“
Whatever you need to throw at me, I can take it. I won't break.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
Loneliness is a strange sort of thing.
It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up.
You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt.
do I
don't I
should I
why won't I
And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough.
Loneliness is a bitter, wretched companion.
Sometimes it just won't let go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Love me or hate me, i swear it won't make or break me.
”
”
Lil Wayne
“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
Heart Breaking,
I think that if Dad, staring down the sight of a 10mm,
would only tell me he loves me,
I could easily change my mind...
...but he won't.
”
”
Ellen Hopkins
“
Don’t bother to have your thugs break into my house when you give me an out-of-town assignment, Ms. Jones,” James Ed said. “They won’t find anything. My tape will be in safekeeping at Farmer’s Bank.
”
”
Shafter Bailey (James Ed Hoskins and the One-Room Schoolhouse: The Unprosecuted Crime Against Children)
“
I really believe that there is an invisible red thread tied between him and me, and that it has stretched and tangled for years — across oceans and lifetimes. I know that it won’t break because our souls are tied.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
There was a soft chuckle beside me, and my heart stopped.
"So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing."
I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me.
Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye.
"I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall."
He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here."
"Then what do you want?"
He bowed. "A dance."
"What!" I stared at him in disbelief. "You tried to kill me!"
"Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it."
"Then why the hell would you think I'd dance with you?"
"That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts."
"Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you."
He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time."
Oh, damn. I was stuck.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
You could love me or hate me
I swear it won't make me or break me.
I'm goin where ever the money takes me.
”
”
Lil Wayne
“
It won't be the same for me," I whispered, half to myself. "You won't let me be like that. We'll live in Antarctica."
Edward snorted, breaking the tension. "Penguins. Lovely.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
I have to say, your technique is really different. Curran hammered at the spell until it broke. You just talk. Help me out here, what’s the strategy? Are you hoping the ward will get tired and kill itself so it won’t have to listen to you anymore?
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be 'See, you're leaving after all when you promised you wouldn't.' I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them. Okay? Can you see that? It's your fear I can't take. It's your distrust and fear I've been trying to fight. And I can't anymore. I'm out of gas on it. If I loved you even a little less maybe I could take it. But this is killing me, this constant feeling that I am always scaring you and never making you feel secure. Can you see that?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised."
Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—"
"The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ."
Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ."
Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled."
I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Why do you have to take every good thing we try to give you and break it into pieces?” Nico said. “You let them turn you into this...”
“This is who I am,” Clancy snapped. “I won’t let them change me. I won’t let them touch me. Not again.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Sometimes I close my eyes and paint these walls a different color. I imagine I’m wearing warm socks and sitting by a fire. I imagine someone’s given me a book to read, a story to take me away form the torture of my own mind. I want to be someone else somewhere else with something else to fill my mind. I want to run, to feel the wind tug at my hair. I want to pretend that this is just a story within a story. That this cell is just a scene, that these hands don’t belong to me, that this window leads to somewhere beautiful if only I could break it. I pretend this pillow is clean, I pretend this bed is soft. I pretend and pretend and pretend until the world becomes so breathtaking behind my eyelids that I can no longer contain it. But then my eyes fly open and I’m caught around the throat by a pair of hands that won’t stop suffocating suffocating suffocating. My thoughts, I think, will soon be sound. My mind, I hope, will soon be found.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
Sticks and stones can break my bones and I have my Swiss Army Knife if they hit me and if I kill them it will be self defense and I won't go to prison.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
You are the sun I revolve around, the stars that mark me, the moon rising through me. I’m lost without you. If you won’t have me, I’ll break, I swear to God. I know it’s selfish, and I’m sorry. Let me serve you. Have me as yours. Let me live under you.
”
”
C.D. Reiss (Sing (Songs of Submission, #7))
“
Sure you’ll be all right?” Glitch asked, breaking through my thoughts. “I could come with you, if you’d like. They won’t even see me.”
I shook my head. “Better if I do this alone. Besides, there’s one member of that household who can see you. And he’s seen enough scary monsters to last him a lifetime.”
“Begging your pardon, your highness,” Glitch smirked, “but who are you calling a scary monster?”
I swatted at him.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
[A Letter to the Culture that Raised Me] I'm not here to be on display. And my body is not for public consumption. I will not be reduced to an object, or a pair of legs to sell shoes. I'm a soul, a mind, a servant of God. My worth is defined by the beauty of my soul, my heart, my moral character. So I won't worship your beauty standards, and I don't submit to your fashion sense. My submission is to something higher.
”
”
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
“
There is some kiss we want with
our whole lives, the touch of
spirit on the body. Seawater
begs the pearl to break its shell.
and the lily, how passionately
it needs some wild darling! At
night, I open the window and ask
the moon to come and press its
face against mine. Breathe into
me. Close the language door and
open the lovers window. The moon
won’t use the door, only the window.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
Oh yes, you can kick me
And you can punch me
And you can break my face
But you won't change the way i feel
'cause i love you
”
”
Morrissey
“
I won’t break your heart. For the first time in my life, I’ve found something worth fighting for, someone more important than me.
”
”
Chelle Bliss (Hook Me (Men of Inked, #2))
“
I'll be here when you return."
"I fixed my door. You'll need a key."
"I'll take good care of it."
"What if I won't give it to you?"
"Then I'll break the door again."
"This dormitory makes me feel so safe.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be "See, you're leaving after all when you promised you wouldn't." I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them.
”
”
David Foster Wallace
“
Sometimes, when I find it hard to sleep, I’ll think of when we first met, of the newness of each other’s body, and my impatience to know everything about this person. Looking back, I should have taken it more slowly, measured him out over the course of fifty years rather than cramming him in so quickly. By the end of our first month together, he’d been so thoroughly interrogated that all I had left was breaking news—what little had happened in the few hours since I’d last seen him. Were he a cop or an emergency-room doctor, there might have been a lot to catch up on, but, like me, Hugh works alone, so there was never much to report. “I ate some potato chips,” he might say, to which I’d reply, “What kind?” or “That’s funny, so did I!” More often than not we’d just breathe into our separate receivers.
Are you still there?”
I’m here.”
Good. Don’t hang up.”
I won’t.
”
”
David Sedaris
“
I always want you, Jules. Even when I hated you, even when I wished I’d never see your face again, I still lost my mind thinking all the things I’d do to you, if you came back.” His voice breaks. When he speaks again, it’s with a rough, ragged tone, like he’s forcing the words out.
“I’ll always want you, Juliet. It’ll be the fucking death of me, but I won’t ever stop.
”
”
Melody Grace (Unbroken (Beachwood Bay, #1))
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.”
He smiles faintly. “I’ll be damned. You have a crush on Barrons.”
“I do not have a crush—“
“You do, too. It’s all over your face. Anybody could see it.”
“Sometimes, boss, you’re just wrong.”
“I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ”
“He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.”
“No one but me is ever going to teach you, Dani.”
He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable.
“That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
i’m done being afraid of what other people think of me. if you want to judge me, i won’t stop you. i’ll be over here, being flawless in every flaw. —confidence.
”
”
Amanda Lovelace (Break Your Glass Slippers (You Are Your Own Fairy Tale, #1))
“
Ambrose Young! I have waited my whole life for you to want me. If you don’t hold me tight I won’t believe you mean it, and that’s worse than never being held at all. You’d better make me believe you mean it, Ambrose, or you will most definitely break me.”
“I don’t want to hurt you, Fern” he whispered hoarsely.
“Then don’t,” she whispered back, trusting him.
”
”
Amy Harmon (Making Faces)
“
What was it? Why won't you tell me?"
"I don't want to break down your illusions."
"My dear man, I have no illusions about you."
"I mean illusions about yourself.
”
”
F. Scott Fitzgerald (Flappers and Philosophers)
“
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella."
"Hmph," I grumbled.
Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek.
The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?"
Jacob rolled his eyes.
"who's going back?" I muttered
Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly.
"What if she wants me to?" Jacob drawled, arrogant.
"Hah!" I snorted.
"If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face."
Jacob grinned.
"You wish," I grumbled.
"Yes, he does," Edward murmured.
"Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?"
"One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will."
"Good," Jacob growled. "it's no fun beating someone who forfeits."
She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair."
"Neither did I."
"Best of luck."
Jacob nodded. "Yes, may the best man win."
"That sounds about right...pup.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
They couldn’t break me because … because they never touched that innermost part of me. They never even guessed. But I hid it … I’ve hidden it because …” She tilted back her head, looking skyward. “Because I live in terror of my family finding out—and shaming me, hurting me about this one thing that has remained wholly mine. This one part of me. I won’t let them … won’t let them destroy it. Or
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
When I say 'I won't hurt you', it's a promise, which can and will be kept but it does not come from me without a breakdown of what it means.
It does not mean we will never disagree, nor does it mean that you will always like everything which I say or do. It does not mean that you will never hurt yourself by behaving in a way which is damaging to a relationship or by behaving in a way which would ultimately result in my withdrawal from your life. What it does mean is that I can promise all that I expect in terms of loyalty, honor and respect. It means I am faithful. It also means that I will not intentionally or carelessly behave in a way which causes upset or doubt. It means, at the lowest level, 'You will break these terms before I do.'
Communication is essential. Trust is paramount.
Be completely honest and don't make promises that you can't keep, that's all.
”
”
Eva Schuette
“
My face breaks into a huge smile and i start walking in Peeta's direction. Then, as if i can't stand it another second, I start running.He catches me and spins me around and then he slips-he still isn't entirely in command of his artificial leg-and we fall into the snow, me on top of him, and that's where we have our first kiss in months.It's full of fur and snowflakes and lipstick, but underneath all that, I can feel the steadiness that Peeta brings to everything. And I know I'm not alone.As badly as I've hurt him, he won't expose me in front of the cameras. Won't condemn me with a halfhearted kiss. He's still looking out for me. Just as he did in the arena. Somehow the thought makes me want to cry. Instead I pull him to his feet, tuck my glove through the crook of his arm, and merrily pull him on our way.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Do or die, you'll never make me
Because the world will never take my heart
Go and try, you'll never break me
We want it all, we wanna play this part
I won't explain or say I'm sorry
I'm unashamed, I'm gonna show my scar
Give a cheer for all the broken
Listen here, because it's who we are
I'm just a man, I'm not a hero
Just a boy, who had to sing this song
I'm just a man, I'm not a hero
I! don't! care!
We'll carry on
We'll carry on
And though you're dead and gone believe me
Your memory will carry on
We'll carry on
And though you're broken and defeated
Your weary widow marches on
”
”
Gerard Way
“
I'll fall.'
'You wont fall.'
'I'll fall. I'll fall and I'll die.'
As I said it, I could see it happening. The foot stepping on air, pulling the rest of my body with it, tree limbs breaking as I plummeted down.
'No,' he said, his voice assured, 'You'd never do that to me.
”
”
Kamila Shamsie (Kartography)
“
You’re different, I’ll give you that. They didn’t break you, but don’t
think you can fight me. You won’t win.
”
”
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
“
It won't be a quick break, either. It'll be slow and painful, filled with so many momenta like these that tear me up from the inside out
”
”
Colleen Hoover (Ugly Love)
“
He comes into my city, he throws away my people, he orders me around like I'm his servant and now this? How dare he!"
I sighed. "How dare he!" came out. Could "Does he know who I am?" be far behind?
"I'm not some illiterate he can push around. I won't be treated this way. I worked too damn hard, for years. Years! Years of study and that fucking Neanderthal comes in and waves his arms." Ghastek skewed his face into a grimace. He was probably aiming to impersonate Hugh, but he mostly succeeded in looking extremely constipated. "Ooo, I'm Hugh d'Ambray, I'm starting a war!"
Laughing right now was a really bad idea. I had to conserve the energy.
"A war I've been trying years to avoid. Years!"
He kept saying that.
"Does he think it's easy to negotiate with violent lunatics, who can't understand elementary concepts?"
Good to know where we stood with him.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
Shigure: Perhaps I can offer some advice? ...You know, Tohru-kun, when you get anxiety about the future it's better not to think about it. And let's not wipe our faces with dishtowels... For example let's say, Tohru-kun, that you are surrounded with a mountain of laundry piled so high around your feet that you can't move. Are you with me? Now, let's assume you don't have a washing machine, so you have to wash everything individually by hand. You would be at a loss for what to do, right? You'd worry about if you could ever wash everything, if you could get it all clean, if you'd ever have time for anything but laundry ever again! The more you'd think about it, the more anxious you'd get. But the time keeps passing, and the laundry doesn't wash itself. So what do you do, Tohru-kun? It might be a good idea to start washing the laundry right at your feet. Of course it's important to think about what lies ahead, too, but if you only look at what's down the road you'll get tangled in the laundry at your feet and you'll fall, won't you? You see, it's also important to think about what you can do now, what you can do today. And if you keep washing things one at a time, you'll be done before you know it. Because fortune is looking out for you. Sometimes the anxiety will start to well up, but when it does, take a little break. Read a book, watch TV, or eat soumen with everyone. Oh my, I'm shocked! Wow! What a wonderful analogy! I really must treat myself to some soumen as a reward... Oh! I'd like some tea, too!
Kyo: Why you... You just wanted to eat soumen, didn't you?!
”
”
Natsuki Takaya (Fruits Basket, Vol. 8)
“
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too.
Dawson: That's not true.
Amanda: But it is. Honeymoons always come to an end.
Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right.
Amanda: We're not that young anymore-
Dawson: But we are. We still have the rest of our lives.
Amanda: I know. That's why I need you to do something for me.
Dawson: Anything.
Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
”
”
Nicholas Sparks (The Best of Me)
“
Either it’ll kill me or it won’t. A lot of work went into making sure it doesn’t break. If I can’t trust NASA, who can I trust? (For now I’ll forget that NASA told us to bury it far away.)
”
”
Andy Weir (The Martian)
“
Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Foeffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!
”
”
Gerard Nolst Trenité (Drop your Foreign Accent)
“
#e sound of a breaking wave echoed across the water. “I have
doubts. I get afraid, same as anyone.” Simon’s eyes glazed over. But
then they refocused and he smiled at me. “Nothing is for certain.
Except maybe one thing.”
“What’s that?”
“If you don’t have any dreams, then they won’t come true.
”
”
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
“
Gemma Davidson,” she answered, her voice as groggy as I felt.
“Where are you?” I asked.
“Who is this?”
“Elvis.”
