Uncut Quotes

Guard well your spare moments. They are like uncut diamonds. Discard them and their value will never be known. Improve them and they will become the brightest gems in a useful life.

But once that string gets cut, kid, you can't uncut it. Do you get what I'm saying?

I’d spent my entire life overdosing on uncut escapism, willingly allowing fantasy to become my reality.

I tried to make sense of the Four Books, until love arrived, and it all became a single syllable.

The women one meets - what are they but books one has already read? You're a library of the unknown, the uncut. Upon my word I've a subscription.

There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall. Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.

Like people would ever want to read books on an electronic screen.

You look... amazing!" And I have to say, I agree. I'm wearing all black - but expensive black. The kind of deep, soft black that you fall into. A simple sleeveless dress from Whistles, the highest of Jimmy Choos, a pair of stunning uncut amethyst earrings. And please don't ask how much it all cost, because that's irrelevant. This is investment shopping. The biggest investment of my life. I haven't eaten anything all day so I'm nice and thin and for once my hair has fallen perfectly into shape. I look... well, I've never looked better in my life. But of course, looks are only part of the package, aren't they?

Split the Castle open, find me, find you. We, two, felt sand, wind, air. One felt whip. Whipped, Once shipped. We, two, black. Me, you. One grew from cocoa's soil, birthed from nut, skin uncut, still bleeding. We two, wade. The waters seem different but are same. Our same. Sister skin. Who knew? Not me. Not you

You know, you remind me of my younger brother. I miss that kid, so much that I sometimes regret killing him.

I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.

That looks like a tree, let's call it a tree,' said Coyote to Earthmaker at the beginning, and they walked around the rootdrinker patting their bellies.

Like people would ever want to read books on an electronic screen.

Now for a handful of guilders I happen to have a private and uncut performance of the rape of the Sabine Women - or rather woman, or rather Alfred -Get your skirt on Alfred!

You know, you remind me of my younger brother. I miss that kid, so much that I sometimes regret killing him.

Anything to declare? the customs inspector said."Two pound of uncut heroin and a manual of pornographic art," Mark answered, looking about for Kity. All Americans are comedians, the inspector thought, as he passed Parker through. A government tourist hostess approached him."Are you Mr. Mark Parker?""Guilty.

I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.

Somewhere, excitement waited for me like an uncut cake.

You could have fucked me ’til your uncut, overexposed on the blogs, ‘too ginormous for my snatch’ pecker fell off. And I’d still no way never ever in a thousand years sell, loan, sample you my Easton. And to answer your question, I run my company with my pussy, and twenty-four other pussy-sporting employees. Easton girls do not allow dickheads or cocks in our fashion world. Period.

We shove the dirt over the book, tamping down the disturbed soil. The grass will grow back soon enough. It will be for us the beautiful uncut hair of graves.

Every person is just an obstacle unless you try to understand them.

A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. ... What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.

A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly’s supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D.H. Holmes department store, studying the crowd of people for signs of bad taste in dress. Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person’s lack of theology and geometry; it could even cast doubts upon one’s soul.

I love the French edition with its uncut pages. I would not want a reader too lazy to use a knife on me.

The art of happiness is being content with what you have,' she would say, looking with apparent satisfaction out of the dusty windows at the garden, yellowing like an uncut hayfield in the October sunshine.

It is only when we can look inside and learn to love deeply that which resembles uncut gravel within ourselves that we will be blessed to find it filled with diamonds

To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion. Nor is this power restricted solely to animals. The whispered hush of the uncut grasses at dawn, the plaintive moan of trunks rubbing against one another in the deep woods, or the laughter of birch leaves as the wind gusts through their branches all bear a thicket of many-layered meanings for those who listen carefully. In the Pacific Northwest I met a man who had schooled himself in the speech of needled evergreens; on a breezy day you could drive him, blindfolded, to any patch of coastal forest and place him, still blind, beneath a particular tree -- after a few moments he would tell you, by listening, just what species of pine or spruce or fir stood above him (whether he stood beneath a Douglas fir or a grand fir, a Sitka spruce or a western red cedar). His ears were attuned, he said, to the different dialects of the trees.

These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. (...) But once that string gets cut, kid, you can't uncut it.

There is so much to know and we can only guess. Guess around him. To know him from these stray actions I am told about by those who loved him. And yet, he is still one of those books we long to read whose pages remain uncut. We are still unwise. It is not that he became too complicated but that he had reduced himself to a few things around him and he gave them immense meaning and significance.

I'm not about to argue with a full professor, but if you ever have a really unbreakable case of insomnia, do yourself a favor and start reading Chapter Three of the uncut version.

It is only when we can look inside and learn to love deeply that which resembles uncut gravel within ourselves that we will be blessed to find it filled with diamonds.

And now it seems to me the beautiful uncut hair of graves." "So grass is death too-it grows out of our buried bodies. The grass was so many different things at once, it was bewildering. So grass is a metaphor for life, and for death, and for equality, and for connectedness, and for God, and for hope.

I'm tired of the music industry these days! They polish everything until it no longer sounds real. The raw uncut sound is something I think no genre but alternative and Aerow music retain.

In the Apache language there is no word for ‘guilt.’ Our lives are like diamonds. When we are born we are pure and uncut. Each thing that happens to us in our lives teaches us how to reflect the light in the world; each experience gives us a new cut, a new facet in our diamond. How brilliantly do those diamonds sparkle whose facets are many, to whom life has given many cuts!

If imagination is the rocket, then books are the rocket fuel. They supercharge the mind and help it see beyond what it can conceive on its own.

And now it [grass] seems to me the beautiful uncut hair of graves, Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you from old people, or from offspring taken soon out of their mother's laps, And here you are the mothers' laps." - Song of Myself: 6

The story of Samson, whose secret to strength was his uncut hair, may well typify the power we have when God is on our head; but it also illustrates the power that persistence holds to weaken our strength. Even the strongest resolve becomes weak when faced with negative thoughts time and again.

I only inched the tip in, but dammit to fucking hell if you milking the head of my cock doesn't have me wanting to blow my load. Do not fucking move your tight pussy one tenth of a centimeter until I can stop myself. Fuck!

Villains. Stories are nothing without them. Heroes cannot rise to greatness without them. In the absence of an enemy, our beloved protagonists are left kicking rocks in the Shire or taking tea and biscuits in a mind-numbingly cheery Spare Oom. We love villains because they turn their aches into action, their bruises into battering rams. They push through niceties and against societal restraints to propel the story forward. Unlike our lovable protagonists, villains - for better or worse - stop at literally nothing to achieve their goals. It's why we secretly root for them, why we find ourselves hoping they make their grand escape, and it's why our shoulders sag with equal parts relief and disappointment when they are caught. After all, how can you not give it up to someone who works that damned hard for what they want?... Look into a villain's eyes long enough and we might find our shadow selves, our uncut what-ifs and unchecked ambitions, a blurry line if ever there was one.

Marion and Alice were all for not using and so all went to sleep that night with a grim resolve. They got up about noon, smoked a joint with their coffee, feeling good about the fact that they werent giving any thought to not using, and sat around for a while, watched a little television, talked about maybe eating something, but not really feeling like it, then sort of moped around thinking and talking about the various things that should be done that day and making plans for doing them, then watched a little more TV, and more coffee, and more grass, spending much of the time dabbing at their running eyes and noses, and by three oclock they realized they were making a big deal out of nothing, that if they really wanted to stop using they certainly could, they were proving that right then, but it was stupid to panic and to think the world was coming to an end just because they couldnt score for any uncut weight right now, so they got back into the spoon. Their noses and eyes cleared up and they listened to music as they ate. A

Roses are picked every day, they are told that they will be better off sold in the flower shoppe. And so they go from the hands of the picker; to the hands of the delivery man; to the hands of the florist; to the hands of the customer; and then often to the hands of the final recipient of the rose. From field, cut by scissors and passed from hand to hand. The world has forgotten that it is okay for roses to be in fields, the world has forgotten the beauty of the rose uncut. The bouquet is praised and given away but the wild roses are forgotten. People have forgotten what “wild” means; they think it means something entirely different. The wild rose remains untouched, with roots and swayed by the meadow winds. And that is wild. I am wild for having roots and for being untouched and for seeing things that people have forgotten. And I will always remember— that it is okay to be uncut, that it is okay to be untouched by darkness, it is okay to be wild.

Sometimes you make the right choice and things go wrong, and sometimes you make the wrong choice and things go right.

They knew the difference between thoroughness and overkill. It was like Jay Gatsby's library: the books were real, but the pages were uncut.

Blue stands for many things at the end of time: for the forgotten, blazing blue stars of aeons past; the antithesis of redshift; the color of uncut veins beneath your skin.

Many individuals have, like uncut diamonds, shining qualities beneath a rough exterior.” —Juvenal

to know the raw silk, hold the uncut wood. Need little, want less. Forget the rules. Be untroubled.

In fact, God seems to love that kind of raw, uncut prayer, skirting the line between blasphemy and desperate faith. He’s not nearly as scared of honesty as we are.

Leatherbound books are an expensive form of wallpaper, and yet every English nobleman’s home seems to have had them. Their endless sets of the works of Cooper and Scott and Goethe, in finely tanned bindings with marbled endpapers, all end up with this sort of dealer sooner or later. I look through a set of Cooper and, without surprise, find uncut pages: these books were never actually read.

