Wood Fence Quotes

I had grown up in a house with a fence around it, and in this fence was a white smooth wooden gate, two holes bored round and low together so the dog could see through. One night, the moon high, late for me home from the school dance, I remember that I stopped, hand on the gate, and spoke so quietly to myself and to the woman that I would love that not even the dog could have heard. I don’t know where you are, but you’re living right now, somewhere on this earth. And one day you and I are going to touch this gate where I’m touching it now. Your hand will touch this very wood, here! Then we’ll walk through and we’ll be full of a future and of a past and we’ll be to each other like no one else has ever been. We can’t meet now, I don’t know why. But some day our questions will be answers and we’ll be caught in something so bright...and every step I take is one step closer on a bridge we must cross to meet.

The sky," he wrote on his slate, "is my living room. The woods are my parlor. The lonely lake is my bath. I can't remain behind a fence all my life.

It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.

Best day of my life hasn't happened yet. But I know it. I see it every day. The best day of my life is the day I buy my mom a huge fucking house. And not just like out in the woods, but in the middle of Mountain Brook, with all the Weekday Warriors' parents. With all y'all's parents. And I'm not buying it with a mortgage either. I'm buying it with cash money, and I am driving my mom there, and I'm going to open her side of the car door and she'll get out and look at this house—this house is like picket fence and two stories and everything, you know—and I'm going to hand her the keys to her house and I'll say, 'Thanks.' Man, she helped fill out my application to this place. And she let me come here, and that's no easy thing when you come from where we do, to let your son go away to school. So that's the best day of my life.

By snowshoe, canoe, or dog team, they moved through those woods, rivers, and lakes. It was not a life circumscribed by a clock, stamp, fence, or road.

On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.

It is pleasant to walk over the beds of these fresh, crisp, and rustling leaves. How beautifully they go to their graves! how gently lay themselves down and turn to mould!--painted of a thousand hues, and fit to make the beds of us living. So they troop to their last resting-place, light and frisky. They put on no weeds, but merrily they go scampering over the earth, selecting the spot, choosing a lot, ordering no iron fence, whispering all through the woods about it,--some choosing the spot where the bodies of men are mouldering beneath, and meeting them half-way.

So they all went away from the little log house. The shutters were over the windows, so the little house could not see them go. It stayed there inside the log fence, behind the two big oak trees that in the summertime had made green roofs for Mary and Laura to play under. And that was the last of the little house.

They entered the wild country. Broken fences. Ruined castles. Stretches of bogland. Wooded headlands. Turfsmoke rose from cabins, thin and mean. On the muddy paths, they glimpsed moving rags. The rags seemed more animate than the bodies within. As they passed, the families regarded them. The children appeared marooned with hunger.

The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then—to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn—pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theocriticism and geography and history and economics—why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.

What amazed me as much as anything were the fat calm tabby cats of London some of whom slept peacefully right in the doorway of butcher shops as people stepped over them carefully, right there in the sawdust sun but a nose away from the roaring traffic of trams and buses and cars. England must be the land of cats, they abide peacefully all over the back fences of St John's Wood. Edlerly ladies feed them lovingly just like Ma feeds my cats. In Tangiers or Mexico City you hardly ever see a cat, if so late at night, because the poor often catch them and eat them. I felt London was blessed by its kind regard for cats. If Paris is a woman who was penetrated by the Nazi invasion, London is man who was never penetrated but only smoked his pipe, dranks his stout or half n half, and blessed his cat on his purring head.

I walk the perimeter of the fence, and try to summon what I used to feel back when I thought I could bend time and spoons. I touch the red grains in the wood. I have a vague memory of doing that.

The best thing for being sad,’ replied Merlyn, beginning to puff and blow, ‘is to learn something. That is the only thing that never fails. You may grow old and trembling in you anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then – to learn. Learn why the world wags and what wags in it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn – pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theocriticism and geography and history and economics – why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.

It was like hundreds of roads he'd driven over - no different - a stretch of tar, lusterless, scaley, humping toward the center. On both sides were telephone poles, tilted this way and that, up a little, down... Billboards - down farther an increasing clutter of them. Some road signs. A tottering barn in a waste field, the Mail Pouch ad half weathered away. Other fields. A large wood - almost leafless now - the bare branches netting darkly against the sky. Then down, where the road curved away, a big white farmhouse, trees on the lawn, neat fences - and above it all, way up, a television aerial, struck by the sun, shooting out bars of glare like neon. ("Thompson")

I got up to get us a drink of water and as I stood in the kitchen in the early morning light, running the water out of the tap, I looked out at the hills at the back of the town, at the trees on the hills, at the bushes in the garden, at the birds, at the brand new leaves on a branch, at a cat on a fence, at the bits of wood that made the fence, and I wondered if everything I saw, if maybe every landscape we casually glanced at, was the outcome of an ecstasy we didn't even know was happening, a love-act moving at a speed slow and steady enough for us to be deceived into thinking it was just everyday reality.

How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.

There was death at the beginning as there would be death again at its end. Though whether it was some fleeting shadow of this that passed across the girl’s dreams and woke her on that least likely of mornings she would never know. All she knew, when she opened her eyes, was that the world was somehow altered. The red glow of her alarm showed it was yet a half hour till the time she had set it to wake her and she lay quite still, not lifting her head, trying to configure the change. It was dark but not as dark as it should be. Across the bedroom, she could clearly make out the dull glint of her riding trophies on cluttered shelves and above them the looming faces of rock stars she had once thought she should care about. She listened. The silence that filled the house was different too, expectant, like the pause between the intake of breath and the uttering of words. Soon there would be the muted roar of the furnace coming alive in the basement and the old farmhouse floorboards would start their ritual creaking complaint. She slipped out from the bedclothes and went to the window. There was snow. The first fall of winter. And from the laterals of the fence up by the pond she could tell there must be almost a foot of it. With no deflecting wind, it was perfect and driftless, heaped in comical proportion on the branches of the six small cherry trees her father had planted last year. A single star shone in a wedge of deep blue above the woods. The girl looked down and saw a lace of frost had formed on the lower part of the window and she placed a finger on it, melting a small hole. She shivered, not from the cold, but from the thrill that this transformed world was for the moment entirely hers. And she turned and hurried to get dressed.

Most people liked it best in the early spring, when the woods down to the river seemed to shift almost before one’s eyes from snowdrop white to daffodil yellow to the shimmer of bluebells—when the rooks cawed furiously in the beeches, the garden woke to life in a splurge of rhododendrons, and the young lambs caught their heads five times a day in the fencing down the drive. I shall always remember it with the profoundest gratitude, though, as it was that May, that last May, in the last of my old summers.