“What time is it?”
“Hammer time?”
“Charley.”
“Did you text me? Did your car break down?”
“No and no. Why are you doing this to me?” She was funny.
“Check your cell.”
I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.”
“Not at all?”
“No. What did you do to it?”
“I ate it for breakfast. Check the battery compartment.”
“Where the hell is that?”
“Um, behind the battery door.”
“Are you punking me?” I heard her fumbling with the phone.
“Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.”
“That was you?” she asked, appalled.
”
”
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
“
I can’t stay the way I am. I don’t remember what it’s like to be free. To be wide open without fear. I need something to break me. Just enough so that I have new pieces to work with—make them into something else. I don’t want to give anyone the right to treat me like a loser. I don’t want to be fat, I don’t want to live in the Bone, I don’t want to be without knowledge. I won’t be the girl who people laugh at. Not anymore. Good thing I memorized their license plate. Just in case.
”
”
Tarryn Fisher (Marrow)
“
What you going to do?" she cried. "You break my neck, and the what? You think I won't come back and haunt you? Go ahead! Make me a ghost! See what that gets you.
”
”
Matt Ruff (Lovecraft Country (Lovecraft Country, #1))
“
my final piece
We’re born into the world
As just one small piece to the puzzle
That makes up an entire life.
It’s up to us throughout our years,
to find all of our pieces that fit.
The pieces that connect who we are
To who we were
To who we’ll one day be.
Sometimes pieces will almost fit.
They’ll feel right.
We’ll carry them around for a while,
Hoping they’ll change shape.
Hoping they’ll conform to our puzzle.
But they won’t.
We’ll eventually have to let them go.
To find the puzzle that is their home.
Sometimes pieces won’t fit at all.
No matter how much we want them to.
We’ll shove them.
We’ll bend them.
We’ll break them.
But what isn’t meant to be,
won’t be.
Those are the hardest pieces of all to
accept.
The pieces of our puzzle
That just don’t belong.
But occasionally . . .
Not very often at all,
If we’re lucky,
If we pay enough attention,
We’ll find a
perfect match.
The pieces of the puzzle that slide right in
The pieces that hug the contours of our own
pieces.
The pieces that lock to us.
The pieces that we lock to.
The pieces that fit so well, we can’t tell
where our piece begins
And that piece ends.
Those pieces we call
Friends.
True loves.
Dreams.
Passions.
Beliefs.
Talents.
They’re all the pieces that complete our
puzzles.
They line the edges,
Frame the corners,
Fill the centers,
Those pieces are the pieces that make us
who we are.
Who we were.
Who we’ll one day be.
Up until today,
When I looked at my own puzzle,
I would see a finished piece.
I had the edges lined,
The corners framed,
The center filled.
It felt like it was complete.
All the pieces were there.
I had everything I wanted.
Everything I needed.
Everything I dreamt of.
But up until today,
I realized I had collected all
but one piece.
The most vital piece.
The piece that completes the picture.
The piece that completes my whole life.
I held this girl in my arms
She wrapped her tiny fingers around mine.
It was then that I realized
She was the fusion.
The glue.
The cement that bound all my pieces
together.
The piece that seals my puzzle.
The piece that completes my life.
The element that makes me who I am.
Who I was.
Who I’ll one day be.
You, baby girl.
You’re my final piece.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.”
Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.”
“It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?”
“I already told you that I don’t feel well.”
“You look fine to me.” He skillfully shuffled the deck. “Just one game.”
“Don’t you pay people to entertain you?”
He glowered, breaking the deck. “You should be honored by my company.”
“I’d be honored if you would leave.”
“For someone who relies on my good graces, you’re very bold.”
“Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest.
He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.”
She moaned into her pillow. “Go away. I feel like dying.”
“No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?”
She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?”
“Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!”
“Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
When you need to borrow money the Mob seems like a better deal I think. 'You don't pay me back I break both yer legs.' Is that all? You won't take my house or wreck my credit rating? Fine where do I sign. Legs? Fine. You don't even have to sign anything.
”
”
Craig Ferguson
“
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.”
“Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death."
“Don’t talk to me about being a brat,” I shot back. “You’re as selfish and
self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.”
“Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.”
“Good. I hope you mean it this time.”
His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had.
I won’t be coming back.
And for the first time ever, I had a feeling he really wouldn’t be.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
IF YOU’RE DEPRESSED, I WILL BE THERE FOR YOU As everyone knows, depressed people are some of the most boring people in the world. I know this because when I was depressed, people fled. Except my best friends. I will be there for you during your horrible break-up, or getting fired from your job, or if you’re just having a bad couple of months or year. I will hate it and find you really tedious, but I promise I won’t abandon you.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Oh, he’s joining the team,” Dean declares. “I don’t care if I have to suck his dick to get him to agree to it.”
Laughter breaks out all around him.
“Sucking dick now, are we?” I ask pleasantly.
An evil gleam lights his eyes. “You know what? I won’t just suck it,” he says slowly. “I’ll suck him off. You know, give him an orgasm.”
The other guys exchange mystified looks, but Dean’s mocking look tells me exactly where he’s going with this. Jackass.
“I’m not sure if you all know this, but an orgasm is the point of completion in the pleasure process.” Dean gives me an innocent smile. “Men and women achieve it in different ways. For example, when a woman reaches completion, she might moan or gasp or—
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
I don’t need saving –
I’m not your damsel in distress
And you’re not my knight in tarnished armor.
.....
Don’t spare me,
Certainly don’t protect me,
I won’t break.
”
”
Jenn Waterman (Persevering Phoenix)
“
Stay put," he says. "Don't touch yourself. Don't put your legs together. You'll come when I let you, Nikki, but not before. Break my rules, and I promise you won't like the punishment.
”
”
J. Kenner (Complete Me (Stark Trilogy, #3))
“
Don’t love me,” he says simply. “Or I’ll break you. I won’t want to, but it will happen.
”
”
Courtney Cole (Before We Fall (Beautifully Broken, #3))
“
Will,” she said, voice shaking.
”Yeah?”
“After this? Please don’t break me.”
I paused, searching her expression. She’d sounded scared, but her face was only hunger. “I won’t.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
Kiss me, Joe. I won’t shatter… Seriously, Joe, you can touch me without breaking me. In fact, you might even put me a little bit back together.
”
”
Jennifer Castle (The Beginning of After)
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
“
I have never cared for castles or a crown that grips too tight,
Let the night sky be my starry roof and the moon my only light,
My heart was born a Hero,
My storm-bound sword won't rest,
I left this harbour long ago on a never-ending quest.
I am off to the horizon,
Where the wild wind blows the foam,
Come get lost with me, love,
And the sea shall be our home.
”
”
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
“
Are you fucking kidding me? I was just trying to make it easier on you! Do you know how miserable I’ve been?”
I frowned. “You looked just fine after break.”
“That was for you! I was afraid I’d lose you if I didn’t pretend to be okay with being friends. I could have been with you this whole time? What the fuck, Pigeon?”
“I….” I couldn’t argue; he was right. I had made us both suffer, and I had no excuse. “I’m sorry.”
“You’re sorry? I damn near drank myself to death, I could barely get out of bed, I shattered my phone into a million pieces on New Year’s Eve to keep from calling you…and you’re sorry?”
I bit my lip and nodded, ashamed. I had no idea what he’d been through, and hearing him say the words made a sharp pain twist inside my chest. “I’m so…so sorry.”
“You’re forgiven,” he said with a grin. “Don’t ever do it again.”
“I won’t. I promise.”
He flashed his dimple and shook his head. “I fucking love you.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Search for the answers I knew all along;
I lost myself,
We all fall down;
Never the wiser of what I've become
Alone I stand,
A broken man...
All I have is one last chance.
I won't turn my back on you.
Take my hand,
Drag me down.
If you fall,
Then I will too.
And I can't save what's left of you...
(Chorus)
Sing something new,
I have nothing left.
I can't face the dark without you.
There's nothing left to lose,
The fight never ends.
I can't face the dark without you.
Swallow me under and pull me apart.
I understand;
There's nothing left.
Pain so familiar and close to the heart;
No more no less,
I won't forget.
Come back down,
Save yourself.
I can't find my way to you.
And I can't bear to face the truth...
(chorus)
I wanted to forgive;
I'm trying to forget;
Don't leave me here again.
I am with you, forever, the end.
(chorus)
Holding the hand that holds me down.
I forgive you, forget you, the end.
Holding the hand that holds me down.
I forgive you, forget you, the end.
(classical finish)
”
”
Breaking Benjamin
“
He won't break me. He will never break me.
”
”
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
“
You said you want to leave a mark on my heart. You did; a burning pain that won’t leave me wherever I turn.
”
”
Katja Michael
“
You’re gonna break me, Ford Hartigan,” she said, her voice ragged and her back still to him.
“I won’t. Trust me.” And he meant it.
”
”
Avery Flynn (Butterface (The Hartigans, #1))
“
I’ll wear you down,” he proclaimed.
“No, you won’t,” I denied.
“You won’t let me in, I’ll break in, sneak in, blast in,” he promised.
“You won’t get in,” I contradicted.
He shut up again and stared at me.
After long moments, I watched as suddenly, weirdly and, most of all, scarily, he saw something in me that made his face clear.
I didn’t think that was good.
I would find out I was right.
“Let you in on a secret, babe, and you think on this,” he told me.
I was not going to think on anything.
“Hop… get… off… me,” I snapped.
His body pressed into mine so he could lift his hands up and frame my face.
“I’m already in. Just gotta wait for you to realize it.
”
”
Kristen Ashley (Fire Inside (Chaos, #2))
“
Now that you’ve gone looking for him, he won’t be breaking his word. Not technically. You’re fair game.”
I lace my fingers through hers, trying to ground her. “You’re freaking me out. Who are you talking about?”
“He’ll come for you. He’ll step through your dreams. Or the looking glass … stay away from the glass, Allie! Do you understand?”
“Mirrors?” I ask, incredulous. “You want me to stay away from mirrors?”
She scrambles to her feet, and I struggle to balance on my crutch. “Broken glass severs more than skin. It will sever your identity.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Never met a woman like you. Know I won’t again. You find somethin’ worth keepin’, you find a way to fuckin’ keep it. Not gonna stop, and just so you know, I got it that this could get you fired, that this could cause you embarrassment but what I got to say to that is this: whatever pain and ugliness I bring you by bein’ with you, I promise I’ll bring you double that in sweetness and beauty. You hear me on that, because I may be a man without a normal moral compass, but I’m a man who makes a woman a promise, and I’ll die before I break it.
”
”
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
“
So if you're trying to play games with me, I should let you know up front that it's not going to work.
"What?" I frown "what are you talking abou-"
"You can't play hard to get, kid." He raises his eyebrow. "I can't even touch you. Takes 'hard to get' to a whole new level, if you know what I mean." "Oh my god," I mouth, eyes closed, shaking my head. "You are insane." He falls to his knees. "Insane for your sweet, sweet love!" "Kenji" I can't lift my eyes because I'm afraid to look around, but I'm desperate for him to stop talking. To put an entire room between us at all times. I know he's joking, but I might be the only one. "What?" he says, his voice booming around the room. "Does my love embarass you?" "Please-please get up-and lower your voice-"
"Hell no."
"Why not?" I'm pleading now.
"Because if I lower my voice, I won't be able to hear myself speak. And that," He says, "Is my faviorite part."
I can't even look at him.
"Don't deny my Juliette I'm a lonely man."
What is wrong with you?"
"You're breaking my heart." His voice is even louder now,
”
”
Tahereh Mafi
“
you can love me or hate me, I swear it won't make me or break me
”
”
Lil Wayne
“
I won't say it's okay, because it's not. If you want to break up with me, Elle, then do it. But I'm not going to make it easy for you.
”
”
Megan Hart (Dirty (Dan and Elle, #1))
“
It’s okay. You can hang on to me. I won’t break.
”
”
Lucy Score (Things We Left Behind (Knockemout, #3))
“
Go to hell. I'm not playing this game with you."
"Who's playing? I'm just giving you what you want even if you won't say it. That's why you like me, right?" He ground harder. "'Cause I'll touch you when I want, without asking, and I'll do it right. But he treats you like you'll break. Doesn't like to get messy."
I flinched. "Don't use things I told you against me."
"So admit it," Raymond said, pushing my pants down. "You like me because I'm not scared to get nasty.
”
”
Santino Hassell (Sunset Park (Five Boroughs, #2))
“
You all know I’m queer, but I still have to play the cool hijabi[…] The not too religious hijabi, the hijabi who can rock it with the alternative crowd, who won’t judge you, who will be accepting and tolerant, the Good Muslim. I’m in full on silent rant mode now. Unlike those Bad Muslims, the religious ones, the ones who are inconvenient in their practice, the ones you have to pause for as they break their fasts, the ones who have to step out to pray. The marginalized ones you would fight for, organize for, protest for, but would never be friends with, who you would studiously avoid at a brunch. I’m the cool hijabi only because you’re projecting your xenophobic narrow-mindedness, your lack of imagination of Muslims into me. You’re still projecting them. Your prejudices are still in the room.
”
”
Lamya H. (Hijab Butch Blues)
“
I watched him put the peach in his mouth and slowly begin to eat it, staring at me so intensely that I thought lovemaking didn't go so far.
"If you just want to spit it out, it's okay, it's really okay, I promise I won't be offended," I said to break the silence more than as a last plea.
He shook his head. I could tell he was tasting it at that very instant. Something that was mine was in his mouth, more his than mine now.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
Don’t ever say that, Holly.” His harsh grip stops me, spinning me back against the wall. “Someone once told me that and it broke me. Holly, don’t break me,” he says so quietly that I wonder if I even heard it. “You need time? That’s all I’ll give you, but don’t ever ask me not to save you, ‘cause I won’t listen. I’m not walking away from this. The sooner you realize that, the better.
”
”
River Savage (Affliction (Knights Rebels MC, #2))
“
I know it’s hard to understand,” she said, “and I won’t pretend you didn’t break me, but you’re also the one who put me back together again. Now you’re the glue holding all those pieces in place.
”
”
Lauren Biel (Captured)
“
You will be my favorite ex,” I whispered in his ear. “I’ll be your fifth former wife. We’ll mutter crazy dreams together then apart, but you will always be with me.” His breath was warm and so very human, not demonic at all. He said, “Don’t break my nose.” I said, “I won’t even break your heart.
