Pair Travel Quotes

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The only true voyage would be not to travel through a hundred different lands with the same pair of eyes, but to see the same land through a hundred different pairs of eyes.
Marcel Proust
My sisters and I sit together on a pair of suitcases. If we've forgotten anything, it's already too late -- our rooms have all been sealed and photographed. Anyway, Tatiana would say it's bad luck to return for something you've forgotten.
Sarah Miller (The Lost Crown)
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
Until a few months ago we had a code of honor, and even the worst ruffians behaved with decency. You could leave your gold in a tent with no guard and no one would touch it, but now all that has changed. The law of the jungle rules, the only ideology is greed. Don't let yourself be parted from your weapons, and always travel in pairs or groups, because this is a land of thieves.
Isabel Allende (Daughter of Fortune)
Commas, like nuns, often travel in pairs.
Mary Norris
At that moment it seemed to him that time stood still and the soul of the world surged within him. When he looked into her dark eyes and saw that her lips were poised between a laugh and silence, he learned the most important part of the language that all the world spoke. The language that everyone on earth was capable of understanding in their heart. It was love. Something older than humanity, more ancient than the desert. Something that exerted the same force whenever two pairs of eyes met, as had theirs here at the well. She smiled, and that was certainly an omen. The omen he had been awaiting without even knowing he was for all his life. The omen he sought to find in his sheep and in his books. In the crystals and in the silence of the desert... It was the pure language of the world. It required no explanation, just as the universe needs none as it travels through endless time. What the boy felt at that moment was that he was in the presence of the only woman in his life. And that, with no need for words she recognized the same thing. He was more certain of it, than of anything in the world. He had been told by his parents and grandparents that he must fall in love and really know a person before becoming committed. But maybe people who felt that way never learned the universal language. Because when you know that language, its easy to understand that someone in the world awaits you. Whether its in the middle of the desert or in some great city. And when two such people encounter each other, and their eyes meet, the past and the future become unimportant. There is only that moment, and the incredible certainty that everything under the sun has been written by one hand only. It is the hand that evokes love and makes a twin soul for every person in the world. Without such love, one's dreams would have no meaning. Maktub..
Paulo Coelho (The Alchemist)
Sometimes, a perfect sandwich is not just about the sandwich itself, but about the setting. The experience of eating the sandwich. Context can elevate a great sandwich to a spiritual experience.
Casey McQuiston (The Pairing)
Oh, you know me.” Jean reached behind his neck, down behind the loose leather vest he wore over his simple cotton tunic. He withdrew a pair of matching hatchets, each a foot and a half in length, with leather-wrapped handles and straight black blades that narrowed like scalpels. These were balanced with balls of blackened steel, each as wide around as a silver solon. The Wicked Sisters—Jean’s weapons of choice. “I never travel alone. It’s always the three of us.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
If you have not touched the rocky wall of a canyon. If you have not heard a rushing river pound over cobblestones. If you have not seen a native trout rise in a crystalline pool beneath a shattering riffle, or a golden eagle spread its wings and cover you in shadow. If you have not seen the tree line recede to the top of a bare crested mountain. If you have not looked into a pair of wild eyes and seen your own reflection. Please, for the good of your soul, travel west.
Daniel J. Rice (This Side of a Wilderness)
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
Tom Stoppard (The Real Thing)
We're your legal advisors.' Which they weren't, obviously. Reacher knew that. Army lawyers don't travel in pairs and breathe through their mouths.
Lee Child (Never Go Back (Jack Reacher, #18))
Like 90 percent of the television they watch, it comes from the south and is shown dubbed into Yiddish. It concerns the adventures of a pair of children with Jewish names who look like they might be part Indian and have no visible parents. They do have a crystalline magical dragon scale that they wish on in order to travel to a land of pastel dragons, each distinguished by its color and its particular brand of imbecility. Little by little, the children spend more and more time with their magical dragon scale until one day they travel off to the land of rainbow idiocy and never return; their bodies are found by the night manager of their cheap flop, each with a bullet in the back of the head. Maybe, Landsman thinks, something gets lost in the translation.
Michael Chabon (The Yiddish Policemen's Union)
I can appreciate that,” says Henry. He’s adding to the list. I look over his shoulder. Sex Pistols, the Clash, Gang of Four, Buzzcocks, Dead Kennedys, X, the Mekons, the Raincoats, the Dead Boys, New Order, the Smiths, Lora Logic, the Au Pairs, Big Black, Pil, the Pixies, the Breeders, Sonic Youth… Henry, they’re not going to be able to get any of that up here.” He nods, and jots the phone number and address for Vintage Vinyl at the bottom of the sheet. “You do have a record player, right?” My parents have one,” Bobby says. Henry winces. What do you really like?” I ask Jodie. I feel as though she’s fallen out of the conversation during the male bonding ritual Henry and Bobby are conducting. Prince,” she admits. Henry and I let out a big Whoo! And I start singing “1999” as loud as I can, and Henry jumps up and we’re doing a bump and grind across the kitchen. Laura hears us and runs off to put the actual record on and just like that, it’s a dance party.
Audrey Niffenegger (The Time Traveler's Wife)
One of the greatest comforts of this life is friendship; and one of the comforts of friendship is that of having someone we can trust with a secret. But friendship does not pair us off into couples, as marriage does; each of us generally has more than one friend to his name, and so a chain is formed, of which no man can see the end. When we allow ourselves the comfort of depositing a secret in the bosom of a friend, we inspire him with the wish to enjoy the same comfort for himself. It is true that we always ask him not to tell anyone else; and this is a condition which, if taken literally, would break the series of comforting confidences at once. But the general practice is to regard the obligation as one which prevents a man from passing the secret on, except to an equally trusted friend and on the same condition of silence. From trusted friend to trusted friend, the secret travels and travels along an unending chain, until it reaches the ears of the very man or men from whom the first speaker meant to keep it for ever. It would generally require a long time to get there, if each of us only had two friends—one to confide the secret to us, and another to whom we can pass it on. But there are some privileged men who have hundreds of friends, and once a secret reaches one of them, its subsequent journeys are so rapid and multitudinous that no one can keep track of them.
Alessandro Manzoni
My tired eyes refused to sleep and in them a pair of green spots swirled, representing the world I had left for dead behind me and mocking the so-called liberation I sought. They harnessed their image to my extraordinary flight across the lands and seas of the world.
Ernesto Che Guevara
It seems simple to define what a library is—namely, it is a storeroom of books. But the more time I spent at Central, the more I realized that a library is an intricate machine, a contraption of whirring gears. There were days when I came to the library and planted myself near the center of the main corridor and simply watched the whirl and throb of the place. Sometimes people ambled by, with no apparent destination. Some people marched crisply, full of purpose. Many were alone, some were in pairs; occasionally they traveled in a gaggle. People think that libraries are quiet, but they really aren't. They rumble with voices and footsteps and a whole orchestral range of book-related noises—the snap of covers clapping shut; the breathy whisk of pages fanning open; the distinctive thunk of one book being stacked on another; the grumble of book carts in the corridors.