He was looking for a brightness, a resolve, a triumph over tomorrow that hardly seemed to be there. Perhaps he had expected their faces to burn and glitter with the knowledge they carried, to glow as lanterns glow, with the light in them...They weren't at all certain that the things they carried in their heads might make every future dawn glow with a purer light, they were sure of nothing save that the books were on file behind their quiet eyes, the books were waiting, with their pages uncut, for the customers who might come by in later years, some with clean and some with dirty fingers.

Because I saw, suddenly, how it would always be for me, Sam's life unfolding like slides in an old projector I'd always be clicking through in the dark, stunning leaps forward in time--but never the uncut reel.

And one more time, Walter reminded the boy of what he already knew. “If you still call it home,” he said, “you can always go back.

Is there something I can do?" "About what?" she snapped. "About your problem," he persisted. "Does anybody's ass need kicking? I can take care of that for you. I kick good ass." Her laughter rang out, sweet and bright and gorgeous. "Wow," she said. "You'd do that for me? After, what has it been now, a fifteen-minute acquaintance? Twenty, maybe, tops?" He considered that, and opened his mouth, and the raw, uncut, uncensored truth just plopped right out. "Yeah," he said. "I would.

My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you. I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time? Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed Burden me with your secrets / so I can carry the weight you're so fearful of letting go To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies

I used to believe, bless my naive little heart, that I had something to offer the robbed dead. Not revenge-there’s no revenge in the world that could return the tiniest fraction of what they’ve lost-and not justice, whatever that means, but the one thing left to give them: the truth. I was good at it. I had one, at least, of the things that make a great detective: the instinct for truth, the inner magnet whose pull tells you beyond any doubt what’s dross, what’s alloy, and what’s the pure, uncut metal. I dug out the nuggets without caring when they cut my fingers and brought them in my cupped hands to lay on graves, until I found out-Operation Vestal again-how slippery they were, how easily they crumbled, how deep they sliced and, in the end, how very little they were worth.

It says adult prison on the gates, not Hogwarts. Now, get in and say hi to your new housmate.

His lips were on mine, a deep, breathy intense kiss. A release.

The wind howled steadily, an endless ghost-train highballing through the black sky.

When I say I have a big dick, it's not a shit-talking attention-seeking ploy to impress a girl.

I’d spent my entire life overdosing on uncut escapism,

And now it seems to me the beautiful uncut hair of graves.

As they say, a jeweler knows the uncut gem. And I am. And she was. And so.

In this formative period, the soul is unsoiled by warfare with the world. It lies, like a block of pure, uncut Parian marble, ready to be fashioned into—what? —ORISON SWETT MARDEN

The Country Squire station wagon behind her was peppered with buckshot. One of the windows was a cataract of milky cracks.

There was a wall. It did not look important. It was built of uncut rocks roughly mortared.

Uncut grass always meant something.

Keepers and Seekers were not permitted to do more than trim their hair to elbow length. Ashyn said they ought to be grateful they weren't like the spirit talkers, who weren't ever allowed to cut their hair or their nails. Personally, Moria would be more concerned with the "eyes plucked out, tongue cut off, and nostrils seared" part of being a spirit talker, but she could see that the uncut nails might be inconvenient as well.

As regards your government of yourself and your household, Sancho, my first piece of advice is to be clean and to cut your fingernails, and not to let them grow long, as some people do, moved by ignorance to believe that long nails make their hand look beautiful, as if those appendages, those excrescences that they leave uncut have any right to be called fingernails at all, because they are more like talons of a kestrel: a monstrous and filthy abuse.

It’s no conspiracy [for the Hindu] to make me a refugee in the very country of my birth It’s no conspiracy to poison the air I breathe and the space I live in It’s certainly no conspiracy to cut me to pieces and then imagine an uncut Bharat.

Blue stands for many things at the end of time: for the forgotten, blazing blue stars of aeons past; the antithesis of redshift, the color of uncut veins beneath your skin. This story is written in blue ink, although you do not know that yet.

After that they browsed for a minute or two in a semi-detached fashion. Nick found a set of Trollope which had a relatively modest and approachable look among the rest, and took down The Way We Live Now, with an armorial bookplate, the pages uncut. “What have you found there?” said Lord Kessler, in a genially possessive tone. “Ah, you’re a Trollope man, are you?” “I’m not sure I am, really,” said Nick. “I always think he wrote too fast. What was it Henry James said, about Trollope and his ‘great heavy shovelfuls of testimony to constituted English matters’?” Lord Kessler paid a moment’s wry respect to this bit of showing off, but said, “Oh, Trollope’s good. He’s very good on money.” “Oh…yes…” said Nick, feeling doubly disqualified by his complete ignorance of money and by the aesthetic prejudice which had stopped him from ever reading Trollope. “To be honest, there’s a lot of him I haven’t yet read.” “No, this one is pretty good,” Nick said, gazing at the spine with an air of judicious concession. Sometimes his memory of books he pretended to have read became almost as vivid as that of books he had read and half forgotten, by some fertile process of auto-suggestion. He pressed the volume back into place and closed the gilded cage.

I already checked," Rhage muttered. "They have the DVDs--they're probably watching the extended, uncut versions." "So the strippers aren't circumcised?" Lassiter put his palms up again before the growling got even worse. "Jesus, you guys are so damn touchy.

Sometimes, When the Light" Sometimes, when the light strikes at odd angles and pulls you back into childhood and you are passing a crumbling mansion completely hidden behind old willows or an empty convent guarded by hemlocks and giant firs standing hip to hip, you know again that behind that wall, under the uncut hair of the willows something secret is going on, so marvelous and dangerous that if you crawled through and saw, you would die, or be happy forever. Lisel Mueller, Alive Together: New and Selected Poems. (LSU Press October 1, 1996)

Then, amid a constant coming in, and going out, and running about, and a clatter of crockery, and a rumbling up and down of the machine which brings the nice cuts from the kitchen, and a shrill crying for more nice cuts down the speaking-pipe, and a shrill reckoning of the cost of nice cuts that have been disposed of, and a general flush and steam of hot joints, cut and uncut, and a considerably heated atmosphere in which the soiled knives and tablecloths seem to break out spontaneously into eruptions of grease and blotches of beer, the legal triumvirate appease their appetites.

When we can’t agree, we don’t argue forever, she just does it my way.” “And she does it mine,” Spiral said. “But if you both think you’re right,” the boy asked, “why bother doing it the other way?” “Because everyone thinks they’re right—” Spiral said. “—until they discover they’re wrong,” Stripe said.

Montag tried to see the men's faces, the old faces he remembered from the firelight, lined and tired. He was looking for a brightness, a resolve, a triumph over tomorrow that hardly seemed to be there. Pherhaps he had expected their faces to burn and glitter with the knowledge they carried, to glow as lanterns glow, with the light in them. But all the light had come from the campfire, and these men had seemed no different than any others who had run a long race, searched a long search, seen good things destroyed, and now, very late, were gathered to wait for the end of the party and the blowing out of the lamps. They weren't at all certain that the things they carried in their heads might make every future dawn glow with a purer light, they were sure of nothing save that the books were on file behind their quiet eyes, the books were waiting, with their pages uncut, for the customers who might come by in later years, some with clean and some with dirty fingers.

Pulling him all the way out, his c*#@ came free from his jeans with a thud, and my eyes went wide as saucers. This was not a penis but an anaconda. His d* was a weapon of mass destruction and could have had its own area code. To make matters more frightening, Peter was uncut. I was dealing with a hybrid: an anaconda turtle.

There are prayers in the Scriptures—in the books Moses wrote and especially in Psalms—where I cringe, half expecting lightning to strike the person dead. But it doesn’t. In fact, God seems to love that kind of raw, uncut prayer, skirting the line between blasphemy and desperate faith. He’s not nearly as scared of honesty as we are.

Walk with me, please. Jesus’ sake, amen

Not one of them wanted to look into the face of another, for fear of seeing his own guilt mirrored there.

Life is what you make of it.

Forgiveness is the key. Don’t forget to do what makes you happy. I’m here to catch you—always.

The day should start when I wake up,' Walter said through a yawn. 'I should not have to wake up to start the day.

We need one another to add up to anything at all!

It is time some one undertook to rehumanise you,” said I, parting his thick and long uncut locks; “for I see you are being metamorphosed into a lion, or something of that sort. You have a ‘faux air’ of Nebuchadnezzar in the fields about you, that is certain: your hair reminds me of eagles’ feathers; whether your nails are grown like birds’ claws or not, I have not yet noticed.

The bucket tipped forward and the water flew out, all of it seeming to hang suspended for a moment in the yellow lamplight like the largest uncut diamond in the universe, and he saw the dark man’s face through it, reflected and refracted into the face of a supremely grinning troll who had just made its way up from hell’s darkest shit-impacted bowels to rampage on the earth; then the water fell on him, so cold that his swelled throat sprang momentarily open again, squeezing blood from its walls in big beads, shocking breath into him and making him kick the covers all the way over the foot of the bed in one convulsive spasm so that his body would be free to jackknife and sunfish as bitter cramps from these involuntary struggles whipped through him like greyhounds biting on the run.

Criterion offered cineastes who wished to see the original version of a picture their only practical alternative to visiting an archive and lacing up the film themselves on a viewing machine. The company was dedicated to presenting movies uncut, using transfers sourced from the best available elements and, beginning with Invasion of the Body Snatchers, their eighth release, presented in their original theatrical ratios.

