Wolves Love Quotes

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It is possible to be in love with you just because of who you are.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Maybe I was destined to forever fall in love with people I couldn’t have. Maybe there’s a whole assortment of impossible people waiting for me to find them. Waiting to make me feel the same impossibility over and over again.
Carol Rifka Brunt (Tell the Wolves I'm Home)
This is a love story. I never knew there were so many kinds of love or that love could make people do so many different things. I never knew there were so many different ways to say goodbye.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
A fight is going on inside me," said an old man to his son. "It is a terrible fight between two wolves. One wolf is evil. He is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other wolf is good. he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you." The son thought about it for a minute and then asked, "Which wolf will win?" The old man replied simply, "The one you feed.
Wendy Mass (Jeremy Fink and the Meaning of Life)
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Nothing had changed. I was the stupid one again. I was the girl who never understood who she was to people.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Some girls are full of heartache and poetry and those are the kind of girls who try to save wolves instead of running away from them.
Nikita Gill (Your Body is an Ocean: Love and Other Experiments)
I just looked at her, feeling utterly empty. I didn’t know what I was supposed to say to her. My life is in that bed. Please let me stay.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Crashing into the trembling void Stretching my hand to you Losing myself to frigid regret Is this fragile love A way To say Good-bye
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Love will find a way through paths where wolves fear to prey.
Lord Byron
The doors to the world of the wild Self are few but precious. If you have a deep scar, that is a door, if you have an old, old story, that is a door. If you love the sky and the water so much you almost cannot bear it, that is a door. If you yearn for a deeper life, a full life, a sane life, that is a door.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Love was the destroyer. It made mourners, widows, left misery in its wake. Grief and love were one and the same. Grief was the shadow love left when it was gone.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Kiss me, k-k-kiss me, infect me with your love, and fill me with your poison, take me, t-t-take me, wanna be your victim, ready for abduction boy, you're a werewolf, your touch is so furry, its supernatural, extra-werewolf-iestrial," Jen sung as loud as she could.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
What are you wishing for?' Grace interrupted. 'To kiss you,' I said to her.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
This is what love does. In the stories, love healed your wounds, fixed what was broken, allowed you to go on. But love wasn’t a spell, some kind of benediction to be whispered, a balm or a cure-all. It was a single, fragile thread, which grew stronger through connection, through shared hardship and trust.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I suppose that's why I love you." His eyes flew open and his face lit in an extraordinary grin. "All Saints, say it again." "I will not." "You must." "I'm the queen. I must do nothing but please myself." "Would it please you to kiss me?
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
And then I opened my eyes and it was just Grace and me - nothing anywhere but Grace and me - she pressing her lips together as though she were keeping my kiss inside her, and me, holding this moment that was as fragile as a bird in my hands.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Right now, it's hard to imagine that it is raining anywhere in the world.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
She'd survived the outside. She'd survived the Aether and cannibals and wolves. She knew how to love now, and how to let go. Whatever came next, she would survive it, too
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
Buy a gift for a dog, and you'll be amazed at the way it will dance and swerve its tail, but if don't have anything to offer to it, it won't even recognize your arrival; such are the attributes of fake friends.
Michael Bassey Johnson
Sometimes the one who is running from the Life/Death/Life nature insists on thinking of love as a boon only. Yet love in its fullest form is a series of deaths and rebirths. We let go of one phase, one aspect of love, and enter another. Passion dies and is brought back. Pain is chased away and surfaces another time. To love means to embrace and at the same time to withstand many endings, and many many beginnings- all in the same relationship.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Sam came around the side of the car and stopped dead when he saw me. “Oh my God, what is THAT?” I used my thumb and middle finger to flick the multicolored pom-pom on top of my head. “In my language, we call it a HAT. It keeps my ears warm.” “Oh my God,” Sam said again, and closed the distance between us. He cupped my face in his hands and studied me. “It’s horribly cute.” He kissed me, looked at the hat, and then he kissed me again. I vowed never to lose the pom-pom hat.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Those are the voices of my brothers, darling; I love the company of wolves.
