Wool Quotes

We've searched our database for all the quotes and captions related to Wool. Here they are! All 100 of them:

The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
The weak fear happiness itself. They can harm themselves on cotton wool. Sometimes they are wounded even by happiness
Osamu Dazai (No Longer Human)
Blue,” he warned, but his voice was chaotic. This close, his throat was scented with mint and wool sweater and vinyl car seat, and Gansey, just Gansey. She said, “I just want to pretend. I want to pretend that I could.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
What am I supposed to do with a wool coat? Especially here in Palm Springs?” “Sleep with it,” he suggested. “Think of me.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Part of the hem floated loose. She spun around again—the fabric tightened like wool on a spindle. She breathed in fear. The boat was farther away. She swung her head around—so was the shore.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and owlet's wing,— For a charm of powerful trouble, Like a hell-broth boil and bubble. Double, double toil and trouble; Fire burn, and caldron bubble.
William Shakespeare
The leaves fall, the wind blows, and the farm country slowly changes from the summer cottons into its winter wools.
Henry Beston
Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.
Donna Tartt (The Secret History)
It was those damn wool socks. He didn’t realize he loved her until she told him about out-negotiating a god of war—the most haggle-loving of the gods—with socks!
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
Knowledge is hot water on wool. It shrinks time and space.
Mark Z. Danielewski (House of Leaves)
Behind the cotton wool is hidden a pattern; that we—I mean all human beings—are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself.
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise. On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water. "Behold," Frank said. "The mighty Roman navy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Killing a man should be harder than waving a length of pipe in their direction. It should take long enough for one's conscience to get in the way.
Hugh Howey (The Unraveling (Wool, #4))
Really, all you need to become a good knitter are wool, needles, hands, and slightly below-average intelligence. Of course superior intelligence, such as yours and mine, is an advantage.
Elizabeth Zimmermann (Knitting Without Tears: Basic Techniques and Easy-to-Follow Directions for Garments to Fit All Sizes)
I don't do farm animals. Can't stand hay in your leathers? Or wool in my teeth.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Ned was clad in a white linen doublet with the direwolf of Stark on the breast; his black wool cloak was fastened at the collar by his silver hand of office. Black and white and grey, all the shades of truth.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
I lean in this time, and she doesn't turn away. It's cold, and our lips are dry, noses a little wet, foreheads sweaty beneath wool hats. I can't touch her face, even though I want to, because I'm wearing gloves. But God, when her lips come apart, everything turns warm and her sugar sweet breath is in my mouth, and I probably taste like hot dogs but I don't care. She kisses like a sweet devouring, and I don't know where to touch her because I want all of her. I want to touch her knees and hips and her stomach and her back and her everything, but we're encased in all these clothes, so we're just two marshmallows bumping against each other, and she smiles at me while still kissing because she knows how ridiculous it is, too.
John Green (Will Grayson, Will Grayson)
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want. I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say. I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom. I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about. I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes. Believe it or not, I even love your road smell – of sweat and horses and leather and wool. I want to breathe you in for the rest of my life.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
Theophane gave birth to a magical ram named Krysomallos, who for some reason had wool made of gold. Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug.
Rick Riordan (Percy Jackson's Greek Gods)
My life is too tight, he wanted to say. My skin is too tight. The walls are too tight.
Hugh Howey (Wool (Wool, #1))
This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.
Tom Robbins (Even Cowgirls Get the Blues)
Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
jace's clothes had been clean,stylish,ordinary. Sebastian had been wearing a long black wool trench coat that had looked expensive. Like an evil Burbeery ad, Simon said when she was done.
Cassandra Clare
Rose wasn't 'ordinary'. What was I supposed to do? Wrap her in cotton wool? Tell her 'Here, I could give you the universe, but I'm not going to in case you get hurt? There's all this stuff out there, all these planets, all these wonders, but I want you to stay at home and work in a shop?