His arms surround me like a nice, yellow house. A warm house, a safe house, probably in the suburbs with a white picket fence. But your arms; they were a home. A home with an old soul (maybe a lake house in the fall) with a wood stove and kitchenette and a murphy bed imprinted with bodies shaped like ours. Granted, there were a few leaks here and there, and the wind got in at night, but I don’t remember ever feeling cold. My head wants the house, but no matter how I try, my heart just wants to go home. The heart wants what it wants

Love Love can accommodate all sorts of misshapen objects: a door held open for a city dog who runs into the woods; fences down; some role you didn’t ask for, didn’t want. Love allows for betrayal and loss and dread. Love is roomy. Love can change its shape, be known by different names. Love is elastic. And the dog comes back.

I played around our yard some and talked to the fence posts, sung songs and made the weeds sing . . . —WOODY GUTHRIE

It was a great relief to me to learn that I simply didn’t have to understand. After all, you don’t have to know how a tree grows to make a fence out of wood.

unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings.

It's a queer thing is a man's soul. It is the whole of him. Which means it is the unknown him, as well as the known. It seems to me just funny, professors and Benjamins fixing the functions of the soul. Why, the soul of man is a vast forest, and all Benjamin intended was a neat back garden. And we've all got to fit into his kitchen garden scheme of things. Hail Columbia ! The soul of man is a dark forest. The Hercynian Wood that scared the Romans so, and out of which came the white- skinned hordes of the next civilization. Who knows what will come out of the soul of man? The soul of man is a dark vast forest, with wild life in it. Think of Benjamin fencing it off! Oh, but Benjamin fenced a little tract that he called the soul of man, and proceeded to get it into cultivation. Providence, forsooth! And they think that bit of barbed wire is going to keep us in pound for ever? More fools they. ... Man is a moral animal. All right. I am a moral animal. And I'm going to remain such. I'm not going to be turned into a virtuous little automaton as Benjamin would have me. 'This is good, that is bad. Turn the little handle and let the good tap flow,' saith Benjamin, and all America with him. 'But first of all extirpate those savages who are always turning on the bad tap.' I am a moral animal. But I am not a moral machine. I don't work with a little set of handles or levers. The Temperance- silence-order- resolution-frugality-industry-sincerity - justice- moderation-cleanliness-tranquillity-chastity-humility keyboard is not going to get me going. I'm really not just an automatic piano with a moral Benjamin getting tunes out of me. Here's my creed, against Benjamin's. This is what I believe: 'That I am I.' ' That my soul is a dark forest.' 'That my known self will never be more than a little clearing in the forest.' 'Thatgods, strange gods, come forth f rom the forest into the clearing of my known self, and then go back.' ' That I must have the courage to let them come and go.' ' That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women.' There is my creed. He who runs may read. He who prefers to crawl, or to go by gasoline, can call it rot.

Behind a barbed-wire fence, a dirt road disappears into the distance in the pine trees and corners. Lost, dead roads, no ends or remaining purposes, power lines now dead and sagging and forgotten, grown high in weeds and young trees. The trees have entirely encased a speed limit sign, strange sight, nothing so pointless as a speed limit sign in the midst of dense woods, pointless and beautifully so.

Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.

She stopped by an empty field, the soil abandoned, gone to mustard weed and grass. Lush bundles of crimson clover lined the fence. At the far end was a cluster of trees. As always, her eyes sought movement at the edge of the woods.

Reynaud's visit had made me want to go and see my wood again. I like saying that. My wood. My strawberry clearing. My path. My trees. My fence. My wishing well. Those things are mine now, Reynaud said. Not Roux's, not Maman's, but mine. Mine to do what I like in. Sometimes all I want to do is be alone; to sing, to shout, to run about, to talk to myself in my shadow-voice. And now I can do that whenever I want. The wood, the clearing, and the well- they are all mine to play with. I am no longer a trespasser. I am the guardian of a sacred place.

He turned on to the track and wondered why no birds were singing. The only sound he could hear was the buzz and rattle of a drill, which he assumed to be the farmer doing something to a fence. It was, in fact, a woodpecker whose presence would have thrilled him had he known what it was.

Since the late 1840s settlers used close-planted Osage orange trees along the borders of their farms, creating, as the thorny wood filled in over some years of trimming, a living fence “horse-high, bull-strong and hog-tight.” It was barbed wire in the days before barbed wire was invented.

I’ve never seen a soul here. No one shows themselves in the dismal wet fields, patchworked into sections by wire fences. No one toils behind the tufted vestiges of hedgerow. Few birds mark the sky beside the desultory spectre of a crow. As for trees, only spindly copses sprout on higher ground, shorn or shattered into piteous last stands; the woods have been whittled skeletal behind the wire of internment camps, to make room for more empty fields. And cement barns. Telegraph poles. Litter in the roadside ditches. Burst animals on tarmac, smeared, further compressed. Denatured land. Denuded. Scrub grubbed out, scraped away. Ugly and too neat. Empty. Industrial even. Blasted. Nowhere for anything to nest, take root, hide. Green but made desolate by the impact of the nearest settlement’s conquest. These are factory-farmed lowlands orbiting a city. A ring of ice encircling a blackened planet.

Isolation is the raw material of greatness; being alone is hazardous to our health. Few other conditions produce such diametrically opposing reactions, though of course genius and craziness often share a fence line. Sometimes even voluntary solitude can send a person over to the wrong side of the fence.

The best thing for being sad,” replied Merlin, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honor trampled in the sewers of baser minds. There is only one thing for it then—to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn—pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a million lifetimes in biology and medicine and theocriticism and geography and history and economics, why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics until it is time to learn to plough.”*

It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.

Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence. But she realized that sometime during the night she had made up her mind: she would not run away today. “Where would I go, anyway?” she asked herself. “There’s nowhere else I really want to be.” But in another part of her head, the dark part where her oldest fears were housed, she knew there was another sort of reason for staying at home: she was afraid to go away alone. It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life--well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors. Still, it was galling, this having to admit she was afraid. And when she remembered the toad, she felt even more disheartened. What if the toad should be out by the fence again today? What if he should laugh at her secretly and think she was a coward? Well, anyway, she could at least slip out, right now, she decided, and go into the wood. To see if she could discover what had really made the music the night before. That would be something, anyway. She did not allow herself to consider the idea that making a difference in the world might require a bolder venture. She merely told herself consolingly, “Of course, while I’m in the wood, if I decide never to come back, well then, that will be that.” She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.

In wolf form, Ryan stalked through the woods, his hunger - and anger - mounting each second that passed. He'd just found out from Ana that Teresa had gone riding out to check the fence lines. By herself.... Panic hummed through him as he raced through a small patch of trees, lush and green now that it was spring.

