Wit And Cleverness Quotes

Clever as the Devil and twice as pretty.

Really?" "No. I'm being ironic. Or is it sarcastic? I can never remember." "Irony's cleverer, so you're probably being sarcastic.

What you did tonight was clever,” Wit said. “You turned an attack into a promise. The wisest of men know that to render an insult powerless, you often need only to embrace it.

Vulgarity is no substitute for wit

Intelligence is more important than strength, that is why earth is ruled by men and not by animals.

Wit is the sudden marriage of ideas which before their union were not perceived to have any relation.

Memories make you sentimental, experiences make you smart.

Cleverness is like rouge - liberal application makes a woman look common and desperate. Wit is knowing how to apply it.

He pushed himself to his feet. “Don’t lie, Sansa. I am malformed, scarred, and small, but…” she could see him groping “…abed, when the candles are blown out, I am made no worse than other men. In the dark, I am the Knight of Flowers.” He took a draught of wine. “I am generous. Loyal to those who are loyal to me. I’ve proven I’m no craven. And I am cleverer than most, surely wits count for something. I can even be kind. Kindness is not a habit with us Lannisters, I fear, but I know I have some somewhere. I could be… I could be good to you.

We have been silent witnesses of evil deeds; we have been drenched by many storms; we have learnt the arts of equivocation and pretence; experience has made us suspicious of others and kept us from being truthful and open; intolerable conflicts have worn us down and even made us cynical. Are we still of any use? What we shall need is not geniuses, or cynics, or misanthropes, or clever tacticians, but plain, honest, and straightforward men. Will our inward power of resistance be strong enough, and our honesty with ourselves remorseless enough, for us to find our way back to simplicity and straightforwardness?

I love your wit and cleverness. I love that you are kind but almost never nice. I love your eyes and your hair and your freckles, and the fact that you smell like some monstrous floral perfume all of the time.” He paused, now looking somewhat offended at himself. “And I love to dance with you. That is the worst of it by far.

Vivid simplicity is the articulation, the nature of genius. Wisdom is greater than intelligence; intelligence is greater than philosobabble.

My wit is only as stupid as the audience.

What good is it if they miss your face but not your mind?

I confess, I do not understand what there is in her to make a clever man like you act such a fool.” “You might, if you were not a eunuch.” “Is that the way of it? A man may have wits, or a bit of meat between his legs, but not both?” Varys tittered. “Perhaps I should be grateful I was cut, then.” The Spider was right.

This is a lot more satisfying," he said, "when I have intelligent life whom I can render awed, rapt with attention for my clever verbosity." The ugly lizard-crab-thing on the next rock over clicked its claw, an almost hesitant sound. "Your right, of course," Wit said. "My usual audience isn't particularly intelligent. That was also the obvious joke, however, so shame on you.

Today I am amused, and I haven't seen anyone yet.

The height of cleverness is in one's ability to be very clever without seeming clever at all.

The dull always seek to be clever at the fool's expense, to somehow repay him for his cutting wit, but never are they clever, and often they are cruel.

It's an easy guess, why some get famous over night and not during the day.

His father was an ass and he is an ass. I imagine sooner than I should like I shall be playing uncle to a litter of asses.

I meant to be uncommonly clever in taking so decided a dislike to him, without any reason. It is such a spur to one's genius, such an opening for wit to have a dislike of that kind. One may be continually abusive without saying any thing just; but one cannot be always laughing at a man without now and then stumbling on something witty.

Listen here, Miss Ettings! I am in love with you. You deserve to hear that. I love your wit and cleverness. I love that you are kind but almost never nice. I love your eyes and your hair and your freckles, and the fact that you smell like some monstrous floral perfume all of the time.” He paused, now looking somewhat offended at himself. “And I love to dance with you. That is the worst of it by far.

And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.

The true spirit of conversation consists more in bringing out the cleverness of others than in showing a great deal of it yourself; he who goes away pleased with himself and his own wit is also greatly pleased with you. Most men would rather please than admire you; they seek less to be instructed, and even to be amused, than to be praised and applauded.

Graham's life is as tense as an overstretched simile.

Instead of being regarded as intelligent or knowledgeable, many a woman would rather be regarded as beautiful or good in the kitchen; many a man, as handsome or good in bed.

Snarky should never be confused with clever... (Snarky just showcases immaturity and a need to make other feel small in order to make oneself feel better. Clever shows wit, intelligence and the gift of play on words. Hurtful is as hurtful does and its just wrong.)

I have great affection for you, Roy" I answered, "but I don't think you are the sort of person I'd care to have breakfast with.

Most unintelligent or foolish people do not regard themselves as that; they regard themselves as not-that-intelligent or not-that-wise.

JACK. I am sick to death of cleverness. Everybody is clever nowadays. You can’t go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left. ALGERNON. We have. JACK. I should extremely like to meet them. What do they talk about? ALGERNON. The fools? Oh! about the clever people, of course. JACK. What fools!

The first and last weakness of his life, before him again. For a moment he felt himself blinded by his own memories; his own remembrances of the wits and wiles of Marian Halcombe that would steal into his thoughts; the sound of her laughter at his outrageous tales, the shadowed glance of distrust, the way her eyebrows would raise ever so slightly despite her resolution to seem disinterested in his foreign insights. She was the first woman he ventured to have complete equality in matching his tremendous cleverness.