In the nights, which he could create by turning the handle of a door, he lay for hours in contemplation of the skylight. The Earth’s disk was nowhere to be seen, the stars, thick as daisies on an uncut lawn, reigned perpetually with no cloud, no moon, no sunrise, to dispute their sway. There were planets of unbelievable majesty, and constellations undreamed of: there were celestial sapphires, rubies, emeralds and pin-pricks of burning gold. far out on the left of the picture hung a comet, tiny and remote: and between all and behind all, far more emphatic and palpable than it showed on Earth, the undimensioned, enigmatic blackness. The lights trembled: they seemed to grow brighter as he looked. Stretched naked on his bed, a second Dana, he found it night by night more difficult to disbelieve in old astrology: almost he felt, wholly he imagined, 'sweet influence' pouring or even stabbing into his surrendered body.

Like a small sun emerging from the stone itself, a ball of light burst from the floor. A star, twin to the one in Bryce’s chest. Her starlight at last awoke again, as if reaching with shining fingers for that star hovering inches away. With trembling hands, Bryce guided the star to the one gleaming on her chest. Into her body. White light erupted everywhere. Power, uncut and ancient, scorched through her veins. The hair on her head rose. Debris floated upward.

They were nice enough people and all, but there wasn't much love in them. Because they were too busy being afraid. Love didn't grow very well in a place where there was only fear, just as plants didn't grow very well in a place where it was always dark.

Gulls churr; ducks cluck. Bulls plus bucks run thru buckrush; thus dun burrs clutch fur tufts. Ursus cubs plus Lupus pups hunt skunks. Curs skulk (such mutts lurk: ruff ruff). Gnus munch kudzu. Lush shrubs bud; thus church nuns pluck uncut mums. Bugs hum - buzz, buzz - dull susurrus gusts murmur hushful, humdrum murmurs; hush, hush. Dusk suns blush. Surf lulls us. Such scuds hurl up cumulus suds (Sturm und Druck) - furls unfurl: rush, rush; curls uncurl: gush, gush. Such tumult upturns unsunk hulls; thus gulfs crush us, - gulp! - dunk us; burst lungs succumb.

Montag tried to see the men's faces, the old faces he remembered from the firelight, lined and tired. He was looking for a brightness, a resolve, a triumph over tomorrow that hardly seemed to be there. Perhaps he had expected their faces to burn and glitter with the knowledge they carried, to glow as lanterns glow, with the light in them. But all the light had come from the campfire, and these men had seemed no different than any others who had run a long race, searched a long search, seen good things destroyed, and now, very late, were gathered to wait for the end of the party and the blowing out of the lamps. They weren't at all certain that the things they carried in their heads might make every future dawn glow with a purer light, they were sure of nothing save that the books were on file behind their quiet eyes, the books were waiting, with their pages uncut, for the customers who might come by in later years, some with clean and some with dirty fingers. Montag squinted from one face to another as they walked. "Don't judge a book by its cover," someone said. And they all laughed quietly, moving downstream.

I DON’T CALL MYSELF A BIBLIOPHILE,” says the illustrator Pierre Le-Tan, gesturing to the twelve-foot-high bookshelves that line the salon of his Left Bank apartment. “Those people like original editions with certain paper or watermarks.…That doesn’t interest me at all. Bibliophiles prefer the pages uncut, some of them; the edition might be wonderful, but what is the point of a book you can’t read? I just like to read my books.” Le-Tan is, by his own admission, a lover of beautiful things—but it’s obvious he lives with his hundreds of volumes rather than among them.

Once they were sitting at the kitchen table opposite each other. To his right and to her left was a window. Furious at something he drew his right hand across his body and lashed out. Half way there at full speed he realized it was a window he would be hitting and breaked. For a fraction of a second hid open palm touched the glass, beginning simultaneously to draw back. The window scarred and crumpled slowly two floors down. His hand miraculously uncut. It had acted exactly like a whip violating the target and still free, retreating from the outline of a star. She was delighted by the performance. Surprised he examined his fingers. [p.16]

I will begin by writing a sentence about cutting. I will begin by writing a sentence about silence. I will continue by writing a sentence about cutting. I will proceed to ask the question about cutting. I will proceed from this point without euphemism. The question is about the clitoris. I call my cousins in turn. I ask the question about the clitoris. I will begin by writing a sentence about the clitoris. I will begin with the assumption that we each continue to have a clitoris. False. We do not talk about this. I will begin with speculation about our mothers, that each continues to have a clitoris. False. We are never to ask. In the silence, my youngest cousin asks if our grandmothers were cut. We were meant to proceed without euphemism. The Arabic, however, does not allow it. The Arabic, cut by euphemism. We do not use the word cut. The word we use, left intact, is purified. I will ask. I will begin. I was born & allowed to mature uncut. I was born with a clitoris & remain uncut. I was born unnamed & upon arrival was given my orders. I was born & named for a woman who died. The Arabic here allows for nuance. My name, ours, is not the same as the word we use to mean cut. That word, conjugated, is the name of one of my grandmothers. I will not ask her the question. I am told she does not remember.

A child said, What is the grass? fetching it to me with full hands; How could I answer the child?. . . .I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropped, Bearing the owner’s name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child. . . .the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them; It may be you are from old people and from women, and from offspring taken soon out of their mother’s laps, And here you are the mother’s laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues! And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? What do you think has become of the women and children? They are alive and well somewhere; The smallest sprouts show there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceased the moment life appeared. All goes onward and outward. . . .and nothing collapses, And to die is different from what any one supposed, and luckier.

Something suddenly, as if under a last determinant touch, welled up in him and overflowed—the sense of his good fortune and her variety, of the future she promised, the interest she supplied. "All women but you are stupid. How can I look at another? You're different and different—and then you're different again . . . Even 'society' won't know how good for it you are; it's too stupid, and you're beyond it. You'd have to pull it uphill—it's you yourself who are at the top. The women one meets—what are they but books one has already read? You're a whole library of the unknown, the uncut." He almost moaned, he ached, from the depth of his content. "Upon my word, I've a subscription!

But just as the priests tended to slip into mechanistic religion, so the prophets might drift into sectarianism. Indeed Samuel, like Samson, belonged to the sect of the Nazarites, wild-looking men with uncut hair and few clothes. These sects might diverge into heresy or even into an entirely new religion. The Nazarites had much in common with the ultra-strict and ferocious Rechabites, who engaged in massacres of backsliders when opportunity offered. Such sects were the most extreme monotheists and iconoclasts. They tended to drift into semi-nomad life on the fringe of the desert, a featureless place conducive to strict monotheism. It was from such a background that the greatest of all Jewish sectarian heresies was to spring–Islam.

It is said,’ said the Aga Morat, ‘that blindness of the eyes is a lighter thing than blindness of the perceptive faculties of the mind. The sun is high: the perception is dazzled. One has made divers chambers available to us in these poor houses for an hour. Let us retire and, by giving ease to the flesh, bring new light also to the proper functions of the mind. There, for the Hakim’s servant Mr Blyth, and the lady. In this chamber, Crawford Efendi and I shall have much to discuss.… Sweet to be taken up, you say, as medicine is by the lip. Such a creature I enjoy, thin-skinned, tender and delicate, light of flesh and goodly in make, impulsive in walk and beautiful in the justness of stature. Communing thus, shall not our dreaming souls melt?’ For a moment, Lymond did not reply. Then he said, in the same level voice, ‘It is written before God, that after this hour we depart all four, in good health to Djerba?’ The Aga Morat had risen. Looking down, his heavy face creased in a smile. ‘It is written,’ he said. Slowly, Lymond rose also. He looked neither at Jerott nor at Marthe, but stepped straight out from under the awning and confronted the Aga. In the blinding white light, the fine lines of his skin were all suddenly visible, and his eyes by contrast quite dark. But his hair, uncut since Marseilles, shone mint-gold in the sun. ‘If it is so agreed,’ Lymond said, ‘I am solicitous for thee, as thou art for me.’ And without pausing, he followed the Aga Morat into the house.

Nesta stretched out her legs, leaning her bruised palms on the stone. 'Enjoy your exercises.' Cassian bristled. But he held out his hand again. 'Please.' She'd never heard him say that word. It was a rope thrown between them. He'd meet her halfway- let her win the power battle, admit defeat, if she would just get off the rock. She told herself to get up, to take that outstretched hand. But she couldn't Couldn't bring her body to rise. His hazel eyes were bright with pleading in the morning sun, the wind dancing in his dark hair. Like he was made from these mountains, crafted from wind and stone. He was so beautiful. Not in the way that Azriel and Rhys were beautiful, but in an uncut way. Savage and unrelenting. The first time she'd seen Cassian, she couldn't take her eyes off him. She felt like she'd spent her life surrounded by boys, and then a man- a male, she supposed- had suddenly appeared. Everything about him had radiated that confident, arrogant masculinity. It had been heady and overwhelming, and all she'd wanted, all she'd wanted for so many months, was to touch him, smell him, taste him. Get close to that strength and throw everything she was against it because she knew he'd never break, never falter, never balk. But the light in his eyes dimmed as he lowered his hand. She deserved his disappointment. Deserved his resentment and disgust. Even if it carved something vital from her. 'Tomorrow, then,' Cassian said. He didn't speak to her again for the rest of the day.

