Woman's Cleavage Quotes

A woman could simply pull her shirt down, show some extra cleavage, and mesmerize every guy in the room. If a man opened his jeans and let his cock poke out, every woman in the place would be calling for the cops.

She wears a butter-yellow sweater that exposes a terse slit of cleavage; her locket dangles there, a mountaineer above a gorge.

The closest I’d ever got to seeing a naked woman before was black and white cleavage, and then Rosie tossed her clothes in a corner just like they were getting in the way and spun around in the dim light of Number 16, palms up, luminous, laughing, almost close enough to touch. The thought still knocks the wind out of me. I was too young even to know what I wanted to do about her, I just knew nothing in the World, not the Mona Lisa walking through the Grand Canyon with the Holy Grail in one hand and a winning lotto ticket in the other, was ever going to be that beautiful.

There are garments in all of our wardrobes we don't wear because we don't dare. We bought the jumpsuit for when we were feeling brave and it turns out we never are. A friend of mine had a party and asked us to wear that thing we already own that we never dare wear and it was the most wonderful night. One woman wore her bridal gown. Others wore more cleavage than clothes. Some wore glam rock shoes and velvet capes. Others, tight jeans and crop tops. Some, cosplay cos times. We were all given permission to say yes to our most daring selves. The one we leave hanging up at home. You don't have to be queer to leave the best part of yourself in the closet. Most of us are doing it all the time,

It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.

To oppose one class perpetually to another — young against old, manual labor against brain-worker, rich against poor, woman against man — is to split the foundations of the State; and if the cleavage runs too deep, there remains no remedy but force and dictatorship. If you wish to preserve a free democracy, you must base it — not on classes and categories, for this will land you in the totalitarian State, where no one may act or think except as the member of a category. You must base it upon the individual Tom, Dick and Harry, and the individual Jack and Jill — in fact, upon you and me.

One August day a few years back, my friend Dan Bogan and I spent a whole day up on a hill that was shaped like a woman's chest. We were hiding in the cleavage, out of sight.

a pale woman of indeterminate age (but adult) with a pacifier in her mouth; a freckled woman’s cleavage (just her cleavage); a pale woman’s ass crack (just her ass crack);

Guau. The girl in the garden was breathtakingly gorgeous. She had a petite frame, dark iridescent skin, and magnetic energy. Her haunting espresso-colored eyes hypnotized him. Ramón had to force himself to stop staring at her fabulous cleavage. But her curves didn't stop there. That ass was the kind that songs were written about. He could write one about her right now.

Starshine’s greatest challenge is deciding whether a woman is too young to soothe or too old to shame. Handling the men is much easier. They may feign interest in figures and photos, but their underlying interest is for breasts and thighs. A generous smile often adds an extra zero to a check; an additional inch of exposed cleavage can clothe five Laotian children. The vast majority of these men do not expect to purchase Starshine’s favors. They are husbands, fathers, pillars of the community, the sort of upstanding middle-aged patriarchs who would rather castrate their libidos than compromise their reputations, and even if their three-digit donations could earn them a quickie with the canvasser, they would deny themselves the pleasure.

International trade seems to be the topic of the night, but there are a few differentiations—one talk is about the newest tax codes and how they can better benefit corporations. Snore. Another presents a variation on an old business model. It’s an original idea, but not practical. By the time the fifth student finishes, I’ve met my limit. I nudge Celia out of her reverie. “I’m ready to go,” I begin to say, but stop myself before I get the words out. The woman ascending the stairs to the stage has caught my eye, and all thoughts of leaving disappear. Something about the way she moves is captivating—the wiggle of her hips suggests an undercurrent of sexuality, and her back is straight with confidence. Then she turns toward the audience, and my breathe catches. Even here, twelve rows away, I can tell she’s the most beautiful woman I’ve ever seen. Her dark brown hair falls just so around her face, accentuating sharp cheekbones. Her eyes are dark. Her short dress reveals long, lean legs. The modest cleavage of her outfit can’t hide perfectly plump tits. There’s something else—something about her carriage that makes me sit up and take notice. And she hasn’t even spoken yet.