”
”
Monica Drake (The Folly of Loving Life)
“
Reeds are strong, you know, Ulean whispered to me. They bend during storms, rather than break.
I blinked. Yes, but reeds won’t hold up a house.
They make a good raft, so don’t write them off so fast.
”
”
Yasmine Galenorn (Night Myst (Indigo Court, #1))
“
I need you to find something else worth losing yourself to. I won't let my impending death be yours as well.' I press my forehead to his, voice breaking as I say, 'Promise me that. Please.'
'Pae.' His voice is ragged. 'I would lose my life for you before finding something else worth living for.' His fingers weave into my hair, slide along the back of my neck. 'You are my inevitable. In life and in death.
”
”
Lauren Roberts
“
What?” “You swear to me that you won’t read what’s inside that bloody envelope until the time is right.” Thomas couldn’t imagine waiting to read it—he started to pull the envelope out of his pocket, but Newt grabbed his arm to stop him. “When the time is right?” Thomas asked. “How will I—” “You’ll bloody know!” Newt answered before Thomas could ask. “Now swear to me. Swear it!” The boy’s whole body seemed to tremble with every word. “Fine!” Thomas was beyond worried about his friend now. “I swear I won’t read it until the time is right. I swear. But why—” “Okay, then,” Newt interrupted. “Break your promise and I’ll never forgive you.
”
”
James Dashner (The Death Cure (Maze Runner, #3))
“
That's right", she says, wiping tears from her cheeks. "You weren't with me that time I walked in on them doing the deed. Seriously Freudian horror."
"You saw your parents at the best," Mom murmurs, before Dad sweeps her into another kiss.
"Go ahead," Josie calls. "Mate in public. Tonight we won't even mind. You deserve to break a few decency laws.
”
”
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
“
Will I begin it? said Doyler laughing. That's all that's in it, he laughing said.
Oh sure that grin. Oh sure that wonderful saucerful grin. Jim sat on the grass and he plucked at the blades. He knew for certain sure that Doyler would be turning from him again. He said, You'll be walking away from me soon, won't you now? There was no answer. Jim plucked the grass and stared beyond where the waves broke on the island shore. He said, I wish you wouldn't Doyler. It does break my heart when you walk away.
Old pal o' me heart, said Doyler.
But already he had turned, and he was walking away. Walking that slow dreadful slope with never a leaf or a stone. Walking; and though Jim tried to keep pace, e could not, and sometimes he called out, Doyler! Doyler! but he never heard or he did not heed, only farther and farther he walked away. And when Jim woke from these dreams, if he did not remember, he knew he had dreamt, for the feeling inside him of not feeling at all. And it was hard then to make his day.
”
”
Jamie O'Neill (At Swim, Two Boys)
“
You’ll lose everything you’ve worked for.” My voice breaks. “Because of me.” “Then I’ll have everything I need.” He lowers his face, leaning in so he’s all I see, all I feel. “I will happily watch Aretia burn to the fucking ground again if it means you live.” “You don’t mean that.” He loves his home. He’s done everything to protect his home. “I do. I’m sorry if you expect me to do the noble thing. I warned you. I’m not sweet or soft or kind, and you fell anyway. This is what you get, Violet—me. The good, the bad, the unforgivable. All of it. I am yours.” His arm wraps around the small of my back, holding me steady and close. “You want to know something true? Something real? I love you. I’m in love with you. I have been since the night the snow fell in your hair and you kissed me for the first time. I’m grateful my life is tied to yours because it means I won’t have to face a day without you in it. My heart only beats as long as yours does, and when you die, I’ll meet Malek at your side. It’s a damned good thing that you love me, too, because you’re stuck with me in this life and every other that could possibly follow.
”
”
Rebecca Yarros (Iron Flame (The Empyrean, #2))
“
Goddess,” he said, his breath on my mouth, “have me, please. I was wrong. You’re not the sea under my sky. You are the sun I revolve around, the stars that mark me, the moon rising through me. I’m lost without you. If you won’t have me, I’ll break, I swear to God. I know it’s selfish, and I’m sorry. Let me serve you. Have me as yours. Let me live under you.
”
”
C.D. Reiss (Sing (Songs of Submission, #7))
“
Don’t break my heart again.” Alex’s face softened. “I won’t. Trust me, sweetheart.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Call me a dreamer, call me an idiot, but I won’t give up on the hope that one day a true, lasting relationship will meet me halfway.
”
”
Daniel Chidiac (The Modern Break-Up)
“
I promise you, I won't let you die."
"Make me no promises that can break us both, Fitz.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
It’s like someone breaks your arm, and the person who slammed the baseball bat into it is saying, “The only reason it won’t heal is because you keep complaining that it hurts.” How about you get me a cast so the bone can set straight again? America does not want to put the effort into providing this cast. This is why we must talk about race, and we must do it openly. As
”
”
Luvvie Ajayi Jones (I'm Judging You: The Do-Better Manual)
“
I wish there was something that lingered beyond our deaths, some hint that my dad was still here, watching over me. Instead, the Middle Sister claims our souls and carries us to wherever the Mother Goddess has banished her. We're reunited with our creator in death, but she leaves nothing for those who were left behind.
”
”
Isabel Sterling (This Coven Won't Break (These Witches Don't Burn, #2))
“
Dear diary," Anya muttered. "It's been three hours since I killed someone. Needless to say, life sucks. My gorgeous fiancé refuses to let me kill the most loathsome creature ever. Won't even let me give her a few superficial stab wounds. I'm thinking about breaking up with him."
"I wouldn't recommend it" Reyes replied. "He may not ask for your hand in marriage a second time."
She gasped with outrage. "Lucien. Tell him!"
'I'd ask again." Lucien told him,
”
”
Gena Showalter (The Darkest Touch (Lords of the Underworld, #11))
“
It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.
”
”
William Kent Krueger (Ordinary Grace)
“
Told me to play it cool
I break the rules, I’m breaking hearts in two
Want me to make the rules or play the fool, it ain’t that hard to choose
Take apart the “do”s and “don’t”s and lose the “won’t”s
I’m getting mine
Mine’s is mine, yours is mine
This is mine, get in line
”
”
BLACKPINK
“
All the other children at my school are stupid. Except I'm not meant to call them stupid, even though this is what they are. I'm meant to say that they have learning difficulties or that they have special needs. But this is stupid because everyone has learning difficulties because learning to speak French or understanding relativity is difficult and also everyone has special needs, like Father, who has to carry a little packet of artificial sweetening tablets around with him to put in his coffee to stop him from getting fat, or Mrs. Peters, who wears a beige-colored hearing aid, or Siobhan, who has glasses so thick that they give you a headache if you borrow them, and none of these people are Special Needs, even if they have special needs.
But Siobhan said we have to use those words because people used to call children like the children at school spaz and crip and mong, which were nasty words. But that is stupid too because sometimes the children from the school down the road see us in the street when we're getting off the bus and they shout, "Special Needs! Special Needs!" But I don't take any notice because I don't listen to what other people say and only sticks and stones can break my bones and I have a Swiss Army knife if they hit me and if I kill them it will be self-defense and I won't go to prison.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
If I could hold your heart I would keep it safe. Even when I trip and fall, and even when I break down, I would hold your heart close to mine, so it doesn't see the same damage. When I bruise my knees and scrape my palms you'll never have to fear, and even if I cry, I promise, you won't need to shed a tear. Love is everlasting. Loyalty is intertwined with faith. As long as you want me I will be here, standing with my palms out, waiting with my heart plain in my eyes, and a smile on my face.
”
”
Jennifer Megan Varnadore
“
You’ve got to start admitting it.”
“Why are you doing this to me? Are you trying to break me?”
“No, you won’t break. You’ll bend, but you won’t break. Because until you admit it, it’ll never really go away,” he said. “You might’ve taken control, but that man took something from you he shouldn’t have. And that’s not your fault—whether or not you gave in is irrelevant. Come to terms with it now, Isabelle, before it’s too late.
”
”
Stephanie Tyler (Hard to Hold (Hold Trilogy, #1))
“
He let go and stood back,eyeing me.I could tell he didn't want to say anything to destroy my confidence,but he was afraid he'd created a monster.
"Don't worry.I'm ready to play the game." I nodded solemnly.
"One more thing," he said. "If you do fall-"
I cringed. Some pep talk!
"-If something terrible happens,you still won't lose everything.Now you have good friends,and nothing will ever change that.You're not that girl."
"Oh,Nick." I threw myself at him,literally. He wrapped me in his arms and brushed my hair aside to kiss my forehead again.
I squeezed him hard,then drew away and punched him on his padded arm. "Go ahead,and don't break a leg.
”
”
Jennifer Echols (The Ex Games)
“
Look a little closer, Dante, I’m not a nice girl. And being a Callisto was never a walk in the park either. Your father may have forged you into the man you are, but I built myself up into the woman I am. Each cut and every scar only toughened my skin. Every break and fracture only steeled my determination. And everything I’ve lost has only strengthened my soul. I won’t flinch at the worst of you because there is no best of me anymore.
”
”
Caroline Peckham (Dark Fae (Ruthless Boys of the Zodiac, #1))
“
Dear Jack:
I have no idea who he was. But he saved me. From you.
I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him.
And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay.
'Yes. I mean, I think so,' I told him.
But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose.
The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911.
He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner.
'I'm so sorry,' he just kept saying.
And suddenly I felt sorry too.
Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave.
'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever.
A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked.
The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.'
When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak.
That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure.
So far, it hasn't done the trick.
Never your Jill,
Rachael
”
”
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
“
Please.” He swallowed hard and begged with those big blue eyes. “Please don’t leave me here.” All the air trickled out of her lungs. “Take me to the beaches,” he said, blinking down at her. “I won’t cause any trouble.” How did he do that? A minute ago she wanted to break his jaw, and now she had to fight the urge to pat him on the head and give him a cookie. That had to be some kind of superpower. She finally understood how he got everything he wanted in life.
”
”
Melissa Landers (Starflight (Starflight, #1))
“
Grab hold of the headboard with your one hand, for stability,” I tell her. She does but her pussy is still about an inch too high. I think she’s afraid she’s going to break my face or something, but if anything is breaking off it’s my dick because it is so goddamned hard right now a stiff wind could shatter it. “Lower baby. Sit on me.” “Won’t I suffocate you?” she worries but lowers until that juicy pussy is resting right on top of my mouth. “Oh, baby, if only.
”
”
Jessica Clare (Last Breath (Hitman, #2))
“
Colton’s not finished though. He takes a step toward me, pointing his finger at his chest. “But I’m alive, Rylee, and he’s not!” His words rip into me. A tear slides down my cheek, and I turn my back to him, hiding from his words, thinking if I can’t see the plea and hurt in his eyes, I won’t have to accept the truth in his statement. “I’m the one here in front of you—flesh and blood and needing—so either you accept that it’s you that I want. No one else,” he rants, his voice echoing off of the concrete surrounding us and coming back to me twice as if to reinforce his words. “You need to accept me for who I am, faults and all...” his voice breaks “...or you need to get the fuck out of my life…because right now—right now—this is all that I can give you! All I can offer.
”
”
K. Bromberg (Fueled (Driven, #2))
“
Mother do you think they'll drop the bomb?
Mother do you think they'll like this song?
Mother do you think they'll try to break my balls?
Mother should I build the wall?
Mother should I run for president?
Mother should I trust the government?
Mother will they put me in the firing line?
Mother am I really dying?
Hush now baby, baby, dont you cry.
Mother's gonna make all your nightmares come true.
Mother's gonna put all her fears into you.
Mother's gonna keep you right here under her wing.
She wont let you fly, but she might let you sing.
Mama will keep baby cozy and warm.
Ooooh baby ooooh baby oooooh baby,
Of course mama'll help to build the wall.
Mother do you think she's good enough -- to me?
Mother do you think she's dangerous -- to me?
Mother will she tear your little boy apart?
Mother will she break my heart?
Hush now baby, baby dont you cry.
Mama's gonna check out all your girlfriends for you.
Mama wont let anyone dirty get through.
Mama's gonna wait up until you get in.
Mama will always find out where you've been.
Mama's gonna keep baby healthy and clean.
Ooooh baby oooh baby oooh baby,
You'll always be baby to me.
Mother, did it need to be so high?
”
”
Roger Waters (Pink Floyd: The Wall, Guitar Tablature Edition)
“
Hush, child, hush! Well, then, it is my darling! wisht, dry thy eyes--there's a joy; kiss me. What! it won't? Kiss me, Hareton! Damn thee, kiss me! By God, as if I would rear such a monster! As sure as I'm living, I'll break the brat's neck.
”
”
Emily Brontë (Wuthering Heights)
“
Could you try not aiming so much?" he asked me, still standing there. "If you hit him when you aim, it'll just be luck." He was speaking, communicating, and yet not breaking the spell. I then broke it. Quite deliberately. "How can it be luck if I aim?" I said back to him, not loud (despite the italics) but with rather more irritation in my voice than I was actually feeling. He didn't say anything for a moment but simply stood balanced on the curb, looking at me, I knew imperfectly, with love. "Because it will be," he said. "You'll be glad if you hit his marble — Ira's marble — won't you? Won't you be glad? And if you're glad when you hit somebody's marble, then you sort of secretly didn't expect too much to do it. So there'd have to be some luck in it, there'd have to be slightly quite a lot of accident in it.
”
”
J.D. Salinger
“
Your Most Exalted Majesty, Your Grace, ect., ect.:
I don't know what ruddy else I can offer. You won't have a fig to do with my lands or my money or anything, I suppose, of value to anyone else. I suppose that makes you a good father but it certainly makes things rum for me. I haven't anything else to offer, but a sincere heart, one that aches for Bramble, her sweet, plucky spirit, her smart whippish mouth, her heart, and her dear hand.
I'm in agony now, hoping that my steward will convince you. If not I think I'll break all the windows in the house and drown myself in a bucket.
A most sincere heart-
Lord Edward Albert Hemly Haftenravenscher, Esq.
”
”
Heather Dixon Wallwork (Entwined)
“
Or, when I wasn't practicing the guitar and he wasn't listening to his headphones, still with his straw hat flat on his face, he would suddenly break the silence:
'Elio.'
'Yes?'
'What are you doing?'
'Reading.'
'No, you're not.'
'Thinking, then.'
'About?'
I was dying to tell him.
'Private,' I replied.
'So you won't tell me?'