No, my friend,” Wit said, standing up. “I’ve abandoned my real name. But when next we meet, I’ll think of a clever one for you to call me. Until then, Wit will suffice—or if you must, you may call me Hoid. Watch yourself; Sadeas is planning a revelation at the feast tonight, though I know not what it is. Farewell. I’m sorry I didn’t insult you more.

Don't be fooled by those with some smarts in mockery. Some are forced into wit because they're always wrong.

that clever mind, that sharp tongue and droll wit. His love for Ella, manifested in sacrifice and secret smiles; his sense of honor and duty; his pride in the face of unceasing subjugation. His joy of nature, his respect for all things living, his skill with . . . well, everything.

You are clever man, friend John; you reason well, and your wit is bold; but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men’s eyes, because they know – or think they know – some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new; and which are yet but the old, which pretend to be young – like the fine ladies at the opera.

And yet I meant to be uncommonly clever in taking so decided a dislike to him, without any reason. It is such a spur to one's genius, such an opening for wit, to have a dislike of that kind. One may be continually abusive without saying anything just; but one cannot always be laughing at a man without now and then stumbling on something witty.

Too much cleverness can be a torment to a man, setting his wits against his faith.

Janala is a fool, just bright enough to be proud of the wits she has, but stupid enough to be unaware of how outmatched they are.

Matthew, Mark, Luke, and John, far from being unreliable historians or merely clever inventors of myth and legend, reveal themselves to be the type of witnesses a lawyer dreams of.

That is an expression, Sir John," said Marianne, warmly, "which I particularly dislike. I abhor every common–place phrase by which wit is intended; and "setting one's cap at a man," or "making a conquest," are the most odious of all. Their tendency is gross and illiberal; and if their construction could ever be deemed clever, time has long ago destroyed all its ingenuity.

She didn't think she'd ever shown enough gratitude for the quick wits of the people she worked with, and if the evening ever ended, which it showed no signs of doing, she would rectify that. She would buy them all flowers or whisky and write a card thanking them for being so clever.

Some things are so silly they have a certain brilliance to them. Other things, set as standards for brilliance and therefore exalted by many who don't know why, become tarnished because of it.

He who is capable of really reading a writer will have his every question answered by the works themselves. For example, Kafka depicts the dreams & visions of his lonely, difficult life and it is these dreams & visions alone that should preoccupy us & not the interpretations that sharp-witted critics can give these writings. Their interpreting is an intellectual sport, one that is good for clever people who can read & write books on African sculpture or 12-tone music but who never get to the heart of works of art because they stand at the gate fumbling with their 100 keys, blind to the fact that the gate is not really locked.

They were freer than their forefathers in dress and living, and spent more in other kinds of excesses, consuming their time and money in idleness, gaming, and women; their chief aim was to appear well dressed and to speak with wit and acuteness, whilst he who could wound others the most cleverly was thought the wisest." In

Merlin’s eyes narrowed. "We require heroes of wit and cleverness, unafraid to foil convention in order to defend a higher allegiance. Battle skills matter not. What we need at this moment, James Potter, are scoundrels with honor.

I act uncommonly important when I read, look all around to see if people are noticing how cleverly someone there is improving his mind and wits; I slit open page after page at splendid leisure, do not even read any more but satisfy myself with having assumed the posture of a person immersed in a book. That is how I am: harebrained, and all for effect. I am vain, but my satisfaction with my vanity costs remarkably little.

His skin like grey bark, his eyes pale as a winter pool, time and age had worn my father to the bone. In our youth, he’d been a strict master lording over my lessons while tender with the flower of his heart, my sister Anabine. Ana, the lovely, blooming jewel. Zyndel, she of clever wit.

It is the sovereign prerogative of Christ’s Spirit to convince men’s consciences of the truth of Christ’s gospel; and Christ’s human witnesses must learn to ground their hopes of success not on clever presentation of the truth by man, but on powerful demonstration of the truth by the Spirit.

It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.

To understand, I destroyed myself. To understand is to forget about loving. I know nothing more simultaneously false and telling than the statement by Leonardo da Vinci that we cannot love or hate something until we’ve understood it. Solitude devastates me; company oppresses me. The presence of another person derails my thoughts; I dream of the other’s presence with a strange absent-mindedness that no amount of my analytical scrutiny can define. Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror. The mere thought of having to enter into contact with someone else makes me nervous. A simple invitation to have dinner with a friend produces an anguish in me that’s hard to define. The idea of any social obligation whatsoever – attending a funeral, dealing with someone about an office matter, going to the station to wait for someone I know or don’t know – the very idea disturbs my thoughts for an entire day, and sometimes I even start worrying the night before, so that I sleep badly. When it takes place, the dreaded encounter is utterly insignificant, justifying none of my anxiety, but the next time is no different: I never learn to learn. ‘My habits are of solitude, not of men.’ I don’t know if it was Rousseau or Senancour who said this. But it was some mind of my species, it being perhaps too much to say of my race.

Clever wordplay engenders grudging appreciation in your peers, but surprise wordplay gives birth to laughter. We smile at wit. We laugh at jokes.

He feels like fun. He feels like cleverness and irreverence and wit and charm, all packaged up in a long, lean frame.

No tricks, no tools, but talent makes a task truly top class.

She was, moreover, mistress of a very pretty little fortune, and was accounted clever without detriment to her amiability and amiable without detriment to her wit.

