Ribs Are Cages Quotes

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He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
Jonathan Safran Foer (Everything is Illuminated)
I crush her against me. I want to be part of her. Not just inside her but all around her. I want our rib cages to crack open and our hearts to migrate and merge. I want our cells to braid together like living thread.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
A strange, terrific force unlike anything I've ever experienced is sprouting in my heart, taking root there, growing. Shut up behind my rib cage, my warm heart expands and contracts independent of my will--over and over.
Haruki Murakami (Kafka on the Shore)
You can die of a broken heart -- it's scientific fact -- and my heart has been breaking since that very first day we met. I can feel it now, aching deep behind my rib cage the way it does every time we're together, beating a desperate rhythm: Love me. Love me. Love me.
Abby McDonald (Getting Over Garrett Delaney)
Hearts are wild creatures, that's why our ribs are cages.
Elalusz
I was literally seeing stars, and every ragged breath I took felt like I was trying to breathe through broken glass. On the upside, my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feeling should naturally go the way of the ghost.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Then he pulled out a handgun and shot me in the chest. I was standing on the lawn and I fell. The bullet hole opened wide and my heart rolled out of my rib cage and down into a flower bed. Blood gushed rhythmically from my open wound, then from my eyes, my ears, my mouth. It tasted like salt and failure. The bright red shame of being unloved soaked the grass in front of our house, the bricks of the path, the steps of the porch. My heart spasmed among the peonies like a trout.
E. Lockhart (We Were Liars)
Ever notice how the heart is literally caged by the ribs? That’s insane. As if our body knows it can break so easily, it needs to be protected.
L.J. Shen (Pretty Reckless (All Saints High, #1))
Talking to a therapist, I thought, was like taking your clothes off and then taking your skin off, and then having the other person say, "Would you mind opening up your rib cage so that we can start?
Julie Schumacher (Black Box)
I’d like to see you carry on with a corset digging its bones into your rib cage,” I said, returning the favor and eyeing his clothing. “And manage a skirt still covering most of your breeches and whipping around your thighs in this wind.” “If you’d like to see me out of my breeches, simply ask, Wadsworth. I’m more than happy to accommodate you on that front.” “Scoundrel.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids.
William Goldman (The Princess Bride)
Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.
E.E. Cummings
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age.In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, once a bum always a bum. I fear this disease incurable. I set this matter down not to instruct others but to inform myself....A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we not take a trip; a trip takes us.
John Steinbeck (Travels with Charley: In Search of America)
I will be thin and pure like a glass cup. Empty. Pure as light. Music. I move my hands over my body - my shoulders, my collarbone, my rib cage, my hip bones like part of an animal skull, my small thighs. In the mirror my face is pale and my eyes look bruised. My hair is pale and thin and the light comes through. I could be a lot younger than seventeen. I could be a child still, untouched.
Francesca Lia Block
I pointed at the little kids goading each other to jump from rib cage to shoulder and Gus answered just loud enough for me to hear over the din, 'Last time, I imagined myself as the kid. This time, the skeleton.
John Green (The Fault in Our Stars)
Love is the most precious gift you could ever possibly hope to steal. Some women foolishly do not leave their rib cages locked at night.
Jarod Kintz (This Book Title is Invisible)
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed "yrs forever" until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted do cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word - forever - and felt the burning ache just beneath his rib cage. It hurt like the worst ass-kicking he'd ever gotten. And he'd gotten plenty.
John Green (An Abundance of Katherines)
When they both realized they were heartbroken enough to want the love torn from their rib cages, they touched each other with their hands and their mouths, and they forgot they wanted to be cured.
Anna-Marie McLemore (When the Moon Was Ours)
Have you ever thought about what protects our hearts? Just a cage of rib bones and other various parts. So it's fairly simple to cut right through the mess, And to stop the muscle that makes us confess
Ingrid Michaelson
Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.
