Musings Short Quotes

Quintus…” Geryon mused. “Short gray hair, muscular, swordsman?” “Yeah.” “Never heard of him,

Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!

(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, disillusioned.) I welcomed shots of peace, tattered shards of happiness.

It won't happen yet, Ellen mused, mashing cooked carrots for Jill's lunch. Breakups seldom do. It will unfold slowly, one little tell- tale symptom after another like some awful, hellish flower.

...I've always idealized women I've loved - they all fell short, save one - the one God chose for me - she lights up a room by walking into it...

No matter how different one looks or may seem, all are just shades in the colorful rainbow of life that loves everyone, no matter if they are short, purple, or green.

I’ll do it.” He skims the cuff of my jean shorts, slipping beneath the denim. “What?” I breathe, my focus splitting between his caress and his words. “Drop to my knees

He didn't object as she took up a place at the head of the tub and dumped some of the tonic into his short hair. The sweet, night-filled scent of jasmine floated up, caressing and kissing her. Even Rowan breathed it in as she scrubbed the tonic into his scalp. "I could still probably braid this," she mused. "Very teensy-tiny braids, so - " He growled, but leaned back against the tub, his eyes closed. "You're no better than a house cat," she said, massaging his head. He let out a low noise in his throat that might have very well have been a purr. Washing his hair was intimate-a privilege she doubted he'd ever allowed many people; something she'd never done for anyone else. But lines had always been blurred for them, and neither of them had particularly cared. He'd seen every inch of her several times, and she'd seen most of him. They'd shared a bed for months. On top of that, they were carranam. He'd let her inside his power, past his inner barriers, to where half a thought from her could have shattered his mind. So washing his hair, touching him... it was an intimacy, but it was essential, too.

Tim Minchin's musings on Tony, the first 'fish' ever to have feet: Imagine what Tony would think, standing there on his brand new feet on the brink of the beginnings of mankind as we know it... if he could look forward just a few short... hundreds of millions of years... to see one of his descendants... an Israeli Jew by the name of Jesus, having a nail hammered through his feet... the very feet that Tony provided him with, as a punishment for having a, sort of, schizophrenic discourse with a God who was created by Mankind to explain the existence of feet in the absence of the knowledge of the existence of Tony.

...Life does not follow the continuous flow of logical argument and that one often has to risk moving beyond the limits of the rational in order to live life to the fullest.

In short, if the Muse exists, she does not whisper to the untalented.

Quintus…” Geryon mused. “Short gray hair, muscular, swordsman?” “Yeah.” “Never heard of him,” Geryon said.

Looking upwards, she speculates still more ambitiously upon the nature of the moon, and if the stars are blazing jellies; looking downwards she wonders if the fishes know that the sea is salt; opines that our heads are full of fairies, 'dear to God as we are'; muses whether there are not other worlds than ours, and reflects that the next ship may bring us word of a new one. In short, 'we are in utter darkness'. Meanwhile, what a rapture is thought!

I had a cup of tea, thought about my day and mostly about the horse whom, though I'd only known him a short time, I called my friend. I have few friends and am glad to have a horse for a friend. After the meal I smoked a cigarette and mused on the luxury it would be to go out, instead of talking to myself and boring myself to death with the same endless stories I'm forever telling myself. I am a very boring person, despite my enormous intelligence and distinguished appearance, and nobody knows this better than I. I've often told myself that if only I were given the opportunity, I'd perhaps become the centre of intellectual society. But by dint of talking to myself so much, I tend to repeat the same things all the time. But what can you expect? I'm a recluse.

When you feel overwhelmed or unfocused, what do you do? I have a friend at the gym who knew Jack LaLanne (Google him if the name is unfamiliar). Jack used to say it’s okay to take a day off from working out. But on that day, you’re not allowed to eat. That’s the short way of saying you’re not really allowed to get unfocused. Take a vacation. Gather yourself. But know that the only reason you’re here on this planet is to follow your star and do what the Muse tells you. It’s amazing how a good day’s work will get you right back to feeling like yourself.

Canada is a sparsely populated nation, a mere 34 million people across a vast expanse of land. Consequently, as you grow up there, you encounter more weirdos who have been given a wider berth to stew in their weirdness and become gloriously eccentric. These are precisely the kinds of folks who served as our comic muses in Toronto. On top of this, the performers in Second City Toronto were a particularly nice, un-mean group,

The short space of threescore years can never content the imagination of man; nor can the imperfect joys of this world satisfy his heart. Man alone, of all created beings, displays a natural contempt of existence, and yet a boundless desire to exist; he scorns life, but he dreads annihilation. These different feelings incessantly urged his soul to the contemplation of a future state, and religion directs his musings thither. Religion, then, is simply another form of hope; and it is no less natural to the human heart than hope itself.

Like our IQ, talent is a gift from our ancestors. If we're lucky, we inherit it. In the fortunate talented few, the dark dimension of their natures will first resist the labor that creativity demands, but once they commit to the task, their talented side stirs to action and rewards them with astonishing feats. These flashes of creative genius seem to arrive from out of the blue for the obvious reason: They come from the unconscious mind. In short, if the Muse exists, she does not whisper to the untalented.

She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

Look where we are. In space. Above a planet we shaped. Yet we live in a Society modeled after the musings of Bronze Age pedophiles. Tossing around mythology like that bullshit wasn’t made up around a campfire by an Attican farmer depressed that his life was nasty, brutish, and short.

A teasing smirk flitted across his face, as he completed his thought, “I’ll try not to take it too hard if I fail miserably, because you can be the world’s greatest skeptic…” “Nah…” I coughed out a little chuckle, “not when you’re involved. I’m your number one fan…You couldn’t shake me if you tried.” I gave him a playful wink, adding musingly, “Though I might stop short of hanging out in the bushes with binoculars…” “Well, then,” he grinned, “clearly you’re not my number one fan.

If it’s this short on me, how short must it be on you?” she mused aloud to Isabelle. Isabelle grinned. “On me it’s a shirt.” Clary

The mind is a thing capable of destroying itself when deep grief sets in, and when left alone to muse over one’s misery, the most irreparable damage can be done. You need people to heal.

Hmmm,” you muse out loud. Your voice is deep and carnal, a sound which sends new surges of desire rushing to my sex. “These balls are awfully dusty - if only I knew a little slut who was good at polishing balls…

My mother delayed my enrollment in the Fascist scouts, the Balilla, as long as possible, firstly because she did not want me to learn how to handle weapons, but also because the meetings that were then held on Sunday mornings (before the Fascist Saturday was instituted) consisted mostly of a Mass in the scouts' chapel. When I had to be enrolled as part of my school duties, she asked that I be excused from the Mass; this was impossible for disciplinary reasons, but my mother saw to it that the chaplain and the commander were aware that I was not a Catholic and that I should not be asked to perform any external acts of devotion in church. In short, I often found myself in situations different from others, looked on as if I were some strange animal. I do not think this harmed me: one gets used to persisting in one's habits, to finding oneself isolated for good reasons, to putting up with the discomfort that this causes, to finding the right way to hold on to positions which are not shared by the majority. But above all I grew up tolerant of others' opinions, particularly in the field of religion, remembering how irksome it was to hear myself mocked because I did not follow the majority's beliefs. And at the same time I have remained totally devoid of that taste for anticlericalism which is so common in those who are educated surrounded by religion. I have insisted on setting down these memories because I see that many non-believing friends let their children have a religious education 'so as not to give them complexes', 'so that they don't feel different from the others.' I believe that this behavior displays a lack of courage which is totally damaging pedagogically. Why should a young child not begin to understand that you can face a small amount of discomfort in order to stay faithful to an idea? And in any case, who said that young people should not have complexes? Complexes arise through a natural attrition with the reality that surrounds us, and when you have complexes you try to overcome them. Life is in fact nothing but this triumphing over one's own complexes, without which the formation of a character and personality does not happen.