Susan Orlean (The Library Book)
If falling in love is not love, then what is it other than a temporary and partial collapse of ego boundaries? I do not know. But the sexual specificity of the phenomenon leads me to suspect that it is a genetically determined instinctual component of mating behavior. In other words, the temporary collapse of ego boundaries that constitutes falling in love is a stereotypic response of human beings to a configuration of internal sexual drives and external sexual stimuli, which serves to increase the probability of sexual pairing and bonding so as to enhance the survival of the species. Or to put it in another, rather crass way, falling in love is a trick that our genes pull on our otherwise perceptive mind to hoodwink or trap us into marriage. Frequently the trick goes awry one way or another, as when the sexual drives and stimuli are homosexual or when other forces-parental interference, mental illness, conflicting responsibilities or mature self-disciplinesupervene to prevent the bonding. On the other hand, without this trick, this illusory and inevitably temporary (it would not be practical were it not temporary) regression to infantile merging and omnipotence, many of us who are happily or unhappily married today would have retreated in whole- hearted terror from the realism of the marriage vows.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Once upon a time there was a pair of pants.
Ann Brashares (The Sisterhood of the Traveling Pants (The Sisterhood of the Traveling Pants, #1))
These were both nothing more than a pair of minor incidents that happened in my trivial little life. Short side trips along the way. Even if they hadn’t happened, I doubt my life would have wound up much different from what it is now. But still, these memories return to me sometimes, traveling down a very long passageway to arrive. And when they do, their unexpected power shakes me to the core. Like an autumn wind that gusts at night, swirling fallen leaves in a forest, flattening the pampas grass in fields, and pounding hard on the doors to people’s homes, over and over again.
Haruki Murakami (First Person Singular: Stories)
It was like trying to balance on a pair of knife blades. Who had thought of this mad form of travel in the first place? And why had no one locked them up before they passed their dangerous ideas on to others?
Tamora Pierce (Cold Fire (The Circle Opens, #3))
Somewhere nere Ogallala, about six hours into that majestic, maddening prairie, I realize that half an hour has passed since I've seen a vehicle in either direction. Oh, I think, as I finally see a pair of headlights draw nigh in the eastbound lane, so this must be where the West begins.
Lily Burana (Strip City: A Stripper's Farewell Journey Across America)
He leaves his wife to manage the inn; and as she is a woman of color, a pair of old bachelors like you and I may be excused for guessing that it is the wife, quite as much as the health, that sends him back to roving J.
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
Ian nodded. Do not question her, he told himself. Not when she is in a state like this. Still, it was a pity to attack them with such force. Especially the girl, Amy. He'd never met anyone like her. Shy. Gentle. With an exciting edge of hostility. So unlike the girls back home, who flung themselves at him so often that his chauffeurs traveled with first-aid kits. Doesn't she know better? Isn't she smart enough to stop the hunt? It was the boy and the au pair. He was a pint-sized hothead. She was a collection of piercings and piggishness. If only Amy and Dan had stayed trapped in the cave in Seoul, at least long enough to get discouraged. Why did they antagonize Mother? They don't know what it's like to live with her. "Right you are," Ian said. "They're asking for it. Heaven forbid they listen to the brains of the outfit." "And that would be–?" Isabel asked. Ian looked away. "Well, the sister, I'd say. Amy." He felt a smile inching across his face. "Ian?" His mother grabbed his wrist. "If you are having the inkling of a shadow of a thought..." "Mother!" Ian could feel the blood rushing to his face. "How could you suspect for a moment...?
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
Imagine a pair of woman’s lips,” Mogor whispered, “puckering for a kiss. That is the city of Florence, narrow at the edges, swelling at the center, with the Arno flowing through between, parting the two lips, the upper and the lower. The city is an enchantress. When it kisses you, you are lost, whether you be commoner or king.
Salman Rushdie (The Enchantress of Florence)
Sonnet V I touch you as a lonely violin touches the suburbs of the faraway place patiently the river asks for its share of the drizzle and, bit by bit, a tomorrow passing in poems approaches so I carry faraway's land and it carries me on travel's road On a mare made of your virtues, my soul weaves a natural sky made of your shadows, one chrysalis at a time. I am the son of what you do in the earth, son of my wounds that have lit up the pomegranate blossoms in your closed-up gardens Out of jasmine the night's blood streams white. Your perfume, my weakness and your secret, follows me like a snakebite. And your hair is a tent of wind autumn in color. I walk along with speech to the last of the words a bedouin told a pair of doves I palpate you as a violin palpates the silk of the faraway time and around me and you sprouts the grass of an ancient place—anew
Mahmoud Darwish (The Butterfly's Burden)
Oh, dear. She did have such a weakness for a pair of well-traveled boots.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
I had as I before observed, one private pocket, which escaped their search, wherein there was a pair of spectacles (which I sometimes use for the weakness of mine eyes,) a pocket perspective, and some other little conveniences; which, being of no consequence to the emperor, I did not think myself bound in honour to discover, and I apprehended they might be lost or spoiled if I ventured them out of my possession. ,
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Genuine travelers travel not to overcome distance but to discover distance. It is not distance that makes travel necessary, but travel that makes distance possible. Distance is not determined by the measurable length between objects, but by the actual differences between them. The motels around the airports in Chicago and Atlanta are so little different from the motels around the airports of Tokyo and Frankfurt that all essential distances dissolve in likeness. What is truly separated is distinct; it is unlike. "The only true voyage would be not to travel through a hundred different lands with the same pair of eyes, but to see the same land through a hundred different pairs of eyes" (Proust).
James P. Carse (Finite and Infinite Games: A Vision of Life as Play and Possibility)
If you had managed to persuade my mother not to procreate, I would not exist to send you the plans for constructing your own time machine in which to travel back in time to persuade my mother not to procreate. Apparently, this is known as a pair of ducks.
David Thorne (The Internet is a Playground: Irreverent Correspondences of an Evil Online Genius)
When he looked into her dark eyes, and saw that her lips were poised between a laugh and silence, he learned the most important part of the language that all the world spoke -- the language that everyone on earth was capable of understanding in their heart. It was love. Something older than humanity, more ancient than the desert. Something that exerted the same force whenever two pairs of eyes met, as had theirs here at the well. She smiled, and that was certainly an omen -- the omen he had been awaiting, without even knowing he was, for all his life. The omen he had sought to find with his sheep and in his books, in the crystals and in the silence of the desert. "It was the pure Language of the World. It required no explanation, just as the universe needs none as it travels through endless time. What the boy felt at that moment was that he was in the presence of the only woman in his life, and that, with no need for words, she recognized the same thing. He was more certain of it than of anything in the world. He had been told by his parents and grandparents that he must fall in love and really know a person before becoming committed. But maybe people who felt that way had never learned the universal language. Because, when you know that language, it’s easy to understand that someone in the world awaits you, whether it’s in the middle of the desert or in some great city. And when two such people encounter each other, and their eyes meet, the past and the future become unimportant. There is only that moment, and the incredible certainty that everything under the sun has been written by one hand only. It is the hand that evokes love, and creates a twin soul for every person in the world. Without such love, one’s dreams would have no meaning.