Ec
Four wanders through the crowd of initiates, watching us as we go through the movements again. When he stops in front of me, my insides twist like someone is stirring them with a fork. He stares at me, his eyes following my body from my head to my feet, not lingering anywhere - a practical, scientific gaze. "You don't have much muscle", he says, "which means you're better off using your knees and elbows. You can put more power behind them." Suddenly he presses a hand to my stomach. His fingers are so long that, though the heel of his hand touches one side of my rib cage, his fingertips still touch the other side. My heart pounds so hard my chest hurts, and I stare at him, wide-eyed. "Never forget to keep tension here", he says in a quiet voice. Four lifts his hand and keeps walking. I feel the pressure of his palm even after he's gone. It's strange, but I have to stop and breathe for a few seconds before I can keep practicing again.
Veronica Roth (Divergent (Divergent, #1))
My heart is locked away in a cage surrounded by ribs. That’s to protect it, and to keep the world safe. It’s currently serving a life sentence.
Jarod Kintz (This Book is Not for Sale)
Free the fire fluttering inside her rib cage. Work her muscles, the bow, the violin, until she played herself to ash and embers and left the rest of the world behind to smolder.
Alexandra Bracken (Passenger (Passenger, #1))
He tried not to hug her too hard, even though she was kind of hugging him too hard. In fact, she was pretty much crushing his rib cage. He didn't mind, though.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
He kept thinking about one word—forever—and felt the burning ache just beneath his rib cage. It hurt like the worst ass-kicking he’d ever gotten.
John Green (An Abundance of Katherines)
Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word - forever - and felt the burning ache just beneath his rib cage.
John Green (An Abundance of Katherines)
Josh watches ER and yawns, not at all suspecting I’m trying to estimate how big his rib cage is like a meat-eating predator.
Sally Thorne (The Hating Game)
He planted flowers all over my body, inside the cage of my ribs, in the fertile soil of my heart, yet he never noticed how they bloomed just for him.
Giana Darling (Inked in Lies (The Fallen Men, #5))
The crowd pushes him back into Henry's chest, and after absolutely everything, all the emails and texts and months on the road and secret rendezvous and nights of wanting, the whole accidentally-falling-in-love-with-your-sworn-enemy-at-the-absolute-worst-possible-time thing, they made it. Alex said they would- he promised. Henry's smiling so wide and bright that Alex thinks his heart's going to break trying to hold the size of this entire moment, the completeness of it, a thousand years of history swelling inside his rib cage.
Casey McQuiston (Red, White & Royal Blue)
I think of the quietness of Julian’s voice as he said I love you, the steadiness of his rib cage rising and falling against my back, as we sleep. I love you, Julian. But the words don’t come.
Lauren Oliver (Requiem (Delirium, #3))
But a person can be genocided-can have every connection to his past severed- and live to be an old man whose rib cage is a haunted house built around his heart.
Sherman Alexie (You Don't Have to Say You Love Me)
Somehow, my voice comes steady and light, and not like someone reached into my rib cage and held my heart inside his hand just long enough to run a thumb across a secret wound.
Emily Henry (People We Meet on Vacation)
Henry's smiling so wide and bright that Alex thinks his heart's going to break trying to hold the size of this entire moment, the completeness of it, a thousand years of history swelling inside his rib cage.
Casey McQuiston (Red, White & Royal Blue)
On the upside,my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feelings should naturally go the way of the ghost.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I wished to no longer hear the grayed bones crunching underneath the brush or feel the now inexorable fear that seemed to work its way inside my rib cage, rocking me at my core.
Anna Carey (Eve (Eve, #1))
The heartless king has found his heart after all. It rests beneath my rib cage.
Laura Thalassa (The Queen of Traitors (The Fallen World, #2))
Hearts are wild creatures. That’s why our ribs are cages. —AUTHOR UNKNOWN
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
They say a man's inspiration is visual, but for a woman, it's the narrative. Abandon both the narrative and the visual. Close your eyes, measure your breath. Dead weight is sloughed off, dust swept away, forms dissolve into one atmosphere. The rib cage opens, the lungs fill, the breast rises. Waves sweep up the body on their swell, rocking it rhythmically. Feet planted, the back arches, the pelvis reaches forward. Oxygen kindles a flame, sprawling through the belly, and gathering in a warm blaze. The hand reaches to meet the sensation. Calligraphy spills from the inkwell. Open your eyes, sharpen your focus, and exclaim: There are no separations.
Craig Thompson (Habibi)
Your heart launches itself against your rib cage like an animal.