I had a cup of tea, thought about my day and mostly about the horse whom, though I’d only known him a short time, I called my friend. I have few friends and am glad to have a horse for a friend. After the meal I smoked a cigarette and mused on the luxury it would be to go out, instead of talking to myself and boring myself to death with the same endless stories I’m forever telling myself. I am a very boring person, despite my enormous intelligence and distinguished appearance, and nobody knows this better than I. I’ve often told myself that if only I were given the opportunity, I’d perhaps become the centre of intellectual society. But by dint of talking to myself so much, I tend to repeat the same things all the time. But what can you expect? I’m a recluse.

once believed that a published author must be an Olympian being—a wise or at least worldly philosopher-god who rises at noon, feeds his muse a diet of scotch/rocks, and debauches his soul into the keys of a rusty Underwood Noiseless while the rest of the world sleeps.

I’ve noticed that you always want to drop one thing to hurry on to the next. Yet each task takes you far too much time to finish because you dissect everything far too much. You are not slow—just long-winded. You want to say everything that has the slightest connection to the subject at hand. This always takes too long and causes you to rush from one thing to another. Try to be brief. Learn to get to the heart of the matter and disregard the nonessential. Don’t spend all your time musing! What you really need to do is sit quietly before God and your active argumentative mind would soon be calmed. God can teach you to look at each matter with a simple, clear view. You could say what you mean in two words! And as you think and speak less, you will be less excitable and distracted. Otherwise, you will wear yourself out, and external thing will overpower your inward life as well as your health. Cut all this activity short! Silence yourself inwardly. Come back to your Lord often. You will get more accomplished this way. It is more important to listen to God than to your own thoughts.

Please guide this ship away from harm and make her safe - keep her warm... Attention and lust all she desires - and the time it takes to stoke those fires You may invite her to your lair with sensuousness and a passionate flair her draw irresistible, hunger insatiable  -  your thoughts no more your own For she has taken place there, in you, the queen upon her throne..... Sensual bliss one of many rewards, but stolen heart and pointy swords Your skills and gift of most import, for when they wane, pain, and love's cut short.... May crack your inner strength some day and truly steal your time (heart) away.... For a muse but one of intermittent bliss starting from the first kiss And ending only when she's done - then you're left alone as one.....

A little learning is a dangerous thing; Drink deep, or taste not the Pierian spring: There shallow draughts intoxicate the brain, And drinking largely sobers us again. Fired at first sight with what the Muse imparts, In fearless youth we tempt the heights of Arts; While from the bounded level of our mind Short views we take, nor see the lengths behind, But, more advanced, behold with strange surprise New distant scenes of endless science rise! So pleased at first the towering Alps we try, Mount o’er the vales, and seem to tread the sky; The eternal snows appear already past, And the first clouds and mountains seem the last; But those attained, we tremble to survey The growing labours of the lengthened way; The increasing prospect tires our wandering eyes, Hills peep o’er hills, and Alps on Alps arise!

How far you've brought us," Kathleen murmured, resting against him, "in such a short time. You've turned us all into a family." "Don't give me credit for that, love," Devon said, ducking his head to press a crooked grin against the side of her face. "We all did it together." Kathleen turned in his arms to regard the trio of goldfinches. "I wonder what they'll do," she mused aloud, "now that they're out in the world, in the open air?" He snuggled her back against him, and nuzzled her cheek. "Whatever they want.

But why can’t the language for creativity be the language of regeneration? You killed that poem, we say. You came in to that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I’m wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. ‘Good for you man,’ a man once said to me at a party, ‘you’re making a killing with poetry. You’re knocking ‘em dead.’ “-On Earth We’re Briefly Gorgeous, p. 179, Ocean Vuong “I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you’re born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can’t tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn’t so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you first must be seen, but to be seen allows you to be hunted

At least she was good at archaeology, she mused, even if she was a dismal failure as a woman in Tate’s eyes. “She’s been broody ever since we got here,” Leta said with pursed lips as she glanced from Tate to Cecily. “You two had a blowup, huh?” she asked, pretending innocence. Tate drew in a short breath. “She poured crab bisque on me in front of television cameras.” Cecily drew herself up to her full height. “Pity it wasn’t flaming shish kebab!” she returned fiercely. Leta moved between them. “The Sioux wars are over,” she announced. “That’s what you think,” Cecily muttered, glaring around her at the tall man. Tate’s dark eyes began to twinkle. He’d missed her in his life. Even in a temper, she was refreshing, invigorating. She averted her eyes to the large grass circle outlined by thick corded string. All around it were make-shift shelters on poles, some with canvas tops, with bales of hay to make seats for spectators. The first competition of the day was over and the winners were being announced. A woman-only dance came next, and Leta grimaced as she glanced from one warring face to the other. If she left, there was no telling what might happen. “That’s me,” she said reluctantly, adjusting the number on her back. “Got to run. Wish me luck.” “You know I do,” Cecily said, smiling at her. “Don’t disgrace us,” Tate added with laughter in his eyes. Leta made a face at him, but smiled. “No fighting,” she said, shaking a finger at them as she went to join the other competitors. Tate’s granitelike face had softened as he watched his mother. Whatever his faults, he was a good son.

Will had discovered, even before coming to the City, that his muse was, like all muses, an incredibly finicky and temperamental mistress. He'd had several good short stories over the years, a few of them bordering on brilliant, and some of them had even been published; but these gifts from his imaginary goddess of inspiration were, in truth, frustratingly infrequent. She would hang around and whisper in his ears for hours, or days, or weeks, and then suddenly go off on an extended vacation without informing Will of her whereabouts or when she planned to return.

Fir'd at first sight with what the Muse imparts, In fearless youth we tempt the heights of arts, While from the bounded level of our mind, Short views we take, nor see the lengths behind, But more advanc'd, behold with strange surprise New, distant scenes of endless science rise! So pleas'd at first, the tow'ring Alps we try, Mount o'er the vales, and seem to tread the sky; Th' eternal snows appear already past, And the first clouds and mountains seem the last; But those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes, Hills peep o'er hills, and Alps on Alps arise!

