne aveva aggiunta un’altra, e cioè che probabilmente anche Dio preferisce parlare del suo mondo al conjunctivus potentialis (hic dixerit quispiam qui si potrebbe obiettare…), perché Dio crea il mondo e intanto pensa che esso potrebbe benissimo essere diverso. Di questa frase era molto fiero, ma forse nel formularla non si era spiegato bene, perché ne era nata una gran confusione, e per poco non lo avevano espulso dalla scuola, anche se poi non fu preso alcun provvedimento, nell’impossibilità di decidere se quell’audace osservazione fosse un oltraggio alla patria o a Dio
Robert Musil (The Man Without Qualities)
Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)