“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
If I die, I will wait for you, do you understand? No matter how long. I will watch from beyond to make sure you live every year you have to its fullest, and then we’ll have so much to talk about when I see you again… (Bones)
”
”
Jeaniene Frost
“
I've already had to wait so long."
"How long?" Luce asked.
"Not so long that I've forgotten that you're worth everything. Every sacrifice. Every pain.
”
”
Lauren Kate (Fallen (Fallen, #1))
“
For a long time,’ Nico said, ‘I had a crush on you. I just wanted you to know.’ Percy looked at Nico. Then at Annabeth, as if to check that he’d heard correctly. Then back at Nico.
‘You –’
‘Yeah,’ Nico said. ‘You’re a great person. But I’m over that. I’m happy for you guys.’
‘You … so you mean –’
‘Right.’
Annabeth’s grey eyes started to sparkle. She gave Nico a sideways smile.
‘Wait,’ Percy said. ‘So you mean –’
‘Right,’ Nico said again. ‘But it’s cool. We’re cool. I mean, I see now … you’re cute, but you’re not my type.’
‘I’m not your type … Wait. So –’
‘See you around, Percy,’ Nico said.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Sections in the bookstore
- Books You Haven't Read
- Books You Needn't Read
- Books Made for Purposes Other Than Reading
- Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written
- Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered
- Books You Mean to Read But There Are Others You Must Read First
- Books Too Expensive Now and You'll Wait 'Til They're Remaindered
- Books ditto When They Come Out in Paperback
- Books You Can Borrow from Somebody
- Books That Everybody's Read So It's As If You Had Read Them, Too
- Books You've Been Planning to Read for Ages
- Books You've Been Hunting for Years Without Success
- Books Dealing with Something You're Working on at the Moment
- Books You Want to Own So They'll Be Handy Just in Case
- Books You Could Put Aside Maybe to Read This Summer
- Books You Need to Go with Other Books on Your Shelves
- Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified
- Books Read Long Ago Which It's Now Time to Re-read
- Books You've Always Pretended to Have Read and Now It's Time to Sit Down and Really Read Them
”
”
Italo Calvino (If on a Winter's Night a Traveler)
“
I won't telephone him. I'll never telephone him again as long as I live. He'll rot in hell, before I'll call him up. You don't have to give me strength, God; I have it myself. If he wanted me, he could get me. He knows where I am. He knows I'm waiting here. He's so sure of me, so sure. I wonder why they hate you, as soon as they are sure of you.
”
”
Dorothy Parker (The Portable Dorothy Parker)
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
”
”
Rudyard Kipling (If: A Father's Advice to His Son)
“
Don't go far off, not even for a day,
because I don't know how to say it - a day is long
and I will be waiting for you, as in
an empty station when the trains are
parked off somewhere else, asleep.
Don't leave me, even for an hour, because then
the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.
Oh, may your silhouette never dissolve
on the beach, may your eyelids never flutter
into the empty distance. Don't LEAVE me for
a second, my dearest, because in that moment you'll
have gone so far I'll wander mazily
over all the earth, asking, will you
come back? Will you leave me here, dying?
”
”
Pablo Neruda
“
I’ll wait for you to find me again. So don’t take too long.
”
”
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
“
I could have taken a nap instead of waiting for you to finally show up. What took you so long human? Did you walk?"
-Grimalkin
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as that prick we're going to face today. If I had not met an Illyrian warrior-in-training," he said to Cassian, "I would not have known the true depths of strength, of resilience, of honor and loyalty." Cassian's eyes gleamed bright. Rhys said to Azriel, "If I had not met a shadowsinger, I would not have known that it is the family you make, not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair." Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. "If I had not met my cousin, I would neer have learned that light can be found in even the darkest of hells. That kidness can thrive even amongst cruelty." She wiped away her teas as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. "If I had not met a tiny monster who hoards jewels more fiercely than a firedrake..." A quite laugh from all of us at that. Rhys smiled softly. "My own power would have consumed me long ago."
Rhys squeezed my hand as he looked to me at last. "And if I had not met my mate..." His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. "I believe that everything happened, exactly the way it had to... so I could find you." He kissed another tear away.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Oh, so that's why you're up here. For a pity party."
"This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress.
He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
You can get so confused
that you'll start in to race
down long wiggled roads at a break-necking pace
and grind on for miles across weirdish wild space,
headed, I fear, toward a most useless place.
The Waiting Place...
”
”
Dr. Seuss (Oh, the Places You’ll Go!)
“
No matter how long you have been waiting, the man God has for you will surpass your expectations. You will meet him when god says so. Not a minute early, not a moment later.
”
”
Michelle McKinney Hammond
“
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
”
”
Jon Krakauer (Into the Wild)
“
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I bare my soul and you are suspicious! No, Scarlett, this is a bona fide honorable declaration. I admit that it's not in the best of taste, coming at this time, but I have a very good excuse for my lack of breeding. I'm going away tomorrow for a long time and I fear that if I wait till I return you'll have married some one else with a little money. So I thought, why not me and my money? Really, Scarlett, I can't go all my life waiting to catch you between husbands.
”
”
Margaret Mitchell (Gone with the Wind)
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
“How long?” he said.
“Seven and a half million years,” said Deep Thought.
Lunkwill and Fook blinked at each other.
“Seven and a half million years...!” they cried in chorus.
“Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
I guess I've been waiting so long I'm looking for perfection. That makes it tough."
"Waiting for perfect love?"
"No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for.
”
”
Haruki Murakami (Norwegian Wood)
“
I gave up on any hope of redemption long ago. Hell, at this point I’m simply waiting to die. So, leave before you waste any more of your time. I can’t and frankly don’t deserve to help you…
”
”
Cade Mengler (The Companions)
“
It was not the thought that I was so unloved that froze me. I had taught myself to do without love.
It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him.
What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity.
Now even that had flickered out.
How long I stood frozen there, I cannot say. If I was ever going to move again, someone else was going to have to furnish the reason for moving.
Somebody did.
A policeman watched me for a while, and then he came over to me, and he said, "You alright?"
Yes," I said.
You've been standing here a long time," he said.
I know," I said.
You waiting for somebody?" he said.
No," I said.
Better move on, don't you think?" he said.
Yes, sir," I said.
And I moved on.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
I heard you scream,” he said as he examined the blade in my hands. I’d never held one so finely crafted, so perfectly balanced. “And I hesitated. Not long, but I hesitated before I came running. Even though Tam got there in time, I still broke my word in those seconds I waited.” He jerked his chin at the knife. “It’s yours. Don’t bury it in my back, please.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.”
“Wow,” I said. “Did the search pay off?”
“That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.”
“Waiting for the perfect love?”
“No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.”
“I’m not sure that has anything to do with love,” I said with some amazement.
“It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.”
“Things like throwing strawberry shortcake out the window?”
“Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?”
“So then what?”
“So then I’d give him all the love he deserves for what he’s done.”
“Sounds crazy to me.”
“Well, to me, that’s what love is…
”
”
Haruki Murakami (Norwegian Wood)
“
Maybe from as early as when you're five or six, there's been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you'll get to know how it feels.” So you're waiting, even if you don't quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don't hate you or wish you any harm, but who nevertheless shudder at the very thought of you – of how you were brought into this world and why – and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it's a cold moment. It's like walking past a mirror you've walked past every day of your life, and suddenly it shows you something else, something troubling and strange.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
Well, right now I'm not dead. But when I am, it's like...I don't know, I guess it's like being inside a book that nobody's reading. [...] An old one. It's up on a library shelf, so you're safe and everything, but the book hasn't been checked out for a long, long time. All you can do is wait. Just hope somebody'll pick it up and start reading.
”
”
Tim O'Brien (The Things They Carried)
“
Isn't it weird," I said, "the way you remember things, when someone's gone?"
What do you mean?"
I ate another piece of waffle. "When my dad first died, all I could think about was that day. It's taken me so long to be able to think back to before that, to everything else."
Wes was nodding before I even finished. "It's even worse when someone's sick for a long time," he said. "You forget they were ever healthy, ever okay. It's like there was never a time when you weren't waiting for something awful to happen."
But there was," I said. "I mean, it's only been in the last few months that I've started remembering all this good stuff, funny stuff about my dad. I can't believe I ever forgot it in the first place."
You didn't forget," Wes said, taking a sip of his water. "You just couldn't remember right then. But now you're ready to, so you can."
I thought about this as I finished off my waffle.
”
”
Sarah Dessen (The Truth About Forever)
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
The Minister of Army answered, “Bob, I thought that you would have been an astute and clever enough a politician to think of this yourself, but seeing how you have asked me, I suggest that you wait until eight in the night on Thursday 29/April/1965 to announce that Australia will send the First Battalion Royal Australian Regiment to fight in South Vietnam. By you waiting until the evening of 29/April/1965 to announce this in Parliament, the labour opposition leader of Arthur Caldwell and his deputy leader of Gough Whitlam should be absent, as will be most of the entire parliament, because the following day is the beginning of a long week-
end. You are legally not required to give advanced warning to the house, so you can easily get away with this!
”
”
Michael G. Kramer (A Gracious Enemy & After the War Volume One)
“
...He kissed me again, farther up my neck, and I pushed him back against the wall.
My mind searched for the logical thought, a rational life raft before I drowned in wanting to hiss him. I managed, "We've only met a few days ago. We don't know each other."
Luke released me. "How long does it take to know someone?"
I didn't know. "A month? A few months?" It sounded stupid to quantify it, especially when I didn't want to believe my own reasoning. But I couldn't just go kissing someone I knew nothing about-- it went against everything I'd ever been told. So why was it so hard to say no?
He took my fingers, playing with them in between his own. "I'll wait." He looked so good in the half-light under the trees, his light eyes nearly glowing against his shadowed skin. It was useless.
"I don't want you to." I whispered the words, and before I'd even finished saying them, his mouth was on mine and I was melting under his lips.
”
”
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
“
On Writing: Aphorisms and Ten-Second Essays
1. A beginning ends what an end begins.
2. The despair of the blank page: it is so full.
3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself.
4. The best time is stolen time.
5. All work is the avoidance of harder work.
6. When I am trying to write I turn on music so I can hear what is keeping me from hearing.
7. I envy music for being beyond words. But then, every word is beyond music.
8. Why would we write if we’d already heard what we wanted to hear?
9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation.
10. Writer: how books read each other.
11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love.
12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything.
13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough.
14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear.
15. There are silences harder to take back than words.
16. Opacity gives way. Transparency is the mystery.
17. I need a much greater vocabulary to talk to you than to talk to myself.
18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean.
19. Believe stupid praise, deserve stupid criticism.
20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do.
21. Minds go from intuition to articulation to self-defense, which is what they die of.
22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday.
23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open).
24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
”
”
James Richardson
“
It’s hard not
to jump out
instead of
waiting to be
found. It’s
hard to be
alone so long
and then hear
someone come
around. It’s
like some form
of skin’s developed
in the air
that, rather
than have torn,
you tear.
"Hide and Seek
”
”
Kay Ryan (The Niagara River)
“
Why does it take girls so long to shower?” he demanded. “Mortal girls, Shadowhunters, female warlocks, you‘re all the same. I‘m not getting any younger waiting out here.”
-Magnus to Clary, pg.272-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Hello, Spring Roll. I'm your daddy and I've been waiting to meet you for a long time. I love you so much.
”
”
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
Roth heaved a long sigh. “Look. I’m so—I’m sor...” He took a deep breath, trying again. “I’m sorr...” I turned my head toward him, waiting. “You’re what? Sorry?” He looked chagrined, lips pursed. “I’m...sorr-ree.” “Oh, give me a break. You can’t say I’m sorry?” “No.” He looked me straight on, serious. “It’s not in a demon’s vocab.
”
”
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
“
What the fuck does it take to show you motherfuckers, what does it fucking take what do you want how much do you want because I am willing and I'll stand before you and I'll raise my arms and give you my chest and throat and wait, and I've been so old for so long, for you, for you, I want it fast and right through me-- Oh do it, do it motherfuckers, do it do it you fuckers finally, finally, finally.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
I know how this feels: the tightening of the chest, the panic, the what-have-I-done-wait-I-was-kidding. Eating disorders linger so long undetected, eroding the body in silence, and then they strike. The secret is out. You're dying.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
Sam- " After you were bitten, i knew what would happen. I waited for you to change, every night, so i could bring you back and keep you from getting hurt."
Grace- " How long did you wait?"
Sam- " I haven't stopped.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
The moment the door closed behind him, Tessa was in Will's arms, her hands locked about his neck. "Oh, by the Angel," she said. "That was mortifying."
Will slid his hands into her hair and was kissing her, kissing her eyelids and her cheeks and then her mouth, quickly but with fervor and concentration, as if nothing could be more important. "Listen to you," he said. "You said 'by the angel.' Like a Shadowhunter." He kissed the side of her mouth. "I love you. God, I love you. I waited so long to say it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Waiting for Vengeance'
Well, what is this?
What am I coming to?
And beyond that, what am I gonna do?
Now there’s blankness
Where once your eyes held the light
But that was so long ago
That was last night
Well, what was that?
What’s that sound that I hear?