It's a child's world, full of separate places. Give me a paper and pencil now and ask me to draw a map of the fields I roamed when I was small, and I cannot do it. But change the question, and ask me to list what was there and I can fill pages. The wood ant's nest. The newt pond. The oak covered in marble galls. The birches by the motorway fence with fly agarics at their feet. These things were the waypoints of my world. And other places became magic through happenstance. When I found a huge red underwing moth behind the electricity junction box at the end of my road, that box became a magic place. I needed to check behind it every time I walked past, though nothing was ever there. I'd run to check the place where once I'd caught a grass snake, look up at the tree that one afternoon had held a roosting owl. These places had a magical importance, a pull on me that other places did not, however devoid of life they were in all the visits since.

We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested!

If you were walking through the woods and found a turtle on top of a fence post, you could rationally conclude that it didn’t get there by itself. Someone put it there. Even if you didn’t have an explanation for who did it, you would be reasonable in assuming that time and chance wouldn’t eventually place a turtle on a fence post.

was to prepare more land, for I had now seed enough to sow above an acre of ground. Before I did this, I had a week's work at least to make me a spade, which, when it was done, was but a sorry one indeed, and very heavy, and required double labour to work with it. However, I got through that, and sowed my seed in two large flat pieces of ground, as near my house as I could find them to my mind, and fenced them in with a good hedge, the stakes of which were all cut off that wood which I had set before, and knew it would grow; so that, in a year's time, I knew I should have a quick or living hedge, that would want but little repair. This work did not take me up less than three months, because a great part of that time was the wet season, when I could not go abroad. Within-doors, that is when it rained and I could not go out, I found employment in the following occupations - always observing, that all the while I was at work I diverted myself with talking to my parrot, and teaching him to speak; and I quickly taught him to know his own name, and at last to speak it out pretty loud, “Poll,” which was the first word I ever heard spoken in the island by any mouth but my own. This, therefore, was not my work, but an assistance to my work; for now, as I said, I had a great employment upon my hands, as follows: I had long studied to make, by some means or other, some earthen vessels, which, indeed, I wanted sorely, but knew not where to come at them. However, considering the heat of the climate, I did not doubt but if I could find out any clay, I might make some pots that might, being dried in the sun, be hard enough and strong enough to bear handling, and to hold anything that was dry, and required to be kept so; and as this was necessary in the preparing corn, meal, &c., which was the thing I was doing, I resolved

And, to be honest, my social anxiety was one of the reasons why I had decided to stop frequenting conventions and readings, with finances being another reason, and yet another, the notion that I could prevent the inexorable untethering from Dominick if I remained geographically fixed within the Hudson Valley at all times, like an old stone fence in a forgotten stretch of woods.

But now, while we have loitered, the clouds have gathered again, and a few straggling snowflakes are beginning to descend. Faster and faster they fall, shutting out the distant objects from sight. The snow falls on every wood and field, and no crevice is forgotten; by the river and the pond, on the hill and in the valley. Quadrupeds are confined to their coverts and the birds sit upon their perches this peaceful hour. There is not so much sound as in fair weather, but silently and gradually every slope, and the gray walls and fences, and the polished ice, and the sere leaves, which were not buried before, are concealed, and the tracks of men and beasts are lost. With so little effort does nature reassert her rule and blot out the traces of men. — A Winter Walk

The house lies on the outskirts of the desert community, lone and isolated. A strong wind blows over the surrounding land, swirling dust demons across the darkness of the fields. In the black of sky, a million stars tremble around the full moon. In the split rail fence encircling the large yard, the front gate stands open; as the wind moves it, the wood seems to be alive, shivering. He

I have frequently seen a poet withdraw, having enjoyed the most valuable part of a farm, while the crusty farmer supposed that he had got a few wild apples only. Why, the owner does not know it for many years when a poet has put his farm in rhyme, the most admirable kind of invisible fence, has fairly impounded it, milked it, skimmed it, and got all the cream, and left the farmer only the skimmed milk.

The best thing for being sad,’ replied Merlyn, beginning to puff and blow, ‘is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then – to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn – pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theo-criticism and geography and history and economics – why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.

The other thing to remember, of course, is that most people get no help at all. I sure didn't, oh, no: it was just me and Castle, charging, desperate, through the country darkness, and that's how it is for most people who dare to run - no help from no Airlines, no help from no one. They just go, man, after years of planning or in the heat of a sudden moment they go, hurl their skinny bodies over a cyclone fence or purge themselves into a moat, break free of a chain line or a guard's hard grip and run, brother, run, sister, run along back roads and through forests. No planes and no cars or trucks, either. Just brave souls darting across open fields and wading in and out of rivers and stumbling along deer paths through dark woods. Find the star and follow it, as runners have done all the way back to the days of Old Slavery.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

Gale gave me a sense of security I’d lacked since my father’s death. His companionship replaced the long solitary hours in the woods. I became a much better hunter when I didn’t have to look over my shoulder constantly, when someone was watching my back. But he turned into so much more than a hunting partner. He became my confidant, someone with whom I could share thoughts I could never voice inside the fence. In exchange, he trusted me with his. Being out in the woods with Gale . . . sometimes I was actually happy.

I didnt look back the tree frogs didnt pay me any mind the gray light like moss in the trees drizzling but still it wouldnt rain after a while I turned went back to the edge of the woods as soon as I got there I began to smell honeysuckle again I could see the lights on the courthouse clock and the glare of town the square on the sky and the dark willows along the branch and the light in mothers windows the light still on in Benjys room and I stooped through the fence and went across the pasture running I ran in the gray grass among the crickets the honeysuckle getting stronger and stronger and the smell of water then I could see the water the color of gray honeysuckle I lay down on the bank with my face close to the ground so I couldnt smell the honeysuckle I couldnt smell it then and I lay there feeling the earth going through my clothes listening to the water and after a while I wasnt breathing so hard and I lay there thinking that if I didnt move my face I wouldnt have to breathe hard and smell it and then I wasnt thinking about anything at all she came along the bank and stopped I didnt move its late you go on home what

We are the culture that took the phrase “pull yourself up by the bootstraps” and twisted it to mean the opposite of its original intent. Originally, that saying was meant as a joke, as an example of something as ludicrously impossible as pulling yourself over a fence by your own bootstraps. Now, we forget the origin of the old saying and use it to suggest that we can succeed all on our own, an impossibility that we have decided to enshrine as a cultural value, ignoring the implicit absurdity of both the metaphorical act and the idea that we do anything alone as members of a society or an ecosystem.

Most humans, it seems, still put up fences around their acts and thoughts – even when these are piles of shit – for they have no other way of delimiting them. Contrast Paleolithic cave paintings, in which animals and magical markings are overlayed with no differentiation or sense of framing. But when some of us have worked in natural settings, say in a meadow, woods, or mountain range, our cultural training has been so deeply ingrained that we have simply carried a mental rectangle with us to drop around whatever we were doing. This made us feel at home. (Even aerial navigation is plotted geometrically, thus giving the air a "shape".)