Well, what you ding this kind of work for--against your own people?" "Three dollars a day. I got damn sick of creeping for my dinner--and not getting it. I got a wife and kids. We got to eat. Three dollars a day and it comes every day." "But for your three dollars a day fifteen or twenty families can't eat at all. Nearly a hundred people have to go and wander on the roads for your three dollars a day. Is that right?" "Can't think of that. Got to think of my own kids." *** "Nearly a hundred people on the road for your three dollars. Where will we go?" "And that reminds me, you better get out soon. I'm going through the dooryard after dinner...I got orders wherever there's a family not moved out--if I have an accident--you know, get too close and cave in the house a little--well, I might get a couple of dollars. And my youngest kid never had no shoes yet." "I built this with my hands...It's mine. I built it. You bump it down--I'll be in the window with a rifle..." "It's not me. There's nothing I can do. I'll lose my job if I don't do it. And look--suppose you kill me? They'll just hang you, but not long before you're hung there'll be another guy on the tractor, and he'll bump the house down. You're not killing the right guy." *** Across the dooryard the tractor cut, and the hard, foot-beaten ground was seeded field, and the tractor cut through again; the uncut space was ten feet wide. And back he came. The iron guard bit into the house-corner, crumbled the wall and wrenched the house from its foundation so that it fell sideways,crushed like a bug...The tenant man stared after [the tractor], his rifle in his hand. His wife beside him, and the quiet children behind. And all of them stared after the tractor.

was so beautiful. Not in the way that Azriel and Rhys were beautiful, but in an uncut way. Savage and unrelenting. The first time she’d seen Cassian, she couldn’t take her eyes off him. She felt like she’d spent her life surrounded by boys, and then a man—a male, she supposed—had suddenly appeared. Everything about him had radiated that confident, arrogant masculinity. It had been heady and overwhelming, and all she’d wanted, all she’d wanted for so many months, was to touch him, smell him, taste him. Get close to that strength and throw everything she was against it because she knew he’d never break, never falter, never balk. But the light in his eyes dimmed as he lowered his hand. She deserved his disappointment. Deserved his resentment and disgust. Even if it carved something vital from her. “Tomorrow, then,” Cassian said. He didn’t speak to her again for the rest of the day.

Once upon a time, there was a ghoul who fell in love with a daughter of the port of Innsmouth. To say the least, her parents would hardly have looked upon this as an acceptable state of affairs. She, destined one day to descend through abyssal depths to the splendor of many spired Y’ha-nthlei in the depths well beyond the shallows of Jeffreys Ledge. She might have the fortune to marry well, perhaps, even, taking for herself a husband from among the amphibious Deep Ones who inhabit the city, or, at the very least, a fine and only once-human devotee of the Esoteric Order. She would be adorned in nothing more than the fantastic, partly golden alloy diadems and bracelets and anklets, the lavalieres of uncut rubies, emeralds, sapphires, and diamonds. What caring parent would not be alarmed that their only daughter might foolishly forsake so precious an inheritance, and all for an infatuation with so lowborn and vile creature as a ghoul?

The northern boreal world was unique and unlike any other on earth, still undisturbed, with deep linkages to other sub-artic cultures and its unbroken chain of story-lives going back into the pre-Columbian past. The forests are as yet uncut, the greed of great cities for water and power has, as yet, dammed up only a few of its rivers. It has not been trampled by gold-seekers and ideology-mad politicos and marked by the uncounted deaths that has made Siberia a land of tears and terror and pollution. It is still clean and mostly aboriginal and the call of the wild is a melody arriving from inside us, out of our own distant past. Somewhere in the world there are rock paintings created by the ancestors of each one of us, and there are songs behind the dancing figures, and thoughts behind the songs. It is a past to be reckoned with, replete with action, violence, wars, discord, resolution, and courage, star-legends with episodes following one on the heels of another.

A child said What is the grass? fetching it to me with full hands, How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colourless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

Imagining, I've come to understand, is crucial for conflict resolution. When faced with seemingly insurmountable challenges, it is our ability to envision possibilities beyond the immediate and the obvious that paves the way for solutions. Imagination allows us to step outside of entrenched positions and explore new perspectives, to conceive of compromises that were previously invisible. In those moments of heated debate or silent tension, it is the imaginative mind that can visualize a reality where both sides find common ground, a landscape of understanding and harmony that has never yet existed. By daring to dream of what could be rather than resigning ourselves to what is, we unlock the potential for true and lasting resolution by bridging divides and forging new paths where none seemed possible. This is where books come in. If imagination is the rocket then books are the rocket fuel. They supercharge the mind and help it see beyond what it can conceive on its own.

The light collapses. The figure smashes into focus, becoming physical. It's a real human. A skinny twenty-something: scruffy, uncut hair and a sketchy beard. He is shirtless, and there is a deep, black pit in his clavicle, a hole where he has clearly been very badly wounded. Blood has run down his chest, soaked his jeans and forearms, and dried black. Fresh blood is still coming, building up thick layers, which shouldn't be possible. Wheeler doesn't spot the second hole in his gut, obscured by too much blood. Wheeler is trying to keep his expression neutral, but he knows it isn't working. He can feel his left hand, his bad hand, starting to shake. A part of him still wants to ask the guy why. But there is no possible answer. "This is what the human race really is," the man explains, spreading his hands to gesture at the whole world. "We lied to ourselves that we could be better, for thousands of years. But this is it. This is what we've always been. We've never been anything else.

The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk one way or another, and after a while a man can get discouraged. Everywhere the balloons, and each of them with a mother or a father, or God forbid both, and after a while, you can’t even see ’em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.” He paused then, and inhaled sharply, as if he was realising something. “But then every now and again you talk to some big-eyed kid with too much hair for his head and you want to lie to him because he seems like a good kid. And you feel bad for this kid, because the only thing worse than the skyful of balloons you see is what he sees: a clear blue day interrupted by just the one balloon. But once that string gets cut, kid, you can’t uncut it.

Anne Sexton, who died forty-two years ago today, did her best to respond to the legions of fans who wrote to her. The letter below, from August 1965, finds her dispensing unvarnished advice to an aspiring poet from Amherst. Read more of her correspondence in Anne Sexton: A Self-Portrait in Letters. Your letter was very interesting, hard to define, making it hard on me somehow to set limits for you, advise or help in any real way. First of all let me tell you that I find your poems fascinating, terribly uneven … precious perhaps, flashes of brilliance … but the terrible lack of control, a bad use of rhyme and faults that I feel sure you will learn not to make in time. I am not a prophet but I think you will make it if you learn to revise, if you take your time, if you work your guts out on one poem for four months instead of just letting the miracle (as you must feel it) flow from the pen and then just leave it with the excuse that you are undisciplined. Hell! I’m undisciplined too, in everything but my work … Everyone in the world seems to be writing poems … but only a few climb into the sky. What you sent shows you COULD climb there if you pounded it into your head that you must work and rework these uncut diamonds of yours. If this is impossible for you my guess is that you will never really make it … As for madness … hell! Most poets are mad. It doesn’t qualify us for anything. Madness is a waste of time. It creates nothing. Even though I’m often crazy, and I am and I know it, still I fight it because I know how sterile, how futile, how bleak … nothing grows from it and you, meanwhile, only grow into it like a snail. Advice … Stop writing letters to the top poets in America. It is a terrible presumption on your part. I never in my life would have the gall (sp?) to write Randall Jarrell out of the blue that way and all my life I have wanted to do so. It’s out of line … it isn’t done. I mean they get dozens of fan letters a day that they have no time to respond to and I’m sure dozens of poems. Meanwhile, these poets (fans of whatever) should be contacting other young poets on their way—not those who have made it, who sit on a star and then have plenty of problems, usually no money, usually the fear their own writing is going down the sink hole … make contact with others such as you. They are just as lonely, just as ready, and will help you far more than the distant Big Name Poet … I’m not being rejecting, Jon, I’m being realistic.

I used to believe, bless my naive little heart, that I had something to offer the robbed dead. Not revenge—there’s no revenge in the world that could return the tiniest fraction of what they’ve lost—and not justice, whatever that means, but the one thing left to give them: the truth. I was good at it. I had one, at least, of the things that make a great detective: the instinct for truth, the inner magnet whose pull tells you beyond any doubt what’s dross, what’s alloy and what’s the pure, uncut metal. I dug out the nuggets without caring when they cut my fingers and brought them in my cupped hands to lay on graves, until I found out—Operation Vestal again—how slippery they were, how easily they crumbled, how deep they sliced and, in the end, how very little they were worth. In Domestic Violence, if you can get one bruised girl to press charges or go to a shelter, then there’s at least one night when her boyfriend is not going to hit her. Safety is a small debased currency, copper-plated pennies to the gold I had been chasing in Murder, but what value it has it holds. I had learned, by that time, not to take that lightly. A few safe hours and a sheet of phone numbers to call: I had never been able to offer a single murder victim that much.

There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall. Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on. Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had no gardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free. Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.