Carmen Maria Machado (In the Dream House)
I hope you have the courage to understand yourself, fundamentally — to open up the deepest, darkest parts of your mind, to unhinge your rib cage revealing the gritty parts of your soul, the parts no one else claps for, and I hope you have the courage to clean them out.
Bianca Sparacino (A Gentle Reminder)
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
The fastest way to a man’s heart is by tearing a hole through his rib cage. —T-SHIRT
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
When people change & make you feel small, I'll tuck you into my pocket & feed you cheese, until courage coaxes the tiger out of your rib cage.
Curtis Tyrone Jones
Forty-six point two billion dollars, I thought, my heart attacking my rib cage and my mouth sandpaper-dry. Tobias Hawthorne was worth forty-six point two billion dollars, and he left his grandsons a million dollars, combined. A hundred thousand total to his daughters. Another half million to his servants, an annuity for Nan... The math in this equation did not add up. It couldn't add up. One by one, the other occupants of the room of the room turned to stare at me. 'The remainder of my estate,' Mr. Ortega read, 'including all properties, monetary assets, and worldly possessions not otherwise specified, I leave to Avery Kylie Grambs.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
This was what turned Nomeolvides girls into women. Not their first times bleeding between their legs, but the first time their hearts broke. Estrella could feel hers inside her rib cage, a bird trapped in an attic.
Anna-Marie McLemore (Wild Beauty)
Look, why don’t you sit yourself down over there and let me plug you in?” He gestured Arthur toward a chair which looked as if it had been made out of the rib cage of a stegosaurus. “It was made out of the rib cage of a stegosaurus,” explained the old man
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
They said I had to get fatter. I told them my goal was 080.00 and if they wanted my respect, they'd better stop lying to me. When my brain started working again, I checked their math. Someone had made a mistake because they didn't figure in the snakes in my head and the thick shadows hiding inside the cage of my ribs.
Laurie Halse Anderson (Wintergirls)
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.
Hanya Yanagihara (A Little Life)
What exists beneath the sea? I’d always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton. But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn’t float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges.
Kelly Easton (The Life History of a Star)
What are you doing?" I say hoarsely as he trails a finger from the beauty mark on my rib cage to the one on my hip, leaving a path of goose bumps in his wake. "Connecting the dots," he murmurs with a wicked look. "Uh-oh, you made me lose my place. Now I have to start all over again...
Laura Wiess (Such a Pretty Girl)
I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others—the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
Jonathan Safran Foer (Everything is Illuminated)
What did I expect, that you would wrap my rib cage with those enormous hands in which horses must be measured, lifting me overhead with the stern reproach that is every Western woman's sly delight, "You're too thin"?
Lionel Shriver (We Need to Talk About Kevin)
I’d make a good fertilizer, and vines of roses could grow from my rib cage while I become one with the earth again.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
I imagine him grown up and finished with med school, patients lying on the operating table—reaching inside people’s rib cages, fixing their broken hearts.
Katie Cotugno (99 Days)
I still carry you on the insides of me: cave paintings on rib-caging. If I were a peach, you would be the pit that holds me all together. When I met you, I was something small and whole; I do not know how to get back there. You have the warmest heart I have ever set up camp in. I still carry you on the insides of me: the contents of my suitcase heart. I will lug you around until it breaks my back and then some. I feel sometimes like I have scattered my pieces everywhere, but you are the piece I do not know how to leave at the foot of a stranger’s bed or between the lines of a free-verse poem. I want you to know that loving you is freeing; that loving you is like holding my head under water and coming up new again and again. I still carry you on the insides of me. This will not always make sense to you
Trista Mateer (Honeybee)
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
She delivered a vicious blow, penetrating his rib cage, and withdrew her hand — with the ninja's still-beating heart in it. As all but Lady Catherine turned away in disgust, Elizabeth took a bite, letting the blood run down her chin and onto her sparring gown. "Curious," said Elizabeth, still chewing. "I have tasted many a heart, but I dare say, I find the Japanese ones a bit tender." Her ladyship left the dojo without giving compliment to Elizabeth's skills.
Seth Grahame-Smith (Pride and Prejudice and Zombies (Pride and Prejudice and Zombies, #1))
His dark thoughts scattered when Zafira laughed. It freed him. Reached into that crevice between his rib cage and gave him life. A vial of light undeterred by the dark, a sound he would bring down cities to hear again, wild and free.