It was safe to say, standing as close to him as she was, that she was very aware of the rise of his aroused sensuality. Even if his hand had not been burning across her skin, the unapologetic hardness of his body pressing with erotic familiarity against hers would have told her how very much lost in his need for her he was. Gideon had to be the most sexual creature she had ever encountered. And yet, only a few short days ago, if she had been asked her opinion on that particular subject, she would have made suppositions that were quite the opposite. Was he telling her the truth when he said it was because of her? “I never lie, my beauty,” he murmured, reminding her of her own understandings about that. His lips against her hair, just beneath the back of her ear, were warm and smiling even as he kissed the thrillingly sensitive spot. “And even if I were just a dirty old man, Neliss,” he whispered like the warmth of sunshine in her ear, “it would never account for the tenderness you see in me even now.” He tightened his hold on her, drawing her so close that he burned hotly against her. “And you would have been in my bed, beneath the press of my body, open and inviting me in by now.” The raw observation and the aggressive heat of his body made her grasp, a mix between shocked sensibilities and excited delight. Legna looked up into his famished eyes, licking her lips with a hunger all her own. “If we do not find something to do, we will end up in bed together,” she reminded him with her heart pounding so obviously against his chest. “Yes. Perhaps without the intention of rousing until Jacob and Bella’s Beltane wedding,” he mused, the pleasure of the speculation quite evident in his expression. It was an attractive thought to Legna as well, especially as his mouth dipped beneath her hair to continue to tease the sensitive skin of her neck. But just the same, she took matters into her own hand, so to speak, and teleported out of his grasp, reappearing all the way on the other side of the room. Finding his arms so abruptly vacated, Gideon gave her an eloquent look. She was going to pay for her little trick one day, and his eyes promised it to her as thoroughly as a worded threat.

Nature writers are supposed to be able to summon from the literary ether the precise words to describe their subjects or the feelings they evince. Sometimes the Muse attends, but by no means on demand. It is one of the great delights of trying to be a writer that words can suddenly appear, like blackcap's jubilant song, absent for months and then unexpectedly and ecstatically there, winging into your head just when you need them most. The more emotive the subject or the more deeply personal the experience, the easier it ought to be. But not necessarily so. Some experiences transcend ready description as though making a point: words - at least those available to the generality of writers - sometimes fall hopelessly short; they dish out despair in bucket loads. Others fare much better.

He was taking a nap,” Kate explained. “He’s a very sound sleeper.” But once awake, Newton refused to be left out of the action, and with a slightly more awake bark, he leaped up onto the chair, landing on Kate’s lap. “Newton!” she squealed. “Oh, for the love of—” But Anthony’s mutterings were cut short by a big, sloppy kiss from Newton. “I think he likes you,” Kate said, so amused by Anthony’s disgusted expression that she forgot to be self-conscious about her position on his lap. “Dog,” Anthony ordered, “get down on the floor this instant.” Newton hung his head and whined. “Now!” Letting out a big sigh, Newton turned about and plopped down onto the floor. “My goodness,” Kate said, peering down at the dog, who was now moping under the table, his snout lying sorrowfully on the carpet, “I’m impressed.” “It’s all in the tone of voice,” Anthony said archly, snaking a viselike arm around her waist so that she could not get up. Kate looked at his arm, then looked at his face, her brows arching in question. “Why,” she mused, “do I get the impression you find that tone of voice effective on women as well?” He shrugged and leaned toward her with a heavy-lidded smile. “It usually is,” he murmured. “Not this one.” Kate planted her hands on the arms of the chair and tried to wrench herself up. But he was far too strong. “Especially this one,” he said, his voice dropping to an impossibly low purr. With his free hand, he cupped her chin and turned her face to his. His lips were soft but demanding, and he explored her mouth with a thoroughness that left her breathless. -Kate & Anthony

To keep awake at the awards ceremony the following day, I mentally thumbed through the pages of my dissertation and wondered if there was any way, here on the front line, to get it retyped. Too many trenches and sniper nests had left the pages soft and creased, and my section introducing the Pereyaslav Council had been splattered with blood when Kostia took a splinter wound across the back of his neck. He hadn’t been badly hurt—he stripped off his jacket and offered up his neck so I could stitch the cut myself, disinfecting the needle with vodka so he wouldn’t have to register at the medical battalion—but my poor dissertation, like Bogdan Khmelnitsky, had been through the wars . . . I snapped out of my musing when it came time to deliver my own (short!) speech of congratulations on behalf of 2nd Company.

Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses"). The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to personal interpretation, and occasionally controversial. Within the arts, music may be classified as a performing art, a fine art, and auditory art. It may also be divided among art music and folk music. There is also a strong connection between music and mathematics. Music may be played and heard live, may be part of a dramatic work or film, or may be recorded. To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound. Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be.

Do you know what makes me the happiest? When I see somebody's dream getting the light of morn. When I see the happy giggle of a child with the most enchanting twinkle in that eye. When I see the breaking dawn to watch the rising sun. When I see a smile walking along the horizon painting the crimson rays of a setting sun. When I see a sobbing heart finally taking a flight to a deep unknown within the canvas of its soul. When I see the rain touch the earth and caress its voice in a mirthful melody of stories unfinished. When I see a rainbow dancing along a silver lining of a roaring storm. When I see the radiance on a freckled face of an old woman holding the hand of her forever old man. When I see the moist mist of that coffee slowly becoming the poison of my muse. When I see my wandering heart falling in love with beautiful lands and strangers of soulful cord. When I see how Life is beautiful in all its breathtaking shortness marked in moments of happy surprise lulling across the door of my distant dream clutched in a canopy of dreams lived. And now when I see that beguiling smile of Life, I know how happiest that stardust shines which twinkles in my eye and the soul of my distant dream.

I am merciful,' exclaimed Glokta, waving his hand airily, as the ambassador himself had done but a few short minutes before, 'but my mercy has limits. Speak.' 'I am here under a flag of parley, on a mission from the Emperor himself! To harm an unarmed emissary would be expressly against the rules of war!' 'Parley? Rules of war?' Glokta chuckled. Severard chuckled. Vitari chuckled. Frost was silent. 'Do they even have those any more? Save that rubbish for children like Vissbruck, that's not the way grown-ups play the game. Who is the traitor?' 'I pity you, cripple! When the city falls—' Save your pity. You'll need it for yourself. Frost's fist scarcely made any sound as it sank into the ambassador's stomach. His eyes bulged out, his mouth hung open, he coughed a dry cough, somewhere close to vomiting, tried to breathe and coughed again. 'Strange, isn't it,' mused Glokta as he watched him struggle for air. 'Big men, small men, thin men, fat men, clever men, stupid men, they all respond the same to a fist in the guts. One minute you think you're the most powerful man in the world. The next you can't even breathe by yourself. Some kinds of power are nothing but tricks of the mind. Your people taught me that.

Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish. I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.