Laurie Halloween (1978) I ask you to tell me of a town where this hasn’t happened, where some brute dressed in black hasn’t donned a mask, shadowed a woman, called himself a monster to blot out his own mortality. Tell me why I should mythologize this. Let his shape grow larger than the women crouched with coat hangers, with makeshift daggers as sturdy as their hearts? Something can be vulnerable and powerful both at once, but you cannot understand this, and I have grown so weary trying to explain. You say you want to protect us, but the method, blunt pills forced to mouths, a technique for hysteria, is all wrong. It abrades. White fences are only made of wood, they splinter so easily.

In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books. Turner walked into Nickel with strategies and hard-won dodges and a knack for keeping out of scrapes. He jumped over the fence on the other side of the pasture and into the woods and then both boys were gone. In Elwood’s name, he tried to find another way. Now here he was. Where had it taken him?

I only wanted books—nothing more—only books, only words, it was never anything but words—give them to me, I don’t have any! Look, see, I don’t have any! Look, I’m naked, barefoot, I’m standing before you—nothing in my pants pockets, nothing under my shirt or under my arm! They’re not stuck in my beard! Inside—look—there aren’t any inside either—everything’s been turned inside out, there’s nothing there! Only guts! I’m hungry! I’m tormented!... What do you mean there’s nothing? Then how can you talk and cry, what words are you frightened with, which ones do you call out in your sleep? Don’t nighttime cries roam inside you, a thudding twilight murmur, a fresh morning shriek? There they are words—don’t you recognize them? They’re writhing inside you, trying to get out! There they are! They’re yours! From wood, stone, roots, growing in strength, a dull mooing and whining in the gut is trying to get out; a piece of tongue curls, the torn nostrils swell in torment. That’s how the bewitched, beaten, and twisted snuffle with a mangy wail, their boiled white eyes locked up in closets, their vein torn out, backbone gnawed; that’s right, that’s how your pushkin writhe, or mushkin—what is in my name for you?—pushkin-mushkin, flung upon the hillock like a shaggy black idol, forever flattened by fences, up to his ears in di, the pushkin-stump, legless, six-fingered, biting his tongue, nose in his chest—and his head can’t be raised!—pushkin, tearing off the poisoned shirt, ropes, chains, caftan, noose, that wooden heaviness: let me out, let me out! What is in my name for you? Why does the wind spin in the gully? How many roads must a man walk down? What do you want, old man? Why do you trouble me? My Lord, what is the matter? Ennui, oh, Nin! Grab the inks and cry! Open the dungeon wide! I’m here! I’m innocent! I’m with you! I’m with you!

She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow.

But what he liked above all was to cycle in the dusk along a certain path skirting meadows. There, he would sit on a fence looking at the wispy salmon-pink clouds turning to a dull copper in the pale evening sky and think about things. What things? That cockney girl with her soft hair still in plaits whom he once followed across the common, and accosted and kissed, and never saw again? The form of a particular cloud? Some misty sunset beyond a Black Russian fir-wood (o, how much I would give for such a memory coming to him!)? The inner meaning of grass-blade and star? The unknown language of silence? The terrific weight of a dew-drop? The heartbreaking beauty of a pebble among millions and millions of pebbles, all making sense, but what sense? The old, old question of Who are you? To one’s own self grown strangely evasive in the gloaming, and to God’s world around to which one has never been really introduced. Or perhaps, we shall be nearer the truth in supposing that while Sebastian sat on that fence, his mind was a turmoil of words and fancies, incomplete fancies and insufficient words, but already he knew that this and only this was the reality of his life, and that his destiny lay beyond that ghostly battlefield which he would cross in due time.

In spite of all these concerns, in the morning when I left my hotel I went joyfully down the stairs, whistling all the while, and emerged into the street at ten or eleven, whenever I wanted. It was fun, I felt happy, and then I realized that it wasn’t all much fun and I wasn’t all that happy. Had a weight been lifted from my back? The weight of living? I had been born bowed down with grief. The universe seemed to me a kind of enormous cage, or rather a big prison, with the sky a ceiling, and the horizon walls beyond which there had to be something else. But what? I was in a vast space, and yet it was locked. Or rather, I had the feeling I was in a huge ship, and the sky above was an enormous cover. There was a crowd of prisoners, and as far as I could tell most of them were unaware of their condition. What was there beyond the walls? Well, when you really thought about it, there was a positive side to the picture: the daily prison, the little jail inside the big one, had opened its doors to me. Now I was able to stroll at will along the main thoroughfares, the broad avenues of the big jail. It was a world comparable to a zoo in which the animals enjoyed a kind of semi-freedom, with man-made mountains, artificial woods, and imitation lakes, but at the far reaches there were still the same old fences.

The billboards ruin everything. The historical flavor, the old-time architecture, even the beauty of the wooded hillside—all are sacrificed. Pole-lines and wires may be accepted, like fences, as part of the basic American landscape. They do their work without striving to be conspicuous, and often their not-ungraceful curves add a touch of interest, an intricacy of pattern, even some beauty. Billboards are different. . . . billboards blast themselves into the viewer's consciousness. . . . some of the smaller billboards—those advertising local hotels, service-stations, or small industries—seem to have a certain rooting in the soil, and are often modest and comparatively harmonious to the setting. The large billboards—owned by special companies, usually advertising the products of mass-production—are always placed in the most conspicuous spots, and have designs and colors carefully chosen to clash with the background. One feels a difference between a home-produced: "Stop at Joe's Service Station for Gas—Two Miles," or "The Liberty Café—Short Orders at All Hours—Give Us a Try!" and some gigantic rectangle advertising tires or beer. Large billboards are now springing up along U. S. 40 even in the vastnesses of the Nevada sagebrush country. They are an abomination! Personally, I try to buy as little as possible of anything that is so advertised.

The sight of the canyon down there as we renegotiated the mountain road made me bite my lip with marvel and sadness. It's as familiar as an old face in an old photograph as tho I'm gone a million years from all that sun shaded brush on rocks and that heartless blue of the sea washing white on yellow sand, those rills of yellow arroyo running down mighty cliff shoulders, those distant blue meadows, that whole ponderous groaning upheaval so strange to see after the last several days of just looking at little faces and mouths of people -- As tho nature had a Gargantuan leprous face of its own with broad nostrils and huge bags under its eyes and a mouth big enough to swallow five thousand jeepster stationwagons and ten thousand Dave Wains and Cody Pomerays without a sigh of reminiscence or regret -- There it is, every sad contour of my valley, the gaps, the Mien Mo captop mountain again, the dreaming woods below our high shelved road, suddenly indeed the sight of poor Alf again far way grazing in the mid afternoon by the corral fence -- And there's the creek bouncing along as tho nothing had ever happened elsewhere and even in the daytime somehow dark and hungry looking in its deeper tangled grass. Cody's never seen this country before altho he's an old Californian by now, I can see he's very impressed and even glad he's come out on a little jaunt with the boys and with me and is seeing a grand sight.