The afternoon passes, the light fades, and evening is coming when are upon the cold, treeless ridges in austerity and awe, utterly removed from everyday life and everything we are used to in light and sound. As we top the last edge, we see below us Blue Lake. Bottomless, peacock blue, smooth as glass, it lies there like an uncut, shining jewel. Symmetrical pine trees, in thick succession, slope down to its shores. This Blue Lake is the most mysterious thing I have ever seen in nature, having an unknowing impenetrable life of its own, and a definite emanation that rises from it. Here is the source of most of the valley life. From this unending water supply that flows out of the east end and miles and miles of the stream to the Pueblo, fields are irrigated and winds down and feds all our fields and orchards. It has never been surprising to me that the Native Americans call Blue Lake a sacred lake and worship it…it is fitting to sleep beside it and try to draw what one could from its strong being. Most of us are used only to the awesome holiness of churches and lofty arches, cathedral where, with stained glass and brooding silences, priest try to emulate the religious atmosphere that is to be found in the living earth in some of her secret places. 1945 Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson

It describes a significantly different way of life. For instance, the Manuscript predicts that we humans will voluntarily decrease our population so that we all may live in the most powerful and beautiful places on the Earth. But remarkably, many more of these areas will exist in the future, because we will intentionally let the forests go uncut so that they can mature and build energy. “According to the Ninth Insight, by the middle of the next millennium,” he continued, “humans will typically live among five hundred year old trees and carefully tended gardens, yet within easy travel distance of an urban area of incredible technological wizardry. By then, the means of survival—foodstuffs and clothing and transportation—will all be totally automated and at everyone’s disposal. Our needs will be completely met without the exchange of any currency, yet also without any overindulgence or laziness. “Guided by their intuitions, everyone will know precisely what to do and when to do it, and this will fit harmoniously with the actions of others. No one will consume excessively because we will have let go of the need to possess and to control for security. In the next millennium, life will have become about something else. “According to the Manuscript,” he went on, “our sense of purpose will be satisfied by the thrill of our own evolution—by the elation of receiving intuitions and then watching closely as our destinies unfold. The Ninth depicts a human world where everyone has slowed down and become more alert, ever vigilant for the next meaningful encounter that comes along. We will know that it could occur anywhere: on a path that winds through a forest, for instance, or on a bridge that traverses some canyon. “Can you visualize human encounters that have this much meaning and significance? Think how it would be for two people meeting for the first time. Each will first observe the other’s energy field, exposing any manipulations. Once clear, they will consciously share life stories until, elatedly, messages are discovered. Afterward, each will go forward again on their individual journey, but they will be significantly altered. They will vibrate at a new level and will thereafter touch others in a way not possible before their meeting.

When Yan He was appointed tutor to the crown prince of Wei, son of Duke Ling, he went to consult with Qu Boyu. “Here is a man who is just naturally no good. If I find no way to contain him, he will endanger my state, but if I do try to contain him, he will endanger my life. His cleverness allows him to understand the crimes people commit, but not why they were driven to commit these crimes.10 What should I do?” Peng Boyu said, “Good question! Be careful and cautious and rectify yourself! Be compromising in appearance and harmonious in mind. But even these measures can present problems. Don’t let the external compromise get inside you, and don’t let your inner harmony show itself externally. If you let the external compromise get inside you, it will topple you, destroy you, collapse you, cripple you. If the harmony in your heart shows itself externally, it will lead to reputation and renown, until you are haunted and plagued by them. If he’s playing the baby, play baby with him. If he’s being lawless and unrestrained, be lawless and unrestrained with him. If his behavior is unbounded and shapeless, be unbounded and shapeless with him. You must master this skill to the point of flawlessness. Don’t you know the story of the praying mantis? It flailed its pincers around to stop an oncoming chariot wheel, not realizing the task was beyond its powers. This is how it is for those with ‘great talents.’ Be careful, be cautious! If you irritate him by flaunting your talents, you will be in more or less the same position. Don’t you know how the tiger trainer handles it? He doesn’t feed the beast live animals for fear of arousing its lust for killing. He doesn’t feed it uncut sides of meat for fear of arousing its lust for dismemberment. He carefully times out the feedings and comprehends the creature’s propensity for rage. The tiger is a different species from man but can be tamed through affection for its feeder. The ones it kills are the ones who cross it. However, a man who loves horses even to the point of gathering their shit and piss in jeweled boxes may still get his skull or chest kicked in if he smacks away a mosquito on the unbridled animal at the wrong time. Despite the best intentions, (4:17) his solicitousness backfires on him. Can you afford to be careless?

Deedee dropped out of her ska-punk band and joined an eight-person madrigal chorus. She had a clot somewhere deep inside her that was connected to the people she had lost in the flood, or might lose in the aftermath, and the endless conversations where everybody compared notes on their respective tragedies only made her feel shittier. Just saying the words "My brother is still missing" made Deedee want to throw up and then head-butt whoever had asked. She needed an alternative to the dull repetition of facts, a way to share her uncut heartbreak without any particulars, and to her amazement she found it in these strange old songs about doomed lovers.

You must be a strong, uncut, pure, and raw version of yourself that refuses to be watered down to prevent those trying to distract you from your goals.

The Theory of Intuition in Husserl’s Phenomenology. Books still came with their leaves uncut. Sartre tore the edges of Levinas’ book open without waiting to use a paperknife, and began reading as he walked down the street. He could have been Keats, encountering Chapman’s translation of Homer: Then felt I like some watcher of the skies, When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star’d at the Pacific — and all his men Look’d at each other with a wild surmise — Silent, upon a peak in Darien.

The more you understand death,” Mr. K said, “the more you appreciate life.

That you go on. That you can take so much more pain than you think. We’re built for it. It’s almost like that’s our purpose. We’re vessels that exist to be filled with pain.

After everything is taken from you, you see that you still have control over so much. Control over how you cope with misery. You realize all the beautiful choices you still own.

Damn it, you idiot! It’s supposed to be righty-tighty, lefty-loosey!

God seems to love that kind of raw, uncut prayer, skirting the line between blasphemy and desperate faith. He’s not nearly as scared of honesty as we are.

His hazel eyes were bright with pleading in the morning sun, the wind dancing in his dark hair. Like he was made from these mountains, crafted from wind and stone. He was so beautiful. Not in the way that Azriel and Rhys were beautiful, but in an uncut way. Savage and unrelenting.

In transforming natural environments into artificial form, the United States is the most advanced country in the world. This is not an accident. It is inherent in our economic system. To the capitalist, profit-oriented mind, there is no outrage so great as the existence of some unmediated nook or cranny of creation which has not been converted into a new form that can then be sold for money. This is because in the act of converting the natural into the artificial, something with no inherent economic value becomes “productive” in the capitalist sense. An uninhabited desert is “nonproductive” unless it can be mined for uranium or irrigated for farms or covered with tracts of homes. A forest of uncut trees is nonproductive. A piece of land which has not been built upon is nonproductive. Coal or oil that remains in the ground is nonproductive. Animals living wildly are nonproductive. Virtually any land, any space, any material, any time that remains in an original, unprocessed, unconverted form is an outrage to the sensibilities of the capitalist mind. Iron, tungsten, trees, oil, sulphur, jaguars and open space are searched out and transformed because transformation creates economic benefits for the transformers. In economics this transformation has a name: “value added.” Value added derives from all the processes that alter a raw material from something which has no intrinsic economic value to something which does. Each change in form, say, from iron ore in the ground to iron or steel to car to car which is heavily advertised adds value to the material. The only raw materials which have intrinsic economic value before processing are gold and silver. This is only because people have agreed on these values in order to define a value for paper money, which certainly has no intrinsic value. It is, then, the nature of profit seeking to convert as much as possible of what has not been processed and exists in its own right into something which has the potential for economic gain.

And I’ve also never seen an uncut cock before. It’s cute, like a little hoodie.

His hair was still curly and uncut and metallic in color and full of grease, his unshaved face thick with whiskers as course as steel filings, his trousers stiff with grime. This was the Aryan race at its greatest?

An uncut diamond is still a diamond, after all, even if it doesn’t shine.

The order, for completists, is WHISKEY SOUR, BLOODY MARY, RUSTY NAIL, DIRTY MARTINI, FUZZY NAVEL, CHERRY BOMB, SHAKEN, and STIRRED. She’s been the subject of many shorts (JACK DANIELS STORIES, BURNERS, FLOATERS) and has appeared as a supporting character in many of my other novels (SHOT OF TEQUILLA, THE LIST, SERIAL KILLERS UNCUT, BANANA HAMMOCK, FLEE, SPREE, THREE, TIMECASTER SUPERSYMMETRY). Due to popular demand, she’ll be back again in another novel, LAST CALL, being co-written with Blake Crouch.

ma grand-mère risque de se retourner dans sa tombe et la chevillette cherra Dieu ait son âme et qu'il me donne donc une plus grosse graine les gars rient de moi avec mon 4,5 uncut qu'est-ce que vous voulez que je fasse avec ça

Boxwood, a man of indeterminate age with a scraggly mass of brown hair and a paper-thin mustache, had been hired on part-time, and it was he who oversaw the boys in their outdoor chores. Marvin was handed an axe and followed a few of the other boys to an adjacent area where several tree stumps had been strategically placed, along with a bounty of uncut wood. Marvin got to work. He hacked at a portion of a downed tree, and once he had a manageable piece, he heaved it into his arms and dropped it onto one of the stumps. He hoisted the heavy axe over his shoulder and, with as much force as he could muster, brought it down upon the chunky piece of trunk. The wood split in two, a few shards spraying outward and falling to the ground. Marvin repositioned one half of the newly cut trunk, heaved the axe over his shoulder, and brought it down forcefully on the wood. It split again. By the time Mr. Boxwood announced that the boys were through for the evening, Marvin was sweating profusely, and his arms ached. He returned the axe to the storage shed and walked toward the main entrance of the orphanage along with the other boys who had been required to split wood. The grounds were otherwise unoccupied, the other children having already headed to their dormitories to retire for the evening. Marvin was walking toward the stairwell when he passed a bathroom and spotted movement through the open door. When he instinctively turned his head to look within, he saw Eva on all fours, scrubbing the floor with a small-handled brush, a metal bucket of sudsy water at her side. Marvin searched the hallway and, not spotting any authority figures, whispered, “Eva. Hey, Eva.” When she looked up at the sound of his voice, Marvin noticed her eyes were tinged with red. “What are you doing?” “What does it look like I’m doing?” She seemed about to cry, but her jaw was clenched in anger. “Why do you have to do it?” Eva sat back on her heels, rested the brush on her lap, and ran her free hand up into her hair, where she angrily grasped the large bow. “This damn thing!” she exclaimed, and Marvin’s eyes widened at the curse. “I didn’t want to wear it. It’s babyish. My parents never made me wear something like this. Not at my age, anyway. Maybe when I was a baby and I didn’t know any better or didn’t care, but not now. And Sister What’s Her Name said I had to wear one because it made me look presentable—that was her word: presentable. Because apparently, I don’t look presentable without a big ol’ stupid, ugly, white baby bow in my hair. I got so mad, I yanked it out and threw it on the ground, but then she looked at me. Just looked at me. She didn’t say anything, just stared. And then my heart got all jumpy because nobody had ever looked at me that way before.” Eva wiped a tear from under her eye. “She picked it up, so slow I didn’t know if she had trouble with her legs or something, right? She picked it up, and then she held it in her hand and looked down at it, and then… then… Marvin, she slapped me so hard on the cheek, I couldn’t believe it. I just couldn’t believe it. Nobody’s ever slapped me before!” Another tear dribbled from Eva’s eye, and Marvin was compelled forward. His knees hit the cold, hard floor, and he reached

People get offended when you call them on their shit. The truth will kick you in your ass every time! Muthafuckas hate hearing shit raw and uncut when it pertains to their ass.