Paulo Coelho (The Alchemist)
We all travelled light, taking with us only what we considered to be the bare essentials of life. When we opened our luggage for Customs inspection, the contents of our bags were a fair indication of character and interests. Thus Margo’s luggage contained a multitude of diaphanous garments, three books on slimming, and a regiment of small bottles each containing some elixir guaranteed to cure acne. Leslie’s case held a couple of roll-top pullovers and a pair of trousers which were wrapped round two revolvers, an air-pistol, a book called Be Your Own Gunsmith, and a large bottle of oil that leaked. Larry was accompanied by two trunks of books and a brief-case containing his clothes. Mother’s luggage was sensibly divided between clothes and various volumes on cooking and gardening. I travelled with only those items that I thought necessary to relieve the tedium of a long journey: four books on natural history, a butterfly net, a dog, and a jam-jar full of caterpillars all in imminent danger of turning into chrysalids. Thus, by our standards fully equipped, we left the clammy shores of England.
Gerald Durrell
A couple of hundred feet above the panoramic route Fiona was travelling back to the city, Kit was opening a heavy pair of wooden shutters with ornate iron fittings.
Val McDermid (Killing The Shadows)
The last time someone had laid out a suit and a pair of dress shoes with a ticket purchased for a faraway place, Henry had refused to go. This time, Henry refused to stay.
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
It’s all about that cosy, homey feeling, the one you leave behind when you travel across the world.
Danielle Esplin (Give It Back)
I began to count mile markers, made mental lists of everything I really needed: a new pair of shoes, a winter coat for the baby, a ticket for a Greyhound traveling back or ahead five hundred years.
Sherman Alexie
A travelling salesman has a hundred cities on his patch. He knows all the distances between every pair of cities. He needs to visit each city once and end up at his starting point. What’s his shortest route?
Ian McEwan (Machines Like Me)
So, one can regard the pair of particles as a single particle moving on a closed loop in space-time. When the pair is moving forward in time (from the event at which it appears to that at which it annihilates), it is called a particle. But when the particle is traveling back in time (from the event at which the pair annihilates to that at which it appears), it is said to be an antiparticle traveling forward in time.
Stephen Hawking (A Brief History of Time)
Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?
Elizabeth Bishop (Questions of Travel)
Cash has disappeared so quickly from Chinese cities that it even “disrupted” crime. In March 2017, a pair of Chinese cousins made headlines with a hapless string of robberies. The pair had traveled to Hangzhou, a wealthy city and home to Alibaba, with the goal of making a couple of lucrative scores and then skipping town. Armed with two knives, the cousins robbed three consecutive convenience stores only to find that the owners had almost no cash to hand over—virtually all their customers were now paying directly with their phones. Their crime spree netted them around $125 each—not even enough to cover their travel to and from Hangzhou—when police picked them up. Local media reported rumors that upon arrest one of the brothers cried out, “How is there no cash left in Hangzhou?
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
As you flail, knowing you’re not supposed to panic – panicking will drain your strength – your mind pulls away as it does so easily, so often, without your even noticing sometimes, leaving Robert Freeman Jr. to manage the current alone while you withdraw to the broader landscape, the water and buildings and streets, the avenues like endless hallways, your dorm full of sleeping students, the air thick with their communal breath. You slip through Sasha’s open window, floating over the sill lined with artifacts from her travels: a white seashell, a small gold pagoda, a pair of red dice. Her harp in one corner with its small wood stool. She’s asleep in her narrow bed, her burned red hair dark against the sheets. You kneel beside her, breathing the familiar smell of Sasha’s sleep, whispering into her ear some mix of I’m sorry and I believe in you and I’ll always be near you, protecting you, and I will never leave you, I’ll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!
Jennifer Egan (A Visit from the Goon Squad)
Even if a particle could travel backward in time, information could not. Retrocausality will be replaced by something more sophisticated. There are no perfect symmetries, there is no pure randomness everything is an approximation of something else. Information may appear in a digital form but meaning never does. Spacetime is built up from approximations, not discrete ones and zeros, and the only constant may be ratios. Quantum entanglement and geometry; if we think of a particle as being at one pole of an expanding sphere that is not perfectly symmetrical, this surface would be "rippling" like the surface of the ocean (in the audio world this is called dithering), at the other pole is the entangled particle's pair and it is a property of the sphere that gives the illusion of connectivity. This is not a physical geometry, it is a computational geometry. Is spacetime a product of entanglement? Renate Loll believes that time is not perfectly symmetrical. Her computer models require causality. Possibly some form of quantum random walk in state space. If a photon is emitted by an electron inside of a clock on Earth and it travels to a clock four light years away, time stops for the clock on Earth and time jumps forward eight years for the distant clock also, the electron that will capture the photon becomes infinitely large relative to the photon but the electron that emitted it does not become infinitely small therefore, time is not perfectly symmetrical.
Rick Delmonico
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
These were both nothing more than a pair of minor incidents that happened in my trivial little life. Short side trips along the way. Even if they hadn’t happened, I doubt my life would have wound up much different from what it is now. But still, these memories return to me sometimes, traveling down a very long passageway to arrive.
Haruki Murakami (First Person Singular: Stories)
All distances in the East are measured by hours, not miles. A good horse will walk three miles an hour over nearly any kind of a road; therefore, an hour, here, always stands for three miles. This method of computation is bothersome and annoying; and until one gets thoroughly accustomed to it, it carries no intelligence to his mind until he has stopped and translated the pagan hours into Christian miles, just as people do with the spoken words of a foreign language they are acquainted with, but not familiarly enough to catch the meaning in a moment. Distances traveled by human feet are also estimated by hours and minutes, though I do not know what the base of the calculation is. In Constantinople you ask, "How far is it to the Consulate?" and they answer, "About ten minutes." "How far is it to the Lloyds' Agency?" "Quarter of an hour." "How far is it to the lower bridge?" "Four minutes." I can not be positive about it, but I think that there, when a man orders a pair of pantaloons, he says he wants them a quarter of a minute in the legs and nine seconds around the waist.
Mark Twain (The Innocents Abroad)
Seconds later, the female security officer grabbed a pair of my father's shorts from the top of the duffel bag, and emptied out the contents of his pockets. A lighter, three nail files, a pocket wrench, a pair of pliers, a screwdriver, and a nectarine fell onto the folding table. I looked at the woman, looked at my father, and then looked around to see if anyone else was watching. "What's the problem?" my father asked the woman. "Sir, I'm going to have to take this lighter away from you," she said. "The lighter?" I asked her. "What about the bomb kit he's carrying around? He could do a lot more damage to a person with that wrench." "I need the wrench!" he shrieked. "For what?" "What if something goes wrong with the plane?
