“
What happens when people open their hearts?"
"They get better.
”
”
Haruki Murakami (Norwegian Wood)
“
When evening in the Shire was grey
his footsteps on the Hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Nature in her green, tranquil woods heals and soothes all affliction,’ wrote John Muir. ‘Earth hath no sorrows that earth cannot heal.’ Now I knew this for what it was: a beguiling but dangerous lie. I was furious with myself and my own conscious certainty that t his was the cure I needed. Hands are for other humans to hold. They should not be reserved exclusively as perches for hawks. And the wild is not a panacea for the human soul; too much in the air can corrode it to nothing.
”
”
Helen Macdonald (H is for Hawk)
“
The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
”
”
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
“
Unlike television, nature does not steal time; it amplifies it. Nature offers healing for a child living in a destructive family or neighborhood.
”
”
Richard Louv (Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder)
“
Just before nightfall, Hannibal approached Lecter castle through the woods. As he looked at his home, his feelings remained curiously flat; it is not healing to see your childhood home, but it helps you measure whether you are broken, and how and why, assuming you want to know.
”
”
Thomas Harris (Hannibal Rising (Hannibal Lecter, #4))
“
Sometimes it seemed like the only thing I’d ever been good at was surviving being broken. I didn’t know how to be whole. So any time I felt like I was healing, I found a way to break myself again.
”
”
Kate Alice Marshall (What Lies in the Woods)
“
The shadow is needed now more than ever. We heal the world when we heal ourselves, and hope shines brightest when it illuminates the dark.
”
”
Sasha Graham (Dark Wood Tarot)
“
Progress does not have to be patented to be worthwhile. Progress can also be measured by our interactions with nature and its preservation. Can we teach children to look at a flower and see all the things it represents: beauty, the health of an ecosystem, and the potential for healing?
”
”
Richard Louv (Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder)
“
The way to begin healing the wounds of the world is to treasure the Infant Christ in us; to be not the castle but the cradle of Christ; and, in rocking that cradle to the rhythm of love, to swing the whole world back into the beat of the Music of Eternal Life.
”
”
Caryll Houselander (Wood of the Cradle, Wood of the Cross: The Little Way of the Infant Jesus)
“
They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.
”
”
Genevieve Gornichec (The Witch's Heart)
“
Nature is often overlooked as a healing balm for the emotional hardships in a child’s life.
”
”
Richard Louv (Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder)
“
Our healing is in His hands".
~R. Alan Woods [2012]
”
”
R. Alan Woods (The Journey Is The Destination: A Photo Journal)
“
My life is in full tilt, and I reach forward with joy.
”
”
Katina I. Makris (Out of the Woods: Healing from Lyme Disease for Body, Mind, and Spirit)
“
In reaching for stone, wood, water, and feather, I found my own edges softening, scars fading.
”
”
Heather Durham (Going Feral: Field Notes on Wonder and Wanderlust)
“
Places I love come back to me like music,
Hush me and heal me when I am very tired;
I see the oak woods at Saxton's flaming
In a flare of crimson by the frost newly fired;
And I am thirsty for the spring in the valley
As for a kiss ungiven and long desired.
I know a bright world of snowy hills at Boonton,
A blue and white dazzling light on everything one sees,
The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winer sun drawing cold blue shadows from the trees.
Violet now, in veil on veil of evening,
The hills across from Cromwell grow dreamy and far;
A wood-thrush is singing soft as a viol
In the heart of the hollow where the dark pools are;
The primrose has opened her pale yellow flowers
And heaven is lighting star after star.
Places I love come back to me like music–
Mid-ocean, midnight, the eaves buzz drowsily;
In the ship's deep churning the eerie phosphorescence
Is like the souls of people who were drowned at sea,
And I can hear a man's voice, speaking, hushed , insistent,
At midnight, in mid-ocean, hour on hour to me.
”
”
Sara Teasdale (The Collected Poems)
“
He picked up his knife and started carving again. He concentrated on the lines and planes of the wood to keep his mind from wandering too far into the past.
He had his own wounds that refused to heal.
”
”
Lorraine Heath (Always to Remember)
“
The scar is a deeper level of reconstruction that fuses the new and the old, reconciling, coalescing them, without compromising either one in the name of some contextual form of unity. The scar is a mark of pride and of honor, both for what has been lost and what has been gained. It cannot be erased, except by the most cosmetic means. It cannot be elevated beyond what it is, a mutant tissue, the precursor of unpredictable regenerations. To accept the scar is to accept existence. Healing is not an illusory, cosmetic process, but something that -by articulating differences- both deeply divides and joins together.
”
”
Lebbeus Woods
“
And the Great Wood did mend; brighter and brighter it shine, with more and more light to share. Mending begat mending, and the healing grew, like a disease in reverse, until the wholeness spread to the edge of every map.
”
”
S.D. Smith (Ember's End (The Green Ember, #4))
“
The woman had gone down on her knees and was shuffling slowly across the cruel ground towards the group of crosses: the dead baby rocked on her back. When she reached the tallest cross she unhooked the child and held the face against the wood and afterwards the loins: then she crossed herself, not as ordinary Catholics do, but in a curious and complicated pattern which included the nose and ears. Did she expect a miracle? And if she did, why should it not be granted her? the priest wondered. Faith, one was told, could move mountains, and here was faith--faith in the spittle that healed the blind man and the voice that raised the dead. The evening star was out: it hung low down over the edge of the plateau: it looked as if it was within reach: and a small hot wind stirred. The priest found himself watching the child for some movement. When none came, it was as if God had missed an opportunity. The woman sat down, and taking a lump of sugar from her bundle, began to eat, and the child lay quiet at the foot of the cross. Why, after all, should we expect God to punish the innocent with more life?
”
”
Graham Greene (The Power and the Glory)
“
We are here in a wood of little beeches:
And the leaves are like black lace
Against a sky of nacre.
One bough of clear promise
Across the moon.
It is in this wise that God speaketh unto me.
He layeth hands of healing upon my flesh,
Stilling it in an eternal peace,
Until my soul reaches out myriad and infinite hands
Toward him,
And is eased of its hunger.
And I know that this passes:
This implacable fury and torment of men,
As a thing insensate and vain:
And the stillness hath said unto me,
Over the tumult of sounds and shaken flame,
Out of the terrible beauty of wrath,
I alone am eternal.
One bough of clear promise
Across the moon
”
”
Frederic Manning
“
The yew tree is the most important of all the healing trees, it said. It lives for thousands of years. Its berries, its bark, its leaves, its sap, its pulp, its wood, they all thrum and burn and twist with life. It can cure almost any ailment man suffers from, mixed and treated by the right apothecary.
”
”
Patrick Ness (A Monster Calls)
“
I am Mother Nature. All of creation bows before me. When people leave their cities and learn of me—walk in my woods, bathe in my rivers, eat of my harvest—they will find healing to their souls. But stray from me and return to the supposed wisdom of men, and they will find themselves in chains once more.
”
”
Seth Adam Smith (Rip Van Winkle and the Pumpkin Lantern)
“
I had nature in my heart, she said. Like she did, and her mother before her. There was something about us---the Weyward women---that bonded us more tightly with the natural world. We can feel it, she said, the same way we feel rage, sorrow, or joy. The animals, the birds, the plants---they let us in, recognizing us as one of their own. That is why roots and leaves yield so easily under our fingers, to form tonics that bring comfort and healing. That is why animals welcome our embrace. Why the crows---the ones who carry the sign---watch over us and do our bidding, why their touch brings our abilities into sharpest relief. Our ancestors---the women who walked these paths before us, before there were words for who they were---did not lie in the barren soil of the churchyard, encased in rotting wood. Instead, the Weyward bones rested in the woods, in the fells, where our flesh fed plants and flowers, where trees wrapped their roots around our skeletons. We did not need stonemasons to carve our names into rock as proof we had existed.