Angela Carter (Burning Your Boats: The Collected Short Stories)
I need to figure out the secret. I need to work out how to keep things flying back to me instead of always flying away.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I am one of the searchers. There are, I believe, millions of us. We are not unhappy, but neither are we really content. We continue to explore life, hoping to uncover its ultimate secret. We continue to explore ourselves, hoping to understand. We like to walk along the beach, we are drawn by the ocean, taken by its power, its unceasing motion, its mystery and unspeakable beauty. We like forests and mountains, deserts and hidden rivers, and the lonely cities as well. Our sadness is as much a part of our lives as is our laughter. To share our sadness with one we love is perhaps as great a joy as we can know - unless it be to share our laughter. We searchers are ambitious only for life itself, for everything beautiful it can provide. Most of all we love and want to be loved. We want to live in a relationship that will not impede our wandering, nor prevent our search, nor lock us in prison walls; that will take us for what little we have to give. We do not want to prove ourselves to another or compete for love. For wanderers, dreamers, and lovers, for lonely men and women who dare to ask of life everything good and beautiful. It is for those who are too gentle to live among wolves.
James Kavanaugh (There are men too gentle to live among wolves)
Many, many readers have written asking me wistfully about the nature of Sam and Grace's relationship, and I can assure you, that sort is absolutely real. Mutual, respectful, enduring love is completely attainable as long as you swear you won't settle for less.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I'll tell you a thousand stories, my love. We'll write the new endings, one by one.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
To Grace, these were the things that mattered: my hands on her cheeks, my lips on her mouth. The fleeting touches that meant I loved her.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
I could still smell her on my fur. It clung to me, a memory of another world. I was drunk with it, with the scent of her. I'd got too close. The smell of summer on her skin, the half-recalled cadence of her voice, the sensation of her fingers on my fur. Every bit of me sang with the memory of her closeness. Too close. I couldn't stay away.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Mutual, respectful, enduring love is completely attainable as long as you swear you won't settle for less.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I walk through the seasons and always the birds are singing and screaming and keening for love When you're with me it seems so absurd that I should be jealous of the jay and the dove.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
She gets a man who will love her completely and faithfully. She gets a man who will not only save her life, but lay down his own to keep her safe. He will provide for her no matter the cost, he will shelter her against all storms that come their way, he will be the one to bring a smile to her face when no one else can. She gets a friend, a lover, a mate, the only man in this world who can complete her and give her the other half of her soul.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Because you know that's not how you want it to end. You know I'd love to have you with me, and it will be that way, one day. But this isn't the way it ought to happen.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
I will always seek to make it summer for you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
his yellow eyes gazed at me possessively -- I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, "That's how I would kiss you, if I loved you.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
You can love her with everything you have and she still wont belong to you. She will run wild with you, beside you with everystep but let me tell you something about women who run with wolves, their fierce hearts dont settle between walls and their instinct is stronger than upbringing. Love her wild or leave her there.
Nikki Rowe
Love does not always wear the face we wish,” she said. “I wish my love had been more beautiful. I wish … I wish we had more time.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Most people had an acquired kind of beauty, they became better looking the longer you knew them and the better you loved them, but Cole had unfairly skipped to the end of the game, all jaggedly handsome and Hollywood-looking. Not needing any love to get there.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
She loved all the wolves behind her house, but she loved one of them most of all. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Internet: What do you want for your birthday? Virtual Cole: to stay young forever Cole texted me: Actually I want you
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
My chest ached, my body speaking a language my head didn't quite understand. I waited. But Grace, the only person in the world I wanted to know me, just ran a wanting finger over the cover of one of the new hardcovers and walked out of the store without ever realising I was there, right within reach.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
She leaned toward me, offering her neck, and I kissed her just behind her ear.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Grace: I picked up my sweater from the floor and crawled back into bed. Shoving my pillow aside, I balled up the sweater to use instead. I fell asleep to the scent of my wolf. Pine needles, cold rain, earthy perfume, coarse bristles on my face. It was almost like he was there.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
To love means to embrace and at the same time to withstand many endings, and many many beginnings—all in the same relationship.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
You think I don't know about wrong love, June? You think I don't understand embarrassing love?
Carol Rifka Brunt (Tell the Wolves I'm Home)
Each in the most hidden sack kept the lost jewels of memory, intense love, secret nights and permanent kisses, the fragment of public or private happiness. A few, the wolves, collected thighs, other men loved the dawn scratching mountain ranges or ice floes, locomotives, numbers. For me happiness was to share singing, praising, cursing, crying with a thousand eyes. I ask forgiveness for my bad ways: my life had no use on earth.