Jacqueline Rayner (Doctor Who: The Stone Rose)
I almost miss the sound of your voice but know that the rain outside my window will suffice for tonight. I’m not drunk yet, but we haven’t spoken in months now and I wanted to tell you that someone threw a bouquet of roses in the trash bin on the corner of my street, and I wanted to cry because, because — well, you know exactly why. And, I guess I’m calling because only you understand how that would break my heart. I’m running out of things to say. My gas is running on empty. I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus and looked for synonyms for you but could only find rain and more rain and a thunderstorm that sounded like glass, like crystal, like an orchestra. I wanted to tell you that I’m not afraid of being moved anymore; Not afraid of this heart packing up its things and flying transcontinental with only a wool coat and a pocket with a folded-up address inside. I’ve saved up enough money to disappear. I know you never thought the day would come. Do you remember when we said goodbye and promised that it was only for then? It’s been years since I last saw you, years since we last have spoken. Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs against each other’s. I’ve forgotten almost everything about you already, except that your skin was soft, like the belly of a peach, and how you would laugh, making fun of me for the way I pronounced almonds like I was falling in love with language.
Shinji Moon
It is a known fact that the sheep that give us steel wool have no natural enemies.
Gary Larson
Come to me said the world. I was standing in my wool coat at a kind of bright portal— I can finally say long ago; it gives me considerable pleasure. Beauty the healer, the teacher— death cannot harm me more than you have harmed me, my beloved life.
Louise Glück (Averno)
If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along.
Lisa Jewell (Then She Was Gone)
It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
I love you." she whispered into the rough wool of his sweater.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
She loved him the way one loves an old bridge or a wool sweater or the sound of a growing tulip.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
It turned out that some crooked things looked even worse when straightened. Some tangled knots only made sense once unraveled.
Hugh Howey (Wool Omnibus (Silo, #1))
The sounds grew louder and closer. At first they were muffles as if wrapped in cotton wool, then they became sharper as guns cracked, horses whinnied, doors mashed open, followed by the awful sounds of people screaming.
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell.
Voltaire (Candide)
on the phone Bookseller: Hello Ripping Yarns. Customer: Do you have any mohair wool? Bookseller: Sorry, we're not a yarns shop, we're a bookshop. Customer: You're called Ripping Yarns. Bookseller: Yes, that's 'yarns' as in stories. Customer: Well it's a stupid name. Bookseller: It's a Monty Python reference. Customer: So you don't sell wool? Bookseller: No. Customer: Hmf. Ridiculous. Bookseller: ...but we do sell dead parrots. Customer: What? Bookseller: Parrots. Dead. Extinct. Expired. Would you like one? Customer: Erm, no. Bookseller: Ok, well if you change your mind, do call back.
Jen Campbell (Weird Things Customers Say in Bookshops)
Brett was damned good-looking. She wore a slip-over jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey.
Ernest Hemingway (The Sun Also Rises)
A lot of screams for so little wool, said the man who sheared the pig
John Ajvide Lindqvist (Let the Right One In)
A shade of sorrow passed over Taliesin's face. 'There are those,' he said gently, 'who must first learn loss, despair, and grief. Of all paths to wisdom, this is the cruelest and longest. Are you one who must follow such a way? This even I cannot know. If you are, take heart nonetheless. Those who reach the end do more than gain wisdom. As rough wool becomes cloth, and crude clay a vessel, so do they change and fashion wisdom for others, and what they give back is greater than what they won.
Lloyd Alexander (The High King (The Chronicles of Prydain, #5))
For sheep don't throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk.
Epictetus (The Art of Living: The Classic Manual on Virtue, Happiness & Effectiveness)
There were certain things, learned so young and remembered so deep that they felt like little stones in the center of her mind.
Hugh Howey (The Unraveling (Wool, #4))
We are born, we are shadows, we cast shadows of own, and then we are gone. All anyone can hope for is to be remembered two shadows deep.
Hugh Howey (Wool Omnibus (Silo, #1))
I almost wish that I could replace their hideous flok dolls, as a gesture of my gratitude. Could you, perhaps, have one of the local women fashion a crude poppet out of, say, a wooden spool and some scraps of wool? Nothing fancy. Aesthetic standars for this particular collection were not high, believe me. "Ugly" and "ill-crafted" seem to be part of the key criteria.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
I’m famous for my Shepherd’s Pie. Here’s my recipe: lamb, potatoes, cheese, peas, paprika, and a wool-covered apron for the chef/shepherd/wolf-like politician to wear while serving the sheeple up.

Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Even in the darkness, his smile threw shadows.
Hugh Howey (Wool Omnibus (Silo, #1))
I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
Virginia Woolf (The Waves)
For even sheep do not vomit up their grass and show to the shepherds how much they have eaten; but when they have internally digested the pasture, they produce externally wool and milk. Do you also show not your theorems to the uninstructed, but show the acts which come from their digestion.