On London Tonight, on television right now, a reporter is standing in front of a building that is under construction. It’s windy, and the wind has pressed the fabric of his slacks against his body, outlining his penis. You can see everything—the length and width and the fact that he’s uncut and hangs to the right. But I bet none of the viewers even noticed. In America, there would be letters to the station. There would be a lawsuit because a child was watching. The headlines would dub the reporter “Anchor of Shame” and he’d be fired. When our own Greta Van Susteren got her eyes done, it was front-page news for a week. So you can be sure, if Anderson Cooper’s penis were to be visible in outline beneath his trousers, he’d be on the cover of People, Vanity Fair, and The New York Times. We are obsessed with sex in an unnatural way.

Syn gulped when Furi pushed his bedroom door the rest of the way open and stood there completely naked and beautiful. Syn’s eyes immediately honed in on Furi’s long un-cut cock jutting out from his neatly trimmed pubic hair. It wasn’t overly thick, which Syn thought might be a good thing, especially for his first time, but the length was impressive. He hadn't noticed that he was holding his breath until a hard gust of air burst through his lips. “Fuck.” Furi

To this day all Sikhs are Singhs, but as a Hindu friend recently told me, not all Singhs are Sikhs. In addition to the name Singh, all Sikhs have five distinctive items of dress known as the five kakas, all of which begin with the letter k and by means of which all orthodox Sikhs can be recognized. Kirpan is a knife, which denotes readiness for battle; kara is an iron bangle denoting fidelity; khanga is a comb; kes is the uncut hair on which the comb is used, and karchh are knee-length shorts denoting manhood. All Sikh women wear long trousers. Henceforth the Sikh fellowship was to be known as khalsa, meaning the “elect” or the “pure.” It

The man called Gareth was laughing into his mobile phone as the door opened. There were gold rings on each of his fingers, chains dangling from his neck and wrists. He wasn’t tall but he was wide. Rebus got the impression much of it was fat. A gut hung over his waistband. He was balding badly, and had allowed what hair he had to grow uncut, so that it hung down to the back of his collar and beyond. He wore a black leather trenchcoat and black T-shirt, with baggy denims and scuffed trainers. He already had his free hand out for the cash, wasn’t expecting another hand to grab it and haul him inside the flat. He dropped the phone, swearing and finally taking note of Rebus.

Somewhere, excitement waited for me like an uncut cake.

And then—the languid hands dropped the uncut book. War, revolution, an absurd marriage, being chosen as the “dictator of his home town,” putting his signature to monstrous decrees, guerrilla warfare on the Volga, Admiral Kolchak, a long and terrible journey across Siberia. Odessa. Paris. Death. A deep cross-shaped fissure cutting through the black stone. The end.

The Cricket and the Grasshopper The senseless leaf   in the fevered hand Grows hot, near blood-heat, but never grows Green. Weeks ago the dove’s last cooing strain Settled silent in the nest to brood slow Absence from song. The dropped leaf cools On the uncut grass, supple still, still green, Twining still these fingers as they listless pull The tangle straight until the tangle tightens And the hand is caught, another fallen leaf. The poetry of the earth never ceases Ceasing — one blade of grass denies belief Until its mere thread bears the grasshopper’s Whole weight, and the black cricket sings unseen, Desire living in a hole beneath the tangle’s green.

Suffice to say she was impressive, though obviously still learning. She struck a few bad notes, but didn't flinch or cringe away from them. As they say, a jeweler knows the uncut gem. And I am. And she was. And so.

The Tarim Mummies’ (Tarim being the name of the river that once drained the now waterless Tarim basin of eastern Xinjiang) are mostly not of Mongoloid race but of now DNA-certified Caucasoid or Europoid descent. Some had brown hair; at least one stood 2 metres (6.5 feet) tall. They are similar to the Cro-Magnon peoples of eastern Europe. So are their clothes and so probably was their language. It is thought to have been ‘proto-Tocharian’, an early branch of the great Indo-European language family that includes the Celtic, Germanic, Greek and Latin tongues as well as Sanskrit and Early Iranian. But Mair and his disciples would not be content to stop there. Several hundred mummies have now been discovered, their preservation being the result of the region’s extreme aridity and the high alkaline content of the desert sands. The graves span a long period, from c. 2000 BC to AD 300, but the forebears of their inmates are thought most probably to have migrated from the Altai region to the north, where there flourished around 2000 BC another Europoid culture, that of Afanasevo. Such a migration would have consisted of several waves and must have involved contact with Indo-European-speaking Iranian peoples as well as Altaic peoples. Since both were acquainted with basic metallurgy and had domesticated numerous animals, including horses and sheep, the mummy people must themselves have acquired such knowledge and may have passed it on to the cultures of eastern China. According to Mair and his colleagues, therefore, the horse, the sheep, the wheel, the horse-drawn chariot, supplies of uncut jade and probably both bronze and iron technology may have reached ‘core’ China courtesy of these Europoid ‘proto-Tocharians’. By implication, it followed that the Europeans who in the seventeenth to nineteenth centuries AD would so embarrass China with their superior technology were not the first. ‘Foreign Devils on the Silk Road’ had been active 4,000 years ago; and thanks to them, China’s ancient civilisation need not be regarded as quite so ‘of itself’. It could in fact be just as derivative, and no more indigenous, than most others. Needless to say, scholars in China have had some difficulty with all this.

He could, though, just make out a miniature replica of Cori Celesti, upon whose utter peak the world’s quarrelsome and somewhat bourgeois gods lived in a palace of marble, alabaster and uncut moquette three-piece suites they had chosen to call Dunmanifestin. It was always a considerable annoyance to any Disc citizen with pretensions to culture that they were ruled by gods whose idea of an uplifting artistic experience was a musical doorbell.

The large metal building the Audi had entered backed up to a dozen huge oil tanks. I could see them looming like fat cylindrical high- rises through the back fence. Between the petroleum containers, tall uncut grass provided ground cover for the sandy coastal soil.

This to me is the double abuse that women often suffer. A man can dump his wife for not sexually satisfying him because sex is very painful for her because of the cut or because, in some cultures, a woman might be opened and closed, and opened and closed at different milestones like after giving birth. So she denies him, and he in turn divorces her or dumps her at home and goes out and has sex with uncut women.

thug-dizzle.

Leaders don't hide from conflicts Leaders are birthed in conflicts Changing the mindset of others Simply because he exists -A portion of the poem 'Leadership

Received much knowledge throughout the year Sermons are absorbed pulpit to ear Situations test your walk Tribulations make you talk Apply wisdom to all you hold dear - A portion of 'Applications

In her daydreams, they aged miraculously, she still trim with a blond ponytail, standing next to her strong, tall husband with his thick, curly dark hair and straight white teeth. Money was never an issue.

Marcie looked at the ugly thing and took a minute to rearrange her mental picture of the family gathered around the wood-burning stove, replacing the quaint, charming piece in her imagination with this big, brown metal beast, which would heat their home but not burn little fingers. It would be like a large, beloved dog of some hideous mixed breed, that fit right into their family and served its purpose so well that no one noticed or cared what it looked like.

In the series of great offensive pressures which Joffre delivered during the whole of the spring and autumn of 1915, the French suffered nearly 1,300,000 casualties. They inflicted upon the Germans in the same period and the same operations 506,000 casualties. They gained no territory worth mentioning, and no strategic advantages of any kind. This was the worst year of the Joffre régime. Gross as were the mistakes of the Battle of the Frontiers, glaring as had been the errors of the First Shock, they were eclipsed by the insensate obstinacy and lack of comprehension which, without any large numerical superiority, without adequate artillery or munitions, without any novel mechanical method, without any pretence of surprise or manœuvre, without any reasonable hope of victory, continued to hurl the heroic but limited manhood of France at the strongest entrenchments, at uncut wire and innumerable machine guns served with cold skill. The responsibilities of this lamentable phase must be shared in a subordinate degree by Foch, who under Joffre’s orders, but as an ardent believer, conducted the prolonged Spring offensive in Artois, the most sterile and prodigal of all.

Make money doing what you love, then use that money to make more money. Then repeat.

On the minus side, I’d been driving for six straight hours, and I was hungry, tired, and needed to pee. I also needed gas, according to my gauge. Maybe Murray could take care of all my needs. Assuming I could find Murray’s before falling asleep, running out of fuel, starving to death, and wetting my pants.