Pablo Neruda (Still Another Day)
You push us away, keep us at arm's distance so that you won't mourn us. But you'll mourn us anyway. That's the way love works.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Lust is safer than love, but both can ruin you.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
My whole life, I had thought that my story was, again and again: Once upon a time, there was a boy, and he had to risk everything to keep what he loved. But really, the story was: Once upon a time, there was a boy, and his fear ate him alive.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
There was something striking about her posture; something about the tilt to her head. She was like a beautiful and lonely piece of art, lovely but unreachable.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Toby was right. Finn was my first love. But Toby, he was my second. And the sadness in that stretched like a thin cold river down the length of my whole life.
Carol Rifka Brunt (Tell the Wolves I'm Home)
The room went dark and, after a moment, Grace whispered that she loved me, sounding a little sad. I wrapped my arms tightly around her shoulders, sorry that loving me was such a complicated thing.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
My wolf was a cute guy and he was holding my hand. I could die happy.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she love one of them most of all.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
There is no one a wildish woman loves better than a mate who can be her equal.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
He'd only been gone two seconds, but the room got brighter when they were together, as if they were two elements that became brilliant in proximity. At Sam's clumsy efforts to carry the vacuum, Grace smiled a new smile that I thought only he ever got, and he shot her a withering look full of the sort of subtext you could only get from a lot of conversations whispered after dark. It made me think of Isabel, back at her house. We didn't have what Sam and Grace had. We weren't even close to having it. I didn't think what we had could get to this, even if you gave it a thousand years.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
The less you associate with some people, the more your life will improve. Any time you tolerate mediocrity in others, it increases your mediocrity. An important attribute in successful people is their impatience with negative thinking and negative acting people. As you grow, your associates will change. Some of your friends will not want you to go on. They will want you to stay where they are. Friends that don't help you climb will want you to crawl. Your friends will stretch your vision or choke your dream. Those that don't increase you will eventually decrease you. Consider this: Never receive counsel from unproductive people. Never discuss your problems with someone incapable of contributing to the solution, because those who never succeed themselves are always first to tell you how. Not everyone has a right to speak into your life. You are certain to get the worst of the bargain when you exchange ideas with the wrong person. Don't follow anyone who's not going anywhere. With some people you spend an evening: with others you invest it. Be careful where you stop to inquire for directions along the road of life. Wise is the person who fortifies his life with the right friendships. If you run with wolves, you will learn how to howl. But, if you associate with eagles, you will learn how to soar to great heights. "A mirror reflects a man's face, but what he is really like is shown by the kind of friends he chooses." The simple but true fact of life is that you become like those with whom you closely associate - for the good and the bad. Note: Be not mistaken. This is applicable to family as well as friends. Yes...do love, appreciate and be thankful for your family, for they will always be your family no matter what. Just know that they are human first and though they are family to you, they may be a friend to someone else and will fit somewhere in the criteria above. "In Prosperity Our Friends Know Us. In Adversity We Know Our friends." "Never make someone a priority when you are only an option for them." "If you are going to achieve excellence in big things,you develop the habit in little matters. Excellence is not an exception, it is a prevailing attitude.."..
Colin Powell
I believe in all kinds of things. Ghosts. Gnomes. True love.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
The thing I was beginning to figure out about Sam and Grace, the thing about Sam not being able to function without her, was that that sort of love only worked when you were sure both people would always be around for each other. If one half of the equation left, or died, or was slightly less perfect in their love, it became the most tragic, pathetic story invented, laughable in its absurdity. Without Grace, Sam was a joke without a punch line.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
You and I both know that love is for children,'' he said. ''We're adults. Compatibility is for adults.'' ''Compatibility is for my Bluetooth and my car,'' Teresa replied. ''Only they get along just fine, and my car never makes my bluetooth feel like shit.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
Some people were built for love and some were built for war. One did not lend itself to the other.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
You are not evil, Fell. You have just been robbed of love. Of light.