The show was chaos--moshing, shattered bottles, and music so loud that it didn't even feel like music but just a thumping in her chest, a wailing guitar, and Billy Corgan, who screamed until his throat sounded blood-gargled. After an hour, Maggie lost Uncle Kevin and stumbled through the crowd, fighting the urge not to panic, and then she found him in a corner making out with a blond woman whose shirt was all cut up so that Maggie could see not just the woman's cleavage but the cleavage _under_ her boobs--she had not known this was possible. He pulled away from the woman, wrapped Maggie in a sweaty hug, and took her up to the bar and bought her a pop. She drank it, fighting the feeling of exhaustion and fever that had descended on her brain and sinuses, and when it was over and the lights were turned on to reveal a shiny-eyed crowd wafting animal smells and trembling down from whatever high they'd been on, the music had latched hold of her. She felt half-crazed, elated, having forever transcended the world of high school, where she was noteworthy only for her ability to diagram sentences faster and more accurately than anyone else in Mr. Blackwell's English class. One thing was for sure: she would never diagram another sentence, at least not willingly, for as long as she lived.

Morgan actually looks like he is blushing and seems almost embarrassed for a moment. When he stresses again that he likes cleavages but that he doesn’t think they should be on display during tributes to dead colleagues, but that again he loves cleavages, Bialik gets back up. ‘Do you need to see it again?’ and once again (more briefly this time) pulls the top of her dress apart for him.8 None of this could have possibly gone down better. All of it was lapped up by audiences in the studio and at home. In 2016 exposing your breasts was a ‘feminist’ act. Exposing them to a man who had not asked to see them was an especially ‘feminist’ act. And even a woman who claimed for religious and social reasons to be ‘modest’ could willingly and easily delight a studio audience by flashing her breasts – unasked for – at a man.

The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.

Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.

First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty. Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention. This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled. How could he have mistaken her for his Vex? While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right. With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel. With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone. Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away. Ready, though, didn’t mean he looked happy about it. The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased. Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.” For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty. Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride. His bride was beautiful, and it was only right she be admired. From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked. He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success. She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen. And she is mine.

The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,

I AM GOING TO MAKE SWEET LOVE TO MY WOMAN FOR HOURS, my dick shouts. Sweet love? Huh. Then I nod, and then my face is in her cleavage and my tongue and my hands are doing things, and my dick is so happy he’s humming. Or vibrating. Whatever. Sir Fixit Dick is excited.

...the West had invented cleavage, with profound if under appreciated implications. A man gazing on semi-exposed breasts was not only engaging in simple lasciviousness, he was also meditating, even if unawares, of the visual embodiment of the verb 'to cleave,' which meant both to cut apart and to put together. A woman's cleavage perfectly illustrated this double and contradictory meaning, the breasts two separate entities with one identify. The double meaning was also present in how cleavage separated a woman from a man and yet drew him to her with the irresistible force of sliding down a slippery slope.

Delores was hot! She was a very attractive woman in her mid-thirties, which at my age I considered to be an older woman. She lived in Dumont, New Jersey, and my mother suggested that I visit her and confirm the arrangements she had made with her brother. That Saturday I caught a Public Service bus from Journal Square to Dumont. It didn’t take long to get there and before I knew it, I was at her door. Delores was a divorcee and I enjoyed the feeling that she liked me. She didn’t do anything inappropriate, but I felt that she would have if she could have! Knowing that she was a coworker and friend of my mother, her very close presence seemed awkward. Sitting on her living room couch so close to her was exciting, so I didn’t move away. I was amazed at her television set and was torn between looking at her cleavage and looking at this new contraption that could receive moving pictures through the air. I can remember that her set was a projection type made by Emerson, which was a Jersey City company located close to the entrance of the Holland Tunnel. The screen was top-mounted on a big shiny mahogany box. At that time, there weren’t many TV stations around and it seemed as if those few stations could not broadcast very far. However, they did cover the New York City area. The DuMont Television Network broadcast out of Passaic, New Jersey, which was close to where she lived in Dumont, New Jersey. At the time I didn’t know the difference and wondered if there was any connection between the two -- the television network and the New Jersey town. Since the spelling was different, with the M in DuMont being upper case, it seemed rather doubtful. However, DuMont was one of the big players in early television and launched Jackie Gleason’s career, who went on to become one of television’s shining stars in the 1950’s.

A dark-haired woman with old eyes and young cleavage finally leaned her bosom toward him. "I'm sorry, sir, but I don't think I caught your position in the Sol business affairs." Consort. Mica could have easily named him her personal guard. Her secretary. Even her research assistant. Well, two could play. He bowed his head slightly, happy to oblige. "I see to the sexual needs of Mica Sol, firstborn and heir to the Sol corp.

On any other woman, the blue strapless party dress would have been elegant, and maybe scandalous with its plummeting neckline showing off oodles and oodles—and oodles and oodles and oodles dear Jesus those things are fantastic—of cleavage. On her, it looked cute. It wasn’t that she wasn’t sexy—she was sexy as hell—it was just that the golden curls, big eyes, and peach lipstick made her so adorably squishy that all he wanted to do was hug her.

Her throat interested him greatly, the lovely arc beneath her dainty earlobe, the milky skin, the silken cascade of her perfumed hair... His mind drifted, the wine warming his senses. It had now been three days since he'd had a woman, and he had not forgotten the way she had felt beneath him last night. He still wanted her in spite of himself. Her lips' dewy roses beguiled him, along with the teasing sparkle in those emerald green eyes beneath her black velvet lashes. The candlelight brought out a golden luster in the depths of her light brown hair and danced along the delicate lines of her bare shoulders. Was it wrong to want to lick the caramel sauce out of her splendid cleavage instead of drizzling it politely on the cheesecake? He did his best to keep a tight rein on his dangerous hunger for her, even as his hands tingled with yearning to caress all her creamy, glowing skin. As he took another large swallow of port, he contemplated the fact that there was one sure way to find out if she was really as innocent as she would have him believe. If she was a part of her forebears' sinister conspiracy, it was unlikely that she was a virgin. He was keenly tempted to verify her status for himself by luring her into his bed and finishing what they had started last night.

The little boy snuggled closer into my chest, patting the cleavage visible from the neckline of my top. “Soft VeeVee.” Jenner’s amused voice said from behind us, “Watch it, buddy. Those are mine.” Ollie reared back to glare at my husband over my shoulder. “No! My VeeVee!” Peeking behind me, I saw Asher nudge Jenner with his shoulder. “Better watch out, man. I think you’ve got some real competition there. The kid’s a charmer, and it looks like he’s gunning for your girl.” “Can’t say I blame him. She’s the most beautiful woman I’ve ever laid eyes on.

You can’t seriously expect me to trust my mane to a woman?” Sexism, alive and well in Arik’s world, the fault of the females in his pride who’d raised him. No coddling for Arik. They didn’t believe in letting him play with dolls or caving to others. His mother and aunts, not to mention his numerous female cousins, had taught him to be tough. They didn’t allow softness in his world, not when they groomed him as the future leader of their pride. He was all male, all the time, and dammit, a man used a barber, not a hairdresser. Even if she was cute. “Suit yourself. I’ve got more than enough men to take care of—” Was that his cat growling? “— without adding a pompous one to the list.” “Pompous?” Even if she’d pegged him right, it didn’t stop his indignant glare. A glare she chose to ignore. She crossed her arms over her chest, plumping her cleavage— ooh, pretty, shadowy cleft. His curious nature drew his eyes to the mysterious and beckoning vee until she cleared her throat. “My eyes are up here, big guy.” Caught. Good thing he was a cat. His kind had no shame, nor did they apologize. He shot her his most engaging, boyish grin. “My name is Arik. Arik Castiglione.” She didn’t react to his smile or titles, so he elaborated, “The CEO for Castiglione Enterprises.” He stretched his lips wide enough to engage his deadly dimple. And still failed to impress. She raised a brow. “Is that supposed to mean something?” Surely she jested. Within his mind, his poor lion lay down in a traumatized heap and crossed its paws over its eyes. “We are the largest importer of meat in the world.” Her shoulders lifted in a shrug. “I don’t check the label to see who brings me my steak. I just eat it.” “What about our chain of restaurants? A Lion’s Pride Steakhouses.” “Those I’ve heard of. Decent, I hear, but overpriced. I can get a bigger plate of food at LongHorn. And according to my girlfriends, the male waiters are cuter too.

Westcott gets a ginger ale and a Heineken. He doesn’t want the latter. He has to make the pretense. Sitting beside Regn ("Wren") the front of her black dress opens enough. It is respectable and nothing more. He does not like a woman who flaunts her cleavage. Regn is not one of those women. Westcott cautiously looks to see the elusive hummingbird etched above her right breast. He finds himself inhaling deeply, with complete imperceptibility to anyone who might be watching—though no one is—to catch the scent of her perfume. Sharon drags him onto the dance floor. Her husband doesn’t mind. After all it is innocent. They meander across the floor to Regn who is shaking out a rhythm by herself like so many of the dancers. None of the men ask Regn to dance. Everyone more or less has a date or spouse. Regn and Sharon each take one of Westcott’s hands. The three move together. Or rather they move his limbs. He wants to step lightly, freely, to sweep across the floor. He knows he could if it was just he and Regn and no one was watching. But no, that won’t do either. He wants to dance as a gentleman—to lead and direct this woman with precision, the precision and deliberateness with which he’s pursued her, unwittingly. He wants the world to look upon them and see what he hides. He wants to be applauded and yes, even envied a bit, for his grace and certainty of step. More than anything he wants Regn to move with him. Had he the confidence, the experience, were he a true man, it could never have happened. It is the slow advance that makes her love him. In many ways he is just a boy. She wants to protect him, but sometimes that look, that expression, is so old, determined. He knows what she wants. She can’t deny the way the feeling of being loved makes her feel. It’s been so long.

Her feet moved into the vast space, but all she could see was Cyrus. He strode through the room the way a captain commands his ship. Was it possible his maroon bruise made him more dashing? He was a fine sight in a black broadcloth coat. Her salacious gaze dropped to a brass button lower on his waistcoat. The metal glimmered, winking at her with flirtatious intent very near the tuft of hair she remembered so well at his navel. The corner of Cyrus’s mouth crooked. If she looked ready to devour him, he read the message on her face, no words required. “Claire.” He said her name like a treasured sound. Then, her landlord bent low over her hand, kissing her knuckles and keeping her fingers in a tender hold. Her flesh sung a merry tune recalling how she’d gripped those broad shoulders of his in a fit of passion. Was that only two nights ago? Her cheeks turned hot at the memory. Cyrus rose to his full height, holding her hand. He planted a kiss on her forehead. “Mmmm…” he hummed approvingly. “You smell of almonds.” His lips lingered on her hairline, giving her another soft kiss. “And vanilla, I think. Something you cooked?” He breathed in her scent, standing close yet not intimidating in the least. His own smell was clean and starched with a hint of coffee. She reached high, touching his face like a woman with every right to partake of the feast he offered. “It’s face powder.” One finger stroked the smooth square of his jaw, her voice curving with amusement. “Today I join the ranks of ladies who meet for luncheon, and I can’t be sure if I’ve been lured here or goaded by one very challenging man put on earth to harass my senses.” She caressed his jaw, the grain of his skin smooth to the touch. He must’ve shaved in the last hour. His mouth quirked sideways, pressing the maroon bruise higher up his cheek. “Something tells me you’re the perfect woman to soothe such a man or put him in his place.” His pewter stare flicked over her exposed skin, settling on her cleavage. “As to your senses, I shall treat them with the utmost care.

I’ve been lumbered with this great lug of dog through a friend of a friend for a couple of months and he has some ...behavioural problems I need to manage ASAP.” “Really?” Her gaze switched to Tiny who wagged his tail looking completely angelic. Ryder could have sworn the damn mutt was smiling. “Look at you, you gorgeous boy,” she crooned, unlatching a section of the counter, lifting it up and ducking through it to join him on the other side. Tiny wagged his tail harder as Juliet approached, one hand held out in friendly greeting. Tiny, whose head came to her breasts, took full advantage, nosing her right in the cleavage as the woman slid her hands on either side of his face and cooed at him. “You are adorable, aren’t you?” Tiny licked, actually licked, her cleavage then shot a shit eating grin in Ryder’s direction. If the dog had eyebrows, one of them would be arrogantly cocked. Ryder blinked. The damn animal had more game than him. “Are you sure?” She leaned forward to drop some kisses between Tiny’s eyes, pushing his snout even further into the cushioned heaven between her breasts. “He seems very placid.” Tiny’s gave an ecstatic little shiver, his tail a blur as it dusted the floor. “Trust me. He’s the antichrist.” “Oh I don’t believe that,” she said to Tiny, her voice light and teasing, her mouth a cute little moue. “Look how sweet and well behaved he is. Good boy.” She kissed him again. “Good boy.” Ryder would be sweet and well behaved if Juliet called him a good boy while cradling his head between her breasts. Hell, he’d roll over and play dead if she wanted.

The Chinese might have invented gunpowder and the noodle, but the West had invented cleavage, with profound if underappreciated implications. A man gazing on semi-exposed breasts was not only engaging in simple lasciviousness, he was also meditating, even if unawares, on the visual embodiment of the verb “to cleave,” which meant both to cut apart and to put together. A woman’s cleavage perfectly illustrated this double and contradictory meaning, the breasts two separate entities with one identity. The double meaning was also present in how cleavage separated a woman from a man and yet drew him to her with the irresistible force of sliding down a slippery slope. Men had no equivalent, except, perhaps, for the only kind of male cleavage most women truly cared for, the opening and closing of a well-stuffed billfold. But whereas women could look at us as much as they wanted, and we would appreciate it, we were damned if we looked and hardly less damned if we didn’t.

Not that I don’t want to have more babies with you,” I muttered without thinking. That had her pulling back, almost dislodging me. “What?” I buried my head in her chest and kissed all over her cleavage, pulling her back on me. I needed to distract her because that wasn’t a conversation to have in a baseball stadium when you’re balls deep in a skittish woman.

Anyway, now after this revolution this book argues that things have gone a bit too far. Women, like, HAVE to be sexual now. To the point where our 'sexiness' is making us into, like, a sexiness product. I mean, look at all the gross porn all the guys at college watch, for one. Or any advert where a woman washes her hair and gets an orgasm from her shampoo. Or the way you can't buy a pair of denim shorts now that cover your butt cheeks. Or how in adverts for anything, women's bodies aren't shown as a whole--we're just disjointed legs, or cleavages, or hands -- just our sexual bits cut off and shoved onto a page to sell a watch or something. Women are 'supposed' to be sexy now--otherwise we're prudes, or one of those hairy feminists nobody wants to sleep with. You see how we're judged all the time? How awful it is to be described as no one wanting to shag you? We have to be 'hot' now, otherwise we've failed at life. And if we achieve stuff and we're not hot--it's the first thing people lob at us to undermine everything we've achieved.

In an office, being feminine doesn’t mean being seductive. […] Even a flirtation, when it wears off, causes some bad feeling, and somebody is going to be moved into another department — or out of the company. Quite likely you! There are no hard-and- fast rules for fending off an outright pass, especially if it comes from the boss. Every intelligent woman has her own method of turning it off without wounding a sensitive male ego. An even cleverer woman knows how to prevent the pass in the first place. She’s charming, friendly, capable — and not seductive. If you can’t control your cleavage, your perfume, your walk, and your eyelashes — you’d better stay out of business.

Look beyond a woman's cleavage and you will see her soul.

Delores was hot! She was a very attractive woman in her mid-thirties, which at my age I considered to be an older woman. She lived in Dumont, New Jersey, and my mother suggested that I visit her and confirm the arrangements she had made with her brother. That Saturday I caught a Public Service bus from Journal Square to Dumont. It didn’t take long to get there and before I knew it, I was at her door. Delores was a divorcee and I enjoyed the feeling that she liked me. She didn’t do anything inappropriate, but I felt that she would have if she could have! Knowing that she was a coworker and friend of my mother, her very close presence seemed awkward. Sitting on her living room couch so close to her was exciting, so I didn’t move away. I was amazed at her television set and was torn between looking at her cleavage and looking at this new contraption that could receive moving pictures through the air.

A push-up bra makes it possible for a woman to show off great breasts … she does not have.

The Primary Act. As they entered the cinema, Dr Nathan confided to Captain Webster, ‘Talbert has accepted in absolute terms the logic of the sexual union. For him all junctions, whether of our own soft biologies or the hard geometries of these walls and ceilings, are equivalent to one another. What Talbert is searching for is the primary act of intercourse, the first apposition of the dimensions of time and space. In the multiplied body of the film actress - one of the few valid landscapes of our age - he finds what seems to be a neutral ground. For the most part the phenomenology of the world is a nightmarish excrescence. Our bodies, for example, are for him monstrous extensions of puffy tissue he can barely tolerate. The inventory of the young woman is in reality a death kit.’ Webster watched the images of the young woman on the screen, sections of her body intercut with pieces of modern architecture. All these buildings. What did Talbert want to do - sodomize the Festival Hall? Pressure Points. Koester ran towards the road as the helicopter roared overhead, its fans churning up a storm of pine needles and cigarette cartons. He shouted at Catherine Austin, who was squatting on the nylon blanket, steering her body stocking around her waist. Two hundred yards beyond the pines was the perimeter fence. She followed Koester along the verge, the pressure of his hands and loins still marking her body. These zones formed an inventory as sterile as the items in Talbert’s kit. With a smile she watched Koester trip clumsily over a discarded tyre. This unattractive and obsessed young man - why had she made love to him? Perhaps, like Koester, she was merely a vector in Talbert’s dreams. Central Casting. Dr Nathan edged unsteadily along the catwalk, waiting until Webster had reached the next section. He looked down at the huge geometric structure that occupied the central lot of the studio, now serving as the labyrinth in an elegant film version of The Minotaur . In a sequel to Faustus and The Shrew , the film actress and her husband would play Ariadne and Theseus. In a remarkable way the structure resembled her body, an exact formalization of each curve and cleavage. Indeed, the technicians had already christened it ‘Elizabeth’. He steadied himself on the wooden rail as the helicopter appeared above the pines and sped towards them. So the Daedalus in this neural drama had at last arrived. An Unpleasant Orifice. Shielding his eyes, Webster pushed through the camera crew. He stared up at the young woman standing on the roof of the maze, helplessly trying to hide her naked body behind her slim hands. Eyeing her pleasantly, Webster debated whether to climb on to the structure, but the chances of breaking a leg and falling into some unpleasant orifice seemed too great. He stood back as a bearded young man with a tight mouth and eyes ran forwards. Meanwhile Talbert strolled in the centre of the maze, oblivious of the crowd below, calmly waiting to see if the young woman could break the code of this immense body. All too clearly there had been a serious piece of miscasting. ‘Alternate’ Death. The helicopter was burning briskly. As the fuel tank exploded, Dr Nathan stumbled across the cables. The aircraft had fallen on to the edge of the maze, crushing one of the cameras. A cascade of foam poured over the heads of the retreating technicians, boiling on the hot concrete around the helicopter. The body of the young woman lay beside the controls like a figure in a tableau sculpture, the foam forming a white fleece around her naked shoulders.