Sophie Bushwick/Popular Science 7/16-inch inner diameter ribbed hose 5/16-inch wood dowel 1/4-inch outer diameter vinyl tubing Small hose clamps Five 1/4-inch hose barbs x 1/4-inch male threaded adapters Five 1/4-inch hose barbs x 1/4-inch female threaded adapters Electrical tape Yellow Teflon thread tape Several long balloons (type 350Q) 1-inch x 6-inch board or other support Fluidic control board Robot Hand Instructions 1. Insert the 5/16-inch dowel into the ribbed hose to hold it straight. Use the center punch to carefully punch holes between each rib in a line along the seam of the hose. Flip the hose over and repeat along other seam. (Photo ) 2. Use the drill press to drill a hole at each center-punched location between the hose ribs, leaving the dowel in place to provide support. It is best to drill the holes on each side of the hose separately, rather than drill straight through. When you are done you should have a neat line of holes on each side of the ribbed hose. These holes will act as a stress relief and prevent the hose from splitting when it is flexed. (Photo ) 3. Remove the dowel and cut the hose into five 3-inch fingers with the utility knife. For each finger, use the utility knife to very carefully cut between each rib from the hole on one side to the hole on the other. Leave the first two ribs on each end uncut. Cut through one side of the hose only. It is critical that you do not nick the far side of the stress relief holes or you will reduce the reliability of the finger dramatically. Now the hose can flex in one direction more than in the opposite direction. (Photo ) 4. Insert another piece of dowel into one of the long balloons. Use it to gently feed the balloon into one of the fingers until the end of the balloon sticks out enough to grab it. Remove the dowel, and fold about 1/4-inch of the balloon tip over the rim of the hose. Secure it by wrapping a piece of electrical tape all the way around the tip of the finger. (Photo ) 5. Now feed the dowel back inside the finger from the non-taped end, but on the outside of the balloon. Insert it until it is just within two ribs of the tip of the finger. Fill the tip of the finger with hot glue, allow to cool, and then carefully remove the dowel. 6. Use electrical tape over the end of the finger, covering the hot-glued end. Another wrap of electrical tape over this will seal the end of the finger. (Photo ) 7. Cut the open end of the balloon away, leaving about an inch beyond the end of the finger. Stretch the open end of the balloon out and over the end of the finger. (Photo ) 8. Repeat steps 4 through 7 for each finger. (Photo ) 9. Use the yellow Teflon tape to wrap the threads on each of the male hose barbs. Thread each male hose barb onto each female hose barb and tighten firmly with the crescent wrenches. Then use more yellow Teflon tape and wrap each female hose barb several times around. The ends of these hose barbs should fit snugly into the open ends of each finger. (Photo ) 10. Use the small hose clamps to affix each finger onto the Teflon wrapped ends of the five hose barbs. (Photo ) 11. Now use hot glue to firmly attach each finger to the end of the 1x6-inch board (or other support) to form a hand. Finally, attach a length of 1/4-inch O.D. vinyl hose to the open hose barb on each finger. (Photo ) 12. Now the hand is complete--but it still needs a control system. Check out Harvard’s Soft Robotics Toolkit for inspiration, or just follow the instructions below. Building The

I have everything I need here,” he said. “Warmth. Drink. Food. Books.

Hearing the unattractive squirt of the creamy lube—the scent of cherry filling the air—Kris shuddered, and Rafe slipped his slick fingers past his painfully erect cock and his achingly tight balls to probe, caress, and slide across his crease to tease his puckered hole beyond, already winking in anticipation of taking in the huge uncut cock poking his thigh. Sighing with a nerve-racking vibration, Kris let the massaging finger play with him, Rafe teasing with his tongue in the same twisting way in his mouth till he was moaning into the kiss, breathless and heady. “I’m going to take you until you scream, honey,” Rafe murmured into the kiss, positioning himself lower between Kris’s legs, lifting his hips with his non-questing hand, and placing a firm pillow under his hips and lower back.

Daddy said he’d look into it, but then Mommy just said no.” She pouted. “Actually she said ‘hell no Jordan’!”   “Watch

I didn’t go out with him again. Uncut,

Omit the Mouth that Answers the scrub pine dropping needles in a hush. Omit the washer junked in the corner, mice making nests in its hose. Omit his key in the ignition. Omit exhaust. Omit the mouth that answers. Omit the barn cat curled asleep on a pile of kindling in the corner of the garage. Omit the bicycle noosed to its rack. Omit the saw blade's teeth, the workbench hammer, the uncut plywood beside the rake. Omit the work lamp with its filmy eye. Omit his face gone slack. Omit the mouth that answers. Omit the algebra book open on the seat. Omit the moonlight, the cottonwood's glut of hairy seeds. Omit the drag of the door. Omit the air let loose from his lungs. Omit the mouth that answers. Omit the rise of swallows: wing, beak and claw. Omit the phone call, the dial tone's skidding hum. Omit the daylight's questions. Omit our grieving tongues.

As long as the mind remains clouded by transitory defilement, even though its intrinsic state is pure, the qualities of enlightenment will not crystallize themselves. They will, however, emerge spontaneously upon the elimination of the mind’s defilement. The Hevajra-tantra affirms this:  All sentient beings are Buddhas,Only they are overcome by transitory defilement. They become Buddhas at the moment of eliminating their defilement.  Nāgārjuna expounds:  Though precious vaiḍūrya Is always translucent, If left uncut,It does not shine. So is the all-encompassing reality [dharmadhātu];Though intrinsically undefiled, It is clouded by defilement So it remains latent in saṃsāra But crystallizes itself upon attaining Nirvana.

Autumn Psalm A full year passed (the seasons keep me honest) since I last noticed this same commotion. Who knew God was an abstract expressionist? I’m asking myself—the very question I asked last year, staring out at this array of racing colors, then set in motion by the chance invasion of a Steller’s jay. Is this what people mean by speed of light? My usually levelheaded mulberry tree hurling arrows everywhere in sight— its bow: the out-of-control Virginia creeper my friends say I should do something about, whose vermilion went at least a full shade deeper at the provocation of the upstart blue, the leaves (half green, half gold) suddenly hyper in savage competition with that red and blue— tohubohu returned, in living color. Kandinsky: where were you when I needed you? My attempted poem would lie fallow a year; I was so busy focusing on the desert’s stinginess with everything but rumor. No place even for the spectrum’s introverts— rose, olive, gray—no pigment at all— and certainly no room for shameless braggarts like the ones that barge in here every fall and make me feel like an unredeemed failure even more emphatically than usual. And here they are again, their fleet allure still more urgent this time—the desert’s gone; I’m through with it, want something fuller— why shouldn’t a person have a little fun, some utterly unnecessary extravagance? Which was—at least I think it was—God’s plan when He set up (such things are never left to chance) that one split-second assignation with genuine, no-kidding-around omnipotence what, for lack of better words, I’m calling vision. You breathe in, and, for once, there’s something there. Just when you thought you’d learned some resignation, there’s real resistance in the nearby air until the entire universe is swayed. Even that desert of yours isn’t quite so bare and God’s not nonexistent; He’s just been waylaid by a host of what no one could’ve foreseen. He’s got plans for you: this red-gold-green parade is actually a fairly detailed outline. David never needed one, but he’s long dead and God could use a little recognition. He promises. It won’t go to His head and if you praise Him properly (an autumn psalm! Why didn’t I think of that?) you’ll have it made. But while it’s true that my Virginia creeper praises Him, its palms and fingers crimson with applause, that the local breeze is weaving Him a diadem, inspecting my tree’s uncut gold for flaws, I came to talk about the way that violet-blue sprang the greens and reds and yellows into action: actual motion. I swear it’s true though I’m not sure I ever took it in. Now I’d be prepared, if some magician flew into my field of vision, to realign that dazzle out my window yet again. It’s not likely, but I’m keeping my eyes open though I still wouldn’t be able to explain precisely what happened to these vines, these trees. It isn’t available in my tradition. For this, I would have to be Chinese, Wang Wei, to be precise, on a mountain, autumn rain converging on the trees, a cassia flower nearby, a cloud, a pine, washerwomen heading home for the day, my senses and the mountain so entirely in tune that when my stroke of blue arrives, I’m ready. Though there is no rain here: the air’s shot through with gold on golden leaves. Wang Wei’s so giddy he’s calling back the dead: Li Bai! Du Fu! Guys! You’ve got to see this—autumn sun! They’re suddenly hell-bent on learning Hebrew in order to get inside the celebration, which explains how they wound up where they are in my university library’s squashed domain. Poor guys, it was Hebrew they were looking for, but they ended up across the aisle from Yiddish— some Library of Congress cataloger’s sense of humor: the world’s calmest characters and its most skittish squinting at each other, head to head, all silently intoning some version of kaddish. Part 1

Creation Myth I'm the great-grandson of a sheep farmer, child of sumacs, trash trees shedding their ancient scales. I'm drawn from fair grass on the north end, my molecules spat from coal and cattle, the Indiana dusk. I'm notes scrawled on freezer paper, the one looped oven mitt Aunt Bev crocheted while the baby lay feverish in its crib. I rise from a day gone thin as Cousin Ceily, who wore her cancer wigs to church. I come from boys unfastening in the 4-H bathroom, the stink of urinal cakes, dirty hands that scratched an itch. I breathe in arc welders and air compressors. I breathe out milk leaking from nurse cows, Uncle Jake's spoiled old bitches. I'm run through with moths and meth labs, a child of the KKK, men who lynched Tom Shipp from a split oak in Marion, August 1930. My cells carry his shadow swaying over uncut grass. They carry my second third cousin cheering in the back. I rise from aphids in honeysuckle, egg yolks flecked with blood. Born one humid summer night, my body hums like a black cricket, transmitting August across the fields. I sing till my throat bleeds. I smoke like a pan of scorched sugar. I'll never forget the miracle of firecrackers, freezer meat, murky gray lemonade. I'm born to thunder in the veins, a child of form, a rusted gasket ring, some disenchanted thing, the promise of a worm.