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
Composers do not remember this lost fatherland, but each of them remains all his life unconsciously attuned to it; he is delirious with joy when he sings in harmony with his native land, betrays it at times with his thirst for fame, but then, in seeking fame, turns his back on it, and it is only by scorning fame that he finds it when he breaks out into that distinctive strain the sameness of which—for whatever its subject it remains identical with itself—proves the permanence of the elements that compose his soul. But in that case is it not true that those elements—all the residuum of reality which we are obliged to keep to ourselves, which cannot be transmitted in talk, even from friend to friend, from master to disciple, from lover to mistress, that ineffable something which differentiates qualitatively what each of us has felt and what he is obliged to leave behind at the threshold of the phrases in which he can communicate with others only by limiting himself to externals, common to all and of no interest—are brought out by art, the art of a Vinteuil like that of an Elstir, which exteriorises in the colours of the spectrum the intimate composition of those worlds which we call individuals and which, but for art, we should never know? A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we can do with an Elstir, with a Vinteuil; with men like these we do really fly from star to star.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
Wild geese pair off for life. I never knew them to even make an application for divorce. The male guards his mate on the nest. As soon as the young hatch, he protects them from the side opposite the mother, keeping the babies between the parents. He will leave his family for her and for her only, but he will die in the front ranks for any of them....I have placed their bushels of corn around one of my mating pairs, and of the thousands of hungry geese that come here, none will interfere with these little plots to take even one kernel...When traveling in the air, the male Canada Goose leads the way, breaking the air for his sweetheart, who is quartering behind him, and his family travels next to her. In brief, he is one of the most self-sacrificing, godly-principled leaders the human eye ever beheld, and to know him is to love and admire him.
Jack Miner (Jack Miner and the Birds: And Some Things I Know About Nature (Classic Reprint))
A dark carriage pulled by four strong horses shot through the forest like a cannonball. A pair of swinging lanterns illuminated the path ahead and made the carriage resemble an enormous creature with glowing eyes. Two French soldiers of Napoleon’s Grande Armée rode beside the carriage. Black cloaks covered the soldiers’ colorful uniforms so they could travel in secrecy – the world was never to know what their agenda was tonight
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
According to Montagne legend, the mountain has forever been the abode of giants. Long ago a traveling pair of sorcerers, husband and wife, scaled the cliff into the valley, and the woman cured the giants’ chilblains with ointments and the gift of fire. In gratitude, the giants built Chateau de Montagne out of the living rock of Ancienne, and from that castle the couple founded the kingdom of Montagne, using their magic to shield the country and its people from harm.
Catherine Gilbert Murdock (Princess Ben)
For as long as I lived, I would travel far and wide, meeting with people whose languages I did or did not know, and everywhere I went, I would be looking for Maria Puder. In every pair of eyes, I would be searching for the Madonna in a Fur Coat. I knew from the outset that I would never find her. Yet it was not in my power to give up searching. She had condemned me to a lifelong quest for a cypher, for someone who did not exist. She should never have done this to me.
Sabahattin Ali (Madonna in a Fur Coat)
My friendship with Leonard began with me invoking the laws of love: the ones that involved the expectancy. "We are one," I decided shortly after we met. "You are me, and I am you, and it is our obligation to save each other." It took me years for me to realize this sentiment was off the mark. What we are, in fact, is a pair of solitary travelers slogging through the country of our lives, meeting up from time to time at the outer limit to give each other border reports.
Vivian Gornick (The Odd Woman and the City)
However, when any one of our relations was found to be a person of very bad character, a troublesome guest, or one we desired to get rid of, upon his leaving my house, I ever took care to lend him a riding coat, or a pair of boots, or sometimes an horse of small value, and I always had the satisfaction of finding he never came back to return them. By this the house was cleared of such as we did not like; but never was the family of Wakefield known to turn the traveller or the poor dependent out of doors.
Oliver Goldsmith (The Vicar of Wakefield)
This is a general feature of quantum entanglement: the no-signaling theorem, according to which an entangled pair of particles cannot actually be used to transmit information between two parties faster than light. So quantum mechanics seems to be exploiting a subtle loophole, violating the spirit of relativity (nothing travels faster than the speed of light) while obeying the letter of the law (actual physical particles, and whatever useful information they might convey, cannot travel faster than the speed of light).
Sean Carroll (Something Deeply Hidden: Quantum Worlds and the Emergence of Spacetime)
On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.
Thomas Hardy (A Pair of Blue Eyes)
A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of the Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we do, with great artists; with artists like these we do really fly from star to star.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
Her eyes, even when fixed on an object, gave one the impression of motion, just as on days of high wind the air, although invisible, lets us perceive the speed with which it courses between us and the unchanging azure. For a moment her gaze intersected mine, like those travelling skies on stormy days which hurry after a rain-cloud that moves less rapidly than they, overtake, touch, cover, pass it and are gone; but they do not know one another, and are soon driven far apart. So our eyes were for a moment confronted, neither pair knowing what the celestial continent that lay before their gaze held of future blessing or disaster.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Although Alice’s and my paths had crossed occasionally over the years, our romantic relationship had only begun some eighteen months earlier at a party to mark Julian’s departure to South America for a six-month trek across the Andes. This was probably his most infamous escapade, as it involved travelling with his girlfriends at the time, a pair of Finnish twins by the names of Emmi and Peppi who, he claimed, had been conjoined at birth and were only separated by an American surgeon when they were four years old. It was true that whenever I looked at them they seemed to be leaning towards each other at a slightly unnatural angle
John Boyne (The Heart's Invisible Furies)
A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we can do with an Elstir, with a Vinteuil; with men like these we do really fly from star to star.
Marcel Proust (The Captive)
Throughout these lectures I have delighted in showing you that the price of gaining such an accurate theory has been the erosion of our common sense. We must accept some very bizarre behavior: the amplification and suppression of probabilities, light reflecting from all parts of a mirror, light travelling in paths other than a straight line, photons going faster or slower than the conventional speed of light, electrons going backwards in time, photons suddenly disintegrating into a positron-electron pair, and so on. That we must do, in order to appreciate what Nature is really doing underneath nearly all the phenomena we see in the world.
Richard P. Feynman (QED: The Strange Theory of Light and Matter (Princeton Science Library))
the audience, unaccustomed to any of this, went wild: America! The high point of this whirring, pale-blue era was 1960. The average American earned more than 5,000 dollars a year; a newly built house cost 12,500 dollars, a car 2,600, a pair of shoes 13, a litre of gasoline 6.7 cents. The tail fins on the new Cadillac Eldorado were the largest and sharpest ever seen. In April, the world’s first weather satellite was launched. In the Philippines, the Japanese government tried in vain to coax the last two Japanese soldiers out of the jungle – they refused to believe the war was over. Xerox put the first commercial photocopier on the market. Chubby Checker started a new dance craze, the twist. Frank Sinatra, cigarette in hand, stood and sang in a short film called Music for
Geert Mak (In America: Travels with John Steinbeck)
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek, knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy… we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a deck of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared — she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
Tom Stoppard
Lady St. Vincent is too generous." The piles of crisp frothy undergarments looked so pristine, it was likely they had never been worn. There was even a corset, its white laces as neat as surgical sutures. "Oh, she has many, many dresses," Betty confided, handing Amelia a pair of folded drawers and a chemise. "Lord St. Vincent sees to it that his wife is dressed like a queen. I'll tell thee summat: if she wanted the moon for her looking glass, he'd find a way to pull it down for her." "How do you know so much about them?" Amelia asked, hooking the front of the corset while Betty moved behind her to pull the laces. "I'm Lady St. Vincent's maid. I travel with her wherever she goes. She bid me to attend thee and the other Miss Hathaways- 'they need special care,' she said, 'after what they've endured.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.