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
He stood up and took off the dressing gown, the skullcap, the slippers. He took off the linen trousers and shirt. He took off his head like a toupee, took off his collarbones like shoulder straps, took off his rib cage like a hauberk. He took off his hips and his legs, he took off his arms like gauntlets and threw them in a corner. What was left of him gradually dissolved, hardly coloring the air.
Vladimir Nabokov (Invitation to a Beheading)
The fastest way to a man's heart is by tearing a hole through his rib cage_T-Shirt
Darynda Jones
The same thing happens every time- another hole opens up in my rib cage. Hearing everything. Hearing nothing.
Fanny Britt (Jane, the Fox & Me)
There was only one conclusion Jane could draw from the style and design of the dress and it was this: it had to be thought up by men. Then women could in no way outrun them, and with the lack of oxygen to the brain due to a rib cage the size of a fist, they could not outthink them. And with the bright colors, they couldn't hide. No running, no thinking, no hiding.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
With all these occurrences of death facing me, I thought about issues of freedom. If government projects the idea that we, as people inhabiting this particular land mass, have freedom, then for the rest of our lives we will go out and find what appear to be the boundaries and smack against them like a heart against the rib cage. If we reveal boundaries in the course of our movements, then we will expose the inherent lie in the use of the word freedom. I want to keep breathing and moving until I arrive at a place where motion and strength and relief intersect. I don't know what's ahead of me in the course of my life and this civilization. I just don't feel I have reached the necessary things inside my history that would ease the pressure in my skull and in my future and in my present. It is exhausting, living in a population where people don't speak up if what they witness doesn't directly threaten them.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
He skims his fingers across my neck to move aside my long braid, and I try not to remember the protective look on his face from earlier or notice his earthy scent or the way my rib cage squirms as he leans in, like I’ve got a trapped butterfly in there.
Mary Weber (Storm Siren (Storm Siren, #1))
But drunkenly, or secretly, we swore, Disciples of that astigmatic saint, That we would never leave the island Until we had put down, in paint, in words, As palmists learn the network of a hand, All of its sunken, leaf-choked ravines, Every neglected, self-pitying inlet Muttering in brackish dialect, the ropes of mangroves From which old soldier crabs slipped Surrendering to slush, Each ochre track seeking some hilltop and Losing itself in an unfinished phrase, Under sand shipyards where the burnt-out palms Inverted the design of unrigged schooners, Entering forests, boiling with life, Goyave, corrosol, bois-canot, sapotille. Days! The sun drumming, drumming, Past the defeated pennons of the palms, Roads limp from sunstroke, Past green flutes of the grass The ocean cannonading, come! Wonder that opened like the fan Of the dividing fronds On some noon-struck sahara, Where my heart from its rib cage yelped like a pup After clouds of sanderlings rustily wheeling The world on its ancient, Invisible axis, The breakers slow-dolphining over more breakers, To swivel our easels down, as firm As conquerors who had discovered home.
Derek Walcott (Another Life: Fully Annotated)
Tglhe heart is such a strange little beast - a lump of thick muscles with pipes sticking out. Sometimes I think my heart is made of rubber, and the world Stretches it and twists it so that it writhes in my chest and aches. This is why I have spent most of my time on this this planet here but hurting. Sometimes I think a heart of porcelain would be easier. Let it drop out of my rib cage and break on the floor, no heartbeat, the end. Instead, I get a bouncy heart That bleeds when the world claws at it but keeps beating through the pain.
Emery Lord (When We Collided)
Jake shuts the van's back doors and lies down next to me. He's really close, so close I can feel him breathing on the nape of my neck. I could put more space between us, but instead I scoot backward, leaning into him, my back pressed into the pleasant warmth of his front. Jake holds his breath for a moment, but he doesn't say anything. And he doesn't move away.... He moves so his mouth is right under my ear, brushing the skin there, and one of his hands slides up, resting on my rib cage. My whole body tingles as he starts to sing softly into my ear.