We could also see birches in the woods beyond the thirteen-foot-high fences. And we could see women prisoners in the adjacent field; if the girls saw their mothers among them, they could throw their bread to them, hoping that they would not loft it back, as our rations were greater than anyone else's in the camp. We could see the labs we were taken to on Tuesdays and Thursdays and Saturdays, the two-story buildings of brick, but the rest of our view was limited. If someone had cause to pluck us up and take us somewhere, then there was more we might learn of Auschwitz, but otherwise, we did not see the section of camp called Canada, which featured a series of warehouses so overwhelmed with pillaged splendor that the prisoners named it after a country that represented wealth and luxury to them. Inside Canada's structures, our former possessions loomed in stacks: our spectacles, our coats, our instruments, our suitcases, all of it, even down to our teeth, our hair, anything that could be considered necessary to the business of being human. We did not see the sauna where inmates were stripped, or the little white farmhouse whose rooms were passed off as showers. We did not see the luxuriant headquarters of the SS, where parties took place, parties where the women of the Puff were brought in to dance and sit upon Nazi laps. We did not see, and so we believed we already knew the worst. We couldn't image the greatness of suffering, how artful and calculating it could be, how it could pluck off the members of a family, one after the other, or show an entire village the face of death in one fell swoop.

New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!

Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.

saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.

His ears strained to pick up the least sound of tiny paws; instead, all he could hear was a furious yowling and scuffling that broke out somewhere ahead, near the Twoleg fence. Was something—maybe a Twoleg dog—attacking his warriors? He raced through the trees until he came to the edge of the wood. Ashfur and Brambleclaw were scuffling with an unfamiliar black-and-white cat. Brambleclaw had climbed onto the cat’s back, clawing at its neck fur, while Ashfur bit down hard on the end of its tail. The black-and-white cat was writhing on the ground, his flailing paws barely touching his attackers. “Get off me!” he yowled. “I need to see Rusty—I mean Firestar!” Firestar suddenly recognized the disheveled bundle of black-and-white fur. It was Smudge, the kittypet who had been his friend before Firestar left his Twolegs to live in the forest. “Stop!” He ran over to the wrestling cats, lowering his head to butt Brambleclaw hard in his flank. Brambleclaw slid off Smudge’s back, glaring up with a furious hiss that broke off when he realized who had interrupted the fight. “Leave him alone,” Firestar ordered. “But he’s an intruder,” Brambleclaw protested, scrambling to his paws and shaking dust from his pelt. “A kittypet intruder,” added Ashfur, reluctantly letting go of Smudge’s tail. “No, he’s not,” Firestar corrected them. “He’s a friend. What are you two doing here, anyway?” “We’re the border patrol,” Brambleclaw told him. “With Dustpelt and Mousefur. Look, here they come.” Following the direction of his pointing tail, Firestar spotted the two older warriors bounding rapidly through the trees. “In StarClan’s name, what’s going on?” Dustpelt demanded. “I thought a fox must have gotten you from all that noise.” “No, just a kittypet,” Firestar mewed, faintly amused at Brambleclaw’s and Ashfur’s outraged expressions. “Okay, carry on with your patrol,” he added. “But what about the kittypet?” Ashfur asked. “I think I can handle him,” Firestar mewed. “You’re doing fine, but just remember that not everything you haven’t seen before is a threat.” Brambleclaw and Ashfur fell in behind Dustpelt and Mousefur as they continued their patrol; Brambleclaw cast a threatening glance back at Smudge and hissed, “Stay off our territory in the future!” Smudge heaved himself to his paws, glaring at his attackers. His fur was covered in dust and stuck out in all directions, but he didn’t seem to be hurt. “You’re lucky I was here to save your pelt,” Firestar remarked as the patrol vanished among the trees. His old friend let out a furious snort. “I’ll never understand you, Firestar. You actually want to live with these violent ruffians?” Firestar hid his amusement.

each other. No words were needed, they both felt the same. What a load of bollocks. They’d known each other two minutes. How could they be in love? Joan was just going over the top. The four glasses clinked together. “Tuck in guys. This is one of my better dishes. My mam helped with it too so I know it’s going to be top notch.” Trevor rubbed his hands together and grabbed his fork. There were no flies on him he was tucking in. Food was his comfort and now Joan was off the market he needed it more than ever. Mabel picked at the food on her plate, nibbling, watching everyone else around her. Patrick sat next to Joan and every chance he got he kissed her, held her hand. He knew he was on show here tonight and he was making sure he ticked all the boxes. * Cath and Katrina were chatting in the yard. The winds were blowing with force. They both looked freezing as they marched around the concrete yard. There were high steel fences with barbed wire on the top of it. There was no way out. Katrina needed a friendly ear, some advice, someone to ease her heavy heart. Once she’d filled Cath in on everything that had happened they both sat on a bench not far from the fence.  The screws watched them with caution and never took their eyes from them. They were high-risk prisoners. Cath let out a laboured breath and bit down hard on her bottom lip. “For crying out loud didn’t I tell you to keep away from that prick. Look what’s happened now. You’ve fucking blown it. You were getting out of this shit-hole in a few more months and you’ve gone and fucked it all. Where is your head at woman, you should of steered well clear of any trouble?” Katrina snivelled, her eyes flooding with tears. “I know, I just wanted to hurt him like he’s hurt me. I loved that man with all my heart and he just fucked off and left me. I’ve lost it all Cath. My kids, my home, everything I ever loved. How can I tell my kids I’m not coming home? It will break their hearts. I’ve made promises to them. A better life, no more trouble. Their mother home for good.” “They’ve not charged you yet. Wait until it’s set in stone and then you know what you’re dealing with.” Cath held her in her arms and squeezed her tight. She knew as much as the other person that she wasn’t getting out of jail anytime soon. The crime she’d committed would be all over the news soon and the public would know who she was. She’d seen it so many times before. Once an offender was named, the nation would be all over it. No doubt Norman would be made out to be the hero too. There would be no story about the way he treated this woman, no mention of all the women he’d abused in the past. Maybe someone should have grassed him up. Katrina had warned him if he she got her collar felt there would be repercussions. Why hadn’t she put his name in the picture yet? Now was the time to put her cards on the table and look after number one. Maybe if she turned Queen’s evidence she could get a deal with the prosecution. A lesser sentence, a few years knocked off. Cath was aware of this but to be a Judas was another matter. Katrina would have to

There is only one thing for it then – to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn – pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theo-criticism and geography and history and economics – why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.

To me, he was still a hero; he gave me fencing lessons, sharpened my pocketknife, taught me how to draw clouds by rubbing an eraser over shapes sketched with a piece of charred wood from the fireplace, and how to render the myriad leaves of a tree without drawing each one separately—the true secret of art, as he called it.