Epictetus
Better to join a ghost than to be haunted by them. Better no life than an empty one-
Hugh Howey (Wool Omnibus (Silo, #1))
He’d only ever seen a gun once, a smaller one on the hip of that old deputy, a gun he’d always figured was more for show. He stuffed a fistful of deadly rounds in his pocket, thinking how each one could end an individual life, and understanding why such things were forbidden. Killing a man should be harder than waving a length of pipe in their direction. It should take long enough for one’s conscience to get in the way.
Hugh Howey (Wool Omnibus (Silo, #1))
Magistrate: May I die a thousand deaths ere I obey one who wears a veil! Lysistrata: If that's all that troubles you, here take my veil, wrap it round your head, and hold your tounge. Then take this basket; put on a girdle, card wool, munch beans. The War shall be women's business.
Aristophanes (Lysistrata)
What we control," Juliette said, "is our actions once fate puts us there.
Hugh Howey (The Stranded (Wool, #5))
If the lies don't kill you, the truth will.
Hugh Howey (Wool Omnibus (Silo, #1))
Her life was not yet over, she decided. It just felt this way.
Hugh Howey (Wool Omnibus (Silo, #1))
This because it is never really very cold in England. It is drizzly, and the wind will blow; hail happens, and there is a breed of Tuesday in January in which time creeps and no light comes and the air is full of water and nobody really loves anybody, but still a decent jumper and a waxen jacket lined with wool is sufficient for every weather England's got to give.
Zadie Smith (On Beauty)
It was a sad loss, this illusion of importance, a humbling blow.
Hugh Howey (Wool Omnibus (Silo, #1))
If you tell me Christian commitment is a kind of thing that has happened to you once and for all like some kind of spiritual plastic surgery, I say go to, go to, you're either pulling the wool over your own eyes or trying to pull it over mine. Every morning you should wake up in your bed and ask yourself: "Can I believe it all again today?" No, better still, don't ask it till after you've read The New York Times, till after you've studied that daily record of the world's brokenness and corruption, which should always stand side by side with your Bible. Then ask yourself if you can believe in the Gospel of Jesus Christ again for that particular day. If your answer's always Yes, then you probably don't know what believing means. At least five times out of ten the answer should be No because the No is as important as the Yes, maybe more so. The No is what proves you're human in case you should ever doubt it. And then if some morning the answer happens to be really Yes, it should be a Yes that's choked with confession and tears and. . . great laughter.
Frederick Buechner
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
But unvented - ahh! One un-vents something; one unearths it; one digs it up, one runs it down in whatever recesses of the eternal consciousness it has gone to ground. I very much doubt if anything is really new when one works in the prehistoric medium of wool with needles. The products of science and technology may be new, and some of them are quite horrid, but knitting? In knitting there are ancient possibilities; the earth is enriched with the dust of the millions of knitters who have held wool and needles since the beginning of sheep. Seamless sweaters and one-row buttonholes; knitted hems and phoney seams - it is unthinkable that these have, in mankind's history, remained undiscovered and unknitted. One likes to believe that there is memory in the fingers; memory undeveloped, but still alive.
Elizabeth Zimmermann (Elizabeth Zimmermann's Knitter's Almanac)
No sheep may leave the flock," he said to anyone who would listen, "unless he comes back again.
Leonie Swann (Three Bags Full)
We are not the people who made this world, Lukas, but it's up to us to survive it. You need to understand that.” “We can't control where we are right now,” he mumbled, “just what we do going forward.
Hugh Howey (Wool Omnibus (Silo, #1))
She suffers according to the digits of my hate. I hear the filaments of alabaster. I would lie down with them and lift my madness off like a wig. I would lie outside in a room of wool and let the snow cover me. Paris white or flake white or argentine, all in the washbasin of my mouth, calling “Oh.” I am empty. I am witless. Death is here. There is no other settlement.
Anne Sexton (The Complete Poems)
You laughed either to keep yourself sane or because you’d given up on staying that way. Either way, you laughed.
Hugh Howey (Wool (Silo, #1))
As the glow of the cabin windows turned to flickers through the trees and then to black, her eyes adjusted and the starlight alone on the pure white snow was enough to light her way. The cold scorched her cheeks and her lungs, but she was warm in her fox hat and wool. An owl swooped through the spruce boughs, a slow-flying shadow, but she was not frightened. She felt old and strong, like the mountains and the river. She would find her way home.