Hannah Harrington (Saving June)
It is not her love coming to an end; she will always have love tucked underneath her rib cage. This is another failed love attempt reaching its last page, a relationship fading into the image of a memory, and a woman understanding that it is not her job to plant, water, and harvest love in a man all at once, especially one who doesn't want to taste the goodness of her love. All that matters now is that she gave it her best shot, another bullet wound from someone she handed the gun to.
Pierre Alex Jeanty (Ashes of Her Love)
My god, I hope you find love. And I don’t just mean that in regards to someone you wrap your tired bones around at night. I mean that I hope you find love in every aspect of your life. I hope you find it tucked into early morning sunrises and the smell of your favorite places. I hope you find it strung between the laughter you share with friends I hope it bounces off of you when you hug the people you care for I hope it swells within your rib cage whenever you hear your favorite song or discover something that moves you. I hope you fall in love with growth, and change, and the messiness, and the beauty of fucking up, and making mistakes, and becoming exactly who you want to be. I hope you find love in places that were once devoid of it, in places within yourself that you could have been softer to, kinder to, in the past. Because if there is one thing I have learned, it is that love is so much more than a boy or a girl who holds your heart. Love is everything around you. It is everything.
Bianca Sparacino (The Strength In Our Scars)
In the mirror I stand, an injured deer in headlights, or maybe high beams, judging by the way my eyes water. I measure my wrists with my fingers, and I clutch at my rib cage, fingering it languidly, tracing the rise and fall of sharp bones until my heartbeat slows, and I dream of a faraway ocean.
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
Jaenelle peered into the space between the chair arms. “Saetan?” she said in a small, quivery voice. “Saetan, are you all right?” Using Craft, Saetan sent the top chair back to the blackwood desk. “I’m fine, witch-child.” He stuffed his feet into his shoes and gingerly stood up. “That’s the most excitement I’ve had in centuries.” “Really?” He straightened his black tunic-jacket and smoothed back his hair. “Yes, really.” And Guardian or not, a man his age shouldn’t have his heart gallop around his rib cage like this. Saetan looked around the study and stifled a groan.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
No", she wanted to say. " I don't want you to care for me, I want to be with my husband." But nothing came out. She turned beseeching her eyes to Darcy and she saw him as if from a great distance, through a distorting glass, but his words were firm and clear. “She has no taste for your company,” he said. “No?” said the gentleman. “But I have a taste for her.” Hers, thought Elizabeth. He should have said hers. “Let her go,” said Darcy warningly. “Why should I?” asked the gentleman. “Because she is mine,” said Darcy. The gentleman turned his full attention toward Darcy and Elizabeth followed his eyes. And then she saw something that made her heart thump against her rib cage and her mind collapse as she witnessed something so shocking and so terrifying that the ground came up to meet her as everything went black.
Amanda Grange (Mr. Darcy, Vampyre)
This seemed to be happening more and more lately out in Greater Los Angeles, among gatherings of carefree youth and happy dopers, where Doc had begun to notice older men, there and not there, rigid, unsmiling, that he knew he'd seen before, not the faces necessarily but a defiant posture, an unwillingness to blur out, like everyone else at the psychedelic events of those days, beyond official envelopes of skin. Like the operatives who'd dragged away Coy Harlingen the other night at that rally at the Century Plaza. Doc Knew these people, he'd seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who'd make it happen. Was it possible, that at every gathering--concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever--those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear? 'Gee,' he said to himself out loud, 'I dunno...
Thomas Pynchon (Inherent Vice)
What do you envision for your future, Anna?” His abrupt question struck a nerve in me. It was the same question I'd been asking myself for months. “I don't know,” I said. “I used to know what I wanted, but not anymore.” He considered this, watching me with curiosity. “What did you want?” I reached down and touched the water. “A family, mostly.” “And you no longer want that?” I dried my hands on my jeans, trying not to get emotional. At one time, I wanted a loving husband and a houseful of kids more than anything in the world. But I'd let go of those dreams. I couldn't even adopt a child. What would the Dukes say if they caught me playing house? “I can't have those things,” I told him, still avoiding his stare. “And I'm tired of wanting things I can't have.” His voice was low when he responded. “Perhaps children are out of the question, but you could still have a husband, in secret.” My eyes flew up to his, and my skin sizzled as his words settled over me. I opened my mouth, but couldn't speak. His light eyes played chicken with mine, not backing down from his claim. “It's too dangerous,” I said. “You are young.” He didn't state it in a condescending way, but I still bristled. “Someday you may agree that there are dangers worth facing.” I swallowed, wishing my crazy heart would stop trying to break out of my rib cage.