Nikolai Gogol (Dead Souls)
horizontal division between clearness and opacity, but were imbedded in an elastic body of a monotonous pallor throughout. There was no perceptible motion in the air, not a visible drop of water fell upon a leaf of the beeches, birches, and firs composing the wood on either side. The trees stood in an attitude of intentness, as if they waited longingly for a wind to come and rock them. A startling quiet overhung all surrounding things—so completely, that the crunching of the waggon-wheels was as a great noise, and small rustles, which had never obtained a hearing except by night, were distinctly individualized. Joseph Poorgrass looked round upon his sad burden as it loomed faintly through the flowering laurustinus, then at the unfathomable gloom amid the high trees on each hand, indistinct, shadowless, and spectre-like in their monochrome of grey. He felt anything but cheerful, and wished he had the company even of a child or dog. Stopping the horse, he listened. Not a footstep or wheel was audible anywhere around, and the dead silence was broken only by a heavy particle falling from a tree through the evergreens and alighting with a smart rap upon the coffin of poor Fanny. The fog had by this time saturated the trees, and this was the first dropping of water from the overbrimming leaves. The hollow echo of its fall reminded the waggoner painfully of the grim Leveller. Then hard by came down another drop, then two or three. Presently there was a continual tapping of these heavy drops upon the dead leaves, the road, and the travellers. The nearer boughs were beaded with the mist to the greyness of aged men, and the rusty-red leaves of the beeches were
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
It was in that kitchen where I waited for Daddy and Mrs. Masicotte to be finished with the weekly business, two rooms away. Though Mrs. Masicotte seemed as indifferent to me as her renters were, she provided richly for me while I waited. On hand were plates of bakery cookies, thick picture books with shiny pages, punch-out paper dolls. My companion during these vigils was Zahra, Mrs. Masicotte’s fat tan cocker spaniel, who sat at my feet and watched, unblinking, as cookies traveled mercilessly from the plate to my mouth. Mrs. Masicotte and my father laughed and talked loud during their meetings and sometimes played the radio. (Our radio at home was a plastic box; Mrs. Masicotte’s was a piece of furniture.) “Are we going soon?” I’d ask Daddy whenever he came out to the kitchen to check on me or get them another pair of Rheingolds. “A few minutes,” was what he always said, no matter how much longer they were going to be. I wanted my father to be at home laughing with Ma on Saturday afternoons, instead of with Mrs. Masicotte, who had yellowy white hair and a fat little body like Zahra’s. My father called Mrs. Masicotte by her first name, LuAnn; Ma called her, simply, “her.” “It’s her,” she’d tell Daddy whenever the telephone interrupted our dinner. Sometimes, when the meetings dragged on unreasonably or when they laughed too loud in there, I sat and dared myself to do naughty things, then did them. One time I scribbled on all the faces in the expensive storybooks. Another Saturday I waterlogged a sponge and threw it at Zahra’s face. Regularly, I tantalized the dog with the cookies I made sure stayed just out of her reach. My actions—each of which invited my father’s anger—shocked and pleased me.
Wally Lamb (She's Come Undone)
A few weeks later, in the middle of a cold December night, the pair, along with 247 other radicals, were herded onto a freighter and shipped off to Soviet Russia, a government the United States didn’t even recognize. Greeted as heroes upon their arrival, Goldman and Berkman believed they had landed in a country where their politics would find a home. But once again, a promised land disappointed. Instead, they found workers in conditions of servitude, corruption among their managers, and no tolerance of free speech. In a remarkable moment, Goldman and Berkman complained to the leader of the revolution himself, Vladimir Lenin. Unlike muckraking journalist Lincoln Steffens and other American fellow travelers, Berkman and Goldman courageously criticized the Russian Revolution. Lenin dismissed the complaints and said that there was no room for free speech in the revolutionary period.
James McGrath Morris (Revolution By Murder: Emma Goldman, Alexander Berkman, and the Plot to Kill Henry Clay Frick (Kindle Single))
Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….
Mark Kaplon (Song of Rainswept Sand)
Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….
Mark Kaplon (Song of Rainswept Sand)
quaint wig by a pair of moist bright eyes that it must have cost their owner, in years gone by, some pains to drill to the composed and reserved expression of Tellson's Bank. He had a healthy colour in his cheeks, and his face, though lined, bore few traces of anxiety. But, perhaps the confidential bachelor clerks in Tellson's Bank were principally occupied with the cares of other people; and perhaps second-hand cares, like second-hand clothes, come easily off and on. Completing his resemblance to a man who was sitting for his portrait, Mr. Lorry dropped off to sleep. The arrival of his breakfast roused him, and he said to the drawer, as he moved his chair to it: "I wish accommodation prepared for a young lady who may come here at any time to-day. She may ask for Mr. Jarvis Lorry, or she may only ask for a gentleman from Tellson's Bank. Please to let me know." "Yes, sir. Tellson's Bank in London, sir?" "Yes." "Yes, sir. We have oftentimes the honour to entertain your gentlemen in their travelling backwards
Charles Dickens (A Tale of Two Cities)
At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.
Bernie Morris (The Fury of the Fae)
Everywhere you turn you see signs of its place at the top of the Italian food chain: fresh-pasta shops vending every possible iteration of egg and flour; buzzing bars pairing Spritz and Lambrusco with generous spreads of free meat, cheese, and vegetable snacks; and, above all, osteria after osteria, cozy wine-soaked eating establishments from whose ancient kitchens emanates a moist fragrance of simmered pork and local grapes. Osteria al 15 is a beloved dinner den just inside the centro storico known for its crispy flatbreads puffed up in hot lard, and its classic beef-heavy ragù tossed with corkscrew pasta or spooned on top of béchamel and layered between sheets of lasagne. It's far from refined, but the bargain prices and the boisterous staff make it all go down easily. Trattoria Gianni, down a hairpin alleyway a few blocks from Piazza Maggiore, was once my lunch haunt in Bologna, by virtue of its position next to my Italian-language school. I dream regularly of its bollito misto, a heroic mix of braised brisket, capon, and tongue served with salsa verde, but the dish I'm looking for this time, a thick beef-and-pork joint with plenty of jammy tomato, is a solid middle-of-the-road ragù.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Hickock whistled and rolled his eyes. "Wow!" he said, and then, summoning his talent for something very like total recall, he began an account of the long ride--the approximately ten thousand miles he and Smith had covered in the past six weeks. He talked for an hour and twenty-five minutes--from two-fifty to four-fifteen--and told, while Nye attempted to list them, of highways and hotels, motels, rivers, towns, and cities, a chorus of entwining names: Apache, El Paso, Corpus Christi, Santillo, San Luis Potosi, Acapulco, San Diego, Dallas, Omaha, Sweetwater, Stillwater, Tenville Junction, Tallahassee, Needles, Miami, Hotel Nuevo Waldorf, Somerset Hotel, Hotel Simone, Arrowhead Motel, Cherokee Motel, and many, many more. He gave them the name of the man in Mexico to whom he'd sold his own 1940 Chevrolet, and confessed that he had stolen a newer model in Iowa. He described persons he and his partner had met: a Mexican widow, rich and sexy; Otto, a German “millionaire”; a “swish” pair of Negro prizefighters driving a “swish” lavender Cadillac; the blind proprietor of a Florida rattlesnake farm; a dying old man and his grandson; and others. And when he had finished he sat with folded arms and a pleased smile, as though waiting to be commended for the humor, the clarity, and the candor of his traveler’s tale.