Eowyn Ivey (The Snow Child)
Wolf's wool is the best wool, but it cannot be sheared, because the wolf will not comply. With knowledge as with wolves' surliness, the student studies voluntarily, refusing to be less than individual. He "gives his opinion and then rests upon it"; he renders service when there is no reward, and is too reclusive for some things to seem to touch him; not because he has no feeling but because he has so much.
Marianne Moore (Complete Poems)
I feel that I have had a blow; but it is not, as I thought as a child, simply a blow from an enemy hidden behind the cotton wool of daily life; it is or will become a revelation of some order; it is a token of some real thing behind appearances; and I make it real by putting it into words. It is only by putting it into words that I make it whole; this wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together.
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
I guess what I'm sayin' is, if you want to give Jules a job, be very careful.” “Why be careful?” Marnes asked. Marck gazed up at the confusion of pipes and wires overhead. “'Cause she'll damn well do it. Even if you don't really expect her to.
Hugh Howey (Wool Omnibus (Silo, #1))
Better to go out to see the world one time with his own eyes, than to be burned alive with the plastic curtains.
Hugh Howey (Wool (Wool, #1))
A seed of hope caught a taste of moisture. Some wishful kernel buried deep, where he was loathe to acknowledge it lest it poison or choke him, began to sprout.
Hugh Howey (The Unraveling (Wool, #4))
Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knockng down the pins.
Camille Paglia (Sex, Art, and American Culture: Essays)
I really cannot understand the point of what you're saying. Really,' said Clotilde, looking at her. 'What a very extraordinary person you are. What sort of a woman are you? Why are you talking like this? Who are you?' Miss Marple pulled down the mass of pink wool that encircled her head, a pink wool scarf of the same kind that she had once worn in the West Indies. 'One of my names,' she said, 'is Nemesis.' 'Nemesis? And what does that mean?' 'I think you know,' said Miss Marple. 'You are a very well educated woman. Nemesis is long delayed sometimes, but it comes in the end.
Agatha Christie (Nemesis (Miss Marple, #12))
Alexander speaks. “Anthony, I’m going to tell you something. In 1941, when I met your mother, she had turned seventeen and was working at the Kirov factory, the largest weapons production facility in the Soviet Union. Do you know what she wore? A ratty brown cardigan that belonged to her grandmother. It was tattered and patched and two sizes too big for her. Even though it was June, she wore her much larger sister’s black skirt that was scratchy wool. The skirt came down to her shins. Her too-big thick black cotton stockings bunched up around her brown work boots. Her hands were covered in black grime she couldn’t scrub off. She smelled of gasoline and nitrocellulose because she had been making bombs and flamethrowers all day. And still I came every day to walk her home.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
All around us were people I had spent ten years avoiding--shapeless women in wool bathing suits, dull-eyed men with hairless legs and self-conscious laughs, all Americans, all fearsomely alike. These people should be kept at home, I thought; lock them in the basement of some goddamn Elks Club and keep them pacified with erotic movies; if they want a vacation, show them a foreign art film; and if they still aren't satisfied, send them into the wilderness and run them with vicious dogs.
Hunter S. Thompson (The Rum Diary)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.
Halldór Laxness (Independent People)
She knew the minute HE arrived. Felt the warm blanket of comfort reach out to her frozen soul....He made his way down the isle and sat next to her...he didn't reach out, didn't touch her...a single tear slid out from her closed lids and she blindly reached for his hand. He took her hand in more, gathering her close, arms coming around her warm and strong as her head sank down unto his shoulder and the tears finally came soaking the lapel of his wool suit. He offered her a perfectly white handkerchief...she stared at it and wondered who carries that type of thing anymore? He looked back at her and explained, "I'm old fashioned.
D.B. Reynolds (Duncan (Vampires in America, #5))
Babe, best wool men ever pulled was lettin’ women think we think with our dicks. We pay a fuckuva lot of attention. We know your shit maybe more than you do because we live it right along with you and some of you try to make us eat it. It’s just that some of us choose not to get sucked in the drama and instead focus on getting laid regularly.” I felt my eyes get big right before I wrapped my arms around him and started giggling, but I managed to push through my giggles, “Honey, not sure you should share the brotherhood’s secrets.” “You talk, no woman will listen. They prefer to think a man’s brain is in his dick. Gives ’em something to bitch about.