It’s just my lifetime
Its whistling past my ear
And when I look back
Everything seems smaller than life
The way it’s been for so long
Since last night
Now I’m leaving
Any moment I’ll be gone
I think you’ll notice
I think you’ll wonder what went wrong
I’m not choosing
But I’m running out of fight
And this was decided so long ago
It was last night
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
He took a long draw then asked, “What’d I do?”
“You knew about the guy threatening my dad?”
He paused, shifted in his chair, so freaking busted, it wasn’t funny. “They told you?”
“Why, no, Swopes, they didn’t. Instead, they waited until the guy knocked the fuck out of my dad and readied him for spaceflight with duct tape then tried to kill me with a butcher’s knife.
”
”
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
“
Jesus waited three days to come back to life. It was perfect! If he had only waited one day, a lot of people wouldn't have even heard he died. They'd be all, "Hey Jesus, what up?" and Jesus would probably be like, "What up? I died yesterday!" and they'd be all, "Uh, you look pretty alive to me, dude..." and then Jesus would have to explain how he was resurrected, and how it was a miracle, and the dude'd be like "Uhh okay, whatever you say, bro..." And he's not gonna come back on a Saturday. Everybody's busy, doing chores, workin' the loom, trimmin' the beard, NO. He waited the perfect number of days, three. Plus it's Sunday, so everyone's in church already, and they're all in there like "Oh no, Jesus is dead", and then BAM! He bursts in the back door, runnin' up the aisle, everyone's totally psyched, and FYI, that's when he invented the high five. That's why we wait three days to call a woman, because that's how long Jesus wants us to wait.... True story.
”
”
Matt Kuhn
“
She pushed the bathroom door open to discover Magnus lurking on the other side, clutching a towel in one hand and his glittery hair in the other. He must have slept on it, she thought, because one side of the glittered spikes looked dented in. “Why does it take girls so long to shower?” he demanded. “Mortal girls, Shadowhunters, female warlocks, you’re all the same. I’m not getting any younger waiting out here.”
Clary stepped aside to let him pass. “How old are you, anyway?” she asked curiously.
Magnus winked at her. “I was alive when the Dead Sea was just a lake that was feeling a little poorly.”
Clary rolled her eyes.
Magnus made a shooing moving. “Now move your petite behind. I need to get in there; my hair is a wreck.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The more things change, the more they stay the same. I'm not sure who the first person was who said that. Probably Shakespeare. Or maybe Sting. But at the moment, it's the sentence that best explains my tragic flaw, my inability to change. I don't think I'm alone in this. The more I get to know other people, the more I realize it's kind of everyone's flaw. Staying exactly the same for as long as possible, standing perfectly still... It feels safer somehow. And if you are suffering, at least the pain is familiar. Because if you took that leap of faith, went outside the box, did something unexpected... Who knows what other pain might be out there, waiting for you. Chances are it could be even worse. So you maintain the status quo. Choose the road already traveled and it doesn't seem that bad. Not as far as flaws go. You're not a drug addict. You're not killing anyone... Except maybe yourself a little. When we finally do change, I don't think it happens like an earthquake or an explosion, where all of a sudden we're like this different person. I think it's smaller than that. The kind of thing most people wouldn't even notice unless they looked at us really close. Which, thank God, they never do. But you notice it. Inside you that change feels like a world of difference. And you hope this is it. This is the person you get to be forever... that you'll never have to change again.
”
”
Laura J. Burns
“
It's an extraordinary thing to meet someone who you can bare your soul to and accept you for what you are. I've been waiting, for what seems like a very long time, to get beyond what I am. With Bella I feel like I can finally begin. So I'd like to propose a toast to my beautiful bride. No measure of time with you will be long enough. But let's start with forever.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
It is not we who seek the Way, but the Way which seeks us. That is why you are faithful to it, even while you stand waiting, so long as you are prepared, and act the moment you are confronted by its demands.
”
”
Dag Hammarskjöld (Markings)
“
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it."
Showing her teeth, she began to roll up her sleeves.
"What," Roarke asked from the doorway that connected their work areas, "is that?"
"The former bane of my existence. The Antichrist of technology. Do we have a hammer?"
Studying the pile on the floor, he walked in. "Several, I imagine, of various types."
"I want all of them. Tiny little hammers, big, wallbangers, and everything in between."
"Might one ask why?"
"I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip."
"Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?"
"Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good."
Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open.
"Hey! Hey! What're you doing?"
"I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired."
When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it."
"Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research."
"No. Uh-uh. I have to bust it apart. What if it breeds?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
”
”
Sarah Kay
“
Oh my darling one, how long you wander from me, how weary I grow of waiting and looking, and calling for you; sometimes I shut my eyes, and shut my heart towards you, and try hard to forget you because you grieve me so, but you'll never go away, oh you never will.
”
”
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson)
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Sometimes you look up and there just seems to be so many more stars that ever before. More. They burn brighter and they shine longer and they never vanish into your periphery when you turn your head. It's as if they come out for us and to remind us that their light took so long to come to us, that if we never had the patience to wait, we never would have seen them here, tonight, like this.
That as much as it hurts, sometimes it's all you can do, wait, endure and keep shining, knowing that eventually, your light will reach where it is supposed to reach and shine for who it is supposed to shine for.
It is never easy, but it is always worth it.
”
”
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
“
Charlie?" he said, pulling mme back to face him. "I do love you." My breath caught on his words . . . words I'd waited so long to hear.
”
”
Kimberly Derting (The Essence (The Pledge, #2))
“
I should go in alone," Valkyrie said, speaking loudly to be heard. "If we both go in, it'll look to official."
"So I'll just stay out here?" Skulduggery asked. "But what'll I do? There's no one to talk to. It's boring."
"You're standing on the roof of a train," Valkyrie pointed out. "If you find this boring, you really need your head examined. Just wait here. I'll do what has to be done and I'll be find out.
"Fine," he said, sounding grumpy. "Don't be long.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
To one who waits, all things reveal themselves so long as you have the courage not to deny in the darkness what you have seen in the light.
”
”
Coventry Patmore
“
Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends.
”
”
Steven Moffat
“
God, I can’t lose you again.” His whisper was harsh, filled with pain. “Not now, when I’ve waited so long to hold you. I think it would kill me. But I’m so damn scared you’ll hate me when you find out the truth.
”
”
Katherine Allred (The Sweet Gum Tree)
“
Brother, please. I can’t lose her. I’m not like you and the others. I can pretend I have emotions, but they’re not there for anyone. There’s nothing inside of me except shadows. Lily drives the shadows away. She feels everything she can’t even stand to crush a fucking flower under her foot and I don’t feel anything unless I’m with her, I can’t lose that. I waited so long for her, I’ve loved her for years; she’s only loved me for a few weeks.
”
”
Jamie Begley (Shade's Fall (The Last Riders, #4))
“
David,you’re my true love, why did we wait so long to get together? I don’t care what the world says. Let’s defy them all, my darling.
- Maddy
”
”
Hailey Abbott (The Other Boy)
“
There was a long moment between them that might have gone differently. Of all the times I saw the two of them together, this is the picture that is most stamped in my soul. It's the two of them, jumbled up and broken apart into confused pieces, and not really understanding, themselves, what they were doing.
"I won't wait for you to change your mind," she finally said, her chin set stubbornly.
He bit his lip thoughtfully. "I understand." And to Tiger Lily, he suddenly, inexplicably, seemed older than her, and wiser, and the thought hit her hard that it wasn't fair, because she'd suffered, and there he was, looking like he knew so much more than she ever would.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
Day in, day out, you peel the layers back for me. Smart mouth, funny, sweet, wild in bed. Chattin' with bikers like they were insurance brokers. Holdin' my girl's hand, givin' her strength when her Mom's bein' a bitch. Keepin' your chin up when your people show in the middle of a full blown drama. But so fuckin' vulnerable, you're scared shitless of livin' life."
"You don't know me, Tack."
His head came up and his eyes pierced mine. "I know you, Tyra."
"You don't."
"Life's a roller coaster. Best damn ride in the park. You don't close your eyes, hold on and wait for it to be over, babe. You keep your eyes open, lift your hands straight up in the air and enjoy the ride for as long as it lasts.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Let our enemies come. They have a reckoning waiting at the end of my blade- and my siren’s vengeance to deal with. Let our enemies come, and I will kill them all. So long as you're at my side, I have something to fight for.
”
”
Laura Thalassa (Rhapsodic (The Bargainer, #1))
“
Just…” I sucked in a deep breath, unable to look at him, it hurt so much. “Leave me alone.”
Alex’s chest heaved like he couldn’t get enough air into his lungs. “I can’t do that, sweetheart. I’ll wait however long it takes, but I’ll never be okay with a world in which you’re alone.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out:
the Books You've Been Planning To Read For Ages,
the Books You've Been Hunting For Years Without Success,
the Books Dealing With Something You're Working On At The Moment,
the Books You Want To Own So They'll Be Handy Just In Case,
the Books You Could Put Aside Maybe To Read This Summer,
the Books You Need To Go With Other Books On Your Shelves,
the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified,
Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them.
”
”
Italo Calvino (If on a Winter's Night a Traveler)
“
His gaze grew wistful, and he looked so young. 'I don't want to put things off, even though we haven't been together a really long time. I don't want to wait--you never know what can...Look. I adore you, and I want a home. Again. With you.
”
”
Alice Clayton (Rusty Nailed (Cocktail, #2))
“
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
. . . One of the most human things about anxiety is that we try to cure chaos with chaos. Someone who has got themselves into a catastrophic situation rarely retreats from it, we're far more inclined to carry on even faster. We've created lives where we can watch other people crash into the wall but still hope that somehow we're going to pass straight through it. The closer we get, the more confidently we believe that some unlikely solution is miraculously going to save us, while everyone watching us is just waiting for the crash."
. . . So Zara asked, without any sarcasm, "Have you learned any theories about why people behave like that, then?"
"Hundreds," The psychologist smiled.
"Which one do you believe?"
"I believe the one that says that if you do it for long enough, it can become impossible to tell the difference between flying and falling.
”
”
Fredrik Backman (Anxious People)
“
Then it's goodbye, Sangsara for me
Besides, girls aren't as good as they look
And Samadhi is better than you think
When it starts in hitting your head
In with Buzz of glittergold
Heaven's Angels, wailing, saying
We've been waiting for you since morning, Jack
Why were you so long dallying in the sooty room?
This transcendental Brilliance
Is the better part (of Nothingness
I sing) Okay. Quit. Mad. Stop.
”
”
Jack Kerouac
“
For Someone Awakening To The Trauma of His or Her Past:
For everything under the sun there is a time.
This is the season of your awkward harvesting,
When the pain takes you where you would rather not go,
Through the white curtain of yesterdays to a place
You had forgotten you knew from the inside out;
And a time when that bitter tree was planted
That has grown always invisibly beside you
And whose branches your awakened hands
Now long to disentangle from your heart.
You are coming to see how your looking often darkened
When you should have felt safe enough to fall toward love,
How deep down your eyes were always owned by something
That faced them through a dark fester of thorns
Converting whoever came into a further figure of the wrong;
You could only see what touched you as already torn.
Now the act of seeing begins your work of mourning.
And your memory is ready to show you everything,
Having waited all these years for you to return and know.
Only you know where the casket of pain is interred.
You will have to scrape through all the layers of covering
And according to your readiness, everything will open.
May you be blessed with a wise and compassionate guide
Who can accompany you through the fear and grief
Until your heart has wept its way to your true self.
As your tears fall over that wounded place,
May they wash away your hurt and free your heart.
May your forgiveness still the hunger of the wound
So that for the first time you can walk away from that place,
Reunited with your banished heart, now healed and freed,
And feel the clear, free air bless your new face.
”
”
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
“
I've bespelled this locket, for you; my own, my mate. The day has come when death forced us to part. You must know that I for you, forever, I shall wait. So until we meet again I hold your love safely within my heart.
Remember, your oath was to temper strength with mercy. No matter how long apart we shall be, I hold you to that oath
eternally... eternally...
”
”
P.C. Cast (Dragon's Oath (House of Night Novellas, #1))
“
If you persisted long enough, the good luck usually came. Most people couldn't wait on the luck, though, so they quit.
”
”
Charles Bukowski (Pulp: Charles Bukowski's Final Hardboiled Noir Comedy – Lady Death, Aliens, and the Absurd)
“
But,” Shane said. He had to say this next part. It had been eating away at him for too long. “You want to get married, right? To a woman, I mean. You’re not...like me. You like women. And I’m sure...Svetlana is gorgeous and fun and...all that stuff. Right?”
“Yes,” Ilya said. “I do. She is. But.”
“But?”
Ilya shrugged, and he looked like he was possibly blushing. “I have this problem,” he mumbled.
Shane waited.
“I like women. I always was thinking that to get married would be nice. Kids. All of that. Someday. But...this problem will not go away.”
Shane bit his lip. “Tell me about this problem.”
“Is so annoying.” Ilya sighed, and Shane could see him fighting a grin. “Always I am with beautiful women. Wonderful women. Everywhere.”
“Sounds rough.”
“Yes. Listen. These women, they are so sexy and fun, but is no matter. I cannot stop thinking about this short fucking hockey player with these stupid freckles and a weak backhand.”