'So I won't tell you.'
'So he won't tell me,' he repeated, pensively, as if explaining to someone about me.
How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
”
”
André Aciman (Call Me by Your Name)
“
God the horror of watching yourself from the outside as everything you know about yourself gets stripped away and demolished. Not just the loss of power over your body, but power over your mind. Rape in the deepest, most hellish sense of the word. But wait, there's a spark. Inside that hollowed out woman there's a place they can't touch. There's more to me than I thought there was. Something that no one and nothing can take away from me. They can't break me. I won't cease. I'm strong, and I am never going to go away until I've gotten what I came for. I might have been lost for awhile but I was never gone. WHO THE FUCK ARE YOU? With an explosive inhalation I snap upright in bed, and my eyes fly open like coming alive after being dead and interred in a coffin. I AM Mac and I am BACK!
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
The forge and dove shall break the cage. Wasn’t that the prophecy line? That meant Piper and he would have to figure out how to break into that magic rock prison, assuming they could find it. Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea. Festus kept flying. The wind got colder, and below them snowy forests seemed to go on forever. Leo didn’t know exactly where Quebec was. He’d told Festus to take them to the palace of Boreas, and Festus kept going north. Hopefully, the dragon knew the way, and they wouldn’t end up at the North Pole. “Why don’t you get some sleep?” Piper said in his ear. “You were up all night.” Leo wanted to protest, but the word sleep sounded really good. “You won’t let me fall off?” Piper patted his shoulder. “Trust me, Valdez. Beautiful people never lie.” “Right,” he muttered. He leaned forward against the warm bronze of the dragon’s neck, and closed his eyes.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke.
“I feel soiled.”
“Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said.
I just stared at him.
“With a funky smell,” he added.
My Order conditioning failed me. “Ew.”
Raphael grinned.
“I‟m not even going to ask if that‟s happened to you.”
I started the vehicle. “Has that happened to you?”
“Yes.”
Ew. “Where?”
“In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .”
“I don‟t want to know.” I peeled out of the parking lot.
"So where are we going?”
“To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.”
Raphael frowned. “Do you know where she lives?”
“Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.”
He squinted at me, looking remarkably like a gentleman pirate from my favorite romance
novels. “What else do you store in your head?”
“This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.”
“I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟
“I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟”
The look on his face was priceless.
“That can‟t be the first thing.”
“It was.”
We drove in silence.
“About the K-Y,” Raphael said.
“I don‟t want to know!‟
“Once I washed it out of my hair—”
“Raphael, why are you doing this?”
“I want to make you go "Ew‟ again.”
“Why in the world would you want to do that?”
“It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—”
“Raphael!”
“No, wait, you‟ll like the next part.
”
”
Ilona Andrews (Must Love Hellhounds)
“
I can’t forgive you. I can’t and won’t trust you again. You betrayed me and it can never be made right again.
Also, I can’t forgive myself. The things I did to hurt you, to survive after you left, and of course, the things I did to take revenge for the things you did, have damaged me beyond all repair.
”
”
R.K. Lilley (Breaking Him (Love is War, #1))
“
Xaden's head snaps in my direction. 'Violence?'
I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross.
Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts.
'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking.
He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet.
'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better.
What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet.
'I could ask you the same thing.'
His eyes widen. 'You could have fallen and died!'
'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public.
It doesn't scare me. I like him better when he's real with me, anyway.
'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps.
'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.'
Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?'
Fine. That's a good point.
'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.'
'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.'
It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill.
'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
And you think that's worth it? Losing yourself to an Ordinary?'
...
'Between the two of us, you're the only one who seems to care about that fact.'
...
'Of course I care.' My voice is rough, raw with emotion. 'I'm weak. I nearly died today and-' I place a hand to his cheek, turning his face towards me. 'Look at me, Kai. Look at what you chose to lose yourself to. I may have seemed strong in that throne room, but I always will be an impostor among the truly powerful.'
He's shaking his head, hiding his gaze from me. Both of my hands are cupping his face now. 'I worry about you Malakai.' The sound of his full name has those gray eyes fluttering closed. 'If I die----'
'Stop.'
'If I die,' I repeat sternly, 'I need you to find something else worth losing yourself to. I won't let my impending death be yours as well.' I press my forehead to his, voice breaking as I say, 'Promise me that. Please.'
'Pae.' His voice is ragged. 'I would lose my life for you before finding something else worth living for.' His fingers weave into my hair, slide along the back of my neck. 'You are my inevitable. In life and in death.
”
”
Lauren Roberts
“
I don’t have the heart to tell my sons that the older one gets, the less funny literature becomes—and they would refuse to believe me if I tried to explain that some people don’t think jokes even belong in proper books. I won’t bother breaking the news that, if they remain readers, they will insist on depressing themselves for about a decade of their lives, in a concerted search of gravitas through literature.
”
”
Nick Hornby (More Baths, Less Talking)
“
You will be a wonderful queen. Kind, caring, compassionate. Strong, cunning, and ruthless when you need to be. But I can’t break my promise to myself. I won’t. Not even for you, highness.” The last word came out as a low whisper, but somehow, it shattered my heart more than if he had been shouting curses at me.
”
”
Jennifer Estep (Kill the Queen (Crown of Shards, #1))
“
TIL KINGDOM COME you'll be the one. FOR YOU theres NO MORE KEEPING MY FEET ON THE GROUND. My head is in the clouds NOW MY FEET WONT TOUCH THE GROUND. LIFE IS FOR LIVING and i cant live until i have stolen a spot in your heart. HURTS LIKE HEAVEN and feels like hell to know your in ANOTHERS ARMS. This is no PARADISE. DONT LET IT BREAK YOU HEART i tell my self. Your BEAUTIFUL WORDS always IN MY HEAD i cant stop my self. THINGS I DONT UNDERSTAND would be you and me. LOST in your X&Y. I feel like i was SWALLOWED IN THE SEA, LOST and unseen, not a WISPER or a weep. I cry in my sleep, EVERY TEARDROP IS A WATERFALL.
Should have seen the WARNING SIGNS, they were always there like a WISPER in my ear. Every time you say hello were back at SQUARE ONE, a smile my face. SUCH A RUSH i get when i talk to you. My heart beats as fast as a HIGH SPEED race. Every second i wait for your reply like CLOCK ticking by. DAYLIGHT nears as the SLEEPING SUN is UP IN FLAMES. What if its US AGAINST THE WORLD? What if HOW YOU SEE THE WORLD is how i see it too? WHAT IF?
”
”
Rhyan Roads
“
You can’t break up with me. I won’t let it happen,” he whispered. “If you don’t want me, I understand, and you’re free to go because I want to see you happy. But if you love me the way I love you, I won’t let you go. I’m not giving up on us. I can’t force you to love me just as you can’t force me to stop loving you.
”
”
J.C. Reed (Treasure Your Love (Surrender Your Love, #3))
“
It is a funny thing. A man can make a promise to his God, break it five minutes later and never think about it. With an idle shrug of his shoulders, a man can break solemn promises to his mother, wife or sweetheart, and, except for a slight momentary twinge of conscience, he still won't be bothered very much. But if a man ever breaks a promise to himself he disintegrates. His entire personality and character crumble into tiny pieces, and he is never the same man again.
I remember very well a sergeant I knew in the army. Before a group of five men he swore off smoking forever. An hour later he sheepishly lit a cigarette and broke his vow to the five of us and to himself. He was never quite the same man again, not to me, and not to himself.
”
”
Charles Willeford (Cockfighter)
“
I Ask for Silence"
Now they can leave me in peace.
Now they grow used to my absence.
I am going to close my eyes.
I want only five things,
five chosen roots.
One is an endless love.
Two is to see the autumn.
I cannot exist without leaves
flying and falling to the earth.
The third is the solemn winter,
the rain I loved, the caress
of fire in the rough cold.
Fourth, the summer,
plump as a watermelon.
And fifthly, your eyes,
Matilde, my dear love,
I won’t sleep without your eyes,
I won’t exist without your gaze,
I adjust the spring
for you to follow me with your eyes.
That, friends, is all I want.
Next to nothing, close to everything.
Now they can go if they wish.
I have lived so much that some day
they will have to forget me forcibly,
rubbing me off the blackboard.
My heart was inexhaustible.
But because I ask for silence,
don’t think I’m going to die.
The opposite is true;
it happens I am going to live.
To be, and to go on being.
I will not be, however, if inside me,
the crop does not keep sprouting,
the shoots first, breaking through the earth
to reach the light;
but the mothering earth is dark,
and, deep inside me, I am dark.
I am a well in the water of which
the night leaves behind stars
and goes on alone across fields.
It’s a question of having lived so much
that I want to live a bit more.
I never felt my voice so clear,
never have been so rich in kisses.
Now, as always, it is early.
The light is a swarm of bees.
Let me alone with the day.
I ask leave to be born.
”
”
Pablo Neruda (I Explain a Few Things: Selected Poems (English and Spanish Edition))
“
Maybe my guard was up all the time and she was reacting to that. But I wish she had seen through it and I wish that once, just once, I had told her how I feel. That I feel safer when she is around. Sometimes I had tested her, wanting so desperately for her to let me down so then I would have an excuse to walk away. But she never did. I wish I could tell her it breaks my heart that I miss her more than I ever missed my mother and that the thing that frightens me the most about next October when I graduate is not that I won't have home, but that I won't have her.
”
”
Melina Marchetta (On the Jellicoe Road)
“
In the same moment, I’m also reminded of how little I know about him. How little he shows me. How much he hides himself from me, so that when I finally break, it won’t be his fault.
It won’t be a quick break, either. It’ll be slow and painful, filled with so many moments like these that tear me up from the inside out.
Moments when he leaves.
Because he always leaves.
”
”
Colleen Hoover (Ugly Love)
“
I think the idea of a soul mate is too romanticised, Don't get me wrong; romance is bliss, but to me, A soul mate is something so much more. It is possibility when hope falls short, it is waking on a Monday excited for breakfast - because it's with them, it's finding the simple pleasures of life so exhilarating - because your side by side, it is experiencing a connection that won't break, alter or dis-courage the growth of both individual journeys, a soul mate isn't just romance, to me it is so much more.
”
”
Nikki Rowe
“
His hand moves back up to my face, pushing the hair back in a tender motion. “Say yes, Nicole. Say you’ll be mine.”
I open my mouth to refuse, but I won’t lie to him or myself. “I vowed I’d never do this.” I say with my heart on my sleeve. “It wasn’t until I met you that I wanted to break it. Don’t shatter my heart, Callum.”
With that, he enters me, kissing my lips. “I won’t. I promise.
”
”
Corinne Michaels (Not Until You (Second Time Around, #3))
“
And maybe love is terrifying. I'm terrified now, but not in the way she would think.
I'm terrified because I hate who she is and what she's done, I do, and yet there is still something strong and powerful between us, some kind of deep, primal bond that won't end, won't snap or break or change, it just remains there inside me, as sold and factual as my blood and bones - she is my mother, I am her daughter - and I don't know what to call it because it doesn't feel like love, not the good kind I felt for Ellie, with all my heart, but instead an instinctual pull that's been there from the beginning, drawing me back to her again and again, the woman who has hurt me like no one else ever could, and now she's dying and the bond is still here, inside me, and I won't call it love or hate because emotions has nothing to do with the fact that she is my mother and I am her daughter, and we will be connected in that way forever.
”
”
Laura Wiess (Ordinary Beauty)
“
Money itself isn’t evil, but the love of it is the root of all kinds of evil. So these things helped me to stay grounded. I began realizing that people on yachts weren’t happier than people in rowboats. Bentleys break down just like Nissans. You can get a great night’s sleep at a Hampton Inn just like at a Ritz-Carlton. And flying in first class won’t get you to your destination any faster than riding in coach.
”
”
Lecrae Moore (Unashamed)
“
You don’t want me to fight? I won’t fight. You want me to break up with Gemma? She’s gone. You want me to quit my shit job, give up my apartment in Charles Town, and move to Maryland? Done. You want to go to college? I’ll make it happen. “I’ve been half d-dead for ten years, Gris, but then you walked back into my life, and I came alive again. You make me want to live. You make me want to be a better man. “I love you, and when I say that, I mean that you’re my reason for breathing, for eating, for drinking, for sleeping, for living. I will never hurt you. I will never leave you. I will always protect you. There is no one more important to me than you, and as long as I live, there never w-will be.
”
”
Katy Regnery (Never Let You Go (A Modern Fairytale, #2))
“
If I start to grow up, Mom won’t love me as much. She often weeps and holds me really tight and says she just wants me to stay small and young. It breaks my heart when she does this. I wish I could stop time. I wish I could stay a child. I feel guilty that I can’t. I feel guilty with every inch I grow. I feel guilty whenever we see one of my aunts or uncles and they comment on how much I’m “growing up.” I can see Mom’s eyebrow twitch whenever they say that. I can see how much it pains her. I’m determined to not grow up. I’ll do anything to stop it from happening.
”
”
Jennette McCurdy (I'm Glad My Mom Died)
“
Some well-meaning folks think if we stop talking about racism, it’ll magically disappear, like the smell of an errant fart. But like a fart, people might try to be polite and ignore it, but everyone knows it’s there. Avoidance has never been a great tactic in solving any problem. For most situations in life, not addressing what's going wrong only makes matters worse. It’s like someone breaks your arm, and the person who slammed the baseball bat into it is saying, 'The only reason it won’t heal is because you keep complaining that it hurts.' How about you get me a cast so the bone can set straight again? America does not want to put the effort into providing this cast. This is why we must talk about race, and we must do it openly.
”
”
Luvvie Ajayi Jones (I'm Judging You: The Do-Better Manual)
“
I have begged and she hasn't answered. The whales are swimming deep inside me and she doesn't help. I need help. All the monsters in the world are inside me instead of outside me. I've been tricked and trapped and they are inside my walls not outside my walls inside with me and she won't help me. When I stop thinking about a muscle it shakes. When I stop thinking about a fear it leaps at me. I'm drowning but the lake keeps getting deeper and deeper and deeper and I don't know how to get out the walls go up forever and I can't climb over and I can't break through and she won't talk to me.
”
”
Orson Scott Card (Songmaster)
“
'You came to mean more and more to me, and I could no sooner have turned away from you than stop the earth spinning. I thought, if this ends with me broken, so be it. But as every day passed, I thought: he won't break me, he loves me and one day, he'll tell me. But you didn't because you don't.'