Kristen Ashley (Fire Inside (Chaos, #2))
There is little joy in those first moments of recognition- for the reality is that most encounters of such depth, most first glances of love come to nothing. And while the sincerity of that rare moment when your heart is bursting should be the signal to fling yourself on the ground in the path of this stranger, it's the depth of such sincerity that paralyses you, holds you back from the silence of phrases like "hello" and "good morning." And as they pass, granting only single, torturous details like fingers upon the handle of an umbrella, or a hair pin bearing the weight of a twist, or a wool collar beaded with pearls of rain- there is only one thing you could ever say that would be true, that would make them stop walking and turn to face you. But such a thing is unsayable.
Simon Van Booy (The Secret Lives of People in Love)
Once guns were made, who would unmake them? Barrels rested on shoulders and bristled like pincushions above the crowd. There were things, like spoken ideas, that were almost impossible to take back. And he reckoned his people were about to make many more of them.
Hugh Howey (Wool Omnibus (Silo, #1))
One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets. And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns. Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky. The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land....
Ray Bradbury (The Martian Chronicles)
A new beginning done right," she said out loud, because everyone knew that saying it out loud made it true. "You hear that, karma?" She glanced upward through her slightly leaky sunroof into a dark sky, where storm clouds tumbled together like a dryer full of gray wool blankets. "This time, I'm gong to be strong." Like Katharine Hepburn. Like Ingrid Bergman ."So go torture someone else and leave me alone." A bolt of lightning blinded her, followed by a boom of thunder that nearly had her jerking out of her skin. "Okay, so I meant pretty please leave me alone." -Maddie
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
Everything I told him was technically true, more or less, and I got the job done," Jack said stubbornly. "Look, sir, if I were perfect, I wouldn't be working here in the first place. Now, would I?" And then he hung up. On speakerphone. On a freaking archangel. I couldn't help it. I let out a rolling belly laugh. "I just got suckered into doing this by...Stars and stones, you didn't even know that he...Big bad angel boy, and you get the wool pulled over your eyes by..." I stopped trying to talk and just laughed. Uriel eyed the phone, then me, and then tucked the little device away again, clearly nonplussed. "It doesn't matter how well I believe I know your kind, Harry. They always manage to find some way to try my patience.
Jim Butcher (Ghost Story (The Dresden Files, #13))
Whenever a state or an individual cited 'insufficient funds' as an excuse for neglecting this important thing or that, it was indicative of the extent to which reality had been distorted by the abstract lens of wealth. During periods of so-called economic depression, for example, societies suffered for want of all manner of essential goods, yet investigation almost invariably disclosed that there were plenty of goods available. Plenty of coal in the ground, corn in the fields, wool on the sheep. What was missing was not materials but an abstract unit of measurement called 'money.' It was akin to a starving woman with a sweet tooth lamenting that she couldn't bake a cake because she didn't have any ounces. She had butter, flour, eggs, milk, and sugar, she just didn't have any ounces, any pinches, any pints. The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.
Tom Robbins (Skinny Legs and All)
The truth is dark under your eyelids. What are you going to do about it? The birds are silent; there's no one to ask. All day long you'll squint at the gray sky. When the wind blows you'll shiver like straw. A meek little lamb you grew your wool Till they came after you with huge shears. Flies hovered over open mouth, Then they, too, flew off like the leaves, The bare branches reached after them in vain. Winter coming. Like the last heroic soldier Of a defeated army, you'll stay at your post, Head bared to the first snow flake. Till a neighbor comes to yell at you, You're crazier than the weather, Charlie.
Charles Simic
Slowly he took out the clothes in which, ten years beforem Cosette had left Montfermeil; first the little dress, then the black scarf, then the great heavy child's shoes Cosette could still almost have worn, so small was her foot, then the vest of very thich fustian, then the knitted petticoat, the the apron with pockets, then the wool stockings.... Then his venerable white head fell on the bed, this old stoical heart broke, his face was swallowed up, so to speak, in Cosette's clothes, and anybody who had passed along the staircase at that moment would have heard irrepressible sobbing.