All this and much else besides is merely a form of identification. Such considering is wholly based upon ‘requirements’. A man inwardly ‘requires’ that everyone should see what a remarkable man he is and that they should constantly give expression to their respect, esteem, and admiration for him, for his intellect, his beauty, his cleverness, his wit, his presence of mind, his originality, and all his other qualities. Requirements in their turn are based on a completely fantastic notion about themselves such as very often occurs with people of very modest appearance. Various writers, actors, musicians, artists, and politicians, for instance, are almost without exception sick people. And what are they suffering from? First of all from an extraordinary opinion of themselves, then from requirements, and then from considering, that is, being ready and prepared beforehand to take offence at lack of understanding and lack of appreciation.

I do it for the girls." "What girls?" He smirked. "They think it's sexy." "It's not." "No?" "I assure you." "Not sexy?" "You look khila, like a half-wit." "That hurts," he said. "What girls anyway?" "You're jealous." "I'm indifferently curious." "You can't be both." He took another drag and squinted through the smoke. "I'll bet they're talking about us now." In Laila's head, Mammy's voice rang out. Like a mynah bird in your hands. Slacken your grip and away it flies. Guilt bore its teeth into her. Then Laila shut off Mammy's voice. Instead, she savored the way Tariq had said us. How thrilling, how conspiratorial, it sounded coming from him. And how reassuring to hear him say it like that - casually, naturally. Us. It acknowledged their connection, crystallized it. "And what are they saying?" "That we're canoeing down the River of Sin," he said. "Eating a slice of Impiety Cake." "Riding the Rickshaw of Wickedness?" Laila chimed in. "Making Sacrilege Qurma." They both laughed. Then Tariq remarked that her hair was getting longer. "It's nice," he said. Laila hoped she wasn't blushing. "You changed the subject." "From what?" "The empty-headed girls who think you're sexy." "You know." "Know what?" "That I only have eyes for you." Laila swooned inside. She tried to read his face but was met by a look that was indecipherable: the cheerful, cretinous grin at odds with the narrow, half-desperate look in his eyes. A clever look, calculated to fall precisely at the midpoint between mockery and sincerity.

West had always congratulated himself on being too clever to desire a woman he couldn't have. But Phoebe was as rare as a year with two blue moons. All through dinner, he'd marveled at how beautiful she was, the candlelight striking gleams from her hair and skin like rubies and pearls. She was clever, perceptive, quick as a whip. There had been hints of an absolutely lacerating wit, which he loved, but there were also touches of shyness and melancholy that went straight to his heart. She was a woman who badly needed to enjoy herself, and he wanted to indulge her in some thoroughly adult fun.

Cleverness can be captivating, both for those who dole it out and those who witness it. Sometimes a dazzling display of erudition and wit can be as entertaining and uplifting as a great piece of music.

Intelligence…like Athena’s favorite hero, Odysseus. He’d won the Trojan War with cleverness, not strength. He had overcome all sorts of monsters and hardships with his quick wits. That’s what Athena valued.

I admired the cleverness of the clothes, her playfulness, her creativity. I commented on what a fashionable fellow Harry was, very cool. I didn't say that I found her composure excruciating to witness. I didn't ask how she could bear this show-and-tell without breaking down. These clothes represented how much she loved him. Did she feel a physical ache? Knowing this moment was coming, had she cried . . . alone?

Yet in recent years I have witnessed a new phenomenon among filmgoers, especially those considered intelligent and perceptive. I have a name for this phenomenon: the Instant White-out. People are closeted in cozy darkness; they turn off their mobile phones and willingly give themselves, for ninety minutes or two hours, to a new film that got a fourstar rating in the newspaper. They follow the pictures and the plot, understand what is spoken either in the original tongue or via dubbing or subtitles, enjoy lush locations and clever scenes, and even if they find the story superficial or preposterous, it is not enough to pry them from their seats and make them leave the theatre in the middle of the show. But something strange happens. After a short while, a week or two, sometimes even less, the film is whitened out, erased, as if it never happened. They can’t remember its name, or who the actors were, or the plot. The movie fades into the darkness of the movie house, and what remains is at most a ticket stub left accidentally in one’s pocket.

I meant to be uncommonly clever in taking so decided a dislike to him, without any reason. It is such a spur to one’s genius, such an opening for wit, to have a dislike of that kind. One may be continually abusive without saying anything just.

No matter how cleverly we disguise our anxieties they bear witness to the imperfect nature of the human heart. To be is to become. To become is not to be. We are a work-in-progress, incomplete, imperfect, unrealised, and by virtue of temporal actions, temporary - a verb more than a noun, an inner quest and an outward odyssey framed by metaphors, like Escher's "Print Gallery"; we make the endless journey round the pictures, retracing our steps in forgetfulness, avoiding but mindful of the space where there are no pictures, where there is no gallery, where there is nothing at all. And like flies in a fly bottle, trapped by a failure of vision, we go round and round and round the moebius loop of a print gallery of our own making, a picture inside a picture inside a picture, forever.

Prophecy of Balance (Year of the Cat) “There must be balance,” Source repeated, “For mankind to flourish on the Earth-Throne he’s seated.” His life is a gift from the gods, they created, And the power to wield choice, but the outcome is weighted. Seeing the harm and chaos humans manifest, Wore heavily upon the goodness within their immortal breast. But the gods disagreed, and two groups they split, Each one possessing their own talent and wit. One side fights for freedom of Man’s soul, But the other wants slavery, and Man to control. So Source cried, “Enough! Now Observers will be sent, To assist with human minds you’ve cleverly bent!” For balance, the pendulum won’t sway too far to one side, And Universal Laws each god must abide. The gods agreed, but did not stop with their plan, To influence mankind as much as they can.