“A weak backhand?” Shane couldn’t stop smiling.
“Yes. And he is just so boring and he drives a terrible car and...that is my problem. All of these beautiful women and I am always wishing they were him.”
Ilya bent to take his third shot. “Is terrible problem.”
Fuck. Shane was going start crying right here in his games room. He swallowed and steadied himself. “Do you want the problem to go away?”
“No,” Ilya said seriously, looking Shane dead in the eye. “I do not want the problem to ever go away.
”
”
Rachel Reid (Heated Rivalry (Game Changers, #2))
“
The Thing about people who wanted to show you things was that sometimes their interest in granting you knowledge was laced with a little voyeuristic sadism. They were waiting for the Look or the Reaction, and they didn’t care what it was so long as it inflicted some kind of discomfort.
”
”
Jeff Vandermeer (Authority (Southern Reach, #2))
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
December 27, 11:00 p.m.
My Dear America,
I’ve never written a love letter, so forgive me if I fail now. . . .
The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you.
I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me.
I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife.
And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now.
I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want.
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
Its hard to stay up. Its been a long long day
And you've got the sandman at your door.
But hang on, leave the TV on and lets do it anyway.
Its ok.
You can always sleep through work tomorrow. Ok?
Hey, Hey, Tomorrow's just your future yesterday.
Tell the clock on the wall, "Forget the wake up call."
Cause the night's not nearly through.
Wipe the sleep from your eyes. Give yourself a surprise.
Let your worries wait another day.
And if you stay too late at the bar,
At least you made it out this far.
So make up your mind and say, "Let's do it anyway!"
Its Ok
You can always sleep through work tomorrow, ok?
Hey, Hey, Tomorrow's just your future yesterday.
Life's too short to worry about
the things that you can live without
And I regret to say,
the morning light is hours away.
The world can be such a fright,
But it belongs to us tonight.
What's the point of going to bed?
You look so lovely when your eyes are red.
Tomorrow's just your future yesterday.
”
”
Craig Ferguson
“
A year seems very long to wait before I see them, but remind them that while we wait we may all work, so these hard days need not be wasted. I know they will remember all I said to them, that they will be loving children to you, will do their duty faithfully, fight their bosom enemies bravely, and conquer themselves so beautifully that when I come back to them I may be fonder and prouder than ever of my little women.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
Nothing can fill you up,” she stated.
“Nope,” he agreed again.
“You won’t let it.”
“Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.”
She was silent a moment then she whispered, “Right.”
She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter.
Before she opened it, she turned back. “You don’t know, Cal, you have no idea.
You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you
so full, you’d be bursting.”
Cal didn’t reply.
“Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.”
Cal didn’t move.
Vi waited.
Cal stayed seated.
”
”
Kristen Ashley (At Peace (The 'Burg, #2))
“
We all go through hard times in life. It’s a part of being alive and it's the reality we all have to deal with. There are times we forget our value as a person because we are so blinded with these thoughts of loneliness, emptiness and ego. Somewhere along the road we become numbed with all the frustrations and dissatisfaction. But life itself isn't always about darkness and sadness, Life is also filled with colors and that makes it beautiful. Along this path of darkness there's always light waiting to be seen by our daunted hearts. Our heart is gifted to see this light. It may be hiding behind those circumstances that we encounter; in a stranger we just met at an unexpected place; a family who has been always there but you just ignored because of your imperfect relationship with them; it might be a long time friend you have or a friend you just met. Open your heart and you will see how blessed you are to have them all in your life. Sometimes they are the light that shines your path in some dark phases of life. Don't lose hope
”
”
Chanda Kaushik
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
The doorknob twisted. “I’m coming with you.”
I ran over and held it shut. “No, you are so not. We can’t carry your unconscious body around the Center. Besides, I need you here. If something goes wrong, I can’t handle you getting hurt.”
“Wait, so it’s okay if I get hurt?” Jack asked.
“Yes,” I snapped at the same time as Lend and Arianna.
“As long as you’re sure, then,” Jack muttered.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Then James took Parker’s hands, and without waiting, gave her a long, hot kiss that made her nearly forget there were a hundred people watching. Then he pulled back and smiled that full, wonderful grin, his dark eyes so happy.
“Parker,” he said, “always lovely to see you.
”
”
Kristan Higgins (Somebody to Love (Gideon's Cove, #3))
“
The boy bled for you—a whole body’s worth of blood. There’s no love greater than that. He belongs to you alone.” His words are surprisingly beautiful and kind, and somewhere in my heart, I know he’s right. But how long will I have to wait for Jeb to have the courage to admit it to himself? Morpheus touches the scars on my palm. “But let us not forget that you bled for me. So to whom do you belong, Alyssa?
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Yet the upcoming year was going to be a new phase of my life. I would get to follow my big
brother to the big house. I had reached that golden age of six. Finally, I was going to experience
the real deal. This was no appetizer, or tater tots, or French fries. This was the whole Ore-Ida. I would be amongst thechaos like all the neighborhood kids. Everyone that knew Jerry would get to know me, too.
Since we were at Aunt Kathy’s, I had to curtail my exuberance. We had nothing like the freedom at mom’s shack. So, I did my best to remain out of sight. But those efforts were futile. School was just hours away. I really couldn’t contain myself without medication or God forbid, a good old-fashioned ass beating.
Well, Aunt Kathy implored me to settle down. She kept issuing threat after threat with such statements, “Boy, do I needto beat the black off of you,” or “Gorilla will be your name when
I’m finish!” Yes, I got the message but beating my butt wasn’t going to be enough. Heck, I had been waiting for three long, long years just to join Jerry. Anything short of a bullet wasn’t going to stop me.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
Anything goes when everyone knows
Where do you hide when their highs are your lows?
So much, so hard, so long, so tired,
Let them eat until you’re ground into nothing.
Don’t you worry your glossy little lips.
What they savor ‘ventually loses it’s flavor.
I wanna lick, while you still taste like you.
Bookmark it, says the cheerleader
I promise we’ll come back to this spot.
I have shit to do first. You won’t wait a lot.
I can’t make her stay,
and I can’t watch her go.
I’ll keep her hellfire heart,
And bookmark it ‘fore it goes cold.
Fifty-seven times I didn’t call
Fifty-seven letters I didn’t send,
Fifty-seven stitches to breathe again, and then I fucking pretend.
Fifty-seven days to not need you
Fifty-seven times to give up on you
Fifty-seven steps away from you,
Fifty-seven nights of nothing but you.
”
”
Penelope Douglas (Punk 57)
“
She can sense things . . . Things the rest of us can't.She only knew there was a strange feel to you, and she'd only ever felt that around one other person. So she brought you to me."
"Seems like she could have done that without me having to carry a household's worth of stuff."
This made him laugh. "Don't take it personally. She was testing you. She wanted to see if you're a worthy match for her grandson."
"What's the point? He's dead now." I nearly choked on the words.
"True, but for her, it's still important. And, by the way, she does think you're worthy."
"She has a funny way of showing it."
[..]
Paul stuck his head out the back door. "Grandmother wants to leave now," he told me. "She wants to know why you're taking so long and said to ask why you'd make someone as old as her keep waiting and suffering with her back."
I recalled how fast Yeva had been walking while I struggled to keep up with my load. Her back hadn't seemed all that bad to me.
"Okay. I'll be right there." When he was gone, I shook my head. "It's hard being worthy.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
The Doors
The End
This is the end, beautiful friend
This is the end, my only friend
The end of our elaborate plans
The end of ev'rything that stands
The end
No safety or surprise
The end
I'll never look into your eyes again
Can you picture what will be
So limitless and free
Desperately in need of
some strangers hand
In a desperate land
Lost in a Roman wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain
There's danger on the edge of town
Ride the king's highway
Weird scenes inside the goldmine
Ride the highway West baby
Ride the snake
Ride the snake
To the lake
To the lake
The ancient lake baby
The snake is long
Seven miles
Ride the snake
He's old
And his skin is cold
The west is the best
The west is the best
Get here and we'll do the rest
The blue bus is calling us
The blue bus is calling us
Driver, where you taking us?
The killer awoke before dawn
He put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived
And then he paid a visit to his brother
And then he walked on down the hall
And he came to a door
And he looked inside
Father?
Yes son
I want to kill you
Mother, I want to.............
Come on, baby, take a chance with us
Come on, baby, take a chance with us
Come on, baby, take a chance with us
And meet me at the back of the blue bus
This is the end, beautiful friend
This is the end, my only friend
The end
It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die
This is the end
”
”
Jim Morrison (The Doors: The Complete Lyrics)
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay.
“Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.
“Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’”
Cagney sighed, listened to the leather creak as he shifted his weight in his chair.
“No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
”
”
J. Conrad Guest (The Cobb Legacy)
“
You, God, who live next door--
If at times, through the long night, I trouble you
with my urgent knocking--
this is why: I hear you breathe so seldom.
I know you're all alone in that room.
If you should be thirsty, there's no one
to get you a glass of water.
I wait listening, always. Just give me a sign!
I'm right here...
Sen komşu tanrı,
Uzun geceler bazen,
Kapına vura vura uyandırıyorsam seni
Solumanı seyrek duyduğumdandır...
Bilirim, yalnızsın odanda.
Sana birşey gerekse kimse yok,
Bir yudum su versin aradığında.
Hep dinlerim, yeter ki bir ses edin,
Öyle yakınım sana...
”
”
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
“
To be honest, I don't know what qualities you ever saw in him. I can tell why he chose you, but-"
"Oh yeah?" Cara's spirits lifted as she sensed a compliment coming on. "Why do you think he chose me?"
"It's obvious." He swept a hand to indicate her loose curls. "Your long, shiny hair, healthy skin, and bright eyes show that you're well-nourished."
"Uh, thank you?"
"I'm not finished."
"Go on then."
"You're clearly intelligent." Then he felt the need to add, "For a human."
"Gee. That's so sweet."
"But Eric was probably most attracted to your wait-to-hip ratio." For a split second, Aelyx resembled a human boy as he leaned back and peered at her caboose. "Hips of that width are likely to pass life offspring without complication."
Cara nearly swallowed her own tongue. She didn't have big hips did she?
”
”
Melissa Landers (Alienated (Alienated, #1))
“
Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam
”
”
Dustin Thao (You've Reached Sam (You've Reached Sam, #1))
“
We can ask and ask but we can't have again what once seemed ours for ever - the way things looked, that church alone in the fields, a bed on a belfry floor, a remembered voice, the touch of a hand, a loved face. They've gone and you can only wait for the pain to pass.
All this happened so long ago. And I never returned, never wrote, never met anyone who might have given me news of Oxgodby. So, in memory, it stays as I left it, a sealed room furnished by the past, airless, still, ink long dry on a put-down pen.
But this was something I knew nothing of as I closed the gate and set off across the meadow.
”
”
J.L. Carr (A Month in the Country)
“
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact..."
I sucked in a breath as Bones divulged yet another tidbit about his past to my mother, who must be frothing at the mouth by now.
"...called to give you the good news. I asked your daughter to marry me and she accepted. Congratulations, I will officially be your son-in-law. Now, do you want me to call you Mum straightaway, or wait until after the wedding?"
I flew through the air in a dive that finally tackled him, wrenching the phone away. Bones was laughing so hard, he had to breathe to get it all out.
"Mom? Are you there? Mom...?"
"You might want to give her a moment, Kitten. I believe she fainted.
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
You’ll fight, damn it. You’ll not give over this easily. God is not ready for you yet because I am not through with you. You’re going to wake up and you’re going to give me the words I’ve waited on for so long. Telling me you love me on the battlefield as we both lay dying doesn’t count. You’ll give them to me and mean them or so help me I’ll bury you in unconsecrated ground so that you never rest and you’ll be forced to dwell in this keep with me for eternity.
”
”
Maya Banks (Never Love a Highlander (McCabe Trilogy, #3))
“
I don't know what to apologise for first,' I say. 'Cutting off your head or hesitating so long to do it. I didn't want to lose what little there was left of you. And I can't quite think past how wonderous it is that you're alive.'
'You don't know how long I've waited to hear those words,' he says. 'You don't want me dead.'
'If you joke about this, I am going to-'
'Kill me?' he asks, raising both black brows.
I think I might hate him after all.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!”
There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace.
My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble
something down or risk being ridiculed by my aunt.
Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the
yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!”
“Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.
But if I hated something then I had to be force-fed.
As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.”
“Yes Ma’am,” I said once again.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
Questions, I've got some questions
I want to know you
But what if I could ask you only one thing
Only this one time, what would you tell me?
Well maybe you could give me a suggestion
So I could know you, what would you tell me?
Maybe you could tell me what to ask you
Because then I'd know you, what would you tell me
Please tell me that there's time
To make this work for all intents and purposes
And what are your intentions, will you try?
Impressions, you've made impressions
They're going nowhere
They're just going to wait here if you let them
Please don't let them
I want to know you
And if they're going to haunt me
Please collect them
Please just collect them
And now I'm begging
I'm begging you to ask me just one question
One simple question
Because then you'd know me
I'll tell you that there's time
To make this work for all intents and purposes
At least for my own
What is a heart worth if it's just left all alone?