Truman Capote (In Cold Blood)
You look a bit fatigued, Sophie.” St. Just studied her with a brooding frown, all hint of teasing gone. His brows knit further as his gaze went to the hearth. “Is that a pair of my favorite socks set out to dry? They’re a bit large for you, aren’t they?” Westhaven emerged from the back hallway, a small box in his hand. “Somebody has decimated my stash of marzipan. If His Grace has given up crème cakes for German chocolate, I’ll be naming my seconds.” Valentine returned from the corridor. “Somebody left my favorite mug in the linen closet. I thought you favored more delicate crockery, Sophie.” In the ensuing moment of silence, Sophie was casting around desperately for plausible reasons why all this evidence of Vim’s presence in the house was yet on hand, when the back door opened and slammed shut. “Sophie, love! I’m back. Come here and let me kiss you senseless, and then, by God, we’re going to talk.” Oh dear. Oh, good heavens. Vim emerged from the darkness looking weary, handsome, and very pleased—until his gaze traveled to each of the three men glowering at him. “Who the hell are you?” Westhaven’s voice was soft, but he did not sound sensible in the least. “And what makes you think you’re going to be kissing my sister?” St. Just added, hands on his hips. “And what on earth could you have to speak with Lady Sophia about?” Valentine asked, crossing his arms.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Fukuoka, more than any other city in Japan, is responsible for ramen's rocket-ship trajectory, and the ensuing shift in Japan's cultural identity abroad. Between Hide-Chan, Ichiran, and Ippudo- three of the biggest ramen chains in the world- they've brought the soup to corners of the globe that still thought ramen meant a bag of dried noodles and a dehydrated spice packet. But while Ichiran and Ippudo are purveyors of classic tonkotsu, undoubtedly the defining ramen of the modern era, Hideto has a decidedly different belief about ramen and its mutability. "There are no boundaries for ramen, no rules," he says. "It's all freestyle." As we talk at his original Hide-Chan location in the Kego area of Fukuoka, a new bowl arrives on the table, a prototype for his borderless ramen philosophy. A coffee filter is filled with katsuobushi, smoked skipjack tuna flakes, and balanced over a bowl with a pair of chopsticks. Hideto pours chicken stock through the filter, which soaks up the katsuobushi and emerges into the bowl as clear as a consommé. He adds rice noodles and sawtooth coriander then slides it over to me. Compared with other Hide-Chan creations, though, this one shows remarkable restraint. While I sip the soup, Hideto pulls out his cell phone and plays a video of him layering hot pork cheeks and cold noodles into a hollowed-out porcelain skull, then dumping a cocktail shaker filled with chili oil, shrimp oil, truffle oil, and dashi over the top. Other creations include spicy arrabbiata ramen with pancetta and roasted tomatoes, foie gras ramen with orange jam and blueberry miso, and black ramen made with bamboo ash dipped into a mix of miso and onions caramelized for forty-five days.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
The first buddy pair enters the deep end of the pool and begins buddy breathing. The games begin when, like a hungry shark, an instructor menacingly stalks the two trainees. Suddenly, the instructor darts forward, grabs the snorkel, and tosses it about ten feet away where it slowly sinks to the bottom. It is the duty of the last person to have taken a breath, to retrieve the snorkel. As the swimmer dives ten feet deep to recover the snorkel, his buddy floats motionless, his face underwater, holding his breath, patiently conserving oxygen. The swimmer returns with the snorkel and hands it to his buddy, but before his teammate can grab it and breathe, the instructor sadistically snatches the snorkel and again tosses it away. The swimmer, still holding his breath, dives to get the snorkel, but the instructor grabs his facemask and floods it with pool water. The swimmer has a choice. He can clear his mask of water, by blowing valuable air into it through his nose, or he can continue to swim with his mask full of water blurring his vision. The swimmer makes the right decision and retrieves the snorkel. All this time both trainees are holding their breath, battling the urge to surface and suck in a lung full of sweet fresh air. With lungs burning and vision dimming, the swimmer hands the snorkel to his buddy. After taking only two breaths, his buddy returns the snorkel and, finally the instructor allows the swimmer to breathe his two breaths. While the trainees try to breathe, instructors splash water into foam around them while screaming insults. Despite the distractions, the snorkel travels back and forth between the trainees until once again, an instructor snatches it, tosses it across the pool, and floods both students’ masks. This harassment continues until the instructor is satisfied with the trainees’ performance.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
But as she glanced back over her shoulder to see who had come, the sight of a man’s tall, dark form struck sparks inside her. She stopped with her foot on the first step, staring and staring, until a pair of amber eyes looked in her direction. Cam. He looked disheveled and disreputable, like an outlaw on the run. A smile came to his lips, while he stared at her intently. “It seems I can’t stay away from you,” he said. She rushed to him without thinking, almost stumbling in her haste. “Cam—” He caught her up with a low laugh. The scent of outdoors clung to him; wet earth, dampness, leaves. The mist on his coat sank through the thin layer of her robe. Feeling her tremor, Cam opened his coat with a wordless murmur and pulled her into the tough, warm haven of his body. Amelia couldn’t contain her shivering. She was vaguely aware of servants moving through the entrance hall, of her sister’s presence nearby. She was making a scene—she should pull away and try to compose herself. But she couldn’t. Not yet. “You must have traveled all night,” she heard herself say. “I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.” Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became. Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples.    “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
The news about Eddoes and the shoes travelled round the street pretty quickly. My mother was annoyed. She said, ‘You see what sort of thing life is. Here I is, working my finger to the bone. Nobody flinging me a pair of shoes just like that, you know. And there you got that thin-arse little man, doing next to nothing, and look at all the things he does get.
V.S. Naipaul (Miguel Street)
Q: What does a computer do when it’s tired? A: It crashes. Q: What did the tooth fairy use to fix her wand? A: Toothpaste. Q: Why did the computer get glasses? A: To improve his web sight. Q: What stays in the corner but travels all over the world? A: A stamp. Q: What did the computer say when it fell into quicksand? A: “Help me! I’m syncing!” Q: What do you get when you have two doctors at once? A: Pair-a-medics. Q: What should you do when you get in a jam? A: Grab some bread and peanut butter. Q: How can you go surfing in the kitchen? A: On a micro-wave.
Rob Elliott (Laugh-Out-Loud Jokes for Kids)
Kayapó women – always in pairs or more. If you asked for their name – their friend would always reply to voice her name.
Gordon Roddick
The sword was part of a pair,” Ruhn said to him. “A long-bladed knife was forged from the iridium mined from the same meteorite, which fell on our old world.” The world the Fae had left to travel through the Northern Rift and into Midgard. “But we lost the knife eons ago. Even the Fae Archives have no record of how it might have been lost, but it seems to have been sometime during the First Wars.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
And even if I met a fellow agent who seemed to jibe with me, no guarantee they’d be the same when I rendezvoused with them later and/or earlier (let me tell you, it’s frankly embarrassing to clap your fellow time warrior on the shoulder only to find that, from their perspective, it’s before the pair of you ever met and then they’re trying to stick a gun up your nose and… take it from me, it’s a real faux pas; the social anxiety alone was enough to justify burning it all down).
