Wood Tray Quotes

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In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.
Robyn Schneider (Extraordinary Means)
They had no notice to spare for the hairy Pedro, carrying a tray with the clumsiness of a creature caught in the woods and taught to walk on its hind legs.
Joseph Conrad (Joseph Conrad: The Complete Novels)
The great chestnut-wood tables groaned under the weight of platters, trays, plates, dishes and bowls. The whole Feast was here, John saw. Every word in the book, every fruit in the gardens, every green thing that grew, every creature that ran or swim or flew. John felt his demon creep forward as a great wave of flavors and tastes washed through him, those his mother had shown him on the slopes joined with others he had never sensed before. He could smell the rich tang of the meats. His head swirled from the steaming fumes of the wine. His jaw ached from the sweets which rose in heaps on silver platters while honeyed syllabubs shivered in their cups. He felt the pastry crunch, shiny with beaten butter. He heard the sugar-pane crackle. The sweetmeats flooded his senses, banishing his hunger and cold. A great procession of dishes floated up out of the pages, all theirs.
Lawrence Norfolk (John Saturnall's Feast)
Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.
Toni Morrison (Song of Solomon)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
On our third day at Gooden-Baden, as I lay abed waiting for my morning tea tray to arrive, Edward went for a soak in the medicinal tar pits. He never came back. All they found was his Bavarian hunting hat, floating on the surface of the tar, with those jaunty feathers sticking up and a sweet little sprig of edelweiss pinned to the hatband. A sticky trail of bubbles and a ruined hat. That was what was left of my husband. The hat was new, too; he had only just purchased it in the gift shop. . . .” The widow was overcome by emotion and had to pause. “Poor hat,” said Beowulf with feeling, perhaps missing the deeper meaning of the widow’s tears.
Maryrose Wood (The Unseen Guest (The Incorrigible Children of Ashton Place, #3))
Them, too, but I was thinking of the people who make a religion out of something completely different. Like money—actually, that’s the nearest thing the government has to an ideology, and I’m not talking about bribes, Sam. Nowadays it’s not just unfortunate if you have a low-paid job, have you noticed? It’s actually irresponsible: you’re not a good member of society, you’re being very very naughty not to have a big house and a fancy car.” “But if anyone asks for a raise,” I said, whapping the ice tray, “they’re being very very naughty to threaten their employer’s profit margin, after everything he’s done for the economy.” “Exactly. If you’re not rich, you’re a lesser being who shouldn’t have the gall to expect a living wage from the decent people who are.
Tana French (In the Woods (Dublin Murder Squad, #1))
Them, too, but I was thinking of the people who make a religion out of something completely different. Like money - actually, that's the nearest thing the government has to an ideology, and I'm not talking about bribes, Sam. Nowadays it's not just unfortunate if you have a low-paid job, have you noticed? It's actually irresponsible: you're not a good member of society, you're being very very naughty not to have a big house and a fancy car." "But if anyone asks for a raise," I said, whapping the ice tray, "they're being very very naughty to threaten their employer's profit margin, after everything he's done for the economy." "Exactly. If you're not rich, you're a lesser being who shouldn't have the gall to expect a living wage from the decent people who are.
Tana French (In the Woods (Dublin Murder Squad, #1))
We each took a cup as we passed and drank the sweet chilled beverage- it was refreshing and tasted like ginger ale with a swirl of summer peaches. Then Peaseblossom waved us through the open door. "Wow," said Henry. We stepped into an enchanted culinary forest. The walls had been painted to look like a thicket of trees, and the ceiling resembled the summer sky in the woods, complete with overhanging branches. There were topiaries and baskets overflowing with wildflowers. The tables were grouped to one side, still draped in their shimmering coverings. Dreamy music floated through the air, and piney, herby scents wafted on gentle currents. Butterflies flitted around and landed on people's heads and shoulders. And everywhere we looked, there were trays of baked goods- most of them, I realized, straight from the pages of Puffy Fay's cookbook. The pastry case and the counter near it were hidden behind curtains that looked like a wall of evergreens.
Rajani LaRocca (Midsummer's Mayhem)
He made a motion that dismissed me. And I rose, but as I did so I took from his tray a little silver knife, all engraved, that he had been using to cut fruit with. I looked him in the eyes as I did so, and quite openly slipped it up my sleeve. King Shrewd's eyes widened, but he said not a word. Two nights later, when Chade summoned me, our lessons resumed as if there had never been a pause. He talked, I listened, I played his stone game and never made an error. He gave me an assignment, and we made small jokes together. He showed me how Slink the weasel would dance for a sausage. All was well between us again. But before I left his chambers that night, I walked to his hearth. Without a word, I placed the knife on the center of his mantel shelf. Actually, I drove it, blade first, into the wood of the shelf. Then I left without speaking of it or meeting his eyes. In fact, we never spoke of it. I believe that the knife is still there. ... I sat still until I began to wonder if I would do it. Then I lifted my eyes to a silver fruit knife driven deep into Chade's mantelpiece, and I thought I knew the answer.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
The cemetery watchman left the room and returned with a tray holding three small skulls and a large one. I could feel the short hairs on the back of my neck standing up of their own accord. None of them were real though; they were wood or celluloid imitations. They all had flaps that opened at the top; one was a jug and the other three steins. The man behind the desk named the toast. 'To our Friend!' I thought he meant myself at first; he meant that shadowy enemy of all mankind, the Grim Reaper. 'We are called The Friends of Death,' he explained to me when the grisly containers had been emptied. 'To outline our creed and purpose briefly, it is this: That death is life, and life is death. We have mastered death, and no member of the Friends of Death need ever fear it. They 'die,' it is true, but after death they are buried in special graves in our private cemetery - graves having air vents, such as you discovered. Also, our graves are equipped with electric signals, so that after the bodies of our buried members begin to respond to the secret treatment our scientists have given them before internment, we are warned. Then we come and release them - and they live again. Moreover, they are released, freed of their thralldom; from then on death is an old familiar friend instead of an enemy. They no longer fear it. Do you not see what a wonderful boon this would be in your case, Brother Bud; you who have suffered so from that fear?' ("Graves For The Living")
Cornell Woolrich
With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
Bakke recounts an earlier anecdote that explains how his view on work was shaped from early childhood—one of a strand of many experiences that would determine his vocation to create organizations that make work fun and fulfilling: On this particular day, my mother had organized the evening work in her usual style. The kitchen was abuzz with activity. I was 16 years old and charged with cooking creamed peas for supper. My younger brother was carrying wood from the shed to the storage area next to the kitchen. Kenny’s older sisters [Kenny and his sisters were foster children at the Bakke home] were clearing dirty cooking dishes and setting the table with dinner ware. …. No one was paying attention to Kenny. …. Suddenly the two-year-old … picked up the spoon on his tray. “I want jobs, I want jobs, I want jobs,” he chanted as he pounded his spoon. I think this little guy with a crooked smile and troubled past was saying, “I want to contribute. I can make a difference. I want to be part of the team. I’m somebody. I want to have fun working, too!” Over the years, I have reflected on that moment and come to believe that it captures the early and substantial influence Mom had on my concept of fun in the workplace. Somehow, she created an environment in which everyone was energized, not from fear of punishment or promise of reward, but from a desire to accomplish something positive. She had unbridled confidence in our ability to accomplish the tasks at hand. … She gave us enormous freedom to work and make decisions. Somehow she made work so attractive that even an abused two-year-old wanted desperately to pitch in for the sheer joy and excitement of it.41
Frederic Laloux (Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness)
Early each morning Pearlroth rode the subway into Manhattan. Most days he’d go straight to the New York Public Library’s main branch on Fifth Avenue, and he’d be one of the first to ascend the front steps between the twin lion statues. He’d grab a card catalogue tray, sift through it and select ten or more books, then find a spot in the cavernous third-floor reading room. He always turned off the reading lamps, preferring the natural light beneath the towering carved-wood ceiling. Skipping
Neal Thompson (A Curious Man: The Strange and Brilliant Life of Robert "Believe It or Not!" Ripley)
But the accompanying steamed rice, pressed into the shape of a chrysanthemum, had a clean, delicate sweetness unlike any rice I had ever tasted. The tray also held a plastic bowl and sipped the savory liquid enriched with diced tofu and emerald wisps of wakame seaweed. In a shallow dish sat a small block of bean curd splashed with soy sauce and topped with pinkish curls of dried bonito that looked like pencil shavings. I cut into the silky white cube and tried to balance the craggy chunk on the slender pieces of wood. It tumbled off. After trying again, success was rewarded with the sweet taste of milky custard mingled with dark soy and smoky fish flakes. There were pickles too, crisp neon-yellow half-moons of sweet daikon radish and crunchy slices of eggplant. Although I had not expected culinary brilliance from a mall restaurant, dinner was exceeding expectations. The ingredients were plain, but exceptional in their purity and freshness.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
To her further surprise, she found a breakfast tray waiting for her on the table with bagels, cheese and an assortment of fruit. But what caught her eye was the tiny pair of yellow baby booties. She picked up the soft, fuzzy little booties, her throat knotting as she read the accompanying card. Because you said you didn’t have a pair yet. Love, Ryan. She sank into the seat, her eyes stinging with tears. She held the booties to her cheek and then touched the card, tracing the scrawl of his signature. “I shouldn’t love you this much,” she whispered. God, but she couldn’t help herself. She craved him. He was her other half. She didn’t feel whole without him. And so began a courting ritual that tugged on her heartstrings. Every morning when she crawled out of bed, there was a new present waiting for her from Ryan. There was a baby book that outlined everything she could expect from birth through the first year of life. One morning he left her two outfits. One for a boy and one for a girl. Just in case, he had written. On the fifth morning, he simply left her a note that told her a gift was waiting in the extra bedroom. Excited, she hurried toward the bedroom she’d once occupied and threw open the door to see not one present but a room full of baby things. A stroller. A crib that was already put together. A little bouncy thing. An assortment of toys. A changing table. She couldn’t take in all the stuff that was there. She didn’t even know what all of it was for. How on earth had he managed to sneak this in without her hearing? And there by the window was a rocking chair with a yellow afghan lying over the arm. She walked over and reverently touched the wood, giving the chair an experimental push. It creaked once and then swayed gently back and forth.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
That damned dissertation, stuck in the same place for over a week while he struggled to elucidate the connections between Walter Pater and Oscar Wilde, only to find the whole thing, even what he thought were his most original points, laid out, item for item, in a monograph over twenty years old. What was the point, he thought, of sitting in that stuffy library all day, every day, grinding out dozens of pages of useless “scholarly” prose, to be read by dyspeptic Frank Dunlop, and three other people in the department, and then buried forever in the stacks of the university library. Why was he wasting his time, his mind, his life itself. When he’d tried to explain what he was doing to Leah, one day when she brought him his lunch on a tray, she’d regarded him with a look of such utter incomprehension—not confused, not respectful, not derogatory, just uncomprehending—that he’d been paralyzed in his chair for hours after. Maybe hers was the legitimate, the reasonable, reaction to what he was doing, the reaction of anyone who knew what life was all about—that it wasn’t dropping into a chair each day, banished from the sun and the sky and the trees, to pound a tinny machine and clutter up sheets of paper. More and more, he had been feeling the urge to spend his time outdoors, to breathe the air off the water, to bask in the sun, even to run, barefoot, across the lawns and through the groves of trees.
Robert Masello (The Spirit Wood)
The gloomy hall was also the main living-room. A meagre fire flickered behind the fire-irons in the wide hearth and two club chairs and a Knole sofa stood impassively watching the flames. Between them on a low settee was a well-stocked drink tray. The wide spaces surrounding this spark of life were crowded with massive Rothschildian pieces of furniture of the Second Empire, and ormolu, tortoiseshell, brass and mother-of-pearl winked back richly at the small fire. Behind this orderly museum, dark panelling ran up to a first-floor gallery which was reached by a heavy curved stairway to the left of the hall. The ceiling was laced with the sombre wood-carving of the period.
Ian Fleming (Goldfinger (James Bond, #7))
now and had a merry smile on his face. ‘Well, goddammit, boys! If I ain’t just remembered! There’s a whorehouse open all night long just outside Pens’cola! You’re sure you won’t come with me?’ We were sure. He dropped us at the main gate of the station with cheery shouts of farewell and drove off about 1.30 in the morning to ‘round off his evening’. We were soon to learn that certain ‘Southern gentlemen’ dropped in to the local brothel with the easy nonchalance Englishmen pop into their local pub—but without their wives, of course! Generally speaking, it was rare for us to leave the station other than at weekends. Our working hours were long and our leisure hours short; so we had to find our entertainment within the station. However, almost every day we found time to swim in the lagoon which separates the mainland from Santa Rosa Island, where the big flying-boats taxied in and out, the deep rumble of their Pratt and Whitneys music to our ears. We became expert with surf-boards—rectangles of wood about the size of a large tea-tray with a pair of rope reins, towed behind a fast motor-boat. Was it the fore-runner of water-skis? The technique seems to have been virtually the same. But, whatever one’s leisure activities, life
Norman Hanson (Carrier Pilot: A Gripping WWII Pilot's Memoir)
We flew into the small airfield in Monrovia where we were met by Jimmy, Captain Duffy’s assistant. It didn’t take long, driving on the back streets to get to the city hospital. Jimmy carefully avoided many of the potholes that pockmarked the wet streets but without seatbelts it was a bumpy ride that I wouldn’t want to repeat! One German and two Liberian doctors along with some orderlies shared the responsibilities of running the hospital. A few local nurses and attendants completed the staff. These few people were all they had to do everything, and I guess the hospital was lucky to have them. One of the attendants wearing a bloodstained shirt accompanied us on our way to the morgue. As he opened the large swinging door I was hit by an unmistakable sweet pungent odor of death that nearly caused me to throw up right there on the spot. Not having as much as a handkerchief to keep out the smell, I simply covered my nose and mouth with my hand and followed the attendant into the metal building. It took a moment for my eyes to adjust from the still bright afternoon sun to the dark interior of the shed, but as they did, I witnessed a sight I can never forget. In the heat of this building were a few bloated, decaying naked cadavers lying on planks, with hundreds of flies swarming around them. If they didn’t have sheets for the living, it couldn’t be expected that there would be any for the dead. Turning on the single lightbulb hanging over a stainless-steel tray table with a corpse on it, allowed us to see the room better. The naked body directly in front of me, with its mutilated head propped up by a block of wood, was startling and is still vivid to this day. Although a part of his skull was crushed in, I could see where crabs had been eating the side of his face. Despite this mutilation I could instantly tell that it was Olaf. His ashen face had a stubble growth on it and the grey, gaping, bloodless wound on his forehead showed that he had either been in a terrible accident or murdered! There was no doubt as to what had happened to Olaf and I knew that it wasn’t an accident. Murder was commonplace in Liberia, especially in Monrovia.
Hank Bracker
English and half Nigerian, Stacey had never set foot outside the United Kingdom. Her tight black hair was cut short and close to her head following the removal of her last weave. The smooth caramel skin suited the haircut well. Stacey’s work area was organised and clear. Anything not in the labelled trays was stacked in meticulous piles along the top edge of her desk. Not far behind was Detective Sergeant Bryant who mumbled a ‘Morning, Guv,’ as he glanced into The Bowl. His six foot frame looked immaculate, as though he had been dressed for Sunday school by his mother. Immediately the suit jacket landed on the back of his chair. By the end of the day his tie would have dropped a couple of floors, the top button of his shirt would be open and his shirt sleeves would be rolled up just below his elbows. She saw him glance at her desk, seeking evidence of a coffee mug. When he saw that she already had coffee he filled the mug labelled ‘World’s Best Taxi Driver’, a present from his nineteen-year-old daughter. His filing was not a system that anyone else understood but Kim had yet to request any piece of paper that was not in her hands within a few seconds. At the top of his desk was a framed picture of himself and his wife taken at their twenty-fifth wedding anniversary. A picture of his daughter snuggled in his wallet. DS Kevin Dawson, the third member of her team, didn’t keep a photo of anyone special on his desk. Had he wanted to display a picture of the person for whom he felt most affection he would have been greeted by his own likeness throughout his working day. ‘Sorry I’m late, Guv,’ Dawson called as he slid into his seat opposite Wood and completed her team. He wasn’t officially late. The shift didn’t start until eight a.m. but she liked them all in early for a briefing, especially at the beginning of a new case. Kim didn’t like to stick to a roster and people who did lasted a very short time on her team. ‘Hey, Stacey, you gonna get me a coffee or what?’ Dawson asked, checking his mobile phone. ‘Of course, Kev, how’d yer like it: milk, two sugars and in yer lap?’ she asked sweetly, in her strong Black Country accent.
Angela Marsons (Silent Scream (DI Kim Stone, #1))