Leave it long enough and watch it turn into stone
Why must we always be untrue?
”
”
Jack Johnson (Curious George: Jack Johnson and Friends - Guitar Recorded Version)
“
I squint my eyes and glare at him.
“I don’t have a crush on Quinn anymore.”
He raises a golden eyebrow.
“No?”
I shake my head. “No.”
“Why is that?”
I stare at him long and hard, trying to decide what to say. Should I be downright, painfully honest? I’ve always found that the best way to be, so I nod.
“Two words.”
He waits.
“Dante. Giliberti.”
I hear him suck in his breath and I smile. Sometimes, honesty is refreshing and so very worth it.
“Me?” He sounds so surprised, as though he doesn’t know that he is practically a living breathing Adonis. I nod.
“You.”
He studies me again and I fight the need to fidget as I wait for his reaction.
After a minute of nerve-wracking silence, he finally answers.
“So, will you keep the bracelet?”
I nod.
“Can I kiss you again?”
I nod.
So he does.
”
”
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
This is, to me, the loveliest and saddest landscape in the world. It is the same as that on the preceding page, but I have drawn it again to impress it on your memory. It is here that the little prince appeared on Earth, and disappeared.
Look at it carefully so that you will be sure to recognise it in case you travel some day to the African desert. And, if you should come upon this spot, please do not hurry on. Wait for a time, exactly under the star. Then, if a little man appears who laughs, who has golden hair and who refuses to answer questions, you will know who he is. If this should happen, please comfort me. Send me word that he has come back.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
There are so many impatient people in the world. It seems everyone wants something right this second. We don't want to wait in lines, we get fidgety when our food takes too long to cook, and we have no tolerance whatsoever for anyone who holds us up from doing anything we want to do the moment we want to do it. I'm bothered right now that I'm having to wait till the end of this sentence to see what word I end up on. On, who knew? It's particularly hard to wait for things that are days or weeks or even months away. Calendars mock you, clocks pester you, and the rotation of the earth seems to slow by at least forty percent. I suppose, however, that if you were preparing to take over the world and you needed one final piece to fall into place, but that piece had to be slowly dragged over the dirt so it didn't die, that would be really hard to wait for. I'd feel sorry for whoever that happened to, but then again they were trying to take over the world and all.
So please, no sympathy for Azure.
”
”
Obert Skye (Leven Thumps and the Wrath of Ezra (Leven Thumps, #4))
“
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies.
Take care!
Love,
Francis.
Title: Letter to Abigail
Scene: "Death-bed"
Chapter: The Road To Awe
”
”
Huseyn Raza
“
She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?”
She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold.
“I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?"
I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm.
One happy day for every falling leaf you catch." Sam's voice was low.
I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?"
It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped."
And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
”
”
Maggie Stiefvater
“
I know now what was happening to me, what was overwhelming me, what was about to consume and almost destroy me. Didier had even given me a name for it - assassin grief, he'd once called it: the kind of grief that lies in wait and attacks you from ambush, with no warning and no mercy. I know now that assassin grief can hide for years and then strike suddenly on the happiest day, without discernible reason or exegesis. But on that day, ... almost a year after Khader's death, I couldn't understand the dark and trembling mood that was moving in me, swelling to the sorrow I'd too long denied. I couldn't understand it, so i tried to fight it as a man fights pain or despair. But you can't bite down on assassin grief and will it away. The enemy stalks you, step for step, and knows your every move before you make it. The enemy is your own grieving heart and, when it strikes, it can't miss.
”
”
Gregory David Roberts (Shantaram)
“
He walked straight out of college into the waiting arms of the Navy.
They gave him an intelligence test. The first question on the math part had to do with boats on a river: Port Smith is 100 miles upstream of Port Jones. The river flows at 5 miles per hour. The boat goes through water at 10 miles per hour. How long does it take to go from Port Smith to Port Jones? How long to come back?
Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat. Clearly, 5 miles per hour was nothing more than the average speed. The current would be faster in the middle of the river and slower at the banks. More complicated variations could be expected at bends in the river. Basically it was a question of hydrodynamics, which could be tackled using certain well-known systems of differential equations. Lawrence dove into the problem, rapidly (or so he thought) covering both sides of ten sheets of paper with calculations. Along the way, he realized that one of his assumptions, in combination with the simplified Navier Stokes equations, had led him into an exploration of a particularly interesting family of partial differential equations. Before he knew it, he had proved a new theorem. If that didn't prove his intelligence, what would?
Then the time bell rang and the papers were collected. Lawrence managed to hang onto his scratch paper. He took it back to his dorm, typed it up, and mailed it to one of the more approachable math professors at Princeton, who promptly arranged for it to be published in a Parisian mathematics journal.
Lawrence received two free, freshly printed copies of the journal a few months later, in San Diego, California, during mail call on board a large ship called the U.S.S. Nevada. The ship had a band, and the Navy had given Lawrence the job of playing the glockenspiel in it, because their testing procedures had proven that he was not intelligent enough to do anything else.
”
”
Neal Stephenson (Cryptonomicon)
“
Wait long enough, and what was once mainstream will fall into obscurity. When that happens, it will become valuable again to those looking for authenticity or irony or cleverness. The value, then, is not intrinsic. The thing itself doesn’t have as much value as the perception of how it was obtained or why it is possessed. Once enough people join in, like with oversized glasses frames or slap bracelets, the status gained from owning the item or being a fan of the band is lost, and the search begins again.
You would compete like this no matter how society was constructed. Competition for status is built into the human experience at the biological level. Poor people compete with resources. The middle class competes with selection. The wealthy compete with possessions.
You sold out long ago in one way or another. The specifics of who you sell to and how much you make—those are only details.
”
”
David McRaney (You Are Not So Smart)
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
“
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.
Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.
See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.
Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.
And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.
The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."
[Getting Into Print (The Editor magazine, March 1903)]
”
”
Jack London
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement."
"You and George didn't go back on your promises."
She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business."
"But people change," he said quietly.
"Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.”
I looked at him, quizzical. Again, it was a strange enough concept to hold my attention.
“There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face.
My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?”
“Sad things,” Beck said. “Do you have a lot of sad things in your head?”
“No,” I said.
Beck sucked in his lower lip and released it slowly. “Well, I do.”
This was shocking. I didn’t ask a question, but I tilted toward him.
“And these things would make me cry,” Beck continued. “They used to make me cry all day long.”
I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable.
“You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.”
“Brain tape?” I suggested, with a little smirk. I was eight, after all.
Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.”
“How did you use the brain tape?”
“You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?”
I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open.
“Mom,” I whispered.
I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow.
“What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars.
Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken.
“Me,” I said.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
I’m right here,” he said. “Dad’s right here. I’m going nowhere. Just gonna wait until you’re ready to come out into the world, and then your mom and I are going to take care of you. So you hang tight, we
clear? Do your thing, and we’ll wait for however long it takes.”
With his free hand, he took Layla’s palm, and put it over his own.
“Your family is right here. Waiting for you…and we love you.”
It was totally stupid to talk to what was, no doubt, nothing but a bundle of cells. But he couldn’t help
it. The words, the actions…they were at once totally his, and yet coming from a place that was foreign to him.
Felt right, though.
Felt…like what a father was supposed to do.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
In Plaster
I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was
Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
--written 26 Feburary 1961
”
”
Sylvia Plath (The Collected Poems)
“
The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
This poem is very long
So long, in fact, that your attention span
May be stretched to its very limits
But that’s okay
It’s what’s so special about poetry
See, poetry takes time
We live in a time
Call it our culture or society
It doesn’t matter to me cause neither one rhymes
A time where most people don’t want to listen
Our throats wait like matchsticks waiting to catch fire
Waiting until we can speak
No patience to listen
But this poem is long
It’s so long, in fact, that during the time of this poem
You could’ve done any number of other wonderful things
You could’ve called your father
Call your father
You could be writing a postcard right now
Write a postcard
When was the last time you wrote a postcard?
You could be outside
You’re probably not too far away from a sunrise or a sunset
Watch the sun rise
Maybe you could’ve written your own poem
A better poem
You could have played a tune or sung a song
You could have met your neighbor
And memorized their name
Memorize the name of your neighbor
You could’ve drawn a picture
(Or, at least, colored one in)
You could’ve started a book
Or finished a prayer
You could’ve talked to God
Pray
When was the last time you prayed?
Really prayed?
This is a long poem
So long, in fact, that you’ve already spent a minute with it
When was the last time you hugged a friend for a minute?
Or told them that you love them?
Tell your friends you love them
…no, I mean it, tell them
Say, I love you
Say, you make life worth living
Because that, is what friends do
Of all of the wonderful things that you could’ve done
During this very, very long poem
You could have connected
Maybe you are connecting
Maybe we’re connecting
See, I believe that the only things that really matter
In the grand scheme of life are God and people
And if people are made in the image of God
Then when you spend your time with people
It’s never wasted
And in this very long poem
I’m trying to let a poem do what a poem does:
Make things simpler
We don’t need poems to make things more complicated
We have each other for that
We need poems to remind ourselves of the things that really matter
To take time
A long time
To be alive for the sake of someone else for a single moment
Or for many moments
Cause we need each other
To hold the hands of a broken person
All you have to do is meet a person
Shake their hand
Look in their eyes
They are you
We are all broken together
But these shattered pieces of our existence don’t have to be a mess
We just have to care enough to hold our tongues sometimes
To sit and listen to a very long poem
A story of a life
The joy of a friend and the grief of friend
To hold and be held
And be quiet
So, pray
Write a postcard
Call your parents and forgive them and then thank them
Turn off the TV
Create art as best as you can
Share as much as possible, especially money
Tell someone about a very long poem you once heard
And how afterward it brought you to them
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
I was breaking. If only I’d talked to you sooner. We could have been … we could’ve … I don’t know. But things had gone too far by then. My mind was set. Not on ending my life. Not yet. It was set on floating through school. On never being close to anyone. That was my plan. I’d graduate, then I’d leave.
But then, I went to a party. I went to a party to meet you.
Why did I do that? To make myself suffer? Because that’s what I was doing – hating myself for waiting so long. Hating myself because it wasn’t fair to you.
”
”
Jay Asher (Thirteen Reasons Why)
“
And that is when I know....that is when I understand that it's better to feel the ache inside me like demons scratching at my heart than it is to feel numb the way a dead body feels when you touch it. It's better to wait for the beautiful things...to stare at them for as long as they last..to hold on as tight as you can before they disappear. And it might hurt so bad inside...but it's better to wait for the next beautiful thing than never look for any again.
”
”
Brian James (Perfect World)
“
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit.
Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?”
“I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.”
“Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?”
I sniffled. “No,” I admitted.
“Thank Oberon,” he said, and pulled me close, and kissed me.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
What was I thinking?" Chiron cried. " I can't let you get away without this."
He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents.
Gee," I said. "Thanks."
Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one.
I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...?
I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands.
The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos."
Riptide," I translated, surprised the Ancient Greek came so easily.
Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.
”
”
Rick Riordan
“
America," he begged.
I turned to Maxon.
"They're fine. The rebels were slow, and everyone here knows what to do in an emergency."
I nodded. We stood there quietly for a minute, and I could tell he was about to move on.
"Maxon," I whispered.
He turned back, a little surprised to be addressed so casually.
"About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever."
He was dumbfounded. "What?"
"He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me."
Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face.
"Was everyone told this?" he asked, sounding appalled at the idea.
"I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room.
He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?"
"I hit your thigh!"
"Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism.
A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was.
"So how are you handling a roomful of crying women?" I asked.
There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it."
This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!).
Yet you haven’t any friends.
The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities.
Nevertheless, some free time remains. What’s to be done? How do you use your
time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less.
Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.
And yet you haven’t always wanted to die.
You have had a life. There have been moments when you were having a life. Of
course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela.
More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!
You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
”
”
Michel Houellebecq (Whatever)
“
I’ll wear you down,” he proclaimed.
“No, you won’t,” I denied.
“You won’t let me in, I’ll break in, sneak in, blast in,” he promised.
“You won’t get in,” I contradicted.
He shut up again and stared at me.
After long moments, I watched as suddenly, weirdly and, most of all, scarily, he saw something in me that made his face clear.
I didn’t think that was good.
I would find out I was right.
“Let you in on a secret, babe, and you think on this,” he told me.
I was not going to think on anything.
“Hop… get… off… me,” I snapped.
His body pressed into mine so he could lift his hands up and frame my face.
“I’m already in. Just gotta wait for you to realize it.
”
”
Kristen Ashley (Fire Inside (Chaos, #2))
“
Have you ever noticed,” said Dimble, “that the universe, and every bit of the universe is always hardening and narrowing and coming to a point?”
His wife waited as those wait who know by long experience the mental processes of the person who is talking to them.
