Wolf Hall Quotes

It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

Some of these things are true and some of them lies. But they are all good stories.

It is all very well planning what you will do in six months, what you will do in a year, but it’s no good at all if you don’t have a plan for tomorrow.

You learn nothing about men by snubbing them and crushing their pride. You must ask them what it is they can do in this world, that they alone can do.

When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them.

He thinks, I remembered you, Thomas More, but you didn't remember me. You never even saw me coming.

Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.

Arrange your face

No ruler in the history of the world has ever been able to afford a war. They're not affordable things. No prince ever says, 'This is my budget, so this is the kind of war I can have.

The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for ‘Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.

Over the city lies the sweet, rotting odor of yesterday's unrecollected sins.

At New Year's he had given Anne a present of silver forks with handles of rock crystal. He hopes she will use them to eat with, not to stick in people.

For what's the point of breeding children, if each generation does not improve on what went before.

Fortitude. ... It means fixity of purpose. It means endurance. It means having the strength to live with what constrains you.

But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

I was always desired. But now i am valued. And that is a different thing, i find.

I have written books and I cannot unwrite them. I cannot unbelieve what I believe. I cannot unlive my life.

Men say," Liz reaches for her scissors, "'I can't endure it when women cry'--just as people say, 'I can't endure this wet weather.' As if it were nothing to do with the men at all, the crying. Just one of those things that happen.

Suppose within each book there is another book, and within every letter on every page another volume constantly unfolding; but these volumes take no space on the desk. Suppose knowledge could be reduced to a quintessence, held within a picture, a sign, held within a place which is no place. Suppose the human skull were to become capacious, spaces opening inside it, humming chambers like beehives.

He turns to the painting. "I fear Mark was right." "Who is Mark?" "A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer." Gregory says, "Did you not know?

[T]he heart is like any other organ, you can weigh it on a scale.

It is almost a joke, but a joke that nobody tells.

There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

But my sins are my strength, he thinks; the sins I have done, that others have not even found the opportunity of committing. I hug them close; they're mine.

You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.

The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.

If you are without impulses, you are, to a degree, without joy..." 469

...there is an art to being in a hurry but not showing it." 390

...I shall be as tender to you as my father was not to me. For what's the point of breeding children, if each generation does not improve on who went before?

For one never thinks of you alone, Cremuel, but in company, studying the faces of other people, as if you yourself mean to paint them. You make other men think, not “what does he look like?” but “what do I look like?

Let's say I will rip your life apart. Me and my banker friends." How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.

He wonders again if the dead need translators; perhaps in a moment, in a simple twist of unbecoming, they know everything they need to know.

Our virtues make us; but virtues are not enough, we must deploy our vices at times.

A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts tat frightens people: the gap you open, into which they pour their fears, fantasies, desires.

He never lives in a single reality, but in a shifting shadow-mesh of diplomatic possibilities.

But who would hold up his head, if people judged us by what we were like at twenty?" 398

It is not the stars that make us, Dr. Butts, it is circumstance and necessita, the choices we make under pressure; our virtues make us, but virtues are not enough, we must deploy our vices at times. Or don't you agree?

Oh, by the thrice-beshitten shroud of Lazarus!

It's the living that turn and chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives.

If a man spoke to you in that tone, you'd invite him to step outside and ask someone to hold your coat." 378

There are some people in this world who like everything squared up and precise, and there are those who will allow some drift at the margins.

It is a sure sign of troubled minds, the habit of quotation.

My lord, what do you call a whore when she is a knight’s daughter?” “Ah,” the cardinal says, entering into the problem. “To her face, ‘my lady.

Damn it all, Cromwell, why are you such a . . . person? It isn’t as if you could afford to be.

Possibly it’s something women do: spend time imagining what it’s like to be each other. One can learn from that, he thinks.