Wendy Higgins (Sweet Evil (Sweet, #1))
Nothing they're doing hurts, but it feels as if something is tearing away the center of my chest. The cold is dissolving. Their hands are soft. Everything is quiet except the tears that are climbing from somewhere beneath my ribs. I've cried in pain and I've cried in fear, but these tears are different, deeper, like I'm breaking apart. The noise should drive them away, but Emerald's hand stays, and Adam's hand stays, and he keeps washing my face long after it has to be clean.
Robin Roe (A List of Cages)
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
Hanya Yanagihara (A Little Life)
I hope you have the courage to do the hard work. I hope you have the courage to sit down with your demons, to befriend them; to look them in the face and to not feel fear. I hope you have the courage to stop picking or numbing or avoiding the wounds within, and I hope you choose to heal them instead. I hope you have the courage to understand yourself, fundamentally — to open up the deepest, darkest parts of your mind, to unhinge your rib cage revealing the gritty parts of your soul, the parts no one else claps for, and I hope you have the courage to clean them out. To forgive yourself for what you had to do to kill your sadness. To forgive yourself for the ways in which you didn’t fight for
Bianca Sparacino (A Gentle Reminder)
I know you are afraid, mon amour," he whispered softly, his hands sliding up her rib cage to her breasts. "But I am no longer a beast. You leashed the demon. There is only me, a man who very much wants to make love to his lifemate." She felt his breath against her nipple. "Let me show you how it is supposed to be. Beautiful. Such pleasure.I can bring you so much pleasure,ma petite." His mouth closed over her breast, hot and moist. The sound of his voice was memerizing, enticing. She could get caught up forever in the mere sound of it. There was no thought in his mind for his own burning body, his own urgent demands; he wanted to show her the beauty and pleasure of true mating. Flames raced through her blood and licked down her skin at the intensity of the eroticism, the craving his mouth at her breast created. She moaned, low and soft, the note brushing at his soul like the flutter of butterfly wings. Her hands slid over his back, tracing each defined muscle with her fingertips, commiting him to memory. Tears filled her eyes. How could a man be so sensual, so perfect? He was stealing her will as easily as he was stealing her body. "Want me, Savannah," he whispered softly. "Want me the way I want you.
Christine Feehan (Dark Magic (Dark, #4))
I'm tired of this shit,' I say. I don't know why I say it. Maybe because I'm tried of driving, tired of the road stretching before me endlessly, Michael always at the opposite end of it, no matter how far I go, how far I drive. Maybe because part of me wanted her to leap for me, to smear orange vomit over the front of my shirt as her little tan body sought mine, always sought mine, our hearts separated by the thin cages of our ribs, exhaling and inhaling, our blood in sync. Maybe because I want her to burrow in to me for succor instead of her brother. Maybe because Jojo doesn't even look at me, all his attention on the body in his arms, the little person he's trying to soothe, and my attention is everywhere. Even now, my devotion: inconstant.
Jesmyn Ward (Sing, Unburied, Sing)
The Perfectionist pushed Tom onto her bed. She took off his shirt. She took off his shoes and his socks. She took off his pants. She took off his boxers. With most guys the Perfectionist would stop there. She didn’t. She was still feeling reckless. She took off his skin. She took off his nervous system. She lifted up his rib cage. His heart beat in her hand. And there, underneath it, she found a rusted tin box. She opened it. Inside she found his hopes, his dreams and his fears. She stared at them. She was surprised to find them there and surprised at how beautiful they were. At that exact moment, the Perfectionist fell in love with Tom.
Andrew Kaufman (All My Friends are Superheroes)
There is coming a day, when freedom will just be a essence of the mind, an inner dwelling that was once physically attainable. They will tell you where you can live, and what you can wear and drive, what and how much you can eat and drink, and how to purchase those. They will strip you of your religion, race, gender, national origin, age, color, creed, views and power, and have control of the population. They will set in a new world order, and put you in the back of the line, marked and branded. Everything before will be erased, and the new will be manipulated. And what you believe most, can only be kept secret, for all must fall in line of their govern. Anything outside will be abolished. Even death, will be sought, but restrained. They will execute complete and total control over everything, and be sole owners of your soul. The light, that once guided will go dim, and liberty will be like an unwilled bird, suppressed in the cage of your ribs; wings cut off.