Adrian Tchaikovsky (One Day All This Will Be Yours)
In a search space like that of the traveling salesman problem, where nearby points are likely to have similar scores, it is usually better to use a procedure that searches a path through the space by traveling from point to nearby point. Just as the best method for finding a peak in a hilly landscape is to walk uphill, the equivalent heuristic is to choose the best of nearby solutions found in the search space. In the traveling salesman problem, for example, the computer might vary the best-known solution by exchanging the order of two of the cities in the itinerary. If this variation leads to a more efficient tour, then it is accepted as a superior solution (a step uphill); otherwise, it is rejected and a new variation is tried. This method of search will wander through the space, always traveling in an uphill direction, until it reaches the top of a hill. At this point, the solution cannot be improved by exchanging any pair of cities. The weakness of this method, which is called hill climbing, is that although you thereby reach the top of a hill, it is not necessarily the highest hill in the landscape. Hill climbing is a heuristic, not an algorithm.
William Daniel Hillis (The Pattern on the Stone: The Simple Ideas that Make Computers Work)
It now appears that birds may visualize the earth’s magnetic field through a form of quantum entanglement, which is just as bizarre as it sounds. Quantum mechanics dictates that two particles, created at the same instant, are linked at the most profound level—that they are, in essence, one thing, and remain “entangled” with each other so that regardless of distance, what affects one instantly affects the other. No wonder the technical term in physics for this effect is “spooky action.” Even Einstein was unsettled by the implications. Theoretically, entanglement occurs even across millions of light-years of space, but what happens within the much smaller scale of a bird’s eye may produce that mysterious ability to use the planetary magnetic field. Scientists now believe that wavelengths of blue light strike a migratory bird’s eye, exciting the entangled electrons in a chemical called cryptochrome. The energy from an incoming photon splits an entangled pair of electrons, knocking one into an adjacent cryptochrome molecule—yet the two particles remain entangled. However minute, the distance between them means the electrons react to the planet’s magnetic field in subtly different ways, creating slightly different chemical reactions in the molecules. Microsecond by microsecond, this palette of varying chemical signals, spread across countless entangled pairs of electrons, apparently builds a map in the bird’s eye of the geomagnetic fields through which it is traveling.
Scott Weidensaul (A World on the Wing: The Global Odyssey of Migratory Birds)
Ruhn shook his head. “The sword doesn’t work like that. Aside from being picky about who draws it, the sword has no power without the knife.” “The knife?” Hunt asked. Ruhn drew the sword, the metal whining, and laid it on the table between them. Bryce leaned back, away from it, as a bead of starlight sang down the fuller and sparkled at the tip. “Fancy,” Hunt said, earning a glare from Ruhn, who had raised a brow at Bryce, no doubt expecting some kind of reverence from her at a sword that was older than this city, older than the Vanir’s first step in Midgard. “The sword was part of a pair,” Ruhn said to him. “A long-bladed knife was forged from the iridium mined from the same meteorite, which fell on our old world.” The world the Fae had left to travel through the Northern Rift and into Midgard. “But we lost the knife eons ago. Even the Fae Archives have no record of how it might have been lost, but it seems to have been sometime during the First Wars.” “It’s another of the Fae’s countless inane prophecies,” Bryce muttered. “When knife and sword are reunited, so shall our people be.” “It’s
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
American girls grow up knowing the intrinsic importance of having female friends; our girlfriends are our bosom buddies, a term that links the girlishly erotic with the emotionally intimate. There is no Emma Woodhouse without Harriet Smith; there is no Beatrice without Hero; there is no Anne Shirley without Diana Barry. Sex and the City, The Group, Gossip Girl, Sisterhood of the Traveling Pants, Thelma & Louise—American popular culture is positively lousy with BFFs (not even death can separate that final pair). Men may come and men may go, but in American culture, at least, a girl’s bosom buddy will always be another woman.
Chelsea G. Summers (A Certain Hunger)
Some youngsters settle down close to their hatching site, and others travel farther, but nobody knows exactly how far they go on average. Once they get there, though, they waste no time in making new pigeons. The age of sexual maturity is pretty variable, but birds can start to pair up when they're only six to eight months old. All too soon, the newly adult pigeons are dancing, strutting, and building their terrible nests . . .
Rosemary Mosco (A Pocket Guide to Pigeon Watching: Getting to Know the World's Most Misunderstood Bird)
It suddenly hits me that I'm allowing my life to fall back into exactly the same shape it was the first time round: gravitating toward familiarity and repetition, the way I always do. Encouraging the sameness, because even when it's awful, I still like it more than change. Slipping back into time as if it's an old pair of comfy slippers I refuse to throw away, even though they're not even that comfortable anymore and my toes are sticking out and getting cold. And this wasn't the point of what it is I'm trying to do. I'm supposed to be taking risks, making changes, and if I don't--if I simply wrap myself in the comfort of a timeline I already know--I'll just end up where I was at the beginning, and I'll have wasted my time. Worse: I'll have wasted all of them.
Holly Smale (Cassandra in Reverse)
After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance. Nor was this enlivening prospect without its pairs of antelope, and monkeys which hopped away like Australian kangaroos; these latter were of good size, with round bullet heads, white breasts, and long tails tufted at the end. We arrived at Kikoka by 5 P.M., having loaded and unloaded our pack animals four times, crossing one deep puddle, a mud sluice, and a river, and performed a journey of eleven miles. The settlement of Kikoka is a collection of straw huts; not built after any architectural style, but after a bastard form, invented by indolent settlers from the Mrima and Zanzibar for the purpose of excluding as much sunshine as possible from the eaves and interior. A sluice and some wells provide them with water, which though sweet is not particularly wholesome or appetizing, owing to the large quantities of decayed matter which is washed into it by the rains, and is then left to corrupt in it. A
Henry Morton Stanley (How I Found Livingstone: Enriched edition. Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
…he learned the most important part of the language that all the world spoke, the language that everyone on Earth was capable of understanding in their heart: it was love. Something older than humanity, more ancient than the desert. Something that exerted the same force whenever two pairs of eyes met, as had theirs here at the well. She smiled, and that was certainly an omen. The omen he had been awaiting without even knowing he was for all his life. The omen he had sought to find with his sheep, and in his books, in the crystals, and in the silence of the desert. It was the pure language of the world; it required no explanation, just as the world needs none as it travels through endless time. What the boy felt at that moment was that he was in the presence of the only woman in his life, and that, with no need for words, she recognized the same thing. He was more certain of it than anything in the world. He had been told by his parents and grandparents that he must fall in love and really know a person before becoming committed. But maybe people who felt that way had never learned the universal language, because when you know that language, it’s easy to understand that someone in the world awaits you, whether it’s in the middle of the dessert or in some great city. And when two such people encounter each other and their eyes meet, the past and the future become unimportant: there is only that moment, and the incredible certainty that everything under the sun has been written by one hand only. It is the hand that evokes love, and creates a twin soul for every person in the world. Without such love, one’s dreams would have no meaning.