“I mean this,” said Dimble in answer to the question she had not asked. “If you dip into any college, or school, or parish, or family – anything you like – at a given point in its history, you always find that there was a time before that point when there was more elbow room and contrasts weren’t quite so sharp; and that there’s going to be a time after that point when there is even less room for indecision and choices are even more momentous. Good is always getting better and bad is always getting worse: the possibilities of even apparent neutrality are always diminishing. The whole thing is sorting itself out all the time, coming to a point, getting sharper and harder.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
And in those moments where the sun is setting and the house is quiet and you are weary from the day, may you know that there is grace for you in that space, and no amount of heaviness or loneliness can take that away. And because of that grace, you are free to slow down. You are free to breathe and rest, no matter the things not sorted out. There might be some mystery here and there might be longing, wondering, and waiting. But there will also be boundless peace that goes beyond any understanding, running wild like a river through everything, no matter how heavy these moments feel. So rest easy, when everything is approaching. Tomorrow is surely coming, but in the hours in between, you are free to rest till then.
”
”
Morgan Harper Nichols
“
We are all so afraid of uncertainty that we want a guarantee before we even try. We want evidence that if we take a risk we will "get the girl" Its a numbers game. To play any game, you have to start. To win, you need to keep going. If you want to make your dreams come true, get ready for the long game.
Life is not a one and done sort of deal. You've got to work for what you want.
Picasso created nearly 100 masterpieces in his lifetime. But what most people don't know is that he created a total of more then 50,000 works of art. .. Thats two pieces of art a day. Success is a numbers game. You are not going to win if you keep telling yourself to wait. The more often that you choose courage, the more likely you'll succeed.
”
”
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
“
Oliver's boardroom was actually a library. A good library. A library where books looked worn-out and well read and loved on. The library was two stories tall with a balcony wrapped around the top level. The big window on the top floor was propped half open. A rebel beam of sunlight pushed through the clouds, shining through the rain beads stuck to the screen and glass. And then that strange, golden rain light shone warm and pretty over Oliver's books. I wondered if the sun had missed the books, had waited as long as it possibly cold to shine over those spines again. I knew how that felt, to love a story so much you didn't just want to read it, you wanted to feel it.
”
”
Natalie Lloyd (A Snicker of Magic)
“
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
It was-this always seems to shock people all over again- a happy childhood. For the first few months I spent a lot of time at the bottom of the garden, crying till I threw up and yelling rude words at the neighborhood kids who tried to make friends. But children are pragmatic, they come alive and kicking out of a whole lot worse than orphanhood, and I could only hold out so long against the fact that nothing would bring my parents back and against the thousand vivid things around me, Emma-next-door hanging over the wall and my new bike glinting red in the sunshine and the half-wild kittens in the garden shed, all fidgeting insistently while they waited for me to wake up again and come out to play. I found out early that you can throw yourself away, missing what you've lost.
”
”
Tana French (The Likeness)
“
Hi" he said
"Hi"
"I'd like to kiss you" He waited a moment for my response, then added, "Or, if you rather, we can dance, as long as we can get you unstuck."
"I think I'm in deep."
"Me, too," he said, looking into my eyes.
His head moved closer to mine. Then he lifted his hand, cupping my cheek ever so gently. His lips touched my lips, light as a butterfly, once, twice.
The kisses were so lovely, so lovely I couldn't help it-I did a totally stupid, uncool thing. I sighed.
I heard the laughter rumbling inside Nick and I started to pull away. But his arms wrapped around me. He held me close and pressed his lips against mine. A thrill went through me. I kissed him back-I didn't think about it, just kissed him with all that my heart felt.
”
”
Elizabeth Chandler (Don't Tell (Dark Secrets, #2))
“
As for life,
I'm humbled,
I'm without words
sufficient to say
how it has been hard as flint,
and soft as a spring pond,
both of these
and over and over,
and long pale afternoons besides,
and so many mysteries
beautiful as eggs in a nest,
still unhatched
though warm and watched over
by something I have never seen –
a tree angel, perhaps,
or a ghost of holiness.
Every day I walk out into the world
to be dazzled, then to be reflective.
It suffices, it is all comfort –
along with human love,
dog love, water love, little-serpent love,
sunburst love, or love for that smallest of birds
flying among the scarlet flowers.
There is hardly time to think about
stopping, and lying down at last
to the long afterlife, to the tenderness
yet to come, when
time will brim over the singular pond, and become forever,
and we will pretend to melt away into the leaves.
As for death,
I can't wait to be the hummingbird,
can you?
”
”
Mary Oliver (Thirst)
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
(Golden Globe acceptance speech in the style of Jane Austen's letters):
"Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport.
P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature."
"With gratitude and apologies to Miss Austen, thank you.
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.
I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"
It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.
The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)
Being alone has nothing to do with how many people are around. (J.R. Moehringer)
You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.
At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.
The dream was obviously a sign: he was too enticing to resist.
Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.
I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.
Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.
Because I'm So uncool and so afraid.
If there was a clue, that meant the mystery was still intact
I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.
This was not a haystack. We were people, and people had ways of finding eachother.
It was one of those moments when you feel the future so much that is humbles the present.
Don't worry. It's your embarrassment at not having the thought that counts.
You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.
Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head
You should never wish for wishful thinking
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
There are quiet places also in the mind,” he said, meditatively. “But we build bandstand and factories on them. Deliberately—to put a stop to the quietness. We don’t like the quietness. All the thoughts, all the preoccupation in my head—round and round continually.” He made a circular motion with his hands. “And the jazz bands, the music hall songs, the boys shouting the news. What’s it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost it isn’t there. Ah, but it is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes—not restlessly, but serenely, waiting for sleep—the quiet re-establishes itself, piece by piece; all the broken bits, all the fragments of it we’ve been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows –a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one’s alone in the crystal and there’s no support from outside, there’s nothing external and important, nothing external and trivial to pull oneself up by or to stand up, superiorly, contemptuously, so that one can look down. There’s nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you’d die; all the regular habitual, daily part of you would die. There would be and end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously n some strange unheard-of manner. Nearer, nearer come the steps; but one can’t face the advancing thing. One daren’t. It’s too terrifying; it’s too painful to die. Quickly, before it is too late, start the factory wheels, bang the drum, blow up the saxophone. Think of the women you’d like to sleep with, the schemes for making money, the gossip about your friends, the last outrage of the politicians. Anything for a diversion. Break the silence, smash the crystal to pieces. There, it lies in bits; it is easily broken, hard to build up and easy to break. And the steps? Ah, those have taken themselves off, double quick. Double quick, they were gone at the flawing of the crystal. And by this time the lovely and terrifying thing is three infinities away, at least. And you lie tranquilly on your bed, thinking of what you’d do if you had ten thousand pounds and of all the fornications you’ll never commit.
”
”
Aldous Huxley
“
The universe is so very complicated," said Dr Dimble.
"So you have said rather often before, dear," replied Mrs Dimble
"Have I?" he said with a smile. "How often, I wonder? As often as you've told the story of the pony and trap at Dawlish?"
"Cecil! I haven't told it for years."
"My dear, I heard you telling it to Camilla the night before last."
"Oh, Camilla! That was quite different. She'd never heard it before."
"I don't know if we can even be certain about that...the universe being so complicated and all." For a few minutes there was silence between them.
"But about Merlin?" asked Mrs Dimble presently.
"Have you ever noticed," said Dimble," that the universe, and every little bit of the universe, is always hardening and narrowing and coming to a point?"
His wife waited as those wait who know by long experience the mental processes of the person who is talking to them.
"I mean this," said Dimble, answering the question she had not asked. "If you dip into any college, or school, or parish, or family—anything you like—at a given point in its history, you always find that there was a time before that point when there was more elbow room and contrasts weren't quite so sharp; and that there's going to be a time after that point when there is even less room for indecision and choices are even more momentous. Good is always getting better and bad is always getting worse: the possibilities of even apparent neutrality are always diminishing.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
It is my second morning in Hill House, and I am unbelievably happy. Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long. Abandoning a lifelong belief that to name happiness is to dissipate it, she smiled at herself in the mirror and told herself silently, You are happy, Eleanor, you have finally been given a part of your measure of happiness. Looking away from her own face in the mirror, she thought blindly, Journeys end in lovers meeting, lovers meeting.
”
”
Shirley Jackson (The Haunting of Hill House)
“
Ted: Barney, the 3 days rule is insane. I mean, who even came up with that?
Barney: Jesus.
Marshall: Barney, don't do this, not with Jesus.
Barney: Seriously, Jesus started the whole wait-three-days thing. He waited three days to come back to life. It was perfect.
Barney: If he'd have only waited one day, a lotta people wouldn't have even heard that he died. They'd be all "Hey, Jesus. What up?" And Jesus would probably be like, "What up? I died yesterday."
Barney: Then they'd be all, "Uh, look pretty alive to me dude." And then Jesus would have to explain how he was resurrected and how it was a miracle. And then the dude would be like "Ah, oh-kay, whatever you say "bro"."
Robin: Wow, ancient dialogue sounds so stilted now.
Barney: And you're not gonna come back on a Saturday, everybody's busy! Doin' chores, workin' the loom, trimmin' their beards. No, he waits the exact, right number of days - three.
Ted: Ok, I promise, I'll wait 3 days. Just please stop talking.
Barney: Plus, it's Sunday, so everyone's in church already. They're all in there - "Oh no, Jesus is dead."
Barney: Then BAM! He bursts through the back door, runs up the aisle, everyone's totally psyched and FYI, that's when he invented the high-five.
Barney: Three days, Ted. We wait three days to call a woman because that's how long Jesus wants us to wait. True story.
”
”
Neil Patrick Harris
“
All I wanted to do was get back to Africa. We had not left it, yet, but when I would wake in the night I would lie, listening, homesick for it already. Now, looking out the tunnel of trees over the ravine at the sky with white clouds moving across in the wind, I loved the country so that I was happy as you are after you have been with a woman that you really love, when, empty, you feel it welling up again and there it is and you can never have it all and yet what there is, now, you can have, and you want more and more, to have, and be, and live in, to possess now again for always, for that long sudden-ended always; making time stand still, sometimes so very still that afterwards you wait to hear it move, and it is slow in starting. But you are not alone because if you have every really loved her happy and untragic, she loves you always; no matter whom she loves nor where she goes she loves you more.
”
”
Ernest Hemingway (Green Hills of Africa)
“
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now…
In our ”“special place.”
Waiting for you…
Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...
Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...
The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...
I think you know what I mean...
Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm afraid you don't really want me to come home.
Whenever you come see me, I can tell how hard it is on you...
I don't know if you hate me or pity me... Or maybe I just disgust you....
I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.
That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.
Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.
Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.
I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...
You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.
James...
You made me happy.
“I love you, Mary.”
As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
”
”
Sadamu Yamashita (Silent Hill 2: The Novel)
“
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.'
Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?'
Something new and terrible knotted up inside her. 'No, that's not what I'm saying.'
'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss.
'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.'
'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.'
'You also like daylight.' Evangeline reminded him.
'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.'
Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite.
Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I think timing is better left up to God to decide then religious leaders. I once met a man that brought his wife flowers in the hospital. They held hands, kissed and were as affectionate as any cute couple could be. They were both in their eighties. I asked them how long they were married. I expected them to tell me fifty years or longer. To my surprise, they said only five years. He then began to explain to me that he was married thirty years to someone that didn’t love him, and then he remarried a second time only to have his second wife die of cancer, two years later. I looked at my patient (his wife) sitting in the wheelchair next to him smiling. She added that she had been widowed two times. Both of her marriages lasted fifteen years. I was curious, so I asked them why they would even bother pursuing love again at their age. He looked at me with astonishment and said, “Do you really think that you stop looking for a soulmate at our age? Do you honestly believe that God would stop caring about how much I needed it still, just because I am nearing the end of my life? No, he left the best for last. I have lived through hell, but if I only get five years of happiness with this woman then it was worth the years of struggle I have been through.
”
”
Shannon L. Alder
“
Wait,” I repeated.
The darkness vanished, leaving Rhysand in his solid form as he grinned. “Yes?”
I raised my chin as high as I could manage. “Just two weeks?”
“Just two weeks,” he purred, and knelt before me. “Two teensy, tiny weeks with me every month is all I ask.”
“Why? And what are to … to be the terms?” I said, fighting past the dizziness.
“Ah,” he said, adjusting the lapel of his obsidian tunic. “If I told you those things, there’d be no fun in it, would there?”
I looked at my ruined arm. Lucien might never come, might decide I wasn’t worth risking his life any further, not now that he’d been punished for it. And if Amarantha’s healers cut off my arm …
Nesta would have done the same for me, for Elain. And Tamlin had done so much for me, for my family; even if he had lied about the Treaty, about sparing me from its terms, he’d still saved my life that day against the naga, and saved it again by sending me away from the manor.
I couldn’t think entirely of the enormity of what I was about to give—or else I might refuse again. I met Rhysand’s gaze. “Five days.”
“You’re going to bargain?” Rhysand laughed under his breath. “Ten days.”
I held his stare with all my strength. “A week.”
Rhysand was silent for a long moment, his eyes traveling across my body and my face before he murmured: “A week it is.”
“Then it’s a deal
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
All night, a man called out “God! God!”
Until his lips were bleeding.
Then the Adversary of mankind said, “Hey! Mr Gullible!
… How come you’ve been calling all night
And never once heard God say, “Here, I AM”?
You call out so earnestly and, in reply, what?
I’ll tell you what. Nothing!”
The man suddenly felt empty and abandoned.