Anthony Liccione
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
Annie Dillard (Pilgrim at Tinker Creek)
So this is where the rivalry started," Percy said. "Yeah." Percy pulled Annabeth close and kissed her...long enough for it to get really awkward for Piper, though she said nothing. She thought about the old rule of Aphrodite's cabin: that to be recognized as a daughter of the love goddess, you had to break someone's heart. Piper had long ago decided to change that rule. Percy and Annabeth were a perfect example of why. You should have to make someone's heart whole. That was a much better test. When Percy pulled away, Annabeth looked like a fish gasping for air. "The rivalry ends here," Percy said. "I love you, Wise Girl." Annabeth made a little sigh, like something in her rib cage had melted. Percy glanced at Piper. "Sorry, I had to do that.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, I don't improve; in further words, once a bum always a bum. I fear the disease is incurable. I set this matter down not to instruct others but to inform myself. When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find in himself a good and sufficient reason for going. This to the practical bum is not difficult. He has a built-in garden of reasons to chose from. Next he must plan his trip in time and space, choose a direction and a destination. And last he must implement the journey. How to go, what to take, how long to stay. This part of the process is invariable and immortal. I set it down only so that newcomers to bumdom, like teen-agers in new-hatched sin, will not think they invented it. Once a journey is designed, equipped, and put in process, a new factor enters and takes over. A trip, a safari, an exploration, is an entity, different from all other journeys. It has personality, temperament, individuality, uniqueness. A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we do not take a trip; a trip takes us. Tour masters, schedules, reservations, brass-bound and inevitable, dash themselves to wreckage on the personality of the trip. Only when this is recognized can the blown-in-the glass bum relax and go along with it. Only then do the frustrations fall away. In this a journey is like marriage. The certain way to be wrong is to think you control it.
John Steinbeck (Travels with Charley: In Search of America)
Savannah came to him instantly, her face lit up with some emotion he dared not name.She was in a man's silk shirt and nothing else. The buttons were open so that the edges gaped to reveal her high, full breasts, and narrow rib cage. Another step and her tiny waist and flat stomach, the triangle of tight ebony curls, showed for an intriguing moment before the long tails of the shirt brushed back into place. Her long hair cascaded loose and moved around her like living, breathing silk. With every step she took, he caught glimpses of satin skin. At once the dull roar started in his head. Heat exploded through his blood, and his body tightened with alarming urgency. Every good and noble intention seemed to go up in flames. She smiled up at him, her slender arms sliding around his neck. "I'm so glad you're home," she whispered softly, her mouth finding the pulse in his throat.
Christine Feehan (Dark Magic (Dark, #4))
Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened. Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.
Christine Feehan (Dark Magic (Dark, #4))
After a few minutes of running aimlessly through empty halls, I find myself outdoors by the pool. It’s still and quiet and the water is sparkling under the moon. There is no one here so I collapse into a heap on a lounge. And I cry. I cry in heaves and sobs and wrack my ribs and finally my freaking head hurts again from all the sobbing. And I don’t even feel pathetic for crying so much because anyone in their right mind would cry in my situation. I’m in a foreign country, all alone, in love with the Prime Minister’s son and he’s too afraid to break out of his cage and love me back. Oh, and I practically got stomped to death by a gigantic horse yesterday. I deserve some slack. Finally, I’m all cried out.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
Col, Here's to all the places we went. And all the places we'll go And here's me, whispering again and again and again and again: iloveyou. yrs forever, K-a-t-h-e-r-i-n-e Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed "yrs forever" until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted to cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus somthing. He kept thinking about one word -forever-and felt the burning ache just beneath his rib cage. It hurt like the worst ass-kicking- he'd ever gotten. And he'd gotten plenty." 1.Greek: "I have found it." 2.More on that later.