I'm probably just as good an atheist as you are," she speculated boastfully. "But even I feel that we all have a great deal to be thankful for and that we shouldn't be ashamed to show it." "Name one thing I've got to be thankful for," Yossarian challenged her without interest. "Well..." Lieutenant Scheisskopf's wife mused and paused a moment to ponder dubiously. "Me." "Oh, come on," he scoffed. She arched her eyebrows in surprise. "Aren't you thankful for me?" she asked. She frowned peevishly, her pride wounded. "I don't have to shack up with you, you know," she told him with cold dignity. "My husband has a whole squadron full of aviation cadets who would be only too happy to shack up with their commanding officer's wife just for the added fillip it would give them." Yossarian decided to change the subject. "Now you're changing the subject," he pointed out diplomatically. "I'll bet I can name two things to be miserable about for every one you can name to be thankful for." "Be thankful you've got me," she insisted. "I am, honey. But I'm also goddam good and miserable that I can't have Dori Duz again, too. Or the hundreds of other girls and women I'll see and want in my short lifetime and won't be able to go to bed with even once." "Be thankful you're healthy." "Be bitter you're not going to stay that way." "Be glad you're even alive." "Be furious you're going to die." "Things could be much worse," she cried. "They could be one hell of a lot better," he answered heatedly.

When My Sorrow Was Born         When my Sorrow was born I nursed it with care, and watched over it with loving tenderness. And my Sorrow grew like all living things, strong and beautiful and full of wondrous delights. And we loved one another, my Sorrow and I, and we loved the world about us; for Sorrow had a kindly heart and mine was kindly with Sorrow. And when we conversed, my Sorrow and I, our days were winged and our nights were girdled with dreams; for Sorrow had an eloquent tongue, and mine was eloquent with Sorrow. And when we sang together, my Sorrow and I, our neighbors sat at their windows and listened; for our songs were deep as the sea and our melodies were full of strange memories. And when we walked together, my Sorrow and I, people gazed at us with gentle eyes and whispered in words of exceeding sweetness. And there were those who looked with envy upon us, for Sorrow was a noble thing and I was proud with Sorrow. But my Sorrow died, like all living things, and alone I am left to muse and ponder. And now when I speak my words fall heavily upon my ears. And when I sing my songs my neighbours come not to listen. And when I walk the streets no one looks at me. Only in my sleep I hear voices saying in pity, “See, there lies the man whose Sorrow is dead.”         And When My Joy was Born         And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.” But none of my neighbours came to look upon my Joy, and great was my astonishment. And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited. Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips. Then my Joy died of isolation. And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.

The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it. She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them. ‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused. Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.

Twenty years? No kidding: twenty years? It’s hard to believe. Twenty years ago, I was—well, I was much younger. My parents were still alive. Two of my grandchildren had not yet been born, and another one, now in college, was an infant. Twenty years ago I didn’t own a cell phone. I didn’t know what quinoa was and I doubt if I had ever tasted kale. There had recently been a war. Now we refer to that one as the First Gulf War, but back then, mercifully, we didn’t know there would be another. Maybe a lot of us weren’t even thinking about the future then. But I was. And I’m a writer. I wrote The Giver on a big machine that had recently taken the place of my much-loved typewriter, and after I printed the pages, very noisily, I had to tear them apart, one by one, at the perforated edges. (When I referred to it as my computer, someone more knowledgeable pointed out that my machine was not a computer. It was a dedicated word processor. “Oh, okay then,” I said, as if I understood the difference.) As I carefully separated those two hundred or so pages, I glanced again at the words on them. I could see that I had written a complete book. It had all the elements of the seventeen or so books I had written before, the same things students of writing list on school quizzes: characters, plot, setting, tension, climax. (Though I didn’t reply as he had hoped to a student who emailed me some years later with the request “Please list all the similes and metaphors in The Giver,” I’m sure it contained those as well.) I had typed THE END after the intentionally ambiguous final paragraphs. But I was aware that this book was different from the many I had already written. My editor, when I gave him the manuscript, realized the same thing. If I had drawn a cartoon of him reading those pages, it would have had a text balloon over his head. The text would have said, simply: Gulp. But that was twenty years ago. If I had written The Giver this year, there would have been no gulp. Maybe a yawn, at most. Ho-hum. In so many recent dystopian novels (and there are exactly that: so many), societies battle and characters die hideously and whole civilizations crumble. None of that in The Giver. It was introspective. Quiet. Short on action. “Introspective, quiet, and short on action” translates to “tough to film.” Katniss Everdeen gets to kill off countless adolescent competitors in various ways during The Hunger Games; that’s exciting movie fare. It sells popcorn. Jonas, riding a bike and musing about his future? Not so much. Although the film rights to The Giver were snapped up early on, it moved forward in spurts and stops for years, as screenplay after screenplay—none of them by me—was

The seventh day, and no wind—the burning sun Blister’d and scorch’d, and, stagnant on the sea, They lay like carcasses; and hope was none, Save in the breeze that came not; savagely They glared upon each other—all was done, Water, and wine, and food,—and you might see The longings of the cannibal arise (Although they spoke not) in their wolfish eyes. At length one whisper’d his companion, who Whisper’d another, and thus it went round, And then into a hoarser murmur grew, An ominous, and wild, and desperate sound; And when his comrade’s thought each sufferer knew, ’Twas but his own, suppress’d till now, he found: And out they spoke of lots for flesh and blood, And who should die to be his fellow’s food. But ere they came to this, they that day shared Some leathern caps, and what remain’d of shoes; And then they look’d around them and despair’d, And none to be the sacrifice would choose; At length the lots were torn up, and prepared, But of materials that much shock the Muse— Having no paper, for the want of better, They took by force from Juan Julia’s letter. The lots were made, and mark’d, and mix’d, and handed, In silent horror, and their distribution Lull’d even the savage hunger which demanded, Like the Promethean vulture, this pollution; None in particular had sought or plann’d it, ’Twas nature gnaw’d them to this resolution, By which none were permitted to be neuter— And the lot fell on Juan’s luckless tutor. He but requested to be bled to death: The surgeon had his instruments, and bled Pedrillo, and so gently ebb’d his breath, You hardly could perceive when he was dead. He died as born, a Catholic in faith, Like most in the belief in which they’re bred, And first a little crucifix he kiss’d, And then held out his jugular and wrist. The surgeon, as there was no other fee, Had his first choice of morsels for his pains; But being thirstiest at the moment, he Preferr’d a draught from the fast-flowing veins: Part was divided, part thrown in the sea, And such things as the entrails and the brains Regaled two sharks, who follow’d o’er the billow The sailors ate the rest of poor Pedrillo. The sailors ate him, all save three or four, Who were not quite so fond of animal food; To these was added Juan, who, before Refusing his own spaniel, hardly could Feel now his appetite increased much more; ’Twas not to be expected that he should, Even in extremity of their disaster, Dine with them on his pastor and his master. ’Twas better that he did not; for, in fact, The consequence was awful in the extreme; For they, who were most ravenous in the act, Went raging mad—Lord! how they did blaspheme! And foam and roll, with strange convulsions rack’d, Drinking salt water like a mountain-stream, Tearing, and grinning, howling, screeching, swearing, And, with hyaena-laughter, died despairing. Their numbers were much thinn’d by this infliction, And all the rest were thin enough, Heaven knows; And some of them had lost their recollection, Happier than they who still perceived their woes; But others ponder’d on a new dissection, As if not warn’d sufficiently by those Who had already perish’d, suffering madly, For having used their appetites so sadly. And if Pedrillo’s fate should shocking be, Remember Ugolino condescends To eat the head of his arch-enemy The moment after he politely ends His tale: if foes be food in hell, at sea ’Tis surely fair to dine upon our friends, When shipwreck’s short allowance grows too scanty, Without being much more horrible than Dante.