”
”
Barbara Elsborg (With or Without Him)
“
But there won't be any more journeys after this one, no more oceans explored. And maybe that's why I am filled with calm. My life has been a migration without a destination, and that in itself is senseless. I leave for no reason, just to be moving, and it breaks my heart a thousand times, a million. It's a relief to at last have a purpose. I wonder what it will feel like to stop. I wonder where we go, afterwards, and if we are followed. I suspect we go nowhere, and become nothing, and the only thing that saddens me about this is the idea of never seeing Niall again. We are, all of us, given such a brieft moment of time together, it hardly seems fair. But it's precious, and maybe it's enough, and maybe it's right that our bodies dissolve into the earth, giving our energy back to it, feeding the little creatures in the ground and giving nutrients to the soil, and maybe it's right that our consciousness rests. The thought is peaceful.
”
”
Charlotte McConaghy (Migrations)
“
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?”
He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.”
“I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.”
“What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.”
“Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.”
Astonishment fills his eyes. “No, I didn’t.”
“Yes, you did.”
“Is that what he told you?” Logan demands.
“Not in so many words.”
“I see. Well, what words did he actually use?”
I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’”
Logan breaks out in a grin.
I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!”
Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him.
“He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.”
I’m dumbfounded.
Oh my God.
Lorris? As in Logan and Morris? They fucking Brangelina’d themselves?
“What is happening?” I burst out. “You guys are best friends now?”
“He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.”
“Yeah, and what’s that?” I mutter.
“That you and I are perfect for each other.”
No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Once you understand that you are the thinker of your own thoughts, and that your mind doesn‘t produce ‘reality’, it produces ‘thoughts’, you won’t be as affected by what you think. You’ll see your thinking as something that you are doing – an ability you have that brings your experience of life – rather than as the source of reality. Do you remember the old saying ‘Sticks and stones may break my bones but words can never hurt me’? Thoughts could be substituted for words. Your thoughts can’t hurt or depress you once you understand that they are just thoughts. When you start to view your own thinking in this more impersonal way (in other words, looking at your thinking instead of being caught in it), you will find yourself becoming free of depression. Your thinking goes on and on, and it will continue to do so for as long as you live. But when you step back from your thinking and simply observe that you are doing it, your mind becomes free, and you open the door to experience.
”
”
Richard Carlson (Stop Thinking, Start Living: Discover Lifelong Happiness)
“
Naturally, I knew what to expect when my father got home. I had a lot of time to think about it, but all I could think about was breaking the principal’s jaw with just one punch, a grown man. My father walked in the door steaming mad and threw the boxing gloves at me hard. I caught them, but this time I threw them back at him. I said, “You better take another look.” I was sixteen, almost seventeen, by then. “I won’t hit you,” I said. “You’re my father. But you better get yourself another punching bag.
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much.
And then I realized one thing: the woman is the reflection of her man.
If you love her to the point of madness, she will become it.
”
”
Brad Pitt
“
You've been a really good friend to me, Richard. And I've sort of got to quite like having you around. Please don't go.' He squeezed her hand in his gently. 'Well,' he said, 'I've sort of got to quite like having you around, too. But I don't belong in this world. In my London...well, the most dangerous thing you ever have to watch out for is a taxi in a bit of a hurry. I like you too. I like you an awful lot. But I have to go home.' She looked up at him with her odd-coloured eyes, green and blue and flame. 'Then we won't ever see each other again,' she said. 'I suppose we won't' 'Thanks for everything you did,' she said, seriously. Then she threw her arms around him, and she squeezed him tightly enough that the bruises on his ribs hurt, and he hugged her back, just as tightly, making all his bruises complain violently, and he simply didn't care.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
I’ll call you every day,” I vowed as I stood in the middle of Dublin airport with my flight number being called over the intercom. “And I’ll send you a million texts.” “But it won’t be the same.” “I know, but we’ll make it work,” I promised. “How?” “We’ll figure it out, okay? But I need you to stop crying,” I begged. “Please.” “I can’t help it. My heart is breaking here.” “I’ll be home soon,” I coaxed. “It won’t be forever.” “No—no! Just no. You can’t leave me, Johnny!” “I have to go,” I groaned. “Come on, don’t make this harder than it has to be.” “You promise this isn’t a forever goodbye?” “I promise,” I urged, patting his back. “Now, come on, Gibs. You’re cutting off my air supply here.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
First, I loaded up on Vicodin for my back. Hooray for Beck’s medical supplies! Then I drove out to the RTG. It was right where I left it, in a hole four kilometers away. Only an idiot would keep that thing near the Hab. So anyway, I brought it back to the Hab. Either it’ll kill me or it won’t. A lot of work went into making sure it doesn’t break. If I can’t trust NASA, who can I trust? (For now I’ll forget that NASA told us to bury it far away.) I stored it on the roof of the rover for the trip back. That puppy really spews heat.
”
”
Andy Weir (The Martian)
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: Uncommon Prostitues
I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber.
To: Etienne St. Clair
From: Anna Oliphant
Subject: Christmas Dinner
MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama.
P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey.
To: Anna Oliphant
From: Etienne St. Clair
Subject: Re: Christmas Dinner
YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist.
P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me.
To: Etienne St. Clair
From: Anna Oliphant
Subject: SAVE ME
Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming.
And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal.
WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The drought was the very worst
When the flowers that we'd grown together died of thirst
It was months and months of back and forth
You're still all over me like a wine-stained dress I can't wear anymore
There was nothing left to do
When the butterflies turned to dust that covered my whole room
So I punched a hole in the roof
Let the flood carry away all my memories and texts from you
6 years sober, I must admit
Just because you're clean don't mean you don't miss it
6 years older, I won't give in
Now that I'm clean I'm never gonna risk it.
”
”
EJR
“
Ya live your life like it's a coma
So won't you tell me why we'd wanna
With all the reasons you give it's
It's kinda hard to believe
But who am I to tell you that I've
Seen any reason why you should stay
Matbe we'd be better off
Without you anyway
You got a one way ticket
On your last chance ride
Gotta one way ticket
To your suicide
Gotta one way ticket
An there's no way out alive
An all this crass communication
That has left you in the cold
Isn't much for consolation
When you feel so weak and old
But is home is where the heart is
Then there's stories to be told
No you don't need a doctor
No one else can heal your soul
Got your mind in submission
Got your life on the line
But nobody pulled the trigger
They just stepped aside
They be down by the water
While you watch 'em waving goodbye
They be callin' in the morning
They be hangin' on the phone
They be waiting for an answer
When you know nobody's home
And when the bell's stopped ringing
It was nobody's fault but your own
There were always ample warnings
There were always subtle signs
And you would have seen it comin'
But we gave you too much time
And when you said
That no one's listening
Why'd your best friend drop a dime
Sometimes we get so tired of waiting
For a way to spend our time
An "It's so easy" to be social
"It's so easy" to be cool
Yeah it's easy to be hungry
When you ain't got shit to lose
And I wish that I could help you
With what you hope to find
But I'm still out here waiting
Watching reruns of my life
When you reach the point of breaking
Know it's gonna take some time
To heal the broken memories
That another man would need
Just to survive
Guns N’ Roses, “Coma” (1991)
”
”
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
“
Tears flood in you
your eyes burning
your heart scars with my name scratched deep
My face is gone
my heart betrayed by your lullabies
I’m a shadow of a girl inside
Hands are touching you
nothing takes the place of you
Heart wrench, weeps goodbye
Lullabies, beautiful and trusting
Barely breathing as they break into dust
Lonely corners me
Sweeps me off my feet
Shows me it was better for me
Fingertips holding close
your grip not as soft
Follows me to an empty bed
I can’t stop the weakening of my soul
my body is dying
your tune is holding my mind
Let me go
see what I do
No control
No you
You whisper your sweet goodbye
If it is small it won’t interrupt my sleep
But my heart you keep
You say it’s for me
But who would be happy?
Alone left out in the cold
”
”
Mercy Cortez
“
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice.
“He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.”
A chill went through me.
“Why do you think I’m doing this?” He waved a hand to me.
“Because you’re a monster.”
He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.”
I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?”
“Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.”
I lifted my brows in silent question.
“Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?”
Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared.
“It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.”
I knew, but I still asked, “Like what?”
“Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse.
“Why did Amarantha target you?” I dared ask. “Why make you her whore?”
“Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.”
I started. Tamlin had never said—never told me the Night Court was responsible for that.
“It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.”
I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him …
“So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Quince leans in over the map, studying, and I think he’s going to ask me something about the kingdoms or my plan or Daddy’s trident.
Instead, without taking his eyes off the map, he asks, “What happens if I fail?”
“What?” I whisper.
“If I don’t pass the three tests,” he says. “What’s the consequence?”
I suck in a shaky breath. This is the part I didn’t want to talk about, the part I hoped he wouldn’t ask about. But I guess he’s too clever—or has learned too much about how mer-world magic works—to assume there won’t be a price.
There is, and it’s a big one.
“If you fail,” I say, keeping my voice steady, “then you are banished from the water forever.”
He lifts his Caribbean-blue eyes to stare into mine. “And?”
“And?” I echo.
“I know that can’t be it,” he says. “Nothing in your world is ever that simple.”
A part of my heart breaks when he calls it my world. I want it to feel like his world, too. But now isn’t the time. He’s right; there’s more to the consequence of failure than him being exiled.
“And . . . ,” I say, wishing I didn’t have to tell him this, “I’ll be banished from land.” I swallow hard. “Forever.”
He stares into my eyes, unblinking, and I can’t read any sort of reaction. His mind is racing, I’m sure, but everything on the outside is a stone facade.
Finally, after what feels like an eternity, he says, “Then I won’t fail.
”
”
Tera Lynn Childs
“
There was a movement to my right, and I snuck a quick glance to see Zee and Gabriel coming out the garage door. They must have gone back around. Zee had a crowbar in one hand and held it like another man might hold a sword. Gabriel had—
“Zee,” I squeaked. “Tell him to put the torque wrench back and grab something that won’t cost me five hundred dollars if he hits someone with it.”
“Won’t cost five hundred,” said Zee, but as I glanced over again, he nodded at the white-faced Gabriel, who looked at what he held as if he’d never seen it before. The boy slipped back into the garage as Zee said, “It wouldn’t break it — you’d just have to get it recalibrated.”
“We have a whole garage worth of tools — pry bars, tire irons, and even a hammer or two. There’s got to be something better than my torque wrench he could have grabbed.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.
”
”
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
“
What exactly, my love, do you think you’re doing?” Blake looked down at her.
“These stairs make me nervous. I just wanted to make sure you got down them okay.” Livia felt silly now. He was obviously fine. Their slow spiraling dance actually made her a little dizzy instead.
“And if I trip like the delicate flower that I am?” Blake asked, drawing near.
“I was hoping I would break your fall, if you fell…which you won’t.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
I like your hair," he said quietly, "but I think you'd look good whatever you did with it."
Here's the thing.He looked like he meant it, and like it had been the most natural thing in the world to say. I blinked at him.
"Okay," I said. "You want to know something about me that I don't really want to tell you? How about this. I dont get it.This.I hate that I don't. I wish I were the kind of girl who took guys like you as my sovereign right in life. But I don't."
"Yeah,I've sorta figured that out,too." He let go of my hair and put his hand on my waist, so his thumb was against my skin. I shivered. "Here's my first reveal for the night. One day, not so long ago, I'm just sitting in the dining room, digesting, minding my own business-literally. Trying to decide whether the second hamburger had been such a good idea and whether to break up with my girlfriend of a year and a half. Then I try to stand up, and suddenly there's this really pretty girl doubled over and looking at my book like it was covered with crap-"
"I wasn't."
"Yeah.You were. So there you were, with that amazing face and a yard of hair that smelled like flowers, and all this stuff drawn on your jeans. I really liked that."
"You liked my jeans."
"Among other things.But, jeez, Ella. After that, if you weren't making me feel like I had the IQ of a stone, your friends were looking at me like I'd crawled out from under one. I won't even go into what you obviously think of my friends."
"Chase Vere is a reptile.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
indelible waiting
l'art poetique
"..I will wait for the night to chase me..."
I sit on a rock and watch children playing
in the park below
They don't see me
Or know my thoughts
Or that you haven't called
But I forgive them their indifference today
Above me a crow caws
Perhaps he smells the crumbs on my dress
Or my anger
But he flits away over the trees
Probably has a home
Probably has a wife
Probably knew to call
The children leave
The coffee in my can turns cold
The wind nips at me
Some street lights flicker on
But I won't move
Not yet
I will wait for the night to chase me
Back where I came from
Up the empty street
To a quiet house
”
”
Adelheid Manefeldt (Years: a book of tiny poetry)
“
Everyone loses themselves to something. So make it worthwhile.' "
' And what did you lose yourself to?'
...
'Duty. Loyalty.' His lips quirk. 'A silver-haired pain in the ass.'
'And you think that's worth it? Losing yourself to an Ordinary?'
...
'Between the two of us, you're the only one who seems to care about that fact.'
...
'Of course I care.' My voice is rough, raw with emotion. 'I'm weak. I nearly died today and-' I place a hand to his cheek, turning his face towards me. 'Look at me, Kai. Look at what you chose to lose yourself to. I may have seemed strong in that throne room, but I always will be an impostor among the truly powerful.'
He's shaking his head, hiding his gaze from me. Both of my hands are cupping his face now. 'I worry about you Malakai.' The sound of his full name has those gray eyes fluttering closed. 'If I die----'
'Stop.'
'If I die,' I repeat sternly, 'I need you to find something else worth losing yourself to. I won't let my impending death be yours as well.' I press my forehead to his, voice breaking as I say, 'Promise me that. Please.'
'Pae.' His voice is ragged. 'I would lose my life for you before finding something else worth living for.' His fingers weave into my hair, slide along the back of my neck. 'You are my inevitable. In life and in death.
”
”
Lauren Roberts
“
Everything belonged to him--but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That
was the reflection that made you creepy all over. It was impossible--it was not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand.
How could you?--with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums--how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude--utter solitude without a policeman--by the way of silence, utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion?
These little things make all the great difference.
When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to
anything but heavenly sights and sounds. Then the earth for you is only a standing place -- and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one nor the other.
The earth for us is a place to live in, where we must put up with sights, with sounds, with smells too, by Jove!-- breathe dead hippo, so to speak, and not be contaminated. And there, don't you see?