John Green (An Abundance of Katherines)
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
Susan Dennard (Truthwitch (The Witchlands, #1))
I suspect if we were as familiar with our bones as with our skin, we'd never bury dead but shrine them in their rooms, arranged as we might like to find them on a visit; and our enemies, if we could steal their bodies from the battle sites, would be museumed as they died, the steel still eloquent in their sides, their metal hats askew, the protective toes of their shoes unworn, and friend and enemy would be so wondrously historical that in a hundred years we'd find the jaws still hung for the same speech and all the parts we spent our life with titled as they always were - rib cage, collar, skull - still repetitious, still defiant, angel light, still worthy of memorial and affection. After all, what does it mean to say that when our cat has bitten through the shell and put confusion in the pulp, the life goes out of them? Alas for us, I want to cry, our bones are secret, showing last, so we must love what perishes: the muscles and the waters and the fats.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
Practicing mindfulness calms down the sympathetic nervous system, so that you are less likely to be thrown into fight-or-flight.11 Learning to observe and tolerate your physical reactions is a prerequisite for safely revisiting the past. If you cannot tolerate what you are feeling right now, opening up the past will only compound the misery and retraumatize you further.12 We can tolerate a great deal of discomfort as long as we stay conscious of the fact that the body’s commotions constantly shift. One moment your chest tightens, but after you take a deep breath and exhale, that feeling softens and you may observe something else, perhaps a tension in your shoulder. Now you can start exploring what happens when you take a deeper breath and notice how your rib cage expands.13 Once you feel calmer and more curious, you can go back to that sensation in your shoulder. You should not be surprised if a memory spontaneously arises in which that shoulder was somehow involved.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Hey, did you hear about Brad Miller?” he asked, already forgetting about the Lissie conversation. “He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents it was a setup.” Violet laughed. “Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots.” She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. “You’re so cold-hearted,” he said to Violet, shoving her a little but playing along. “How’s he supposed to go cruising for unsuspecting freshmen and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?” “I don’t see you driving anything but your mom’s car yet. At least he has a bike,” she said, turning on him now. He pushed her again. “Hey!” he tried to defend himself. “I’m still saving! Not all of us are born with a silver spoon in our mouths.” They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other didn’t. “Right!” Violet protested. “Have you seen my car?” This time she shoved him, and a full-scale war broke out on the couch. “Poor little rich girl!” Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded “dead leg” by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet’s side. “Oh, yeah. Weren’t you the one”—she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage—“who got to go to Hawaii . . .” She bucked beneath him, trying to knock him off her. “. . . for spring break . . . last . . .” And then he startled to tickle her while she was pinned beneath him, and her last word came out in a scream: “YEAR?!” That was how her aunt and uncle found them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing. "Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her. Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived. The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed. "You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it. After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.
Sherman Alexie (Reservation Blues)
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near. What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
Paul Auster (Timbuktu)
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
Hanya Yanagihara (A Little Life)
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The Gray King’s back arched, and his mouth hung open, gasping in the icy thrall of shock; with both of his arms he pushed at Locke’s head, as though by prying the smaller man off him he could undo his wound, but Locke held fast, and in an impossibly calm voice he whispered, “Calo Sanza. My brother and my friend.” Backward, the Gray King toppled, and Locke slid the knife out of his back just before he struck the deck. Locke fell on top of him. He raised the dagger once again and brought it down in the middle of the Gray King’s chest, just beneath his rib cage. Blood spurted and the Gray King flailed, moaning. Locke’s voice rose as he worked the knife farther in: “Galdo Sanza, my brother and my friend!” With one last convulsive effort, the Gray King spat warm coppery blood into Locke’s face and grabbed at the dagger that transfixed his chest; Locke countered by bearing down with his useless left side, batting the Gray King’s hands away. Sobbing, Locke wrenched the dagger out of the Gray King’s chest, raised it with a wildly shaking right arm, and brought it down in the middle of the Gray King’s neck. He sawed at the windpipe until the neck was half-severed and great rivers of blood were flowing on the deck. The Gray King shuddered one last time and died, his wide white eyes still fixed on Locke’s. “Bug,” Locke whispered. “His real name was Bertilion Gadek. My apprentice. My brother. And my friend.” His strength failed, and he slid down atop the Gray King’s corpse. “My friend.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))