In England there is no mercy for the poor. You pay for everything, even a broken neck." 472

You mustn't stand about. Come home with me to dinner.’ ‘No.’ More shakes his head. ‘I would rather be blown around on the river and go home hungry. If I could trust you only to put food in my mouth – but you will put words into it.

He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too.

Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again. His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend. Beneath every history, another history.

No rational man could worship a God so simply vengeful

Look at my face: I am not afraid of any man alive.

I begin to understand you.” She nods. “The blacksmith makes his own tools.

Nothing hurts, or perhaps it’s that everything hurts, because there is no separate pain that he can pick out.

a grey wrinkled vastness, like the residue of a dream

When have I, when have I ever forced anyone to do anything, he starts to say: but Richard cuts in, "No, you don't, I agree, it's just that you are practiced at persuading, and sometimes it's quite difficult, sir, to distinguish being persuaded by you from being knocked down in the street and stamped on." -Richard (?) nee Cromwell to Thomas Cromwell,358

When he wakes he has to learn the lack of her all over again

The multitude," Cavendish says, "is always desirous of a change. They never see a great man set up but they must pull him down--for the novelty of the thing.

The gift blesses the giver.

It doesn’t matter what the terms are, just that there are terms. It’s the goodwill that matters. When that runs out, the treaty is broken, whatever the terms say.

The English will never be forgiven for the talent for destruction they have always displayed when they get off their own island.

You . . . person,” he says; and again, “you nobody from Hell, you whore-spawn, you cluster of evil, you lawyer.

You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

By the hairy balls of Jesus

I think, if you're going to kill a man, do it. Don't write him a letter about it. Don't bluster and threaten and put him on his guard.

By the tits of Holy Agnes

He never sees More – a star in another firmament, who acknowledges him with a grim nod – without wanting to ask him, what's wrong with you? Or what's wrong with me? Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, ‘Purgatory’. Show me where it says relics, monks, nuns. Show me where it says ‘Pope’.

I picked up a snake once. In Italy." "Why did you do that?" "For a bet." "Was it poisonous?" "We didn't know. That was the point of the bet." "Did it bite you?" "Of course." "Why of course?" "It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?

Have you ever observed that when a man gets a son he takes all the credit, and when he gets a daughter he blames his wife? And if they do not breed at all, we say it is because her womb is barren. We do not say it is because his seed is bad.

Some said the world would end in 1533. Last year had its adherents too. Why not this year? There is always somebody ready to claim that these are the end times, and nominate his neighbor as the Antichrist.

So now get up.' Felled, dazed, silent, he has fallen; knocked full length on the cobbles of the yard. His head turns sideways; his eyes are turned toward the gate, as if someone might arrive to help him out. One blow, properly placed, could kill him now.

No son wishes to see his son less powerful than himself.

He makes a gesture, designed to impersonate frankness.

Bargain all you like. Consign yourself to the hangman if you must. The people don't give a fourpenny fuck." 512

If Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences." "Accountable?" I sputtered, placing my hands flat on the table. "You cornered me in the hall like a wolf with a rabbit!" Lucien propped an arm on the table and covered his mouth with has hand, his russet eye bright. "While I might have been not myself, Lucien and I both told you to stay in your room," Tamlin said, so calmly that I wanted to rip out my hair. I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. "Faerie pig!" I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left.

The world corrupts me, I think. Or perhaps it's just the weather. It pulls me down and makes me think like you, that one should shrink inside, down and down to a little point of light, preserving one's solitary soul like a flame under glass

Why does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too.

So this morning--waking early, brooding on what Liz said last night--he wonders, why should my wife worry about women who have no sons? Possibly it's something women do: spend time imagining what it's like to be each other.

In the forest you may find yourself lost, without companions. You may come to a river which is not on a map. You may lose sight of your quarry, and forget why you are there. You may meet a dwarf, or the living Christ, or an old enemy of yours; or a new enemy, one you do not know until you see his face appear between the rustling leaves, and see the glint of his dagger. You may find a woman asleep in a bower of leaves. For a moment, before you don’t recognise her, you will think she is someone you know.

Feo shook her head; she couldn't speak. The moments in which the world turns suddenly kind can feel like a punctured lung. She stood in the marble hall and cried until tears flooded down her nose and chin and dropped on to the heads of the two bloodstained wolves at her feet.

Henry stirs into life. 'Do I retain you for what is easy? Do you think it is for your personal beauty? The charm of your presence? I keep you, Master Cromwell, because you are as cunning as a bag of serpents. But do not be a viper in my bosom. You know my decision. Execute it.' pg. 585

His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.

The two men were greedily hunched over the table, like two wolves disputing a carcass, but their muttered speech in the echoing hall resembled more the grunting of pigs. One was less than a wolf: he was a public prosecutor. The other was more than a pig, he was a chief commissioner of police.

Richard goes with a bob of the head but without another word. It seems he interprets 'don't tell anybody' as 'don't tell anybody but Rafe', because ten minutes later Rafe comes in, and stands looking at him, with his eyebrows raised. Red-headed people can look quite strained when they are raising eyebrows that aren't really there.

The authorities in Yorkshire have rounded up their rioters, and divided them into those to be charged with affray and manslaughter, and those to be indicted for murder and rape. Rape? Since when do food riots involve rape? But I forget, this is Yorkshire."530

If you help load a cart you get a ride in it, as often as not. It gives him to think, how bad people are at loading carts. Men trying to walk straight ahead through a narrow gateway with a wide wooden chest. A simple rotation of the object solves a great many problems.

Christ, he thinks, by my age I ought to know. You don't get on by being original. You don't get on by being bright. You don't get on by being strong. You get on by being a subtle crook; somehow he thinks that's what Norris is, and he feels an irrational dislike taking root, and he tries to dismiss it, because he prefers his dislikes rational, but after all, these circumstances are extreme, the cardinal in the mud, the humiliating tussle to get him back in the saddle, the talking, talking, on the barge, and worse, the talking, talking on his knees, as if Wolsey's unraveling, in a great unweaving of scarlet thread that might lead you back into a scarlet labyrinth, with a dying monster at its heart.

He wants to say, because Anne is not a carnal being, she is a calculating being, with a cold slick brain at work behind her hungry black eyes. "I believe any woman who can say no to the King of England and keep on saying it, has the wit to say no to any number of men, including you, including Harry Percy, including anyone else she may choose to torment for her own sport while she is arranging her career in the way it suits her. So I think, yes, you've been made into a fool, but not quite in the way you thought.

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake. "Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence." He thinks, Henry has been rehearsing. I suppose we all have. The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts.

He cannot lock us all up.” “He has prisons enough.” “For bodies, yes. But what are bodies? He can take our goods, but God will prosper us. He can close the booksellers, but still there will be books. They have their old bones, their glass saints in windows, their candles and shrines, but God has given us the printing press.

Another man would have trouble imagining it, but he has no trouble. The red of a carpet’s ground, the flush of the robin’s breast or the chaffinch, the red of a wax seal or the heart of the rose: implanted in his landscape, cered in his inner eye, and caught in the glint of a ruby, in the color of blood, the cardinal is alive and speaking. Look at my face: I am not afraid of any man alive.

And beneath Cornwall, beyond and beneath this whole realm of England, beneath the sodden marshes of Wales and the rough territory of the Scots border, there is another landscape; there is a buried empire, where he fears his commissioners cannot reach. Who will swear the hobs and boggarts who live in the hedges and hollow trees, and the wild men who hide in the woods? Who will swear the saints in their niches, and the spirits that cluster at holy wells rustling like fallen leaves, and the miscarried infants dug in to unconsecrated ground: all those unseen dead who hover in winter around forges and village hearths, trying to warm their bare bones? For they too are his countrymen: the generations of uncounted dead, breathing through the living, stealing their light from them, the bloodless ghosts of lord and knave, nun and whore, the ghosts of priest and friar who feed on living England, and suck the substance from the future.

Last night he kept the vigil alone. He lay awake, wishing Liz back; waiting for her to come and lie beside him. It's true he is at Esher with the cardinal, not at home at the Austin Friars. But, he thought, she'll know how to find me. She'll look for the cardinal, drawn through the space between worlds by incense and candlelight. Whereever the cardinal is, I will be.

They returned to the gallery and circled its rim, then went down a short hall. Scrap's tail twitched angrily when they reached Tristan's door: it was shut. Daine grabbed the knob. It stung her hand, making her yelp. "Kit? This ones magicked. Can you do anything?" Kitten stood on her hind feet and peered into the lock, then whistled two cheerful notes. Nothing happened. She scowled and whistled again, less cheerfully, more as a demand. Nothing happened. Daine was trying to decide what to do now when the dragon moved back and croaked. The lock popped from the wood to land at Daine's feet, smoking, and the door swung open. Kitten muttered darkly and kicked the lock mechanism aside as she went in. Daine followed, trying not to laugh.

The spectacles of pain and disgrace I see around me, the ignorance, the unthinking vice, the poverty and the lack of hope, and oh, the rain—the rain that falls on England and rots the grain, puts out the light in the man’s eye and the light of learning too, for who can reason if Oxford is a giant puddle and Cambridge is washing away downstream, and who will enforce the laws if the judges are swimming for their lives?

The hunter is among the most innocent of men; living in the moment makes him feel pure. When he returns in the evening, his body aches, his mind is full of pictures of leaves and sky; he does not want to read documents. His miseries, his perplexities have receded, and they will tay away, provided--after food and wine, laughter and exchange of storeis--he gets up at dawn to do it all over again. But the winter king, less occupied, will begin to think about his conscience.

He thinks, if you were born in Putney, you saw the river every day, and imagined it widening out to the sea. Even if you had never seen the ocean you had a picture of it in your head from what you had been told by foreign people who sometimes came upriver. You knew that one day you would go out into a world of marble pavements and peacocks, of hillsides buzzing with heat, the fragrance of crushed herbs rising around you as you walked. You planned for what your journeys would bring you: the touch of warm terra-cotta, the night sky of another climate, alien flowers, the stone-eyed gaze of other people’s saints. But if you were born in Aslockton, in flat fields under a wide sky, you might just be able to imagine Cambridge: no farther.

Once, in Thessaly, there was a poet called Simonides. He was commissioned to appear at a banquet, given by a man called Scopas, and recite a lyric in praise of his host. Poets have strange vagaries, and in his lyric Simonides incorporated verses in praise of Castor and Pollux, the Heavenly Twins. Scopas was sulky, and said he would pay only half the fee: ‘As for the rest, get it from the Twins.’ A little later, a servant came into the hall. He whispered to Simonides; there were two young men outside, asking for him by name. He rose and left the banqueting hall. He looked around for the two young men, but he could see no one. As he turned back, to go and finish his dinner, he heard a terrible noise, of stone splitting and crumbling. He heard the cries of the dying, as the roof of the hall collapsed. Of all the diners, he was the only one left alive. The bodies were so broken and disfigured that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head. It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof fell in.

Wolsey sits with his elbows on his desk, his fingers dabbing his closed lids. He takes a great breath, and begins to talk: he begins to talk about England. You can’t know Albion, he says, unless you can go back before Albion was thought of. You must go back before Caesar’s legions, to the days when the bones of giant animals and men lay on the ground where one day London would be built. You must go back to the New Troy, the New Jerusalem, and the sins and crimes of the kings who rode under the tattered banners of Arthur and who married women who came out of the sea or hatched out of eggs, women with scales and fins and feathers; beside which, he says, the match with Anne looks less unusual. These are old stories, he says, but some people, let us remember, do believe them.

That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.

I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.