Depressed, he threw himself on the ground
And fell into a deep sleep.
In a dream, he met an angel, who asked,
“Why are you regretting calling out to God?”
The man said, “ I called and called
But God never replied, “Here I AM.”
The Angel explained, “God has said,
“Your calling my name is My reply.
Your longing for Me is My message to you.
All your attempts to reach Me
Are in reality My attempts to reach you.
Your fear and love are a noose to catch Me.
In the silence surrounding every call of “God”
Waits a thousand replies of “Here I AM.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
I agree that it seems vulgar, decadent, even epistemically violent, to invest energy in the trivialities of sex and friendship when human civilization is facing collapse. But at the same time, that is what I do every day. We can wait, if you like, to ascend to some higher plane of being, at which point we’ll start directing all our mental and material resources toward existential questions and thinking nothing of our own families, friends and lovers and so on. But we’ll be waiting, in my opinion, a long time. And, in fact, we’ll die first. After all, when people are lying on their deathbeds, don’t they always start talking about their spouses and children? And isn’t death just the apocalypse in the first person? So, in that sense, there is nothing bigger than what you so derisively call “breaking up and staying together,” because at the end of our lives, when there is nothing left in front of us, it’s still the only thing we want to talk about. Maybe we’re just born to love and worry about the people we know and to go on loving and worrying, even when there are more important things we should be doing. And if that means the human species is going to die out, isn’t it -- in a way -- a nice reason to die out? The nicest reason you can imagine? Because when we should have been reorganizing the distribution of the world’s resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much, and found each other too interesting. And I love that about humanity. And in fact it’s the very reason I root for us to survive -- because we are so stupid about each other.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
Not long ago you are in a room where someone asks the philosopher Judith Butler what makes language hurtful. You can feel everyone lean in. Our very being exposes us to the address of another, she answers. We suffer from the condition of being addressable. Our emotional openness, she adds, is carried by our addressability. Language navigates this. For so long you thought the ambition of racist language was to denigrate and erase you as a person. After considering Butler’s remarks, you begin to understand yourself as rendered hypervisible in the face of such language acts. Language that feels hurtful is intended to exploit all the ways that you are present. Your alertness, your openness, and your desire to engage actually demand your presence, your looking up, your talking back, and, as insane as it is, saying please. Standing outside the conference room, unseen by the two men waiting for the others to arrive, you hear one say to the other that being around black people is like watching a foreign film without translation. Because you will spend the next two hours around the round table that makes conversing easier, you consider waiting a few minutes before entering the room.
”
”
Claudia Rankine (Citizen: An American Lyric)
“
The moment we met, I saw it. I saw you. You are such a wonderfully kind person, but you don't want anyone to know it. You have secret depths of passion that you hide within yourself out of fear. You love too deeply, but you try to deny it, because you know that the deeper you love, the more you hurt. Your heart is so fragile, which is why you keep it locked in an iron cage. But I am pretty sure that this cage has a lock. And if it takes me five years, or ten, or fifty… I am determined to find the key. Because I will never break something so precious, just to find out what is inside. I could give you a thousand words, and describe you a thousand ways. But in the end it is very simple. I want you because I love you. No one else. You are the only one. You are my only one.”
“You'd wait that long?”
“Forever, mi corazón.
”
”
George DeValier
“
Lucky"
(feat. Colbie Caillat)
Do you hear me,
I'm talking to you
Across the water across the deep blue ocean
Under the open sky, oh my, baby I'm trying
Boy I hear you in my dreams
I feel your whisper across the sea
I keep you with me in my heart
You make it easier when life gets hard
I'm lucky I'm in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again
Ooohh ooooh oooh oooh ooh ooh ooh ooh
They don't know how long it takes
Waiting for a love like this
Every time we say goodbye
I wish we had one more kiss
I'll wait for you I promise you, I will
I'm lucky I'm in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again
Lucky we're in love every way
Lucky to have stayed where we have stayed
Lucky to be coming home someday
And so I'm sailing through the sea
To an island where we'll meet
You'll hear the music fill the air
I'll put a flower in your hair
Though the breezes through trees
Move so pretty you're all I see
As the world keeps spinning round
You hold me right here right now
I'm lucky I'm in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again
I'm lucky we're in love every way
Lucky to have stayed where we have stayed
Lucky to be coming home someday
”
”
Jason Mraz
“
The soul was not made to run on empty. But the soul doesn’t come with a gauge. The indicators of soul-fatigue are more subtle: • Things seem to bother you more than they should. Your spouse’s gum-chewing suddenly reveals to you a massive character flaw. • It’s hard to make up your mind about even a simple decision. • Impulses to eat or drink or spend or crave are harder to resist than they otherwise would be. • You are more likely to favor short-term gains in ways that leave you with high long-term costs. Israel ended up worshiping a golden calf simply because they grew tired of having to wait on Moses and God. • Your judgment is suffering. • You have less courage. “Fatigue makes cowards of us all” is a quote so ubiquitious that it has been attributed to General Patton and Vince Lombardi and Shakespeare. The same disciples who fled in fear when Jesus was crucified eventually sacrificed their lives for him. What changed was not their bodies, but their souls.
”
”
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
“
I look at sex differently than most people. It’s an exchange, and it should be good for both parties. I don’t want you to spread your legs and let me have you because you want someone to hold you. If you want me to hold you, ask me. I want you to spread your legs because you can’t wait another single second for my cock. I want that pussy ripe and ready and weeping for a big dick to split it wide and have its way. I want your nipples to peak because I walk into a room and you remember every dirty thing I can do to them. I want you to want me. I can make you crave me. I don’t want some drive-by fucking that gets me off and I forget it five minutes later. I want to fuck all night long. I want to feel it all the next day because my cock got so used to being deep inside your body. If that’s what you want, then get dressed in the sexiest thing you own and agree that I’m the boss when it comes to sex.
”
”
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
“
I made him a promise." Kevin dragged his stare away from Neil's face to follow Andrew's progress. "He's waiting to see if I can keep it." "I don't understand." Kevin said nothing for so long Neil almost gave up waiting for an answer. Finally he explained, "Andrew on his drugs is useless, but Andrew off his drugs is worse. His high school counselor saw the difference between his junior and senior years and swore this medicine saved his life. A sober Andrew is…" Kevin thought for a moment, trying to remember her exact words, and crooked his fingers at Neil as he quoted, "destructive and joyless. "Andrew has neither purpose nor ambition," Kevin said. "I was the first person who ever looked at Andrew and told him he was worth something. When he comes off these drugs and has nothing else to hold him up I will give him something to build his life around." "He agreed to this?" Neil asked. "But he's fighting you every step of the way. Why?" "When I first said you would be Court, why were you upset with me?" "Because I knew it'd never happen," Neil said, "but I wanted it anyway." Kevin said nothing. Neil waited, then realized he'd answered his own question.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
If the world gives you the blues, if you wake up in the middle of the night with waves of fear and senseless panic washing over you, I am your friend. If you’re overcome by a desperation that makes your mouth open for a scream that never comes out but just freezes your face in mute despair, then you and I have something in common. If you can’t understand them for the life of you, even though you’ve tried so hard, when that dislocation makes you feel like you’re the only one of your species on the planet, I know I can confide in you. If this endless ghetto of lies and heart break, this life-long run of fences and flickering neon signs, night sweats and suicidal urges makes you feel like stopping, just stopping, like stopping breathing, wait. Wait. You don’t have to tell me your name. You don’t have to prove yourself to me. I accept you. If you’re finding life to be the one thing that’s trying to kill you, I want you to stay alive to rise with the sun and fight back.
”
”
Henry Rollins (Solipsist (Henry Rollins))
“
Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops.
His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it.
Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.
”
”
William Maxwell (So Long, See You Tomorrow)
“
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.'
Tears slip down my face. 'Yes,' I murmur.
Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes.
I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.'
Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck.
No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.'
I'm sure I don't know what you mean.' she says, sounding uncertain for the first time.
That's why they were able to take you. They found your fear.'
And what, pray, was it?'
Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.'
I am not like them. I am their hope. I sustain them.'
No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.'
Circe laughts, a splintered cackle that finds a way under my skin.
And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?'
I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.'
And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone.
It's as if she's delivered a blow to my heart. My hand falters. 'I-I...'
Gemma, you're not alone,' Circe gasps, and my hand touches metal.
No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
meander, v.
"...because when it all comes down to it, there's no such thing as a two-hit wonder. So it's better just to have that one song that everyone knows, instead of diluting it with a follow-up that only half succeeds. I mean, who really cares what Soft Cell's next single was, as long as we have 'Tainted Love'?"
I stop. You're still listening.
"Wait," I say. "What was I talking about? How did we get to 'Tainted Love'?"
"Let's see," you say, "I believe we started roughly at the Democratic gains in the South, then jumped back to the election of 1948, dipping briefly into northern constructions of the South, vis-a-vis Steel Magnolias, Birth of a Nation, Johnny Cash, and Fried Green Tomatoes. Which landed you on To Kill a Mockingbird, and how it is both Southern and universal, which -- correct me if I'm wrong -- got us to Harper Lee and her lack of a follow-up novel, intersected with the theory, probably wrong, that Truman Capote wrote the novel, then hopping over to literary one-hit wonders, and using musical one-hit wonders to make a point about their special place in our culture. I think."
"Thank you," I say. "That's wonderful.
”
”
David Levithan (The Lover's Dictionary)
“
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths.
As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be.
It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting.
One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower.
And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on.
So it goes.
And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment.
Rome passed into the past, and became New York.
Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love.
("For The Rest Of Her Life")
”
”
Cornell Woolrich (Angels of Darkness)
“
In the deserted forest, Firestar crouched beside Spottedleaf's trembling body. Blood welled at her neck, soaking Firestar's cheek as he pressed against her. "Spottedleaf! Please don't go". Dovewing heard a sob in his mew. "You promised you'd be there to welcome me".
Spottedleaf gave a tiny shake of her head. "That was never going to happen my love. I cannot journey with you anymore. I'm so sorry".
Firestar pawed at her. "No! I still need you!"
"Let her go" A she-cat shimmered into view, her gray fur long and matted.
"Yellowfang?" Firestar looked at her, his green eyes pleading. "Don't let her disappear. Please."
"This was her destiny." Yellowfang touched her muzzle to Firestar's head. "Let her follow it."
"But she said she'd wait for me in StarClan!" Firestar's mew caught in his throat.
Spottedleaf looked up at him and opened her mouth as if she wanted to say something. A small gasp escaped her; then she fell limp. Her fur started to blur, leaving a faint outline and then nothing but bloodstained grass. Firestar's head drooped.
”
”
Erin Hunter
“
Last year, 4.2 million babies died. That is the most recent number reported by UNICEF of deaths before the age of one, worldwide. We often see lonely and emotionally charged numbers like this in the news or in the materials of activist groups or organizations. They produce a reaction. Who can even imagine 4.2 million dead babies? It is so terrible, and even worse when we know that almost all died from easily preventable diseases. And how can anyone argue that 4.2 million is anything other than a huge number? You might think that nobody would even try to argue that, but you would be wrong. That is exactly why I mentioned this number. Because it is not huge: it is beautifully small. If we even start to think about how tragic each of these deaths is for the parents who had waited for their newborn to smile, and walk, and play, and instead had to bury their baby, then this number could keep us crying for a long time. But who would be helped by these tears? Instead let’s think clearly about human suffering. The number 4.2 million is for 2016. The year before, the number was 4.4 million. The year before that, it was 4.5 million. Back in 1950, it was 14.4 million. That’s almost 10 million more dead babies per year, compared with today. Suddenly this terrible number starts to look smaller. In fact the number has never been lower.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
“
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . .
Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week.
My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations.
When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love.
What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
”
”
Vladimir Nabokov (Letters to Vera)
“
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.”
-“Wow,” I said. “Did the search pay off?”
“That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.”
-“Waiting for the perfect love?”
“No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.”
-“I’m not sure that has anything to do with love,” I said with some amazement.
“It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.”
-“Things like throwing strawberry shortcake out the window?”
“Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?”
-“So then what?”
“So then I’d give him all the love he deserves for what he’s done.”
-“Sounds crazy to me.”
“Well, to me, that’s what love is…
”
”
Haruki Murakami (Norwegian Wood)
“
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just
because you can’t think with your upstairs brain.”
“No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what
anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else.
“You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t.
You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just
had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All
this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith
in him, but Ryan couldn’t stop there.
Oh, no, not Ryan Miller.
“After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed,
smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much,
you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look
at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much.
When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me,
leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule.
It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you?
I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up.
“Sorry,” I breathed as he pulled away.
“Don’t be sorry,” he teased. “Just stop.”
“Sorry,” I said again when I noticed that his leg was now bouncing under the table.
“Yeah. Looks like I don’t get to sleep through economics today.”