Paulo Coelho (The Alchemist)
No other personal item was more painful to see than a lost person’s shoes. Shoes were life. They represented the journey, the travels, the destinations of their owners. They stretched to fit their master. They conformed to that person’s shape. They carried the dust from where one had gone and pointed in the direction of the future. Shoes were life. And there was nothing sadder than a pair of shoes that would never be used by their owner again. Barely able to move, she stepped aside
Heather Burch (In the Light of the Garden)
Over a year ago, Heather had read an article on quantum twins. Quantum theory predicted and experimentation had shown it possible to produce a pair of particles that shared the same quantum state. If something was done to one of the particles that changed its state, the state of the other particle changed at exactly the same time. This was true no matter how much distance separated the pair, something that at first glance appeared to violate the special theory of relativity’s prohibition on any information traveling faster than the speed of light. But the twin particles were bound together as if by magic.
Richard Phillips (The Second Ship (The Rho Agenda, #1))
When I rode away from Jock’s farm a week later, I took nothing that I couldn’t tie onto the back of my saddle—pyjamas, a toothbrush and comb, a second pair of slacks, a man’s shirt in heavy cotton. For Pegasus I carried a thick rug and brush, several pounds of crushed oats, and a small, tarnished blacksmith’s knife. It felt wonderful to be riding out in the bush and travelling so lightly, but I was also leaving much unsettled behind me. It was a devil’s bargain I had struck with Jock.
Paula McLain (Circling the Sun)
She turned to Stephanie. "I'm going to the bathroom. You coming?" "Yes, since women have to travel in pairs." Tonya chuckled. Once that were around the corner, Stephanie pounced. "Holy crap! I've never seen you like that before. Not that I ever had the chance, but holy shit, Tonya, you need to jump on this train. I think it's coming for you whether you want it to or not.
K.D. Williamson
Eve’s gaze traveled across the ballroom, to where Sir Joseph was in conversation with the plump, pale Lady Horton. The woman’s two eldest daughters flanked him—penned him in like a pair of curious heifers would corner a new bull calf. “I
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Hello, ladies, I’m your uncle Devlin. Has Westhaven scared you witless with his fuming and fretting?” This fellow looked to be great fun, with a nice smile and kind green eyes. “Mama and Papa didn’t say anything about getting uncles for Christmas,” Amanda observed, but she was smiling back at the big uncle. The biggest uncle—they were all as tall as Papa. “Well, that’s because we’re a surprise,” the other dark-haired fellow said. “I’m your uncle Valentine, and we have an entire gaggle of aunties waiting out in the coach to spoil you rotten. Westhaven here is just out of sorts because Father Christmas gave him a headache for being naughty yesterday.” “I was not naughty.” The other two uncles thought this was quite funny, judging by their smiles. “There’s your problem,” said Uncle Devlin. “I’m thinking it’s a fine day for a pair of ladies to join their aunts for a ride in the traveling coach.” Uncle Gayle—it didn’t seem fair to call him by the same name as Fleur’s puppy—appeared to consider this. “For what purpose?” “To keep the peace. Emmie and I never haul out our big guns around the children,” said Uncle Devlin, which made no sense. “Do you like to play soldiers?” Fleur asked. Amanda appeared intrigued by the notion. She was forever galloping up hills and charging down banisters in pursuit of the French. Uncle Devlin’s brows knitted—he had wonderful dark eyebrows, much like Papa’s. “As a matter of fact, on occasion, if I’ve been an exceedingly good fellow, my daughter lets me join her in a game of soldiers.” “I’m not exactly unfamiliar with the business myself,” said Uncle Valentine. “I excel at the lightning charge and have been known to take even the occasional doll prisoner.” “Missus Wolverhampton would not like being a prisoner,” Fleur said, though Uncle Valentine was teasing—wasn’t he?” “Perhaps you gentlemen can arrange an assignation to play soldiers with our nieces on some other day,” Westhaven said. He sounded like his teeth hurt, which Fleur knew might be from the seasonal hazard of eating too much candy. “You can play too,” Fleur allowed, because it was Christmas, and one ought to be kind to uncles who strayed into one’s nursery. “We’ll let you be Wellington,” Amanda added, getting into the spirit of the day. “Which leaves me to be Blucher’s mercenaries,” Uncle Devlin said, “saving the day as usual.” “Oh, that’s brilliant.” Uncle Valentine wasn’t smiling now. “Leave your baby brother to be the infernal French again, will you? See if I write a waltz for your daughter’s come out, St. Just.” Uncle Gayle wasn’t frowning quite so mightily. In fact, he looked like he wanted to smile but was too grown-up to allow it. “Perhaps you ladies will gather up a few soldiers and fetch a doll or two. We’re going on a short journey to find your mama and papa, so we can all share Christmas with them.” Fleur noticed his slip, and clearly, Amanda had too—but it was the same slip Amanda had made earlier, and one Fleur was perfectly happy to let everybody make. Uncle Gayle had referred to their papa’s new wife not as their stepmama, but as their mama. What a fine thing that would be, if for Christmas they got a mama again for really and truly. Amanda fetched their dolls, Fleur grabbed their favorite storybook, and the uncles herded them from the nursery, all three grown men arguing about whose turn it was to be the blasted French. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Femi turned around as he heard the door swing open. Chioma appeared in a white thick towel tied around her sexy body, from above her small and well-rounded breasts. Her artificial hair took refuge under a transparent shower cap. Even with a washed-up makeup-free face, her beauty radiated and penetrated every inch of the tastelessly furnished room. Tension traveled across the floor that separated the pair as they stared hard and awkwardly at each other’s sexy figure. After a momentary loss of consciousness, the two were brought back to their senses. ‘You need to turn around so I can get dressed,’ she purred. As a gentleman would, Femi, without any utterance, quickly turned away without nurturing a second thought. He stared through the window, again, at the police van parked outside. He tried to observe what was going on inside the van, but nothing. His attention was brought back to Chioma as he stared at her from the back of his eyes. He went into whirlwinds of impure thoughts. ‘Femi… Femi… Femi!’ He was brought back to his senses as Chioma repeatedly called out his name. He slowly trained his sight upon Chioma who was dressed in a sexy, semi-transparent, cream nightgown that revealed shades of her nakedness. The nipples of her erect boobies were stiff and swollen. The gown terminated far above her knees, exposing her succulent fresh thighs. Femi’s heart began to race fast. He cleared his throat and quickly caught his breath. ‘Where do I sleep?’ Chioma asked in a half-sexy voice. ‘You have the bed. I’ll have the rug,’ Femi proposed. ‘Are you going to be comfortable sleeping on the rug? We can sleep on the bed together as long as you promise to remain on your side of the bed.’ Femi considered the very tempting offer, but summoned the strength to turn it down. ‘Don’t worry about me. I will be comfortable on the rug. I sometimes sleep on the rug when I’m alone.’ Chioma slipped into the bed in her nightgown and camisole, while Femi strolled to the light switch fastened to the wall.
Nick Nwaogu (The Almost Kiss)