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

In my experience, the pupil who sets down the night's dream, or recasts the day before into ideal form, who takes the morning hour to write a complete anecdote or a passage of sharp dialogue, is likely to be the short story writer in embryo. Certain types of character sketching, when it is brief and concerned with rather general (or even obvious) traits, point the same way. A subtler analysis of characters, a consideration of motives, acute self-examination (as distinct from romanticizing one's actions), the contrasting of different characters faced by the same dilemma, most often indicate the novelist. A kind of musing introspection or of speculation only sketched in is found in the essay writer's notebook, although with a grain of drama added, and with the particularizing of an abstract speculation by assigning the various elements of the problem to characters who act out the idea, there is promise of the more meditative type of novelist.

Life is too short to bullshit.

in some old Teutonic and Scandinavian religions and mythologies there is an ideal of the “fated warrior.” This is the champion who heads into battle fully aware that doom awaits him at the end. “Defeat rather than victory is the mark of the true hero; the warrior goes out to meet his inevitable fate with open eyes.”14 Since making this discovery, I have thought often that this idealized picture resonates profoundly with the Christian story. One of the hardest-to-swallow, most countercultural, counterintuitive implications of the gospel is that bearing up under a difficult burden with patient perseverance is a good thing. The gospel actually advocates this kind of endurance as a daily “dying” for and with Jesus. While those in the grip of Christ’s love will never experience ultimate defeat, there is a profound sense in which we must face our struggles now knowing there may be no real relief this side of God’s new creation. We may wrestle with a particular weakness all our lives. But the call remains: go into battle. “There is much virtue in bearing up under a long, hard struggle,” a friend of mine once told me, even if there is no apparent “victory” in the short run. “Learning to weep, learning to keep vigil, learning to wait for the dawn. Perhaps this is what it means to be human,” someone has mused.15

Uh oh,” my dad comes in the room but dramatically stops short. “Are we talking about boys?” I roll my eyes. “No, we’re talking about stubborn men.” “So we are talking about boys,” he says and comes over to stand beside me, helping himself to some of the veggies off the platter. “Who did what this time?” he asks Jill. She raises her hands in defense. “This time it isn’t my problem.” “Travis is not exactly being the ideal muse,” I say while I dip one of the carrots into the ranch dressing. “And you really expect him to be?” he asks, trying to hide his smile. “Well, I expected him to try a little harder,” I say defensively. “I never understand how you manage to talk him into these things,” my dad says, leaning across the counter for a piece of bruschetta. “Even Scott gave up most times. But you were always able to convince Travis to stick it out with you.” “Well, we aren’t ten anymore,” I argue. “And apparently he’s taken a card from Scott’s book.” “I don’t know,” my dad says, wiping his mouth. “He’s always been team Etty. You can’t just switch.” “Have you and Mom been watching the Twilight series again?” I accuse. My dad just raises his eyebrows but doesn’t say anything. My dad is team Jacob; Mom is team Edward; I’m team I don’t care. Not that I have anything against Twilight, it’s just when you come into the house and your parents are in the middle of a legitimate argument over what creature they would like their daughter to date… things just got weird for me. I toldScott not to drop those movies off at their house; now whenever they have to decide on something they say they are “team so-and-so”.

Hunter found Warrior down by the river, teaching Pony Girl to swim. Sitting beneath a cottonwood, Hunter pressed his back to the trunk and rested his forearm on his upraised knee. “Warrior, I must make a short trip,” he began. “Will you watch my woman and her sister while I’m gone?” Distracted by the question, Warrior forgot to watch his niece and turned. “Another trip? You’ve only just returned.” Hunter’s gaze dropped to Pony Girl, and his eyes widened in alarm. Shooting to his feet, he yelled, “Warrior, she’s going under!” Warrior snatched a handful of the child’s dripping hair and pulled her up for air. Giving his head a shake, he moved toward shore. “I don’t know. Maybe she’s too young. Maiden insists she isn’t, but I don’t recall the other two being this hard to teach.” “I taught Turtle, and Maiden taught Blackbird,” Hunter reminded him. Warrior squatted in front of the whining, coughing child, trying to comfort her with body-shaking pats on her lower back. Hunter thanked the Great Ones that Pony Girl’s burns had healed. “Maybe that’s what the problem is, eh?” Warrior mused. “I’m a lousy teacher. Hunter, why don’t you teach her?” “I’m leaving on a journey.” “Ah, yes, a journey. Where are you going?” Hunter ignored the question. It was one thing to surrender to his woman, but quite another to admit it to his brother. “Maybe I’ll teach her when I return. A swap, yes?” Warrior looked relieved. “That sounds like a fair trade. I’ll gladly watch your woman if I can get out of this swimming chore Maiden has pressed upon me. At the rate I’m going, I’ll have to change this one’s name to Pebble. She sure enough sinks like one.

camp. Quintus got his scorpions from you.” “Quintus…” Geryon mused. “Short gray hair, muscular, swordsman?” “Yeah.” “Never heard of him,” Geryon said. “Now, over here are my

Even Margaret’s beloved Wordsworth fell short on the issue; for him, she quoted ruefully, the ideal woman should not be “Too bright and good / For Human nature’s daily food.” Margaret drew on examples from ancient myth, wherein “the idea of female perfection is as fully presented as that of male,” to show that women had been accorded greater respect in earlier times. In Egyptian mythology, “Isis is even more powerful than Osiris,” and “the Hindoo goddesses reign on the highest peaks of sanctification.” In Greek myth, “not only Beauty, Health and the Soul are represented under feminine attributes, but the Muses, the inspirers of all genius,” and “Wisdom itself . . . are feminine.” Margaret’s dream was to bring the dispirited “individual man” together with the disempowered woman—unite the two sides of the Great Hall’s classroom—and create, by merging the best attributes of each, “fully” perfected souls. Then, a nation of men and women will for the first time exist, she might have said, amending Waldo Emerson’s visionary claim.