David Clement-Davies (The Sight (The Sight, #1))
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Love did not always wear the face one wished it would. Sometimes it looked downright monstrous.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
Avoidance is a wonderful therapy
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
When he kissed me, his lips soft and careful, it was all the thrill of our first kiss and all the practiced familiarity of the accumulated memory of all our kisses.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
I loved him. I loved him and he loved me. When I was... when no one could reach me... he saw me. He... I loved him and he loved me.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
You should have said yes, she thought for the hundredth time. You should have told him you love him.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I’ll call it a victory.” “Then enjoy it,” Tolya said, climbing atop his huge gelding. “People only say that when they know it won’t last.” “Of course it won’t last,” said Zoya. “What does?” “True love?” suggested Tamar. “Great art?” said Tolya. “A proper grudge,” replied Zoya
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn't know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole's hand touched my neck, thumb pressed into the skin next to my jaw. It wasn't a touch that said I need more. It was a touch that said I want this. It was all completely soundless. I didn't think either of us was breathing. Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, "That's how I would kiss you, if I loved you.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
She put a hand on his hip and turned him to her. "But things could go wrong, so i want to tell you something while it's just the two of us, Eddie. I want to tell you how much I love you." She spoke simply, with no drama. I know you do," he said, "but I'll be damned if I know why." Because you made me feel whole," she said. "When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out." Eddie laughed. Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You...Eddie, you fill me up.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
It wasn't the sort of kiss I'd had with him before, hungry, wanting, desperate. It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
As long as I live, the demon will remain inside you,” said the Darkling as Nikolai used a knife to saw through the ropes at his wrists. “We’ve made our peace.” “Some treaties do not last.” “You do love a dire prophecy, don’t you?” “Zoya will live a very long life,” the Darkling said. “Despite the demon, you may not do the same.” “Then I will love her from my grave.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
What if I say I can't bear to lose you?" A smile tugged at her lips. "I'd say you're a liar. That claims like that belong to romantic ninnies." She raised her hand and let her fingertips trace the line of his beautiful jaw. He closed his eyes. "We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march an bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I watched the edges of the leaves slowly unfold, fluttering in the breeze. "How long did you wait?" It would've been unbearably romantic if he'd had he courage to look into my face and say it, but instead, he dropped his eyes to the ground and scuffed his boot in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I didn't understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Where are you hiding my love? Each day without you will never come again. Even today you missed a sunset on the ocean, A silver shadow on yellow rocks I saved for you, A squirrel that ran across the road, A duck diving for dinner. My God! There may be nothing left to show you Save wounds and weariness And hopes grown dead, And wilted flowers I picked for you a lifetime ago, Or feeble steps that cannot run to hold you, Arms too tired to offer you to a roaring wind, A face too wrinkled to feel the ocean's spray.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
She would be a sparkling accent on his arm. She speaks flawless French and Italian, and has a limitless supply of charm when she wishes to dispense it. And'd she'll use him. She'll take, take more. If it was necessary, or if she simply had the whim, she'd toss him to the wolves to see who'd win." He finished the whiskey. "You, Lieutenant, are often crude, you are certainly rude, and have very little sense of how to be the wife--in public--of a man in Roarke's position. And you would do anything, no matter what the personal risk, to keep him from harm. She will never love him. You will never do anything but.
J.D. Robb (Innocent in Death (In Death, #24))
Bryn?" Chase's voice was a whisper in my mind, and the sensation sent a single chill up my spine. "Yes?" "You asked me what I liked, before." He paused, and all the silence tickled my mind, the chill in my spine climbing its way to the hairs on the back of my neck. "Before, I loved cars, Yeats, having a bedroom that locked from the inside, and you.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Close your eyes,” he said. Without waiting for me, he pressed his hand over my eyelids, shutting them for me. I felt the love seat shift as he slid in beside me, heard the inexplicably loud sound of the cover opening, the pages inside scraping against each other as he turned them. Then I felt his breath on my ear as he said, voice barely audible, “‘I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.’” He paused, long, the only sound his breath, a little ragged, before he went on, “‘And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don’t want to be folded anywhere, because there, where I’m folded, I am a lie.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I didn’t know how I could live with that knowledge, without it eating me up, without it poisoning every happy memory I had of growing up. Without it ruining everything Beck and I had. I didn’t understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Ali wrinkled her forehead and cocked her head to the side. Clearly, she hadn't prepared herself for me to be pleasant. After a moment, her eyes narrowed. "What exactly did you and Lake did yesterday?" she asked, like we might have held up a gas station and gone on a crime spree across the country, all in the span of just a few hours. "We went to Mexico, had some tequila, eloped with a pair of drug smugglers, and took part-time jobs as exotic dancers. You know, same old, same old." Ali snorted. "I'm torn on stripper names. It's either going to be Lady Love or Wolfsbane Lane. Thoughts?" Ali threw a onesie at me. "Brat.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