Your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in--your power of devotion, not to yourself, but to an obscure, back-breaking business. And that's difficult enough.
Mind, I am not trying to excuse or even explain--I am trying to account to myself for--for--Mr. Kurtz--for the shade of Mr. Kurtz.
This initiated wraith from the back of Nowhere honored me with its amazing confidence before it vanished altogether. This was because it could speak English to me.
The original Kurtz had been educated partly in England, and--as he was good enough to say himself--his sympathies were in the right place. His mother was half-English, his father was half-French.
All Europe contributed to the making of Kurtz.
”
”
Joseph Conrad (Heart of Darkness)
“
Heart-Shaped Glasses (When the Heart Guides the Hand), the first single from Eat Me, Drink Me, features a video filmed by Titanic director James Cameron. In it, Manson croons to Wood, who – with bobbed hair, gloves and a demure frock – blankly masturbates in an audience of writhing lesbians, Manson’s image reflected in her heart-shaped glasses. I wanted to like the song, but found Manson’s threadbare voice and overdubbed music annoying, and the chorus - 'Don’t break my heart/and I won’t break your heart-shaped glasses' – suggested a pugilistic retribution ('Dump me, and I’ll punch your lights out!') more in keeping with Norman Mailer than Nabokov.
”
”
Antonella Gambotto-Burke (Mouth)
“
Peter, when Lara Jean’s gone, will you still come visit me sometimes ?”
“Course I will.”
“Even if you guys break up ?”
There’s a pause. “We’re not breaking up.”
“But if you do ?” she presses.
“We won’t.”
She ignores this. “Because we never see Josh anymore, and he said he’d visit too.”
Peter scoffs. “Are you kidding me ? You think I’m the same as Sanderson ? Me ? I’m a completely different league than him. I’m insulted you would even compare us.”
Kitty lets out a relieved kind of laugh, the kind that sounds more like a sigh. “Yeah, you’re right.”
“Trust me, kid. You and I have our own thing.”
I love him so much for that I could cry. He’ll look after Kitty for me, I know he will.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
In the first chapter, for example, when Job first gets all the bad news about the deaths of his children and the loss of his estate, we are told that “Job got up and tore his robe” and then he “fell to the ground” (Job 1:20), but then the author adds, “In all this Job sinned not” (Job 1:22). Here is a man already behaving in a way that many pious Christians would consider at least unseemly or showing a lack of faith. He rips his clothes, falls to the ground, cries out. He does not show any stoical patience. But the biblical text says, “In all this Job sinned not.” By the middle of the book, Job is cursing the day he is born and comes very close to charging God with injustice in his angry questions. And yet God’s final verdict on Job is surprisingly positive. At the end of the book, God turns to Eliphaz, the first of Job’s friends, and says: “I am angry with you and your two friends, because you have not spoken the truth about me, as my servant Job has. So now take seven bulls and seven rams and go to my servant Job and sacrifice a burnt offering for yourselves. My servant Job will pray for you, and I will accept his prayer and not deal with you according to your folly. You have not spoken the truth about me, as my servant Job has.” So Eliphaz the Temanite, Bildad the Shuhite and Zophar the Naamathite did what the Lord told them; and the Lord accepted Job’s prayer (Job 42:7–9). Job’s grief was expressed with powerful emotion and soaring rhetoric. He did not “make nice” with God, praying politely. He was brutally honest about his feelings. And while God did—as we will see later—forcefully call Job to acknowledge his unfathomable wisdom and majesty, nevertheless God ultimately vindicated him. A Bruised Reed He Will Not Break It is not right, therefore, for us to simply say to a person in grief and sorrow that they need to pull themselves together. We should be more gentle and patient with them. And that means we should also be gentle and patient with ourselves. We should not assume that if we are trusting in God we won’t weep, or feel anger, or feel hopeless.
”
”
Timothy J. Keller (Walking with God through Pain and Suffering)
“
I could say 'I love you'—and I do." Raising his lids, he met her gaze. "But it's not that simple… not for me. I never wanted a wife." He drew in a breath. "I never wanted to love—not you, not any woman. I never wanted to risk it—never wanted to be forced to find out if I could handle the strain. In my family, loving's not easy—it's not a simple sunny thing that makes one merely happy. Love for us—for me—was always going to be dramatic—powerful, unsettling—an ungovernable force. A force that controls me, not the other way about. I knew I wouldn't like it—" His eyes met hers. "And I don't. But… it isn't, it appears, something I have a choice about."
His lips twisted. "I thought I was safe—that I had defenses in place, strong and inviolable, far too steely for any mere woman to break through. And none did,“not for years." He paused. "Until you.
"I can't remember inviting you in, or ever opening the gates—I just turned around one day and you were there—a part of me." He hesitated, studying her eyes, then his face hardened, his voice deepened. "I don't know what will convince you, but I won't ever let you go. You're mine—the only woman I could ever imagine marrying. You can share my life. You know a hock from a fetlock—you know as much about riding as I do. You can be a partner in my enterprises, not a distant spectator standing at the periphery. You'll stand at the center of it all, by my side.
”
”
Stephanie Laurens (A Rogue's Proposal (Cynster, #4))
“
I began to ask each time: “What’s the worst that could happen to me if I tell this truth?” Unlike women in other countries, our breaking silence is unlikely to have us jailed, “disappeared” or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What’s the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it’s personal. And the world won’t end.
”
”
Maisie Hill (Period Power: Harness Your Hormones and Get Your Cycle Working For You)
“
My own walls caved. Tears trickled from the corner of my eyes.
Then strong arms enveloped me.
“Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.”
“Don’t make promises you can’t keep,” I hiccupped. “People always do that.”
“I mean it.” Firmly spoken. “I won’t let us fail. Not at this.”
The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds.
Ben held me, silent, softly rubbing my back.
A thought floated from somewhere far away.
This isn’t so bad.
I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine.
I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance.
“Ben . . . I . . .”
“Tory?”
My father’s voice sent us flying apart as if electroshocked.
Kit was descending the steps, an odd look on his face.
“Yes?” Discreetly wiping away tears.
I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved.
“I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.”
“No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.”
Kit frowned. “Say the word, and we cancel right now. No question.”
“No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.”
“All right, then. We need to get moving.”
Kit glanced at Ben, still sitting on the bench, striving for invisible.
A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.”
Ben’s uneasy smile was his only response.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
That moment changed me on a core level. I can see that cracked O-ring as clearly as I can see the world in front of me. I wake up every morning, and I remind myself how futile it all is. You can do everything right, try to be good, try to do good, and sometimes it won’t matter. Your O-ring gets a crack in it, and you die before you have time to panic. A nothing part, ignored until it’s broken, and then you’re dead. You and everyone you love just cease to be. That’s how close life and death are. Not just here, in space or on a volatile planet. Everywhere. Everywhere in the universe, you’re one cracked O-ring away from total failure. And we all just go through each day, ignoring that. Pretending like we don’t see the cracks. Like the cracks aren’t going to break all the way.
”
”
Beth Revis (Full Speed to a Crash Landing (Chaotic Orbits #1))
“
Turn my back to the door,
Feels so much better now
No need to try, anymore
Nothing left to lose
As the voice that's in the air saying, 'Don't look back to nowhere'
There's a force that's always there
And I'll never be, quite the same as I was before these,
Part of you, still remains
Oh, its out of focus
Your just somewhere that I've been
And I won't go back again
And I'll never be like I was, the day I met you
To naive? Yes, I was
Boy that's why I let you in
Wear your memory like a stain
Can't erase or numb the pain,
Here to stay with me forever
I'm breathing in, breathing out
Ain't that what it's all about?
Living life, crazing loud
Like I have the right to
No more words, in my mouth,
Nothing left to figure out,
But I don't think I'll ever break through,
The ghost of you.
”
”
EJR
“
Tell yourself that there are things you will never forget. Tell yourself that you will always remember what is important. Tell yourself that everything you love will stay with you, forever. Even though it won't. Not even a little. Nothing lasts. But unless you are strong, and careful, that will not be enough. I learned love form sacrifice. I learned love from living. And no matter where I've gone, or what I've done, all the dark things I do not regret, but will never speak of, that is the one part of me that I have always kept safe. But that's not enough. It's not the length of a life that matters, just the depth of it. The chances we take. The pathes we choose. How we go on after our hearts break. Hearts always break. And so we bend with our hearts. And we sway. But in the end, what matters is that we loved and lived.
”
”
Marjorie M. Liu (Black Widow, Vol. 1: The Name of the Rose)
“
I know you don’t want this, Katsa. But I can’t help myself. The moment you came barreling into my life I was lost. I’m afraid to tell you what I wish for, for fear you’ll . . . oh, I don’t know, throw me into the fire. Or more likely, refuse me. Or worst of all, despise me,” he said, his voice breaking and his eyes dropping from her face. His face dropping into his hands. “I love you,” he said. “You’re more dear to my heart than I ever knew anyone could be. And I’ve made you cry; and there I’ll stop.” She was crying, but not because of his words. It was because of a certainty she refused to consider while she sat before him. She stood. “I need to go.” He jumped up. “No, Katsa, please.” “I won’t go far, Po. I just need to think, without you in my head.” “I’m afraid if you leave you won’t come back.” “Po.” This assurance, at least, she could give him. “I’ll come back.
”
”
Kristin Cashore (Graceling (Graceling Realm #1))
“
I work with a great deal of discipline, although I usually take on more than I can handle and often have to extend due dates. I have always been appalled by bohemianism because of its laziness, disorder, and moral weakness. I understand that this way of living is a response to the fact of human frailty, but it leans too far in one direction. Being a little more buttoned up doesn’t mean that you’ll get so brittle that you’ll break. Nor does it mean that you don’t understand tragedy, loss, and, most of all, human limitation.
I am more than well aware of those things and I feel very strongly, but on the other hand I like to run ten miles and return to a spotless well-ordered room, and I like my shirts heavily starched. When I used to go on a long run on Sunday morning when I lived on the Upper West Side, I would pass thousands and thousands of people in restaurants eating . . . (I won’t say this word, because I hate it so much, but it rhymes with hunch, and it’s a disgusting meal that is supposed to be both breakfast and lunch). There they were—having slept for five hours while I was doing calisthenics and running—unshaven (the women too), bleary eyed, surrounded by newspapers scattered as if in a hamster cage, smoking noxious French cigarettes, and drinking Bloody Marys while they ate huge quantities of fat. They looked to me like a movie version of South American bandits. I would never want to be like that. I prefer to live like a British soldier.
”
”
Mark Helprin
“
Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop.
Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest.
He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.”
Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed.
Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.”
Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.”
Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway.
“Um. Did you just promise not to kiss me ever again?” Emma whispers.
“Can we talk about this later? The Archives are obviously here, angelfish.”
She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“
At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.”
“Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.”
Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi."
Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail?
A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper."
Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions."
"I'm not sure what you mean by that."
"Sure you do."
"If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it."
I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time."
"What does that mean? Hard to get?"
"It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention."
He nods. "Exactly. That's exactly what she's doing."
Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get."
"Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games."
The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly.
"Find out?"
"If all she wants is games."
"How?"
"You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'"
"I've never heard that."
"Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you."
He shakes his head. "I don't think I can do that."
"You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know."
"I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice.
"You've got to be ready to deal with it, no matter what."
Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return.
I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I knew your face before your heart, I saw your pain right from the start A stunning sight I won’t forget, Tears that flowed out of regret, So take your time and take your space
I’ll be here while you navigate My love for you alone will wait My love for you alone will wait You captured me before I knew A rare reward, a heart so true How could it be with just one look, My world was changed, my love unhooked So take your time and take your space I’ll be here while you navigate My love for you alone will wait My love for you alone will wait I only want to see you freed Outside the walls you cannot see So break away from debts not yours
Receive the grace that's been out-poured So take your time and take your space I’ll be here while you navigate My love for you alone will wait My love for you alone will wait”
Deese, Nicole (2013-01-22). All For Anna (Letting Go) (p. 234-235). . Kindle Edition.
”
”
Nicole Deese (All for Anna (Letting Go #1))
“
Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be.
Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe.
I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him.
“So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake.
“I didn’t want you to have to kill Derek.”
“And if he had gone loup?”
“I would have taken care of it.”
“How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.”
“I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.”
He laughed. “And they believed you?”
“Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.”
“Like this?” he breathed in my ear.
My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing.
“Don’t make me break this bottle over your head,” I whispered.
“You won’t.” He grinned. “You don’t want to see me hurt.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all.
Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was?
And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands.
Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables.
And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
”
”
Julian Barnes (Flaubert's Parrot)
“
Can two walk together, unless they are agreed?’
Amos 3:3
‘Does This Person Belong in your Life?’
A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?
”
”
Patience Johnson
“
He crushed me against the wall, bracing me with his body. I strained, trying to break free. He might have been made of stone for all the good it did me. Except he was made of flesh and he was stark naked.
I strained every muscle I had. Nothing. Outmuscling him was beyond me.
“Feel better?” he inquired.
“Lean over to the left, Your Majesty.”
“Want a shot at my jugular with your teeth?” He leaned to the right, exposing his thick neck. “Carotid’s better.”
“My teeth are too small. I wouldn’t cause enough damage for you to bleed out. Jugular is better—if I rip it a bit and get air bubbles into the bloodstream, they’ll be in your heart in two breaths. You would pass out at my feet.” A normal human would die, but it took more than an air embolism to bring a shapeshifter down permanently.
“Here you go.” He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. “I miss you.”
This wasn’t happening.
“I worry about you.” He dipped his head and looked into my eyes “I worry something stupid will happen and I won’t be there and you’ll be gone. I worry we won’t ever get a chance and it’s driving me out of my skull.”
No, no, no, no . . .
We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral.
Mad gold eyes stared into mine. “Do you miss me, Kate?”
I closed my eyes, trying to shut him out. I could lie and then we’d be back to square one. Nothing would be resolved. I’d still be alone, hating him and wanting him.
He grabbed my shoulders and shook me once. “Do you miss me?”
I took the plunge. “Yes.”
He kissed me. The taste of him was like an explosion of color in a gray room. It was a fierce, possessive kiss and I melted into it. His tongue brushed mine, eager and hot. I licked at it, tasting him again. My arms slid around his neck.