All we needed was to be returned to the wild.
This wildness inside gives us our name. It was men who marked us so, in the time when language was but a shoot curling from the earth. Weyward, they called us, when we would not submit, would not bend to their will. But we learned to wear the name with pride.
”
”
Emilia Hart (Weyward)
“
Little girls are taught fairy tales that are filled with magic. Cinderella is taught to wait in the kitchen for a guy with the right shoe! Snow White is given the message that if she waits long enough, her prince will come. On a literal level, that story tells women that their destiny depends on waiting for a necrophile (someone who likes to kiss dead people) to stumble through the woods at the right time. Not a pretty picture!
”
”
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
“
Wood burns. Roots nourish. Branches shelter. Leaves heal.” The words had become her mantra, her way of reigniting her courage when it started to falter. My life depends on a tree, she thought wryly as she cinched her pack.
”
”
Teresa Tsalaky
“
They're wood violets," she said. "I haven't seen them on the island since...."
"They're very rare," Henry said, filling the void that Bee had left when her voice trailed off. "You can't plant them, for they won't grow. They have to choose you."
Bee's eyes met Henry's, and she smiled, a gentle, forgiving smile. It warmed me to see it. "Evelyn has a theory about these flowers," she said, pausing as if to pull a dusty memory off a shelf in her mind, handling it with great care. "Yes," she said, the memory in plain view. "She used to say they grow where they are needed, that they signal healing, and hope.
”
”
Sarah Jio (The Violets of March)
“
It's okay that I got sick, I suddenly realize. If Lyme hadn't taken me down so radically, I wouldn't have learned about stillness. I would not have discovered my enormous capacity to endure. I would have not have embraced this deeply contemplative place within my own being.
”
”
Katina I. Makris (Out of the Woods: Healing from Lyme Disease for Body, Mind, and Spirit)
“
How did I do that to her? Her? Punching trees and screaming? She must have been terrified.
Soon his hands would heal, so he might forget the pain he’d caused her. He’d left her in the woods. Left her. Watching her find her car and punch it with the same delicate hand she’d put so trustingly in his was too much.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Slowly the lights of the torches in front of Merry flicked and went out, and he was walking in a darkness; and he thought: ‘This is a tunnel leading to a tomb; there we shall stay forever.’ But suddenly into his dream there fell a living voice.
‘Well, Merry! Thank goodness I have found you!’
He looked up and the mist before his eyes cleared a little. There was Pippin! They were face to face in a narrow lane, but for themselves it was empty. He rubbed his eyes.
‘Where is the king?’ He said. ‘And Eowyn?’ Then he stumbled and sat down on a doorstep and began to weep again.
‘They must have gone up into the Citadel,’ said Pippin. ‘I think you must have fallen asleep on your feet and taken the wrong turning. When we found out you were not with them, Gandalf sent me to look for you. Poor old Merry! How glad I am to see you again! But you are worn out, and I won’t bother you with any talk. But tell me, are you hurt, or wounded?’
‘No,’ said Merry. ‘Well, no, I don’t think so. But I can’t use my right arm, Pippin, not since I stabbed him. And my sword burned away like a piece of wood.’
Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from battle is easily overlooked.’
‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by—no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’
‘Lean on me, Merry lad!” said Pippin. ‘Come now. Foot by foot. It’s not far.’
‘Are you going to bury me?’ said Merry.
‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
If I could mark clearly, convincingly and consistently what was good for me and also what was bad — if I could say yes and also no, as if it were the law — it would become my law.
It finally had to.
I understood that it wouldn’t be easy, it would be very hard; I’d need to resist the habit I had developed long ago – with conviction. I’d have to be impolite, an inconvenience, and sometimes awkward. But if I could commit, all that discomfort would add up to zap predatory threats like a Taser gun. I’d stun them. They’d bow to me. I’d let my no echo against the mountains.
And better to feel bad for a moment saying no – and stop it – than to get harmed.
”
”
Aspen Matis (Girl in the Woods: A Memoir)
“
Your suffering only matters if it connects you to the suffering of others, if it heals them too.
”
”
Geoffrey Wood
“
We are, in a certain way, defined as much by our potential as by its expression. There is a great difference between an acorn and a little bit of wood carved into an acorn shape, a difference not always readily apparent to the naked eye. The difference is there even if an acorn never has the opportunity to plant itself and become an oak. Remembering its potential changes the way in which we think of an acorn and react to it. How we value it. If an acorn were conscious, knowing its potential would change the way it might think and feel about itself. The Hindus use the greeting "Namaste" instead of our more noncommittal "Hello." The connotation of this is roughly, whatever your outer appearance, I see and greet the soul in you. There is a wisdom in such ways of relating. Sometimes we can best help other people by remembering that what we believe about them may be reflected back to them in our presence and may affect them in ways we do not fully understand. Perhaps a sense of possibility is communicated by our tone of voice, facial expression, or certain choice of words . . .
Holding and conveying a sense of possibility does not mean making demands or having expectations. It may mean having no expectations, but simply being open to whatever promise the situation may hold and remembering the inability of anyone to know the future. Thoreau said that we must awaken and stay awake not by mechanical means, but by a constant expectation of the dawn. There's no need to demand the dawn, the dawn is simply a matter of time. And patience. And the dawn may look quite different from the story we tell ourselves about it. My experience has shown me the wisdom of remaining open to the possibility of growth in any and all circumstances, without ever knowing what shape that growth may take.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
I wanted tolerance. I wanted everybody to leave everybody else alone, regardless of their religious beliefs, regardless of their political affiliation. I wanted people to like each other. Hatred seemed, to me, the product of ignorance. I was tired of biblical ethic being used as a tool with which to judge people rather than heal them. I was tired of Christian leaders using biblical principles to protect their power, to draw a line in the sand separating the good army from the bad one. The truth is I had met the enemy in the woods and discovered they were not the enemy. I wondered whether any human being could be an enemy of God.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
“
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
”
”
William Cullen Bryant (Thanatopsis)
“
Necessities for all manner of healing in the herb garden: Hyssop, Wormwood, Rue, Coriander, Pasqueflower, Rosemary, St John’s Wort, Costmary, Lady’s Mantle, Lady’s Bedstraw, Angelica, Heartsease, Lily of the Valley, Marigold, Milk Thistle, Thyme, Sweet Woodruff. To these I plan to add, as time permits: Wood Betony, Comfrey, Coltsfoot, Cowslip, Hawthorn, Lavender, Lemon Balm, Meadowsweet, Sage, Valerian, Yarrow and Winter Savory.
”
”
Rhys Bowen (The Victory Garden)
“
Now the three were in a tiny magical clearing in the forest: lime-green moss and tiny, sweet-scented flowers not seen elsewhere in the dark woods grew in profusion. In the middle of it a crystal-clear spring burbled whose waters were supposed to have healing properties. No one said it aloud, but it was very clear this was exactly the sort of place the king-- or queen-- of the forest would live: a golden-antlered stag, a snow-white hart, or...