While much psychology emphasizes the familial causes of angst in humans, the cultural component carries as much weight, for culture is the family of the family. If the family of the family has various sicknesses, then all families within that culture will have to struggle with the same malaises. There is a saying cultura cura, culture cures. If the culture is a healer, the families learn how to heal; they will struggle less, be more reparative, far less wounding, far more graceful and loving. In a culture where the predator rules, all new life needing to be born, all old life needing to be gone, is unable to move and the soul-lives of its citizenry are frozen with both fear and spiritual famine.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Grace stopped in the door, dimly silhouetted by the dull gray morning light, and looked back at me, at my eyes, my mouth, my hands, in a way that made something inside me knot and unknot unbearably. I didn't think I belonged here in her world, a boy stuck between two lives, dragging the dangers of the wolves with me, but when she said my name, waiting for me to follow, I knew I'd do anything to stay with her.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
An old man says to his grandson: ‘There’s a fight going on inside me. It’s a terrible fight between two wolves. One is evil–angry, greedy, jealous, arrogant, and cowardly. The other is good–peaceful, loving, modest, generous, honest, and trustworthy. These two wolves are also fighting within you, and inside every other person too.’ After a moment, the boy asks, ‘Which wolf will win?’ The old man smiles. ‘The one you feed.’ 3
Rutger Bregman (Humankind: A Hopeful History)
And the answer, said the judge. If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet? The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day. He loves games? Let him play for stakes. This you see here, these ruins wondered at by tribes of savages, do you not think that this will be again? Aye. And again. With other people, with other sons.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Cole,” I said, “do you think I’m lovable?” “As in ‘cuddly and’?” “As in ‘able to be loved,’” I said. Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.” I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.” Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry. Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.” It was all completely soundless. I didn’t think either of us was breathing. Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, “That’s how I would kiss you, if I loved you.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track. My thoughts were flashes in between the downbeats. beat: my hand pressed on Cole's stomach beat: our hips crushed together beat: Cole's laugh beat: we were one person Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies. When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart. "You're an addiction," I told him. "You should know.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I'll see you there little Red.' Fane’s voice faded out of her mind and she could feel his humor. Oh, wasn't he just too cute, picking up on her two best friends' idea of a sick joke - to turn her into the little girl who almost wound up as the wolf's dinner. "My, what big eyes you have, wolf-man," Jacque said out loud, unable to stop her sarcasm from boiling up. “The better to see you with love,” Jen chimed in. “What big ears you have!” Sally continued their comic relief. “The better to hear you with my love,” Jen followed. “What big teeth you have!” Sally mocked, her hands on either side of her face. “The better to eat you with my love,” Jen cackled, but she wasn’t finished. True to Jen form she added her own twisted sense of humour. “My, what a big-“ Sally slapped a hand over her mouth, quickly realising where Jen was going with that statement.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
You are pure-hearted, Branza, and lovely, and you have never done a moment's wrong. But you are a living creature, born to make a real life, however it cracks your heart. However sweet that other place was, it was not real. It was an artifact of your mam's imagination; it was a dream of hers and a desire; you could not have stayed there forever and called yourself alive. Now you are in the true world, and a great deal more is required of you. Here you must befriend real wolves, and lure real birds down from the sky. Here you must endure real people around you, and we are not uniformly kind; we are damaged and impulsive, each in our own way. It is harder. It is not safe. But it is what you were born to.
Margo Lanagan (Tender Morsels)
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?" Forget it!" Sam said. "Do you you like this place or not?" I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?" His thick black eyebrows went up even farther. Did you evan intend to look for him at all?" He held his hands up as if a surrender. "What do you want me to say?" You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?" I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light. So you brought me here to see this." I stepped forward again, and he stepped back. Do you like it?" Under false pretence." Anouther step forward; anouther back. The grine widened So do you like it?" When you knew we wouldn't come across anybody else." His teeth flashed in his grin. "Do you like it?" I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away. Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly. My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me." I thought about it." I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?" He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
In preparing for this ceremony," Kai said, setting the bouquet on the mantel behind him, "I did some research and learned that the word Alpha has held many meanings across history. Alpha can refer to the first of something," said Kai, "or the beginning of everything. It can be attributed to a particularly powerful or charismatic person, or it can signify the dominant leader in a pack of animals, most notably, of course, wolves." His serious expression tweaked briefly into a teasing smile. "It has meanings in chemistry, physics, and even astronomy, where it describes the brightest star in a constellation. But it seems clear that Ze’ev and Scarlet have created their own definition for the word, and their relationship has given this word a new meaning for all of us. Being an Alpha means that you’ll stand against all adversity to be with your mate. It means accepting each other, both for your strengths and your flaws. It means forging your own path to happiness and to love.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
Comte de Lautréamont (Maldoror and the Complete Works)
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)