This is hard country. Bad things happen up here. Unless you’ve been wearing blinders, by now you’re beginning to see that. Why don’t you accept my offer, sell this place, and go home where you belong?” Home where you belong. They were fighting words to Charity, right along with be a good little girl. Her lips tightened. “You’d like that, wouldn’t you? For me to sell out and go home. Then you could have your precious privacy back. You wouldn’t have to worry about someone making noise when they worked next door. You wouldn’t have to worry about saving some greenhorn from a bear. You wouldn’t have to think about--” She gasped as he took a threatening step toward her, his eyes snapping as he backed her up against the trunk of the tree. “Yeah, I wouldn’t have to worry about what mischief you might get into next. And whenever I saw you, I wouldn’t have to think about what it might be like to kiss that sassy mouth of yours. I wouldn’t have to drive myself crazy wondering what it would feel like to reach under that silly panda sweatshirt and cup your breasts, to put my mouth there and find out how they taste.” She made a little sound in her throat the instant before his mouth crushed down over hers. Hard lips, fierce and hot as a brand, molded with hers, then began to soften. He started to taste her, to sample instead of demand. Lean, tanned hands framed her face, titled her head back so he could deepen the kiss and she felt the rough shadow of beard along his jaw. Her mouth parted on a moan and his tongue slid inside. It felt slick and hot as it tangled with hers, and ragged need tore through her. Oh, dear God! Heat overwhelmed her and she started to tremble. Her hands came up to his shoulders, clung for a moment, then slid up around his neck. She heard Call groan. He pressed himself more solidly against her, forcing her into the bark of the tree. She could feel his arousal, a big, hard ridge straining beneath the fly of his jeans. His hands found her bottom and he lifted her a little, fit his heavy erection into the soft vee between her legs. An ache started there. She inhaled his scent, like piney woods and smoke, and he tasted all male. He kissed the way a woman dreamed a man should kiss, drinking her in, making her legs turn to butter. As if he would rather have the taste of her mouth than his next breath of air. She tilted her head back and he kissed the side of her neck, trailed hot, wet kisses to the base of her throat, then took her mouth again. Their tongues fenced, mated in perfect rhythm. Their mouths seemed designed to fit exactly together. The kiss went on and on, till her brain felt mushy and she could barely think. Tell him to stop, a voice inside her said, but all she could think was that Jeremy had never kissed her like this. He had never made her feel like this--not once in the two years they had been together. No one had ever made her feel like this. And she didn’t want the moment to end.

Outside, Ambo slogs through snow ankle-deep, making bloody tracks down the graded yard toward the box truck. Scanning the roundabout below, where the dirt utility road spills from the wood into the clearing. No movement. Nothing on approach. Only the snow that contours the turnabout, shaping itself against the trunks of the surrounding glade. Near the split-rail fence at the end of the back yard, Ambo stops and places the cooler at his feet. He lays the shotgun in a wide drift beside the last stile, working it in with his hands, using the snow to scour off the worst of the gore. The slush reddened like a confection. When he finishes, he puts the cooler under his arm, shoulders the weapon and continues the descent. His hands numb. The truck is ahead, blanketed from nose to tail, the drifts reaching halfway into the wheel wells. When Ambo reaches the cargo bay, he glances back over his shoulder. The red house, a cornice of snow gathered on the eaves. The red tracks—his own footprints—leading away. A red imprint roughed out in the shape of a gun on the side of the path.

In the Twoleg nests around them, lights began to appear in the dark holes in the walls. Lionblaze heard a Twoleg shouting angrily, but the dogs went on barking and pounding at the fence. His belly lurched when he saw that the small brown-and-white dog had stuck its head through the gap and the wood around it was starting to splinter. The dark tabby she-cat darted forward and slashed her claws at the dog’s nose. Yelping, it pulled back.

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Mending Wall Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: 'Stay where you are until our backs are turned!' We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, 'Good fences make good neighbors.' Spring is the mischief in me, and I wonder If I could put a notion in his head: 'Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows. Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense. Something there is that doesn't love a wall, That wants it down.' I could say 'Elves' to him, But it's not elves exactly, and I'd rather He said it for himself. I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed. He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his father's saying, And he likes having thought of it so well He says again, 'Good fences make good neighbors.

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They measured, surveyed, and allocated whatever land had not been distributed. They built roads, bridges, fences, livestock pounds, and public landings. They exported barrel staves and imported “salt and Barbados goods on reasonable terms.” They authorized the building of a warehouse whose owner would “supply the town of Lyme with salt and certain woods upon reasonable terms,” and they prohibited the cutting of timber on common land and the “transport of the same out of the town” because “all sorts of timber grow scarce among us.” They also managed the operation of the gristmill to keep it “in repair continually for to grind the town’s corn all winter and summer,” and they decided the length of the school year, authorizing two dame schools “for teaching young children and maids to read and whatever else they may be capable of learning, either knitting or sewing.” In 1685 they decided to erect “a pair of stocks & scaffold to answer the laws within a month at the meeting house.

Not unlike the herbicide-spraying campaigns in Asia, Central Europe was also flown over by helicopters spraying chemicals intended to wipe out the deciduous forests, which had gone out of fashion. Beech and oak trees held very little value at that time; low oil prices meant that no one was interested in firewood. The scales were tilted in favour of spruce – sought after by the timber industry and safe from being devoured by the high game populations. Over 5,000 square kilometres of deciduous woodlands was cleared just in my local region of Eifel and Hunsrück, through this merciless method of dropping death from the air. The carrier for the substance, sold under the trade name Tormona, was diesel oil. Elements of this mixture may still lurk in the soil of our forests today; the rusty diesel drums are certainly still lying around in some places. Have things improved now? Not completely, because chemical sprays are still used, even if they’re not directed at the trees themselves. The target of the helicopters and trucks with their atomising nozzles is the insects that feed on the trees and wood. Because the drab spruce and pine monocultures give free rein to bark beetles and butterfly caterpillars, these are then bumped off with contact insecticides. The pesticides, with names like Karate, are so lethal for three months that mere contact spells the end for any unfortunate insects. Parts of a forest that have been sprayed with pesticide are usually marked and fenced off for a while, but wood piles at the side of the track are often not considered dangerous. I would therefore advise against sitting on them when you’re ready for a rest stop and look out for a mossy stump instead, which is guaranteed to be harmless. This is quite apart from the fact that freshly harvested softwood is often very resinous. The stains don’t come out in the normal wash; you need to attack it with a special stain remover. Stacked wood carries another danger: the whole pile is liable to come crashing down. When you know that a single trunk can weigh hundreds of kilograms, you tend to stay away from a precariously stacked pile. It’s not for nothing that the German name for a wood stack is Polter, as in the crashing and banging of a poltergeist. Back to the poison. In areas sprayed by helicopter I wouldn’t pick berries or mushrooms for the rest of the summer. Otherwise, the forest is low in harmful substances compared to industrial agriculture.