Victor Hugo (Les Misérables)
People were like machines. They broke down. They rattled. They could burn you or maim you if you weren't careful. Her job was not only to figure out why this happened and who was to blame, but also to listen for the signs of it coming. Being sheriff, like being a mechanic, was as much the fine art of preventive maintenance as it was the cleaning up after a breakdown.
Hugh Howey (Wool Omnibus (Silo, #1))
Donald Watson, who founded The Vegan Society in 1944 and who lived a healthy, active life until passing on in 2005, maintained that dairy products, such as milk, eggs, and cheese, were every bit as cruel and exploitive of sentient animal life as was slaughtering animals for their flesh: “The unquestionable cruelty associated with the production of dairy produce has made it clear that lactovegetarianism is but a half-way house between flesh-eating and a truly humane, civilised diet, and we think, therefore, that during our life on earth we should try to evolve sufficiently to make the ‘full journey.’” He also avoided wearing leather, wool or silk and used a fork, rather than a spade in his gardening to avoid killing worms. Let us instil in others the reverence or life that Donald Watson had and that he passed on to us.
Gary L. Francione
We get no credit for being sane, do we? I get no credit. Even from me. From myself. I hold it together and hold it together and I make it another day, another year, and there’s no reward. Nothing great about me being normal. About not being crazy.” He frowned. “Then you have one bad day, and you worry for yourself, you know? It only takes one.
Hugh Howey (Wool (Silo, #1))
Jean-Jacques Rousseau defined civilization as when people build fences. A very perceptive observation. And it’s true—all civilization is the product of a fenced-in lack of freedom. The Australian Aborigines are the exception, though. They managed to maintain a fenceless civilization until the seventeenth century. They’re dyed-in-the-wool free. They go where they want, when they want, doing what they want. Their lives are a literal journey. Walkabout is a perfect metaphor for their lives. When the English came and built fences to pen in their cattle, the Aborigines couldn’t fathom it. And, ignorant to the end of the principle at work, they were classified as dangerous and antisocial and were driven away, to the outback. So I want you to be careful. The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself.
Haruki Murakami (Kafka on the Shore)
Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten.                 And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
Sometimes, when you're deep in the countryside, you meet three girls, walking along the hill tracks in the dusk, spinning. They each have a spindle, and on to these they are spinning their wool, milk-white, like the moonlight. In fact, it is the moonlight, the moon itself, which is why they don't carry a distaff. They're not Fates, or anything terrible; they don't affect the lives of men; all they have to do is to see that the world gets its hours of darkness, and they do this by spinning the moon down out of the sky. Night after night, you can see the moon getting less and less, the ball of light waning, while it grown on the spindles of the maidens. Then, at length, the moon is gone, and the world has darkness, and rest..... ...on the darkest night, the maidens take their spindles down to the sea, to wash their wool. And the wool slips from the spindles into the water, and unravels in long ripples of light from the shore to the horizon, and there is the moon again, rising above the sea....Only when all the wool is washed, and wound again into a white ball in the sky, can the moon-spinners start their work once more....
Mary Stewart (The Moon-Spinners)
Young man, be of good courage. Care not for what the world says or thinks: you will not be with the world always. Can man save your soul? No. Will man be your judge in the great and dreadful day of account? No. Can man give you a good conscience in life, a good hope in death, a good answer in the morning of resurrection? No! no! no! Man can do nothing of the sort. Then "fear not the reproach of men, neither be afraid of their revilings: for the moth shall eat them up like a garment, and the worm shall eat them like wool" (Isa. 51:7,8). Call to your mind the saying of good Colonel Gardiner: "I fear God, and therefore I have none else to fear." Go and be like him.
J.C. Ryle (Thoughts for Young Men)
since I started the Saint Remi Auxiliary for the orphanage. The other auxiliary ladies babble on about Louis—how steadfast, gentle, and loyal he was, never once mentioning his failing wool and wine business. I’ve given them all Etiquette for Ladies. Their words drift to the ceiling with the candle smoke, as my fingers examine the gift Louis gave me last year for my thirty-ninth birthday. I’d hoped for canvas and paints, but he gave me a chatelaine. “Everything you ever need hanging from your belt.” He’d demonstrated each item with such pride, I hid my disappointment. “Thimble, watch, scissors, and measuring tape for your needlework, a funnel for your oils, a pencil, a pantry key, a wax letter seal, and a vial of smelling salts. Uncorking the
Rebecca Rosenberg (Madame Pommery, Creator of Brut Champagne)
one night, they went down to the Village for dinner at an italian restaurant. most of the band had picked up young girls and had them hanging on their arms. janis was feeling lonesome and said, "goddamn, you guys have all these groupies and i don't have anybody." turning to mark, the youngest person in the crowd, she ordered, "go out on the street there and find the first pretty boy you see and bring him to me." aw, i dunno," mark said. go ahead," janis said. after a while, mark returned with a handsome, long-haired youth with a british accent. he was wearing a floor-length embroidered afghan wool coat. looking him over, janis nodded approvingly and said, "he's cute, mark!" turning to the young man, she said, "well! hi, honey! sit down! my name's janis joplin. have you ever heard of me?" yeah," he said, "i've heard of you." oh," she said, "what's your name?" eric clapton.