All went smoothly for the first fifteen minutes--my mother was, after all, very adept at making people comfortable. She chatted, though not excessively, primarily with me. As I had predicted, Narian was silent and observant, letting me carry the conversation while he tried to get a feel for the woman across from us, not quite trusting that she was on our side. He was never rude, and never short with her; he simply hid himself behind good etiquette. During a natural pause in conversation, my mother perused Narian and me, and her mood became contemplative. “When was it that you fell in love?” she asked. “Was it right under our noses?” “More or less,” I said with a laugh, glancing at Narian. “We became friends when he first came to Hytanica. All those trips Miranna and I made to Baron Koranis’s estate were really so I could see him.” Mother smiled and Narian glanced at me as if this were news to him. Then she picked up the thread of the conversation. “I remember falling in love,” she mused, and I wondered how far she would venture into her story, knowing it was not a wholly happy one. “I was fifteen, going through the very difficult experience of losing my family in a fire. I was brought to live in the palace, for I’d been betrothed for years to Andrius, Alera’s uncle, who later died in the war before we could be married.” I realized she was not talking to me, and that, though he was still aloof, she had captured Narian’s interest, for his deep blue eyes were resting attentively upon her. “At the time, I was so lost and alone and frightened. And then Andrius and I grew close. With him, my life made sense again. I had something to hold on to, something to steady me. What was the worst time of my life became the best.” There was a pause, and she innocently met Narian’s gaze. But her story was not innocent at all. If I could recognize the parallel she was drawing to his life in the aftermath of learning of his Hytanican heritage, then he surely could, as well. He didn’t say a word, however, and she dropped the veiled attempt to connect with him before it became awkward, turning to me instead. “I’ve told you before, Alera--Andrius lives on in you. I see him in you every day.” I smiled, tipping my head in acceptance of the compliment. “And in you--” she said, once more turning to Narian, tapping a finger against her lips in thought “--I see Cannan.” She was lightly cajoling him, exactly as a parent would do. I couldn’t imagine what was going on in his mind, but he was no longer eager to leave, his eyes never once flicking toward me or the door.

the long and the short of it was that he simply wanted to take her to bed for a good, hot satisfying fuck that would render her fantasies tame in comparison. He stood in the middle of his study, both hands sunk in his hair, and groaned long and loud. He covered his eyes with his palms. No. No no no. She was his Muse, for God’s sake. He could not degrade her so. His cock was an unbridled beast, but he was a man of at least some remnants of honor. -Cam's thoughts

Ted strolled into the kitchen in a t-shirt and pajama bottoms, looking way too chipper for present company. He snagged a muffin and poured a cup of coffee. "What are you girls up to today, and should I notify the authorities?" "I'm planning to starch all your shorts before lunchtime," Maggie grumbled, adding, "Bwa-ha-ha!" "I think that was specifically addressed in our marriage vows." Cher looked over the list they had made. "Our first hobby is paranormal investigations", she mused. "Does that mean we have to stay up all night staking out some graveyard?" Maggie grunted and propped her head up with one hand. She turned a bleary gaze up to Ted. "If we don't come out alive, there's a pot pie in the freezer.

In Schubert, for instance, say, in Wiegenleid D867 or Der Wanderer and den Mond D870 one finds perhaps the ultimate listening experience, the composer attaining to that invisible thread which we call the 'muse', a trajectory that descries a perfect line of profitable endeavour, a teetering edge where perfection of .... tone, I think, must be the word - occupies a faltering, infinitesimally narrow arris – short of it and you fail, further and you fall – the arc of the something profound yet beyond rationalization Yeah but, no but - bleedin' classical music

He glanced at Sweet Water and thought how short their time together had been . . . not even the turn of a single season. And he wished with all his heart that he and Sweet Water could have seen the wild strawberries blossom in spring and the does lead their young, wobbly legged fawns to the river to drink. He wished they could have lain in each other’s arms and watched the sun go down on a warm summer’s night. He wanted to show her the morning mist on the Ohio, and the first flight of a young eaglet. He wanted to make a child with her . . . a child of their love . . . and see that infant nurse at her warm breast and grow strong and wise. Sweet Water and I could sit by a fire in the autumn of our lives, while shared memories of love and laughter drifted around us like bright fall leaves, he mused . . . while grandchildren tumbled around our feet.

Did you know that Bharatiyar used the pen name “Shelley-dasan”? He admired the poems of Shelley so deeply that he wrote under the name “Shelley’s servant”. Wasn’t that a wonderful gesture of humility by someone who was such a great poet himself? And later, Bharatiyar had his own dasan, the poet Subburathinam, who took the pen name Bharathidasan. Subburathinam’s poetry inspired yet another poet who wrote as Surada, short for Subburathina-dasan. And to think this long chain of inspiration spans centuries, going back to the poets who inspired Wordsworth, who inspired Shelley, who inspired our own Bharati.

The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone’s food correctly. "If only she knew my story," Melora mused. then she thought again, "Better yet, maybe she’s in the middle of her own story." Who knew what things might have happened already on the island to this typical college-age waitress.

The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone’s food correctly. "If only she knew my story," Melora mused. then she thought again, "Better yet, maybe she’s in the middle of her own story." Who knew what things might have happened already on the island to this typical college-age waitress.

I’m thinking about it,” she mused, almost to herself. “The building burned. . . . There was a DNA match. I recall the report. There were some typos in it, remember?” Claire duBois was older than her adolescent intonation suggested, though not much. Short brunette hair, a heart-shaped and delicately pretty face, a figure that was probably very nice—and I was as curious about it as any man would be—but usually hidden by functional pantsuits, which I preferred her wearing over skirts

Here, you can wear these with it. They’ll make you look taller.” “Right, because I’m flat-chested and a midget.” Clary tugged the hem of the dress down. It just brushed the tops of her thighs. She hardly ever wore skirts, much less short ones, so seeing this much of her own legs was alarming. “If it’s this short on me, how short must it be on you?” she mused aloud to Isabelle. Isabelle grinned. “On me it’s a shirt.

Most powerful men, and all critics, secretly hated poets because the poets' ability to deliver the muse's merchandise made them noble as gods. The dismal fools can't imagine what it's like to thank God at the end of an endless night for a short row of words that come vaguely close to what you had hoped to say the day before.

Did you have a good night?” I frown. “Yeah. Sure.” “What was your favorite part?” he asks. The moment his hands went up my shorts. “Watching you eat it on the rug.” He snorts a laugh and snuggles closer, wrapping his arm over my chest and resting his nose against the nape of my neck. His breath blows down my spine. “I liked it when you called me princess.

I’ll come back whether we kiss or not,” I whisper. “I need you, too.” He gives his head a short shake, like I can’t possibly understand. “It’s not the same. You can go three weeks without seeing me in any meaningful way, and I can’t do that. I’m not asking to be everything to you again, but you’re kinda everything for me.

It's a good idea, generally, not to offend women with that shade of Titian hair,' mused Phryne.

If Klee led Plath further into the rococo labyrinth she meant to escape, Giorgio de Chirico led her out. Plath’s most successful art poem from this period was “The Disquieting Muses,” inspired by an abstract, surrealist painting of that title by de Chirico—“three terrible, faceless dressmakers’ dummies in classical gowns,

inspired a mocking determination to give Hughes what he “wanted”—a cold, cruel, childless muse to whom he must sacrifice himself.

Yucca Flats, Malone thought, certainly deserved its name. It was about as flat as land could get, and it contained millions upon millions of useless yuccas. Perhaps they were good for something, Malone thought, but they weren't good for him. The place might, of course, have been called Cactus Flats, but the cacti were neither as big nor as impressive as the yuccas. Or was that yucci? Possibly, Malone mused, it was simply yucks. And whatever it was, there were millions of it. Malone felt he couldn't stand the sight of another yucca. He was grateful for only one thing.