[Imprisoned Poem] Somewhere deep inside me There lies an imprisoned poem A poem that is Buried Chained And holding its breath Ages ago… A poem about futility The fragility of words About alarms, if sounded, They’d be either destined to silence Or get written on the walls of indifference… There is an ancient poem Imprisoned in my soul Waiting to be released impatiently, In due time… Like a house cat this imprisoned poem keeps eagerly watching Every move outside the window, Without any participation… And like a house cat, Whenever this imprisoned poem Gets exhausted by the triviality of reality, It sleeps for long hours Only to wake up and find The status quo unchanged And the strings moving the puppets uncut… It then looks out the window in sorrow And goes back to sleep once again To dream of a less ugly world… My imprisoned poem has vowed not to release itself From the deepest points in my soul Until everyone else is awake For its release to be meaningful… (November 17, 2014)

Following the tour, the guides usher the visitors into a cavernous hall where interactive displays invite them to press buttons to learn about the different parts of the dollar or to hear about its history. Children press the buttons, but the lights do not go on, and so none of the questions are answered. They rush to the next interactive display only to find that it too no longer interacts. The large room also offers souvenirs for sale, such as a souvenir pen filled with shredded money. In a corner, Japanese tourists buy sheets of uncut American currency from women behind security windows of thick glass. They take the money home with them to use as novelty wrapping paper for gifts and flowers. The twentieth century became the era of paper money. Never before had so much of it been manufactured in so many countries and in so many denominations. Behind the perpetually operating machines of the U.S. Treasury lay a long process whereby paper money won the confidence of ordinary people.

uncut gems,

What did such an original monotheism look like? Genesis 4:26 refers to the origins of religion when it says, “Then men began to call upon the name of the LORD” (NASB). This verse occurs right after it is mentioned that Adam and Eve had another son, Seth, and that Seth had a son of his own called Enosh. What can we piece together about this first form of religion from the first chapters of Genesis? There is one God who has personhood (as opposed to being an impersonal force). God is referred to with masculine grammar and has masculine qualities. God apparently lives in the sky (heaven). God has great knowledge and power. God created the world. God is the author of standards of good and evil. Human beings are God’s creatures and are expected to abide by God’s standards. Human beings have become alienated from God by disobeying God’s standards. God has provided a method of overcoming the alienation. Originally this reconciliation involved sacrificing animals on an altar of uncut stone.

I like it better when you're natural and uncut. Those masks will suffocate you one day. They're not you.

When she laughed I noticed an untamed quality about her eyes, which reminded me of the wild girls on our side of the mountain. Her eyes had the gleam of uncut gems, of unpolished metal, which was heightened by the long lashes and the delicate slant of the lids.

You’re so uncute,” she said. “I’d rather be cool. Your order?” “One Sakuta to go.” “You seem to have lost your mind,” he replied, without emotion. “Would you like to order an ambulance instead?

SECURITY IS IN GOD. [Job 8:11–19] Can papyrus grow tall where there is no marsh? Can reeds thrive without water? While still growing and uncut, they wither more quickly than grass. Such is the destiny of all who forget God; so perishes the hope of the godless. What they trust in is fragile1;

It is one thing be be infuriated by a huge, square, uncut block of steel, another to be consternated by a stuffed ram with a tire around it. Neither frustration has anything to do with that which comes from looking at a dead human hand with an ornamental hat pin sticking through it. Before such monstrosities, criticism flies. How can one say that they are good or not good? Yet one does. One can blindly intuit what the artist feels, and one can cry out -if only to see that it is true- "You fool! Fool! The pin should be longer!

No, not even an exorcism could remove them from my soul and heart.

You can erase the material objects, Tristan, but can you erase what’s seared deep inside your soul?

She believes that we do belong together and that our individual lives will align. If not, we’ll still be special soulmates, the kind who can remain friends and walk through life looking after each other.

It feels like it’s been eons since we’ve been this close, but our bodies mold to each other instantly. Like missing puzzle pieces.

We’re the authors of our own story, Butterfly. At the end, we’ll make sure to write our best happily ever after.

You’ve killed a hundred and thirty people, and you’re getting squeamish at sticking your finger up a girl’s ass? Some people pay to do it.

Play with the small hole at the end. It will give you candy.

Dedicated to everyone who pursues and fights for their rights to dream, to love, and to live their happily ever after You’re not alone.

Like those waves that crashed and became one, sometimes they separate, but one day, eventually, they’ll find each other again. And we will, I promise you, we will.

his need for loyalty and trust. Those two qualities in a man right there are worth securing and never turning free. You can't put value on having a partner that is fully committed in a relationship.

Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me. I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste. I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria. I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country. The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.

FOR THE THIRD TIME THAT WEEK, Harry Jones had taken my parking spot. So I decided to hide a key of uncut Columbian ya ya in a dead baby and stick it in his trunk under his spare tire.

Women seem to enjoy connecting every topic into one really big conversation and figuring out how it’s all related.

Produk kami meliputi treadmill, elliptical, dan bike. Lingkup penggunaannya sebagai sarana olahraga di rumah, gym, apartemen, dan hotel. Kami memiliki dedikasi terhadap inovasi, pengembangan, tren terkini, serta membangun sistem pelanggan (reseller, distributor, agen profesional) yang menawarkan berbagai kemudahan yang menguntungkan. iReborn memiliki visi untuk menjadi pemimpin dalam industri kebugaran dan menjadi pilihan utama bagi individu cerdas.

Almost any subject is suitable for an origami model, despite the stringent limitation of using an uncut sheet,

Origami is the art of folding uncut sheets of paper into decorative objects such as birds or animals.

Be transparent, but use wisdom. Everybody can’t handle the raw and uncut version of who you were and even who you presently are.

Have you ever made a bed?” the boy asked. “Well, on our side of the gate, no one even has a bed,” the gnome replied. “We sleep in trees or caves or just lay our heads down in the tall grass.” “That sounds like a dream,” the boy said. “Because making the bed is the worst part of every day. And the bed doesn’t want to be made, either. It stretches itself and becomes bigger so the sheet doesn’t fit. It swallows me with blankets whenever I try to cover it. And the whole time, the pillows frown like unhappy uncles.” “That sounds like a real struggle,” the gnome said. “It is!” the boy said. “And if every day begins with a battle, how can I ever find peace?

Each piece tells a story, from the rough-hewn silver cuffs embedded with uncut gemstones to the delicate wire sculptures that look like they might take flight at any moment.

Is that all the story?” he asked, and knew that it was not. She shook her head. “Something else happened in the same year. An American salvage ship, the Salvor, went out to search a wreck off Cape Charles. The Merida, which sank in 1911 and took the Emperor Maximilian’s crown jewels to the bottom with her—another million-pound cargo. They didn’t find anything. And fish don’t wear jewellery.” “I remember the Terschelling Island fireworks—the Lutine. But that’s a new one.” “It’s not the only one. Two years before that another salvage company went over the Turbantia with a fine comb. She was torpedoed near the Maars Lightship in 1916, and she had seven hundred and fifty thousand pounds’ worth of German bullion on her—then. The salvage company knew just where to look for it. But they didn’t find it…That was quite a small job. But in 1928 the Sorima Company made an official search for a collection of uncut diamonds and other stones worth more than a million and a quarter, which were on board the Elizabethville when another U-boat got her on her way back from South Africa during the war. Well, they found a lot of ammunition in the strong-room, and thirty shillings in the safe, which didn’t show a big dividend.

Every person is just an obstacle unless you try to understand them. Even your own mother! It’s like the way a gate can seem locked if you don’t understand how it opens.

In “Song of Myself,” Whitman listed numerous definitions of grass, but Sylvie’s favorite was the beautiful uncut hair of graves.

And if every day begins with a battle, how can I ever find peace?

We must travel to a world where we have never gone before, into a land of uncut joy where the light wipes the night cries....

place in the great tribal division representing the sky and all that it contains, adopted the ḳoⁿ´-ha-u-thi-stse style of hair cut for their little ones, which varied slightly from the styles used by the Hoⁿ´-ga. In the Ṭsi´-zhu Wa-shta-ge symbolic hair cut the line of hair left uncut along the edge is divided into little locks to typify the petals of the cone-flower, which is the sacred flower of the gens (fig. 7).

He shared his dreams with me, bright and unfinished like uncut diamonds kept in a bag no one else has seen.

There was a brave contingent from Australia, placed by mutual consent under the command of their greatest and best-loved prospector, Thomas. His heroism, his whimsicality, and his almost impossible doings became a tradition. Quite appropriately, at his death, the monument selected for him was a huge uncut boulder of a peculiar white quartz — an expression of the tribute we paid in our hearts to the whiteness of his soul.

Your soul is made of iron, your spirit of steel and your body is a diamond, uncut, as sharp as a dagger. You're unbreakable, baby doll. But I'll always want to protect you, because you're also mine.

The ink unwrites. The wound uncuts. The house unbuilds.

A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner’s name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out of their mothers’ laps, And here you are the mothers’ laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas’d the moment life appear’d. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

They weren't at all certain that the things they carried in their heads might make every future dawn glow with purer light, they were sure of nothing save that the books were on file behind their quiet eyes, the books were waiting, with their pages uncut, for the customers who might come by in later years, some with clean and some with dirty fingers.