”
”
Liz Braswell (What Once Was Mine)
“
Society gives the image of sexual violators as weird, ugly, anti-social, alcoholics. Society gives the impression that violators kidnap children are out of their homes and take them to some wooded area and abandon them after the violation. Society gives the impression that everyone hates people who violate children. If all of these myths were true, healing would not be as challenging as it is.
Half of our healing is about the actual abuse. The other half is about how survivors fit into society in the face of the myths that people hold in order to make themselves feel safe. The truth is that 80% of childhood sexual abuse is perpetrated by family members. Yet we rarely hear the word “incest”. The word is too ugly and the truth is too scary. Think about what would happen if we ran a campaign to end incest instead of childhood sexual abuse. The number one place that children should know they are safe is in their homes. As it stands, as long as violators keep sexual abuse within the family, the chances of repercussion by anyone is pretty low. Wives won’t leave violating husbands, mothers won’t kick their violating children out of the home, and violating grandparents still get invited to holiday dinners. It is time to start cleaning house. If we stop incest first, then we will strengthen our cause against all sexual abuse.
”
”
Rosenna Bakari
“
I wish I were so ‘Sequoiacal,’” he writes, “that I could descend from these mountains like a John the Baptist to preach the green-brown woods to all the juiceless world . . . crying, ‘Repent, for the Kingdom of Sequoia is at hand.
”
”
John Philip Newell (Sacred Earth, Sacred Soul: Celtic Wisdom for Reawakening to What Our Souls Know and Healing the World)
“
The character of the Indian's emotion left little room in his heart for antagonism toward his fellow creatures .... For the Lakota (one of the three branches of the Sioux Nation), mountains, lakes, rivers, springs, valleys, and the woods were all in finished beauty. Winds, rain, snow, sunshine, day, night, and change of seasons were endlessly fascinating. Birds, insects, and animals filled the world with knowledge that defied the comprehension of man.
The Lakota was a true naturalist - a lover of Nature. He loved the earth and all things of the earth, and the attachment grew with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power.
It was good for the skin to touch the earth, and the old people liked to remove their moccasins and walk with bare feet on the sacred earth.
Their tipis were built upon the earth and their alters were made of earth. The birds that flew in the air came to rest upon the earth, and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing, and healing.
This is why the old Indian still sits upon the earth instead of propping himself up and away from its live giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him.
”
”
Luther Standing Bear
“
I’m not going to hide away and leave my friends to the corelings!” she shouted. “We’ll find a way to ward the Holy House, and make our stand here. Together! And if demons should dare come and try to take my children, I have secrets of fire that will burn them from this world!”
My children, Leesha thought, in the sudden silence that followed. Am I Bruna now, to think of them so?
She looked around, taking in the scared and sooty faces, not a one taking charge, and realized for the first time that as far as everyone was concerned, she was Bruna. She was Herb Gatherer for Cutter's Hollow now. Sometimes that meant bringing healing, and sometimes...
Sometimes it meant a dash of pepper in the eyes, or burning a wood demon in your yard.
”
”
Peter V. Brett (The Warded Man (The Demon Cycle, #1))
“
I know that I'm not the only one who struggles with feelings of self-pity. How many thousands of others are sidelined by the debilitating effects of Lyme disease? Multitudes hover on sofas and beds like me, too drained to do anything more than just the bare necessities of daily functioning. In fact, some can't even do that. Anyone living with chronic illness that imposes severe limitations must experience similar feelings of disappointment, frustration, fear, sadness, and envy. I am not alone.
”
”
Katina I. Makris (Out of the Woods: Healing from Lyme Disease for Body, Mind, and Spirit)
“
Kiaran tosses me his coat. “Here. There’s a roll of bread for you in the inner pocket. You need to eat something.”
The bread is wrapped in leaves that kept it dry. I gratefully murmur my thanks that Kiaran is so practical. Between the Morrigan’s attacks and worrying over the Book, I didn’t even notice how famished I was.
Kiaran gathers wood for a fire and I light it with my powers. A small bit of energy I’m willing to risk because I’m so bloody tired and I’ve never seen Kiaran look this rough, either.
Now you know how I feel, I think wryly as I move to sit near the flames. No invulnerable, shining fae skin. No immediate healing. Just the deep bone-tiredness of mortality.
Kiaran sits opposite, as far from me as possible. The scent of burning wood must mask the scent of my blood, at least a little. His eyes flicker to me in a quick, controlled assessment. “Your wounds need binding.”
I can’t help but smile. “First the bread, now my wounds. Is this the Kiaran MacKay way of fussing over someone?”
“I don’t fuss,” Kiaran says. “I give stern instructions, like: Bind your goddamn wounds.”
“I don’t like overbearing men.”
His mouth quirks into a sly smile. “And yet I love assertive, stubborn women.”
I laugh in surprise. “God, I adore you.
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
I don’t bother suggesting Prim learn to hunt. I tried to teach her a couple of times and it was disastrous. The woods terrified her, and whenever I shot something, she’d get teary and talk about how we might be able to heal it if we got it home soon enough.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Mothers are programmed to teach the fit. They are unequipped to listen to pleas, to alter their patterns. Mothers know how to nurse and nurture those who they have hope for—they coo over babies with infections they can help heal, they give advice for things they know, they protect from the dangers they know how to fear. But once their baby becomes so hurt the mother doesn't know how to heal her, she neglects because she doesn't know better. The tricks she knows don't work, she fears, and, eventually, when she is so lost she feels hopeless, she abandons.
”
”
Aspen Matis (Girl in the Woods: A Memoir)
“
and soon the mountains loomed ahead at the top of the ridge. He traversed it, picking his way toward them and the possibility of more caves and, hopefully, a place to hide while I healed enough to travel. Right now, we were losing time with every hour that passed that I was unable to move on my own.
”
”
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
“
I don’t bother suggesting Prim learn to hunt. I tried to teach her a couple of times and it was disastrous. The woods terrified her, and whenever I shot something, she’d get teary and talk about how we might be able to heal it if we got it home soon enough. But she makes out well with her goat, so I concentrate on that.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!”
Taryn jerked around, her mouth dropping open.
Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!”
“Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!”
The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?”
“You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!”
“Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?”
Taryn giggled, her face pressed to fur.
“Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
”
”
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
“
This book is one way that ACFN wishes to honour and amplify the voices and lives of the past, present, and future. Doing so not only fills gaps in the history of the Park, challenging erasures from narratives about WBNP and the wider history of Canadian National Parks. It is also crucial to the journey for healing and justice Dënesųłıné peoples have pursued for the past century.
”
”
Athabasca Chipewyan First Nation (Remembering Our Relations: Dënesųłıné Oral Histories of Wood Buffalo National Park)
“
Hugh got up. "Would love to stay and play doctor, love, but duty calls." He headed for the door.
Play doctor? "Jackass."
"Harpy."
"Thank you for saving me in the woods," she said to his back. "And for healing Alex."
"You're welcome. I'll see you downstairs in ten minutes."
A moment later Rook slipped into her room and held out his writing pad. Hugh needed help?
"No," Elara said. "He was terrifying.
”
”
Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
“
No matter how much exercise or energy healing I do how many soothing restorative walks I take through the woods, how many heads of raw kale I juice or don't...there is no inoculation against illness. No guarantees, no way to wrestle life under control. There are merely best attempts. But surrendering the false hope that there is a single way to make everything Just So might just be the best strategy of all.
”
”
Gillian Deacon (Naked Imperfection: A Memoir)
“
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut.
There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness.
The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine.
On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
”
”
Charlotte Brontë (Shirley)
“
All the way home on the train I thought of Dad and the terrible mistake I had made. I’d thought that to heal my great hurt, I should flee to the wild. It was what people did. The nature books I’d read told me so. So many of them had been quests inspired by grief or sadness. Some had fixed themselves to the stars of elusive animals. Some sought snow geese. Others snow leopards. Others cleaved to the earth, walked trails, mountains, coasts and glens. Some sought wildness at a distance, others closer to home. ‘Nature in her green, tranquil woods heals and soothes all afflictions,’ wrote John Muir. ‘Earth hath no sorrows that earth cannot heal.'
Now I knew this for what it was; a beguiling but dangerous lie. I was furious with myself and my own unconscious certainty that this was the cure I needed. Hands are for other human hands to hold. They should not be reserved exclusively as perches for hawks. And the wild is not a panacea for the human soul; too much in the air can corrode it to nothing.
”
”
Helen Macdonald (H is for Hawk)
“
But there's another kind of mending that must be done. This place is full of farmers, artists, carpenters, midwives, cooks, poets, healers, singers, smiths, weavers -- Workers of all kinds. We're all doing our part. . . Some must bear arms and that is their calling. But this, she motioned back to the mountain behind her, "this is a place dedicated to the reasons why some must fight. Here we anticipate the Mended Wood, the Great Wood healed. Those painters are seeing what is not yet but we hope will be. They are really seeing, but it is a different kind of sight.
”
”
S.D. Smith
“
Today, more then ever, the chance to confront one's own dragons, to travel into one's own dark wood is truly possible. It requires the inner journey that awaits all of us at every moment of our lives. It involves as much grandeur, suspense, and need for courage as any story of medieval knights. To travel to the unknown parts of yourself, that is something not even Michael Jordan in his Nike Airs can do for you. At the same time, that journey is precisely what gives you more importance than a Michael Jordan, for you are the only one breathing with your lungs and living your life.
”
”
Michael Brant DeMaria (Ever Flowing On: On Being and Becoming Oneself)
“
Some of us find meaning in creation—of building things that have never existed before, be they made of words or pigment or wood. Some of us find meaning in exploration and discovery—of finding new places, or new ways of looking at known places; of looking so close, or so far, that we see things that have not been seen before. Some of us find meaning in healing, in touch and insight that results in betterment, which allows the person on the receiving end to become more functional. Others in helping in other ways, or in elucidating—in teaching, for instance. Others in communication or interpretation, in building teams, or in leading them.
”
”
Heather E. Heying
“
The silence in the giant redwood forest near my house draws me...At eight in the morning, the great trees stand rooted in a silence so absolute that one's inmost self comes to rest. An aged silence. Some mornings I sleep through two alarms and awaken only after the first buses have arrived. I go anyway. There are hundreds of people in the woods before me. People speaking French, German, Spanish; people marveling to each other and calling to their children in Japanese, Swedish, Russian, and some languages I do not know. And children shrieking in the universal language of childhood. But the silence is always there, unchanged. It is as impervious to these passing sounds as the trees themselves.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
Because this is my land. I can feel it, tremendous, still primeval, looming, musing downward upon the tent, the camp—this whole puny evanescent clutter of human sojourn which after our two weeks will vanish, and in another week will be completely healed, traceless in this unmarked solitude. It is mine, though I have never owned a foot of it, and never will. I have never wanted to, not even after I saw that it is doomed, not even after I began to watch it retreat year by year before the onslaught of axe and saw and log-lines and then dynamite and plow. Because there was never any one for me to acquire and possess it from because it had belonged to no one man. It belonged to all; we had only to use it well, humbly, and with pride.
”
”
William Faulkner (Big Woods)
“
But when Aragorn arose all that beheld him gazed in silence, for it seemed to
them that he was revealed to them now for the first time. Tall as the sea-kings of old, he
stood above all that were near; ancient of days he seemed and yet in the flower of
manhood; and wisdom sat upon his brow, and strength and healing were in his hands,
and a light was about him. And then Faramir cried:
'Behold the King!'
And in that moment all the trumpets were blown, and the King Elessar went
forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music
of harp and of viol and of flute and the singing of clear voices the King passed through
the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar
began, of which many songs have told.
In his time the City was made more fair than it had ever been, even in the days of
its first glory; and it was filled with trees and with fountains, and its gates were
wrought of mithril and steel, and its streets were paved with white marble; and the Folk
of the Mountain laboured in it, and the Folk of the Wood rejoiced to come there; and all
was healed and made good, and the houses were filled with men and women and the
laughter of children, and no window was blind nor any courtyard empty; and after the
ending of the Third Age of the world into the new age it preserved the memory and the
glory of the years that were gone.
”
”
J.R.R. Tolkien
“
In the Thriving Season
In memory of my mother
Now as she catches fistfuls of sun
riding down dust and air to her crib,
my first child in her first spring
stretches bare hands back to your darkness
and heals your silence, the vast hurt
of your deaf ear and mute tongue
with doves hatched in her young throat.
Now ghost-begotten infancies
are the marrow of trees and pools
and blue uprisings in the woods
spread revolution to the mind,
I can believe birth is fathered
by death, believe that she was quick
when you forgave pain and terror
and shook the fever from your blood
Now in the thriving season of love
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love.
”
”
Lisel Mueller (Alive Together)
“
When evening in the Shire was grey
his footsteps on the hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger; quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien
“
Josh’s father felt Josh should bond with his fellow injured patients in the ward. This was something I really dissuaded Josh from doing. I didn’t want him to hear the hardships, battles, and frustrations that others were going through. I also didn’t want Josh to take on their fears and frustrations. We were always pleasant and polite to everyone else in the ward, but my only concern was Josh, and it was enough for us to focus just on his issues. I found the whole Acute Spinal Ward experience extremely negative and distressingly sad with no great healing or recovery objective. The message from the medical team was always, without fail, acceptance of the prognosis. This was totally the opposite message of what we presented and instilled into Josh. We slowly gained evidence that our non-traditional approach was working.
”
”
Josh Wood (Relentless: Walking Against All Odds)
“
O my dark Rosaleen,
Do not sigh, do not weep!
The priests are on the ocean green,
They march along the deep.
There’s wine from the royal Pope,
Upon the ocean green;
And Spanish ale shall give you hope,
My Dark Rosaleen!
My own Rosaleen!
Shall glad your heart, shall give you hope,
Shall give you health, and help, and hope,
My Dark Rosaleen!
Over hills, and thro’ dales,
Have I roam’d for your sake;
All yesterday I sail’d with sails
On river and on lake.
The Erne, at its highest flood,
I dash’d across unseen,
For there was lightning in my blood,
My Dark Rosaleen!
My own Rosaleen!
O, there was lightning in my blood,
Red lighten’d thro’ my blood.
My Dark Rosaleen!
All day long, in unrest,
To and fro, do I move.
The very soul within my breast
Is wasted for you, love!
The heart in my bosom faints
To think of you, my Queen,
My life of life, my saint of saints,
My Dark Rosaleen!
My own Rosaleen!
To hear your sweet and sad complaints,
My life, my love, my saint of saints,
My Dark Rosaleen!
Woe and pain, pain and woe,
Are my lot, night and noon,
To see your bright face clouded so,
Like to the mournful moon.
But yet will I rear your throne
Again in golden sheen;
‘Tis you shall reign, shall reign alone,
My Dark Rosaleen!
My own Rosaleen!
‘Tis you shall have the golden throne,
‘Tis you shall reign, and reign alone,
My Dark Rosaleen!
Over dews, over sands,
Will I fly, for your weal:
Your holy delicate white hands
Shall girdle me with steel.
At home, in your emerald bowers,
From morning’s dawn till e’en,
You’ll pray for me, my flower of flowers,
My Dark Rosaleen!
My fond Rosaleen!
You’ll think of me through daylight hours
My virgin flower, my flower of flowers,
My Dark Rosaleen!
I could scale the blue air,
I could plough the high hills,
Oh, I could kneel all night in prayer,
To heal your many ills!
And one beamy smile from you
Would float like light between
My toils and me, my own, my true,
My Dark Rosaleen!
My fond Rosaleen!
Would give me life and soul anew,
My Dark Rosaleen!
O, the Erne shall run red,
With redundance of blood,
The earth shall rock beneath our tread,
And flames wrap hill and wood,
And gun-peal and slogan-cry
Wake many a glen serene,
Ere you shall fade, ere you shall die,
My Dark Rosaleen!
My own Rosaleen!
The Judgement Hour must first be nigh,
Ere you can fade, ere you can die,
My Dark Rosaleen!
”
”
James Clarence Mangan
“
our land: The Encyclopedia of Organic Gardening and Double Yoga. Northland Wildflowers and Quilts to Wear. Songs for the Dulcimer and Bread Baking Basics. Using Plants for Healing and I Always Look Up the Word Egregious. I took the books she’d read to me, chapter by chapter, before I could read to myself: the unabridged Bambi and Black Beauty and Little House in the Big Woods. I took the books that she’d acquired as a college student in the years right before she died: Paula Gunn Allen’s The Sacred Hoop and Maxine Hong Kingston’s The Woman Warrior and Cherríe Moraga and Gloria Anzaldúa’s This Bridge Called My Back. Herman Melville’s Moby-Dick and Mark Twain’s Huckleberry Finn and Walt Whitman’s Leaves of Grass. But I did not take the books by James Michener, the ones my mother loved the most. “Thank you,” I said now to Jeff, holding The Novel. “I’ll trade this for
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
At seven little Leo was run over by an ice wagon, Marie Louise cradled her little brother in her arms, he was to be crippled for life. But a white haired 70-year-old hobo passing thru town, learning of the accident, came to the Duluoz house and offered his assistance in exchange for a meal and a lunch for the road. As everyone watched he kneaded the boy’s leg and made a few pulls and left him able to walk, no longer a cripple. “What is your name?” Tall and white-maned he flowed into eternity out of sight, across town and over the grass to the railroads, the hills; little Leo never forgot him. “Is it a saint?” “There’s an old savant for you—He came out of the mountains.” “He healed Ti Leo—” “Say what you want, me I’m going to say a little prayer—” Gray heavens lowering all around, standing in shirtsleeves by the old wood house, the Canadians nodded dumb heads in unison of sad mystery.
”
”
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
“
You’re all bloody,” Caldris said, reaching up to touch my chin. He paused, staring down at the mottled, still healing flesh as his skin knitted itself back together and slowly pushed the iron from his body. “Sorry, I don’t see a bath anywhere. Do you?” I asked, scoffing as I looked at him. The male was covered in gore from head to toe, but Gods forbid I be, too. “Did I say I wanted you to wash it off?” he asked, tilting his head to the side as he studied me. “Because that was not my intent, I assure you. I want to fuck you while you’re covered in the blood and death of our enemies who thought they could take you from me.” I swallowed, the intensity of his dark stare making my throat ache with sudden dryness. “That’s not—” “Normal? You are my mate. I could spend an eternity buried inside of you and still want more, Little One. There will never come a day when I do not enjoy watching you bring men to their knees and cut their throats when they underestimate you. You would do well to remember that,
”
”
Harper L. Woods (What Hunts Inside the Shadows (Of Flesh & Bone, #2))
“
Dear God, I love this tree. I love the light filtering through the moss and the leaves. I love all your earth songs—the breeze rustling through the grass, the rhythm of crickets, the beating of wings. I love the rain water in the bird bath and the dragonflies that flit over it. I love the air so laden with moisture that the dew rains out of the tree and bathes my face. I love the artistic little prayers that the spiders weave through the woods. I love the way you blend daylight into darkness, how dusk softens the sharp edges of the world. I love the way the moon changes shape every night. I love the slope of your hills—horizons inside and out. I feel that I’m part of it, that it’s part of me. Here, surrounded and permeated by your creation, I feel you. I feel life. I know myself connected. O God, is there anything you’ve made that can’t pour life and healing into me? When I think of the simplicity and extravagance of creation, I want to bend down and write the word yes across the earth so that you can see it.
”
”
Sue Monk Kidd (When the Heart Waits: Spiritual Direction for Life's Sacred Questions (Plus))
“
Wiser and more capable men than I shall ever be have put their findings before you, findings so rich and so full of anger, serenity, murder, healing, truth, and love that it seems incredible the world were not destroyed and fulfilled in the instant, but you are too much for them: the weak in courage are strong in cunning; and one by one, you have absorbed and have captured and dishonored, and have distilled of your deliverers the most ruinous of all your poisons; people hear Beethoven in concert halls, or over a bridge game, or to relax; Cézannes are hung on walls, reproduced, in natural wood frames; van Gogh is the man who cut off his ear and whose yellows became recently popular in window decoration; Swift loved individuals but hated the human race; Kafka is a fad; Blake is in the Modern Library; Freud is a Modern Library Giant; Dovschenko’s Frontier is disliked by those who demand that it fit the Eisenstein esthetic; nobody reads Joyce any more; Céline is a madman who has incurred the hearty dislike of Alfred Kazin, reviewer for the New York Herald Tribune book section, and is, moreover, a fascist; I hope I need not mention Jesus Christ of whom you have managed to make a dirty gentile. However
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”
Walker Evans (Let Us Now Praise Famous Men: Three Tenant Families)
“
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth.
Marcelina Hoffman was well on her way to becoming a Botox junkie.
Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.”
Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin.
Because I’m worth it.
”
”
Ian McDonald (Brasyl)
“
After a week or so, Puzzle and Jake have clearly got it. Door now means 'the-closest-exit-outside-no-matter-where-we-are." Door also means "and-make-sure-the-human-gets-there-too." I feel a little bad about the Poms, the tragic little overlooked, underestimated Poms, and now that Jake and Puz seem assured about the command, I decide to invite any Pomeranian that wants in on the action to have a go.
We'll have a little fun. "Door," I say in my bedroom, armed with a pocketful of treats. Jake and Puzzle race to the back door and sit, and I follow them readily, but the Poms at first follow me, because I have the treats. I start with them the way I started with Jake and Puzzle. Door means a treat when you get there, not before. A couple of them (Jack and Smokey) figure it out quickly and are happy to run to the door and sit for a treat. On of them (Mr. Sprits'l) would rather scold me from ankle level all the way there. One of them (Mizzen) is a natural. She races to the door and back to me again, there and back to me again, there and back. Hoor! she says, tap-dancing across the wood. She can get to the door and seems to know what the word means, but it's all so exciting she can hardly contain herself. Hoor! Here's the door! Aren't you here yet? Hoor! Let me come back to you! Hey! Look! Over here! Hoor! Here's the door! She is thrilled with Door. She is thrilled with the knowing. She is thrilled with the treats. Mizzen-monkey makes me a little dizzy.
”
”
Susannah Charleson (The Possibility Dogs: What a Handful of "Unadoptables" Taught Me About Service, Hope, and Healing)
“
The evening was a string of miserable minutes strung together in tiny clusters. Three minutes for a man shot through the shoulder; Ellis put first a finger in the entry wound and then another in the exit and when his fingers touched, he decided the man was only lightly injured and didn’t need a surgeon. Three minutes to set a broken wrist and splint it with a strip of cowhide and a piece of wood from a sycamore tree. Two minutes to tourniquet a leg, then extract a piece of wire deep in the meat of it. A minute to peek under a pink, saturated bandage several inches below a slender belly button; he saw thin, red water leaking from a hole and smelled urine, knew the ball had breached the bladder. It would either heal or it wouldn’t, but nothing to do about it so he set the soul aside, a case not to be operated upon. He turned a man’s head looking for the source of a trickle of blood and had ten terrible minutes trying to stop torrential bleeding from under his clavicle; frantic moments during which he could get neither a finger nor a clamp around the pulsating source. All bleeding stops eventually though, and the case did not violate the rule. He took two minutes to settle his own breathing, then four minutes sewing a torn scalp, and half a minute saying a prayer over a fat, cigar-shaped dead man. After awhile, he had the impression he wasn’t seeing men, but parts—an exploded chest, a blood swolled thigh, a busted jaw with its teeth spat to the wind or swallowed.
It was more than a man could take and a lot less than there was to be seen.
”
”
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
“
Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.
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Richard Adams (Watership Down: Bigwig Learns a Lesson (Watership Down Mini Treasures))
“
She had come to analysis because she was, as she put it, “ruining her children.” ... “But you are so frustrating,” she said. “I want you to take something away from me, and you keep giving it back.” And what, I asked, was that “something” she wanted to give away? “The pain. The crazy,” she said. She said there was a little shrine, somewhere in the north of Brazil. The land was dry, the town impossibly poor, but people would travel for hundreds of miles to get there, to leave candles, gifts, and ex- voto offerings thanking the saint for answered prayers, for healing, for having rescued them from distress. “I bring you my worries. I bring you my tears. I bring you the dreams I have. I want to leave them here. I want to hang them on your wall and return home healed. But everything I give to you, you give back. You say, like you just said, ‘What is this “something” you want to give away?’ ” Years later I looked it up, the shrine. There were many like the one my Brazilian patient had described. One of them was a kind of cave or grotto, where pilgrims would leave little body parts carved from wood or wax: a foot, a breast, a head. From time to time the priest collected the wax objects and melted them down, making candles to be sold to other pilgrims. The walls and ceiling of the shrine were black with candle smoke and crowded with these suspended offerings. I think now that my Brazilian patient managed at least to give that away, the conjured image of a blackened shrine, hung with a jumble of body parts. I think that in the soul of each psychoanalyst such a place must exist, in spite of what we profess about our neutrality, our professional detachment. Perhaps something of what we receive can be melted down and sold back as candlelight— our costly illuminations— but other elements remain just as they appeared, the dreams nailed to the walls, the abandoned hearts and limbs, the soot of inextinguishable longing.
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”
DeSales Harrison (The Waters & The Wild)
“
Greetings and welcome to The Keltic Woodshop. Established since November of 2003 in Kansas City, Missouri, The Keltic Woodshop specializes in custom cabinetry, furniture, and unique fine wood products in a personalized old fashioned handcrafted way. We are a small shop that strives towards individual attention and detail in every item produced.
The Keltic Woodshop of Kansas City specializes in the following products:
Custom Cabinets and Furniture:
We use worldwide exotic woods. Our custom cabinets and furniture contains Russian Birch, Brazilian Cherry, African Mahogany, Asian Teak, Knotty Pine, Walnut, Red Oak, White Oak, and Bolivian Rosewood just to name a few. Custom orders are available.
Handmade Walking Sticks:
Our walking sticks include handcrafted, lightweight, strong, durable, handpainted, handcarved, Handapplied finishes and stains, Alaskan Diamond Willow, Hedgeapple, Red Oak, Memosa, Spalted Birch, and Spalted Ash.
Custom Made Exotic Wood Display Cases:
These are handmade from hardwoods of Knotty Pine, Asian Teak, African Mahogany, Sycamore, Aniegre, African Mahogany, and Black Cherry. We will do custom orders too.
Pagan and Specialty Items:
We have Red Oak and White Oak Ritual Wands with gems, Washington Driftwood Healing Wands with amethyst, crystaline, and citrine points, handpainted Red Oak and Hedgeapple Viking Runes for devination. We can make custom wood boxes for your tarot cards.
Customer satisfaction is our highest priority. If you are looking for unusual or exotic lumbers, then we are the shop you've been searching for. The Keltic Woodshop stands behind and gurantees each item with an owner lifetime warranty on craftsmanship of the product with a replacement, repair, or moneyback in full, no questions asked, policy. We want you happy and completely satisfied with any product you may purchase. We are not a production shop so you will find joinery of woods containing handcut dovetails, as well as mortise and tenon construction. Finishes and stains are never sprayed on, but are applied personally by hand for that quality individual touch.
the-tedswoodworking.com
”
”
Ted McGrath
“
2/ KICK YOUR OWN ASS, GENTLY. I’ve been trying to set a few modest goals, both daily and weekly. In the course of a day, it’s good to get some stupid things accomplished, and off your “list.” I guess because it leaves you feeling that you and the “rest of the world” still have something to do with each other! Like today, for example, I can think back on sending a fax to my brother on his birthday, leaving a phone message for Brutus at his “hotel” on his birthday, phoning my Dad on his birthday (yep, all on the same day), then driving to Morin Heights to the ATM machine, to St. Sauveur for grocery shopping, and planning all that so I’d still have enough daylight left to go snowshoeing in the woods. And then I could drink. Not a high-pressure day, and hardly earth-shaking activities, but I laid them out for myself and did them (even though tempted to “not bother” with each of them at one point or another). I gave myself a gentle kick in the ass when necessary, or cursed myself out for a lazy fool, and because of all that, I consider today a satisfactory day. Everything that needed to be done got done. And by “needs” I certainly include taking my little baby soul out for a ride. And drinking. And there are little side benefits from such activities, like when the cashier in the grocery store wished me a genuinely-pleasant “Bonjour,” and I forced myself to look at her and return the greeting. The world still seems unreal to me, but I try not to purposely avoid contact with pleasant strangers. It wouldn’t be polite! Another “little goal” for me right now is spending an hour or two at the desk every morning, writing a letter or a fax to someone like you, or Brutus, or Danny, who I want to reach out to, or conversely, to someone I’ve been out of touch with for a long while, maybe for a year-and-a-half or two years. These are friends that I’ve decided I still value, and that I want as part of my “new life,” whatever it may be. It doesn’t really matter what, but just so you can say that you changed something in the course of your day: a neglected friend is no longer neglected; an errand that ought to be dealt with has been dealt with.
”
”
Neil Peart (Ghost Rider: Travels on the Healing Road)
“
I tilted my head and kissed his cheek. The whiskers abraded my lips, but I didn’t mind. I moved lower, finding his lips. He didn’t resist me, but didn’t join in as he had in the car. I frowned slightly. A stab of doubt pierced my heart. This didn’t feel right, yet. He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck. My lips skimmed his smooth skin. His pulse jumped under my mouth. Finally, he reacted. Both his hands came up, holding my sides, kneading me, encouraging. My breath quickened, and my heart hammered. Yes! This was right. Something took possession of me. With one hand, I gripped his hair and tugged it. He tilted his head to the side and exposed his neck, giving in willingly. My eyes traced his neck where his pulse skipped erratically. The beat matched my own. I couldn’t look away from that clean-shaven spot. I recalled when he had started shaving it. He’d known I would need to see it. For this. I kissed it lightly and felt him shudder. Before the shudder ended, I bit him hard on the same spot. Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside. I pulled back slightly to look at the small marks I’d left. They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence. Behind me, someone moved and called attention to the fact that we still had an audience. A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather. I wiped the blood from my mouth with a shaky hand. I didn’t regret Claiming him, but wished we could have talked first. I needed reassurance. Would this mean I’d have to quit school? Would he want me to live in the woods with him? If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface. Had I just forced him? Panic bloomed in my chest. Before I could scramble off his lap, he reached up and gently stroked my hair. I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice. He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper. Now, he could talk? I scowled at him. The man had the audacity to laugh then scoop me up in his arms. The
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”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
In Memory of W. B. Yeats
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the bourse,
And the poor have the sufferings to which they are fairly accustomed
And each in the cell of himself is almost convinced of his freedom
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
”
”
W.H. Auden
“
Land and Sea
The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity.
Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes.
The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters.
Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages.
Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months.
Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
I want to make a coffee table that consists of a slab of wood supported by four crutches. That way, if a guest ever comes up to me and says, "I accidentally broke one of the legs on your coffee table," I could respond, "Don't worry, those legs are self-healing.
”
”
Jarod Kintz (This Book is Not for Sale)
“
A 2002 study by the Robert Wood Johnson Foundation found that nearly half of all Americans have a chronic health condition. The Centers for Disease Control tells us that two-thirds of adults in this country are overweight or obese, and that obesity rates in children continue to rise. A significant number of infants, some as young as six months old, are now classified as overweight.
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”
Judith D. Schwartz (Cows Save the Planet: And Other Improbable Ways of Restoring Soil to Heal the Earth)
“
Because the truth about losing someone you love? Time doesn’t heal those wounds. It doesn’t make it hurt less. It just makes it hurt less often.
”
”
Mae Wood (This Time Is Different)
“
sitting right there on the surface, a big fat emotional wood tick lazily sucking away at your life's blood and that's why you picked up this book, or it's burrowing right under your skin, more of a passive-aggressive bloodsucker, darting out to sabotage a relationship or cobble a life dream before retreating into its scaly sheath to cradle the shredded morsels of your self-esteem.
”
”
Jessica Lourey (Rewrite Your Life: Discover Your Truth Through the Healing Power of Fiction)
“
Time has healed the wound, but a scar will always remain. There is no shame in the vulnerable.
”
”
Erin Forbes (Fire & Ice: The Kindred Woods (Fire & Ice, #3))
“
I made the tea,” Brannaugh told her. “Just as you taught me. You’ll feel better, I think, after you drink it.” “Do you tend me now, mo chroi?” Smiling, Sorcha picked up the tea, sniffed it, nodded. “You have the touch, that you do. Healing is a strong gift. With it, you’ll be welcome, and needed, wherever you go.” “I don’t want to go anywhere. I want to be here with you and Da, and Eamon and Teagan, always.” “One day you may look beyond our wood. And there will be a man.” Brannaugh snorted. “I don’t want a man. What would I do with a man?
”
”
Nora Roberts (Dark Witch (The Cousins O'Dwyer Trilogy, #1))
“
If by casting salt into the barren waters, Elisha healed them of their barrenness,[962] much more will Christ by casting himself, the true salt of wisdom, into the passions and torments of men, have left them sweet and made them easy to bear. This is figured in Exodus, where it is told that the Children of Israel could not drink the waters of Mara, because they were bitter, until Moses had thrown a tree into them which made them sweet.[963] Christ called himself ‘green wood’: [964] he turned the waters of suffering sweet by swimming in them; he plunged into them to save those who were perishing. Since then, tribulations are sweet though very difficult to bear and bitter for men under the Law. Now they have lost their bitterness for those under Gospel Law, or if they still have some bitterness, it is little compared with what it was. They are counted sweet by those who found them bitter, since Christ our Redeemer has passed through them. Hence he said to his Apostles, after foretelling the great trials they would undergo in this life: “Have confidence, I have overcome the world.” [965] The gloss comments on this: “I have overcome in myself and in my own, I, who am your head, have overcome.” This should inspire no little confidence in his members.
”
”
Francisco De Osuna (Third Spiritual Alphabet)
“
These islands form a backdrop for a culture that transcends time. Life follows its own rhythm on these gems of the sea that spread east from the Greek mainland. For eons, the artisans of the region have crafted beautiful objects of marble, bronze, and wood. For centuries, mules have transported people and goods from bustling port towns to the traditional villages that dot the hillsides. Ancient windmills--perched above glistening harbors like stalwart sentries--have harnessed the power of the air to process grain for as long as anyone can remember. Every day for thousands of years, fishermen have launched their boats in search of those fruits of the sea so lavishly displayed in seaside markets. Islanders have flocked to natural hot springs to bask in their healing waters since before the time of Aristotle. And since long before that, shrines to the gods have lured pilgrims and worshipers from near and far.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
PATRICIA HAD ANOTHER one of her dreams about being lost in the woods, this time running with a pack of deer, a barbarian yell in her throat and the scent of tree sap in her nostrils. She ran with her elbows and her stomach and her knees, until she couldn’t breathe. Patricia stumbled and fell onto her hands, gasping, laughing. She looked up and there was that big bird-shaped Tree again, with the mindful gaze coming through its branches. Patricia walked up and touched it with her palms against its ropey bark, feeling the power rising and churning inside of it. Touching that weird Tree from her childhood fancies, Patricia felt as though she could heal an entire army with a single breath. Air rushed through the Tree, like it was drawing breath to speak to her in its stentorian whoosh … then she woke up. She’d overslept, in spite of her alarm.
”
”
Charlie Jane Anders (All the Birds in the Sky)
“
we all knew from infancy that faeries hated iron. But it was the ash wood that made their immortal, healing magic falter long enough for a human to make a killing blow.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Gwindor son of Guilin was wounded to the death. But Turin came to his aid, and all fled before him; and he bore Gwindor out of the rout, and escaping into a wood there laid him on the grass.
The Gwindor said to Turin: 'Let bearing pay for bearing! But ill-fated was mine, and vain is thine; for my body is marred beyond healing, and I must leave Middle-earth. And thoughI love thee, son of Hurin, yet I rue the day that I took thee from the Orcs. But for they prowess and thy pride, still I should have love life and Nargothrond should yet stand a while. Now if thou love me, leave me! Haste thee to Nargothrond, and save Finduilas. And this last I say to thee: she alone stands between thee and thy doom. If thou fail her, it shall not fail to find thee. Farewell!
”
”
J.R.R. Tolkien (The Silmarillion)
“
When every leaf is shed, the branches still remain and faraway in the woods though a robin cries, the song still remains for as the days unwind, they bring you sadness in the moments that should have held joy....
”
”
Jayita Bhattacharjee
“
EMDR was developed by psychologist Francine Shapiro in 1987. She discovered that when she was walking through the woods, her upsetting thoughts dissipated when she moved her eyes back and forth, scanning the path around her. She then conducted studies where she waved a finger in front of patients’ faces, directing their gazes left and right, while asking them to revisit their most harrowing traumas. She reported that subjects who received EMDR therapy had “significant decreases in ratings of subjective distress and significant increases in ratings of confidence in a positive belief.”
EMDR therapy is referred to as “processing,” and in EMDR circles, specialists stress that processing does not mean talking. Talking gives us knowledge about why we are the way we are, but that knowledge isn’t enough. Processing, on the other hand, allows us to truly come to terms with our trauma and resolve it—to rewrite the memories in our brains with a healthier narrative. This seemed abstract to me, and I didn’t really know what it meant. But it sure sounded good.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
EMDR was developed by psychologist Francine Shapiro in 1987. She discovered that when she was walking through the woods, her upsetting thoughts dissipated when she moved her eyes back and forth, scanning the path around her. She then conducted studies where she waved a finger in front of patients’ faces, directing their gazes left and right, while asking them to revisit their most harrowing traumas. She reported that subjects who received EMDR therapy had “significant decreases in ratings of subjective distress and significant increases in ratings of confidence in a positive belief.”[1]
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
A full-body stress reaction would follow: my vagus nerve would activate my nervous system stress response, sending fight/flight/freeze messages to my body. Physiologically, I’d react as though a bear had just jumped on me in the woods, thrashing around to “save” myself from the attack of the dirty dishes.
”
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Nicole LePera (How to Do the Work: Recognize Your Patterns, Heal from Your Past, and Create Your Self)
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In Buddhist ethics, if you feel a desire to speak in a very injurious or abusive way, perhaps when somebody has insulted or offended you, or even to retaliate physically, you are told to restrain yourself. When the mind is clouded by mental affliction, Buddhist ethics would say, “Now is not the time to act. Let it pass and then act when the mind is more balanced.” But your rats were less likely to get ulcers due to being shocked if they got relief by biting another rat, or at least gnawing on a piece of wood. I’m wondering what the implications are for human beings, when we are shocked by very disagreeable circumstances. From a neurobiological perspective, would it be good for us to go bite somebody, or at least chew on a piece of wood? Are there alternative strategies for us not to internalize the distress, get ulcers, and make ourselves mentally or physically ill? How do you see the interface between these two perspectives?
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Jon Kabat-Zinn (The Mind's Own Physician: A Scientific Dialogue with the Dalai Lama on the Healing Power of Meditation)
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Age: 16 [ERROR] / 30 Class/Level: Divine Candidate 27 XP: 17,000/60,000 HP: 2542/2542 Class Specialty Chronomancer Attributes Body: 31 Agility: 31 Mind: 63 Spirit: 62 Attunement Moon: 32 Sun: 3 Night: 28 Mana Moon: 2575/2575 Sun: 2517/2517 Night: 2567/2567 Affinities Time: 10 Tier V - Foresight 8, Time Echoes 1, Temporal Transfer 2, Haste 10 Tier VI - Temporal Vortex 5, Temporal Stutter 4 Wood: 7 Tier I - Refresh 11, Mending 9, Plant Weave 12 Tier II - Augmented Mending 18, Root Spears 13 Tier III - Heal 11, Paralytic Sting 6, Explosive Thicket 6 Tier IV - Regeneration 6, Healing Wave 6, Poison Fog 7 Tier V - Panacea 1, Coma 1 Tier VI - Binding Vines 3, Air: 6 Tier I - Gale 8, Air Knife 18, Air Supply 4 Tier II - Wind Shield 8, Sonic Bolt 14 Tier III - Updraft 3, Pressure Spear 8, Sonic Orb 7 Tier IV - Flight 3 Blessings Mythic Blessing of Mursa - Blessed Return, Ageless Folio Skills Anatomy: 7 Arcana: 13 Enchanting: 28 Fishing: 1 Herbalism: 5 Librarian: 5 Ritual Magic: 30 Spear: 25 -Wind Spear: 13 -TITS: 7 Spellcasting37
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Cale Plamann (Coda (Blessed Time #2))
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Bagidenim Ningii manidoowigashkibijiganke gashkibizhagwaa maakadewaasiniig bagidenimadiz mii gashkitooyaan bagidenimagwaa gakina asiniig gii aayaawaad anaamibiig megwa anokiiyaan anaamaatig megwa nitaawigiyaan anaamaawang dagonigaade zhiiwitaagan anaamaagon bi gii ningizoyaan noojimod nindojichaag gashkibjigankeyaan. To Forgive I made a spirit bundle wrapped the black stones and forgave myself so I could forgive all the ones who were below the water while I worked below the woods where I grew below the sands mixed with salt under the snow where I dissolved healing my spirit making a bundle.
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Margaret Noodin (Weweni (Made in Michigan Writers Series))
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boredom is a self-inflicted wound. Heal thyself.
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Stuart Woods (Distant Thunder (Stone Barrington, #63))
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Try these journal prompts as you work to integrate your type 8 shadows: See yourself through your ex’s eyes. This can be a difficult exercise, but if anyone’s up for it, Challenger, it’s you. Write a letter to yourself from your ex’s point of view. Take a moment to remember all you did wrong and write it down—even if (especially if!) you think the failure of the relationship was their fault, not yours. What negative traits of yours do you need to own and master to be better in your next relationship? Write a letter to the person who hurt you the most in your past. Tell them everything they did that made you feel unworthy of love or less-than. Don’t be afraid to hit below the belt! Get it all out! When you’re done, put the letter away somewhere safe. Come back and re-read it two weeks later and consider whether you can see any of the negative qualities of this person in yourself. How have you hurt others? Is it similar to the way you’ve been hurt? Think about the people you love most. If you had the power, what would you like to change about them in order to improve your relationship with them? (This might also have to do with the way you resolve conflicts.) How does this action reflect on you? Based on this exercise, is there anything you might consider improving in yourself to help? TYPE 8 SELF-CARE PRESCRIPTION Type 8s tend to struggle with inaction when it comes to self-care. Since you’re always seeking progress and pushing yourself, it’s challenging for you to sit in a quiet place alone and rest. But the world is a complicated place, and you are prone to feeling angry about the things you can’t control or change. You want so much to do something to heal the pain of the world, to fix the broken systems. But you can’t fight for others until you’ve first fought for yourself by releasing the need for control and choosing stillness. Being still probably feels unnatural to you, even scary, but that’s where your real inner work begins! Learn your limits. As an energetic 8, you frequently push yourself to your limits, even if you’re unaware you’re doing so. Pay closer attention to your own feelings, and force yourself to rest and recover whenever necessary, instead of pushing through. You’ll be much better off for it! Practice mindful breathing for anger management. When you feel the need to let loose with an angry tirade, take it as a cue to practice your calming breaths. Find an outdoor exercise activity you love. When you’re feeling especially furious or antsy, hop on your bike and go for a ride or do a few laps around the neighborhood. These activities are healthy outlets for that restless energy of yours. Let others take the lead sometimes. With your commanding presence and direct approach, you make a natural leader. But sometimes, you need to step back and allow someone else to step up to bat. Take a break and learn not to carry all responsibilities on your own shoulders; this will benefit both you and your relationships with others.
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Delphina Woods (The Ultimate Enneagram Book: The Complete Guide to Enneagram Types for Shadow Work, Self-Care, and Spiritual Growth)
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When you go outdoors, you’re constantly on your phone updating your social media, clicking pictures, navigating roads, replying to an email, tweeting something, meeting deadlines, or listening to music. Without your phone, you feel handicapped. When we experience a major loss, it’s important to go back to the basics. Nature can help you heal in ways you didn’t think you could. It doesn’t have to be the Himalayas or deep in some woods. Even the park next to you or your backyard can make you feel more connected
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Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))