Most of us aim in our short century or less to create a comfortable existence within the tiny rooms of our lives. We eat, we sleep, we get jobs, we pay the bills, we have lovers and children. Some of us build cities or make art. But with the luxury of true freedom of mind, there are larger concerns. Look at the sky. Does space go on forever, to infinity? Or is it finite but without boundary or edge, like the surface of a sphere? Either answer is disturbing, and unfathomable. Where did our Sun and Earth come from? Where did we come from? Quickly, we realize how limited we are in our experience of the world. What we see and feel with our bodies, caught midway between atoms and stars, is but a small swath of the spectrum, a sliver of reality.

Maintain the simple life. Nothing is wrong. Stay safe and secure in bliss-filled ignorance. Shush now. Obey the State. Stay dialed into American Idol and show tunes. ZzZz. Our voices are hollow, short-lived, and inviolate to the powers that be. “What matters is our simple life. The anarchists are nonexistent. This security is what matters. The bombs are mythological. The bureaucrats are wise. ZzZz. They know me. We are friends. ZzZz. “Everything is good. “What do you want for Christmas?

It’s a bit like going out with Fifty Cent,” he muses as more flashes go off. “More like loose change,” I mutter, thinking of the latest gas

No last words for your Muse?

evolution and advancement of our kind based on fair competition. Fact of the matter is, Gold does not want man to continue to evolve. Since the conquering, they have routinely stifled advancement to maintain their heaven. They’ve wrapped themselves in myth. Filled their grand oceans with monsters to hunt. Cultivated private Mirkwoods and Olympuses of their very own. They have suits of armor to make them flying gods. And they preserve that ridiculous fairy tale by keeping mankind frozen in time. Curbing invention, curiosity, social mobility. Change threatens that. “Look where we are. In space. Above a planet we shaped. Yet we live in a Society modeled after the musings of Bronze Age pedophiles. Tossing around mythology like that bullshit wasn’t made up around a campfire by an Attican farmer depressed that his life was nasty, brutish, and short.

He was intellectual, but not actively so; his mind occupied itself in long and lazy musings that tended to no purpose or had not vigor to attain it; his thoughts were seldom so energetic as to seize hold of words. Imagination, in the proper meaning of the term, made no part of Wakefield’s gifts. With a cold but not depraved nor wandering heart, and a mind never feverish with riotous thoughts nor perplexed with originality, who could have anticipated that our friend would entitle himself to a foremost place among the doers of eccentric deeds?

and forth goes the middle-aged Mr. Wakefield, almost resolved to perplex his good lady by a whole week’s absence. After the door has closed behind him, she perceives it thrust partly open and a vision of her husband’s face through the aperture, smiling on her and gone in a moment. For the time this little incident is dismissed without a thought, but long afterward, when she has been more years a widow than a wife, that smile recurs and flickers across all her reminiscences of Wakefield’s visage. In her many musings she surrounds the original smile with a multitude of fantasies which make it strange and awful; as, for instance, if she imagines him in a coffin, that parting look is frozen on his pale features; or if she dreams of him in heaven, still his blessed spirit wears a quiet and crafty smile. Yet for its sake, when all others have given him up for dead, she sometimes doubts whether she is a widow.

When you’re up early and all alone, away from the overstimulation and noise, your attention isn’t being fragmented by technology, meetings and other forces that can limit maximum productivity,” mused the billionaire. “And so the prefrontal cortex, that part of your brain responsible for rational thinking—as well as constant worrying—actually shuts off for a short time.

Cats continue to teach me a lot of what is important in my life, and also, how short it is, how we need to express our love to those for whom we feel it, daily, nightly, in every way we can. With everyone we love, we have only a limited time so we must learn to celebrate it body and soul. They have taught me how precious every moment we can enjoy can be with whatever we love, because it all passes and so do we. Writing is a futile attempt to preserve what disappears moment by moment. All that remains of my mother is what I remember and what I have written for and about her. Eventually that is all that will remain of Ira and of me. Writing sometimes feels frivolous and sometimes sacred, but memory is one of my strongest muses. I serve her with my words. So long as people read, those we loved survive however evanescently. As do we writers, saying with our life's work, Remember. Remember us. Remember me.

My musings were cut short when Jenna nudged me and pointed out Bruce Sims and his dearly departed wife's best friend, Wendy Haley, standing together across the room.

Some of the greatest minds in the history of science, including Kepler, Halley, and Euler, had speculated as to the existence of a so-called “hollow Earth.” One day, it was hoped, the technique of intra-planetary “short-cutting” about to be exercised by the boys would become routine, as useful in its way as the Suez or the Panama Canal had proved to surface shipping. At the time we speak of, however, there still remained to our little crew occasion for stunned amazement, as the Inconvenience left the South Indian Ocean’s realm of sunlight, crossed the edge of the Antarctic continent, and began to traverse an immense sweep of whiteness broken by towering black ranges, toward the vast and tenebrous interior which breathed hugely miles ahead of them. Something did seem odd, however. “The navigation’s not as easy this time,” Randolph mused, bent over the chart table in some perplexity. “Noseworth, you can remember the old days. We knew for hours ahead of time.” Skyfarers here had been used to seeing flocks of the regional birds spilling away in long helical curves, as if to escape being drawn into some vortex inside the planet sensible only to themselves, as well as the withdrawal, before the advent of the more temperate climate within, of the eternal snows, to be replaced first by tundra, then grassland, trees, plantation, even at last a settlement or two, just at the Rim, like border towns, which in former times had been the sites of yearly markets, as dwellers in the interior came out to trade luminous fish, giant crystals with geomantic properties, unrefined ores of various useful metals, and mushrooms unknown to the fungologists of the surface world, who had once journeyed regularly hither in high expectation of discovering new species with new properties of visionary enhancement.

Dolphins work on the reward system,” I explained. “When they’ve had enough to eat, that’s a wrap.” I shrugged. The director eyed me with a frown, and I realized that he was playing a role himself, the role of the stereotypical director. Hollywood is full of them. Bald-headed, short, and heavyset, he had a white moustache and goatee, an electric megaphone, and—of all things—a gold cigarette holder with a 100 mm filter cigarette in it. The only part of his costume missing was a pith helmet, which was probably optional. “Hmmmm,” he said as though musing to himself, “like actors, then.

Cut short by Cortés, Mexica philosophy did not have the chance to reach as far as Greek or Chinese philosophy. But surviving testimony intimates that it was well on its way. The stacks of Nahuatl manuscripts in Mexican archives depict the tlamatinime meeting to exchange ideas and gossip, as did the Vienna Circle and the French philosophes and the Taisho-period Kyoto school. The musings of the tlamatinime occurred in intellectual neighborhoods frequented by philosophers from Brussels to Beijing, but the mix was entirely the Mexica’s own. Voltaire, Locke, Rousseau, and Hobbes never had a chance to speak with these men or even know of their existence—and here, at last, we begin to appreciate the enormity of the calamity, for the distintegration of native America was a loss not just to those societies but to the human enterprise as a whole.