“On the bright side, Coach could make you run laps all practice long and you’d be fine.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Count, or we’ll begin again with each stroke you miss. You decide how long this goes on for. Unless you’d rather Elide Lochan receive these strokes.” No. Never. Never anyone else but her. Never. But as Cairn walked slowly, savoring each step, as he let that whip drag along the ground, her body betrayed her. Began shaking. She knew the pain. Knew what it’d feel like, what it’d sound like. Her dreams were still full of it. No doubt why Maeve had picked a whipping, why she’d done it to Rowan in Doranelle. Cairn halted. She felt him studying the tattoo on her back. Rowan’s loving words, written there in the Old Language. Cairn snorted. Then she felt him revel in how he’d destroy that tattoo. “Begin,” Maeve said. Cairn’s breath sucked in. And even bracing herself, even clamping down hard, there was nothing to prepare for the crack, the sting, the pain. She did not let herself cry out, only hissed through her teeth. A whip wielded by an overseer at Endovier was one thing. One wielded by a full-blooded Fae male … Blood slid down the back of her pants, her split skin screaming. But she knew how to pace herself. How to yield to the pain. How to take it. “What number was that, Aelin?” She would not. She would never count for that rutting bitch— “Start over, Cairn,” Maeve said. A breathy laugh. Then the crack and the pain and Aelin arched, the tendons in her neck near snapping as she panted through clenched teeth. The males holding her gripped her firm enough to bruise. Maeve and Cairn waited. Aelin refused to say the word. To start the count. She’d die before she did it. “Oh gods, oh gods,” Elide sobbed. “Start over,” Maeve merely ordered over the girl. So Cairn did. Again. Again. Again. They started over nine times before Aelin finally screamed. The blow had been right atop another one, tearing skin down to the bone. Again. Again. Again. Again. Cairn was panting. Aelin refused to speak. “Start over,” Maeve repeated. “Majesty,
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
He watches me eat for a moment. “Let me see it again.”
“No.”
“Okay.” He pulls a can of carbonated water out of his backpack and pops the lid.
Sometimes I want to punch him. I find the letter and slide it across the table.
He reads it again. It makes me feel all jittery inside.
His eyes flick up. “She likes you.”
I shrug and steal his drink. It tastes like someone drowned an orange in a bottle of Perrier, and I cough.
Rev smiles. “You like her.”
“How can you drink this crap?”
His smile widens. “Is it making you crazy that she won’t reveal herself?”
“Seriously, Rev, do you have any regular water?”
He’s no fool. “What do you want to do?”
I take a long breath and blow it out. I run a hand through my hair. “I don’t know.”
“You know.”
“I want to stake out the grave. This waiting between letters is killing me.”
“Suggest email.”
“She doesn’t want to tell me anything more than her age. She’s not going to give me her email address.”
“Maybe not her real email. But you could set up a private account and give her the address. See if she writes you.”
It’s so simple it’s brilliant. I hate that I didn’t think of it. “Rev, I could kiss you.”
“Brush your teeth first.” He reclaims his bizarre can of water.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
You won’t stop until you have all of me, will you? My body, my blood, my trust…and still you want more.” He knew of what I spoke and his reply was immediate. “I want your heart the most. Above all else. You’re exactly right, I won’t stop until I have it.” Tears began to slide down my cheeks, because I couldn’t hold the truth back anymore. I didn’t know how I’d managed to hold it back this long. “You have it already. So now you can stop.” His whole body stilled. “You mean that?” Uncertainty but also growing emotion filled his eyes as they bore into mine. I nodded, mouth too dry to speak. “Say it. I need to hear the words. Tell me.” I licked my lips and cleared my throat. It took three times, but finally my voice returned. “I love you, Bones.” A weight seemed to lift from me I hadn’t known was there. Funny how much I’d feared something that shouldn’t have frightened me at all. “Again.” He started to smile, and a beautiful, pure joy filled up the emptiness I’d carried my entire life. “I love you.” He kissed my forehead, cheeks, eyelids, and chin, feather-soft brushes that had the impact of a locomotive. “Once more.” The request was muffled by his mouth on mine and I breathed the words into him. “I love you.” Bones kissed me until my head reeled and everything tilted even though I was lying flat. He only paused long enough to whisper onto my lips, “It was well worth the wait.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
The Age Of Reason
1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’
2. “ I’m not so much interested in myself as all that’ he said simply.
‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’
3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’
4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’
5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’
6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’
‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’
‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’
7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’
8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’
9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
”
”
Jean-Paul Sartre
“
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Here’s the stark truth about the person who is right for you: They want the same lifestyle that you do. How do I know this? Because that is, by definition, what makes them right for you. To be with someone whose eyes light up when yours do, whose heart races when your blood also pounds, who is enticed and inspired by the same forces that drive you forward, is a gift many of us never truly get to experience.
Because we settle. We settle for the person we love over the person who could push us – to be bigger, stronger, greater versions of ourselves. We tell ourselves that love is enough. That it conquers everything. But we forget that love shouldn’t be the thing that conquers our lives – we should be. And we should do it deliberately, triumphantly, by the side of somebody who shares all of our joys and successes.
So how do we meet such a person? That’s simple – we do more of what we love. We give ourselves up to uncertainty, to searching, to pursuing what we want out of life without the certainty of having someone beside us while we do it. We throw ourselves wholeheartedly into the things that we love and we consequently attract the people who love what we love. Who value what we prioritize. Who appreciate all that we are. We throw ourselves into the heart of possibility instead of staying comfortably settled inside of certainty. Because we owe it to ourselves to do so. We owe it to ourselves to live the greatest life that we’re capable of living, even if that means that we have to be alone for a very long time.
At the end of the day, love is wonderful but it isn’t enough to make up for an entire lifetime of compromising your core values. You don’t want to spend forever gazing into somebody’s eyes expecting to find all of the answers you need inside of them. Wait for the person who is gazing outward in the same direction as you are.
It’s going to make all of the difference in the world
”
”
Heidi Priebe
“
You don’t know,” I say, exasperated. “That’s why you don’t understand. You don’t know what I used to be like. You don’t know what it was like in my head. I lived in a really dark place,” I say to him. “I wasn’t safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn’t even tell the difference,” I say, more harshly than I mean to. “I had a small thread of hope and I clung to it, but the majority of my life was spent waiting around to see if someone would take pity on me.”
Kenji is just staring at me, his eyes tight.
“Don’t you think I’ve realized,” I say to him, angrier now, “that if I’d allowed myself to get mad a long time ago, I would’ve discovered I had the strength to break through that asylum with my own two hands?”
Kenji flinches.
“Don’t you think that I think about that, all the time?” I ask him, my voice shaking. “Don’t you think it kills me to know that it was my own unwillingness to recognize myself as a human being that kept me trapped for so long? For two hundred and sixty-four days, Kenji,” I say, swallowing hard. “Two hundred and sixty-four days I was in there and the whole time, I had the power to break myself out and I didn’t, because I had no idea I could. Because I never even tried. Because I let the world teach me to hate myself. I was a coward,” I say, “who needed someone else to tell me I was worth something before I took any steps to save myself.
“This isn’t about Adam or Warner,” I tell him. “This is about me and what I want. This is about me finally understanding where I want to be in ten years. Because I’m going to be alive, Kenji. I will be alive in ten years, and I’m going to be happy. I’m going to be strong. And I don’t need anyone to tell me that anymore. I am enough, and I always will be.
”
”
Tahereh Mafi
“
As they walked, Tehol spoke. ‘…the assumption is the foundation stone of Letherii society, perhaps all societies the world over. The notion of inequity, my friends. For from inequity derives the concept of value, whether measured by money or the countless other means of gauging human worth. Simply put, there resides in all of us the unchallenged belief that the poor and the starving are in some way deserving of their fate. In other words, there will always be poor people. A truism to grant structure to the continual task of comparison, the establishment through observation of not our mutual similarities, but our essential differences. ‘I know what you’re thinking, to which I have no choice but to challenge you both. Like this. Imagine walking down this street, doling out coins by the thousands. Until everyone here is in possession of vast wealth. A solution? No, you say, because among these suddenly rich folk there will be perhaps a majority who will prove wasteful, profligate and foolish, and before long they will be poor once again. Besides, if wealth were distributed in such a fashion, the coins themselves would lose all value—they would cease being useful. And without such utility, the entire social structure we love so dearly would collapse. ‘Ah, but to that I say, so what? There are other ways of measuring self-worth. To which you both heatedly reply: with no value applicable to labour, all sense of worth vanishes! And in answer to that I simply smile and shake my head. Labour and its product become the negotiable commodities. But wait, you object, then value sneaks in after all! Because a man who makes bricks cannot be equated with, say, a man who paints portraits. Material is inherently value-laden, on the basis of our need to assert comparison—but ah, was I not challenging the very assumption that one must proceed with such intricate structures of value? ‘And so you ask, what’s your point, Tehol? To which I reply with a shrug. Did I say my discourse was a valuable means of using this time? I did not. No, you assumed it was. Thus proving my point!’ ‘I’m sorry, master,’ Bugg said, ‘but what was that point again?’ ‘I forget. But we’ve arrived. Behold, gentlemen, the poor.
”
”
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
“
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes.
“Why do you wear those?” asked Lacuna.
I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.
“Gah!” I said. “Don’t do that!”
My miniature captive came to the edge of the dresser and peered down at me.
“Don’t ask questions?”
“Don’t come in here all quiet and spooky and scare me like that!”
“You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.”
“Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!”
“Why not?”
“Because of what could happen!”
“Because they might fall down on the floor?”
“No!” I snarled.
Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.”
“So why do you wear those?” I blinked.
“Clothes?”
“Yes. You don’t need them unless it’s cold or raining.”
“You’re wearing clothes.”
“I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.”
“No, it won’t.” I sighed.
Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?”
“No.”
“Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.”
“Why?”
“Because if you don’t, I . . . I . . . might pull your arms out of your sockets.” At that, she frowned. “Why?”
“Because I have to maintain discipline, don’t I?”
“True,” she said gravely. “But I have no clothes.”
I counted to ten mentally. “I’ll . . . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.”
“Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said.
“That’s what I was going for.”
“You have a visitor, my lord.”
I frowned. “What?”
“That is why I came in here. You have a visitor waiting for you.”
I stood up, exasperated. “Why didn’t you say so?”
Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.”
“It would not shock me in the least,” I said.
“Would you like me to cut open your skull and check, my lord?” she asked.
Someone that short should not be that disturbing. “I . . . No. No, but thank you for the offer.”
“It is my duty to serve,” Lacuna intoned.
My life, Hell’s bells.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Buried how long?”
The answer was always the same: “Almost eighteen years.”
You had abandoned all hope of being dug out?”
Long ago.”
You know that you are recalled to life?”
They tell me so.”
I hope that you care to live?”
I can’t say.”
Shall I show her to you? Will you come and see her?”
The answers to this question were various and contradictory. Sometimes the broken reply was, “Wait! It would kill me if I saw her too soon.” Sometimes it was given in a tender rain of tears, and then it was, “Take me to her.” Sometimes it was staring and bewildered, and then it was, “I don’t know her. I don’t understand.”
After such imaginary discourse, the passenger in his fancy would dig, and dig, dig – to dig this wretched creature out. Got out at last, with earth hanging about his face and hair, he would suddenly fall away to dust. The passenger would then start to himself, and lower the window, to get the reality of mist and rain on his cheek.
Yet even when his eyes were opened on the mist and rain, on the moving patch of light from the lamps, and the hedge of the roadside retreating by jerks, the night shadows outside the coach would fall into the train of night shadows within. Out of the midst in them, a ghostly face would rise, and he would accost it again.
Buried how long?”
Almost eighteen years.”
I hope you care to live?”
I can’t say.”
Dig – dig – dig – until an impatient movement from one of the two passengers would admonish him to pull up the window, draw his arm securely through the leather strap, and speculate on the two slumbering life forms, until his mind lost hold of them, and they again slid away into the bank and the grave.
Buried how long?”
Almost eighteen years.”
You had abandoned all hope of being dug out?”
Long ago.”
The words were still in his hearing just as spoken – distinctly in his hearing as ever spoken words had been in his life – when the weary passenger started to the consciousness of daylight, and found that the shadows of night were gone.
”
”
Charles Dickens (A Tale of Two Cities)
“
Someone is getting excited. Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person. This person has dressed for the occasion. This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. This person is laughing out loud with relief and playing the message back to get the address of the place where every person this person has ever known is waiting to hug this person and bring her into the fold of life. It is really exciting, and it’s not just a dream, it’s real.
”
”
Miranda July
“
She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.
The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."
So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.
She looks at him.
”
”
Sébastien Japrisot
“
New Mexico is my favorite state,” I declared as we pulled onto I-40.
“I'm waiting to see it all before I decide. And by the way, your driving isn't half bad. I expected to be terrified.”
“Why?”
“I imagined a timid, overly cautious little angel, but you've got an impressive lead foot.”
Whoops.
“Your car drives so quietly,” I said, "I don't realize how fast I'm going. I'll set the cruise control from now on.”
“Don't worry. I'll keep an ear out for cops,” he told me.
“Will we be passing the Grand Canyon?” I asked. “I've always wanted to see it.”
Kaidan pulled out the map and studied it.
“It's a bit out of the way, more than an hour. But how about this? We can go on the way back, since we won't have a time crunch.”