Move quickly and don’t say anything,” Wesley ordered as he pushed me forward. The steel wire fence of the Death Camps rose up sharply in the light of the moon. I stopped, whirling around to face him. “How can you live with yourself, working for this army?” I asked in a trembling voice, staring deep into his eyes. “If you’re going to kill me, go ahead and do it now.” He pushed me forward. “Didn’t you hear me?” he hissed. “I said, don’t speak. Keep walking.” The moonlight fell across his angular cheekbones and lit up the dark hollows of his eyes. We had passed the camps and were now walking down the dark field toward a windowless brick building. “Where are you taking me?” I said through clenched teeth. He pulled me to a stop and began to untie the rope binding my wrists. “You’re not taking me to the camps?” My voice was filled with confusion. He took a second gun from his uniform and placed it in my palm. “Do you know how to shoot?” “Yes.” “There’s a full round in there. Don’t let go of it. If we get separated, if the Roamers get you, just shoot them. Don’t hesitate or they’ll kill you first.” I nodded mechanically and wrapped my fingers around the grip, wincing at the pain as I placed my finger experimentally on the trigger. “I’m taking you somewhere safe, but we have to go through the woods to get there,” Wesley went on. “And we need to be quiet and careful. If I’m caught helping you, we’ll both be killed.” I raised my eyes to his. I wanted to trust him, but what if this was just an elaborate trap? “Why are you helping me?” I asked. He looked toward the Death Camps in the distance. “You’re not the only person here with something to hide, Eliza.

The Resource List Oak Wood 104, Oak Wood Planks 12, Oak Wood Slabs 58, Birch Wood Planks 28, Birch Wood Stairs 36, Birch Wood Slabs 60, Cobblestone Wall 44, Gravel, Glass 16, Ladders 18, Fence 26, Torch 10, Redstone Torch 4, Redstone Lamp 4, Painting, Crafting Table, Furnace, Trapdoors, Chests, Wooden Door, Flower Pots 3, Jungle Leaves, Jungle Sapling 4, Fern 2, Flowers

Tree House   This jungle tree house build is both fun and rewarding, especially once you get finished in the evening and can watch the sun set from the patio of your new house suspended a hundred feet in the air. Here’s how to get started.   Once you locate a jungle biome in your world, pick out a few tall trees that are close to each other:         Start by building a platform around one of the trees and adding columns at the corners to support a half-roof:           With the columns in place, begin adding on a roof, using stairs as the roof portions. Note that all of the wood I’m using for this build is jungle wood.             Add fencing between the columns to keep people from falling out, leaving a space on one side for your patio. Create the patio using bottom stone slabs for a lower portion where a fountain/waterfall will go, then using top stone slabs for the eating area.               Once the patio is completed, you can use pressure plates on top of fence posts for tables, stairs for chairs and then use a water bucket to create a nice flow of water through a hole in the patio. Fences around the perimeter keep people safe and a few torches keep things well-lit.   Next, find a nearby tree and construct a second platform:           Make sure the second platform is surrounded by fending as well, then connect both platforms with stairs and wood planks, adding in fencing on the sides for safety:           This new platform will be the sleeping area, and three sets of beds arranged around the tree in the middle look cozy and inviting. Top this platform off with a few torches and you’re set!         Adding some jungle leaves above the platform will protect sleepers below from getting wet when it rains, and will help keep things looking natural and open.         Go back to the main platform and construct an additional, smaller platform above it:         Cut a hole in both platforms and add a tall ladder going from the uppermost platform down to the ground, passing through the main platform on its way. At the bottom, add a landing with torches and stairs leading down to the beach:           Clear the upper platform of leaves and then add on fencing for safety, torches for light and use a staircase and wooden slab to create long chairs that people can sit on to watch the sunsets. A pair of stairs on the sides of the upper platform add additional seating for more guests:             Wow! This tree house looks amazing! You’ve got all of the basic set up, so now it’s up to you to take it to the next level! Add in more personal touches, expand the tree house with more connected platforms or build even higher into the jungle!  

Step 12: Balcony Floor Now it’s time for the balcony and we’re going to build it on the front side. Start with oak wood and bring it out four blocks on either side and also do a row between them on the outside. Then fill in the area with oak wood planks. Step 13: Balcony Pillars Then build pillars reaching up to the front of the balcony, use fence posts for this.

He’s by the fence over there,” Stephen pointed to a legless man a few feet away by the gate to the inn’s yard. Harry had undone himself from his board and was sitting with his leg stumps splayed out, whittling on a small piece of wood. Already its end resembled the figure of a man tugging a noose about his neck. Harry was only a few years older than Stephen, hardly thirty, but with a ratty beard that hung down to his chest, wild hair and crazy blue eyes, he seemed far older. He had been a free farmer once, but then a cart had rolled over his legs. Gangrene had set in and a barber surgeon amputated both legs above the knee. Most men would have died, but Harry had held on. He was a beggar now.

There’s also an oak wood log in the corner with a torch and chests on either side. Step 17: Hedges & Lighting Below the house we’ve got a hedge of jungle leaves between the pillars along the red lines and we’ve also got redstone lamps (X) with redstone torches under them. You can also plant tall grass and flowers with bone meal in this area to add some definition. Step 18: Walkway The walkway along the blue line leading up the ladders is made of gravel and the arch represented by the red line is made of oak wood and jungle leaves. Step 19: Walkway Decorations To spice up the walkway a little bit I planted some flowers (X), alternate between yellow and red. There’s also a fence that surrounds the walkway along the red lines. That completes The Tree House, I hope you enjoyed it!

Woods brings a deft touch to untangling very complicated family ties! The moment Amanda defied her rich and powerful father to marry Bobby O’Leary, Big Max disowned her. Even now, with Bobby dead and Amanda mired in debt, he refuses to forgive her. But Caleb, the new man in Amanda’s life, is determined to mend fences between

One Saturday, Mama went to visit her sister, Aunt June, at her house in Pensacola. When Pa suggested they ought to go for a walk in the woods, Becca was more than ready to explore. She put on her cowgirl boots and got her compass, canteen, and Swiss Army knife in case they got lost, and took his hand as they crossed the gentle slope of the back fields. Corn swayed, near ready for the picking, all along the fence line. She ran her fingers through the silks dangling from the ends of green-wrapped cobs, and it felt just like Barbie hair.

Slow down.” Sheriff Jeffries put a hand on the steering wheel. “I can do it.” I yanked in the opposite direction. White pickets glowing beneath the full moon appeared closer and larger. My foot missed the brake. Wood splintered. A headlamp went dark. The engine died without a sputter. Sheriff Jeffries practically sat in the same seat with me now, his foot hard on the brake. I looked up. A shadowy figure rose from a chair on the porch and walked toward us. Frank. I pushed open my door and stood on shaky legs, straightening my hat. The sheriff inspected his car. Frank kept his eyes on me. I refused to turn from his reproachful gaze. “I’m so sorry, Sheriff. I hope I didn’t hurt anything.” “Only my fence,” Frank grumbled. I gave him my most coquettish smile. “Nothing that can’t be repaired, right?” The sheriff cleared his throat. I turned to him. “I do thank you for the ride.” When did I start sounding so much like Mama? “My . . . pleasure. I’ll see you on Sunday?” I looked to Frank, then back to the sheriff. “Of course. And I am sorry about your car.” “No harm done. At least, not much.

Spruce Wood 155 Spruce Wood Planks 51 Spruce Wood Stairs 122 Spruce Wood Slabs 16 Oak Wood Planks 77 Stone Bricks 178 Stone Brick Stairs 25 Stone Brick Slabs 38 Mossy Stone Bricks 22 Bookshelves 18 Oak Leaves 9 Fence 34 Glass Panes 8

THE TINY SPIDERS that lived in the higher branches of the downed tree (which now meant the branches that lay on the other side of the crushed fence that separated front yard from back) were bright red. At the end of the day, even the careful children had the marks of them, bloody starbursts on their palms. And the smell of the green wood, the tender leaves

Beyond the soccer field, the ground sloped down unevenly toward the chain-link fence that separated the schoolyard from the woods. As they moved closer to the fence, Tamaya could feel her heartbeat quicken. The air was cool and damp, but her throat felt dry and tight. Just a few weeks before, the woods had sparkled with bright fall colors. Looking out the window from her classroom on the fourth floor, she’d been able to see every shade of red, orange, and yellow, so bright some days that it had looked as though the hillside were on fire. But now the colors had faded and the trees looked dark and gloomy.

I used to think there was a 'before' and 'after' most things that happen to a person; that a fence of time and space could separate even quite catastrophic experience from the ordinary whole of life. But now I know that with a great devastation of some kind, there is no before or after. Even when the commotion of crisis has settled, it's still there, like that dam water, insisting, seeping, across the past and the future.

Okay, imagine that you love chopping wood in your backyard,” I said. “You do it for fun. To relax. To enter a flow state. Then, one day, your neighbor pops his head over the fence and asks you if you could chop him some wood, too. He offers you $20. Suddenly, the thing you love doing becomes a business. Before you know it, you’re chopping wood for all your neighbors. You buy a truck and start selling door-to-door. It’s just you and a bunch of buddies, side by side, chopping wood and working outside. The business grows. And grows. And grows. And a decade later you wake up. You’re in a little glass office, perched atop one of many sawmills. You look down at the hundreds of workers beneath you, operating the industrial equipment on the factory floor. Huge logs getting fed into machines that slice the wood. Totally automated. “And there you are. Isolated in your little office, wearing a suit, the air-conditioning blowing a chill down your back. No axe. No fresh air. No friendly coworkers. Just you sitting in your office, doing some paperwork—alone. That is what it feels like to build a business this big.” He looked dejected and I wondered if I should have just shut my mouth and told him it was awesome. He could learn the truth on his own. Every founder dreams about getting to the end—the part where they’ve created the billion-dollar behemoth—but ironically, once there, we all fantasize about going back to the beginning. After all, the beginning is the best part, and most of us probably wouldn’t have kept going if we knew about all the speed bumps. The journey is the reward.

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They came to a fenced paddock, a rudimentary wood structure that looked as if it did not have the strength to hold back much more than a small flock of disinterested rocks.

The best thing for being sad,’ replied Merlyn, beginning to puff and blow ‘is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honor trampled in the sewers of baser minds. There is only one thing for it then-to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn- pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and Theo-criticism and geography and history and economics- why you can start to make a cartwheel out of the appropriate wood or spend fifty years learning to begin to beat your adversary at fencing. After that, you can start again on mathematics, until it is time to learn to plough.

He put in a real nice split rail fence for us last year when I was laid-up because of my back,” said Bubba. “Did good work. Nice wood.” “She doesn’t care about his wood, Bubba.” His wife smacked his shoulder. “She wants a job.” I might care about his wood, I thought, picturing a hot, shirtless guy chopping wood and then putting up a split rail fence, sweat glistening on his tanned pecs.

So we may say that the Zoryas can all appear identical, but one has a malicious streak, and another is not a “biological” daughter of the Sea King at all, but a sister of the Sun. This contradicts the Nart Sagas, which portray Zerasha as a daughter of Dobettyr the Sea God. This could be an attempt to reconcile a celestial Balto-Slavic genealogy with an Iranian one, where the maiden was said to be the daughter of the Sea God. If she is a half-sister of the other Zoryas, then who is her mother? It’s probably in Romania where the parentage is most clear: The mother of the Woods is the mother of Zorila (Dawn), Murgila (Dusk), and Miazanoapte (Midnight).81 This “Mother of the Woods” or Mamapadurei is a figure of Romanian folklore who lives in a forest, in a hut that revolves on fowl’s legs, and a fence stuck full of skulls. She kidnaps children, and generally corresponds to Baba Yaga.

We're with the federal government. I'm Mr. Harrison. This is Mr. Woods." I didn't move, and I kept my left foot wedged securely behind the door. I wasn't as tall as either of them, but I was strong, a farmer, an athlete, a chopper of wood and hoister of fence posts. I trusted my ability to slam the door in their faces. I said, "What branch?" "What?" "What branch of federal government?" Harrison's mouth quirked to one side as if he was resisting a patronizing smile. "Information," he said. "That's not a branch." I braced my foot more securely. "The FBI is a branch. The War Department is a branch.

The two climbed over a fence and walked along the bank of the stream. The boy paid no attention to the muttering of his grandfather, but ran along beside him and wondered what was going to happen. When a rabbit jumped up and ran away through the woods, he clapped his hands and danced with delight. He looked at the tall trees and was sorry that he was not a little animal to climb high in the air without being frightened. Stooping, he picked up a small stone and threw it over the head of his grandfather into a clump of bushes. “Wake up, little animal. Go and climb to the top of the trees,” he shouted in a shrill voice.

No! Not the ice cream stand, with its little item frames featuring all eight flavors! Not that! Anything but that! Ransack my bedroom, fine! Blow up our fountain, okay! Just don’t touch that cute little hut made out of fence and blocks of wood! With it gone, I’d no longer be able to enjoy diamond ore chunk, with its perfect texture, its fantastic consistency, and a blend of flavors so utterly amazing it should count as enchanted food! How could they destroy that?! How could they?! They might be monsters, but even they have limits, right? Even they should know where to draw the line!

I know I need to be a happy girl so my mom can be happy too. My success ensures her success. We are like the sweet peas tangled on a fence in the backyard, entwined.