A line from a poem by Emily Brontë has come to me clearly, and I shall call my book The Loving Spirit. This, I feel, is what I wish it to be. And always, no matter what people say to me, there must be Truth. No striving after cleverness, nor cheap and readymade wit. Sincerity—beauty—purity.

But I won’t because I know what you are, Mrs. Norton, what you have always been. You are a dull and stupid woman who knows she is a dull and stupid woman. And Bea is bright and clever and that is a personal affront to you because the dull and stupid are always affronted by the temerity of wit.

They were freer than their forefathers in dress and living, and spent more in other kinds of excesses, consuming their time and money in idleness, gaming, and women; their chief aim was to appear well dressed and to speak with wit and acuteness, whilst he who could wound others the most cleverly was thought the wisest.

You know she made me a list, don’t you?” “What do you mean?” “A list. Chelsea made me a list of questions to ask Mike.” Violet laughed, pulling herself up. It was too ridiculous to believe. But it was Chelsea, so of course it was true. “What did you do with it? You didn’t give it to him, did you?” Violet asked, her eyes wide with shock. Jay sat up too and grinned, and Violet was sure that he had. And then he shook his head. “Nah. I told her if she really wanted the answers, she’d have to give it to him herself.” Violet relaxed back into the couch. “Did she?” Jay shrugged. “I dunno. You never know with Chelsea.” He leaned forward, watching Violet closely as he ran his thumb down the side of her cheek. “Anyway,” he said, switching the subject, “I get off work at six tomorrow; maybe we can hook up after that.” He moved closer, grinning. “And you can tell me how much you missed me.” He kissed her, at first quickly. Then the kiss deepened, and she heard him groan. This time, when he pulled back, there was indecision in his eyes. Violet wanted to say something sarcastic and sharp-witted to lighten the mood, but with Jay staring at her like that, any hope of finding a clever response was lost. She could feel herself disappearing into the depths of that uncertain look.

While I’m reading a story I want to be able to suspend disbelief; the more questions of authorial reliability force themselves on me, the weaker the hold of the narrative. This is a naïve approach to fiction, granted, but a tough one, since intellect, cleverness, charm, wit, tact, even fact cannot conceal incredibility.

How inconvenient clever women must be to men like Mr. Mallery. If only she’d been frivolous, light-minded, vapid even. Generally speaking, when a man is a murderer and a woman uncovers the unmistakable clue pointing to him, it would be so much easier if that woman were dull-witted. A clever woman can get herself killed.

You are not. You’re not still sympathizing with him. Why? No one asked him to touch the eye or the tooth. He asked to have them. He tricked the Graiai into handing them over. You saw that, did you? I suppose you thought it was clever. Clever Perseus using his wits to defeat the disgusting old women? Your own eyes aren’t all that, you know.

When she walked by the two officers, they didn't recognize her. "Have you seen the luscious bonbon with the golden braids?" She grinned up at them with such impish mischief that they almost forgot their quest for the singer. "She is with her lover," Hannah said. "But she can always handle one or two more." She winked at them. "Go there, through that door." She made her escape while the uniformed hobbledehoys gawked and gaped and finally burst into the dressing room where Franz, the three-hundred-pound juggling strongman, was adjusting his loincloth. "I ought not do it," Hannah said aloud to herself as chaos erupted behind her. "I just can't seem to help myself. it is a shame, really.

And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.

That is an expression, Sir John,” said Marianne, warmly, “which I particularly dislike. I abhor every common-place phrase by which wit is intended; and ‘setting one’s cap at a man,’ or ‘making a conquest,’ are the most odious of all. Their tendency is gross and illiberal; and if their construction could ever be deemed clever, time has long ago destroyed all its ingenuity.

There’s no dignity in this place, thinks Seda. No privacy either. Some fool is always poking his or her head into your doorway. And as if the residents and nurses aren’t bad enough, lately all kinds of people keep showing up, waving their tape recorders in her face, asking her questions about the past. Everyone is an amateur historian. They use words like witness and genocide, trying to bridge the gap between her past and their own present with words. She wants nothing to do with it. But the other residents have fallen under a confessional spell. They’re like ancient tea bags steeping in the murky waters of the past, repeating their stories over and over again to anyone who will listen. Who can blame them? Driven from their homes not by soldiers this time, but by their own loved ones, to this place so cleverly labeled “home,” a second exile. In some ways, Seda thinks it’s worse than the first: to the lexicon of horrific memories is added the immense shame of surviving, of living when so many others did not. Yet they all bask in their rediscovered relevance. But all the words in every human language on earth would not be enough to describe what

(This sect (the Encyclopaedists) propagate with much zeal the doctrine of materialism, which prevails among the great and the wits; we owe to it partly that kind of practical philosophy which, reducing Egotism to a system, looks upon society as a war of cunning; success the rule of right and wrong, honesty as an affair of taste or decency: and the world as the patrimony of clever scoundrels.))

Whoever is in charge of such things had been sparing with his blessings on the moment Benno was born. He had neither looks nor wit nor skill. He was not large or strong, he could not sing; in fact, he had a stammer, which on most occasions left him self-consciously mute. One gift only had been given, a gift as simple as it is rare: the gift of pure goodness. He knew, unerringly, what was right, what was kind, what would make people happy, and he did it without fail. His goodness took no effort; there was no internal scale to be balanced. He hoped for no reward and feared no hell. He was not clever- in his final year of school before the teachers despaired of him, he was asked how he would equitably divide a half-pound loaf of bread among himself and two friends. He said he would go without and his two friends would each have a quarter pound, and neither threats of failure not the switch could persuade him to change his answer.

Whoever is in charge of such things had been sparing with his blessings on the moment Benno was born. He had neither looks nor wit nor skill. He was not large or strong, he could not sing; in fact, he had a stammer, which on most occasions left him self-consciously mute. One gift only had been given, a gift as simple as it is rare: the gift of pure goodness. He knew, unerringly, what was right, what was kind, what would make people happy, and he did it without fail. His goodness took no effort; there was no internal scale to be balanced. He hoped for no reward and feared no hell. He was not clever- in his final year of school before the teachers despaired of him, he was asked how he would equitably divide a half-pound loaf of bread among himself and two friends. He said he would go without and his two friends would each have a quarter pound, and neither threats of failure nor the switch could persuade him to change his answer.

Being funny for its own sake is very estimable. It's a nice thing but if you continue to be very funny, if you persist in it, you turn into a crank, like any other crank, because you become clever and you're always alert for an opportunity to make another crack and then you become silly. There has to be measure in these things and the humor has to be your humor and it has to be natural to you and without strain. So wit is a very good thing but persistent cleverness in wit can be very boring and trying to people.

Sol in Gemini The signe of Gemini dealeth with the partnership between a husband and wife, and all matters that dependeth likewise upon faith. A man born in this sign hath a good and honest heart and a fine wit that will lead him to learn many things. He will be quick to anger, but soon to reconcile. He is bold of speech even before the prince. He is a grace dissimulator, a speader abroad of clever fantasies and lies. He shall be much entangled with troubles by reason of his wife, but he shall prevail against their enemies.

The man of spirit, on the other hand, hates to see people gather around him. He avoids the crowd. For where there are many men, there are also many opinions and little agreement. There is nothing to be gained from the support of a lot of half-wits who are doomed to end up in a fight with each other. The man of spirit is neither very intimate with anyone, nor very aloof. He keeps himself interiorly aware, and he maintains his balance so that he is in conflict with nobody. This is your true man! He lets the ants be clever. He lets the mutton reek with activity. For his own part, he imitates the fish that swims unconcerned, surrounded by a friendly element, and minding its own business. The true man sees what the eye sees, and does not add to it something that is not there. He hears what the ears hear, and does not detect imaginary undertones or overtones. He understands things in their obvious interpretation and is not busy with hidden meanings and mysteries. His course is therefore a straight line. Yet he can change his direction whenever circumstances suggest it.

Aleksia laughed at her, putting a world of scorn and withering contempt into her voice--just as Kay would probably do in a temper. In fact, everything that she was doing now was to test her to see if her own self-worth was strong enough to stand up to the worst the one she loved could deliver. It is so much harder to take a hint of scorn from the beloved than a verbal battering from an enemy........Kay would always be more intelligent, more clever than Gerda was. She had to know, deep inside her, that what she offered was just as important and just as valuable as wit and intelligence.

We have been silent witnesses of evil deeds; we have been drenched by many storms; we have learnt the arts of equivocation and pretense; experience has made us suspicious of others and kept us from being truthful and open; intolerable conflicts have worn us down and even made us cynical. Are we still of any use? What we shall need is not geniuses, or cynics, or misanthropes, or clever tacticians, but plain, honest, and straightforward men. Will our inward power of resistance be strong enough, and our honesty with ourselves remorseless enough, for us to find our way back to simplicity and straightforwardness?

She empathized with those who were true victims but, in her own case, she rejected victimhood. The details of life and the amusement that she took in dwelling on those details, toying with those details, were her weaponry of choice against the many difficulties that she had to face. New York was a bitter place for women of her class and color in those days, but she did not reciprocate that bitterness. She rose above the meanness that surrounded her. She punched holes in that meanness with her cleverness and wit and with her eye for the preposterous. She laughed a lot. She loved her lamb chops and her baked potato. In the details, she transcended.

Of course the most valuable discoveries were kept secret as far as possible. But once you started a sort of research in the field of coal-mining, a study of methods and means, a study of by-products and the chemical possibilities of coal, it was astounding the ingenuity and the almost uncanny cleverness of the modern technical mind, as if really the devil himself had lent fiend's wits to the technical scientists of industry. It was far more interesting than art, than literature, poor emotional half-witted stuff, was this technical science of industry. In this field, men were like gods, or demons, inspired to discoveries, and fighting to carry them out. In this activity, men were beyond any mental age calculable.

True; but he pretends to too much wit, which annoys me. He is always upon stilts, and, in all his conversations, one sees him labouring to say smart things. Since he took it into his head to be clever, he is so difficult to please that nothing suits his taste. He must needs find mistakes in everything that one writes, and thinks that to bestow praise does not become a wit, that to find fault shows learning, that only fools admire and laugh, and that, by not approving of anything in the works of our time, he is superior to all other people. Even in conversations he finds something to cavil at, the subjects are too trivial for his condescension; and, with arms crossed on his breast, he looks down from the height of his intellect with pity on what everyone says.

You are a clever man, friend John. You reason well, and your wit is bold, but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are, that some people see things that others cannot? But there are things old and new which must not be contemplated by men's eyes, because they know, or think they know, some things which other men have told them. Ah, it is the fault of our science that it wants to explain all, and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new, and which are yet but the old, which pretend to be young, like the fine ladies at the opera.

Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror.

Cheeks reddening, Mia peered at the first boy. “Your name is Shivs? O, because you carry knives, aye?” She glanced at the younger boy. “You’d be Fleas then?” To the girl. “Let me guess, Worms?”1 “Clever,” said the blonde. And stepping lightly to Mia’s side, she drew back a fist and buried it in Mia’s stomach. The breath left her lungs with a wet cough as she fell to her knees. Blinking and blinded, Mia clutched her belly, trying not to retch. Astonishment inside her. Astonishment and rage. Nobody had hit her before. Nobody haddared. She’d seen her mother fence wits countless times in the Spine. She’d seen men reduced to stuttering and women driven to tears. And Mia had studied well. But the rules said the aggrieved was supposed to riposte with some barb of their own, not haul off and punch her like some lowborn thug in an alley scra— “O …,” Mia wheezed. “Right.

like some of these blatant tropical flowers. He had been in the house for six weeks, and had not as yet attempted to slap him on the back, or address him as "old boy," or try to make him feel a superannuated fossil. He had nothing of the exasperating young man's chatter. He was good-tempered, had not much to say for himself, was not clever by any means, thank goodness—wrote my friend. It appeared, however, that Jim was clever enough to be quietly appreciative of his wit, while, on the other hand, he amused him by his naiveness. "The dew is yet on him, and since I had the bright idea of giving him a room in the house and having him at meals I feel less withered myself. The other day he took it into his head to cross the room with no other purpose but to open a door for me; and I felt more in touch with mankind than I had been for years. Ridiculous, isn't it? Of course I guess there is something—some awful

He had nothing of the exasperating young man’s chatter. He was good-tempered, had not much to say for himself, was not clever by any means, thank goodness — wrote my friend. It appeared, however, that Jim was clever enough to be quietly appreciative of his wit, while, on the other hand, he amused him by his naiveness. “The dew is yet on him, and since I had the bright idea of giving him a room in the house and having him at meals I feel less withered myself. The other day he took it into his head to cross the room with no other purpose but to open a door for me; and I felt more in touch with mankind than I had been for years. Ridiculous, isn’t it? Of course I guess there is something — some awful little scrape — which you know all about — but if I am sure that it is terribly heinous, I fancy one could manage to forgive it. For my part, I declare I am unable to imagine him guilty of anything much worse than robbing an orchard.

Brian spared her a glance. "I'm just angry altogether." "Oh,that's right." Since violence seemed to be the mood of the day, she gave in to it and stabbed a finger into his shoulder. "You're just angry period. He's got some twisted idea that I don't think he's good enough to defend me against a drunk bully. Well, I have news for you,you hardheaded Irish horse's ass." Now that her own temper was fired, she curled her hand into a fist and used it to thump his chest. "I was defending myself just fine." "You half Irish, stiff-necked birdbrain, he's twice your size and then some." "I was handling it, but I appreciate your help." "The hell you do.It's just like with everything else.You've got to do it all yourself.No one's as smart as you, or as clever, or as capable.Oh it's fine to give me a whistle if you need a diversion." "Is that what you think?" She was so livid her voice was barely a croak. "That I make love with you for a diversion? You vile, insulting, disgusting son of a bitch." She raised her own fists, and might have used them, but Travis stepped in and gripped Brian by the shirt.His voice was quiet, almost matter-of-fact. "I ought to take you apart." "Oh,Travis." Adelia merely pressed her fingers to her eyes. "Dad,don't you dare." At wit's end, Keeley threw up her hands. "I've got an idea.Why don't we all just beat each other senseless today and be done with it?

Hoover fed the story to sympathetic reporters—so-called friends of the bureau. One article about the case, which was syndicated by William Randolph Hearst’s company, blared, NEVER TOLD BEFORE! —How the Government with the Most Gigantic Fingerprint System on Earth Fights Crime with Unheard-of Science Refinements; Revealing How Clever Sleuths Ended a Reign of Murder and Terror in the Lonely Hills of the Osage Indian Country, and Then Rounded Up the Nation’s Most Desperate Gang In 1932, the bureau began working with the radio program The Lucky Strike Hour to dramatize its cases. One of the first episodes was based on the murders of the Osage. At Hoover’s request, Agent Burger had even written up fictional scenes, which were shared with the program’s producers. In one of these scenes, Ramsey shows Ernest Burkhart the gun he plans to use to kill Roan, saying, “Look at her, ain’t she a dandy?” The broadcasted radio program concluded, “So another story ends and the moral is identical with that set forth in all the others of this series….[ The criminal] was no match for the Federal Agent of Washington in a battle of wits.” Though Hoover privately commended White and his men for capturing Hale and his gang and gave the agents a slight pay increase—“ a small way at least to recognize their efficiency and application to duty”—he never mentioned them by name as he promoted the case. They did not quite fit the profile of college-educated recruits that became part of Hoover’s mythology. Plus, Hoover never wanted his men to overshadow him.

Punish me for my awful pride," she said to him, clasping him in her arms so tightly as almost to choke him. "You are my master, dear, I am your slave. I must ask your pardon on my knees for having tried to rebel." She left his arms to fall at his feet. "Yes," she said to him, still intoxicated with happiness and with love, "you are my master, reign over me for ever. When your slave tries to revolt, punish her severely." In another moment she tore herself from his arms, and lit a candle, and it was only by a supreme effort that Julien could prevent her from cutting off a whole tress of her hair. "I want to remind myself," she said to him, "that I am your handmaid. If I am ever led astray again by my abominable pride, show me this hair and say, 'It is not a question of the emotion which your soul may be feeling at present, you have sworn to obey, obey on your honour.' As he was moving his hand over the soft ground in the darkness and satisfying himself that the mark had entirely disappeared, he felt something fall down on his hands. It was a whole tress of Mathilde's hair which she had cut off and thrown down to him. She was at the window. "That's what your servant sends you," she said to him in a fairly loud voice, "It is the sign of eternal gratitude. I renounce the exercise of my reason, be my master." Julien was quite overcome and was on the point of going to fetch the ladder again and climbing back into her room. Finally reason prevailed. (A few days later...) In a single minute mademoiselle de la Mole reached the point of loading Julien with the signs of the most extreme contempt. She had infinite wit, and this wit was always triumphant in the art of torturing vanity and wounding it cruelly. Hearing himself overwhelmed with such marks of contempt which were so cleverly calculated to destroy any good opinion that he might have of himself, he thought that Mathilde was right, and that she did not say enough. As for her, she found it deliciously gratifying to her pride to punish in this way both herself and him for the adoration that she had felt some days previously. She did not have to invent and improvise the cruel remarks which she addressed to him with so much gusto. Each word intensified a hundredfold Julien's awful unhappiness. He wanted to run away, but mademoiselle de la Mole took hold of his arm authoritatively. "Be good enough to remark," he said to her, "that you are talking very loud. You will be heard in the next room." "What does it matter?" mademoiselle de la Mole answered haughtily. "Who will dare to say they have heard me? I want to cure your miserable vanity once and for all of any ideas you may have indulged in on my account." When Julien was allowed to leave the library he was so astonished that he was less sensitive to his unhappiness. "She does not love me any more," he repeated to himself... "Is it really possible she was nothing to me, nothing to my heart so few days back?" Mathilde's heart was inundated by the joy of satisfied pride. So she had been able to break with him for ever! So complete a triumph over so strong an inclination rendered her completely happy. "So this little gentleman will understand, once and for all, that he has not, and will never have, any dominion over me." She was so happy that in reality she ceased to love at this particular moment.

At first glance, a militant conception of revolution seems more impractical than a nonviolent conception, but this is because it is realistic. People need to understand that capitalism, the state, white supremacy, imperialism, and patriarchy all constitute a war against the people of this planet. And revolution is an intensification of that war. We cannot liberate ourselves and create the worlds we want to live in if we think of fundamental social change as shining a light in the darkness, winning hearts and minds, speaking truth to power, bearing witness, capturing people’s attention, or any other passive parade. Millions of people die every year on this planet for no better reason than a lack of clean drinking water. Because the governments and corporations that have usurped control of the commons have not found a way to profit from those people’s lives, they let them die. Millions of people die every year because a few corporations and their allied governments do not want to allow the production of generic AIDS drugs and other medicine. Do you think the institutions and the elite individuals who hold the power of life or death over millions give a fuck about our protests? They have declared war on us, and we need to take it back to them. Not because we are angry (though we should be), not to get revenge, and not because we are acting impulsively, but because we have weighed the possibility of freedom against the certainty of shame from living under whatever form of domination we are faced with in our particular corner of the globe; because we realize that some people are already fighting, often alone, for their liberation, and that they have a right to and we should support them; and because we understand that the overlapping prisons that entomb our world have by now been so cleverly constructed that the only way to free ourselves is to fight and destroy these prisons and defeat the jailers by whatever means necessary.

When the bullhorn signaled that he'd met the qualifying time,he struggled to gather his wits,waiting until Devil was right alongside the gate before he freed his hand,cutting himself loose. He flew through the air and over the corral fence,landing in the dirt at Marilee Trainor's feet. "My God! Don't move." She was beside him in the blink of an eye,kneeling in the dirt,probing for broken bones. Wyatt lay perfectly still,enjoying the feel of those clever, practiced hands moving over him.When she moved from his legs to his torso and arms,he opened his eyes to narrow slits and watched her from beneath lowered lids. She was the perfect combination of beauty and brains.He could see the wheels turning as she did a thorough exam.Even her brow,furrowed in concentration,couldn't mar that flawless complexion. Her eyes, the color of the palest milk chocolate, were narrowed in thought.Strands of red hair dipped over one cheek, giving her a sultry look. Satisfied that nothing was broken, she sat back on her heels,feeling a moment of giddy relief. That was when she realized that he was staring. She waved a hand before his eyes. "How many fingers can you see?" "Four fingers and a thumb. Or should I say four beautiful,long,slender fingers and one perfect thumb,connected to one perfect arm of one perfectly gorgeous female? And,I'm happy to add,there's no ring on the third finger of that hand." She caught the smug little grin on his lips. Her tone hardened. "I get it. A showboat.I should have known.I don't have time to waste on some silver-tongued actor." "Why,thank you.I had no idea you'd examined my tongue.Mind if I examine yours?" She started to stand,but his hand shot out,catching her by the wrist. "Sorry.That was really cheesy, but I couldn't resist teasing you." His tone altered,deepened,just enough to have her glancing over to see if he was still teasing. He met her look. "Are you always this serious?" Despite his apology,she wasn't about to let him off the hook,or change her mind about him.

beyond them. The Six Diseases If we want to look at how we practice all forms of rivalry, there are six diseases my father wrote about, all of which stem from the desire we have to win at all costs. These diseases rely on being in competition, which is typically where we go in a relationship the moment any discord pops up. When we relate to others in these ways, we are disconnecting from them and disconnecting from our true selves in order to access some form of outside validation. In other words, there is no relationship, no collaboration, no cocreation. There is only the victor and the loser. The Six Diseases are: The desire for victory I have to be the winner. If I don’t win, I’m a loser. If I win, everyone else is a loser. The desire to resort to technical cunning I rely on the power of my wits to show you how great I am. Who cares about people or their feelings as long as everyone can see how clever I am? The desire to display all that has been learned Check me out. I know lots of things. I can speak at length about anything. It doesn’t matter what anyone else has to say (especially if it’s dumb). The desire to awe the enemy I am a force to be reckoned with. Look out! I will wow you to get your approval even if I have to do something shocking and wild to get your attention. The desire to play the passive role I am so easy to get along with. Who wouldn’t like me? I am so unobtrusive and sweet. I will put anything that’s important to me aside to make sure that you see how likeable and wonderful I am. How could you not like me when I sacrifice everything just for you? The desire to rid oneself of whatever disease one is affected by I am not okay as I am. I will perform constant self-work and read as many books as I can and take so many classes to make myself good that you will see that I am always trying to be a good person even if I continue to do lots of shitty things. I know I’m not okay as I am. And I know you know that I know I’m not okay as I am, which makes it okay not to get truly better as long as it looks like I’m trying.

Having weathered the storm once, she embraced it and gloried in it, thrilled to be wanted with such unwavering intent, with such concerted focus, with such... adoration. Despite the passion driving him, despite the desire that had hardened his body, that infused every caress with a driven edge, behind all was a care that never wavered. A care that had him holding back, his breathing as ragged as hers, his kiss every bit as desperate, until his clever fingers sent her wits spinning from this world and submerged her senses in indescribable pleasure. Only then did he shift, pin her beneath him, and thrust into her. She gasped, arched beneath him, then moaned as he took advantage of her instinctive invitation and drove even deeper into her very willing body. She clamped around him and he paused, eyes closed, every muscle clenched and tight, on the cusp of quivering, then he drew in a labored breath, withdrew and thrust anew, and she lost touch with the world. And once again all she knew was the heat and the flames and the steady, relentless possession. The giddy pleasure and delight, and beneath and through it all threaded the elusive evidence of his loving. It was there in the catch of his breath when she shifted, rose beneath him and moved against him, letting the fascinatingly crinkly hair on his chest abrade her excruciatingly sensitive nipples. There in the way he slowed, metaphorically gripped her hand and drew her back from the brink so that she didn't rush ahead and end the pleasure all too soon, but instead caught her sensual breath and joined agin with him in that primitive and evocative dance. More all-consuming, all-absorbing. More intimate. Love was there in the guttural whispers of encouragement he fed her when she once more started that inexorable climb, when passion roared and she suddenly found it upon her, near and so intense. There in the way in which he held her, cradled her, all the while moving so relentlessly within her, stoking the flames, sending her senses careening. There in the moment when ecstasy claimed her and he held her close, and held still, muscles quivering with restraint, prolonging the moment until she wept with simple joy. There in the final helpless moment when he lost himself in her.

Good manners disappear proportionately as the influence of the court and a self-contained aristocracy declines. This decrease can be observed clearly from decade to decade, if one has an eye for public events, which visibly become more and more vulgar. No one today understands how to pay homage or flatter with wit; this leads to the ludicrous fact that in cases where one must do homage (to a great statesman or artist, for example), one borrows the language of deepest feeling, of loyal and honorable decency-out of embarrassment and a lack of wit and grace. So men's public, ceremonious encounters seem ever more clumsy, but more tender and honorable, without being so. But will manners keep going downhill? I think, rather, that manners are going in a deep curve, and that we are nearing its low point. Now we inherit manners shaped by earlier conditions, and they are passed on and learned ever less thoroughly. But once society has become more certain of its intentions and principles, these will have a shaping effect, and there will be social manners, gestures, and expressions that must appear as necessary and simply natural as these intentions and principles are. Better division of time and labor; gymnastic exercise become the companion of every pleasant leisure hour; increased and more rigorous contemplation, which gives cleverness and suppleness even to the body-all this will come with it. As this point one might, of course, think, somewhat scornfully, of our scholars: do they, who claim to be antecedents of the new culture, distinguish themselves by superior manners? Such is not the case, though their spirit may be willing enough: their flesh is weak.9 The past is still too strong in their muscles; they still stand in an unfree position, half secular clergymen, half the dependent educators of the upper classes; in addition, the pedantry of science and out-of-date, mindless methods have made them crippled and lifeless. Thus they are, bodily at least, and often three-quarters spiritually, too, still courtiers of an old, even senile culture, and, as such, senile themselves; the new spirit, which occasionally rumbles about in these old shells, serves for the meanwhile only to make them more uncertain and anxious. They are haunted by ghosts of the past, as well as ghosts of the future; no wonder that they neither look their best, nor act in the most obliging way.