I didn't know if it was the desert air or what, but I felt at ease. I still had a thousand questions for Kaidan, but I wasn't in the mood for another heavy conversation just yet. I liked talking to him. We were still guarded, and it wasn't nearly as carefree as talking with Jay, but I was beginning to imagine keeping Kaidan in my life as a friend after this trip. Time would help us forget the kiss. My crush on him would fade. If I could stop analyzing every touch and every look, then maybe it could work. I vowed to myself at that moment: No more jealousy. No more flirting. No more lustful longing for the elusive Kaidan Rowe.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?”
“Oh,” Annabelle said with irreverent lightness, “any peer will do.”
“Any peer?” Lillian asked skeptically. “What about good looks?”
Annabelle shrugged. “Welcome, but not necessary.”
“What about passion?” Daisy inquired.
“Decidedly unwelcome.”
“Intelligence?” Evangeline suggested.
Annabelle shrugged. “Negotiable.”
“Charm?” Lillian asked.
“Also negotiable.”
“You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.”
“I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.”
Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.”
Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?”
“Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.”
The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
I wanted, for so long, for someone to understand me better than I understood myself, to take control of me, to save me, to make it all better. I thought that the hardest part of a loving, mutually healing relationship would be showing my vulnerable, raw spots to a person, even though I'd been hurt so many times before. This has not been the hardest part.
The actual hardest part has been realizing that no one, no matter how compassionate and kind they are, will say the perfect things always. Myself included. The hardest part has been learning to communicate what I need, to hear what others need, to tell others how to tell me what they need. Intimacy takes communication. A lot of it.
We all have triggers. I don't know your triggers, and you don't know mine. No matter how much I love or trust you, you cannot possibly know exactly the words I need to hear, the words I don't want to hear, and the way I like to be touched.
And how strange that we expect these things of each other. How strange (and self-sabotaging) that we refuse to get into relationships and friendships with people unless they treat us in just that perfect way.
We've been raised to want fairy tales. We've been raised to wait for flawless saviors to rescue us. But the savior isn't flawless and the savior is not coming. The savior is you. The savior is still learning. The savior is never done learning. The savior is a human being.
Forget perfect. Forget flawless. And start speaking your truth. Start speaking what you want and how you want it. And start asking and listening, really listening, to what the people around you say.
Maybe, then, we will stop abandoning and hurting each other. Maybe, then, there's hope for us.
”
”
Vironika Tugaleva
“
Something that once had importance might be forgotten by most people but because millions of people once knew it, a force is present that can be harnessed. There might be so much significance attached to a song, for example, or a fact, that it can’t die but only lies dormant, like a vampire in his coffin, waiting to be called forth from the grave once again. There is more magic in the fact that the first mass worldwide photo of the Church of Satan was taken by Joe Rosenthal – the same man who took the most famous news photo in history – the flag-raising at Iwo Jima. There’s real occult significance to that – much more than in memorizing grimoires and witches’ alphabets. People ask me about what music to use in rituals – what is the best occult music. I’ve instructed people to go to the most uncrowded section of the music store and it’s a guarantee what you’ll find there will be occult music. That’s the power of long-lost trivia. I get irritated by people who turn up their noses and whine ‘Why would anyone want to know that?’ Because once upon a time, everyone in America knew it. Suppose there’s a repository of neglected energy, that’s been generated and forgotten. Maybe it’s like a pressure cooker all this time, just waiting for someone to trigger its release. ‘Here I am,’ it beckons, ‘I have all this energy stored up just waiting for you – all you have to do is unlock the door. Because of man’s stupidity, he’s neglected me to this state of somnambulism – dreaming the ancient dreams – even though I was once so important to him.’ Think about that. A song that was once on millions of lips now is only on your lips. Now what does that contain? Those vibrations of that particular tune, what do they evoke, call up? What do they unlock? The old gods lie dormant, waiting.
”
”
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
“
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.
“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”
What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.
“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”
“I know what you mean,” I said.
His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”
“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She’s Come Undone)
“
I am not so much fun
Anymore;
Couldn’t carry the role of ingenue
In a bucket, you say, laughing.
And I want to punch you.
I was never innocent, but
Thanks to you I know things
I wish I did not remember.
You don’t like it
When I talk to the man myself,
Specifying quantities and
Give him the money
Instead of giving it to you
And letting you take care of it.
You keep asking me,
Where’s the dope?
Until I finally say,
I hid it.
The look you give me is
Pure bile.
Well, fuck you.
This isn’t like Buying somebody a drink.
You don’t leave your stash out
Where I might find it.
Finally I think I’ve made you wait
Long enough,
So I get out the little paper envelope
And hand it to you.
You are still in charge of
This part, so you relax.
Performing your junky ritual with
Your favorite razor blade, until
I ask you how to calculate my dose
So I won’t O.D. when I do this
And you’re not around.
Then you really flip.
You tell me it’s a bad idea
For me to do this with other people.
**
Was it such a good idea
For me to do it with you?
Do you wait for me to turn up
Once every three months
So you can get high?
Is this our version of that famous
Lesbian fight about
Nonmonogamy?
Let me tell you what I don’t like.
I don’t like it when you
Take forever to cut up brown powder
And cook it down and
Suck it up into the needle
And measure it, then take
Three times as much for yourself
AS you give me.
I don’t like it when you
Fuck me
After you’ve taken the needle
Out of my arm.
You talk too much
And spoil my rush.
All I really want to do
Is listen to the tides of blood
Wash around inside my body
Telling me everything is
Fine, fine, fine._
And I certainly don’t want to
Eat you or fuck you
Because it will take forever
To make you come,
If you can come at all,
And by then the smack will have worn off
And there isn’t any more.
I’m trying to remember
What the part is that I do like.
I think this shit likes me
A lot more than I like it.
Now you’re hurt and angry because
I don’t want to see you again
And the truth is,
I would love to see you,
As long as I knew you were holding.
So you tell me
Is this what you want?
I bet it was what you wanted
All along.
”
”
Patrick Califia
“
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt.
He opens his mouth but then closes it swallowing.
“Pike, Jesus—”
“The day you left,” he blurts out, and I stop.
I wait, listening as a look of fear crosses his eyes.
“The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.”
A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out.
“But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.”
My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms.
He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.”
His tone grows thick, and I see his eyes water.
“I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.”
My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him.
“I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.”
A tear spills over, gliding down my cheek.
“Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.”
My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him.
His arms are around me in a second, and he hugs me from behind, burying his face in my neck.
“I’m sorry I took so long,” he whispers in my ear.
”
”
Penelope Douglas (Birthday Girl)
“
I wanted, for so long, for someone to understand me better than I understood myself, to take control of me, to save me, to make it all better. I thought that the hardest part of a loving, mutually healing relationship would be showing my vulnerable, raw spots to a person, even though I'd been hurt so many times before. This has not been the hardest part. The actual hardest part has been realizing that no one, no matter how compassionate and kind they are, will say the perfect things always. Myself included. The hardest part has been learning to communicate what I need, to hear what others need, to tell others how to tell me what they need. Intimacy takes a lot of communication. We all have triggers. I don't know your triggers and you don't know mine. No matter how much I love or trust you, you cannot possibly know exactly the words I need to hear, the words I don't want to hear, and the way I like to be touched. And how strange that we expect these things of each other. How strange, and self-sabotaging, that we refuse to get into relationships and friendships with people unless they treat us in just that perfect way. We've been raised to want fairy tales. We've been raised to wait for flawless saviors to rescue us. But the savior isn't flawless and the savior is not coming. The savior is you. The savior is still learning. The savior is never done learning. The savior is a human being. Forget perfect. Forget flawless. And start speaking your truth. Start speaking what you want and how you want it. And start asking and listening, really listening, to what the people around you say. Maybe, then, we will stop abandoning and hurting each other. Maybe, then, there's hope for us.
”
”
Vironika Tugaleva
“
He took her in his arms then, imagining the life growing inside of her and the future they would have together, a family, more love to fill the absences left by those they'd lost, more love than either of them had ever imagined still possible. The future was so precarious, shadowed by a looming danger neither of them fully understood, and Jem wondered what kind of world his child would be born into. He thought of all the blood that had been shed these last few years, the growing sense among the Shadowhunters he knew that something dark was rising, that this Cold Peace after the war might be only the eerie calm at the eye of the hurricane, those still, silent moments in which it was possible to deceive yourself into imagining the worst was over. He and Tessa have been alive too long to deceive themselves, and he thought about what might happen to a child born at the eye of such a storm. He thought about Tessa, her will and her strength, her refusal to let loss after loss harden her against love, her refusal to hide any longer from the brutality of the mortal world, her determination to fight, to hold on. She too had been a child born of storms, he thought, as had he, as had Will. All three had risen in love through their struggles to find happiness - and without the struggle, would the happiness have been so great? He closed his eyes and pressed a kiss to Tessa's hair. Behind his lids, he did not see darkness but the light of a London morning and Will there, smiling at him. "A new soul made of you and Tessa," Will said. "I can hardly wait to meet such a paragon." "Do you see him too?" Tessa whispered. "I see him," Jem said, and he held her even more tightly against him, the new life they had created together between them.
”
”
Cassandra Clare (Ghosts of the Shadow Market)
“
There are always plenty of rivals to our work. We are always falling in love or quarreling, looking for jobs or fearing to lose them, getting ill and recovering, following public affairs. If we let ourselves, we shall always be waiting for some distraction or other to end before we can really get down to our work. The only people who achieve much are those who want knowledge so badly that they seek it while the conditions are still unfavorable. Favorable conditions never come. There are, of course, moments when the pressure of the excitement is so great that only superhuman self-control could resist it. They come both in war and peace. We must do the best we can.
The second enemy is frustration—the feeling that we shall not have time to finish. If I say to you that no one has time to finish, that the longest human life leaves a man, in any branch of learning, a beginner, I shall seem to you to be saying something quite academic and theoretical. You would be surprised if you knew how soon one begins to feel the shortness of the tether, of how many things, even in middle life, we have to say "No time for that," "Too late now," and "Not for me." But Nature herself forbids you to share that experience. A more Christian attitude, which can be attained at any age, is that of leaving futurity in God's hands. We may as well, for God will certainly retain it whether we leave it to Him or not. Never, in peace or war, commit your virtue or your happiness to the future. Happy work is best done by the man who takes his long-term plans somewhat lightly and works from moment to moment "as to the Lord." It is only our daily bread that we are encouraged to ask for. The present is the only time in which any duty can be done or any grace received.
”
”
C.S. Lewis (The Weight of Glory)
“
It was night again. The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music...but no, of course there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle #1))
“
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -
"My heart will break!"
What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.
"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.
To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.
"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.
"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -
"Sortez d'ici!"
"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.
"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"
He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.
"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."
"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"
This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.
The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.
"It made you very sad then to lose your friend?" said he.
"It kills me to be forgotten, Monsieur," I said.
”
”
Charlotte Brontë (Villette)
“
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
”
”
Gabriel García Márquez (Of Love and Other Demons)
“
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for —
Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand.
“Don’t kill me!”
“That was not my intention.”
Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand.
“Well, Severus? What message does Lord Voldemort have for me?”
“No — no message — I’m here on my own account!”
Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him.
“I — I come with a warning — no, a request — please —”
Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other.
“What request could a Death Eater make of me?”
“The — the prophecy… the prediction… Trelawney…”
“Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?”
“Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!”
“The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —”
“You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —”
“If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?”
“I have — I have asked him —”
“You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?”
Snape said nothing, but merely looked up at Dumbledore.
“Hide them all, then,” he croaked. “Keep her — them — safe. Please.”
“And what will you give me in return, Severus?”
“In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping.
I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me.
I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right?
These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one.
Soon, she began to listen to it.
Lara, it said, sit here, where the sun may kiss you. And she did.
Lara, it said, lie here, where the moon can make love to you all night long. and she did.
Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream.
Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon.
For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara.
When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion.
While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon.
Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true.
So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
”
”
Alice Walker
“
You going to the game tonight?"
I was about to answer,but another voice rang out from just behind me.
"She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it.
"Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever.
But now he was here. It was my waist he held. It didn't seem real.
"I can't carry the team to victory without you," he said. "You're my rabbit's foot."
I craned my neck around to look at him. "I've always dreamed of some guy saying that to me."
He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered.
"It doesn't take much. We're in the middle of the hallway."
"You want to know what else I love?" His tone was playful.
"No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered.
"That."
I could feel his smile against my ear. Jack was always smiling.It was what made him so likable.
By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk.
Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us.
"Uh-oh," I said.
Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback.
"Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?"
I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal.
We hadn't even been together then.
It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing.
Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
”
”
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair
of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury,
with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he
suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his
fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the
right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an
unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and
her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring"
spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing
City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd
bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when
she faced a man with thirty times her fencing experience across the razor-edged steel of their swords,
with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own
murdered steaders at her back.
But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the
Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that
moment that for all his own imposing record of victory in battle, he was not and never had been her
equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of
devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much
a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself
had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she
could have been a monster under the wrong set of circumstances.
And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last
he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty,
and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong
circumstances, she could have been the most terrifying person he had ever met.
In fact, at this moment, she was .
It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or
even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply
personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space
itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy
shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those
agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew
now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a
determination which would not— couldnot—relent or rest.
"I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget,
and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we
do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
”
”
David Weber (Mission of Honor (Honor Harrington, #12))
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea