Wizards Of Once Quotes

We've searched our database for all the quotes and captions related to Wizards Of Once. Here they are! All 100 of them:

Believe something and the Universe is on its way to being changed. Because you've changed, by believing. Once you've changed, other things start to follow. Isn't that the way it works?
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
The man once wrote: Do not meddle in the affairs of wizards, for they are subtle and quick to anger. Tolkien had that one mostly right. I stepped forward, let the door bang closed, and snarled, "Fuck subtle.
Jim Butcher (Changes (The Dresden Files, #12))
You thought, as a boy, that a mage is one who can do anything. So I thought, once. So did we all. And the truth is that as a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing, but does only and wholly what he must do. . . .
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
You people with hearts,' he said once, 'have something to guide you, and need never do wrong; but I have no heart, and so I must be very careful.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
True love, like any other strong and addicting drug, is boring — once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome… except, of course, to those who share the kisses, who give and take the caresses while every sound and color of the world seems to deepen and brighten around them. As with any other strong drug, true first love is really only interesting to those who have become its prisoners. And, as is true of any other strong and addicting drug, true first love is dangerous.
Stephen King (Wizard and Glass (The Dark Tower, #4))
Once you teach me something, it's mine to use.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
Oh, I see;" said the Tin Woodman. "But, after all, brains are not the best things in the world." Have you any?" enquired the Scarecrow. No, my head is quite empty," answered the Woodman; "but once I had brains, and a heart also; so, having tried them both, I should much rather have a heart.
L. Frank Baum (The Wonderful Wizard of Oz)
I'm a what?" gasped Harry. "A wizard, o' course," said Hagrid, sitting back down on the sofa, which groaned and sank even lower, "an' a thumpin' good'un I'd say, once yeh've been trained up a bit. With a mum an' dad like yours, what else would yeh be?
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Once upon a time the plural of 'wizard' was 'war'.
Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad. The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them. When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication. In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country? The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.
Paulo Coelho (Veronika Decides to Die)
Once upon a time, when I was a child reading fairy tales, I'd ached to have my own adventures. Not that I'd wanted to be some dippy heroine languishing in a tower, awaiting rescue. No, I'd wanted to be the knight, charging into battle against overwhelming odds, or the plucky country lass who gets taken on as an apprentice to a great wizard. As I got older, I'd found out the hard way that adventures are rarely anything like the books say. Half the time you are scared out of your mind, and the rest you're bored and your feet hurt. I was beginning to believe that maybe I wasn't the adventurous type.
Karen Chance (Touch the Dark (Cassandra Palmer, #1))
By my love for you. I realized I loved you more than life itself, and I would rather give myself into your power than live without you. Nothing the magic could do to me could be worse than living without you. I was willing to give it all over to you. I offered the power everything I have. All of my love for you. Once I realized how much I loved you, I was willing to be yours on any terms. I understood that there could be nothing for the magic to harm. I’m already devoted to you; it didn’t need to change me. I was protected, because I have already been untouched by your love. I had utter faith that you felt the same, and had no fear of what would happen. Had I had any doubt, the magic would have latched on to that crack and taken me, but I had no doubt. My love for you is smooth and seamless. My love for you protected me from the magic.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
You do have to listen to the stories, for stories always mean something. The question that worries me is: WHAT exactly do they mean?
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
With that, I hurled the slipper at him, not caring if I caused his decapitation. (I did not.) Marshaling what little dignity I yet possessed, I stomped down the corridor - challenging indeed with one shoe - and around the corner. I lay awake for hours. The prince had no right, not one, to indict me so, and if I had held the slightest hope of the book's assistance, I would have climbed at once to my wizard room for a spell with which to punish him. Death, perhaps, or humiliation. A croaking frog would be nice, particularly a frog that retained Florian's dark eyes. I should keep it in a box and poke it occasionally with a stick; that would be satisfying indeed.
Catherine Gilbert Murdock (Princess Ben)
Ellen drank long and deep from her water bottle and wiped her mouth with her gauntleted arm. "Are you feeling all right, Jack? Your play's flat, all in all. I was hoping to give Seph more of a show." Jack tested the edge of his blade with his thumb. "Actually, Ellen, I wondered if you were coming down with something. You were downright lethargic. I nearly dozed off once or twice." "Well, that explains it. You looked like you were asleep." With that, they threw down their weapons and it dissolved into a wrestling match. In the end they were kissing each other. It was certainly a different kind of courtship, but there was a chemistry, an understanding, a kinship between Jack and Ellen that Seph envied.
Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
It seemed like once you agreed that the government could put you on a list because of something you were born with, you were asking for trouble.
T. Kingfisher (A Wizard’s Guide to Defensive Baking)
This is the problem with adventures. They bring out parts of you that you never even knew were there.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
There's three things ye can do in any situation, girl," her father had told her once. "Ye can decide to do a thing, ye can decide not to do a thing... or ye can decide not to decide." That last, her da had never quite come out and said (he hadn't needed to) was the choice of weaklings and fools.
Stephen King (Wizard and Glass (The Dark Tower, #4))
He chose the boy he thought most likely to be a danger to him," said Dumbledore. And notice this, Harry. He chose, not the pureblood (which, according to his creed, is the only kind of wizard worth being or knowing), but the half-blood, like himself. He saw himself in you before he had ever seen you, and in marking you with that scar, he did not kill you, as he intended, but gave you powers, and a future, which have fitted you to escape him not once, but four times so far — something that neither your parents, nor Neville’s parents, ever achieved.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
No amount of telling is worth doing it once.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
I wish, I wish I wish’ wished Wish
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
Notice how the crucible of the story changes those who listen to it, those who are within it, and the person who is telling it, all at the same time.
Cressida Cowell (Knock Three Times (The Wizards of Once, #3))
Children understand that 'once upon a time' refers not only--not even primarily--to the past, but to the impalpable regions of the present, the deeper places inside us where princes and dragons, wizards and talking birds, impassable roads, impossible tasks, and happy endings have always existed, alive and bursting with psychic power.
Stephen Mitchell
But the trouble with sainthood these days is the robe-and-halo imagery that gets stuck onto it." Carl got that brooding look again. "People forget that robes were street clothes once... and still are, in a lot of places. And halos are to that fierce air of innocence what speech balloons in comics are to the sound of the voice itself. Shorthand. But most people just see an old symbol and don't bother looking behind it for the meaning. Sainthood starts to look old-fashioned, unattainable... even repellent. Actually, you can see it all around, once you learn to spot it.
Diane Duane (A Wizard Alone (Young Wizards, #6))
Worrying won’t help it turn up any sooner. And look!” continued the giant. “If you waste your time worrying, how will you have a moment to see how beautiful the world is?
Cressida Cowell (Twice Magic (The Wizards of Once #2))
Now they came back to him, on this night he was seventeen years old. All the years and places of his brief broken life came within mind's reach and made a whole again. He knew once more, at last, after this long, bitter, waisted time, who he was and where he was. But where he must go in the years to come, that he could not see; and he feared to see it.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began. In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed. Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through. We are the humbugs now.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
But then," said Caliburn, "the adults are making such an almighty mess of things maybe we have to put our faith in the children, crazy and unrealistic and reckless though they are...
Cressida Cowell (Twice Magic (The Wizards of Once, #2))
Fred started to follow, but Nita caught him in cupped hands, holding him back for a moment. "Fred! Did we do right?" Even here she couldn't keep the pain out of her question, the fear that she could have somehow have prevented his death. But Fred radiated a serene and wondering joy that took her breath and reassured her and filled her with wonder to match his, all at once. Go find out, he said.
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
But once I had brains, and a heart also; so, having tried them both, I should much rather have a heart.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
This is the problem with stories. Stories always mean something. The question is ... What exactly do they mean?
Cressida Cowell (The Wizards of Once: Twice Magic (The Wizards of Once, 2))
On the sea he wished to meet it, if meet it he must. He was not sure why this was, yet he had a terror of meeting the thing again on dry land. Out of the sea there rise storms and monsters, but no evil powers: evil is of earth. And there is no sea, no running of river or spring, in the dark land where once Ged had gone. Death is the dry place.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn’t show you your reflection. It showed you your soul—it showed you who you really were. The wizard couldn’t look at it without turning away. The king couldn’t look at it. The courtiers couldn’t look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.
Martin Amis
Molecules form and dissolve, returning to the primordial soup of atoms. But consciousness survives the death of the molecules on which it rides. What was once a bundle of energy in a sunbeam turns into a leaf, only to fall and change again into soil. The change of state crosses many boundaries. A sunbeam is invisible, whereas leaves and soil are visible.A leaf is alive and growing,whereas sunbeams aren't.the colors of light, leaf, and soil are different, and so on. But all these transformations exist as constructs of the mind.The actual energy present in the sunbeam experiences no change at all.
Deepak Chopra (The Way of the Wizard: Twenty Spiritual Lessons for Creating the Life You Want)
You mean I'm going to have to do a spell in front of a bunch of toffs?" Kim said, outraged that no one had mentioned this before she had agreed to this come-out. "Yes, exactly", Lady Wendall said serenely. "You and Richard have plenty of time to design something that will reflect your unique background, as well as demonstrating your abilities as a wizard. I am looking forward to seeing what you decide upon." "I could pick everyone's pockets at once with magic, "Kim said, still disgruntled. "That'd 'reflect my unique background', all right".
Patricia C. Wrede (Magician's Ward (Mairelon, #2))
Back then, in 1967, wizards were all, more or less, Merlin and Gandalf. Old men, peaked hats, white beards. But this was to be a book for young people. Well, Merlin and Gandalf must have been young once, right? And when they were young, when they were fool kids, how did they learn to be wizards? And there was my book.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Believe something and the Universe is on its way to being changed. Because you’ve changed, by believing. Once you’ve changed, other things start to follow.
Diane Duane (So You Want to Be a Wizard)
Surely, just because SOME Magic is bad, it doesn't mean that ALL Magic is bad?
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
I’s the look-out! I’s the look-out! AAAAAAGHHHH! There’s a jagular! There’s a jagular! … Ohhhh … No, sorrys, my mistake, is a treetrunk. SORRYS, everybody …
Cressida Cowell (The Wizards of Once (The Wizards of Once #1))
Here and there and not just in books we catch glimpses of a world of once upon a time and they lived happily ever after, of a world where there is a wizard to give courage and a heart, an angel with a white stone that has written on it our true and secret name, and it is so easy to dismiss it all that it is hardly worth bothering to do. ... But if the world of the fairy tale and our glimpses of it here and there are only a dream, they are one of the most haunting and powerful dreams that the world has ever dreamed...
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
No, she knows you're here. She can see through the camouflage. But I think she's hiding something from me, and I'm waiting for the other shoe to drop. Never mind. Just listen. Once she drinks the tea, she will try ot surprise me with something. She is waiting for the contrast to be fully in effect before she says anything. I knew I never should have let you watch The Wizard of Oz.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
Was it possible that Warriors had been mistaken in their view of Magic all along? Could there be another way of looking at things, other than the Warrior way?....Wish's world view was spinning upside down, and that is always a difficult moment.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
A philosopher might have deplored this lack of mental ambition, but only if he was really certain about where his next meal was coming from. In fact Lancre's position and climate bred a hard-headed and straightforward people who often excelled in the world down below. it had supplied the planins with many of their greatest wizards and witches and, once again, the philospher might have marveled that such a four-square people could give the world so many successful magical practitioners, being quite unaware that only those with their feet on rock can build castles in the air.
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
Sure, kid. Look, there's a very old saying in my family: 'Once is happenstance. Twice is coincidence. Three times is another wizard fucking with you.
Scott Lynch (Rogues)
ALL children are spectacularly gifted and learning should be for everyone!
Cressida Cowell (Knock Three Times (The Wizards of Once, #3))
But sometimes it isn't the spells themselves that are important. It is the clever ways you use them.
Cressida Cowell (Knock Three Times (The Wizards of Once, #3))
Keep hoping, keep guessing, keep dreaming.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
There’s three things ye can do in any situation, girl,” her father had told her once. “Ye can decide to do a thing, ye can decide not to do a thing . . . or ye can decide not to decide.
Stephen King (Wizard and Glass (The Dark Tower, #4))
The castle, and all it represents, will always be with us. Once it was born, once the stone was made living, the repository of power made real, the idea could never be unmade. Even if all the castles of all the world were destroyed, in the minds of men they would be built anew; the wizard called imagination would raise high walls and towers out of ruins.
David Day (Castles)
He likes me best, maybe because I feed him the most often. He tolerates Aunt Tabitha. My uncle won’t go into the basement any more, he claims Bob actually hissed at him once. It would have been a belching sort of hiss, I imagine
T. Kingfisher (A Wizard's Guide to Defensive Baking)
Once there was magic, wandering free in roads of sky and paths of sea and in that timeless long gone hour words of nonsense still had power doors still flew and birds still talked witches grinned and giants walked we had magic wands and magic wings and we lost our hearts to impossible things Unbelievable thoughts, unsensible ends for wizards and warriors might be friends. In a world where impossible things are true, I don't know why we forgot the spell when we lost the way how the forest fell but now we are old, we can vanish too. And I see once more the invisible track that will lead us home and take us back so find your wands and spread your wings I'll sing your love of impossible things and when you take my vanished hand, we'll both go back to that magic land where we lost our hearts several lifetimes ago when we were wizards, once.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
A GIANT heart Needs a GIANT life! GIANT arms Can hold a world! Let me lead a GIANT'S life! No little steps, no holding back! A GIANT'S way, a GIANT'S track! Let my mistakes Be GIANT ones! For I can't live in little worlds! I need the space to run my fill I need to jump from hill to hill And if you take my woods from me I'll wander out into the sea And try to find another world So I can live a GIANT'S life!
Cressida Cowell (Twice Magic (The Wizards of Once, #2))
ANYONE WHO HAS SKIPPED TO THIS EPILOGUE BEFORE READING THE REST OF THE STORY IS A BIG CHEAT AND SHOULD GO RIGHT BACK TO CHAPTER 1 OR I WILL GET REALLY QUITE UPSET.
Cressida Cowell (Never and Forever (The Wizards of Once #4))
The first seeds of doubt about all that she had been told about Magic creatures were sown in Wish's mind when she looked up at the giant's kid face....
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
I named you once, I think," he said, and then strode to his house and entered, bearing the bird still on his wrist.
Ursula K. Le Guin
I’m sorry we lied to you, Mother. But the ends justify the means… A fine outcome excuses a bad method… You’ll understand when you’re older.
Cressida Cowell (Twice Magic (The Wizards of Once #2))
Do you think I could still be a wizard? One day?' 'Perhaps,' said the Good Wizard. 'I was a princess myself once.
Garth Nix (Frogkisser!)
The Witch had been aiming straight for her head, intending to tear it off. (Dear little creatures, these Witches, aren’t they?)
Cressida Cowell (The Wizards of Once (The Wizards of Once #1))
She’s a queen and a mother and it’s a mother’s job to be scary,” said Wish. “Well she’s very successful at her job,” shivered Bodkin.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
I fear not the man that has practiced 10,000 kicks once, but I fear the man that has practiced one kick 10,000 times. —Bruce Lee
Mark Minervini (Trade Like a Stock Market Wizard: How to Achieve Super Performance in Stocks in Any Market: How to Achieve Superperformance in Stocks in Any Market)
Ah, being a parent is so much harder than it looks. And just because you are old, does not mean that you do not make mistakes. So that is the story of the Great Jailbreak of Gormincrag.
Cressida Cowell (Twice Magic (The Wizards of Once #2))
When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
Was Ozma once a boy?" asked Zeb, wonderingly. "Yes; a wicked witch enchanted her, so she could not rule her kingdom. But she's a girl now, and the sweetest, loveliest girl in all the world.
L. Frank Baum (Dorothy and the Wizard in Oz (Oz #4))
Inside, Howl was still sitting on the stool. He sat in an attitude of utter despair. And he was covered all over in thick green slime. There were horrendous, dramatic, violent quantities of green slime – oodles of it. It covered Howl completely. It draped his head and shoulders in sticky dollops, heaping on his knees and hands, trickling in glops down his legs and dripping off the stool in sticky strands. It was in oozing ponds and crawling pools over most of the floor. Long fingers of it had crept into the hearth. It smelled vile. “Save me!” Calcifer cried in a hoarse whisper. He was down to two desperately flickering small flames. “This stuff is going to put me out!” Sophie held up her skirt and marched as near Howl as she could get – which was not very near. “Stop it!” she said. “Stop it at once! You are behaving just like a baby!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Sometimes, when I lie awake at night,” said Wish, with big eyes, “I think I can hear, beyond the Wall, the sound of giants howling, as if they’re being attacked by Witches… Don’t you hear that, Bodkin? Are we supposed to just stay here, safe behind our Wall, and let that carry on?
Cressida Cowell (Twice Magic (The Wizards of Once #2))
That dying child, that wasn’t us, so don’t you cuss and don’t you dare Cross-the-sprites-and-curse-their-spite-and-make-your-hand-a-stony-fist. You can’t punch us, We don’t exist, We’re only mist, And that was just the wind that hissed.
Cressida Cowell (The Wizards of Once (The Wizards of Once #1))
They’re kissing!” said Xar in disgust. “YUCKY!” said Squeezjoos, making a face. “Perdita!” cried Xar. “This is an emergency! This is a total, star-crossing, trouser-fraying, hair-pulling, Witch-infested disaster! They’re kissing! Make them stop! Bring them DOWN!
Cressida Cowell (Never and Forever (The Wizards of Once #4))
there, barking loudly; but Dorothy sat quite still on the floor and waited to see what would happen. Once Toto got too near the open trap door, and fell in; and at
L. Frank Baum (The Wonderful Wizard of Oz)
I was thinking,' said Crusher dreamily [...] 'about LANGUAGE and how in English two negatives make a positive, but in spriteish, a double negative is still a negative. However there is NO language in which two positives make a negative ...' 'Yeah right, like THAT'S the problem,' said Xar, sarcastically. 'I hadn't thought of that!' said Crusher in gentle surprise [...]. 'You're correct, Car. "Yeah, right" IS a statement in English where two positives make a negative...
Cressida Cowell (Twice Magic (The Wizards of Once, #2))
Once upon a time there was a Scottish SAS soldier in Kabul. He met a Soviet Spetsnaz soldier. They were enemies first, then shagged for nine years, fell in love at some stage. Dragons, battles, and damsels in distress in between, until an evil wizard took the Spetsnaz away. The Scot and the damsel battled the vile foes, until the Russian returned, but the evil spell still hat him in its claws. More dragons, battles, knights in not-so shiny armour later, the spell got broken, the Princes got reunited, and our Russian and Scotsman kind of lived happily ever after." (Dan)
Aleksandr Voinov
Wouldn't it be nice, for once, to find a world which was at peace with itself. No matter how always those few wanted more than others. Those not satisfied with running their own lives but wishing to have power over the lives of the others. Greedy people. Greedy for wealth, or power or both.
Garry Kilworth (The Wizard of Woodworld)
As a boy, Ogion like all boys had thought it would be a very pleasant game to take by art-magic whatever shape one liked, man or beast, tree or cloud, and so to play at a thousand beings. But as a wizard he had learned the price of the game, which is the peril of losing one's self, playing away the truth. The longer a man stays in a form not his own, the greater this peril. Every prentice-sorcerer learns the tale of the wizard Bordger of Way, who delighted in taking bear's shape, and did so more and more often until the bear grew in him and the man died away, and he became a bear, and killed his own little son in the forests, and was hunted down and slain. And no one knows how many of the dolphins that leap in the waters of the Inmost Sea were men once, wise men, who forgot their wisdom and their name in the joy of the restless sea.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
True love, like any other strong and addicting drug, is boring—once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome . . . except, of course, to those who share the kisses, who give and take the caresses while every sound and color of the world seems to deepen and brighten around them. As with any other strong drug, true first love is really only interesting to those who have become its prisoners. And, as is true of any other strong and addicting drug, true first love is dangerous. 2
Stephen King (Wizard and Glass (The Dark Tower, #4))
Me and the moon, the moon and me When all the world gives up on me When everyone thinks bad about me I still have the moon, it`s me and the moon It`s always the moon and me So I have to keep running, keep running Can`t stop in case I bite someone Keep running, keep running I thought I was good and then I looked down My shaggy coat, my wolfy paws I`m bad as a snake and meaner than grit Don`t try to stop me `cause you will get bit Let me keep running I`m running for the moon, up to the moon Where I can be good When all the world gives up on me When everyone thinks bad about me I still have the moon, it`s me and the moon Mostly it`s me and the moon
Cressida Cowell (Twice Magic (The Wizards of Once, #2))
True love, like any other strong and addicting drug, is boring—once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome . . . except, of course, to those who share the kisses, who give and take the caresses while every sound and color of the world seems to deepen and brighten around them. As with any other strong drug, true first love is really only interesting to those who have become its prisoners.
Stephen King (Wizard and Glass (The Dark Tower, #4))
Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul. The change in the wizard’s voice was astounding. Suddenly it became menacing, powerful, harsh as stone. A shadow seemed to pass over the high sun, and the porch for a moment grew dark. All trembled, and the Elves stopped their ears. ‘Never before has any voice dared to utter words of that tongue in Imladris, Gandalf the Grey,’ said Elrond, as the shadow passed and the company breathed once more.
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
I have a little cabinet letter file on my desk that is just in front of me. I was thinking and wondering about a title for the story, and had settled on the ‘Wizard’ as part of it. My gaze was caught by the gilt letters on the three drawers of the cabinet. The first was A-G; the next drawer was labelled H-N; and on the last were the letters O-Z. And Oz it at once became.
L Frank Baum
isn't he in the wrong?" (I don't know,) Fred said again. (How am I supposed to judge? But you're wizards, you should know how terrible a power belief is, especially in the wrong hands—and how do you tell which hands are wrong? Believe something and the Universe is on its way to being changed. Because you've changed, by believing. Once you've changed, other things start to follow. Isn't that the way it works?)
Diane Duane (So You Want to Be a Wizard)
All of us are navigating our own personal yellow brick roads. Some of us are still asleep in the poppy field; some of us remain content with the material pleasures of the Emerald City. Some of us still think that the Wizard is great and powerful and follow his arbitrary commands to curry favor, while others have seen the man behind the curtain and have become disillusioned or feel betrayed. For the rest of us, once we acknowledge that our hearts’ desires lie in our own backyard—inside of us—we’ll be closer to home. And there’s no place like home.
James Van Praagh (Adventures of the Soul: Journeys Through the Physical and Spiritual Dimensions)
In times of old when I was new And Hogwarts barely started The founders of our noble school Thought never to be parted: United by a common goal, They had the selfsame yearning, To make the world’s best magic school And pass along their learning. “Together we will build and teach!” The four good friends decided And never did they dream that they Might someday be divided, For were there such friends anywhere As Slytherin and Gryffindor? Unless it was the second pair Of Hufflepuff and Ravenclaw? So how could it have gone so wrong? How could such friendships fail? Why, I was there and so can tell The whole sad, sorry tale. Said Slytherin, “We’ll teach just those Whose ancestry is purest.” Said Ravenclaw, “We’ll teach those whose Intelligence is surest.” Said Gryffindor, “We’ll teach all those With brave deeds to their name.” Said Hufflepuff, “I’ll teach the lot, And treat them just the same.” These differences caused little strife When first they came to light, For each of the four founders had A House in which they might Take only those they wanted, so, For instance, Slytherin Took only pure-blood wizards Of great cunning, just like him, And only those of sharpest mind Were taught by Ravenclaw While the bravest and the boldest Went to daring Gryffindor. Good Hufflepuff, she took the rest, And taught them all she knew, Thus the Houses and their founders Retained friendships firm and true. So Hogwarts worked in harmony For several happy years, But then discord crept among us Feeding on our faults and fears. The Houses that, like pillars four, Had once held up our school, Now turned upon each other and, Divided, sought to rule. And for a while it seemed the school Must meet an early end, What with dueling and with fighting And the clash of friend on friend And at last there came a morning When old Slytherin departed And though the fighting then died out He left us quite downhearted. And never since the founders four Were whittled down to three Have the Houses been united As they once were meant to be. And now the Sorting Hat is here And you all know the score: I sort you into Houses Because that is what I’m for, But this year I’ll go further, Listen closely to my song: Though condemned I am to split you Still I worry that it’s wrong, Though I must fulfill my duty And must quarter every year Still I wonder whether Sorting May not bring the end I fear. Oh, know the perils, read the signs, The warning history shows, For our Hogwarts is in danger From external, deadly foes And we must unite inside her Or we’ll crumble from within. I have told you, I have warned you. . . . Let the Sorting now begin. The hat became motionless once more;
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Unwilling to tolerate life’s ambiguity, its unresolvability, its inevitability, we search for certainty, demanding that someone else must provide it. Stubbornly, relentlessly, we seek the wise man, the wizard, the good parent, someone else who will show us the way. Surely someone must know. It simply cannot be that life is just what it appears to be, that there are no hidden meanings, that this is it, just this and nothing more. It’s not fair, not enough! We cannot possibly bear having to live life as it is, without reassurance, without being special, without even being offered some comforting explanations. Come on now! Come across! You’ve got to give us something to make it all right. The medicine tastes lousy. Why should we have to swallow it just because it’s the only thing we can do? Can’t you at least promise us that we will have to take it just once, that it won’t taste that bad, that we will feel just fine immediately afterward, that we will be glad we took it? No? Well then, surely, at least you have to give us a lollipop for being good. But what if we are talking to ourselves? What if there is no one out there listening? What if for each of us the only wise man, the only wizard, the only good parent we will ever have is our own helpless, vulnerable self? What then?
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him: The Pilgrimage of Psychotherapy Patients)
You meet a wizard in downtown Chicago. The wizard tells you he can make you more attractive if you pay him money. When you ask how this process works, the wizard points to a random person on the street. You look at this random stranger. The wizard says, "I will now make them a dollar more attractive." He waves his magic wand. Ostensibly, this person does not change at all; as far you can tell, nothing is different. But - somehow - this person is suddenly more appealing. The tangible difference is invisible to the naked eye, but you can't deny that this person is vaguely sexier. This wizard has a weird rule, though - you can only pay him once. You can't keep giving him money until you're satisfied. You can only pay him one lump sum up front. How much cash do you give the wizard?
Chuck Klosterman
As I pass through my incarnations in every age and race, I make my proper prostrations to the Gods of the Market Place. Peering through reverent fingers I watch them flourish and fall, And the Gods of the Copybook Headings, I notice, outlast them all. We were living in trees when they met us. They showed us each in turn That Water would certainly wet us, as Fire would certainly burn: But we found them lacking in Uplift, Vision and Breadth of Mind, So we left them to teach the Gorillas while we followed the March of Mankind. We moved as the Spirit listed. They never altered their pace, Being neither cloud nor wind-borne like the Gods of the Market Place, But they always caught up with our progress, and presently word would come That a tribe had been wiped off its icefield, or the lights had gone out in Rome. With the Hopes that our World is built on they were utterly out of touch, They denied that the Moon was Stilton; they denied she was even Dutch; They denied that Wishes were Horses; they denied that a Pig had Wings; So we worshipped the Gods of the Market Who promised these beautiful things. When the Cambrian measures were forming, They promised perpetual peace. They swore, if we gave them our weapons, that the wars of the tribes would cease. But when we disarmed They sold us and delivered us bound to our foe, And the Gods of the Copybook Headings said: "Stick to the Devil you know." On the first Feminian Sandstones we were promised the Fuller Life (Which started by loving our neighbour and ended by loving his wife) Till our women had no more children and the men lost reason and faith, And the Gods of the Copybook Headings said: "The Wages of Sin is Death." In the Carboniferous Epoch we were promised abundance for all, By robbing selected Peter to pay for collective Paul; But, though we had plenty of money, there was nothing our money could buy, And the Gods of the Copybook Headings said: "If you don't work you die." Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew And the hearts of the meanest were humbled and began to believe it was true That All is not Gold that Glitters, and Two and Two make Four And the Gods of the Copybook Headings limped up to explain it once more. As it will be in the future, it was at the birth of Man There are only four things certain since Social Progress began. That the Dog returns to his Vomit and the Sow returns to her Mire, And the burnt Fool's bandaged finger goes wabbling back to the Fire; And that after this is accomplished, and the brave new world begins When all men are paid for existing and no man must pay for his sins, As surely as Water will wet us, as surely as Fire will burn, The Gods of the Copybook Headings with terror and slaughter return!
Rudyard Kipling
We’re not there, that’s just air, that glimpse of wing you saw right there That dying cow, that wasn’t us, so don’t you cuss, and don’t you dare Cross-the-sprites-and-curse-their-spite-and-make-your-hand-a-stony-fist You can’t punch us, we don’t exist, we’re only mist, And that was just the wind that hissed. We don’t care, and we weren’t there, and for a dare, we would never snap that chair And-leave-it-looking-like-it-was-perfectly-all-right-and-wait-for-someone-big-and-fat-and-old-to-put-their-lardy-fat-behind-on-it-and-SMOOSH-BANG-HA-HA-HA-!-SMASH!!!!!-the-entire-thing-shatters-into-tiny-smithereens-and-then-they-land-upon-the-stony-floor-and-break-their-jaw-and-fuss-and-roar-and-cry-until-they-cry-no-more…
Cressida Cowell (The Wizards of Once (The Wizards of Once #1))
She asks, and something in your head tells you that what she’s doing is right – and that it’s the only reason she has to live. She asked me to die defending her – knowing I didn’t even like her much. Quick, for the rest of my life, I will never forget that moment.’ ‘And you still can’t quite work out what happened.’ The assassin nodded. ‘All at once, it’s as if she’s somehow laid bare your soul and there it is, exposed, trembling, vulnerable beyond all belief – and she could take it, grasp it tight until the blood starts dripping. She could even stab it right through. But she didn’t – she didn’t do any of that, Quick. She reached down, her finger hovered, and then … gone, as if that was all she needed.’ ‘You can stop now,’ the wizard muttered. ‘What you’re talking about – between two people – it almost never happens. Maybe it’s what we all want, but Kalam, it almost never happens.’ ‘There was no respect in what Laseen offered,’ the assassin said. ‘It was a raw bribe, reaching for the worst in me. But from Tavore …’ ‘Nothing but respect. Now I see it, Kal. I see it.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
The small eyes, buried in epicanthic folds, shifted. A low, reverberating voice rumbled from the flesh and blood warrior. ‘Trull Sengar. Is this… is this mortality?’ The Tiste Edur drew a step closer. ‘You don’t remember? How it feels to be alive?’ ‘I-I… yes.’ A sudden look of wonder in that heavy, broadly featured face. ‘Yes.’ Another deep breath, then a gust that was nearly savage in its exultation. The strange gaze fixed on Quick Ben once more. ‘Wizard, is this illusion? Dream? A journey of my spirit?’ ‘I don’t think so. I mean, I think it’s real enough.’ ‘Then… this realm. It is Tellann.’ ‘Maybe. I’m not sure.’ Trull Sengar was suddenly on his knees, and Quick Ben saw tears streaming down the Tiste Edur’s lean, dusky face. The burly, muscled warrior before them, still wearing the rotted remnants of fur, slowly looked round at the withered landscape of open tundra. ‘Tellann,’ he whispered. ‘Tellann.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
A thief and worse', you say, but slander's cheap, and a woman's tongue worse than any thief. You come up here to make bad blood among the field hands, casting calumny and lies, the dragonseed every witch sows behind her. Did you think I did not know you for a witch? When I saw that foul imp that clings to you, do you think I did not know how it was begotten, and for what purposes? The man did well who tried to destroy that creature, but the job should be completed. You defied me once, across the body of the old wizard, and I forbore to punish you then, for his sake and in the presence of others. But now you've come too far, and I warn you, woman! I will not have you set foot on this domain. And if you cross my will or dare so much as to speak to me again, I will have you driven from Re Albi, and off the Overfell, with the dogs at your heels. Have you understood me?" "No," Tenar said. "I have never understood men like you.
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
he drew from his pocket a tiny instrument which he placed against his ear. Ozma, observing this action in her Magic Picture, at once caught up a similar instrument from a table beside her and held it to her own ear. The two instruments recorded the same delicate vibrations of sound and formed a wireless telephone, an invention of the Wizard. Those separated by any distance were thus enabled to converse together with perfect ease and without any wire connection.
L. Frank Baum (Oz: The Complete Collection (Oz, #1-14))
As I make the ten-minute drive into town, I curse O’Shea for forcing this volunteer gig on me and ponder the authenticity of voodoo dolls. Eventually I decide it doesn’t matter if they’re real or not. It’d still be fun to poke needles into a teeny doll version of Frank O’Shea. Once it starts falling apart from all the holes, I can use the head as a stress ball. At a red light, I shoot a quick text to my teammate Fitzy—Hey, do u know how 2 make a voodoo doll? His response doesn’t come until I reach the small arena across the street from the school. Him: I’d think u were fcking with me, but the question is stupid enuff to feel legit. No idea how to make v-doll. Can prolly use any old doll? Challenge will be finding a voodoo witch to link it to your target. Me: That makes sense. Him: Does it?? Me: Voodoo implies magic, hexes, etc. I don’t think any doll would work. Otherwise every doll is a v-doll, right? Him: Right. Me: Anyway. Thx. Thought u might know. Him: Why the fuck would *I* know? Me: Ur into all those fantasy role-play games. U know magic. Him: I’m not Harry Potter, ffs. Me: HP is a nerd. Ur a nerd. Ergo, ur a boy wizard. He sends a middle-finger emoji, then says, Bday beers at Malone’s 2nite. U still down? Me: Yup. Him: C U ltr
Elle Kennedy (The Score (Off-Campus, #3))
I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?” Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana? “I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad. “The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them. “When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication. “In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ “And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country? “The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.” Veronika laughed. “You don’t seem crazy at all,” she said. “But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?” “People who have all drunk from the same well.” “Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them.
Paulo Coelho (Veronika Decides to Die)
There was a crackle. Kobe's voice came through the cans. "What would you guys do," he said, apropos of nothing, "if Jules turned into a lizard?" Another crackle. "Hey!" Jules said. "It wouldn't happen," said Jacob, and I saw him shrug in the half-light. "But what if?" I pressed the talk button on my cans. "There's an old fish tank in our garage," I said. "I'd put Jules in it, and then get a heat rock from the pet shop." I heard Sam's low chuckle. "Make sure you wash your hands first." "Why?" "So you don't get any lizardy diseases." "I don't have any lizardy diseases!" Jules's voice was getting higher. "Not yet, but wait until you're a lizard." "What's a heat rock?" asked Jacob. "It's a rock," I told him, "that you heat up. Lizards like them. Anyway, once I'd done that, I'd take you to see my cousin Adam." "IS HE A WIZARD?
Lili Wilkinson (Pink)
Horklump M.O.M. Classification: X The Horklump comes from Scandinavia but is now widespread throughout northern Europe. It resembles a fleshy, pinkish mushroom covered in sparse, wiry black bristles. A prodigious breeder, the Horklump will cover an average garden in a matter of days. It spreads sinewy tentacles rather than roots into the ground to search for its preferred food of earthworms. The Horklump is a favourite delicacy of gnomes but otherwise has no discernible use. Horned Serpent M.O.M. Classification: XXXXX Several species of Horned Serpents exist globally: large specimens have been caught in the Far East, while ancient bestiaries suggest that they were once native to Western Europe, where they have been hunted to extinction by wizards in search of potion ingredients. The largest and most diverse group of Horned Serpents still in existence is to be found in North America, of which the most famous and highly prized has a jewel in its forehead, which is reputed to give the power of invisibility and flight. A legend exists concerning the founder of Ilvermorny School of Witchcraft and Wizardry, Isolt Sayre, and a Horned Serpent. Sayre was reputed to be able to understand the serpent, which offered her shavings from its horn as the core of the first ever American-made wand. The Horned Serpent gives its name to one of the houses of Ilvermorny.
Newt Scamander (Fantastic Beasts and Where to Find Them)
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
All right," Harry said coldly. "I'll answer your original question, then. You asked why Dark Wizards are afraid of death. Pretend, Headmaster, that you really believed in souls. Pretend that anyone could verify the existence of souls at any time, pretend that nobody cried at funerals because they knew their loved ones were still alive. Now can you imagine destroying a soul? Ripping it to shreds so that nothing remains to go on its next great adventure? Can you imagine what a terrible thing that would be, the worst crime that had ever been committed in the history of the universe, which you would do anything to prevent from happening even once? Because that's what Death really is - the annihilation of a soul!
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Ged saw all these things from outside and apart, alone, and his heart was very heavy in him, though he would not admit to himself that he was sad. As night fell he still lingered in the streets, reluctant to go back to the inn. He heard a man and a girl talking together merrily as they came down the street past him towards the town square, and all at once he turned, for he knew the man's voice. He followed and caught up with the pair, coming up beside them in the late twilight lit only by distant lantern-gleams. The girl stepped back, but the man stared at him and then flung up the staff he carried, holding it between them as a barrier to ward off the threat or act of evil. And that was somewhat more than Ged could bear. His voice shook a little as he said, "I thought you would know me, Vetch." Even then Vetch hesitated for a moment. "I do know you," he said, and lowered the staff and took Ged's hand and hugged him round the shoulders-" I do know you! Welcome, my friend, welcome! What a sorry greeting I gave you, as if you were a ghost coming up from behind– and I have waited for you to come, and looked for you-
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
I put on my sunglasses and start to sing “Sixteen Going on Seventeen” from The Sound of Music. “You need someone older and wiser, telling you what to do.” I tap him on the nose for emphasis. “Hey, I’m older than you,” he objects. I run my hand along Peter’s cheek and sing, “I am seventeen going on eighteen, I-I-I’ll take care of you.” “Promise?” he says. “Sing it just once for me,” I prompt. Peter gives me a look. “Please? I love it when you sing. Your voice is so clean.” He can’t help but smile. Peter never met a compliment he didn’t smile at. “I don’t know the words,” he protests. “Yes you do.” I pretend to wave a wand in his face. “Imperio! Wait--do you know what that means?” “It’s…an unforgivable curse?” “Yes. Very impressive, Peter K. And what does it do?” “It makes you do things you don’t want to do.” “Very good, young wizard. There’s hope for you yet. Now sing!” “You little witch.” He looks around to see if anyone is listening, and then he softly sings, “I need someone older and wiser telling me what to do…You are seventeen going on eighteen…I’ll depend on you.” I clap my hands in delight. Is there anything more intoxicating than making a boy bend to your will? I roll closer to him and throw my arms around his neck. “Now you’re the one making PDAs!” he says.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
As I walked toward the front door, a little motion to the left caught my eye. Jenny Sells stood in the hallway, a silent wraith. She regarded me with luminous green eyes, like her mother’s, like the dead aunt whose namesake she was. I stopped and faced her. I’m not sure why. “You’re the wizard,” she said, quietly. “You’re Harry Dresden. I saw your picture in the newspaper, once. The Arcane.” I nodded. She studied my face for a long minute. “Are you going to help my mom?” It was a simple question. But how do you tell a child that things just aren’t that simple, that some questions don’t have simple answers—or any answer at all? I looked back into her too-knowing eyes, and then quickly away. I didn’t want her to see what sort of person I was, the things I had done. She didn’t need that. “I’m going to do everything I can to help your mom.” She nodded. “Do you promise?” I promised her. She thought that over for a moment, studying me. Then she nodded. “My daddy used to be one of the good guys, Mr. Dresden. But I don’t think that he is anymore.” Her face looked sad. It was a sweet, unaffected expression. “Are you going to kill him?” Another simple question. “I don’t want to,” I told her. “But he’s trying to kill me. I might not have any choice.” She swallowed and lifted her chin. “I loved my Aunt Jenny,” she said. Her eyes brightened with tears. “Momma won’t say, and Billy’s too little to figure it out, but I know what happened.” She turned, with more grace and dignity than I could have managed, and started to leave. Then said, quietly, “I hope you’re one of the good guys, Mr. Dresden. We really need a good guy. I hope you’ll be all right.” Then she vanished down the hall on bare, silent feet.
Jim Butcher (Storm Front (The Dresden Files, #1))
Now come on, we’re off.” He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too. “What now?” barked Uncle Vernon, reappearing in the doorway. It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?” Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence. “But…surely you know where your nephew is going?” she asked, looking bewildered. “Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.” Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. “Off with some of our lot?” Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter. “It’s fine,” Harry assured her. “It doesn’t matter, honestly.” “Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?” “Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--” “I don’t think you’re a waste of space.” If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself. “Well…er…thanks, Dudley.” Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.” “Not really,” said Harry. “It was your soul the dementor would have taken…” He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence. Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. “S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…” “But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!” “Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))