Ellis Amburn (Pearl: The Obsessions and Passions of Janis Joplin)
He wished that he could break out his knitting, but for some reason, people didn’t take you seriously as a warrior when you were knitting. He’d never figured out why. Making socks required four or five double-ended bone needles, and while they weren’t very large, you could probably jam one into someone’s eye if you really wanted to. Not that he would. He’d have to pull the needle out of the sock to do it, and then he’d be left with the grimly fiddly work of rethreading the stitches. Also, washing blood out of wool was possible, but a pain. Still, if he had to suddenly pull out his sword and fend off an attack, there was a chance he’d drop the yarn, and since he’d been feeling masochistic and was using two colors for this current set of socks, there was absolutely no chance the yarn wouldn’t get tangled and then he’d be trying to murder people while chasing the yarn around. And god forbid the tide rose and he went berserk. You never got the knitting untangled after that; you usually just had to throw it away completely.
T. Kingfisher (Paladin’s Grace (The Saint of Steel, #1))
Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.
William Shakespeare
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
I can hear myself whining again 'Why does God torture me?' - But anybody who's never had a delirium tremens even in their early stages may not understand that it's not so much a physical pain but a mental anguish indescribable to those ignorant people who don't drink and accuse drinkers of irresponsibility - The mental anguish is so intense that you feel you have betrayed your very birth, the efforts nay the birth pangs of your mother when she bore you and delivered you to the world, you've betrayed every effort your father ever made to feed you and raise you and make you strong and my God even 'educate' you for life, you feel a guilt so deep you identify yourself with the devil and God seems far away abandoning you to your sick silliness - You feel sick in the greatest sense of the world, breathing without believing it, sicksicksick, your soul groans, you look at your helpless hands as tho they were on fire and you can't move to help, you look at the world with dead eyes, there's on your face an expression of incalculable repining like a constipated angel on a cloud - In fact it's actually a cancerous look you throw on the world, through browngray wool fuds over your eyes - Your tongue is white and disgusting, your teeth are stained, your hair seems to have dried out overnight, there are huge mucks in the corners of your eyes, greases on your nose, froth at the sides of your moth: in short that very disgusting and well-known hideousness everybody knows who's walked past a city street drunk in the Boweries of the world
Jack Kerouac (Big Sur)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory. Therefore keep me, above all things, from sin. Keep me from the death of deadly sin which puts hell in my soul. Keep me from the murder of lust that blinds and poisons my heart. Keep me from the sins that eat a man’s flesh with irresistible fire until he is devoured. Keep me from loving money in which is hatred, from avarice and ambition that suffocate my life. Keep me from the dead works of vanity and the thankless labor in which artists destroy themselves for pride and money and reputation, and saints are smothered under the avalanche of their own importunate zeal. Stanch in me the rank wound of covetousness and the hungers that exhaust my nature with their bleeding. Stamp out the serpent envy that stings love with poison and kills all joy. Untie my hands and deliver my heart from sloth. Set me free from the laziness that goes about disguised as activity when activity is not required of me, and from the cowardice that does what is not demanded, in order to escape sacrifice. But give me the strength that waits upon You in silence and peace. Give me humility in which alone is rest, and deliver me from pride which is the heaviest of burdens. And possess my whole heart and soul with the simplicity of love. Occupy my whole life with the one thought and the one desire of love, that I may love not for the sake of merit, not for the sake of perfection, not for the sake of virtue, not for the sake of sanctity, but for You alone. For there is only one thing that can satisfy love and reward it, and that is You alone.
Thomas Merton (New Seeds of Contemplation)