It is commonplace, nowadays, to hark back to a time when Christmas was simpler, more authentic, and less commercial than it has become. Even professional historians have tended to write about the pre-twentieth-century in that way. Generally when people muse along these lines it is to associate the noncommercial holiday with the years of their own childhood, or perhaps the childhood of their parents or (at most) their grandparents. As it happens, such musings have been commonplace for a long time--for more than a century and a half. Consider the theme of a short story dating back to the middle of the nineteenth century, a story that commented on the profusion of presents bought and sold during the holiday season--and the trouble many comfortably-off Americans had in finding something meaningful to give their loved ones at Christmas. The author of the story was soon to become America's best-known writer--Harriet Beecher Stowe....When she was a child of 10, explained Stowe...'the very idea of a present was so new' that a child would be 'perfectly delighted' with the gift of even a single piece of candy. In those days, 'presents did not fly about as they do now.' But nowadays, things seem different: 'There are worlds of money wasted, at this time of year, in getting things that nobody wants, and nobody cares for after they are got.' Just as many people do today, Harriet Beecher Stowe seems to have believed that this change took place within her own generation (she was born in 1811).

Their eyes wide open, they stared into empty nothingness. There was silence everywhere. Apart from a few twinkling of stars, masses of dark void pressed down upon the atmosphere. Moments passed slowly. She could not sleep a wink. A pale light peeled the darkness off. She felt she was in slumber-land; a land of the living dead - then thoughts returned: an anguish; life appeared to be too short; it melted away so easily into bleak oblivion. She felt that she passed through space, a path designated by ethereal time. Her spirits soared like a falcon...despaired...and more...it fell into a dungeon of dark depression. Laying there. like a fallen log of a dead pine, she heard from her bed a roaring noise of the westerly knocking on the shutters of the window. It was like an ancient calling of Nemesis to wake her up to the fact that surely an end was closing in.

If you believe in Modern Art History . . . it follows that the best breeding ground for good art is where competing ideas, esthetics, and artists are thickest and where regional niceties are thinnest — New York. . . . The 'regions'. . . . are short on white-hot overpopulation, edifice complexes, and career fights to the death. . . . Should it be gauged against the 'mainstream' . . . or should it be sized up from exactly the opposite point of view?

Elegance and simplicity . . . plastic, including polyester resin, which has several attractions: permanence (indoors), an aura of difficulty and technical expertise, and preciousness . . . rivaling bronze or marble. . . . in short, the aroma of Los Angeles in the sixties — newness, postcard sunset color, and intimations oif aerospace profundity.

know that the only reason you’re here on this planet is to follow your star and do what the Muse

In Latin the word ‘museum’ once indicated ‘a temple of the Muses’; in what respects is the modern museum the right place to preserve treasures from a classical temple? Does it only look the part? The issues raised by Bassae provide a model for understanding Classics in its widest sense. Of course, Classics is about more than the physical remains, the architecture, sculpture, pottery, and painting, of ancient Greece and Rome. It is also (to select just a few things) about the poetry, drama, philosophy, science, and history written in the ancient world, and still read and debated as part of our culture. But here too, essentially similar issues are at stake, questions about how we are to read literature which has a history of more than 2,000 years, written in a society very distant and different from our own.

So in this Hemisphere when the moon goes down, I sit in one of those all-night-into-mornings cafes, watching short short skies below the skyscrapers and low-rises and sense the big turntables turning and the roadies setting up from stadium to stadium from L.A. to New York and all north and south and east and west and in between – and i know there must be a lot of kids who aren't sleeping but listening to their muse – iPad-ing and YouTubing...and the final shore ain't no shore at all but a long ether cable cyperspacing us together – cutting the continent in half.

Fair…” Death mused. “You’d be amazed how often I hear that word, Frank Zhang, and how meaningless it is. Is it fair that your life will burn so short and bright? Was it fair when I guided your mother to the Underworld?” Frank staggered like he’d been punched. “No,” Death said sadly. “Not fair. And yet it was her time. There is no fairness in Death. If you free me, I will do my duty. But of course these shades will try to stop you.

In the way of a reflection of my family and friends I mused at the number of people that I encountered during the past 85 years. Everyone here has played an important part but there have been others, many of whom have now passed across the horizon of life, however the purpose of my reminiscing is to share happy thoughts while at the same time take a peek into the future. I can look back to those first few glimpses of my life and find my grandmother Ohme, Gertrude Thieme standing at what I perceived to be a high kitchen counter making sandwiches using a slice of almost not eatable German black bread they called schwartsbrod. With great care she laden it with lard, blootwurst or sometimes liberwurst, topped with the half of a crusty Keiser roll. I always got the heel of the roll, with a quarter lengthwise slice of a crunchy dill pickle. It was the first and last time I remember seeing her before she returned to Germany and the war. My sister Trudy had died a few years prior leaving a collective hole in my family. Her short life and subsequent death was devastating to my mother and father and I constantly felt the sorrow it brought into our home. My father unsuccessfully tried to make a success of a small delicatessen at 11 Nelson Avenue in Jersey City and we moved to 25 Nelson Avenue when my father started working as a chef at Lindy’s Restaurant on Broadway in Manhattan. At home we exclusively spoke German which was a hindrance during World War II. My mother and father never lost their German accent and the only one of my family that made a real effort to speak English without an accent was my Onkle Willie. My parents refused to associate with my Onkle Walter and his wife Tante Wilma although they always treated me kindly and I sometimes talked with my cousins Klein Walter und Norma. The neighborhood treated us as NAZI outcasts until Italy entered the war on the Axis side and suddenly we all had to prove that we were patriotic. Eventually I joined the tin can army and learned enough English to be accepted. As my accent faded I truly became an American.

Lena was busy herself, and she couldn’t blame her brother for wanting to spend the short time he had at home with Lena. She was delighted when Lena had hinted in her last letter that she might be getting engaged at Christmas; Ned had proposed and, of course, she’d more than happily accepted, and mention of a ring had been made. The prospect of Lena as her sister-in-law was a very pleasant one. Her own weekends seemed to fly by, and there was enough in her life to keep her busy and occupied, but she did hope that George was coping; things wouldn’t be easy for him. Ned smiled as he caught sight of Lena waiting for him on the landing stage that late summer evening. It was still very warm and the Pier Head was busy with people making the most of the pleasant August evening. He was always glad to get home; he knew Nellie would have a good supper waiting and that Lena was bound to have news from Lizzie. He was saving hard so he would be able to buy Lena a decent ring at Christmas, and then they could plan their future together. Maybe they could get a place of their own, he’d often mused, but realised that, with him being away and Lena still working, no doubt she’d spend what free time she had at her mam’s. ‘Have you been waiting long, luv?’ he asked after kissing her and putting his arm around her as they walked towards the waiting trams at the terminus. ‘No, I’ve got used to what time you get paid off now

Life is too short to waste time with what ifs. I mean to be happy, that’s all. Without that, what else is there?

In the mid-fourth century AD, Bishop Ambrose of Milan recorded a tradition ‘of the common people’, where on 1 January they disguised themselves as stags. His contemporary, Bishop Pacian of Barcelona, wrote a short treatise condemning the act (called Cervus – ‘stags’). The treatise hasn’t survived, but we do have Pacian’s rueful (and endearing) musing that many people who hadn’t previously known about the practice had read his treatise, thought dressing as a stag on 1 January sounded quite fun, and started doing it themselves. ‘I think,’ he reflected, ‘that they would not have known how to make themselves into stags unless I had shown them by reprimanding them.