He growled, pulling me to him, and kissed my lips, my cheeks, my neck . . . “Don’t make me leave.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
The siren songs have ended, and so has my inner conflict. Now the flag is raised for my last race. The speed will be such that screams will accompany me. The past has come to an end; I am the future in progress.
Don’t call me, because I won’t be able to hear you. But I will sense you on sunny days, under the renewed caress of bullets. [...]
I will keep a look out for you, in the way a dog remains alert while it’s resting, and I will imagine every part of you, piece by piece, and altogether.
If one day you feel the force of an overbearing presence, don’t turn around, don’t break the spell, just keep on preparing my coffee, and let me experience you in that instant, for always.
”
”
Aleida March (Remembering Che: My Life with Che Guevara)
“
What did she say to you?"
"Nothing."
"Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you.
"I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class."
"So you hit her?"
"No ... yes."
"A girl puts her hair all over your books, so you break her nose?"
"Well, I don't think it's broken, personally."
"Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you."
"God," I yelled exasperated. "She said something to upset me, okay?"
"What? That you were ugly? That you smell? What?"
I looked horrified.
"I'm not ugly. I don't smell."
He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason."
"Never mind," I said.
"That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said."
"There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job.
"I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why."
"Just go," I said, as he stood up and paced the room.
"I'll defend myself in court."
He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged.
"Go," I yelled.
"Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty."
"She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic."
"Did you provoke her?"
"Yes. I called her a racist pig due to some things she was saying."
"Is she one?"
"God, yes. The biggest.
”
”
Melina Marchetta (Looking for Alibrandi)
“
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added.
Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.”
Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.”
Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged.
Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?”
“Of course you can—” Jay started to say.
“Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.”
Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word.
“We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously.
After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again.
Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?”
“Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her.
“Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?”
Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated.
But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried.
He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him.
“Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from.
“I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.”
Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone.
But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her.
Jay growled from deep in his throat. “Okay, homework it is.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
In the past I was a vicious hunter. I would stalk my prey with pinpoint accuracy. Ever since Monica came into my life I’ve abstained from the game. It almost feels strange to stand here and look to the crowd knowing I could pick one and f*ck them into oblivion. I won’t though. I may love her, but that isn’t the reason. If I were to pick someone for the sake of revenge sex then I’m giving control to Monica and Dalton for betraying me. I’m strong enough to wait. A good hunter is always patient and never stalks in anger.'
'I always crack it until Tobias stops flinching at the sound. It’s never the same amount of times. I don’t want it to become obvious so I always do it a few more times to create a sense of surprise.
I coil up the leather and with the flick of my wrist I set a perfect line against Monica’s back. She yelps in pain and surprise, and Tobias joins her. He thought he’d get the first blow.
I breathe through the pounding in my cock. It beats in time with my rapidly beating heart.
I flick my wrist again taking Monica across the shoulder. I see Tobias tense as she screams. Mustn’t allow the slaves to think they are taking even turns. The blow’s shock is what makes my cock burn for release. I palm my balls as they tighten, threatening to shoot my release up the stock of my dick. I inhale through my nose and breathe out my mouth until I regain my control.
I flick my wrist again and hit Monica across her thighs. She screams bloody murder at the ceiling and I smile to myself. It hurts like a bitch, but the marks will fade. I never break skin. This is my passion- my gift.
”
”
Erica Chilson (Dexter (Mistress & Master of Restraint, #3))
“
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush.
Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow."
I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs.
I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life.
He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down.
After several moments of this, he breaks the silence. "Emma, calm down."
"Don't tell me what to do, Highness." I dare him with my eyes to call me "boo."
Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now.
Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg.
He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel.
I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs.
"I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked.
"Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
So how are the wedding plans progressing?" Richard asked, once they were out of the village.
"They aren't." Breckenridge heard his clipped tones, heard the irritation beneath. Didn't care if Richard did, too. "She's taken some nitwit notion into her head that I don't need to marry her, that she's going to go off and manage an orphanage in the country, or some such thing, so her social ruination doesn't matter."
"Ah." Richard nodded sagely. "She's playing stubborn."
"Playing?" Breckenridge shot him an irate look. "She's the definition of the word. I've already tried talking her around. Twice."
"I hate to break it to you, old son, but it won't be your honeyed words that change her mind."
Breckenridge snorted. "I've tried that, too-so far all that's gained me is..." An even deeper sense of being irrevocably linked to her.
Richard glanced at him curiously. "What?"
Breckenridge pulled a face, growled, "Damned if I know."
Richard grinned. "Well, whatever it takes, just console yourself with the thought that the end result will be worth it."
Breckenridge cast Richard a sharp glance, saw the open contentment in his face. Felt compelled to ask, "So what did you have to do?"
Richard's smile deepened. "The same thing we've all have to do-prostrate ourselves at their dainty feet, swear undying love, and mean it.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
There was a note on the table.”
“Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand.
“What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher.
Van Eck backhanded him. “If I find out you knew anything about this—”
“I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!”
Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives.
“The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again.
“Brekker,” Van Eck snarled, his voice taut with rage.
Inej couldn’t help it. She started to laugh.
Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.”
Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.”
“Shall I have Franke fetch the mallet and show you just how serious I am?”
“Mister Van Eck,” Bajan pleaded.
But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back.
“You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—”
“Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned.
“Be silent,” he shouted, spittle flying from his mouth.
“You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.”
Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do.
“Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
YOUNG STARS A curse, a cross Costing me all costs Knotting me up in all of your knots An ache, a prayer Worn from wear Daring what you do not dare I believe you can break me But I’m saved for the one who saved me We only look like young stars Because you can’t see old scars Tender in the places you touch I’d offer you everything but I don’t have much Tell you the truth just to watch you blush You can’t handle the hit so I hold the punch I believe you can break me But I’m saved for the one who saved me We only look like young stars Because you can’t see old scars You won’t give me a reason to wait And I’m starting to feel a little proud I’m searching for somebody lost When you’ve already been found You’re waiting for the right mistake But I’m not coming around You’re waiting for a quiet day But the world is just too loud I believe you can break me But I’m saved for the one who saved me We only look like young stars Because you can’t see old scars
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
This place cuts away the bullshit and the niceties, revealing whoever you are at your core.” I repeat his words from this summer. “Isn’t that what you said to me? Is this who you really are at your core? Someone so enamored with rules that he doesn’t know when to bend or break them for someone he cares about? Someone so focused on the least I’m capable of doing, he can’t believe I can do so much more?” The warmth drains from his brown eyes. “Let’s get one thing straight, Dain.” I take a step closer, but the distance between us only widens. “The reason we’ll never be anything more than friends isn’t because of your rules. It’s because you have no faith in me. Even now, when I’ve survived against all odds and bonded not just one dragon but two, you still think I won’t make it. So forgive me, but you’re about to be some of the bullshit that this place cuts away from me.” I move to the side and march past him through the tunnel, forcing air through my lungs.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
There is no other way," she insisted.
"Nothing else but to use you as bait? Madness!"
"Don't make me say it."
"Say what?" Wolf asked. He was leaning against a pillar, Cymbra close by, observing his brother with the air of a man torn between sympathy and amusement.
Gritting his teeth,Dragon said, "That I used her as such to lure out Magnus. It almost got her killed."
"Me? What about you?" Rycca demanded, momentarily forgetting her purpose. That night of terror still lived too vividly in her memory. "It almost got you killed. You're the one who had to fight him, naked, unarmed, and him having your Moorish sword."
Hawk and Wolf exchanged a look. "That's how Magnus died?" Wolf asked. He grinned. "Pretty damn good,brother."
The women looked to the ceiling and sighed in exasperation.
It was left to Hawk to break the deadlock. "I hate to say this, but Rycca has a point. Unless Wolscroft is lured out,this can't be resolved."
"So you would use my wife-" Dragon challenged.
"Fully protected," Hawk hastened to add, "surrounded by all our might. There is only one road and the forest on both sides is very thick.We could hide a hundred men within a few feet of that road and no one could detect them."
Dragon was silent for a moment. He gave every appearance of waging a battle within himself. Finally,he said, "A hundred men isn't enough."
Rycca's heart leaped,for she recognized that as just the tiniest concession to the plan they were discussing.
"Don't forget Krysta's friends," she said quickly. "They will help too."
Her husband scowled. "What friends?"
"It's a little complicated," Hawk replied. "Let's just say my wife has friends in high places...and low ones. Wolscroft won't be able to belch without our knowing it."
"I still don't like it..."
Rycca took her husband's hand in hers. She looked up into his eyes. Gently, with all the confidence and courage she coud muster,she said, "We will never be free until this is over.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Said Red Molly to James that's a fine motorbike
A girl could feel special on any such like
Said James to Red Molly, my hat's off to you
It's a Vincent Black Lightning, 1952
And I've seen you at the corners and cafes it seems
Red hair and black leather, my favourite colour scheme
And he pulled her on behind
And down to Boxhill they did ride
Said James to Red Molly, here's a ring for your right hand
But I'll tell you in earnest I'm a dangerous man
I've fought with the law since I was seventeen
I robbed many a man to get my Vincent machine
Now I'm 21 years, I might make 22
And I don't mind dying, but for the love of you
And if fate should break my stride
Then I'll give you my Vincent to ride
Come down, come down, Red Molly, called Sergeant McRae
For they've taken young James Adie for armed robbery
Shotgun blast hit his chest, left nothing inside
Oh, come down, Red Molly to his dying bedside
When she came to the hospital, there wasn't much left
He was running out of road, he was running out of breath
But he smiled to see her cry
And said I'll give you my Vincent to ride
Says James, in my opinion, there's nothing in this world
Beats a 52 Vincent and a red headed girl
Now Nortons and Indians and Greeveses won't do
They don't have a soul like a Vincent 52
He reached for her hand and he slipped her the keys
He said I've got no further use for these
I see angels on Ariels in leather and chrome
Swooping down from heaven to carry me home
And he gave her one last kiss and died
And he gave her his Vincent to ride
”
”
Richard L. Thompson
“
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down.
"You should have returned my calls. Or my texts," he says, his voice tight.
As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?"
You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma."
"Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.”
He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand.
Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate?
“Where are you taking me? I told you I want to go home.”
“We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.”
“I don’t want to talk. You might have realized that when I didn’t answer your calls.”
He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.”
One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?”
“Absolutely. But I happen to be a nice guy, too.”
Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.”
“You threw Rayna through a window. Call it even?”
“When are you going to get over that? Besides, she provoked me!”
“Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.”
“Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I became expert at making myself
invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike.
But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs.
And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water.
If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
”
”
Donna Tartt (The Secret History)
“
In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.
”
”
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
“
You’ve been shot,” she tells Rachel.
“You shot me, you crazy bit—“
“We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.”
Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.”
Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye.
“I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.”
Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and…
“What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up.
Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt.
Rachel is a smart woman.
Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.”
“You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?”
Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke.
Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Emma, I came out here to tell you that you don't have to mate with Grom."
I raise a brow. "Uh, I was never going to mate with Grom."
"What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-"
"I don't have to mate with Grom," I finish for him.
"That's what I just said."
"I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom."
He grins. "Exactly."
"But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?"
He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do."
He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes.
"Thank you," I tell him as he walks around to the driver's side.
"It's a little late to blush," he says, strapping in.
"I don't think I'll ever stop blushing."
"I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet."
I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me?
For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level.
But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his.
I pull back. "Right. Sorry."
He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you."
I laugh, even as a charge runs through my veins. "Yeah. No."
He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up."
"Let me think about it some more," I tell him on the brink of giggling at his expression.
"I'll see what I can do to help you make up your mind."
We stay parked for another fifteen minutes. But at least we're not broken up anymore.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
if they label you soft, feather weight and white-livered,
if the locker room tosses back its sweaty head,
and laughs at how quiet your hands stay,
if they come to trample the dandelions roaring in your throat,
you tell them that you were forged inside of a woman
who had to survive fifteen different species of disaster
to bring you here,
and you didn’t come to piss on trees.
you ain’t nobody’s thick-necked pitbull boy,
don’t need to prove yourself worthy of this inheritance
of street-corner logic, this
blood legend, this
index of catcalls, “three hundred ways to turn a woman
into a three course meal”, this
legacy of shame, and man,
and pillage, and man,
and rape, and man.
you boy.
you won’t be some girl’s slit wrists dazzling the bathtub,
won’t be some girl’s,
“i didn’t ask for it but he gave it to me anyway”,
the torn skirt panting behind the bedroom door,
some father’s excuse to polish his gun.
if they say, “take what you want”, you tell them
you already have everything you need;
you come from scabbed knuckles
and women who never stopped swinging,
you come men who drank away their life savings,
and men who raised daughters alone.
you come from love you gotta put your back into,
elbow-grease loving like slow-dancing on dirty linoleum,
you come from that house of worship.
boy, i dare you to hold something like that.
love whatever feels most like your grandmother’s cooking.
love whatever music looks best on your feet.
whatever woman beckons your blood to the boiling point,
you treat her like she is the god of your pulse,
you treat her like you would want your father to treat me:
i dare you to be that much man one day.
that you would give up your seat on the train
to the invisible women, juggling babies and groceries.
that you would hold doors, and say thank-you,
and understand that women know they are beautiful
without you having to yell it at them from across the street.
the day i hear you call a woman a “bitch”
is the day i dig my own grave.
see how you feel writing that eulogy.
and if you are ever left with your love’s skin trembling under your nails,
if there is ever a powder-blue heart
left for dead on your doorstep,
and too many places in this city that remind you of her tears,
be gentle when you drape the remains of your lives in burial cloth.
don’t think yourself mighty enough to turn her into a poem,
or a song,
or some other sweetness to soften the blow,
boy,
i dare you to break like that.
you look too much like your mother not t
”
”
Eboni Hogan
“
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
”
”
Brent Weeks (The Blinding Knife (Lightbringer, #2))
“
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?”
Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin.
“Hush, Beatrix,” Win murmured.
“But she’s wearing his ring—”
Poppy clamped her hand over Beatrix’s mouth. “Hush!”
“I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—”
One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs.
“No,” came Win’s soft cry.
Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam.
There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored.
“Oh, God,” Amelia muttered.
Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?”
Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.”
Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.”
She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.”
“He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.”
Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession.
Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging.
“I’m going to marry her,” Cam said, as if to pacify him.
“That’s even worse!” Merripen moved forward, murder in his eyes.
Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.”
“Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse.
St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
There's no such thing as witches. But there used to be.
It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs.
But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses.
Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be.
Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking.
Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers.
The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics.
Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way.
She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters.
There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work.
Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks.
There's still no such thing as witches.
But there will be.
”
”
Alix E. Harrow (The Once and Future Witches)
“
I’m okay. I think all this isolation, and all the extra security stuff, is just starting to wear on me. I’m going a little stir-crazy being cooped up all the time.” She tried to explain her sulky mood. “Especially with Homecoming this weekend. The idea of sitting around here, while everyone else is out having fun, just sucks.”
He didn’t react the way she’d expected him to react. She’d expected some more sympathy, and maybe even some suggestive comments about the two of them being left alone together. What she didn’t expect was for him to smile at her. But he did. And it was his sideways smile, which told Violet that he knew something she didn’t.
“What?” she demanded adamantly.
He grinned. He was definitely keeping something from her.
“Tell me!” she insisted, glowering at him.
“I don’t know . . .” he teased her. “I’m not sure you deserve it.”
She punched him in the arm for making her beg. “Please, just tell me.”
He laughed at her. “Fine. I give up. Bully.” He pretended to rub his arm where she’d hit him. “What if I were to tell you that . . .”—he dragged it out, making her lean closer in anticipation, his crooked smile lighting up his face—“. . . we’re still going to the dance?”
Violet was speechless. That wasn’t at all what she’d expected him to say.
“Yeah, right,” she retorted cynically. “My parents barely let me go to school, let alone go to the dance.”
“You’re right, they didn’t want you to go, but we talked about it, and even your uncle Stephen helped out. The football game was definitely out of the question; there are just too many people coming and going, and there’re no restrictions for getting in. But the dance is at school, in the gym. Only students and their dates can get in, and your uncle said he was already planning to have extra security there. So, as long as I promise to keep a close eye on you . . . which I do”—his voice suggested that the last part had nothing to do with keeping her safe, and Violet felt her cheeks flushing in response—“your parents have agreed to let you go.”
She glanced down at her ankle, double-wrapped in Ace bandages, and completely useless. “But I can’t dance.” She felt crestfallen.
He slid his finger beneath her shin and lifted it up so that she was staring into his eyes. “I don’t care at all if we dance. I just want to take my girlfriend”—his emphasis on the word gave her goose bumps, and she smiled—“to Homecoming.”
They stayed there like that, with their eyes locked and unspoken meaning passing between them, for several long, electrifying moments. Violet was the first to break the spell. “Lissie’ll be there,” she stated in a voice that was devoid of any real jealousy.
Jay shook his head, still gazing at her intently. “I won’t even notice her. I won’t be able to take my eyes off you.”
Violet was glad she was already sitting, because his words made her feel weak and fluttery. The corner of her mouth twitched upward with satisfaction. “Not if I have any say in it, you won’t,” she answered.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee.
Who breaks into a house, turns on the lights, and makes coffee?
I padded into the living room on soft feet, Slayer ready.
“Loud and clumsy, like a baby rhino,” said a familiar voice.
I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago.
I thought he had forgotten about me. I had been quite happy to stay forgotten.
“The Princess Bride?” he said, flipping the book over.
“What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place.
“Did everything go well with Julie?”
“Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.”
I watched him, not quite sure where we stood.
“I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.”
“Yes, he did. I’m sorry about your people. Many losses?”
A shadow darkened his face. “A third.”
He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us.
Curran turned the book over in his hands. “You own words of power.”
He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare.
“You’re an interesting woman,” he said.
“Your interest has been duly noted.” I pointed to the door.
He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.”
My mouth gaped open.
He inhaled my scent, bent close, about to kiss me . . .
I just stood there like an idiot.
Curran smirked and whispered in my ear instead. “Psych.”
And just like that, he was out the door and gone.
Oh boy.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
This is the definition of peace.
The definition is interrupted by Toraf's ringtone. Why did Rachel get Toraf a phone? Does she hate me? Fumbling behind him in the sand, Galen puts a hand on it right before it stops ringing. He waits five seconds and...Yep, he's calling again.
"Hello?" he whispers.
"Galen, it's Toraf."
Galen snorts. "You think?"
"Rayna's ready to leave. Where are you?"
Galen sighs. “We’re on the beach. Emma’s still sleeping. We’ll walk back in a few minutes.” Emma braved her mom’s wrath by skipping curfew again last night to be with him. Grom’s mating ceremony is tomorrow, and Galen and Rayna’s attendance is required. He’ll have to leave her in Toraf’s care until he gets back.
“Sorry, Highness. I told you, Rayna’s ready to go. You have about two minutes of privacy. She’s heading your way. “The phone disconnects.
Galen leans down and sweeps his lips over her sweet neck. “Emma,” he whispers.
She sighs. “I heard him,” she groans drowsily. “You should tell Toraf that he doesn’t have to yell into the phone. And if he keeps doing it, I’m going to accidentally break it.”
Galen grins. “He’ll get the hang of it soon. He’s not a complete idiot.”
At this, Emma opens one eye.
He shrugs. “Well, three quarters maybe. But not a complete one.”
“Are you sure you don’t want me to come with you?” she says, sitting up and stretching.
“You know I do. But I think this mating ceremony will be interesting enough without introducing my Half-Breed girlfriend, don’t you think?”
Emma laughs and pulls her hair to one side, draping it over her shoulder. “This is our first time away from each other. You know, as a couple. We’ve only been really dating for two weeks now. What will I do without you?”
He pulls her to him, leaning her back against his chest. “Well, I’m hoping that this time when I come back, it won’t be to the sight of you kissing Toraf.”
The snickers beside them let them know their two minutes of privacy are up. “Yeah. Or someone’s gonna die,” Rayna says cordially.
Galen helps Emma up and swats the leftover sand out of her sundress. He takes her hands into his. “Could I please just ask one thing without you getting all mad about it?”
She scowls. “Let me guess. You don’t want me to get in the water while you’re gone.”
“But I’m not ordering you to stay out of it. I’m asking, no begging, very politely, and with all my heart for you not to get in. It’s your choice. But it would make me the happiest man-fish on the coast if you wouldn’t.” They sense the stalker almost daily now. That and the fact that Dr. Milligan blew his theory about Emma’s dad being a Half-Breed out of the water makes Galen more nervous than he can say. It means they still don’t have any answers about who could know about Emma. Or why they keep hanging around.
Emma rewards him with a breathtaking smile. “I won’t. Because you asked.”
Toraf was right. I just had to ask. He shakes his head. “Now I can sleep tonight.”
“That makes one of us. Don’t stay gone too long. Or Mark will sit by me at lunch.”
He grimaces. “I’ll hurry.” He leans down to kiss her. Behind them, he hears Rayna’s initial splash.
“She’s leaving without you,” Emma whispers on his lips.
“She could have left hours ago and I’d still catch her. Good-bye, angelfish. Be good.” He places a forceful kiss on her forehead, then gets a running start and dives in.
And he misses her already.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.”
“Why did you stay,” he countered smoothly, “when you realized I was still there?”
In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.”
“You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.”
“I was wrong,” she protested a little wildly. “Dangerous and-foolish!”
“Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice.
“Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.”
Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively.
He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.”
“Why?” she whispered shakily.
“So that we can finish what we began that weekend.”
Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal.
“I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.”
Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry.
“There are four steps separating us and a year and a half of wanting drawing us together,” he said.
Elizabeth swallowed. “Couldn’t you meet me halfway?”
The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.”
“I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path.
“Come here,” he invited huskily, “and I’ll show you.”
It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What’s the matter, Rea?” he said, still sounding half asleep.
“What makes you think . . .?”
“You wouldn’t have called this late unless you need to talk. Give me a minute to pull my jeans on and I’ll go out in the hallway so I won’t wake the other guys.”
Reagen heard several men moan or swear in the background. When times were good, Noah had a room to himself, but when times were bad in the road game he’d sometimes bunk on the floor in someone else’s room.
“I’m listening,” he said after a minute.
She wanted to hear his voice more than talk, but that would sound strange, so she told him about her dream and how frightened she’d been.
“I wish I were there to hug you, Rea. We could cuddle up. You could tell me everything while I slept.”
“I wish you were too.” Neither one said anything for a few breaths, and then she whispered, “I miss you so much sometimes. They’d probably never be as close as they’d been in high school. He was a different man and she’d changed as well, but she still missed the Noah who was half kid, half man.
“What are you wearing?” he whispered, and for a moment she swore she could hear him smiling.
“Shut up.”
He laughed. “Just asking. Who knows, one night I might get lucky and you’d be just out of th shower.”
“You never give up trying to make me blush.” Her bad mood had vanished.
“Come on, Rea, give me a break. I’ve been wondering what you like naked for years. If I ever get too old to wonder, I hope you just shoot me.”
“Go to bed, Noah.”
“Good night, Rea. Maybe when you go back to dreaming, you’ll dream of me.”
“Not likely.” She closed the phone, thinking how he always had enough magic in his pocket to change her mood even if he didn’t have enough to change his dreams.
”
”
Jodi Thomas (The Comforts of Home (Harmony, #3))
“
Let’s take a look at one couple. Carol and Jim have a long-running quarrel over his being late to engagements. In a session in my office, Carol carps at Jim over his latest transgression: he didn’t show up on time for their scheduled movie night. “How come you are always late?” she challenges. “Doesn’t it matter to you that we have a date, that I am waiting, that you always let me down?” Jim reacts coolly: “I got held up. But if you are going to start off nagging again, maybe we should just go home and forget the date.” Carol retaliates by listing all the other times Jim has been late. Jim starts to dispute her “list,” then breaks off and retreats into stony silence. In this never-ending dispute, Jim and Carol are caught up in the content of their fights. When was the last time Jim was late? Was it only last week or was it months ago? They careen down the two dead ends of “what really happened”—whose story is more “accurate” and who is most “at fault.” They are convinced that the problem has to be either his irresponsibility or her nagging. In truth, though, it doesn’t matter what they’re fighting about. In another session in my office, Carol and Jim begin to bicker about Jim’s reluctance to talk about their relationship. “Talking about this stuff just gets us into fights,” Jim declares. “What’s the point of that? We go round and round. It just gets frustrating. And anyway, it’s all about my ‘flaws’ in the end. I feel closer when we make love.” Carol shakes her head. “I don’t want sex when we are not even talking!” What’s happened here? Carol and Jim’s attack-withdraw way of dealing with the “lateness” issue has spilled over into two more issues: “we don’t talk” and “we don’t have sex.” They’re caught in a terrible loop, their responses generating more negative responses and emotions in each other. The more Carol blames Jim, the more he withdraws. And the more he withdraws, the more frantic and cutting become her attacks. Eventually, the what of any fight won’t matter at all. When couples reach this point, their entire relationship becomes marked by resentment, caution, and distance. They will see every difference, every disagreement, through a negative filter. They will listen to idle words and hear a threat. They will see an ambiguous action and assume the worst. They will be consumed by catastrophic fears and doubts, be constantly on guard and defensive. Even if they want to come close, they can’t. Jim’s experience is defined perfectly by the title of a Notorious Cherry Bombs song, “It’s Hard to Kiss the Lips at Night that Chew Your Ass Out All Day Long.
”
”
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
“
What I cannot understand is how your uncle could consider these two men suitable when they aren’t. Not one whit!”
“We know that,” Elizabeth said wryly, bending down to pull a blade of grass from between the flagstones beneath the bench, “but evidently my ‘suitors’ do not, and that’s the problem.” As she said the words a thought began to form in her mind; her fingers touched the blade, and she went perfectly still. Beside her on the bench Alex drew a breath as if to speak, then stopped short, and in that pulsebeat of still silence the same idea was born in both their fertile minds.
“Alex,” Elizabeth breathed, “all I have to-“
“Elizabeth,” Alex whispered, “it’s not as bad as it seems. All you have to-“
Elizabeth straightened slowly and turned.
In that prolonged moment of silence two longtime friends sat in a rose garden, looking raptly at each other while time rolled back and they were girls again-lying awake in the dark, confiding their dreams and troubles and inventing schemes to solve them that always began with “If only…”
“If only,” Elizabeth said as a smile dawned across her face and was matched by the one on Alex’s, “I could convince them that we don’t suit-“
“Which shouldn’t be hard to do,” Alex cried enthusiastically, “because it’s true!”
The joyous relief of having a plan, of being able to take control of a situation that minutes before had threatened her entire life, sent Elizabeth to her feet, her face aglow with laughter. “Poor Sir Francis,” she chuckled, looking delightedly from Bentner to Alex as both grinned at her. “I greatly fear he’s in for the most disagreeable surprise when he realizes what a-a” she hesitated, thinking of everything an old roué would most dislike in his future wife-“a complete prude I am!”
“And,” Alex added, “what a shocking spendthrift you are!”
“Exactly!” Elizabeth agreed, almost twirling around in her glee. Sunlight danced off her gilded hair and lit her green eyes as she looked delightedly at her friends. “I shall make perfectly certain to give him glaring evidence I am both. Now then, as to the Earl of Canford…”
“What a pity,” Alex said in a voice of exaggerated gloom, “you won’t be able to show him what a capital hand you are with a fishing pole.
“Fish?” Elizabeth returned with a mock shudder. “Why, the mere thought of those scaly creatures positively makes me swoon!”
“Except for that prime one you caught yesterday,” Bentner put in wryly.
“You’re right,” she returned with an affectionate grin at the man who’d taught her to fish. “Will you find Berta and break the news to her about going with me? By the time we come back to the house she ought to be over her hysterics, and I’ll reason with her.” Bentner trotted off, his threadbare black coattails flapping behind him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated.
When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize.
If you let me, I can do things to u to make u forget her.
As soon as he clears it, another one pops up from a different number.
Hit me back if u want to chat. I'll treat u better than E.
How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma.
At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up.
Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along.
With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child.
It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack
(aka Because this stuff won’t stop being confusing and my friends are mean edition)
From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.)
From Green to Red, with all the colours in between
Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn
Green
Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”
My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop.
Green-Yellow
Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”
My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash
Yellow
Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”
My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen
Yellow-Orange
Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)
My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren.
Orange
Friends’ Reaction: “So pretty it makes you jealous. Or gay.”
“Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.
My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting.
o Possible tie-in to romantic feels? Not sure yet.
Orange-Red
Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”
My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow
o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come?
Red (aka the most controversial code)
Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).
“Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”
“K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)
My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
”
”
Claire Kann (Let's Talk About Love)